Woolley & Wallis by Jamm Design Ltd

WOO L LE Y & WA L LI S SA L I S B U R Y SA L E R O O M S

English & European Ceramics & Glass Tuesday 8th October 2013

Specialist Departments Please dial +44 (0)1722 followed by the number listed below

20TH CENTURY DESIGN Michael Jeffery

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ASIAN ART John Axford MRICS ASFAV — Sophie Lister — Alex Doméracki Freya Yuan

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CLOCKS, WATCHES & SCIENTIFIC INSTRUMENTS Richard Price — 07741 242421 ENGLISH & EUROPEAN CERAMICS & GLASS John Axford MRICS ASFAV — 424506 FURNITURE Will Hobbs Gemma Bush Mark Richards Jim Gale

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JEWELLERY Jonathan Edwards FGAA Marielle Whiting FGA

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PAINTINGS Victor Fauvelle Jo Butler

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SILVER Rupert Slingsby Lucy Chalmers Tribal Art Will Hobbs

Members of The Society

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VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV — 424509 Clive Stewart-Lockhart FRICS FRSA 424598 ACCOUNTS & OFFICE MANAGER Janice Clift — Ruth Pike MARKETING Tamzin Corbett GENERAL OFFICE Linda Garthwaite Pauline West Sharon Ringwood Nicola Young SALEROOM MANAGER David Jordan

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BOARD OF DIRECTORS Paul Viney ASFAV Chairman John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart Managing Director

FRICS FRSA

COMPANY SECRETARY Jim Macarthur CA ASSOCIATE DIRECTORS Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby Jonathan Edwards FGAA Janice Clift

of Fine Art Auctioneers

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 Fax: 01722 424508

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ENGLISH & EUROPEAN CERAMICS & GLASS Tuesday 8th October 2013 at 10.00am Viewing Times Saturday 5th October Monday 7th October Tuesday 8th October

10.00am – 1.00pm 10.00am – 6.00pm 8.30am – 10.00am

ENQUIRIES Clare Durham 01722 424507 claredurham@woolleyandwallis.co.uk

LIVE BIDDING

Please register by 4pm on Monday 7th October. There is no surcharge for using this service.

Front cover: Lot 556 Back cover: Lot 646 Catalogue £12.00 (£15.00 by post) Images and a catalogue word search facility are available at www.woolleyandwallis.co.uk

ENGLISH & EUROPEAN CERAMICS & GLASS Tuesday 8th October 2013 at 10.00am

1. A large blue glass jug, decorated with trailed neck rings and a raspberry prunt to the base of the handle, and a spiral-moulded clear glass jug of pinched quatrefoil form, 22cm max. (2) £100-200

2. Two Dutch green-tinted roemers, c.1680-1700, the round bowls raised on tapering stems, each applied with three raspberry prunts above a tall engrailed foot, 12.5cm. (2) £200-300

3. A pair of French cut glass goblets, c.1900, the thistle-shaped bowls cut with circular motifs and gilded with stylized flowers, raised on low faceted stems and square feet, gilt Dreyfous marks to the bases, one rim ground, 14.2cm. (2) £100-200 Sold on behalf of the executors of The Hon. Mary Anna Marten dec’d, of Crichel House, Dorset.

4. A pair of Mary Gregory decanters and stoppers, 19th century, each enamelled with a child blowing a bugle beneath leafy boughs, 25cm. (4) £100-200

5. An Italian glass drug jar, engraved with the winged lion of Venice, the reverse with the staff of Asclepius, and a small glass oil jar with a curved, narrow spout, 21.5cm max. (2) £350-450

6. A pair of cut glass decanters and stoppers, 19th century, with cylindrical faceted bodies and three rings to the necks, the bases starcut, with flat hexagonal stoppers, 24cm. (4) £100-150

7. A wine glass of Jacobite type, c.1760, the drawn trumpet bowl rising from a thick airtwist stem and engraved with an oakleaf, star, rose with two buds, and ‘Fiat’, 17cm. £600-800

8. A large goblet, c.1760, the generous bell-shaped bowl raised on an opaque twist stem, 18.5cm. £150-250

9. A baluster glass, c.1720, with flared bowl rising from a stem with acorn knop and teardrop, above a folded foot, 17cm. £1,400-2,000

10. A ratafia glass, mid 18th century, with a drawn bowl having a hammered effect above a dense airtwist stem, 20.5cm. £300-400

11. An ale glass, c.1760, the slender funnel bowl engraved with crossed stems of barley, raised on a mercury airtwist stem, 17cm. £250-350

12. A rare Beilby enamelled wine glass, c.1765, decorated in white with four floral garlands, probably by Mary Beilby, raised on a plain stem above a folded foot, 14cm. £1,800-2,200

13. A ratafia glass, c.1760, with elongated bell-shaped bowl raised on a delicate double-knopped airtwist stem, 20.5cm. £300-400

14. A wine glass of Jacobite type, c.1760, the funnel bowl engraved with a rose and bud spray, the reverse with a butterfly, raised on a double series airtwist stem, 15.5cm. £600-800

Cf. J. Rush, A Beilby Odyssey, p.60, pl.18 for a glass with the same design raised on an opaque twist stem. It is extremely unusual to find a Beilby glass raised on a plain stem.

15. A Continental imitation of a trick glass, 19th century, formed as a woman with a hollow glass skirt, her upper torso in gilt metal, supporting a rotating glass piggin, and a glass flask with pinched trailed decoration and raised gilt designs, 28cm max. (2) £150-250

16. A massive coloured glass bowl, 19th/20th century, with a wide, flared and folded rim, with colourful swirls of pink, blue, green and yellow, 38.5cm. £300-400

18. Three Bohemian glass vessels, 19th/20th century, one a small vase flashed in red and cut with a bear hunting scene, one an octagonal pot similarly decorated with topographical views, the last a tall armorial beaker with craquelure effect, applied with raspberry prunts, 17.5cm max. (3) £120-180

19. A small group of glass including some apothecary items, most 1st half 19th century, including two cupping bowls, an unmarked silver-mounted cut glass bowl and cover, three pestles, and three coloured glass vases, 13.5cm max. (10) £100-200

20. A large Bohemian amber glass goblet and cover, 19th century, engraved with a huntsman and hounds chasing a stag, raised on a hexagonal stem and starcut foot, and a cranberry glass vase modelled as a boot, the cover’s finial repaired, 30.5cm max. (3) £300-400

21. Eight coloured glass finger bowls, 1st half 19th century, six blue and two green, of varying form, and a blue glass carafe with cut faceted neck, 24.3cm max. (9) £200-300

22. A cut glass sweetmeat jar and cover, raised on a low faceted stem and circular foot, and a sulphide paperweight, the cranberry glass set with a profile portrait, 23cm max. (3) £50-100

23. A small collection of cranberry coloured glass, most 19th century. Comprising: a pair of globular jugs and stoppers, a decanter and stopper, a pair of goblets, two jugs, a vase, a low tazza, and two small round vases. (14) £100-200

Sold on behalf of the executors of The Hon. Mary Anna Marten dec’d, of Crichel House, Dorset.

17. An attractive glass jug of Wrockwardine/Nailsea type, early 19th century, the green glass flecked with white and red inclusions, and a large Continental green glass jug of waisted form, 22cm max. (2) £300-400

24. A large Clichy barber’s pole paperweight, mid 19th century, a green and pink ‘Clichy rose’ cane to the centre, with two other rows of canes, separated by blue and white pole lengths with latticino wrapping, a small chip to the foot, 7cm dia. x 5cm high. £400-600

25. A rare Beykoz (Turkish) opaque glass cup, c.1860-70, the large rounded body gilded with panels of flower and leaf sprigs around a simple triqueta of fish, and a spiral-moulded Beykoz cup and cover with alternating panels of amber glass and gilded floral designs, raised on a starcut foot, some damages to the latter, 14cm max. (3) £400-600

26. A Bohemian type glass vase, late 19th century, the flared blue body enamelled with four oval garlands of pink roses within elaborate gilt scroll designs, 13.5cm. £100-200

27. A Clichy barber’s pole paperweight, mid 19th century, set with three rows of canes including a green and pink ‘Clichy rose’, separated by turquoise and white pole lengths with latticino tubes and wrapping, a small surface dint, 6.5cm dia. x 4.7cm high. £100-150

28. An English blue glass oil jug, late 18th/19th century, with traces of silvered floral decoration, raised on a pinched foot, another Continental glass, and a Turkish glass hookah base with wide lip, 21.7cm max. (3) £500-700

29. A pair of opaque white glass vases, 19th century, painted with monochrome panels of Christ and of the Virgin Mary, reserved on a ground of dense blue foliage, some wear, 23cm. (2) £250-350

30 30.

A colour-twist wine glass, c.1770, with a small ogee bowl raised on an opaque twist stem edged in blue, 15.7cm.

£2,200-2,800

31. A Jacobite type wine glass, c.1760, the bell-shaped bowl engraved with a rose and bud and a large moth, raised on a knopped airtwist stem, 16.8cm. £400-600 32. A trick wine glass, mid 18th century, the bell-shaped bowl raised on a knopped baluster stem above a folded foot, the bottom of the bowl with a small hole through to the hollow knop, 15.6cm. £600-800 33.

A fine toasting glass, mid 18th century, the flared bowl rising from a delicate plain stem above a wide foot, 19.5cm.

£450-650

34.

A wine glass, mid 18th century, the bell-shaped bowl raised on a dense airtwist stem above a folded foot, 16cm.

£200-300

35.

A rare wine glass, c.1760, the narrow funnel bowl with an unusual flattened knop, raised on a slender opaque twist stem, 16.5cm. £600-800 36. A Newcastle light baluster wine glass, mid 18th century, the funnel bowl raised on a multiple knopped stem, one knop with two rows of tears, the lower with a single teardrop, 16cm. £500-800 Provenance: from the Walter F. Smith collection, no. 1347. 37. A baluster wine glass, c.1730-40, the funnel bowl engraved with a banner proclaiming ‘Les Inclinations’ above suspended grapes, the rim with a simple border, raised above a teardrop baluster stem above a domed foot, 16.5cm. £450-650

38. Two engraved glass tankards, probably 19th century, one engraved with initials, hops and barley, the other inscribed with a two line stanza and the initials ‘AB’, and a small wine glass engraved ‘England has done her Duty’, 17.5cm max. (3) £100-200

39. A pair of Lauenstein firing glasses, c.1760-70, the flared bowls drawn from stems with a row of small tears enclosing a large teardrop, above a stepped foot, the bowls engraved with a figure standing behind a wall within a fabric cartouche, each below a band of polished circles, 11.5cm. (2) £500-700

40. A good pair of glass goblets by Jo Birrell, modern, one engraved with a fruiting branch of plums, the other with cherries, raised on short plain stems, 17cm. (2) £40-60

41. Two wine glasses, mid 18th century, one with a drawn trumpet bowl rising from a teardrop stem, the other with a wrythen bowl above a plain stem, both on folded feet, 15.2cm max. (2) £150-250

42. A glass scent bottle and stopper, c.1820, to commemorate the Coronation of George IV, modelled as the three feathers of the Prince of Wales, with a Maltese cross stopper, 13.5cm. (2) £200-300

43. An unusual moulded glass salt, 18th century, the hollow globular body with moulded flutes, raised on a low conical foot, 6.8cm across. £200-300

44. A large glass tumbler, late 18th/early 19th century, engraved with a figure on horseback, perhaps representing the King of Prussia, a ship at full sail and a panel of victorious motifs, within bands of polished ovals, 12.5cm. £300-400

45. A rare commemorative firing glass, late 18th/early 19th century, the bowl engraved ‘Duncan For Ever’ and raised on a short plain stem above a stepped foot, 9.2cm. £1,500-2,000 This glass commemorates Lord Viscount Duncan, whose victory against the Dutch at Camperdown in October 1797 was the most significant battle between the Dutch and the English during the French Revolutionary Wars.

46. Two E. Varnish & Co mercury or silvered glass goblets, 19th century, cased in green and cut, one with baskets of flowers, the other with a garland design, inset marks, and a third similarly cased in silvery green, inset ‘P’ mark for Petit Jean, 23.5cm max. (3) £500-800

47. A pair of E. Varnish & Co mercury or silvered glass vases, 19th century, cased in blue and cut with a garland design, the thistleshaped bowls raised on short knopped stems, inset marks, 19.5cm. (2) £500-800 Purchased from John Casey, King’s Road on 30th July 1968.

Provenance: the right hand glass previously in the Walter F. Smith Collection.

48. Four W. Lund mercury or silvered glass inkwells, 19th century, and a fifth similar, all of squat bell-shaped form with hinged metalmounted lids, in silver, blue, green and amethyst, four with inset marks to the base, 13.5cm max. (5) £400-600 All purchased from Richard Dennis and Maureen Thompson between 1968 and 1976.

49. A small collection of mercury or silvered glass, 19th century, including E. Varnish & Co. and Hale Thomson, variously coloured and faceted, most with inset marks. Comprising: four salts, three paperweights, a small pot and a ring stand, 13cm max., together with two catalogues of the Parkington Collection. (11) £400-600 Provenance: the ring stand previously in the Parkington Collection, Christie’s, 8th April 1998, lot 244.

50. A pair of Varnish & Co mercury or silvered glass goblets, 19th century, the bell-shaped bowls rising from faceted stems, and another similar with a faceted bowl, inset marks to the feet, 22cm max. (3) £500-800 Purchased from Richard Dennis between 1967 and 1968.

52. A large Hugo Wolf mercury or silvered glass goblet, 19th century, the golden yellow body etched with a continuous design of fruiting grapevine, HW monogram inset to the base, 27cm. £600-800

51. A pair of mercury or silvered glass cornucopia vases, 19th century, in the manner of Edward Varnish, the flared blue glass vases issuing from the mouths of gilt metal dolphins raised on rectangular alabaster bases, 21cm high. (2) £400-600 Provenance: by repute from Newnham Lodge.

53. A good amethyst glass bottle or carafe, probably Dutch c.1680-1700, the compressed body applied with vertical ribs, rising to a tall tapering neck, 22cm. £1,000-1,500

54. A Bohemian glass vase, 19th century, the ruby-flashed body overlaid in white and cut with a Moresque design of trefoils and quatrefoils, cracked, 29.3cm. £50-150

Purchased from Howard Phillips on 24th December 1969.

55. Various cut and coloured glass items, 19th and 20th centuries, including two cut glass dishes, six small cut glass bowls, a mottled blue opaque glass obelisk, a painted glass vase, two coloured glass bowls, one with Mary Gregory type decoration, and a ruby-flashed vase with white enamelling, 25cm max. (13) £100-200

56. A glass sweetmeat stand or tazza, with ogee cut rim, raised on a faceted knop and a hexagonal foot, a pair of goblets with lappet moulding, and a small spiral-moulded glass vase with everted rim, 16cm max. (4) £120-180

57. Seven dwarf ale glasses, 19th century, with spiral-moulded bowls, raised on short knopped stems with wrythen moulding, 13cm. (7) £150-250

58. A large and unusual shallow glass dish, late 18th/early 19th century, with scallop-edged rim, the underside cut with bands of tapering diamonds, 26cm dia. £200-300

59. A Bohemian glass goblet, 19th century, flashed in amethyst and cut with a stag and shell panels, a hexagonal cut goblet with gilt garlands, and a Continental green glass pouring bottle moulded with an armorial, 23cm max. (3) £100-200

60. An Austro-Hungarian silvermounted glass casket, c.1820, of rectangular form, the smaller sides cut with leaves, the longer sides with fluting, with a chased escutcheon, together with the key, 13cm across. £300-500

61. A set of six unusual glass finger bowls, 19th century, the square rims with a powdered gilt effect, billowing out into fluted round bodies, raised gilt ‘Crook’s’ marks to the bases, 11cm dia. (6) £200-300

62. Four wine glasses, 2nd half 18th century, one with a flared bowl raised on a double series opaque twist stem, one with an ogee-shaped bowl, the other with a bellshaped bowl, both raised on folded feet, 16cm max. (4) £200-300

63. A mixed collection of glass, 18th century and later, including a small epergne, an engraved goblet and cover, a cut glass footed bowl with everted rim, a green oil jug, and three small glasses, some faults, 23cm, max. (8) £150-200

64. A large glass, 2nd half 18th century, the tall flared bowl raised above a knopped teardrop stem, a narrow wine glass above a thick plain stem, and a smaller glass cut with facets, 20.5cm max. (3) £180-220

65. A large glass goblet and an 18th century style glass, modern, both by Peter David, the goblet faintly etched with tigers, the other glass with a titled portrait of George III, raised on a multi-twist stem, 20.5cm max. (2) £50-150

66. Two firing glasses, 2nd half 18th century, one bell-shaped, the other with a flared bowl, both raised on a thick firing foot, and a small glass with wrythen moulded bowl, 10cm max. (3) £100-200

67. Three wine glasses, mid 18th century, two with drawn trumpet bowls raised on teardrop stems, the last with simple flared bowl on a plain stem, all above folded feet, a small chip to one rim, 16cm max. (3) £200-300

68. Two large wine glasses, c.1770, one with a bell-shaped bowl raised on an opaque twist stem, the other with a drawn trumpet bowl raised on an airtwist stem, 17.5cm. (2) £100-200

69. Three wine glasses, c.1760-70, one bowl engraved with grapevine and a bird, all raised on double series opaque twist stems, 15cm max. (3) £150-250

70. Two wine glasses, c.1760, one with a drawn trumpet bowl, the other with a waisted bucket bowl, both raised above mercury airtwist stems, 17.5cm max. (2) £500-800

71. Five wine glasses with engraved bowls, 2nd half 18th century, variously decorated with birds in flight, grapevine and flowers, two raised on folded feet, all above plain stems, some footrim chips, 15cm max. (5) £150-250

72. Three wine glasses, mid 18th century, all raised on folded feet, two with plain stems, one with a knopped stem, one bowl engraved with a hound chasing a stag, another with continuous grapevine, 14.7cm max. (3) £150-250

The large glass with an old paper collection label.

73. A pair of cut glass bowls and covers, decorated with bands of leaves and star roundels, raised on square bases, the domed covers topped with pineapple finials, minor faults, 28cm. (4) £150-250

74. Two glass épergnes, 19th century, one flashed in pale pink and trailed with pinched glass, a central trumpet and two smaller issuing from a deep scalloped dish, the other similar with an opaque lustre tinge, two trumpets and two curled glass canes around a central larger trumpet, 55cm max. (2) £150-250

75. Two coloured glass decanters and stoppers, 19th century, one of chamfered square green glass, titled ‘Brandy’ in gilt, the other blue with a flattened stopper, together with two Continental porcelain wine labels titled ‘Madere’ and ‘Malaga’, a few small chips, 30cm max. (6) £100-200

76. A pair of cut glass sweetmeat jars and covers, the flared, faceted bowls with elaborate shaped rims, rising from knopped stems above hexafoil feet, the domed covers with tall pointed finials, a few small chips, 37cm. (4) £200-300

77. Seven wine glasses, 2nd half 18th century, three engraved with star garlands, the other variously cut and engraved, all raised on faceted stems, 14.8cm max. (7) £300-500

78. A large cut glass pedestal bowl, probably 19th century, overlaid in blue and cut with tapering bands of squares and octagons, raised on a stepped square foot, 30.5cm dia. £80-120

79. An emerald green wine glass, c.1755-60, with rounded bowl raised on a short knopped stem above a folded foot, 10.5cm. £250-350

80. A good Bohemian glass goblet, 19th century, the wide bowl overlaid with chamfered rectangular panels of blue glass reserved on a foliate and vermicelli ground, raised on a faceted stem and a lobed starcut foot, 19cm. £300-400

83. A set of three blue glass decanters and stoppers, c.1800, the barrel-shaped bodies decorated with gilt horizontal bands and titled ‘Rum’, ‘Brandy’ and ‘Hollands’, the faceted stoppers with star motifs and initialled, 20cm. (6) £150-200

81. A rare green tinted wine glass, c.1760-70, the pale green bowl above a hollow knop applied with three raspberry prunts, raised on an opaque twist stem above a green domed foot, 15.2cm. £300-350

82. A good emerald green wine glass, c.1755-60, with a rib-moulded bowl raised on a plain stem above a moulded conical foot, 13.5cm. £250-350

84. A pair of blue glass decanters and stoppers, c.1800, titled in gilt with ‘Rum’ and ‘Hollands’ in elaborate script with grapevine motif, the flattened stoppers with a leaf sprig, some regilding, one stopper reduced, 23cm. (4) £150-200

85. A good and large glass goblet, mid 18th century, the drawn trumpet bowl Dutch-engraved with a three-masted ship flying the Dutch flag, beside a Customs House with a cornucopia draped across one gable, inscribed ‘de goede Negosie aan de Caap’ (Good trade to the Cape), raised on a teardrop stem, 20.5cm. £2,200-2,800

86. A cut glass taperstick, c.1770, the narrow stem with a faceted knop, the sconce lightly waisted, all raised above a domed and lobed foot, 16cm. £400-600

87. A rare ratafia glass, c.1760, with unusually small flared bowl raised on an airtwist stem, the bowl engraved ‘Ratafia’ within a leaf garland, 14cm. £1,200-1,500

88. A good wine glass, c.1770, with generous hammered funnel bowl raised on a slender stem with a dense airtwist above a domed foot, 16.5cm. £450-600

89. A good and large baluster wine glass, c.1720, the flared bucket-shaped bowl raised on a teardrop knopped stem above a folded foot, 18.8cm. £1,500-2,000

90. A Newcastle light baluster glass, c.1750, the narrow bell-shaped bowl engraved with a wide rim of of flowers, leaves and scrolls set with polished circles, the stem with a knop containing two rows of tears, 17.2cm. £500-800

91. A rare Newcastle light baluster glass, mid 18th century, the large bowl engraved with the arms of Delft supported by two lions, raised on a multiple knopped stem with central teardrop above a folded foot, 20.5cm. £1,500-2,000 Provenance: from the Walter F. Smith collection, no. 1154.

92. A good and rare cider glass, c.1740, the generous bowl with hammered effect, the rim engraved with sprays of apples, pears and other fruit, raised on an incised twist stem above a folded foot, 17.5cm. £1,500-2,000

93. A large wine glass, c.1760, the bell-shaped bowl Dutch-engraved with a ship beside a small Customs House with fruiting cornucopia, inscribed ‘T. Welvaren Van Deezen Huysen’, raised on a knopped and faceted stem, 17cm. £800-1,200

94. Two wine glasses, c.1760, one with a drawn trumpet bowl raised on an airtwist stem, the other raised on a mixed twist stem, 16cm max. (2) £100-200

95. Two ale glasses, 2nd half 18th century, one engraved with hops and barley, the other raised on a low knopped stem above a folded foot, and a drawn trumpet wine glass with teardrop stem above a folded foot, 14.5cm max. (3) £150-250 94

96. A Lynn wine glass, c.1760, the funnel bowl with horizontal ribs, raised on a double series opaque twist stem, 15cm. £400-600

97. A rare ‘No Excise’ firing glass, mid 18th century, engraved to the bowl and raised above a short double series opaque twist stem and a thick foot, 10cm. £1,800-2,200

97 98. Two small drawn-trumpet glasses, 2nd half 18th century, raised on folded feet, and a pair of wine glasses with generous bowls raised on short faceted stems, a fault to one foot, 11cm max. (4) £150-250

99. A glass tazza or syllabub stand, c.1720, the wide circular top with a folded lip, raised on a beehive stem with flame gadrooning above a domed and folded foot, 24.5cm. £600-800 98

99 100. A Masonic firing glass, 19th century, one side engraved with a set square and compasses around the letter G, the reverse titled ‘Unanimity’ above the Prince of Wales feathers and the lodge number ‘543’, 6.5cm. £250-350

101. A Masonic firing glass of Jacobite significance, 2nd half 18th century, the flared bowl engraved with a set square and compasses, the reverse with a spray of thistle, 8.7cm. £600-800

100

101

102. A tall cylindrical glass vase, modern, cut as lengths of bamboo, etched ZV mark in a rectangle, 35cm. £50-100

103. A glass ewer, probably Stourbridge c.1880, finely engraved with tall flowering branches extending towards the spout, a square Shrub decanter and stopper, titled within a polished circle border, and a tall decanter and stopper engraved with grapevine, a few small chips, 34.5cm max. (5) £200-300

105. A good set of twelve glass flutes, c.1760, each long drawn bowl raised on a short double series airtwist stem, 20cm. (12) £3,500-4,500

107. A rare ‘trick’ wine glass, mid 18th century, the drawn trumpet bowl rising from a plain stem with teardrop above a folded foot, the bottom of the bowl with a hole into the teardrop, 19.5cm. £500-800

104. A Stourbridge glass ewer and stopper, c.1880-90, in imitation of rock crystal, the flattened faceted body engraved with continuous floral sprays, extending over the handle and the blown stopper, the stopper perhaps associated, 31.5cm. (2) £200-300

106. Four ale glasses, 2nd half 18th century, two raised on differing double series opaque twist stems, two on airtwist stems, one of those above a folded foot, some small footrim chips, 18.5cm max. (4) £200-300

108. Two wine glasses, one with a bellshaped bowl above a knopped opaque twist stem, the other with a trumpet bowl rising from a swollen teardrop stem, 17cm max. (2) £150-250

109. A baluster wine glass, c.1740, with bell-shaped bowl rising from a doubleknopped stem, a further small knop just above the foot, 18cm. £350-450

110. Two West Country sealed wine bottles, c.1770-90, one of squat form, the other narrower and taller, both applied with the same crest of an arm embowed holding a scimitar, one with the initials ‘GB’, the other with the motto ‘Non Dubio’, 29cm max. (2) £400-600

111. A sealed wine bottle, dated 1724, of squat mallet form, with kick-in base, the body applied with a seal for ‘I Wells 1724’, cracked, 20.5cm. £200-300

The seals relate to George Bickford of Dunsland House, near Holsworthy in Devon. Dunsland burned down in 1967, prior to a planned opening by the National Trust.

112. A large green glass bottle, late 18th/early 19th century, of flattened globular form, with tall tapered neck , 36cm. £100-200

113. A good pair of sealed wine bottles, dated 1773, the dark green bodies of squat cylindrical shape, each applied with seal titled ‘T Chard 1773’, 25cm. (2) £600-800

115

114 114. Two wine bottles, late 18th century, one applied with a circular seal titled ‘Lupton’, both with kick-in bases, 29cm max. (2) £100-200 Provenance: from Lupton House near Brixham, Devon.

115. Three wine bottles, 2nd half 18th century, one of mallet shape with dark green body, one of squat cylindrical form, the last a Dutch onion example, 23.5cm max. (3) £150-250

116. A pair of stipple-engraved glass carafes, 19th century, the flattened brown bodies decorated with a continuous scene of equestrian figures, a pair of square sealed bottles, and a pale green mallet-shaped bottle, the latter cracked, 18.5cm max. (5) £400-600 116

117. A good pair of glass tables lustres, 19th century, with knopped and faceted pillar stems beneath scalloped drip pans hung with five long lustres, raised on domed feet, 32cm. (2) £250-350

118. A massive pair of Baccarat glass ewers and basins, late 19th century, of generous fluted form, with gilt bands, further highlighted to the scalloped rims of the basins, 42cm across. (4) £800-1,200 Sold on behalf of the executors of The Hon. Mary Anna Marten dec’d, of Crichel House, Dorset.

BRIXIE JARVIS AND WEDGWOOD The bulk of the Wedgwood collection amassed by Mrs Brixie Jarvis was acquired by the Salisbury and South Wiltshire Museum in 1986, where almost 800 pieces of Wedgwood are now on display, representing some forty years of collecting. The following seven lots are from the remainder of her collection, with some items having additional associations to Mr A T Morley Hewitt, the bulk of whose collection was sold by Sotheby’s in 1959.

119. Seven dry-bodied stoneware teapots and covers, most 19th century, two Chinese Yixing examples, one Wedgwood in the Yixing style, three black basalt examples, one Wedgwood Rosso Antico, and a Wedgwood ‘Egyptian’ black basalt jug, some damages, 19cm max. (15) £200-300 Provenance: from the collection of Brixie Jarvis.

120. A photographic portrait plaque on ceramic, late 19th century, by Elliott and Fry of Baker Street, London, a note to the back stating ‘hair and eyes to be altered’, and two Jasperware type horse-shoe shaped plaques of horses, 21.5cm max. (3) £100-200

121. Various English ceramics, 19th century, including a Wedgwood custard cup printed with birds in flight, a Copeland’s Spode transferware cup and saucer with Italianate views, a copper lustre jug, a small black-glazed moulded jug, and a white-glazed pottery model of a boot, 13.5cm max. (6) £50-100

122. A number of Wedgwood commemorative items, modern, including two Jasperware portrait plaques of George Stubbs and HRH the Princess Anne, a Jasperware plaque for the Wedgwood Museum at Barleston, three thimbles, two brooches and a basalt pendant in their original boxes, a Wedgwood creamware plate commemorating the 25th anniversary of the Wedgwood society, a 1985 commemorative Willow ware plate designed by Peter Brears, and a 19th century Wedgwood muffin dish printed with Chinese figures, 22.7cm max. (12) £60-100 Provenance: from the collection of Brixie Jarvis.

Provenance: from the collection of Brixie Jarvis.

123. A set of eight Alfred Meakin blue and white plates for the American market, 1st half 20th century, printed with landmarks including the Jefferson Davis Shrine, the Natural Bridge of Virginia, General Lee’s Headquarters in Gettysburg, and the home of Roosevelt, and a Johnson Bros transferware plate decorated with a view of Wall Street, 22.5cm max. (9) £80-120 Provenance: from the collection of Brixie Jarvis.

Provenance: from the collection of Brixie Jarvis.

124. Literature: Meteyard, The Life and Works of Wedgwood, Vols. I and II, and two albums of Arms, Crests and Monograms compiled by A T Morley Hewitt. (4) £40-80 Provenance: from the collections of A T Morley Hewitt and Mrs Brixie Jarvis.

125. A large black pottery amphora, perhaps Etruscan 6th-5th century BC, two handles issuing from mask heads applied to the shoulder, two further handles between panels of fluting, extensively damaged and repaired, 39cm. £50-100 Provenance: from the collection of Brixie Jarvis.

126. A Cypriot bichrome ware amphora, Iron Age, c.1050-700BC, the body encircled with black and red bands, two loop handles to the shoulder, further black bands to the inside of the neckrim, 32cm. £600-800 An old metal collector’s label to one handle. Together with a paper export licence from the Government of Cyprus, dated 27th September 1961.

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127. A large pottery amphora, of rounded two-handled form, decorated in bichrome enamels with bands of red and black and with further diagonal black lines, 45cm. £100-200

128. A Cypriot red polished ware jug, Bronze Age, c.2000-1500BC, the globular body incised with circles and lines, a single handle issuing from the neck to the top of the shoulder, the rounded base sitting on a later metal stand, broken through the neck and handle and repaired, the jug 14.5cm. (2) £300-500 Together with a paper export licence from the Government of Cyprus, dated 13th October 1961.

129. A Davenport terracotta wine cooler, late 18th/early 19th century, applied with two handles formed as Bacchanalian masks, impressed mark, 22.5cm. £100-200

130. A Davenport terracotta wine cooler, c.1805-10, finely decorated with a wide band of Egyptian figures, sarcophagi and motifs beneath a brown key fret band, the handles formed as open-mouthed dolphins, 24.5cm. £150-250

131. A pair of English porcelain copies of the Portland Vase, 19th century, the moulded decoration left in the white with gilt detailing, the rest glazed black, pattern number 3 over 1294, a dry bodied stoneware mug applied with figures, and two black basalt cream jugs, 18.5cm max. (5) £150-250

132. A pair of Turner & Co Jasperware vases, c.1800, finely applied with scenes of putti and Classical figures between acanthus leaf and key fret borders, impressed Turner marks, and a Jasperware teapot and cover with similar decoration on a black ground, the spout and handle with black applications on white, damages, 14cm. (4) £120-180

133. English dry-bodied stonewares, 19th century, including a two-handled Wedgwood vase applied with a blue band of grapevine, a Spode jug applied with green flower trumpets, and a brown vase retailed by James Mist of London, applied in white with Venus and Cupid, 20cm max. (3) £200-300

134. A Keeling Toft & Co. black basalt teapot and cover with matching jug, c.1805-15, the sides applied with Classical figures above a band of vertical flutes, the teapot’s cover with a sibyl finial, impressed marks, 20cm max. (3) £80-120

135. A graduated set of three Minton ‘Silenus’ jugs, c.1830-40, the rich green bodies moulded in high relief with the young Silenus on a donkey to one side, the reverse with him as an old man supported by two fauns, beneath fruiting grapevine, applied No. 19 pads to the bases, some damages, 25cm max. (3) £100-200

136. An unusual dry-bodied stoneware part tea service, early 19th century, the fluted body a drab blue colour, highlighted with white enamel designs on reddish brown stripes. Comprising: a teapot and cover, a milk jug and bowl. (4) £150-250

137. A dry-bodied stoneware teapot and cover, probably Leeds, moulded with bands of flowerheads, stiff leaves and fluting between blue enamel lines, 25cm. (2) £80-120

138. An unusual Wedgwood black basalt chamberstick, c.1875, the flared sconce raised on four bare-breasted female terms, the wide base with a band of scrolling leaves, all picked out with gilt detailing, impressed marks, 10cm high. £300-400

139. A large Spode black basalt coffee pot and cover, late 18th/early 19th century, with bands of engine-turned decoration, raised on a circular foot, impressed mark, a small chip to the spout and cover, 19.5cm high. (2) £80-120

140. A good pair of Wedgwood Jasperware câchepots and stands, 1st half 19th century, the bucket-shaped bodies applied with ribs of white clay and a continuous grapevine band on a sage green ground, impressed marks, filled with modern arrangements of white roses, the pots 13cm high. (4) £300-500 Sold on behalf of the executors of The Hon. Mary Anna Marten dec’d, of Crichel House, Dorset.

141. A large pair of Wedgwood Jasperware vases and covers, 19th century, the bodies applied with a frieze of Classical dancing maidens between stiff leaf borders, the shoulders with two scrolled handles, raised on square bases applied with swags, impressed marks, 38cm. (4) £1,500-2,000

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142. A pair of Wedgwood Jasperware vases and covers, 19th century, and a similar pot and cover, the sage green bodies applied with Classical figures at various pursuits between acanthus and stiff leaf borders, impressed marks, one handle restored, 21cm max. (6) £200-300

143. A large Wedgwood Jasperware candlestick and a sucrier and cover, 19th century, applied in white with Classical figures within husk and geometric borders, on a dark blue ground, impressed marks, 25.5cm max. (3) £100-200

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144. A pair of Elijah Mayer black basalt rectangular plaques, c.1800, moulded with Bacchanalian scenes of carousing putti and fauns, impressed E. Mayer to the reverse, 14.5cm. (2) £100-200

145. A black basalt circular plaque, late 18th/early 19th century, with the profile portrait of a man turned slightly away, titled ‘Canova’ to the reverse, 8.2cm. £150-200 144

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146. A pair of large Wedgwood creamware dishes, early 19th century, finely painted with Swallowtail and other butterflies amidst peony, chrysanthemum, prunus and other Oriental flowers on a dense swirling orange ground, impressed marks, and a smaller creamware plate with a continuous border of orange and green leaves, painted ‘No. 1’ to the reverse, 29cm max. (3) £150-250

147. Two pairs of creamware plates, 19th century, one pair Spode soup plates decorated in pattern 1783, the other pair painted with simplistic floral sprays, and an armorial plate painted with a central crest of a lion holding a cross, 24.5cm max. (5) £150-250

148. A Leeds creamware barber’s bowl and a creamware basket, 1st half 19th century, the barber’s bowl oval and with a feathered rim, the basket with pierced sides and ropetwist handles, 32cm max. (2) £220-280

149. Four Wedgwood creamware coffee cans and saucers, 1st half 19th century, with tall fluted panels and plain rims, with double strap handles, impressed marks, some damages, 12.4cm. (8) £80-120

150. A Wedgwood dry-bodied stoneware pot pourri basket and cover, 19th century, applied in white with a band of stiff leaves, the cover pierced with an arrangement of holes, and a large Wedgwood creamware serving spoon, impressed marks, minor damages, 38cm max. (3) £80-120

151. A large creamware basket, early 19th century, the sides pierced with elaborate shaped panels, the rim with shell and floral motifs, 35.5cm. £100-200

152. A creamware basket and stand, 1st half 19th century, of oval form with pierced sides, painted with a continuous band of stylized foliage in a brown and ochre palette, some good restoration, 26.8cm. (2) £100-200

153. A graduated pair of pearlware bowls, c.1800, printed and coloured after a Chinese design with a bird perched on flowering and fruiting branches, and two creamware trembleuse or chocolate stands with reticulated bowls on leaf-shaped bases, some faults, 21cm max. (4) £120-150 Provenance: the creamware stands from the Tom Walford collection.

154. Four Maling ‘Cobble Stone’ storage jars and covers, 20th century, printed in brown and titled ‘Raisins’, ‘Baking Powder’, ‘Currants’ and ‘Rice’, printed marks, 10.2cm. (8) £50-100

155. A creamware ladle, late 18th / early 19th century, the bowl formed as a shell, issuing from a curved handle with incised decoration to the terminal, 17.5cm. £50-100

156. A creamware inkstand or desk set, early 19th century, decorated in a mottled brown glaze, and a small pearlware teapot and cover decorated with a leaf sprig design, damages to the teapot, 30.5cm max. (3) £80-120

157. A silver lustre part tea service, early 20th century, a deep pink glaze peeping through a reverse silver lustre patterrn of flowers and husk garlands, retailer’s mark for Thomas Goode. Comprising: a teapot and cover, a hot water jug, a milk jug and a sugar bowl. (5) £50-100

158. Seven pearlware lustre jugs, 19th century, one moulded with bands of leaves and flowerheads, one painted with a purple lustre landscape, a pair printed with Snipe Shooting and Coursing scenes, one printed with Hope, the others moulded or painted with flowers, together with three lustre cans and one saucer, some faults, 14cm max. (11) £200-300

159. A small collection of English pottery, 19th century, including a pearlware stirrup cup in the form of a dog’s head, a small Bacchus jug, a creamware vase with everted rim, a C H Brannam beaker with incised verse, a toy mug, a child’s oval plate, a pearlware saucer, a creamware cup and a transferware can and milk jug. (10) £150-200

160. Four creamware plates decorated with a Whieldon type glaze, c.1770 and later, two with feather-moulded rims, the other two with more elaborately moulded rims, all with splashes of green, blue and yellow glaze on a mottled manganese ground, one with a restored chip, 24cm max. (4) £250-350

161. Three two-handled vases, 19th century, one stone china, probably Spode, with a cover and decorated in a Japan pattern, another decorated with a pink peony on a blue ground with green foliage, one porcelain with floral sprigs on a mustard yellow ground, and a pair of Mason’s Ironstone soup plates decorated with an Imari pattern, one neck reduced, 30.5cm max. (6) £150-250

162. A small collection of pearlware, late 18th century, variously decorated in blue with Oriental flowers and pagoda scenes, including a tea canister, a teapot with associated cover, and a mug with a replacement glass bottom, and a Delft vase painted with a seated European within a floral cartouche, some damages, 18cm max. (5) £100-200

163. A pearlware jug, c.1810, painted with itinerant figures in landscape scenes before ruined buildings and countryside dwellings, the rim with a bright band of berried leaves, 16.5cm. £50-80

164. A good Whieldon creamware plate, c.1790, with a lobed rim, decorated with striped splashes of green, blue and yellow on a mottled manganese ground, 24.2cm. £150-200

165. A pearlware harvest jug, c.1810, decorated in Pratt type colours with a sheaf of corn, a scythe, sickle and other farming implements, inscribed ‘God Speed the plough’, 17.5cm. £150-200

166. An unusual creamware two-handled pot à jus and cover, c.1790, decorated in blue, red and gilt with a continuous stylized foliate design, 9cm high. (2) £150-250

167. A pearlware ‘marriage’ sauceboat, dated 1773, with a blue feathered edge, one side inscribed ‘Tom * Mary’ the other with the letter H over T*M and the date 1773, cracked, 15cm. £150-200

168. A yellow pearlware bowl, c.1820, perhaps Welsh, boldly painted with a continuous band of red flowerheads against a rich, canary yellow ground, painted 4 mark to the base, a short rim crack, 16cm dia. £180-220

169. A good child’s pearlware plate, early 19th century, the rim moulded and coloured with vignettes of fruit and flowers, the well inscribed ‘Remember thy Creator in the Days of thy Youth’, 13.7cm. £100-200

170. A creamware teapot and cover and similar jug, late 18th century, decorated in a mottled Whieldon type glaze and applied with fruiting vine, the jug raised on three paw feet, and an agateware jug with moulded ribbed body, 19cm max. (4) £450-600

171. A Pratt ware sugar bowl and cover, early 19th century, the circular body applied with two strap handles, the whole encircled with a stylized border in the typical palette, 13cm dia. (2) £100-150

172. A good pair of creamware botanical dishes, c.1800, perhaps Davenport, of lobed oval shape, finely painted with botanical specimens, titled ‘Cape-Aitonia’ and ‘Convolvulus-Major’ in red to the reverse, blue line rims, 22cm. (2) £600-800

173. Three creamware plates, c.1770-90, Dutch-decorated in polychrome enamels, two with a central figure of Liberty, the rims with panels of writing, the last with an inscription and dated 1785, within a feather-moulded rim, some damages, 24.7cm. (3) £200-250

174. A massive creamware circular charger, late 18th/early 19th century, printed in black with a courting couple seated in a watery landscape with ruins behind, the feather-moulded rim printed with flower sprays, 44.2cm. £200-300

175. A good Cambrian pottery footed bowl, c.1830-40, printed in purple with the Swiss Villa pattern, moulded to the exterior, 22.5cm dia. £250-350

176. Two creamware plates and a jug, c.1770-80, one plate painted in black with a central figure of Liberty, titled ‘Voor Vryheid En Broederschap’, the other perhaps of Benedict and Maurus with a scholar writing at a desk, dictated to by a standing figure beset by demons, a pair of scales discarded on the ground, and a creamware jug painted in black and red with Abraham’s sacrifice of Isaac, small damages, 24.5cm. (3) £200-300

177. A creamware botanical plate, early 19th century, painted with a large floral specimen, titled in brown script to the reverse ‘Anual Lautania’, brown line rim, 21.5cm. £250-350

178. A Wedgwood creamware plate of Channel Island interest, dated 1786, the well printed in black with a farmhand driving cattle and sheep by a stream, a thatched cottage beyond, the rim with floral sprays and inscribed ‘John Peter and Ann Du Port, Guernsey, 1786’, 25cm. £150-250 Cf. Bristol City Council Museum, No.N4090, for an identical plate from the Hugo V. Smith bequest. A mug with the same print and inscription was sold at these salerooms on 7th April 2009, lot 113.

180. Two commemorative creamware mugs, early 19th century, one mourning the death of Nelson, printed and coloured with a profile portrait above a four line stanza with ships and flags beyond, the other with sailors in small boats before a large ship in dry dock, inscribed ‘May Carpenters Flourish & our Trade Increase and Victory Bring a Lasting Peace’, some damages, 12.5cm. (2) £250-350 Exhibited: the first at St Barbe Museum, Lymington, Autumn 2005.

179. An early Liverpool creamware mug, c.1790-93, printed and coloured with ‘An East View of Liverpool Light House and Signals on Bidston Hill’, the tower beside 56 coloured and numbered flags, all detailed beneath, 13cm. £300-500 Examples of this print post-1793 usually have Flag 40 listed as ‘Enemies’ and have at least 58 flags, while a jug dated 1790 had only 52 flags listed. Provenance: purchased at Phillips, Oxford, 22nd May 1997, lot 110.

181. A large commemorative ‘Election’ jug, c.1841, decorated in a rich blue glaze with long gilt inscriptions celebrating the election of ‘Twelve Conservative Members to the County of Salop’ in the General Election of 1841, with the coat of arms for Shrewsbury, 24cm. £200-300

182. Two large Sunderland lustre jugs, 1st half 19th century, one titled and dated ‘J. Davidson. Pilot 1841’, the reverse printed with the Mariners Compass, the other with Jack’s Safe Return and two stanzas in panels within bands of orange lustre, some restoration, 22.5cm max. (2) £200-300

183. A dated pearlware teapot and cover, c.1792, painted with a ship at sail and inscribed ‘Willm & Hannah Wisbich 1792’, the reverse decorated with a spray of flowers, some damages, 22cm. (2) £100-200

185. Two large Sunderland lustre bowls of shipping and military interest, 1st half 19th century, one Moore & Co, decorated with several ships including the Great Eastern Steam-Ship, La Bretagne and the Victoria and Albert Yacht, the other commemorating the Treaty of Amiens in 1802, printed with various verses and the English and French flags, and a lustre mug decorated with a steam ship, some damages and repairs, 33cm max. (3) £120-150

186. A large dated pearlware tray, c.1794, of shallow circular form painted in blue with the initials MH and date 1794 within a husk border, the underside ground, small rim chips, 33.5cm. £80-120

187. A Sunderland lustre mug and a bowl, early 19th century, the mug printed with a sailor and his companion either side of a ship at sail, the bowl with the Mariner’s Compass and a six line stanza, with purple lustre bands, cracks, 15.5cm max. (2) £80-120

188. A moulded pearlware jug and a creamware plate, early 19th century, the jug moulded with an allover daisy design and striped in Portobello colours, the plate decorated with a central tulip in the Prattware palette, 24.5cm max. (2) £100-200

189. A pair of Sunderland lustre wall plaques, early 19th century, printed in black with portraits of John Wesley and Adam Clarke within religious quotes, the borders decorated in purple lustre, 17.5cm. (2) £100-200

190. A large creamware coffee pot and cover, c.1770-80, brightly painted with a Chinese mother and child in a garden scene, a creamware teapot and cover, moulded with horizontal bands, and a large creamware shell-shaped sauceboat, all with double strap handles issuing from floral motifs, some damages and restoration, 22.5cm max. (5) £300-400

Provenance: purchased at Woolley and Wallis, 31st March 1994, lot 496.

184. A large creamware bowl and a creamware jug of nautical interest, late 18th/early 19th century, the bowl printed in black with two ships at battle to the interior, the exterior with further scenes including Jemmy’s Farewell and Jemmy’s Return, the jug with a compass and four line stanza, an American ship to the reverse, some damages, 30.3cm max. (2) £100-200

191. A Sunderland lustre frog mug, 19th century, printed with the Sailor’s Farewell, the reverse with a six line verse, the interior with a black frog clambering up the inside, and a pearlware octagonal dish painted in blue and red with a Japan pattern, 27cm max. (2) £150-250

192. Three pieces of Wedgwood creamware, late 18th/early 19th century, including a tea canister printed in black with a tea party scene, the reverse with two sets of initials within a foliate cartouche, a teapot printed with peacocks, and a slatted basket, impressed marks, the teapot’s cover lacking, a chip to the canister’s rim, 22.5cm max. (3) £200-300

193. Three pearlware plates of shipping interest, mid 19th century, two for the Boston Mail Line, variously printed and titled ‘Ladies Cabin’ and ‘Gentlemen’s Cabin’, the third a Mess plate, No. 19, printed in blue with sailor vignettes, various printed and impressed marks, 27.5cm max. (3) £200-300

194. A large transferware meat dish, 19th century, printed in brown with a topographical scene of Castle Street and St George’s Crescent in Liverpool, titled to the reverse, within a floral border, impressed bird crest mark, a chip to the underside of the rim, 52.5cm. £180-220

195. A printed and hand-coloured pearlware bowl, 1st half 19th century, the exterior with two designs of a panel of Classical figures within an eye-shaped panel, the interior with a wide and colourful band of butterflies and flowerhead roundels, 15.7cm dia. £80-120

196. A good blue and white transferprinted meat dish, 19th century, decorated with the Fisherman’s Hut pattern, with four figures and baskets of fish before sailing boats, the border with a wide floral band, impressed N mark, 38.5cm. £100-200

197. Two Spode transferware dishes from the Aesop’s Fables series, 19th century, one printed in black with the Lion in Love, the other Copeland & Garrett and printed in green with the Lion, the Bear and the Fox, and a Wood & Brownfield meat plate printed in blue with a rhinoceros from the Zoological series, 34cm max. (3) £200-300

198. Eight Spode blue and white transferware dishes, 19th century, variously decorated with figures before ruins, in riverside landscapes, and with Chinese scrolls and other objects, some with impressed marks. Comprising: an oblong charger, three soup plates, three different plates in two sizes, and a sauce tureen stand. (8) £200-300

199. A pair of Spode plates from the Aesop’s Fables series, 19th century, printed with the Fox and the Lion, another pair of Spode plates printed in green with a rose design, and a smaller pair of Wedgwood plates printed with a sliced pumpkin and other motifs, 25cm max. (6) £50-150

Cf. A W Coysh & R K Henrywood, The Dictionary of Blue and White Printed Pottery 1780-1880, p.138. While the maker is unknown, most examples of this pattern can be traced back to the United States.

200. A salt-glazed stoneware teapot and cover, c.1760, each side brightly painted with a tall Chinese figure in a garden setting, the handle and spout formed as gnarled wood, the cover with an acorn finial, 18.5cm. (2) £100-200

201. A small Pratt ware plate, c.1800-10, decorated in a typical palette with a peacock within sponged green foliage, the shaped rim with blue feathering, 16.2cm. £200-300

203. Three brown stoneware items, late 19th century, perhaps Fulham, including an oval box and cover surmounted with a sleeping putto, the sides applied with an acanthus leaf border, a small moneybox in the shape of a house, applied with fruiting grapevine and incised ‘Forget - Me Not’ to the roof, incised ‘EL 1892’ to the base, and a small model of a ladies boot, impressed ‘EL’, 11.8cm max. (4) £250-350

204. An unusual creamware moulded plaque, 18th/19th century, with the profile portrait of a soldier, decorated with patches of manganese and brown, and a creamware holy water stoup, with the head of the Virgin Mary between two Corinthian columns, 22.5cm max. (2) £300-400

202. A Swansea Cambrian Pottery puzzle jug, early 19th century, printed in blue with Oriental foliage in the Carnation or Peony Rose pattern, the rim pierced and with three rounded spouts, 18.5cm. £300-500 Paper label for the B A Williams collection.

206. A creamware sucrièr and cover, c.1770-80, a similar cup, and a salt-glaze stoneware jug, painted with flowers in polychrome enamels, small damages, 11.5cm. (4) £80-120

205. Three brown stoneware jugs, 19th century, two decorated with hunting scenes, the larger with a hinged pewter lid, the smallest moulded with the head of Bacchus, 19cm max. (3) £150-250

207. Four creamware plates, c.1770-80, Dutch-decorated in polychrome enamels with various scenes of Abraham sacrificing Isaac, one titled ‘Abraham Oferhande’, two with the biblical reference, the borders with floral or stylized leaf designs, some damages, 25cm. (4) £200-300

208. Three wall plaques, late 19th/early 20th century, one moulded with a jug with a bamboo handle, two of chamfered square shape painted to each side with a jug decorated in the Aesthetic manner, and four wall-mounted jugs variously decorated with birds and flowers following a theme of Japonism, 30cm max. (7) £180-220

209. Six English pottery wall-mounted jugs, late 19th/early 20th century, two Mogridge and Underhay, printed with a landscape scene reserved on a floral ground, one Minton decorated in the Aesthetic manner with blue flowers on a yellow ground, another Minton with a printed floral pattern, two Doulton Burslem with printed Aesthetic designs, 31cm max. (6) £250-350

one jug withdrawn 210. Eight wall-mounted jugs, late 19th/early 20th century, with elaborate moulded rims and handles, printed with floral designs with foliate and ribbon scrolls, one with a fan and tied box, 33cm max. (8) £200-300

211. Seven small wall-mounted jugs, 19th/20th century, one Doulton Burlsem printed with a landscape scene, one modern and painted with a cockerel by Pat Kaye, the others decorated with floral and leaf designs, together with a wall plaque of a câchepot painted with flowers, 23cm max. (8) £150-250

212. Seven pottery wall-mounted jugs, late 19th/early 20th century, two Minton of tall, slender form and printed with various designs, one Crown Ducal and printed with purple flower sprays, one painted with a bird in flight above convolvulus, one printed with a Chinese dragon, 36.5cm max. (7) £200-300

213. Seven English and Continental pottery wall-mounted jugs, 19th and early 20th century, variously moulded and decorated with flowers and foliate scrolls, 34cm max. (7) £150-250

214. A Majolica garden seat, 19th century, the barrel shape applied with cranes standing amidst aquatic plants, the reverse with swallows, all brightly enamelled on a turquoise ground, 48cm high. £300-500

215. A rare Majolica stick stand, 19th century, modelled as a pug dog, seated on its haunches on a green studded cushion and wearing a red collar, the fur finely incised, the interior glazed in pink, 53cm. £1,500-2,000

216. A Minton earthenware garden seat, date code for 1876, the reticulated barrel shape moulded and enamelled with bands of Morning Glory and passion flower on a pale yellow ground, impressed marks, 45cm. £300-500

217. Two French faïence water cisterns and covers with basins, 2nd half 18th century, painted with floral swags, scrolls and shell motifs, each fitted with a metal tap to the front, the basins with mask handles, damages and repairs, the cisterns each 50cm high. (6) £250-350

218. A Minton earthenware garden seat, date code for 1907, of barrel form, decorated in the Chinese Ming manner with a continuous design of blue flowers and scrolling leaves, printed and impressed marks, 47cm. £300-500

219. A large Chinese earthenware stick stand, modelled as a carp with mouth agape, emerging from crashing waves, a smaller fish spouting water to one side, decorated in brinjal glazes, 86cm. £200-400

220. Three small pearlware figures, early 19th century, two of putti holding baskets of flowers and wearing leafy crowns, the last of a maiden seated with a basket of flowers on her lap before flowering bocage, some restoration to the bocage, 10.5cm max. (3) £100-200

221. Two Staffordshire porcelain animals, 19th century, a poodle and a sheep, both standing four square on green bases, a pearlware model of a recumbent cow, decorated in Portobello type enamels, and a tin-glazed model of a seated dog with a manganese coat, 7.5cm max. (4) £200-300

222. Two pearlware figure groups, early 19th century, one of a Village Group of two musicians perched on a rocky stump, poorly titled to the front, the other of a bagpiper seated in a flowering arbour, some restoration, 18cm max. (2) £200-300

223. Four Staffordshire models of spaniels, 19th century, all seated with heads turned and wearing chained collars, one pair left in the white, one with red ‘wheels of fire’, the last with splashes of copper lustre, moulded 2 mark to one, 24.5cm max. (4) £120-180

224. A pearlware stirrup cup, c.1820, modelled as a fox’s head, the rim decorated with bands of silver lustre, and a miniature Parian stirrup cup modelled as the head of a hound, 11cm max. (2) £300-400

225. Two Staffordshire spaniels with baskets, 19th century, each seated with head turned to dexter, a basket of flowers in their muzzles, one with blue eyes, 19.5cm max. (2) £50-100

226. Three Staffordshire pearlware models of sheep, 1st half 19th century, two standing with heads turned to dexter, a lamb recumbent beneath, the third recumbent, all raised on mossy bases, the bocage lacking, 10.5cm max. (3) £200-300

227. Two Staffordshire figure groups, 19th century, one of Tam O’Shanter and Souter Johnny, either side of a barrel of ale, one of William Collier and Thomas Smith at blows, a Staffordshire porcelain figure of a harvester, possibly emblematic of Summer, and a pottery figure of a Japanese monk, some damages, 32cm max. (4) £30-50

228. A pair of stoneware lions, 19th century, each recumbent with forepaws crossed and heads turned, their tails flicked over their backs, decorated in a buff glaze, 22.8cm. (2) £100-200

Paper labels for Oliver Sutton Antiques.

The two putti with paper labels for Oliver Sutton Antiques.

229. A good creamware stirrup cup, c.1800, modelled as a wolf’s or dog’s head with long ears and teeth slightly bared, glazed in a pale coffee colour, 12cm. £300-400

230. Two pairs of Staffordshire porcelain animals, 19th century, of deer and sheep recumbent with heads turned, and a pair of Staffordshire pottery poodles, some damages and restoration, 10.5cm max. (6) £100-150

231. A good Prattware Bacchus jug, early 19th century, moulded with a grinning, bearded face encircled by grapevine, 9cm. £150-250

232. An unusual Sunderland lustre cow creamer and cover, early 19th century, standing four square on a rectangular base, decorated all over in purple lustre, some good restoration to the face and cover, 16cm. (2) £200-300

233. A good creamware stirrup cup, c.1800, crisply modelled as a dog’s head with mouth slightly open to reveal a tongue and teeth, the exterior decorated in a rich brown glaze, 12.5cm. £300-400

234. A pair of Minton Majolica sweetmeat figures, date codes for 1863, modelled as children seated atop rocky stumps, each with an oval basket resting on one knee, impressed marks, some repairs to the male figure, 19cm. (2) £80-120

235. A brown stoneware stirrup flask, 1st half 19th century, formed as a fox’s head with ears pricked, a chip to one ear, 16cm. £150-250

236. A rare Wedgwood pearlware moulded portrait plaque of Shakespeare, late 18th/early 19th century, modelled in high relief with a head and shoulders bust of the poet against a terracotta coloured ground, the border applied with a stiff flower design, impressed mark, 13.5cm. £300-500

237. A pearlware stirrup cup, c.1800, modelled as the head of a fox, decorated in a rich mottled glaze of orange and brown, the fur incised, 12cm. £400-600

238. A rare Goss bisque-porcelain advertising model, c.1882, of a cow and two sheep raised on a low rocky base, the cow’s back printed with the slogan ‘Murdock’s Liquid Food is condensed Beef, Mutton & Fruits’, printed mark to the base, 21cm across. £250-350

239. A good pair of Staffordshire lion group spill vases, 19th century, modelled with a lion and a lioness with their cubs, each with a green snake entwined over branches above them, 30cm. (2) £600-800

The company producing Murdock’s Liquid Food was based in Boston, USA. The preparation, intended for female and infant consumption, claimed to “cleanse the system of disease”. Its efficacy was allegedly confirmed by reduced mortality rates at the Free Surgical Hospital for Women in Boston.

240. A good pair of Staffordshire spill vases, 19th century, each modelled with a red standing horse, a black foal recumbent beneath their withers, beside a stream, 29.5cm. (2) £450-650

241. A Ralph Wood figure of Cupid and a lion, late 18th century, the putto sitting astride the beast and holding onto one ear, the lion with head turned, raised on a rectangular base, some restoration, 21cm high. £200-300

242. A small collection of Staffordshire pottery and porcelain, 19th century, including a pearlware figure of Summer, two porcelain pastille burners formed as houses, a small model of a house, and a flatback pottery house, a pottery castle vase, a pearlware spill vase with swans, two bocage groups, a Highlanders clock group, a model of Tom King, and two porcelain figure groups, some faults, 35cm max. (13) £120-180

243. Seven Staffordshire models of dogs, 19th century, comprising a pair of spaniels and a third similar, two models of seated poodles, and a pair of standing greyhounds with dead game in their mouths, 23cm max. (7) £120-180

244. Six Staffordshire pearlware figures, 1st half 19th century, two of rams standing before flowering bocage, one a spill vase, two of putti with baskets of flowers, one a girl playing with a cat, the last a seated spaniel with her puppy, a Staffordshire porcelain group of a dog with a dead rabbit, and a Derby flower vase with tall floral arrangement, damages, 15.5cm max. (8) £150-250

245. A Staffordshire pearlware shell vase, 1st half 19th century, modelled with two musicians seated either side of a tall flared shell, two sheep recumbent at the front, the shell highlighted with pink and blue bands, the interior with a lustrous peach glaze, 22cm. £300-500

246. Four cow creamers and three covers, early 19th century, two decorated with splashes of purple and copper lustre, one with enamel patches in blue and red, the last of Portobello type, sponged in green, black and red with a milkmaid seated to one side, some damages, 18cm. (7) £400-600

247. A Staffordshire pearlware tulipiere or vase, 19th century, modelled as a castle with seven hollow turrets, glazed yellow and raised on a red brick base, red ‘57’ mark beneath, a few chips, 21.2cm across. £60-100

248. A pearlware toby jug, c.1820, seated on a wooden box and resting a large foaming jug of ale on his knee, his clay pipe in his right hand, some damages and restorations, 24.5cm. £80-120

249. A Sarreguemines Majolica character jug, early 20th century, depicting an English Suffragette, rosy cheeked and wearing a pink bonnet tied beneath her chin, the interior glazed in turquoise, 16.5cm. £80-120

250. A ‘Sinner’ toby jug and stopper, c.1810-20, seated and with eyes cast askance to his right, holding a small painted jug and a cup, his face of a ruddy and warty complexion, the handle lacking, 20.8cm. (2) £100-200

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251. A pearlware Toby jug of Portobello type, c.1830, modelled as a gentleman sitting on a barrel and holding a bottle and goblet of wine, decorated in a typical sponged palette, some good restoration to the handle, 26.5cm. £250-350 252. An unusual Wayte & Ridge Majolica plaque, 2nd century, modelled in high relief with a man in Tudor standing on a marble plinth, one hand on his left hip, furrowed, moulded W&R L mark to the reverse, 39cm.

half 19th costume his brow £150-250

253. A brown stoneware jug of Napoleon, 1st half 19th century, standing beside a pile of cannonballs, his left hand tucked inside his waistcoat, his right holding a short telescope, some damages, 34.5cm. £80-120 254. A pearlware figure of St Sebastian, 1st half 19th century, wearing a purple loin cloth and standing before a tree stump, raised on a square titled base, his raised arm broken and restuck, 25cm. £80-120 255

256 255. A rare Brameld creamware model of a deer or stag, c.1820, recumbent on a grassy base, the head pierced with two square holes to receive metal antlers, unmarked, some good restoration, 18.1cm. £200-300 Cf. Alwyn and Angela Cox, Rockingham, p.115. 256. A Continental faïence candlestick, 19th century, modelled as a seated male figure with knees tucked tightly behind his bearded chin, the sconce issuing from his hat, 14.3cm. £80-120 Provenance: paper label for the Worcester Royal Porcelain Works Museum. Binns purchased many items at exhibitions in Europe during the 1870s as inspiration for his designers back home. 257. A pearlware figure of Charity, c.1800, cradling a baby with two further small children by her side, raised on a square blue marbled base, 22.5cm. £100-200 Paper label for Oliver Sutton Antiques.

258. A Staffordshire pearlware figure of a scholar, 1st half 19th century, dressed in a ruffled shirt and blue coat, seated before flowering bocage with his top hat to one side, a large book to the other, a sheep and a dog recumbent at his feet, some restoration, 22.5cm. £300-400 257

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259. A pair of Italian (Fabbrica Fratelli Minardi) faïence busts of children, late 19th/early 20th century, one of a boy, with head turned and smiling, the other of a girl wearing a bonnet, looking shyly down, both white-glazed and raised on tall tapering square bases, MF monogram marks, some damages to the bases, 36.5cm. (2) £150-250

260. A good Villeroy & Boch Mettlach stoneware Year jug, applied with a frieze of figures on a blue ground between a band of verses about each month of the year and panels of seasonal attributes, with an elaborate hinged metal lid, printed mark, 38cm. £350-450

261. A Staffordshire pottery phrenology head by L N Fowler, 2nd half 19th century, the scalp divided and inscribed with the brain’s various areas of activity, titled to the front, the reverse with a recommendation from the producer, 29cm. £350-400

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Virginio and Venturino Minardi opened a studio in Faenza in 1899. Prior to this, both had worked at the Cantagalli factory and were influenced by what they learnt during this time.

262. Two Continental Majolica tureens and covers, 19th century, one modelled as a large rabbit resting on a grassy base, the other as a boat, the cover formed of two fish laid end to end and tied with pink ribbon, unmarked, one ear of the rabbit broken and restuck, 40cm max. (4) £200-300

263. A Continental tin-glazed rabbit tureen and cover, 19th century, of large size, the rabbit recumbent with ears back, glazed in white and highlighted in grey and pink, 42cm across. (2) £100-200

264. A pearlware pastille burner and cover, c.1820, modelled as a thatched cottage with lattice windows, raised on a base applied with flowers, 8.5cm. (2) £100-200

265. A Worcester Majolica centrepiece, 2nd half 19th century, modelled as a large nautilus shell raised on the back of a swan between two hollow lilypad dishes, the base moulded with water marigold and other aquatic plants, impressed mark, 22cm. £100-200

266. A George Jones Majolica jardinière, 2nd half 19th century, applied with sparrows and damselflies perched and in flight among bulrushes above a band of water lilies, reserved on a turquoise ground, 30cm. £400-600

267. A large pair of Continental agateware vases, 19th century, the urn-shaped bodies marbled in cream, brown and black, the handles formed as peacocks, 36.5cm. (2) £150-250

Cf. Robert Cluett, George Jones Ceramics 1861-1951, p.57 for a garden seat of the same design.

268. A Minton Majolica oyster dish, date code for 1870, moulded with nine shallow shells enamelled in turquoise around a central well, impressed marks, 25.3cm. £120-180

269. A Minton Majolica chestnut dish and spoon, date code for 1881, the circular form raised on a low foot and partially covered by overlapping leaves, the spoon formed of leaves tied with pink ribbon, and a Continental Majolica plate with a lotus leaf design, impressed marks to the dish, damages, 28cm max. (3) £100-250

270. A Wedgwood Majolica jug, 2nd half 19th century, applied with a band of berried ivy between bands of brown, blue, green and yellow enamels, impressed mark, 20cm. £150-200

271. A tin-glazed pottery bowl, probably Spanish 18th/19th century, with sponged bands of green and manganese on a cream ground, raised on a low foot, some glaze chips, 25.8cm. £100-200

272. A small slipware cooking pot, dated 1664, raised on three short feet, glazed in yellow and green, dated 1664 to the interior, the rim inscribed ‘Samuel Hutcheson’ in dark green, 14cm across. £400-600

273. A Majolica stand, 19th century, of waisted form, modelled as a low stump of an oak tree with leaves and acorns around, 15cm high. £50-100

274. A Frechen stoneware silver-mounted jug, 16th century, the globular body with a pale glaze of tigerware type, the wide silver rim with a chased foliate design, impressed D mark, broken and repaired, 18.5cm. £500-700 Provenance: from the collection of Wynn Hamilton-Foyn.

275. A dated English slipware puzzle jug, c.1754, possibly Sussex, the squat body decorated in a treacle glaze, the neck pierced with holes and a large heart beneath the handle, the rim applied with birds, incised ‘1754’, damages to the birds, 16cm. £800-1,200

276. A silver-mounted brown stoneware hunting jug, c.1827, sprigged with topers, trees and running hounds, the hinged silver lid with hallmarks for Spooner, Clowes & Co., Birmingham, 1827, 21cm high. £150-250 274

277. A Sussex pottery leadglaze tobacco jar, dated 23rd February 1811, the cylindrical body decorated in a treacle glaze with yellow star garlands, inscribed ‘J. Smith Catsfield Feb*23*1811’, the cover lacking, 16.7cm. £300-400 Catsfield is a village in the Rother district of East Sussex, close to Battle. There were several branches of the Smith family living in the village in the early 19th century.

278. A rare and small brown stoneware jug of American interest, c.1830-40, perhaps Brampton, the rounded sides moulded in relief with portraits representing George Washington, Benjamin Franklin and probably John Adams, the spout modelled as a mask, the handle as a greyhound, the rim pierced with four small holes, 11cm high .£100-200 Washington, Adams and Franklin were three of the Founding Fathers and key figures in the signing of the American Declaration of Independence in 1776. 275

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279. A large brown stoneware jar, mid 18th century, probably Fulham, the ovoid shape with an incised band to the shoulder and a graduated brown glaze, and a similar large stoneware jug with strap handle, 31cm. (2) £100-200

280. A large slipware dish, mid 18th century, the rounded rectangular shape with pie-crust rim, the dark brown glaze trailed diagonally in yellow slip, some wear, 41.5cm. £350-450

281. A large earthenware two-handled jar and cover, 18th/19th century, covered to the interior with a treacle-coloured lead glaze, a small country pottery jug, 17th/18th century, decorated in a warm brown glaze, and a 19th century single-handled jar glazed to the interior and the upper exterior in blackbrown, 28cm max. (4) £150-250

282. A Hispano-Moresque tazza, 17th century, decorated in a rich copper lustre with a central bird within dense foliage, raised on a low foot, some glaze losses, 23.5cm dia. £100-200

283. A Continental tin-glazed plaffonier, 19th century, the sides applied with three ring handles issuing from mythical maskheads, between three pierced holes, the rim pierced with suspension holes, 36cm dia. £100-200

284. A pair of faïence commemorative plates, 19th century, painted with titled portraits of Louis XVI and Marie Antoinette within stylized floral borders, and a pearlware plate with moulded border, printed in black with a portrait of Queen Caroline, 13.7cm max. (3) £100-200

285. A Brameld blue and white bidet and stand, 19th century, the bowl printed with rural scenes within borders of fruit in baskets, set into a shaped wooden stand, 43.5cm high x 51cm across. (2) £100-200

286. A large and unusual Palissy-style vase, late 19th/20th century, two crocodiles forming the handles, the sides applied with flowers, leaves, shells and insects, a stalactite effect to the rim, some restoration, 37cm. £80-120

287. A massive Spanish pottery basin 19th century, painted in the Talavera manner with a central figure wearing a featherplumed hat, walking between stylized foliage in shades of ochre, blue, green and manganese, the flared sides with a wide border, 57.5cm dia. £200-300

288. A rare Porquier-Beau Quimper reliefmoulded plaque, late 19th century, moulded in high relief with St Brieuc and an infant, PB monogram to the reverse, and an unusual Porquier-Beau plate painted with a flying lizard clambering over bare branches, 40.5cm max. (2) £250-350

289. A Continental faïence water urn, 19th century, decorated in the Strasbourg manner with a triple fleur de lys shield beneath crowned dolphins, within simple flowers, the upper part of the double-walled body pierced with a geometric design, with a hinged lid, the whole raised on three feet, some damages, 38cm. £250-350

290. A Continental faïence figure of the Madonna and child, 18th/19th century, standing, wearing a floral robe beneath a blue cloak, raised on a square base titled ‘A.V.M.’, 23cm. £100-200

291. A Moustiers faïence plate, mid 18th century, painted in shades of green, ochre, blue and manganese with grotesque figures and floral sprays, within a shaped rim, FC mark to the reverse, 26cm. £150-250

292. A Nove (Antonibon factory) circular stand, mid 18th century, decorated in a palette of green, blue, black and yellow with small chinoiserie landscapes and an ‘a ponticello’ panel beneath flowers, 23.5cm. £300-500

293. A Moustiers-style faïence footed dish, probably 19th century, painted in a palette of blue, yellow, green and muddy brown with grotesque birds within large simple floral sprays, raised on a wide square foot, blue F and X mark, some glaze chipping, 27cm across. £120-150

294. A Delft lobed vase, c.1730-40, of double gourd shape, painted in red, green and blue with birds in flight above vases of flowers, a spiral-moulded jug painted in blue with Chinese figures in a landscape, and a plate decorated with vases of flowers, some glaze chipping, 22.2cm max. (3) £100-150

295. Two Moustiers type faïence plates, 19th century, decorated in the Olerys manner with grotesque creatures and mythical animals amidst foliage, in shades of green and ochre, interlaced OL and F marks, 27cm. (2) £150-250

296. A Delft vase and cover, 19th century, painted with figures in a garden scene within a moulded cartouche, the cover with a parrot finial, numeral marks to the base, a Continental faïence syrup jar titled ‘Acova Minerale’, and a two-handled jar decorated with dense foliage in blue, the tall neck with vertical stripes, damages, 43cm max. (4) £250-350

297. A collection of forty six various tiles and fragments, including Dutch and English delftware, Spanish maiolica and Chinese and Japanese porcelain, variously decorated with figures, landscapes, flowers and geometric designs, most damaged. (46) £300-500 Provenance: from the collection of the late Anthony Ray (1926-2009), ceramics historian.

298. A large number of Spanish maiolica architectural or floor tiles, perhaps 16th century, most decorated with a strapwork design in yellow, ochre and blue, with fruiting cornucopia and foliate motifs, damages and fragments. (A lot) £100-200 Provenance: from the collection of the late Anthony Ray (1926-2009), ceramics historian. 297

299. Ten encaustic and slipware tiles, medieval and later, variously decorated with birds, animals and scrolling designs in yellow and treacle coloured glazes, some damages, 21cm max. (10) £250-350 Provenance: from the collection of the late Anthony Ray (1926-2009), ceramics historian.

300. Three Islamic tiles, two probably Damascus 16th / 17th century, decorated in the Iznik fashion with stylized flowers, some damages, 27cm max. (3) £400-800 Provenance: from the collection of the late Anthony Ray (1926-2009), ceramics historian. 298 part

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301. A pair of Spanish (Catalonia) pottery tin-glazed tiles, late 18th / early 19th century, one of a man wearing an apron and at work on a low wooden bench, the other of a man wearing a long coat and carrying an object over one shoulder, edged in yellow, some glaze wear and chipping, 14cm. (2) £100-200 Cf. Anthony Ray, Spanish Pottery 1248-1898, nos. 974-991 for similar examples.

302. A Liverpool delftware woodblock-printed tile, c.1756-7, decorated in blue by John Sadler with two Chinese figures among rococo scrolls and plants, the border with foliate scrolls and flowerhead mon, some glaze chips, 12.7cm. £50-100

303. Three London delftware blue and white tiles, 2nd half 18th century, one painted with a woman and child beneath a tree, one with a figure before boats, one with Jesus carrying the cross, and a Bristol manganese tile painted with buildings, in modern frames, 16.2cm overall. (4) £200-300 304. Three English delftware tiles, 2nd half 18th century, two painted in blue with a water mill, the third in manganese with a windmill, and a Delft tile decorated with a blue windmill, all in modern frames, 14.5cm overall. (4) £250-350 303

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305. Four Delft tiles, 17th century and later, one painted with a mythical sea creature, one with a central figure, two with arrangements of stylized tulips, all in modern frames, 15.5cm overall. (4) £150-250 306. A large Continental pottery tile, probably 19th century Spanish, painted with a cornucopia of fruit and flowers including a large pomegranate, in a carved wood frame, the tile 21cm. £100-200 Pencil markings to the reverse state that the tile comes from the estate of Dorothy Friend.

307. A Mexican Talavera albarello, c.1740, the small, waisted body decorated in thick blue enamel with two bands of C scrolls and foliate trefoils, 13.5cm. £200-300 The simple design on this jar is derived from the lambrequin motifs on earlier European faience.

308. A small Sicilian maiolica albarello, 19th century, decorated in the Caltagirone manner with the trinacria (triskelion) symbol behind the head of Medusa, reserved on a blue ground with a wide floral and leaf scroll band, 9.5cm. £80-120

309. An Italian maiolica bottle, Siciliy c.1700, painted with a continuous design of large flowerheads in shades of yellow, ochre and green on a blue ground, drilled, a section of the rim broken and restuck, 22cm. £350-500

310. A small Castelli maiolica plate, mid 18th century, painted with distant figures before a turreted bridge, with overgrown Classical ruins and tall trees to the foreground, 18.2cm. £300-500

311. A massive Italian maiolica charger, 19th century, the well painted with a crowned figure playing the harp with further revellers behind, the wide rim with four monochrome portraits reserved on a ground of maskheads, mythical beasts and foliate scrolls, one portrait unusually of a man in early 19th century dress, the reverse with the letters FE, GB and N in blue, 63cm. £300-500

312. A large Cantagalli maiolica charger, late 19th century, brightly decorated with a bold foliate design around the profile portrait of a young boy wearing a ruff collar, in shades of blue, green, ochre and yellow, blue cockerel and 4 mark to the reverse, 52cm. £250-350

313. Two delftware polychrome plates, mid 18th century, one Lambeth, brightly decorated with a parrot perched on a branch beside rockwork and flowering peony, pinecone motifs to the rim, the other with flowers issuing from rockwork, restoration to the latter, 22.5cm max. (2) £150-250

314. Two Delft vases, probably 18th century, one with a knopped neck and painted in blue and manganese, the other baluster shaped and painted in blue, both with Chinese figures in landscapes, some restoration, 24cm max. (2) £150-250

315. Two delftware blue and white plates, mid 18th century, one well painted with two Chinese figures in an interior beside a hanging lantern, the rim with a pattern of tied scrolls, the other with a stylized flowerhead design containing further flowers, 22.7cm max. (2) £150-250 Provenance: old lot labels for Christie’s, 26th October 1989, lot 471.

316. A delftware dish and a ginger jar, 1st half 18th century and later, the dish painted in blue with the Squirrel and Vine pattern, the jar decorated in iron red with a figure seated beneath a sponged tree, the cover lacking, 22.3cm max. (2) £100-200

317. Two small Delft lobed dishes, late 17th/18th century, each painted with a seated Chinese figure to the well, a small jug painted with two figures seated beside rockwork, and a larger tin-glazed jug painted with flying insects, flowers and foliage, some chipping, 22.5cm max. (4) £500-700

318. A delftware flowerbrick, c.1750-60, painted in blue with peony issuing from a fence, a flared Delft vase with similar decoration and a two-handled small vase with stylized flowers and rockwork, damages, 16.5cm max. (3) £150-250

319. Three delftware plates, 2nd half 18th century, one probably Bristol and painted in polychrome enamels with four simple flower sprays, one decorated in a bright blue with a flying insect below weeping willow, the last of small size and decorated with a stylized floral design, some good restoration, 23cm max. (3) £200-300

320. A large delftware bowl, London c.1760, the sides painted with three roundels containing a parrot, between colourful flowers and foliage, the rim with a yellow hatched border, blue M.P. mark to the base, 27cm dia. £400-600

321. Three delftware plates, 2nd half 18th century, one naively painted in manganese with a pagoda, one in blue with two figures on a bridge, the last of small size and painted with a fence garden scene, some good restoration, 23cm max. (3) £250-350

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322. A good Lambeth delftware scallop-edged plate, c.1740-50, the well painted with a Chinese man carrying a large leaf, looking back over his shoulder with a fence and rockwork before, within a powdered blue rim with four floral sprays left in the white, 23cm. £200-300 323. A large delftware polychrome plate, 2nd half 18th century, brightly decorated with a peacock perched on a slab before a flowering tree, the rim with flowerhead motifs between diaper panels, broken and repaired, 33.5cm. £100-200 324. A rare Glasgow delftware plate, c.1760, painted in blue with a boat at sail before a small building, the rim with leaves and grapes, 24cm. £150-250 Cf. Michael Archer, Delftware, p.223, no. B258 for a similar example. 325. A Bristol delftware plate, c.1760-70, the well decorated in the Fazackerly palette with a tied arrangement of flowers, the rim with stylized flowers and leaf fronds in bianco-sopra-bianco, 23cm. £400-600 326. A large Delft dish, mid 18th century, painted in blue with peony and bamboo beside a fence, the rim with a border of stylized fruit and foliate scrolls, 35cm. £50-100 327. An unusual delftware plate, early 18th century, perhaps Brislington, heavily potted and decorated with two yellow birds perched on a blue double line band, some good restoration to the rim, 22.7cm. £150-250 328. A large delftware plate, mid 18th century, probably Liverpool, painted in the Fazackerley palette with chrysanthemum and bamboo issuing from behind rockwork, the rim finely painted with sprays of lotus, 36.7cm. £300-500 329. A Bristol delftware polychrome plate, c.1720-30, the well painted with a geometric flower bulb with stylized foliage around the rim, some good restoration to the rim, 22.7cm. £150-250 330. A Bristol delftware plate, c.1740, decorated with a small flock of birds in flight above a manganese sponged tree and a large blue flower, some good restoration to the rim, 22cm. £150-250

331. A Bristol or London delftware charger, c.1705, decorated in polychrome enamels with a putto and two birds amidst dense flowering branches, the rim painted with wing-like motifs and half flowerheads, a border of crosses and circles to the reverse, restored, 33.5cm. £300-400 Cf. Jonathan Horne A Collection of Early English Pottery Part XIII, 1993, no.359.

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332. A good delftware charger, c.1748, Bristol or Wincanton, painted in blue with a central stylized flowerhead within a wide powdered manganese border, the rim with blue scale panels and carnation heads, 32.7cm. £200-300

333. A Bristol delftware plate, c.1760-70, the well decorated in the Fazackerly palette with a tied arrangement of flowers, the rim with stylized flowers and leaf fronds in bianco-sopra-bianco, 23cm. £400-600

334. A small Delft commemorative lobed dish, c.1690, painted to the well with a half portrait of King William III, within a stylized tulip border, a rim crack, 22cm. £250-350 333

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335. A delftware deep charger, c.1720-30, Bristol or London, painted in blue, green and red enamels with a stylized floral panelled design, restored, 30.4cm. £200-300

336. A large Liverpool delftware charger, c.1760-70, finely decorated in the Fazackerly palette with a large floral arrangement and further single sprays in different colours around the rim, a few small glaze chips to the rim, 34.5cm. £800-1,200

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337. A large Delft plate, 18th century, painted in red and blue with two swans to the well, within a wide border of flowers and leaves, red 5 to the reverse, 34.3cm. £250-350

338. A large Delft lobed dish, late 17th/early 18th century, decorated in manganese, yellow and blue with a central seated Chinese figure, the rim with further figures in garden settings, blue mark to the reverse, 34.5cm. £500-700

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339. A delftware dish, late 17th / early 18th century, perhaps London, painted and sponge-decorated in blue with a flock of birds in flight above buildings and trees, 23.5cm. £100-200

340. A small Delft lobed dish, c.1700, painted in blue with an Oriental figure seated in a garden scene, the same design repeated twice to the rim, some rim faults, 21.5cm. £50-150

341. A Liverpool delftware plate, c.176070, decorated in the Fazackerly palette with a central floral motif, three sprays of flowers to the rim, some filled rim chips, 23.7cm. £150-250

342. A large Liverpool delftware charger, c.1760-70, painted in the Fazackerly palette with a central floral spray with further single blooms around the rim, a large rim chip, 34.2cm. £400-600

343. A small delftware dish, early 18th century, perhaps Brislington, decorated with a large insect in flight above a small building beneath a willow tree, within a blue line rim, a section broken out and restuck, 23cm. £150-250 Old paper labels to the reverse. 344. A Delft polychrome plate, 1st half 18th century, brightly decorated with a peacock and a flying insect, the rim with a continuous band of red swirls and large green dots, 22cm. £100-200 345. A Lambeth delftware plate, c.1780, decorated in an unusual polychrome palette with a flying insect above a central peony spray, the rim with diaper panels, some good restoration to the rim, 23cm. £100-200 343

344

346. A rare Dublin delftware plate, mid 18th century, painted in blue with the Bamboo Fence pattern, a large peony before bamboo issuing from behind a fence, painted 7 mark to the reverse, 24cm. £150-250 Cf. Peter Francis, Irish Delftware, pp.84-85 for other examples of this pattern. 347. Eight Delft teabowls and eight Delft saucers, most 18th century, variously decorated in blue and polychrome with flowers, birds and the Boy with Buffalo pattern, damages, 12.7cm max. (16) £100-200 348. Three blue and white delftware plates, mid 18th century, one Liverpool and painted with a wading bird standing on rockwork beside peony, another with a vase of peacock feathers amidst large Oriental blooms, the last with a central peony motif, some good restoration, 23cm. (3) £150-250

345

346

347

348

349. Two creamware bin labels, early 19th century, of rounded coat-hanger form, titled in black with ‘Sherry’ and ‘Claret’, 13.5cm. (2) £100-200

350. A good miniature pearlware plate, early 19th century, possibly Brameld, printed in blue with a Chinaman holding a fringed parasol over a lady and some birds, a figure in a pagoda behind, 6.4cm. £50-100 Paper label for the Newmane Collection.

351. A good delftware bin label, c.1780, probably London, of coat-hanger shape, titled ‘Madeira’ in manganese, pierced with a hole for suspension, 13.6cm. £250-350 Cf. John Austin, British Delft at Williamsburg, p.113.

THE RICHARD DAUNCEY COLLECTION OF MINIATURE CUPS & SAUCERS

352. Thirteen miniature cups and saucers and one plate, most 20th century, including Spode, Coalport and German porcelain, variously decorated in the Oriental manner with Imari patterns, famille rose flowers, printed blue Chinese landscapes and famille verte landscapes, 7.2cm max. (27) £100-200 Provenance: from the collection of the late Wing Commander Richard Dauncey.

352

353. Twenty two miniature cups and saucers, 19th and 20th centuries, including Wedgwood, Susie Cooper, Paragon and Foley, variously printed and painted with flowers, insects, landscape scenes and leaf borders, one Wedgwood example in lustre, a boxed Limoges cup adhered to its saucer, 6.5cm max. (43) £100-200 Provenance: from the collection of the late Wing Commander Richard Dauncey.

354. Sixteen miniature cups and saucers, 19th and 20th centuries, including Minton, Spode, Royal Worcester, Coalport, Foley and Hammersley, variously decorated with flowers, and a similarly decorated saucer, 6cm max. (33) £150-250 Provenance: from the collection of the late Wing Commander Richard Dauncey.

355. One Meissen and five Meissen-style miniature cups and saucers, late 19th/20th century, decorated with scenes of courting couples, harbour scenes and birds, within strapwork cartouches, some with pink or yellow borders, blue crossed swords or AR monogram marks, 8cm max. (12) £150-250

356. Seven Staffordshire porcelain miniature cups and saucers, most 2nd half 19th century, one Minton, painted with flowers, 6.7cm max. (14) £100-200 Provenance: from the collection of the late Wing Commander Richard Dauncey.

357. Eight Staffordshire porcelain miniature cups and saucers, most 19th century, decorated in the Imari palette with floral and foliate motifs, 7.2cm max. (16) £80-120 Provenance: from the collection of the late Wing Commander Richard Dauncey.