Woolley & Wallis by Jamm Design Ltd

WOO L LE Y & WA L LI S SA L I S B U R Y SA L E R O O M S

Design

Wednesday 17th October 2018

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Specialist Departments Please dial +44 (0)1722 followed by the number listed below 20TH CENTURY DESIGN Michael Jeffery Zoe Smith

424505 446955

ASIAN ART John Axford MRICS ASFAV Jeremy Morgan Amber Lees

424506 424506 424571

CHINESE PAINTINGS Freya Yuan-Richards

424589

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA

424509 424598

MARKETING Ilona Pichler

446960

ACCOUNTS Janice Clift (Office Manager)

424500

GENERAL OFFICE Sharon Ringwood Pauline Jones Nicola Young Ruth Pike Megan Corbett

424500

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham

424507

FURNITURE, WORKS OF ART & CLOCKS Mark Yuan-Richards Jim Gale Suzy Becsy

411854 339161 446974

SALEROOM MANAGER David Jordan

JAPANESE ART Alex Aguilar Doméracki

424583

CASTLE GATE MANAGER Matt Hill

JEWELLERY Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Charlotte Glyde

424595 424504 424586

MEDALS & COINS, ARMS & ARMOUR Ned Cowell Zoe Cordey

341469 446980

PAINTINGS Victor Fauvelle Jo Butler Hollie Morrison

424503 424592 424592

SILVER Rupert Slingsby Lucy Chalmers

424501 424594

TRIBAL ART & ANTIQUITIES Will Hobbs Zoe Cordey

339752 446980

424500

CASTLE GATE RECEPTION Madeleine White BOARD OF DIRECTORS Paul Viney ASFAV Chairman John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart Managing Director

FRICS FRSA

Natalie Milsted FCCA Finance Director

424599

ASSOCIATE DIRECTORS Janice Clift Clare Durham Will Hobbs Michael Jeffery Mark Yuan-Richards Rupert Slingsby Marielle Whiting FGA

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 • www.woolleyandwallis.co.uk

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS

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DESIGN

Wednesday 17th October 2018 at 10.30am at our Castle Street Salerooms, SP1 3SU VIEWING TIMES Saturday 13th October Monday 15th October Tuesday 16th October Wednesday 17th October

10.00am – 1.00pm 10.00am – 4.00pm 10.00am – 4.00pm 9.00am – 10.30am

ENQUIRIES

COLLECTION OF LOTS

Michael Jeffery 01722 424505 mj@woolleyandwallis.co.uk

Zoe Smith 01722 446955 zs@woolleyandwallis.co.uk

Please note that all lots will be cleared from the saleroom back to Castle Gate on Friday 19th October. If you are collecting items on or after this date please contact the department to arrange in advance. Thereafter, collection will be from our new Castle Gate Office Unit 1B Castle Gate Business Park, Old Sarum, Salisbury SP4 6QX. Our Castle Gate address details and map are at the back of this catalogue. All accounts to be settled prior to collection. Payment is still made at Castle Street. ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Lots marked with a ‡ symbol which sell for more than €1000 are subject to the levy, payable by the bidder. Please refer to page 157 for full details. BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 25% plus VAT TELEPHONE BIDDING Please note that requests for telephone bids cannot be accepted after 5pm on Tuesday 16th October. LIVE BIDDING

ILLUSTRATIONS Front cover: Lot 1142 Inside cover: Lots 1203, 1236, 1234 & 1235 Back cover: Lot 1591 Catalogue £12.00 (£15.00 by post)

www.the-saleroom.com Please register by 5pm on Tuesday 16th October Please note there is a 3% +VAT surcharge for using this service.

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GLASS 1001. A stained glass roundel, painted with a young man in medieval costume before briar rose, unsigned, 20.5cm. diam. £120-180 1002. Summer an Arts and Crafts stained glass window, in wooden frame, depicting a maiden holding up her apron with an offering of fruit, unsigned, 166 x 70cm. £400-600 1003. A stained glass panel of a saint in the manner of Harry Clarke, modelled wearing red gown with purple collar and amber mitre, set inside black glass border unsigned, 46.5 x 38cm. £1,800-2,000

1001

1002

1003

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1004 part

1005

1004. Three stained glass windows, rectangular leaded panels, with pink, orange and green squares, two set with painted flowers and foliage unsigned, 74 x 33cm (largest), (3) ÂŁ200-300

1005. Patrick Reyntiens OBE (born 1925) The Gods go a-begging, 1985 painted stained glass panel with lead, in silver mount by MRB, on white polished alabaster base, signed and dated in the glass, 85, London 1985 hallmarks, ÂŁ150-250 34cm. high (including base). Provenance Bruton Gallery Limited, Bruton Somerset Private collection.

1006. An Aesthetic Movement stained glass panel, rectangular the leaded window painted with butterflies amidst flowers and foliage, inside a geometric flower border, and two smaller, unsigned, 108 x 48cm. (3) ÂŁ200-300

1006

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1007

1007. A folio of stained glass window designs by J Powell & Sons Whitefriars, coloured designs on paper including public and private commissions, Bute Hall Glasgow University, Thos Cundy Cornwall Gardens, London, Sunfield Wesleyan Chapel, 60 x 45cm. (largest sheets). (a lot) £400-600

1008. A James Powell & Sons Whitefriars Tear vase designed by Harry Powell, swollen sea green glass with applied blue tears and foot ring, and another example in flint with amethyst tears unsigned, Amethyst example with losses to tears, 12.5cm. high. £250-350 Literature Lesley Jackson, Whitefriars Glass The Art of James Powell & Sons, Richard Dennis Publications, page 106 plate 40 for comparable example.

1008

1009

1009. A large Webb Bronze vase the design attributed to Dr Christopher Dresser, tapering ovoid form, the neck applied with a face motif, covered in a deep petrol iridescence unsigned, 22cm. high. £300-400

1010. A John Walsh Walsh vaseline glass vase, flaring, fluted bowl on slender stem and flat foot, unsigned, 15.5cm. high. £120-150

1011. A large glass goblet vase probably James Couper & Sons Clutha glass, flaring bowl on cylindrical stem, olive green glass with bubbles and aventurine swirl inclusions, £300-500 unsigned, 28cm. high. 1010

1011

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1013

1012 1012. A clear glass decanter with electroplated mount and cover possibly Walker & Hall, in the manner of Dr Christopher Dresser stamped marks, marks rubbed to collar, 26.5cm. high. £150-200 1013. A pair of large vaseline glass shades, bell form with fluted rim, unsigned, 23cm. high. £120-180 ‡ 1014. Bruno Romanelli (born 1968) Chest Relic, 2002 kiln cast and polished glass, 28cm. high, 18.5cm. wide.

£500-700

1015. A Caithness limited edition Mary Queen of Scots engraved glass decanter and stopper and six glasses by Anne Robertson, dated 1972, number 4 of 8, each engraved with a vignette, in blue silk fitted cases, etched marks to base and paper receipts, 4/8 25cm. high (decanter). £150-250 Provenance The Unicorn Gallery, Wilmslow Cheshire, purchased 1972. 1014

1015

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1016

1017 1018

1016. A Hailwood and Ackroyd chrome and bronze mounted cut glass centrepiece, the base with tripod supports cast with lion busts, with cut glass bowl with raised rim, set with chrome metal rose, stamped mark, applied label to base, 20cm. diam. £200-300 1017. A Stevens and William glass vase designed by Keith Murray, ovoid with collar neck on applied foot, pale pink graduating to clear with air bubble inclusions, cased in clear unsigned, 23cm. high. £120-180 1018. A Stevens and Williams Brierley glass Cactus vase designed by Keith Murray, swollen cylindrical form, cut and polished with cactus stems, on applied foot, unsigned, 20.5cm. high. £300-400 Literature Andrew Casey 20th Century Ceramic Designers in Britain, ACC Books, page 189 catalogue number 203 for a comparable Cactus vase.

1019

1020

1019. A Richardson Cameo Fleur glass vase, hammered clear glass cased in amber glass, cameo decorated with a lily flower stem acid etched mark, 25.5cm. high £200-300 1020. A Perthshire limited edition paperweight, decorated with a multicoloured star of canes, cased in clear, in fitted box, and nine other various Perthshire paperweights, Perthshire cane, paper certificate, 7.5cm. wide, (10) £300-500 1021. A Monart glass vase, shouldered scarlet glass with burnished lustre surface decoration, polished pontil, 17cm. high £200-400 Literature Ian Turner Ysart Glass, Volo Editions, page 103 plate 101 for a comparable vase illustrated.

1021

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CONTINENTAL GLASS 1022. A tall encrusted glass flower vase attributed to Moser, tapering square section, decorated with white lilac flowers on a gilt ground with low relief scroll patterning, enamelled factory marks and Karlsbad to the base, 81cm. high £200-300

1023

Literature Gary D Baldwin Moser Artistic Glass, edition two, The Glass Press Inc. page 134 plate 154 (for a vase) and plate 155 (for a goblet) with similar high-relief floral decoration attributed to Moser. 1023. A Moser faceted glass vase designed by Rudolf Wels, blue faceted glass decorated with an acid-etched gilt band of dancers acid-etched Moser mark to base, 11cm. high. £150-200 1024. A Loetz glass vase, compressed ovoid body with swollen and dimpled neck and pinched rim, mottled green iridescence, the rim with gilt unsigned, 21cm. high. £200-300 1025. A Louis Comfort Tiffany Favrile glass small tazza, model no.1280, domed foot with knopped stem, the bowl with fluted rim, covered in a golden iridescent finish, signed LCT Favrile 1280 to base of foot, 10.5cm. diam. £150-200

1024

1026. A Legras cameo glass vase, waisted mottled orange glass cased in green, decorated with a tree lined lakeside landscape, a Loetz cameo glass vase with berried foliage boughs and a C Vessiere cameo glass tray, enamelled Legras £300-500 signature, 10.5cm. high. (3) 1027. A De Vez cameo glass vase, tapering pear shaped form, yellow glass cased in blue with a lakeside landscape, cameo signature 13cm. high. £200-300

1025

1022

1026 1027

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1028. An Art Nouveau Galle cameo glass vase by Emile Galle, shouldered form, cameo decorated with cyclaman flowers in orange on an opaque ground, cameo signature Galle, 6.5cm. high. £200-300

1028

1029. An Art Nouveau Galle cameo glass vase designed by Emile Galle, flaring conical form with inverted rim, purple and yellow glass cased in brown with poppy flowers, cameo Galle £600-700 signature 15cm. high.

1030. An Art Nouveau Galle glass Brule Parfum designed by Emile Galle, tapering, footed form with bronze light fitting, yellow glass cased in purple, decorated with simple acanthus leaf frieze, etched Galle signature, 11.5cm. high. £400-600 1029

1031. An Art Nouveau Galle mould blown Fuchsia vase by Emile Galle, shouldered form, cast in relief with fuchsia flower £1,500-2,000 in purple, cameo Galle signature 27cm. high.

1030

1031

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1032. A De Vez cameo glass Landscape vase, compressed foot with tapering cylindrical body, decorated in green and orange glass over opaque body, with a mountain lakeside landscape with cacti, cameo signature De Vez, 20cm. high. £300-400

1033. A Muller Freres fire-polished cameo glass vase, swollen cylindrical form, decorated in pale orange with anemone flower stem, etched Muller to base, 15cm. high. £300-400

1033 1032

1034. An Art Nouveau Ncado enamelled glass vase, tall, slightly flaring cylindrical form with flaring neck, enamelled with flowers in shades of pink and green cameo signature Ncado, 28cm. high. £150-200

1035. An Art Nouveau Daum Nancy enamelled glass box and cover, circular, enamelled with Joli Bois blossom sprays in pink, green and yellow, acid etched Daum Nancy signature, 10.5cm. diam, 6cm. high. £600-700 (2)

1034

1035

1035 cover

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1036. A pair of Meyr’s Neffe wine glasses in the manner of Otto Prutscher, the clear glass stem with purple overlay, cut with square aperture, faceted cylindrical bowls, unsigned, 21.5cm. high. (2) £300-400

1037. A Bakalowits Meyr’s Neffe wine glass designed by Koloman Moser, the swollen cylindrical stem supporting swollen green graduated glass bowl with circular lens motif, unsigned, 20cm. high. £150-200

1038. A pair of clear glass water glasses designed by Josef Hoffmann, possibly manufactured by J & L Lobmeyer, unsigned, 14.5cm. high. (2) £200-300

1036 1038A. Eleven continental Secessionist wine glasses in the manner of Koloman Moser, the slightly flaring, faceted stem supporting faceted green glass bowl with cut band of decoration, unsigned, 20cm. high. (11) £120-180

1039. A pair of Loetz glasses, swollen clear stems with shallow orange bowls, unsigned, 14.5cm. high. (2) £150-200

1040. A pair of glasses designed by Peter Behrens, slightly swollen cylindrical stems with lightly faceted clear glass bowls, unsigned, 20.5cm. high. (2) £200-300 1037

1038A

1039

1038

1040

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1041. A Karl G Koepping small smoked amethyst glass Likorglas trumpet vase, the flaring disk foot supporting knopped, flaring neck, acid etched signature to top of foot, remains of paper label, 12cm. high. £250-300 1042. An Art Deco Schneider glass vase by Charles Schneider, slender, swollen cylindrical form on flaring bun foot, short collar neck and flaring top rim, dark red glass internally decorated with orange swirls to the shoulder, the foot and lower body with gold aventurine inclusions, incised Scheider signature and vase mark, 30.5cm. high. £250-350 1043. An Art Deco Schneider La Verre Francais Papillion cameo glass vase by Charles Schneider, ovoid with collar rim, mottled glass cased in coral red decorated with a cloud of butterflies, above abstract honeycomb band, cameo signature Charder 12.5cm. high. £400-600

1041

Literature Fiona Gallagher and Michael Jeffery Christie’s Art Deco, Pavilion Books, page 70 for a comparable Papillon vase illustrated. 1044. A La Verre Francais cameo glass vase, slender swollen form, yellow glass cased in orange, cut with pendulous berried foliage, etched La Verre Francais to foot 44cm. high. £600-800

1042

1045. A WMF Ikora glass lamp base, shouldered blue glass with brown veins and air bubbles, cased in clear, with chrome mount stamped marks, 22cm. high (glass body). £100-150 1046. A WMF Ikora Unica glass vase, shouldered, swollen cylindrical form with everted rim, mottled orange and green with air bubbles, cased in clear unsigned, 29cm. high. £250-300 1047. A Daum Nancy glass vase, tapering cylindrical form with swollen neck, opaque glass cased in yellow and brown, wheel cut Daum Nancy, 31cm. high. £200-300

1043

1044

1045

1046

1047

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1048

1049

1048. An Art Deco enamelled glass plate by Maurice Marinot, circular, enamelled with a rearing horse in a landscape, signed Marinot, 28cm. diam. £200-300 Literature Yvonne Brunhammer Art Deco Style, Academy Editions, page 109 catalogue number 213 for a display of Marinot glass including an example of this plate design illustrated - in the collection of the Musee des Arts Decoratifs, Paris. 1049. A Paul Daum and Pierre D’Avesn glass vase, mottled orange glass cased in clear with cast silvered bronze neck mount cast with flowers and drapes, cast signature Val, 19cm. high. £250-300

1050

1050. A Daum Nancy glass vase, shouldered form with everted rim, pale blue graduating to dark blue with orange inclusions, cased in clear, etched Daum Nancy France to side of base, 30cm. high. £300-500 1051. An Andre Thuret glass vase, black graduating to red body with air bubble inclusions, cased in clear, on applied clear foot, etched Andre Thuret to foot 13cm. high. £500-800 1052. A Daum Nancy solifleur vase, ovoid clear glass with tall tapering neck, applied with four orange medallion, etched Daum Nancy France to side of foot, 34cm. high. £150-200

1051

1052

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1053. A St Louis Cristaux & Art amethyst glass vase designed by Jean Sala, flaring cylindrical form on applied stepped foot, the body with applied foliage decoration, impressed mark and signature to underside of base, 25cm. high. £150-200

1053

1054

1054. A Modernist glass and chrome table lamp the design attributed to La Maison Desny, offset square plates of glass on chrome stem with mirrored glass base, unsigned 13cm. high. £400-600

1055. Cendrier Etoile a Francois Decorchemont pate de crystal bowl, green glass, on three applied ball feet, cast in low relief with radiating lines, impressed cast mark, etched B81, 14cm. diam. £1,200-1,800 Literature Veronique Ayroles Francois Decorchemont Norma Editions, page 272 for comparable example illustrated models 316 and 317.

1055

1056. Medallion (Cleopatra) a Gabriel Argy-Rousseau pate de verre dish, opaque, pink and purple glass, signed G ArgyRousseau, 16cm. wide £1,200-1,800 Literature Janine Bloch-Dermant G. Argy-Rousseau, Thames & Hudson, page 195 catalogue number 23.29 for a comparable example illustrated.

1056

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1057. A Gabriel Argy-Rousseau pate de verre glass Fern coupe, catalogue no.27.19, footed form, the twin-handles modelled as fern fronds, green and blue glass, signed in the cast G Argy-Rousseau to the rim, 20cm. wide. ÂŁ3,500-4,500 Literature Janine Bloch-Dermant G. Argy-Rousseau, Thames & Hudson, page 80 for a comparable example illustrated.

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LALIQUE 1058. ‘Figurines et Guirlandes’ a Lalique glass and electroplated atomiser designed by René Lalique, designed in 1925 for Molinard’s Le Parisien, clear and frosted glass, cast R Lalique to base and stamped mark and name to the metal, 13cm. high £150-250

1059. ‘Deux Fleurs’ no. 529 a modern Lalique frosted and clear glass scent bottle designed by René Lalique, etched Lalique, £80-120 France, 9cm high

1058

1059

1060. ‘Ormeaux’ no. 3048 a Lalique clear glass plate designed by René Lalique, with sepia staining and ‘Jaffa’ no. 3052 a Lalique clear glass plate with green staining, etched R Lalique France, 26cm. diam. (2) £150-200

1061. ‘Paquerette’ no.10-3029 three Lalique frosted glass plates designed by René Lalique, with blue staining, decorated with a band of marguerite flowerheads stencil R Lalique mark, 15.5cm. square (3) £150-200

1062. ‘Feuilles’ no. 279 a Lalique electric blue glass cendrier designed by René Lalique, etched R. Lalique, 17.5cm. long. £500-600 1060

1061

This design was introduced in 1924.

1062

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1063

1064

1063. ‘Esterel’ no. 941 a Lalique opalescent glass vase designed by René Lalique, blue staining, etched R Lalique France no. 941, 15cm. high. £1,000-1,200 This vase was introduced in 1923.

1064. ‘Avalon’ no.986 a Lalique opalescent glass vase designed by René Lalique, wheel-cut R Lalique France No. 986, 13.2cm. high £700-1,000

1065. ‘Oleron’ no. 1008 a Lalique opalescent glass vase designed by René Lalique, etched R Lalique France to base rim, 8.8cm. high £500-800 1065

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1066

1067 1066. ‘Ondines’ an unusual Lalique opalescent glass bowl with inverted rim, cast in low relief, etched Lalique signature 18cm. diam. £800-1,000

1067. ‘Logelbach’ four Lalique Coupe à champagne glasses designed by René Lalique, etched R Lalique France, 12.2cm. high (4) £150-200

1068

1069

1068. ‘Bluets’ no. 178 a Lalique grey stained glass seal designed by René Lalique, £300-500 etched Lalique, 4.5cm. high. This design was introduced in 1912.

1069. ‘Tete D’Aigle’ no. 175 a Lalique black glass seal designed by René Lalique, etched R. Lalique, 7.8cm. high.£1,000-1,200 This design was introduced in 1911.

1070. ‘St Marc’ no. 10-934 a Lalique blue stained glass vase designed by René Lalique, etched R. Lalique, 17cm. high. £1,000-1,200 This vase was introduced in 1939.

1070

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1071

1072

1071. ‘Six Hirondelles Perchees’ model no.763 a Lalique frosted glass clock designed by René Lalique, modelled in low relief and sepia stained, etched R Lalique France no.763 and cast R Lalique, 15.5cm. high £1,500-2,000 This design was introduced in 1920.

1072. ‘Ete Surtout Quatre Saisons’ no. 840bis one of the four seasons (Summer) a Lalique frosted glass statuette designed by René Lalique, grey staining, etched R Lalique France, 19.5cm. high. £600-800 This statue was introduced in 1939.

1073. ‘Dahlia’ model no. 2011 a Lalique clear and frosted glass wall shade designed by René Lalique, with sepia staining, signed in the cast R L, 30.5cm. wide. £150-200

1073

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1074

1075

1074. ‘Nefliers’ no. 940 a Lalique frosted glass vase designed by René Lalique, blue staining, etched R Lalique, 14cm. high. £1,000-1,200 This vase was introduced in 1923.

1075. ‘Renoncules’ no. 1044 a Lalique opalescent and frosted glass vase designed by René Lalique, etched R Lalique France, 14.5cm. high. £1,000-1,200 This vase was introduced in 1930.

1076. ‘Laurier’ no. 947 a Lalique opalescent glass vase designed by René Lalique, blue staining, stencilled R Lalique France, 18cm. high. £1,000-1,200 This vase was introduced in 1922. 1076

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1078

1077

1077. A Venini glass desk set, comprising rectangular pen stand, square ashtray and a blotter, clear glass with metal mounts, unsigned, 17.5cm. wide (pen tray). (3) £200-300 1078. A large Murano Italian glass bowl in the manner of Vistosi, irregular section, thick blue glass with white glass rim, unsigned, 46cm. wide. £250-350 1079. A Vistosi glass Neverino table lamp designed by Gae Aulenti, waisted, domed glass internally decorated with green and yellow ‘Peacock tail’ fused murrine canes, on metal base with internal opaque white inner shade, unsigned, 39cm. high. £300-500 This design is listed in the Vistosi catalogue circa 1970.

1079 1080

1080. A large Venini & Co Piatto di Tapio glass charger designed by Tapio Wirkkala, central blue roundel with textured yellow and red glass halo's and broad amethyst glass rim, the yellow incalmo band forming the foot, applied Venini label, etched mark and TW monogram to side of yellow band, 49cm. diam. £800-1,200 1081. A large Barovier & Toso Spina glass bowl designed by Ercole Barovier, elliptical section, aubergine and opaque glass cases in clear, etched Barovier & Toso Murano, 42.5cm. wide, 16.5cm. high. £2,000-3,000 Literature Marino Barovier Venetian Art Glass 18401970, Arnoldsche, page 159 cat.no. for a vase similar. This page also illustrates a similar Spina bowl exhibited at the XXIX Biennale Internationale d'Arte, Venezia, 1958 1081

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1082

1083

1082. A Leerdam glass bowl on shallow foot, olive green glass with acid etched abstract design to underside, a thick glass vase with tiny air bubble decoration and another vase internally decorated with green circle motif, acid etched monogram to bowl, 34cm. diam. (3) £200-300 1083. A Holmegaard Gul vase designed by Otto Brauer, shouldered cylindrical yellow glass with cylindrical solifleur neck, and a Kosta cased glass vase designed by Vicke Lindstrand, applied paper label to Holmegaard, acid-etched mark to Kosta, 25.5cm. high. (2) £120-180 1084. A Holmegaard Gul vase designed by Otto Brauer, white glass cased in clear, and another smaller, unsigned, 43.5cm. high. (2) £150-250 1085. A Holmegaard Gul vase designed by Otto Brauer, opaque white glass cased in red, and another blue Gul vase smaller, original paper label to red vase, £150-250 30,5cm. high. (2) 1086. A Holmegaard Gul vase designed by Otto Brauer, opaque white glass cased in green unsigned, 44.5cm. high. £150-250

1084

1085

1086

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1087

1088

1087. A Hadeland glass Carousel vase, tall cylindrical form etched with children on a carousel ride, a Kosta footed bowl etched with fish in a net and a Kosta perfume bottle and stopper, etched marks and inscription to base and dedication 1956, 17cm. high. (3) £150-200

1088. A Hadeland glass Atlantic vase designed by Willy Johansson, moulded cylindrical form with everted top rim, thick clear glass with air bubble inclusions, an Orrefors glass dish possibly by Vicki Lindstrand, two Orrefors opalescent glass dishes and an Orrefors smoked grey glass dish, etched Hadeland WJ mark, 26cm. high (5) £100-150

1089. An etched glass panel by Karel Hrodek, dated 1952, rectangular, decorated with a young woman with flowing hair, an artist palette and brushes and a vase of flowers, with polished black slate base, etched HK 52 to £150-250 panel edge, 41cm. high. Literature Helmut Ricke Czech Glass 1945-1980, page 185

1089

1090. A Sottsass Associati blue glass vase designed by Nathalie Du Pasquier, flaring conical form, decorated with printed silver leaf design, and another smaller, printed mark to edge of bowls, 25.5cm. diam. (2) £150-200

1090

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1091

1092

1091. A Murano glass dish, leaf shaped with pinched top rim, alternate yellow, green and white canes, cased in clear, and a glass vase unsigned, 19.5cm. wide, (2) £120-180

1092. Murano glass decanter and six tumblers, emerald green glass with applied eyes and lips, triangular section each side with different expression, unsigned, 27.5cm. high (7) £200-400

1093 1094

1093. A Murano glass model of a duck possibly by Seguso, mottled green glass body with applied clear glass feet and clear glass bill with aventurine inclusions, a Murano glass bird sculpture, a Wedgwood curved glass fish sculpture designed by Ronald Stennett-Willson and a clear glass model of a lion, unmarked, 31cm wide (duck), (4) £100-150

1094. A family of three Cenedese Murano glass penguins, white glass cased in clear with gold aventurine inclusions, with applied deep amethyst glass details, on clear glass ice base, remains of Cenedese label to large penguin, 32.5cm. high, (3) £150-250

1095. A Seguso AV glass model of a penguin designed by Livio Seguso, stylised and streamlined form, pale grey glass with yellow and darker grey stripes, cased in clear, with applied glass eyes, etched Seguso AV to base rim, 38cm. high. £400-600

1095

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1096

1097

1098

1096. A Seguso glass vase, flaring golden body with lattice design, with blue glass applied rim, on applied foot with white glass edge, and a tall glass vase by N Moretti with applied blue flower stems, unsigned, 15cm. high (Seguso), 32cm high (Moretti). (2) £150-250

1097. A Murano glass vase in the manner of Seguso, thick, heavy aubergine glass with aventurine inclusions, with cast twinhandles unsigned, 22cm. high. £120-180

1098. A Murano glass vase, the thick green tube glass with strap handle, on fluted foot, unsigned, 29cm. high. £120-180

1099. A Barovier Athena Cattedralle lamp base designed by Ercole Barovier, shouldered form with chrome metal fitting, white, blue and yellow diamond motif repeat, cased in clear unsigned, 41cm. high. £600-1,000 Literature Marina Barovier Art of the Barovier, Arsenale Editrice, 2007, page 172 for a comparable example. 1099

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CERAMICS 1100. A Carlo Manzoni charger, dated 1897, incised with a putti playing a harp, inside geometric bands, in colours incised marks and monogram to back, restored, 45.5cm. diam. £200-300 1101. A painted panel in the style of C.F.A Voysey, rectangular, cast in low relief with a bird perched in a fruiting tree, a squirrel perched on its roots and looking upwards, painted yellow, unsigned, 40 x 31cm. £150-200 Literature Arts and Crafts Woolley and Wallis, 20th June 2018 lot 35 for an identical example. 1101

1100

1102. An Aesthetic Movement ebonised wood stationary box, with hinged cover, fitted interior, set with Copeland ceramic plaques to front and cover, painted with an old man walking towards a castle, the wind blowing behind him, and a court jester resting by a tree under the midday sun, unsigned, 22cm. wide. £150-200 1103. Selwyn Image (1849-1930) design for architectural tiles watercolour on paper, framed signed in pencil and annotated 31 x 17cm.

£150-200

1104. A pair of William De Morgan Merton Abbey Formal Flower tiles, each painted with a simple green leaf, on white ground, impressed marks, 15.5cm. square. (2) £120-180 Literature Martin Greenwood The Designs of William De Morgan, Richard Dennis Publications, page 132 plate 793 for the original design illustrated.

1102

1105. A William De Morgan Farini pottery dish, modelled to the rim with inter-linking chain motif, the well with similar modelled decoration, glazed ruby and sand lustre impressed factory tulip mark, loss to rim, 28cm. diam. £200-300 Provenance Arts and Crafts, Woolley and Wallis Auctioneers, 22nd June 2016 lot 128. Private collection. Literature William Gaunt & M D E Clayton Stamm William De Morgan Studio Vista, page 125 plate 119 for a comparable piece.

1103

1106. A large Cobridge Stoneware high-fired vase by Susan Smith, shouldered form with flaring neck, covered in a controlled, streaked sang de boeuf glaze over silver grey, impressed marks, signed Susan Smith, 45cm. high £120-180

1104

1105

1106

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1109

1108

1107 1107. ‘Datura’ a large Dennis China Works vase designed by Sally Tuffin, dated 2004, potted by Rory Mcleod, tubeline decorated on a black ground, impressed and painted marks, no.9, 40.5cm. high £200-300

1110

1108. ‘Freesia’ a Moorcroft Pottery plate designed by William Moorcroft, painted in colours on a graduated yellow to green ground, impressed mark, painted green signature, original paper label, 26cm. diam. £120-180 1109. ‘Pansy’ a Moorcroft Pottery bowl designed by William Moorcroft, with electroplated rim, painted in shades of purple, blue and green impressed marks, painted green signature, 21cm. diam. £200-300

1111

1110. A Minton’s Secessionist wash basin and ewer designed by Leon Solon and John Wadsworth, model no.14, tubeline decorated with Art Nouveau circular flower foliate design with pendulous flowers in cream, green and brown printed factory marks, small hairline to rim of bowl, 42cm. diam (basin), 36.5cm. high (ewer), (2) £250-350 1111. A Minton’s Secessionist wash basin and ewer designed by Leon Solon and John Wadsworth, model no.35, tubeline decorated with stylised tree motif in brown, blue and green printed factory marks, restored chip to rim of basin, 42cm. diam (basin), 36cm. high (ewer), (2) £250-350

1112

1112. A Minton’s Secessionist jardinière designed by Leon Solon and John Wadsworth, flaring form with inverted rim, modelled in low relief with ‘tubelined’ blue carnation flowers, on a printed ground, in colours, and an English Art Nouveau jardinière painted with poppy stems, printed and impressed marks, light starcrack to base, 29cm. high (2) £300-500 1113. A Minton’s Secessionist plate designed by Leon Solon and John Wadsworth, tubeline decorated with an Art Nouveau water-lily design in blue, turquoise and sand, printed and impressed marks, 25cm. diam. £150-250 1113

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1114

1115

1115A

1114. An Arts and Crafts plate dated 1887, painted with stylised flowers and foliage in blue on a green ground, inside scroll border, painted marks, TC monogram June 1887, 23.5cm. diam. £150-200

1116

1115. A Minton’s New Stone Gothic platter designed by Augustus Welby Northmore Pugin, rounded rectangular form, printed to the well and rim in blue with stylised floral repeat, the rim highlighted in gilt, impressed and printed marks, 38cm. wide. £120-180 Literature Paul Atterbury and Clive Wainwright Pugin Victoria & Albert Museum Exhibition, 1994, page 150 plate 278 for a comparable service.

1117

1115A. A large pair of Royal Doulton Slater’s Patent baluster vases, dated 1884, modelled in low relief with textured ground, painted with flowers in blue, white and gilt, below a band of stiff leaf foliage, impressed marks, hairline to base rim, 45cm. high. (2) £100-150 1116. A Royal Doulton stoneware vase, shouldered ovoid form with collar neck, tubeline decorated with stylised flowers and foliage, in blue and green on a mottled sage green ground, a pair of Doulton faceted vases, a jardinière and four other Doulton items, impressed marks, minor damages, 17.5cm. high, (8) £120-180 1117. A pair of Doulton Burslem Aesthetic Movement vases, shouldered form with waisted rectangular section neck, printed and painted in colours with birds flying past flowers and foliage, highlighted in gilt on a cream ground, impressed and printed marks, repaired damages, 22cm. high (2) £120-180 1118. ‘Play Goers’ a rare Doulton Lambeth mouse group by George Tinworth, modelled as a mouse orchestrating a punch and judy show, three mice watch on as one peeps through the curtain at the back, the tent flanked with a mouse playing a base drum and a mouse holding a plate, glazed in ochre and blue, incised title, impressed Doulton mark, incised GT monogram, 13cm. high. £1,500-2,000

1118

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1119

1120

1119. Polar Bear walking a Royal Doulton figural spirit flask made for Girolama Luxardo, painted in colours printed factory marks, 24cm. wide. £120-180

1121

1120. Foxes Curled HN.117 a Royal Doulton figure designed by Charles Noke, painted in colours printed and painted marks, restored ears, 12cm. wide. £120-180 1121. Terrier a Royal Doulton figural wall mask on wooden base, model £120-180 KT, painted in colours 10cm. high. 1122. ‘The Mask H.N.785 a rare Royal Doulton Art Deco figure, designed by Leslie Harradine, painted in colours printed and painted marks, 17cm. high. £600-800 1123. ‘Our Pets’ a large Shelley china figure group designed by Mabel Lucie Attwell, two young children, one holding a doll, watching two rabbits, painted in colours printed factory mark and facsimile signature. 21cm. high. £500-800 1124. A Shelley Regent Syringa tea service designed by Eric Slater, pattern no.12025, printed and painted with flowers and foliage, comprising; teapot and cover, milk-jug and sugar basin, six cups, saucers and side plates and a sandwich plate, and a Shelley ‘Blue and Red Daisy’ hot-water pot and £300-500 cover, printed and painted marks, 14.5cm. high (teapot), (25)

1122

1125. A Shelley Pottery Blue Iris Queen Anne tea set for twelve, designed by Eric Slater, pattern no.11561, printed and enamelled in colours, comprising; cake plate, milk-jug and sugar basin, twelve cups, saucers and side plates, printed and painted marks, 24.5cm. wide (cake plate) (39) £150-250

1124

1123

1125

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1126

1127

1126. A Wood & Sons Korea three vase garniture designed by Frederick Rhead, comprising a jar and cover and two spill vases, printed in black and white with exotic birds amongst prunus, highlighted in gilt, a similar Wood & Sons Trellis tubelined three vase garniture designed by Frederick Rhead and a large Trellis footed vase printed and painted marks, 24cm. high (9) £200-400 Literature Bernard Bumpus Charlotte Rhead Potter & Designer, Kevin Francis Publishing, page 22 figure 8 for an example of Trellis illustrated. 1127. A Susie Cooper Productions Cowboy jug, pattern E1227, a 'Cowboy' pattern hors d'oeuvres dish, a 'Seagull' milkjug and a banded tankard, printed factory marks, wear, 13cm. high (jug). (4) £50-100 Literature Andrew Casey Susie Cooper A Pioneer of Modern Design, ACC Books, page 70 for a sheet of nursery patterns including the Cowboy pattern.

1128

1129

1128. A rare Burleigh Ware Kangaroo jug designed by Harold Bennett, model no. 4911, modelled in low relief, painted in colours printed factory marks, 17cm. high £200-300 1129. A Royal Worcester Sea Breeze figure mounted as a lamp designed by Freda Doughty, model no.3008, painted in colours on ebonised wood base, with chrome lamp fitting and frosted blue glass shade marks concealed, 48cm. high. £120-180 1130. An Ashtead Pottery limited edition Christopher Robin Nursery plate from a design by E H Shephard, printed in colours printed marks no.14/24, 23.5cm. diam. £120-180 1131. ‘Feathertailed Bird and Flower’ a Carlton Ware bowl, pattern no. 3354, printed and painted in colours with stylised flowers on a matt pale blue ground, printed and painted marks, 23.5cm. diam. £80-120

1130

1131

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1133

1134

1132

WEDGWOOD 1132. A Wedgwood Chinese Aster charger by Millicent Taplin, pattern C272, painted to the well with a flower and radiating foliage and bud sprays, the rim with stylised flowers and foliage, in shades of blue, green and mushroom, printed factory marks, paper gallery label, 31cm. diam. £150-200 Provenance Wedgwood Exhibition, Richard Dennis, 1982 catalogue number V73. Maureen Batkin Wedgwood Ceramics 1846-1959, Richard Dennis, page 163 plate 397 for an example illustrated.

1135

1133. A Wedgwood Pottery Alphabet mug designed by Eric Ravilious, printed with vignette in black on a vine green ground, printed factory marks, 8cm. high. £300-500 Literature Ravilious & Wedgwood - The Complete Wedgwood Designs of Eric Ravilous Richard Dennis, page 22 for the Alphabet range illustrated. The Alphabet range was designed in 1937. 1134. King George VI and Queen Elizabeth a Wedgwood commemorative coronation mug designed by Eric Ravilious, dated 1937, printed in black with coat of arms and 1937, on a blue band, below a band of fireworks, printed inscription to base, 10.5cm. high. £500-800 1135. Thumbelina a Wedgwood Pottery plate designed by Daisy Makeig-Jones, printed and enamelled in colours, and another Wedgwood plate decorated with a boy crossing the river in a coracle, printed and impressed marks, 20.5cm. diam. £120-180 1136. Outlines of Grandeur a set of six Wedgwood side plates designed by Laurence Whistler, each printed in black with vignette, the rim outlined in gilt, comprising; New Delhi, St Paul’s Cathedral, Stonehenge, Holyroodhouse, Tintern Abbey, and Clifton Suspension Bridge, printed £350-450 factory marks, 15cm. diam. (6)

1136

1137. A Wedgwood terracotta model of a Duiker Lying designed by John Skeaping and glazed by Norman Wilson, on swollen rectangular base, covered in a grey glaze impressed mark and impressed J Skeaping, printed Wedgwood NW mark, impressed 10 F 50, 16.5cm. wide. £300-500 Catalogue notes Unusually this figure is modelled in a terracotta coloured material which when glazed, reacts creating the burnt umber colour in the glaze. Although indistinct the 10 F 50 mark suggest a date of 1950. Literature Maureen Batkin Wedgwood Ceramics 1846-1959, Richard Dennis Publications, page 188 colour plate XLVIII for a standing Buffalo model in a comparable glaze. 1137

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1138

1139 1138. A Wedgwood Pottery vase designed by Keith Murray, shouldered, flaring cylindrical form with cut bands, covered in a matt straw glaze, printed factory mark, KM monogram, 19cm. high £150-200

1139. A Wedgwood Pottery vase designed by Keith Murray, ovoid with collar rim, ribbed bands covered in a matt blue glaze, printed factory mark, KM monogram, 15.5cm. high. £150-200

1140. A rare Wedgwood Vorticist vase by Norman Wilson, shape no. 4669, tall, slender form with collar neck, painted with geometric abstract design in red, black and grey on a Matt White ground, printed and impressed Wedgwood marks, impressed NW monogram, 39cm. high. £800-1,200 Provenance The Wedgwood Museum Collection. Private collection.

1140

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1141. Fairy Slide and Birdâ&#x20AC;&#x2122;s Nest Robbers a rare Wedgwood Fairyland Lustre Malfrey Pot and cover designed by Daisy Makeig-Jones, pattern Z5360, printed and painted in colours on a flame lustre ground, highlighted in gilt the cover decorated with the Bridge to the exterior, the interior the White Pagoda pattern, printed and painted marks to base, 18cm. high. (2) ÂŁ10,000-15,000 Literature Una des Fontaines Wedgwood Fairyland Lustre Sotheby Parke Bernet, page 203 plate 46 for a comparable example illustrated. Provenance Daniel & Hulme Auctions, Staffordshire, 5th September 1998 lot 417. Private collection.

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1142. Ghostly Wood a fine and rare Wedgwood Fairyland Lustre charger designed by Daisy Makeig-Jones, pattern no.Z4968, printed and painted in colours on a blue lustre ground, highlighted in gilt, unsigned, 38.5cm. diam. £12,000-18,000 Literature Una des Fontaines Wedgwood Fairyland Lustre Sotheby Parke Bernet, page 143 plate 29 for a tall Malfrey Pot and cover in this design illustrated. Provenance Sotheby’s Chester, 13th March 1990 one of two (lots 1370 and 1371) identical chargers, both purchased by the vendor. The other example was sold at Christie’s Wedgwood & Associated Wares 15th June 1995 lot 160. Private collection.

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1144

1145

1143

1143. A Wilkinson’s Oriflamme vase designed by John Butler, shouldered form with collar rim, printed and painted with fish swimming amongst waterweed, on blue lustre ground, with gilt rim, printed factory mark, 26cm. high. £200-300 1144. A pair of Wilkinson Oriflamme bottle vases designed by John Butler, compressed bodies with cylindrical neck, in coral on a green lustre ground, printed mark, 15cm. high. (2) £150-200 1145. A Wilkinson’s Oriflamme vase designed by John Butler, shouldered ovoid form, with flaring neck, printed and painted with scaly fish swimming amongst waterweed on a blue and lavender lustre ground, printed marks, 15cm. high £150-200

1146

1146. A Wilkinson Oriflamme vase designed by John Butler, ovoid with solifleur neck, covered in a streaked purple and pink glaze, highlighted in gilt, and two others similar printed factory marks, original paper label, 11.5cm. high (3) £150-200 1147. A Wilkinson Oriflamme vase designed by John Butler, ovoid with swollen neck, decorated with a purple and pink veined and smoked glaze, and two others similar printed factory marks, 16.5cm. high, (3) £120-180

1147

1148. A Wilkinson Oriflamme vase designed by John Butler, shouldered form with waisted neck, covered in a blue and red clouded glaze, and another smaller, printed factory mark, restored neck to one, original paper label to smaller vase, 12.5cm. high, (2) £120-180 1149. A Wilkinson’s Oriflamme ginger jar designed by John Butler, shouldered form, printed in gilt and painted with fish swimming amongst waterweed on a purple/blue lustre ground, impressed mark, 17cm. high. £150-200

1148

1149

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1151

1150

1150. A Royal Worcester Sabrina Ware baluster vase designed by William Moore Binns, model no.2195, resist decorated with a peacock feather motif, in white on a mottled green ground, printed mark, 20cm. high. £120-180

1151. A Royal Worcester Sabrina Ware baluster vase designed by William Moore Binns, decorated in resist with sweet pea flowers, a small footed dish and another vase, printed factory marks, 12cm. high, (3) £120-180 1152

1152. A Royal Worcester Sabrina Ware vase designed by William Moore Binns, model no.2491, shouldered form, painted with a heron amongst grasses, and two Sabrina Ware vases covered in a streaked and cloudy glaze printed marks, one vase cracked, 18cm. high, (3) £120-180

1153. A Royal Worcester Sabrina Ware vase designed by William Moore Binns, shouldered baluster vase, printed and painted with fish on a graduated blue ground, a Sabrina Ware pedestal dish and another solifleur vase, printed factory marks, 11.5cm. high, (3) £120-180

1153

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POOLE POTTERY 1154. ‘The Golden Hind’ a Poole Pottery wall charger probably designed by Arthur Bradbury, dated 1953, drawn by Margaret Holder and painted by Nellie Blackmore, in colours on a white ground, painted inscription and date, 39.5cm. diam. £150-200 Literature Leslie Hayward & Paul Atterbury Poole Pottery, Richard Dennis Publications, page 59 for a comparable example illustrated.

1154

1155

1155. An Art Deco Poole Pottery charger designed by Truda Adams, painted by Ann Hatchard, pattern SL, painted with geometric flowers and foliage in colours on a white ground, painted marks, 36cm. diam. £150-250 1156. An Art Deco Poole Pottery vase designed by Truda Carter, painted by Winifred Rose, pattern GPA, swollen body, painted with stylised foliage in shades of green, black and grey on a white ground, impressed and painted marks, 15cm. high. £100-200 Literature Leslie Hayward & Paul Atterbury Poole Pottery, Richard Dennis Publications, page 34 for a comparable charger. 1157. A Poole Pottery vase by K Hickosson, pattern LB, painted with stylised flowers and foliage in yellow, mushroom and green on a white ground, and seven books on Royal Doulton, including Desmond Eyles The Doulton Lambeth Wares printed and painted marks, 33cm. high (8) £150-200

1156

1157

1158

1158. A Poole Pottery vase designed by Truda Carter, painted by Vera Bridle, pattern GPA, flaring cylindrical form, painted in shades of green, grey and black with stylised flowers and foliage on a white ground, a Poole Pottery bird dish designed by Robert Jefferson, a Poole Helios lamp and a modern Poole Studio vase, impressed and painted marks, hairline to GSA vase, 16.5cm. high (4). £120-180

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1159. A Carter Stabler & Adams Poole Pottery Persian Deer vase designed by Truda Adams, painted by Margaret Holder, shape no.911 pattern SK, painted in colours on a white slip ground, impressed marks, painted marks and artist monogram, 21.5cm. high. £200-300 Literature Leslie Hayward & Paul Atterbury Poole Pottery, Richard Dennis Publications, page 55 for a comparable example of this pattern on this shape vase illustrated. 1159

1160. A Poole Pottery Studio Pollarded Willow charger by Tony Morris, painted with semi-abstract trees before a moonlight sky, in shades of green, blue and yellow printed factory mark, handwritten paper label, 34.5cm. diam. £600-800

1161. An Atlantis Poole Fountain montage of tile shards, made from the shards of the Poole Fountain designed and made by Guy Sydenham for the Poole Factory, rectangular panel, framed, 84 x 66cm. £800-1,200 1160

1161

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1162. A Poole Pottery Delphis plate, painted with an abstract geometric design in vivid and textures colours printed and painted marks, 26.5cm. diam. £150-200 Provenance Private collection 1163. A Poole Pottery Delphis plate, painted with arc motif in vivid and textured colours printed and painted marks, 27cm. diam. £150-200 Provenance Private collection

1162

1164. A Poole Pottery Delphis charger by Jean Millership, shape no.5, painted with three abstract roundels in blue black and turquoise on a vivid red ground printed and painted factory marks, 36.5cm. diam. £80-120 1163

Literature Leslie Hayward & Paul Atterbury Poole Pottery, Richard Dennis Publications, page 123 this actual charger illustrated. 1165. A Poole Pottery Aegean charger, shape no.47, resist decorated with geometric bands in brown over orange and yellow, printed factory mark. 41cm. diam. £80-120 1166. A modern Poole Pottery Studio charger by Tony Morris, dated 1999, painted with radiating dragonfly in orange, red, turquoise and blue printed factory mark, painted monogram and date, 36cm. diam. £120-180

1164

1167. A Poole Pottery experimental ‘Paper Clay’ bowl by Janice Tchalenko, the hand-built bowl modelled by Alan White with experimental paper-clay, glazed with radiating blue abstract design over lime green, and another paper-clay bowl glazed over yellow, factory marks in pen, dated November 2000, 33cm. wide (2) £150-250 1165

1167

1166

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CLARICE CLIFF

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1168. ‘Crocus’ a Clarice Cliff breakfast set, comprising Conical sugar sifter, grapefruit bowl, a Daffodil shape milk-jug and saucer tray, printed factory marks, Conical sugar sifter 14cm. high, (4) £150-200 Provenance Private collection 1168 1169. ‘Crocus’ a Clarice Cliff two slice toast rack, painted in colours, and a Hen and Chick cruet set comprising modelled tray, salt pot and a mustard pot and cover, collection of Crocus ware comprising; small drum preserve pot and cover, two square napkins, two egg cups and a cruet set, printed factory marks, hairline to cruet chicken’s comb, 12.5cm. high (15) £150-200 Provenance Private collection 1170. ‘Crocus’ a Clarice Cliff Bizarre sandwich set for six, comprising six octagonal plates and an octagonal tray, painted in colours printed factory marks, short, fine hairline to tray rim, 29cm. wide. (7) £150-200 Provenance Private collection 1169

1171. ‘Crocus’ a Clarice Cliff part tea set, painted in colours, comprising; teapot and cover, milk-jug and sugar basin, one cup, saucer and side plate, and a cake plate, and a Crocus honey pot and cover, printed factory marks, hairline to cup, 11cm. high (teapot). (10) £150-200 Provenance Private collection 1172. ‘Crocus’ a pair of Clarice Cliff Bizarre 310 candlesticks, painted in colours printed factory marks, 8cm. high, (2) £150-200 Provenance Private collection

1170

1173. ‘Crocus’ a pair of Clarice Cliff Bizarre 384 Conical candlesticks, painted in colours, printed factory marks, small nick to top rim, 11.5cm. diam. (2) £200-300 Provenance Private collection Literature Andrew Casey 20th Century Ceramic Designers in Britain, ACC Books, page 76 these candlesticks illustrated. 1173A. ‘Crocus’ a large Clarice Cliff Bizarre Clog, painted in colours, and five books on Clarice Cliff, comprising; Taking Tea with Clarice Cliff, The Fantastic Flowers of Clarice Cliff, In the Deco Style, The Colourful World of Clarice Cliff, and The Bright & Bold Design, printed factory mark, 14cm. wide. (6) £100-150 Provenance Private collection

1171

1173A

1172

1173

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1175

1174

1174. A Wilkinson Tahiti 194 vase designed by John Butler, pattern no. 8488, painted with a band of chrysanthemum flowers in colours on a mottled ground, impressed model number and painted pattern mark, minor paint flakes, 28.5cm. high. £100-150 1175. ‘Le Bon Dieu’ a rare Clarice Cliff tea for two, dated 1932, modelled as gnarled trees, comprising teapot and cover, milk-jug and sugar basin, two cups, saucers and a large slop-basin, each painted with blue and orange drip design, printed factory marks, 14cm. high (teapot). (9) £300-400 I Think i shall never see a form so lovely as a tree. 1176. ‘Orange Chintz’ a rare Clarice Cliff Teddy book end, the base painted with the pattern in colours printed factory mark, 15.5cm. high. £800-1,200

1176

Provenance Clarice Cliff, Christie’s South Kensington, 9th October 2005 lot 96. Private collection. 1177. ‘Farmhouse’ a Clarice Cliff Fantasque Bizarre 463 cigarette and ashtray, painted in colours printed factory mark, 7cm. high. £150-250 1178. ‘Circle Tree’ a Clarice Cliff Fantasque Bizarre 420 cigarette and ashtray, painted in colours printed factory mark, 9cm. wide. £150-250

1178 1177

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1179. ‘Windbells’ a Clarice Cliff Fantasque Bizarre Cylindrical preserve pot and cover, painted in colours, the cover with orange, yellow and green bands, printed factory mark, small flat chip to base rim, 9.5cm. high. (2) £200-300 1180. ‘Forest Glen’ a Clarice Cliff small Cylindrical preserve pot and cover, painted in colours printed factory marks, minor professional restoration to inner rim of pot, £150-200 8.5cm. high. (2)

1179

1180

1181. ‘Red Gardenia’ a Clarice Cliff Fantasque Bizarre Cylindrical preserve pot and cover, painted in colours, the cover with orange and black bands, printed factory marks, 9cm. high. (2) £150-200 1182. ‘Orange Gardenia’ a Clarice Cliff Fantasque Bizarre Heath fern pot, painted in colours printed factory marks, 9.5cm. high. £150-200 1183. ‘Taormina’ a Clarice Cliff Conical sugar sifter, painted in colours on a honey glaze ground, printed factory mark, bruise to tip, 14cm. high. £100-150 1184. ‘Blue Chintz’ a Clarice Cliff Fantasque Bizarre Conical sugar sifter, painted in colours printed factory marks, professional restoration, 14cm. high. £200-300

1181

1183

1182

1185. ‘Mountain’ a Clarice Cliff Fantasque Bizarre Conical sugar sifter, painted in colours between yellow and orange bands, printed factory marks, professional £600-900 restoration, 14cm. high.

1184

1185

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1186. ‘Crocus’ a Clarice Cliff Bizarre Bon Jour tea for two, painted in colours, comprising teapot and cover, milk-jug and sugar basin, two cups, saucers and a side plate printed factory marks, one cup restored, 13cm. high (teapot). (9) £800-1,200 Provenance Private collection Literature Andrew Casey 20th Century Ceramic Designers in Britain, ACC Books, page 76 this tea set illustrated. Exhibited Clarice Cliff Centenary Exhibition, 1999, Stoke on Trent Museum. 1186 1187. ‘Canterbury Bells’ a Clarice Cliff Bizarre Stamford teapot and cover and milk-jug, painted in colours printed and painted factory marks, chip to spout, restoration to spout of milk jug, 12cm. high. (3) £250-350 1188. ‘Alton’ a Clarice Cliff Bizarre Stamford teapot and cover, painted in colours, printed factory marks, 12cm. high. £600-800 1189. ‘Autumn’ a Clarice Cliff Fantasque Bizarre Crown jug, painted in colours printed factory marks, 17.5cm. wide. £150-200

1187

1190. ‘Red Trees and House’ a Clarice Cliff Fantasque Bizarre Athens jug, painted in colours between black and red bands, printed factory marks, professional restoration to foot, 15.5cm. high. £300-500 1191. ‘Red Trees and House’ a Clarice Cliff Fantasque Bizarre Conical beaker, painted in colours between red and black bands, printed factory marks, professional restoration £250-300 to top rim, 9.5cm. high. 1188

1189

1190

1191

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1192. ‘Keyhole’ a Clarice Cliff Bizarre plate, painted in colours inside yellow and orange bands, printed factory mark, 21.5cm. diam. £80-120 1193. ‘Branch and Square’ a Clarice Cliff Bizarre plate, painted in colours inside black, blue and red bands, printed factory marks, 20cm. diam. £120-180 Provenance Private collection Catalogue notes This plate has the impressed date code for 1930. 1192

1193

1194. ‘Pastel Trees and House’ a pair of Fantasque Bizarre side plates, painted in colours inside blue and orange bands, printed factory marks, restoration to rim of one, 14.5cm. diam. (2) £150-250 1195. ‘Sliced Circle’ a pair of Clarice Cliff side plates, painted in colours, printed factory marks, 14.5cm. diam. (2) £150-250 1196. ‘Secrets’ a Clarice Cliff Bizarre miniature plate, painted in colours printed factory marks, 8.7cm. diam. £150-200 Catalogue notes This plate has the impressed date mark for 1933. 1197. ‘Summerhouse’ a Clarice Cliff Fantasque Bizarre plate, painted in colours inside yellow and blue bands, printed factory marks, 21.5cm. diam. £700-900

1194

Catalogue notes This plate has an impressed date mark for 1931. 1198. ‘Gibraltar’ a Clarice Cliff Fantasque Bizarre plate, painted in colours inside yellow, pink and blue bands, printed factory mark, 23cm. diam. £250-300

1195

1196

1197

1198

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

1199

1199. ‘Autumn’ a Clarice Cliff Fantasque Bizarre wall plaque, painted in colours inside yellow, orange and brown bands printed factory mark, 26.5cm. diam. £400-600

1200

1200. ‘Red Trees and House’ a Fantasque Bizarre wall plate, painted in colours inside of red, black and green bands printed factory mark, 26cm. diam. £800-1,200

1201. ‘Honolulu’ a Clarice Cliff Bizarre wall plaque, painted in colours inside black and green bands printed factory marks, repair to foot rim, £1,500-2,000 33.5cm. diam.

1201

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1202

1202A

1202. ‘Blue Firs’ a Clarice Cliff Bizarre Biarritz plate, rectangular painted to the well and rim with pattern in colours printed factory marks, 26cm. wide. £800-1,200 Literature Victor Arwas Art Deco, Academy Editions, page 288 for a comparable Blue Firs Biarritz plate illustrated.

1203 two sides

1202A. ‘Gibraltar’ a Clarice Cliff Bizarre plate, painted in colours inside yellow, pink and blue bands, printed factory marks, overpainted bands, 22.5cm. diam. £150-200

1203. ‘Rudyard’ a Clarice Cliff Bizarre Single-handled Lotus jug, painted in colours between blue and green bands, printed factory marks, professional restoration to neck and base, 29cm. high. £1,500-2,000

1204. ‘Rudyard’ a Clarice Cliff Bizarre ribbed wall charger, painted in colours inside pink, green and blue bands, printed factory marks, professionally restored, 32.5cm. diam. £700-900 Literature Richard Green and Des Jones The Rich Designs of Clarice Cliff, Private Press, page 226 this actual charger illustrated.

1204

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1205. ‘Autumn’ a Clarice Cliff Fantasque Bizarre charger, painted with three repeat radial design, in colours inside coral red band, printed factory marks, 45cm. diam. £3,000-5,000 Provenance Private collection. Literature Sue Lunt Age of Jazz British Art Deco Ceramics, The Bluecoat Press, page 72 catalogue number 61 for a comparable charger decorated with three radial repeat patterns.

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1206. ‘Autumn’ a Clarice Cliff Fantasque Bizarre biscuit barrel, square section on four feet, with electroplated mount, swing handle and cover, painted in colours above a yellow band, printed factory marks, 14cm. high. (2) £150-250 1207. ‘Vera’ a Clarice Cliff small wall mask, modelled in low relief, painted in colours on a turquoise ground, printed factory mark, professional restoration, 9cm. long. £300-400 Literature Leonard Griffin, Clarice Cliff The Art of Bizarre, Pavilion, page 146 a comparable mask illustrated. 1206

1207

1208. A pair of Clarice Cliff Bizarre figural candlesticks, each modelled as a maiden offering up a garland of flowers sconce, painted in shades of green, yellow and pink, printed marks, one pained My Garden, 18cm. high £120-180 1209. ‘Seated Arab’ a rare Clarice Cliff figure, painted in shades of orange, yellow and a Delecia running brown, printed factory mark, 12cm. high. £200-300 Provenance Private collection.

1208 1209

1210. ‘Inspiration’ a Clarice Cliff Bizarre bowl, painted with a simple flower and leaf design in lavender, blue and colours on a turquoise ground, the base rim vivid orange, printed and painted marks, 19cm. diam. £200-300 1211. ‘Trellis’ a Clarice Cliff Conical sugar sifter, painted in colours and highlighted in gilt, and a Wilkinson’s plate printed and painted with flower panels, printed factory marks, restored base to sifter, 14cm. high. (2) £150-200

1210

1211

1212. ‘Celtic Harvest’ a Clarice Cliff ewer, modelled in low relief with wheat sheaf motif, painted in colours, and a Celtic Hasest preserve pot and cover and a Celtic Harvest plate, printed factory marks, 28cm. high, (4) £100-150 Provenance Private collection

1212

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1213. ‘Age of Jazz’ a rare Clarice Cliff Bizarre table centrepiece, model no.433, modelled as a dancing couple, she in orange dress, he in black tails, printed and painted in colours printed factory mark, 21cm. high. £6,000-10,000 Literature Leonard Griffin Clarice Cliff The Art of Bizarre, Pavillion Books, page 11 for an example in the lime green colour way illustrated. Provenance Private collection.

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1214

two sides

1214. ‘House and Bridge’ a Clarice Cliff Fantasque Bizarre vase, shape no.386, painted in colours between orange, red and black bands, impressed and printed factory marks, 30.5cm. high. £1,000-1,500

1215. ‘House and Bridge’ a rare pair of Clarice Cliff Fantasque Bizarre 405 vases, each painted in colours, the drum foot with yellow, orange, red and black bands, the top rim with black band, printed factory marks, small chip to base of one, 18cm. high. (2) £1,000-1,500 1215

1216. ‘Summerhouse’ a Clarice Cliff Fantasque Bizarre vase, painted in colours between printed factory marks, 15cm. high. £300-400

1217. ‘Autumn’ a Clarice Cliff Fantasque Bizarre vase, painted in colours between orange, green and black bands, 14.5cm. high £250-300

1216

1217

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1218. ‘Sliced Fruit’ a unique Clarice Cliff Bizarre large floor vase, painted in colours between orange and yellow bands, printed factory marks, 70cm. high. £2,000-3,000 Provenance Clarice Cliff 4th November 1993, Christie’s South Kensington, lot 247. Private collection. Literature Richard Green and Des Jones, The Rich Designs of Clarice Cliff, Rich Designs, page 182. Andrew Casey 20th Century Ceramic Designers in Britain ACC books, page 80. Clarice Cliff Collector’s Club Review, ‘Clarice Cliff Giants’ by Len Griffin discusses a comparable example of this large vase decorated in the Branch & Squares pattern which was exhibited at L’Odeon’s Clarice Cliff exhibition loaned by Midwinter and now in the Wedgwood collection, after Midwinter closed in 1986. Exhibited Clarice Cliff Centenary Exhibition, Yorkshire, 1999, catalogue number 17.

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1219

1220

1219. 'Latona Tree' a Clarice Cliff Bizarre 369A vase, painted in colours on a Latona cream ground, between orange bands, printed and painted mark, 19.5cm. high. £1,000-1,500 Provenance The Julie & Samuel Palley collection Private collection

1220. ‘Latona Tree’ a Clarice Cliff Bizarre 369A stepped vase, painted in colours on a pale pink ground, printed and painted marks, 19.5cm. high £800-1,200 1221

1221. ‘Inspiration Caprice’ a large Clarice Cliff Mei Ping vase, painted with a landscape in shades of blue, ochre, pink and purple on a turquoise ground, printed and painted marks, 35.5cm. high £1,000-2,000

1222. ‘Inspiration Persian’ a Clarice Cliff Bizarre vase, painted in shades of blue, turquoise and ochre, printed and painted marks, 20cm. high £400-600

1222

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1223. ‘May Avenue’ a rare Clarice Cliff single-handled Isis jug, painted in colours between blue and black bands, printed factory marks, 24.5cm. high. £6,000-10,000

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1224

1225

1226 1224. A Clarice Cliff Bizarre preserve pot, with electroplated cover, painted in stylised flowers and foliage in colours, a ‘Yellow Rose’ Clarice Cliff Odilon sauce boat, A Shelley Harmony jug and Art Deco jug, a Poole Pottery Bluebird vase and bowl and 7 other Poole items, printed factory marks, 9.5cm. high (preserve pot), (13) £150-200 1225. Five Clarice Cliff Playing Card mugs, the handle modelled as a bent arm and hand, each printed in colours with a picture card motif, comprising’ two King of Spades, one King of Hearts, Queen of Hearts and one Jack of Diamonds, printed Royal Staffordshire Clarice Cliff mark, King of Hearts £100-200 cracked, 10cm. high, (5) Literature Andrew Casey 20th Century Ceramic Designers in Britain, ACC Books, page 93 these mugs illustrated. Provenance Private collection. 1226. ‘Secrets’ a Clarice Cliff Bizarre Bon Jour milk jug, painted in colours, and a Bon Jour preserve pot and cover painted with bands, printed factory marks, 6cm. high (jug), (2) £120-180

1227

1228

1227. ‘Original Bizarre’ a Clarice Cliff Athens jug, painted with a broad band of alternate blue and orange triangles, printed factory marks, professional restoration, 18cm. high £200-300 1228. ‘Original Bizarre’ a Clarice Cliff vase, shape no.38, shouldered hexagonal form, painted with a broad band of geometric panels in orange, blue, green and purple outlined in brown, printed factory mark, restored base, 30cm. high. £350-450

1229

1229. ‘Kew’ three Clarice Cliff napkin rings, square section, each painted in colours with orange sides, printed factory mark, 4.5cm. square (3) £150-200 Provenance Private collection

1230. ‘Pastel Melon’ a Clarice Cliff Bizarre Conical coffee can and saucer, painted in colours, the saucer with green, pink and blue bands, printed factory mark, professional restoration to can rim, 6.5cm. high (2) £120-180 1230

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1231. ‘Rudyard’ a rare Clarice Cliff Fantasque Bizarre Bonjour tea for two, painted in colours, comprising; teapot and cover, milk-jug and sugar basin, two cups, saucers and a side plate printed factory marks, 12.5cm. high (9) £2,500-3,000 Provenance Private collection Literature Richard Green and Des Jones The Rich Designs of Clarice Cliff, Rich Designs, page 179 this set illustrated. Andrew Casey 20th Century Ceramic Designers in Britain, ACC Books, page 84 this set illustrated. Leonard Griffin Taking Tea with Clarice Cliff, Pavilion, page 74 this set partially illustrated as a Bachelor tea set for one. Catalogue notes This set bears the impressed date mark for 1933.

1232. ‘Blue Firs’ a Clarice Cliff Bizarre Lynton coffee set for six, painted in colours between graduated blue and green bands, comprising coffee pot and cover, milk-jug and sugar basin, six cups and saucers, printed factory marks, 18cm. high, (16) £2,000-3,000 Provenance Private collection. Literature Andrew Casey 20th Century Ceramic Designers in Britain ACC Books, page 88 this set illustrated.

1233. ‘Latona Red Roses’ a rare Clarice Cliff Bizarre Conical coffee set for six, comprising coffee pot and cover, milk-jug and sugar basin, six conical cans and saucers, painted in shades of red and black on a Latona cream ground, printed and painted factory marks, 17.5cm. high (16) £2,500-3,000 Catalogue notes The saucers have an impressed date mark for 1931.

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1234. ‘Autumn’ a Clarice Cliff Fantasque Bizarre single-handled Lotus jug, painted in colours between yellow, orange and brown bands, printed factory marks, professional restoration to handle, 29.5cm. high. £1,000-1,500 1234

two sides

1235

two sides

1235. ‘Cafe au Lait Autumn’ a rare Clarice Cliff Bizarre twin-handled Lotus jug, painted in colours on a mottled green ground, between orange, green and black bands, printed factory marks, 29.5cm. high £700-900

1236. ‘Autumn’ a Clarice Cliff Bizarre Single-handled Lotus jug, painted in colours between orange and black bands, printed factory marks, 29cm. high £800-1,200 1236

two sides

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1237. ‘Pastel Autumn’ a Clarice Cliff Bizarre Tolphin vase, painted in colours between pink, blue and green bands, printed factory mark, 25cm. high £800-1,200

1237

two sides

1238. ‘Cafe au Lait Farmhouse’ a pair of Clarice Cliff Bizarre Mei Ping vases, painted in colours on a pale yellow mottled cafe au lait, between black, orange and blue bands, printed factory marks, minor professional restoration to base of one, 22cm. high. £1,000-1,500

1239. ‘Honolulu’ a Clarice Cliff Fantasque Bizarre single-handled Lotus Jug, painted in colours between black and green bands, printed factory marks, 29.5cm. high. £1,500-2,000

1238

1239

two sides

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THE BURNINGHAM COLLECTION OF CARLTON WARE & CROWN DUCAL 1240. ‘Forest Glen’ a Clarice Cliff plate, painted in colours, a Clarice Cliff Viscaria Dover jardinière , two Modern Wedgwood Age of Jazz figure, five modern Conical sifters and a character jug, printed marks, jardinière restored, 25cm. diam. (10) £150-250

1240

Provenance The Burningham Collection. 1241. A Shelley porcelain Eve coffee set for six designed by Eric Slater, comprising coffee pot and cover, milk-jug and sugar basin, six cups and saucers with open angular handles, highlighted in blue, printed and painted marks, 17cm. high (coffee pot), (16) £120-180 Provenance The Burningham Collection.

1241

1242. ‘Primula and Leaf’ a pair of Art Deco Carlton Ware vases, pattern 4119, enamelled in colours with a butterfly flying past flowers and foliage on a Rouge Royale red lustre ground, highlighted in gilt, printed and painted marks, 20cm. high (2) £150-250 Provenance The Burningham Collection. 1243. ‘Bell’ an Art Deco Carlton Ware vase designed by Violet Elmer, pattern 3788, enamelled in colours on a mottled red lustre ground, highlighted in gilt, and another Carlton Ware ‘Crested Bird and Waterlily’ vase pattern 3529, printed and painted marks, 14.5cm. high, (2) £150-250 1242

1243

Provenance The Burningham Collection. 1244. ‘Sketching Bird’ an Art Deco Carlton Ware vase, pattern 3889 , swollen cylindrical form, enamelled in colours on a Rouge Royale red lustre ground, highlighted in gilt, and another Carlton Ware vase decorated on a matt cream ground, printed and painted marks, fine hairline to top rim, second vase restored, 26cm. high, (2) £150-250 Provenance The Burningham Collection.

1244

1245

1245. ‘Gum Flower’ an Art Deco Carlton Ware vase, pattern 3790, swollen cylindrical vase, painted in colours on a mottled cream ground, highlighted in gilt, and a Carlton Ware ‘Chinese Bird and Cloud’ vase pattern 3321, printed and painted marks, £120-180 hairline to Chinese Bird vase, 25.5cm. high. (2) Provenance The Burningham Collection. 1246. ‘Hummingbird’ a pair of Art Deco Carlton Ware vases, pattern 3462, slightly swollen form with square top rim, enamelled in colours on a mottled matt blue ground, highlighted in gilt, printed and painted marks, original paper label, 21cm. high. (2) £300-400 Provenance The Burningham Collection. 1247. ‘Fantasia’ a pair of Art Deco Carlton Ware vases, pattern 3421, enamelled in colours on a blue ground, highlighted in gilt, printed and painted marks, 26cm. high, (2) £150-250 Provenance The Burningham Collection.

1246

1247

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1248. ‘Gypsy’ an Art Deco Carlton Ware ginger jar and cover, pattern 3506, enamelled in colours on a dark blue ground, highlighted in gilt, printed and painted marks, cover restored, 17cm. high. (2) £120-150 Provenance The Burningham Collection. 1249. ‘Bell’ an Art Deco Carlton Ware ginger jar and cover designed by Violet Elmer, pattern 3788, enamelled in colours on a Rouge Royale red lustre ground, highlighted in gilt, printed and painted marks, hairline to cover, 20cm. high, (2) £120-180 Provenance The Burningham Collection. 1250. ‘Scimitar’ a pair of Art Deco Carlton Ware covered vases, pattern 3651, enamelled in colours on a pale blue ground with purple, blue and green patterning, highlighted in gilt, printed and painted marks, repairs, 18.5cm. high, (4) £200-300

1249 1248

Provenance The Burningham Collection. 1251. ‘Secretary Bird’ an Art Deco Carlton Ware vase and cover, pattern 4018, enamelled in colours on a Rouge Royale red lustre ground, highlighted in gilt, printed and painted marks, over-painted band on cover, 27cm. high (2) £250-350 Provenance The Burningham Collection. 1252. ‘Flower and Falling Leaf’ an Art Deco Carlton Ware vase designed by Violet Elmer, pattern 3948, the flaring case with stepped shoulder and base, enamelled in colours on a streaked matt turquoise ground, highlighted in gilt, printed and painted marks, £120-180 21cm. high.

1250

1251

Provenance The Burningham Collection. Literature Andrew Casey Art Deco Ceramics in Britain, ACC Books, page 212 catalogue number 24.12 for a bowl in this pattern illustrated. 1253. ‘Flower and Falling Leaf’ an Art Deco Carlton Ware vase, pattern 3949, shouldered, cylindrical form, enamelled in colours on a red lustre ground, highlighted in gilt, printed and painted marks, professionally £200-400 restored top rim, 26.5cm. high. Provenance The Burningham Collection. Literature Victor Arwas Art Deco, Academy Editions, page 289 for a comparable vase illustrated.

1252

1253

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1254. ‘Sketching Bird’ a pair of Art Deco Carlton Ware trinket box and covers designed by Violet Elmer, pattern 3889, enamelled in colours on a Rouge Royale red lustre ground, highlighted in gilt, another Carlton Ware ‘Cubist Butterfly’ trinket box and cover pattern 3190 and a Carlton Ware Handcraft ‘Chevrons’ trinket box and cover, printed and painted marks, minor nicks, 8cm. wide. (8) £120-180 Provenance The Burningham Collection. 1254 1255

1255. An Art Deco Carlton Ware trinket box and cover, decorated in gilt and resist with stylised foliage on a black ground, and another similar decorated on a Rouge Royale red lustre ground, printed factory marks, restored, 12.5cm. wide, (4) £120-180 Provenance The Burningham Collection. 1256. ‘Devil’s Copse’ an Art Deco Carlton Ware ashtray designed by Violet Elmer, pattern 3765A, enamelled in colours on a turquoise ground, highlighted in gilt, another Devil’s Copse ashtray on a blue ground, a ‘Rabbits at Dusk’ ashtray, another in ‘Sketching Bird’ and ‘Bell’ patterns and fourteen other Carlton Ware ashtray printed and painted marks, 12cm. square. (19) £120-180

1257

Provenance The Burningham Collection. 1257. ‘Anemone’ a pair of Art Deco Carlton Ware candlesticks, pattern 3694, painted in colours on an orange lustre ground, highlighted in gilt, printed and painted marks, original paper label to one, repair to one, 9cm.high. (2) £120-150

1256

Provenance The Burningham Collection. 1258. ‘Chinese Dragon’ an Art Deco Carlton Ware vase, swollen cylindrical form with square top rim, painted in colours on a matt royal blue ground, highlighted in gilt, printed factory mark, 25.5cm. high £120-180 Provenance The Burningham Collection. 1259. ‘Chinese Bird and Cloud’ a pair of Art Deco Carlton Ware vases, pattern 3275, swollen cylindrical form enamelled in colours on a matt orange ground, highlighted in gilt, printed and painted marks, hairline crack to top rim of one, 30cm. high, (2) £300-500 1258

1259

Provenance The Burningham Collection. 1260. ‘Rabbits at Dusk’ an Art Deco Carlton Ware vase, pattern 4247, printed and painted in colours on a sponged pink and white ground, printed and painted factory marks, minor restoration to chip on foot rim, 19.5cm. high. £120-150 Provenance The Burningham Collection.

1261 1260

1261. ‘Chinese Bird and Cloud’ an Art Deco Carlton Ware pedestal dish, pattern 3322, twin-handled rectangular form on foot, enamelled in colours on a rich blue ground, highlighted in gilt, and another ‘Paradise Bird and Tree with Cloud’ pedestal dish printed and painted marks, repaired handle to Paradise Bird dish, 30.5cm. wide. (2) £150-200 Provenance The Burningham Collection.

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1263

two sides 1262 1262. ‘Floral Comets’ an Art Deco Carlton Ware plate designed by Violet Elmer, pattern 3387, enamelled in colours on a green ground, highlighted in gilt, a Carlton ware ‘Rouge Royale’ plate and two others, printed and painted marks, 27cm. diam. (4) £150-250 Provenance The Burningham Collection. 1263. ‘Jazz’ an Art Deco Carlton Ware single-handled vase, pattern 3353, enamelled in colours on a vivid orange lustre ground, highlighted in gilt, printed and painted marks, 17.5cm. high. £500-1,000 Provenance 20th Century Decorative Art and Design Sworders, 27th January 2015 lot 110.

1264

1264. ‘Bird on Bough’ an Art Deco Carlton Ware jug, pattern no.3394, enamelled in colours on a matt pale blue ground, highlighted in gilt, printed and painted marks, 19.5cm. high. £150-200 1265

Provenance The Burningham Collection. 1265. ‘Eden’ an Art Deco Carlton Ware single-handled vase, pattern 4241, enamelled in colours on a red lustre ground, with gilt highlights, printed and painted marks, £150-200 repair to rim, 18cm. high. Provenance The Burningham Collection. 1266. ‘Devils Copse’ a rare Art Deco Carlton Ware ginger jar and cover designed by Violet Elmer, pattern 3767A, enamelled in colours on a pale blue ground, highlighted in gilt, printed and painted marks, small repair to cover rim, 20cm. high. (2) £200-300 Provenance The Burningham Collection.

1266

1267. ‘Nightingale’ an Art Deco Carlton Ware ginger jar lamp base, pattern 3562, painted and enamelled with flowers and foliage on a green lustre ground, printed and painted marks, 19cm. high. £120-180 Provenance The Burningham Collection. 1267

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1269

1268 1268. ‘Victorian Lady’ a rare Art Deco Carlton Ware wall plaque, pattern 3451, painted in matt colours with a Crinoline lady in a formal garden with tall hollyhock towers, on a pale blue ground, printed and painted marks, 32cm. diam. £200-300 Provenance The Burningham Collection. 1269. ‘Garden’ an Art Deco Carlton Ware tray, pattern 3501, painted in colours on a mottled matt orange ground, printed and £120-180 painted marks 36cm. wide. Provenance The Burningham Collection. 1270. ‘Tree and Swallow’ an Art Deco Carlton Ware tray, pattern 3279, painted in colours on a matt blue ground, and another Carlton Ware ‘Sketching Bird tray, printed and painted marks, repaired damages, 36.5cm. wide. (2) £120-180 Provenance The Burningham Collection. 1271. ‘Bell’ an Art Deco Carlton Ware tray designed by Violet Elmer, pattern 3774, enamelled in colours on a pale yellow matt ground, highlighted in gilt, printed and painted marks, 36cm. wide. £150-250 Provenance The Burningham Collection. 1270

1272. ‘Fan’ an Art Deco Carlton Ware tray, pattern 3557, enamelled in colours on a rich blue ground, highlighted in gilt, printed and painted marks, 36cm. wide. £150-250 Provenance The Burningham Collection.

1271

1272

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1273. ‘Forest Tree’ an Art Deco Carlton Ware ginger jar and cover, pattern 3244, enamelled in colours on a matt blue ground, highlighted in gilt, printed and painted marks, jar rim restored, small chip to inside of cover, 23.5cm. high. (2) £150-200 Provenance The Burningham Collection.

1273

1274. ‘Mandarin’s Chatting’ an Art Deco Carlton Ware vase and cover, pattern 3653, painted and enamelled in colours on a mottled red lustre ground, highlighted in gilt, the cover with Dog of Fo finial, printed and painted marks, cover restored, 31cm. high. (2) £120-180 Provenance The Burningham Collection.

1275. ‘Bluebells’ a tall Art Deco Carlton Ware single-handled vase, enamelled in colours on a Rouge Royale red ground, highlighted in gilt, printed and painted marks, 35.5cm. high. £200-400

1275 1274

Provenance The Burningham Collection.

1276. ‘Chinaland’ a tall Art Deco Carlton Ware Tomb jar and cover, pattern 2948, painted in colours on an orange ground, highlighted in gilt, printed and painted factory marks, hairline to top rim, 37cm. high. (2) £200-400 Provenance The Burningham Collection.

1276

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1277. An Art Deco Crown Devon twinhandled vase, pattern, enamelled in colours with a stag in a stylised woodland setting, on a blue lustre ground, highlighted in gilt, and two other Crown Devon vases patterns 20055 and 2764, printed and painted marks, 15cm. high. (3) £150-200 Provenance The Burningham Collection. 1277 1278. An Art Deco Crown Devon bowl, pattern 2114, shaped square section, painted in colours with geometric flowers and foliage on a mottled red lustre ground, another Crown Devon bowl painted on a blue ground and a collection of Crown Devon, Carlton Ware and Shelley ceramics including Walking Ware and Rouge Royale, printed and painted marks, 23cm. wide. (a lot) £120-180 Provenance The Burningham Collection. 1278

1279. An Art Deco Crown Devon twinhandled vase, pattern 2114, enamelled in colours with geometric flowers on a red lustre ground, highlighted in gilt, and a Crown Devon ginger jar and cover, pattern 2551 printed and painted marks, small hairline to cover of ginger jar, 16cm. high. (3) £120-180 Provenance The Burningham Collection.

1279

1280

1280. An Art Deco Crown Devon vase, pattern 2105, waisted cylindrical form, enamelled with a parrot flying past stylised foliage, in colours on a matt green ground, highlighted in gilt, another Crown Devon vase pattern 2208, and another pattern 3213, printed and painted marks, hairline to vase (3213), 19.5cm. high. (3) £150-200 Provenance The Burningham Collection.

1281

1281. ‘I Love a Lassie a Bonnie Lassie’ a Crown Devon musical box and cover, printed in colours, a Crown Devon ‘Daisy Bell’ musical box with hinged cover, a Crown Devon ‘Roamin in the Gloamin’ musical jug (missing movement’ a Carlton Ware ‘Dreamer’ mug and printed factory marks, 13 x 8.5cm. high. (12) £120-180 Provenance The Burningham Collection. 1282. ‘Orient’ an Art Deco Crown Devon vase, printed and painted in colours and gilt on a matt black ground, and a Crown Devon Orient pattern coffee can and saucer printed and painted marks, vase cracked, 19cm. high. (3) £120-180 Provenance The Burningham Collection.

1282

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1285 1283

1284

1283. ‘Fairy Castle’ an Art Deco Crown Devon Mattajade ginger jar and cover, painted in colours on a turquoise combed ground, highlighted in gilt, printed and painted marks, repaired cover, 23cm. high. £150-200 Provenance The Burningham Collection. Literature Susan Hill Crown Devon Jazz Publications, page 79 for a selection of Mattajade illustrate. 1284. ‘Fairy Castle’ an Art Deco Crown Devon Mattajade vase, swollen form with flanges to base, painted in colours on a combed matt turquoise ground, and another smaller Crown Devon Mattajade vase, printed and painted marks, repaired main vase, 19.5cm. high, (2) £120-180

1286

Provenance The Burningham Collection. Literature Sue Lunt Age of Jazz British Art Deco Ceramics, The Bluecoat Press, page 65 catalogue number 51 for a dish in this range illustrated. 1285. ‘Fairy Castle’ a pair of Art Deco Crown Devon vases, pattern 2407, enamelled in colours on a red lustre ground, highlighted in gilt, printed and painted marks, wear to gilt top rim on one 15cm. high (2) £120-180 Provenance The Burningham Collection.

1287

1286. ‘Spider’s Web’ an Art Deco Crown Devon Mattajade single-handled vase, pattern M119, enamelled in colours on a turquoise ground, highlighted in gilt and another Carlton Ware vase pattern M.166 decorated with a deer in a landscape, printed and painted marks, 23cm, high. (2) £120-180 Provenance The Burningham Collection. 1287. An Art Deco Crown Devon Mattajade vase, shouldered form with loop handles, pattern M.55, enamelled in colours on a turquoise ground, highlighted in gilt, another smaller and a Crown Devon Mattajade ‘Spider’s Web’ vase printed and painted marks, 15cm. high. (3) £150-200 Provenance The Burningham Collection. 1288. An Art Deco Crown Devon vase, flaring faceted form on a stepped base, enamelled in colours with a galleon at sail, on a matt cream ground, and two other Crown Devon vases, printed and painted marks, 19cm. high, (3) £120-180

1288

Provenance The Burningham Collection. 1289. An Art Deco Crown Devon vase, pattern 447, flaring, fluted form on stepped base, painted in colours on a red lustre ground with a bird amongst stylised flowers and foliage, highlighted in gilt, and two other Crown Devon vases pattern 2344 and M55, printed and painted marks, 19cm. high. (3) £120-180 Provenance The Burningham Collection. 1289

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TROIKA 1290. A Troika Pottery Rectangular vase, square section, cast in low relief and incised with abstract figure and geometric panels, and another similar painted marks, 22.5cm. high. (2) £120-180 1291. A Troika Pottery rectangular vase by Anne Lewis, rectangular section decorated with a bronze circle motif over white glaze, and two other Troika vases with similar decoration painted factory marks and artist monogram, 12cm. high (3) £150-200 1292. A Troika Pottery Perfume Flask, painted to one side with a geometric scarab design, in black and blue on a white ground, painted Troika St Ives England, 6.5cm. high. £150-200

1290

Literature Carol Cashmore Troika Pottery St Ives, private press, plate 25 for a comparable example illustrated. 1293. A Troika Pottery large Wheel lamp by Simone Kilburn, circular cast in relief with a geometric face motif in ochre, white and blue, painted Troika Pottery England SK £200-400 monogram, 36cm. high.

1291

1292

1294. A large Troika Pottery wheel lamp base by Alison Brigden, circular, cast in low relief with panels of stylised female torso, glazed in green, buff and brown, painted marks, AB monogram. 36cm. high. £400-500 Provenance Private collection

1293

1294

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1296

1295

1295. A Troika Pottery wall plaque by Simone Killburn, rectangular, modelled in relief with geometric key-pad design, glazed bronze and green on a blue ground painted marks and artist monogram, 30.5 x 19.5cm. £400-600 Literature Ben Harris & Lawrence Illsley Troika 63-83, plate 13 for a comparable Calculator plaque illustrated.

1296. A rare Troika Pottery vase probably retailed by Heal’s, square section foot with pierced diamond cut-out, supporting square section body, covered in a white glaze, painted Troika Cornwall England, professionally restored top corner, 23cm. high. £500-800

1297

Literature Carol Cashmore Troika Pottery St Ives, private press, plate 35 for a comparable vase by Alison Brigden covered in a bronze glaze.

1297. A Troika Pottery vase probably retailed at Heal’s, square section foot with cylindrical crossed supports and square section body, covered in a bronze glaze, painted Troika Cornwall England, 23.5cm. high. £500-800

1298. A rare Troika Pottery vase probably retailed at Heal’s, square section foot with cylindrical crossed supports and square section body, covered in a white glaze, painted Troika Cornwall England, 23.5cm. high. £500-800

1298

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RICHARD PARKINSON POTTERY 1299. A Richard Parkinson Pottery Pigtails bust designed by Susan Parkinson, model no.41 painted in shades of pale blue-grey, impressed mark to base, 19cm. high. £200-300 Literature Carol Cashmore & Tim Smith-Vincent Susan Parkinson and the Richard Parkinson Pottery, private press, page 35 for a comparable example illustrated. Provenance Private collection. 1300. A Richard Parkinson Pottery Greek Head designed by Susan Parkinson, model no. 67, glazed in shades of blue-grey, impressed mark, 33cm. high. £200-300 1299

1300

Literature Carol Cashmore & Tim Smith-Vincent Susan Parkinson and the Richard Parkinson Pottery, private press, page 59 for an example illustrated. Provenance Private collection. 1301. A Richard Parkinson Pottery model of Beetle the dog designed by Susan Parkinson, model no.19, glazed in shades of brown-grey, impressed mark 20.5cm. high. £150-250 Literature Carol Cashmore & Tim Smith-Vincent Susan Parkinson and the Richard Parkinson Pottery, private press, page 34 for an example illustrated. Provenance Private collection

1301

1302 1302. A Richard Parkinson Pottery model of a sheep designed by Susan Parkinson, model no.8, glazed in blue-grey, impressed mark, 28cm. wide. £200-300 Literature Carol Cashmore & Tim Smith-Vincent Susan Parkinson and the Richard Parkinson Pottery, private press, page 33 for an example illustrated in House & Garden magazine December 1953. Provenance Private collection 1303. A Richard Parkinson Pottery Golfer designed by Susan Parkinson, model no.70, painted in shades of blue-grey impressed marks 39cm. high. £300-400 Literature Carol Cashmore & Tim Smith-Vincent Susan Parkinson and the Richard Parkinson Pottery, private press, page 107 for a comparable example 1304. A Richard Parkinson Pottery model of a cat designed by Susan Parkinson, model no.6, modelled seated, painted in blue-grey impressed factory mark to front paw, 37.5cm. high. £150-200

1303

1304

Literature Carol Cashmore & Tim Smith-Vincent Susan Parkinson & The Richard Parkinson Pottery, page 103 for a comparable example illustrated.

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1305

1306

1307

STUDIO POTTERY 1305. Richard Batterham (born 1936) a large cut-sided stoneware teapot and cover, covered in an ash glaze with an iron speckle, the neck with combed band with darker green glaze, unsigned, 21cm. high. £150-250 Provenance Contemporary Ceramics MAAK lot 11443 Private collection. 1306. David Leach OBE (1911-2005), attributed a Lowerdown Pottery vase, slightly swollen cylindrical form with inverted top rim, resist decorated with columns and painted iron red spots, on a celadon ground impressed Lowerdown mark, 15cm. high. £120-180 1307. David Leach OBE (1911-2005) a Lowerdown Pottery stoneware vase, square section, decorated in resist with a hatched panel in tenmoku under Dolomite, a cut sided vase by David Leach and a jug impressed seal mark. (3) £120-180

1308

1309

Provenance Private collection of Walter Keeler and David Leach 1308. David Leach OBE (1911-2005) a Lowerdown Pottery stoneware Foxglove vase, painted in tenmoku, blue and iron red on an oatmeal ground, impressed seal marks, 21cm. high. £120-180 Provenance Private collection of Walter Keeler and David Leach 1309. David Leach OBE (1911-2005) a Lowerdown Pottery stoneware Foxglove teapot and cover, painted in blue, tenmoku and iron red on a celadon ground, with bamboo handle, impressed seal mark, 11cm. high (2) £120-180 Provenance Private collection of Walter Keeler and David Leach 1310. David Leach OBE (1911-2005) a Lowerdown Pottery stoneware Foxglove vase, compressed cylindrical form, resist decorated in tenmoku, and another smaller decorated with hatch motif, impressed seal marks, 25cm. high (2) £120-180

1310

Literature Emmanuel Cooper & Kathy Niblett David Leach, Richard Dennis Publications, page 106 plates 104-105 for similar decoration. Provenance Private collection of Walter Keeler and David Leach 1311. Jim Malone (born 1946) a stoneware teapot and cover, two cups and saucers, each covered to the foot in an ash glaze, a Jim Malone Ainstable Pottery jug and two unomi, impressed seal marks, 16cm. high (teapot). (9) £200-300

1311

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1312

1314

1312. Jim Malone (born 1946) an Ainstable Pottery coffee set for six, comprising; coffee pot and cover and six tankard mugs, with simple incised column decoration, covered with a pale celadon glaze to the foot and painted dots, impressed seal marks, 19cm. high. (7) £80-120

1313

1313. Warren MacKenzie (born 1924) a large Stillwater Studio stoneware charger, wiped white feldspar and painted iron oxide barbed wire motif on a speckled oatmeal ground unsigned, 45cm. diam. £200-300 Provenance Babcock Galleries, circa 2000 Private collection 1314. A Vorticist pottery vase, shouldered form, painted with abstract figures in a landscape, indistinct signature 28cm. high. £150-200 1315 1316

1315. Malcolm Pepper (1937-1980) a stoneware baluster vase, with flaring rim, painted with a band of flowerheads in blue and red on a pale blue ground, and another smaller facetted vase painted with a bough design, impressed seal marks, 22.5cm. high. (2) £120-180 1316. Margaret O’Rorke (born 1938) a pottery vase, shouldered form with two pinched handles, incised spiral decoration, covered in a speckled matt green glaze, and two pebble pot and covers similar, impressed seal mark, 25.5cm. high. (3) £120-180 1317. Jane Staniland a freeform platter, painted to the front with a portrait of Chris, the reverse with a portrait of a woman, with metallic glazes, painted JS monogram, 50cm. wide. £120-180

1317 both sides

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1318

1319 1317A

1317A. Peter Hayes (born 1946) Blade, a Rajasthan Gesamile stone polished sculpture on black raku base, set on polished black slate base, incised Peter Hayes 2016 to base, blade 44.5cm. high, 56cm. (total height). £300-400 Provenance Peter Hayes ‡ 1318. Walter Keeler (born 1942) a salt-glaze stoneware pedestal, fluted foot supporting flaring top, covered in a blue glaze impressed seal mark to side, 19cm. diam. £120-180 Provenance Private collection of Walter Keeler and David Leach

1319. Liz Beckenham a tall flattened vase form, incised and painted with yellow and blue columns, incised signature to base, 38cm. high. £120-180 ‡ 1320. John Ward (born 1938) Black and White tailed bowl, a good handbuilt stoneware vase with pulled rim, decorated with geometric panels of black and white, with thin white band running around the pulled top rim, impressed seal mark to base 21cm. high. £3,000-5,000

Provenance Bluecoat Display Centre, Liverpool 4th November 1996 exhibition number 18. Private collection 1320

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CONTINENTAL CERAMICS 1321. A Lachenal Pottery Persian charger, with fluted rim, painted with flowers and foliage to the well, the rim with simple flower and leaf repeat border, in green, blue and turquoise on a yellow/cream ground, painted Lachenal and monogram to reverse, chip to back of rim, 33cm. diam. £150-200 1322. An Art Nouveau Rozenburg Den Haag pottery twin-handled vase, painted with stylised flowers and foliage, in colours on a terracotta ground, painted marks, small chip to base rim, 26cm. high £200-300 1323. An Art Nouveau Amphora Pottery vase, model no.21081, elliptical twin-handled form, modelled in low relief and covered in a green iridescent glaze, impressed number to base, small chip to one handle, 27cm. wide. £120-180 1324. A Cantagalli lustre vase, low ovoid form with winged, strap handle, painted to the body with large cockerels, the background with birds and flowerheads, in ruby, blue and gold lustre, painted cockerel mark, minor chips to glaze, 16.5cm. high. £400-600

1321

1325. A Sevres porcelain sugar basin and cover, naturalistically modelled as a fennel bulb, the cover with a beetle forming the finial, printed S 1904 mark to base, hairline to rim, 10cm. high. £500-600 Literature Alastair Duncan The Paris Salons 1895-1914, volume IV, ACC books, page 19 for a comparable example. 1326. A pair of Wiener Werkstatte terracotta figures designed by Mathilde Flogl, model no.252, each modelled as a rearing horse and rider, painted in shades of green and white, impressed WW mark, damages and repairs, 21.5cm. high. £300-500 1322

1324

1323

1325

1326

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1327

1328

1327. A Primavera Pottery vase in the manner of Georges Jouve, swollen ovoid form with collar neck, covered in a crackled turquoise glaze, impressed marks, chip to top rim, 14cm. high. £120-180 Literature Fine Decorative Arts and Design, Sotheby's 4th May 2006 lot 139 for a larger comparable example. 1329 1328. A Bauhaus tin-glaze earthenware vase the design attributed to Theodore Bogler, shouldered ovoid form with waisted cylindrical neck, grey glaze painted with red bands, and a plate painted with a geometric design painted marks, 23cm. high. (2) £300-500

1329. A Bauhaus tin-glazed earthenware box and cover the design attributed to Theodore Bogler, the D shaped pot on drum feet, the flat cover with square knop, painted with a geometric design in red and blue on a pale pink ground, impressed and painted marks, £300-500 13cm. wide. (2)

1330. A Bauhaus Schramberg majolica tea set for four designed by Eva Zeisel, comprising teapot and cover, milk-jug and sugar basin and cover, four cups and saucers, painted with geometric panels in yellow, red and blue, printed marks, minor chips, 12cm. high £300-500 1330

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1331. A large Herman A Kahler Keramik pottery vase by Jens Thirslund, Danish, pear shaped, thickly painted with stylised abstracted flower stems in blue, turquoise and brown on a cream ground, stamped Danmark and indistinct incised monogram, chips to base, old restoration to top rim, 43.5cm. high £120-180

1332. A pottery centrepiece by Bjorn Wiinblad, dated 1979, tapering cylindrical stem, the flaring bowl with modelled face and trumpet flower hair, painted blue decoration, painted marks to base, 30cm. high. £120-180 1331

1332 1333. ‘Fairy Tale II’ A Royal Copenhagen model of two exotic kneeling women, model no. 1965, the design by Gerhard Henning, one naked, the other in oriental kimono and holding a fan, in colours printed and painted factory marks, 23cm. high. £200-300 Literature Nick and Caroline Pope A Collector’s Guide to Royal Copenhagen Porcelain, Schiffer Publishing Ltd., page 122 ref. 1586 for a comparable example illustrated.

1334. An Art Nouveau Royal Copenhagen dish, cast in relief with a maiden with long flowing hair, the dish also with a scaly fish coming to the surface, in shades of blue, green and white printed factory marks, painted 43, 21.5cm. diam. £150-200

1333

1335. A Bareuther Bavarian Constructivist milk-jug and covered sugar basin, printed in black and red printed factory marks, 7.5cm. high. (2) £50-60

1335

1334

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1336

1337

1336. A Russian porcelain model of an ice hockey goalkeeper, modelled standing attentively, glazed in black and white, and four porcelain figures of woman ice skaters seated, resting and tending their skates, printed mark, 19.5cm. high. (5) £150-200

1337. A Russian porcelain figure of a young boy with a dog, the boy in military hat, crouching and holding the resting dog, in colours another figure of a woman walking a mastiff dog, a blanc de chine model of an athlete carrying an Olympic torch, a model of a boy holding watermelons, a porcelain model of a football goalkeeper making a save a model of a woman and child plating with a ball and a large blanc de chine model of a couple harvesting fruit, various marks, 28.5cm. high (tallest), (7) £150-200

1338

1338. A Russian porcelain model of a football goalkeeper, modelled diving and making a save, another model of an athlete running with the Olympic torch, three models of female swimmers at rest and preparing to swim and two models of gymnasts holding a ball, printed marks, 18cm. wide. (7) £150-200

1339. A Russian porcelain bottle and stopper, modelled as a woman, printed and painted with a floral dress, printed 26.5cm. high. (2) £120-180

1339

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BOCH FRERES 1340. A Boch Freres Keramis vase designed by Charles Catteau, model no. D.786, slender form painted with columns of stylised fruit and foliage in orange and green on a vivid blue ground, and another Boch Freres Keramis vase model no.D.740, printed and painted marks, 26.5cm. high. (2) £120-180

1340

1341

1341. A Boch Freres Gres Keramis stoneware vase designed by Charles Catteau, model no. D703, swollen form, painted with stylised flowerheads in blue, red and green on a green ground, impressed and painted marks, professionally restored, 22.5cm. high. £120-180

1342. A Boch Freres Keramis vase designed by Charles Catteau, model no.D.740, shouldered form, painted with swollen vertical column and drape design in yellow, coral red and black on a crazed pale yellow ground, printed and painted marks, 29.5cm. high. £120-180

1342

1343

1343. A Boch Freres Keramis vase designed by Charles Catteau, model no.D.740, tapering cylindrical form, painted with swollen vertical column and drape design in yellow, coral red and black on a crazed pale yellow ground, printed and painted marks, 31cm. high. £120-180

1344. A Boch Freres Keramis vase designed by Charles Catteau, model no. D.1130, slender cylindrical form, painted with exotic birds perched on a flower tree bough, in colours on a pale cream ground printed and painted marks, 32cm. high. £120-180

1344

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1345

1346

1347

GOLDSCHEIDER POTTERY 1345. A Goldscheider Pottery terracotta model of a dancer by Louis Marie Blaise Latour, model no.3982, modelled in long flowing dress with roses, impressed marks, signed Latour to the top of the base, restored, 43cm. high. £200-300 1346. A Goldscheider Pottery model of female Classical musician by E Tell, model no.4625, modelled seated, resting on a Klismos chair, resting a lyre by her side, glazed impressed marks to base, printed Goldscheider mark and E Tell signature, professional £200-300 restoration, 37.5cm. high. Literature Ora Pinhas Goldscheider Pottery, Richard Dennis Publications, page 99 for an example illustrated. 1347. A large Goldscheider Pottery model of female Classical musician by E Tell, model no.3497, modelled seated, resting on a Klismos chair, resting a lyre by her side, impressed £400-600 marks to base, Goldscheider mark and E Tell signature, 62cm. high.

1348

1348. A Goldscheider Pottery terracotta model of a peasant woman, model no.4578, modelled as a woman holding a large water jug, glazed in monochrome, impressed number and Goldscheider mark, indistinct initials, minor chips, 67cm. high. £300-500 1349. Beim Photographen a Goldscheider Pottery model of a seated young boy designed by B. Haniroff, model no. 1225, modelled seated and resting, wearing shorts, jacket and deerstalker hat, glazed in naturalistic colours impressed marks, damages and old repair, 57cm. long. £1,000-2,000 Literature Robert E Dechant & Filipp Goldscheider , Arnoldsche, page 315 catalogue number 1225 for an example illustrated dated 1897-98. Ora Pinhas, Goldscheider Richard Dennis Publications, page 32 for this model illustrated.

1349

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1350. A Goldscheider Pottery model of a woman, model no.6392, modelled standing her dress blowing in the wind, painted in shades of purple and lavender, on domed base printed and impressed marks to base, impressed facsimile signature Fried, minor professional restoration to hem and one hand, 30.5cm. high. £200-300

1351

1351. A Goldscheider Pottery novelty model of a terrier holding an umbrella, model no.6449, painted in colours impressed marks, professional restoration, 10.5cm. high. £120-180

1352. A Goldscheider Pottery terracotta wall mask of a woman smoking, model no.7646, painted in colours impressed marks, restored hand and neck, 32cm. high. £250-300

1350

1353. A Goldscheider Pottery terracotta bust of a woman, model no 6775, modelled with orange curly hair and blue ruff collar, in colours printed mark, impressed numbers, £200-300 26cm. high.

1353

1354. A Goldscheider Pottery terracotta bust of a woman, model no. 7089, modelled with orange hair, wearing a blue scarf, in colours, and another Goldscheider Pottery mask, model no.6306, printed mark, impressed numbers, original paper label, 28cm. high. (2) £200-300 Literature Ora Pinhas Goldscheider Pottery, Richard Dennis Publications, page 174 (main mask) for a comparable example illustrated. page 170 for a comparable example of the smaller mask.

1352

1355. A small Goldscheider Pottery wall mask of a woman holding a mask, model no.8935, glazed in colours a Goldscheider wall mask of a woman with white hair blowing in the wing and another of a woman with black hair, printed West German marks, impressed numbers, original paper label to main, 18cm. high (smallest). (3) £200-300 Literature Ora Pinhas Goldscheider Pottery, Richard Dennis Publications, page 1175 for a comparable woman with a mask.

1354

1355

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1357

1356 1356. A Goldscheider Pottery terracotta wall mask of a woman with a book, model no.7249, painted in colours printed mark, impressed numbers, 27cm. long. £200-300 Literature Ora Pinhas Goldscheider Pottery, Richard Dennis Publications, page 173 for a similar mask.

1357. A Goldscheider Pottery terracotta wall mask of a woman with a blue carnival mask, model no. 7081, painted in colours printed marks, impressed numbers, small chips to hair, 26cm. high. £200-300

1358

Literature Ora Pinhas Goldscheider Pottery, Richard Dennis Publications, page 172 for a comparable example illustrated.

1358. A Goldscheider Pottery terracotta wall mask of a woman holding a black carnival mask, model no.1081, painted in colours printed marks, impressed number, minor chips to hair, 26cm. high. £200-300

1359. A Goldscheider Pottery terracotta wall mask of a girl, model no. 7693, modelled with blue hair blowing in the wind, her hand raised, in colours printed mark, impressed numbers, 24cm. high. £200-300 1359

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1360. Creola Della Martinica a Le Bertelli pottery figure of a woman, modelled in costume, glazed in naturalistic colours painted marks and original paper label to base, minor chips to base, 40cm. high. £200-300

1361. An Essevi Pottery bust of a woman, model no.G.12, modelled with exotic flower adorned hat, painted and impressed marks, small chips, 23.5cm. high. £200-300

1362. ‘Testa’ a Lenci Pottery wall mask designed by Helen Konig Scavini, modelled as a woman in a head scarf, painted in colours painted marks, minor professional restoration to tip of scarf, 29cm. long. £300-400 Literature Alfonso Panzetta Le Ceramiche Lenci, Umberto Allemandi & C, page 179 catalogue number 429-430 for two examples illustrated.

1360

1362

1361

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LENCI

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1363. ‘Nella O Nasin’ or ‘Janetti’ a Lenci Pottery figure designed by Helen Konig Scavini, modelled as young woman standing and contemplating, a young bird, painted in colours painted Lenci marks, professional restorations, 39cm. high £2,000-3,000 Literature Alfonso Panzetta Le Ceramiche Lenci, Umberto Allemandi & C. page 153 catalogue number 246.

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1364. ‘Primo Romanzo’ a Lenci Pottery figure designed by Helen Konig Scavini, modelled as a young female student sitting in an armchair, kicking her legs in the air and casting her book down, painted in colours painted Lenci marks and K to base, restoration to hand and re-glued finger, 25cm. high. £2,000-3,000 Literature Alfonso Panzetta Le Ceramiche Lenci, Umberto Allemandi & C, page 179 catalogue number 429-430 for two examples illustrated.

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1365. A matt glazed terracotta vase the design attributed to Georges Jouve, single-handled form, covered in a matt black glaze, painted Jouve to base, 40.5cm. high. £800-1,200

1366. Two graduated Bing & Grondahl stoneware vases designed by Valdemar Pedersen, shouldered cylindrical form, incised with geometric panels, covered in a brown hare’s fur glaze, printed marks, £150-200 impressed marks VP monogram 24cm. high. (2)

1367. A set of four Bing & Grondahl stoneware graduated vases designed by Valdemar Pedersen, shouldered square section with collar rim, incised finish with hare’s fur glaze printed marks, impressed VP monogram, 16.5cm. high, (4) £150-200

1365 1368. A Bing & Grondahl stoneware vase designed by Valdemar Pedersen, shouldered drum form, incised with geometric panels, covered in a hare’s fur glaze, a pair of shouldered vases and two dishes, printed marks, impressed VP monogram, 12.5cm. high (5) £150-200

1366

1367

1368

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‡ 1369. Pablo Picasso (1881-1973) Danseurs, (AR 388) a Madoura Pottery plaque glazed white on a matt black ground, impressed factory marks to reverse 19cm. square.

£1,500-2,000

Catalogue Notes Conceived in 1956 this plaque was produced in a limited edition of 500 examples.

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1370

1371

1372

FURNITURE 1370. An Aesthetic Movement ebonised wood chair in the manner of Dr Christopher Dresser, with cane back and seat pads unsigned, 77cm. high. £120-180

1373

1371. An enamelled cast iron stickstand in the manner of Thomas Jeckyll, rectangular section, cast in low relief with foliate panels, the top with twelve partitions, two square drip trays to base, enamelled black, cast regd diamond, 65cm. wide, 65cm. high. £200-300

1372. Poetry and Song a pair of Arts and Crafts silk embroidered panels in the manner of Selwyn Image, framed unsigned 78 x 34.5cm. (2) £150-200

1373. An Arts and Crafts green stained wood table in the manner of Morris & Co, possibly to a design by Phillip Webb, the shaped circular top on six turned legs, turned gallery and radiating splats, unsigned, 65cm. high, 76cm. diam. £300-500 Literature Specimens of Furniture and Interior Decoration, Morris & Co catalogue, page 20 no.376 and 370 for two comparable tables sharing elements of similarity to this table. John Andrews Arts and Crafts Furniture, ACC Books, page 55 plate 52 for a Phillip Webb table with a comparable shaped top.

1374. An ash Clissett rocking chair by Neville Neal, with turned bobbin back, rush seat, stamped Neal to inside of leg. £400-600 1374

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1375

1376

1377

1375. A brass wall sconce probably Keswick School of Industrial Arts, shaped rectangular back stamped in low relief with a central foliate roundel, inside flower head mon, with two candle sconce tray unsigned 31cm. high. £150-250 1376. A pair of ash Clissett high-back chairs, turned ash supports with five graduated back splats and rush seat £200-400 unsigned 106cm. high. (2) Literature Annette Carruthers & Mary Greensted Good Citizens Furniture, Cheltenham Museum & Art Gallery, page 81 catalogue number 17 for a comparable chair. 1377. A pair of ash Clissett high-back chairs, turned ash supports with five graduated back splats and rush seat unsigned 106cm. high. (2) £200-400

1378

Literature Annette Carruthers & Mary Greensted Good Citizens Furniture, Cheltenham Museum & Art Gallery, page 81 catalogue number 17 for a comparable chair. 1378. An Arts and Crafts oak frame coffee table, with rectangular veneered top, unsigned, 107 x 92cm. £200-300 1379. An Aesthetic Movement Oetzmann & Co occasional table in the manner of E.W. Godwin, with square section top and shelf, on turned wood legs, enamelled label to base, 66cm. high, 41.5cm. square top. £200-300 1380. An oak library table probably retailed by Liberty & Co, rectangular section with angled book rest top, the sides with rod and ball trellis panels, on castors, unsigned, 83cm. high, 59 x 34cm (top). £150-200 1379

1380

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1381

1382 top 1382

1381. An Aesthetic Movement ebonised wood Shakespeare chair in the manner of E W Godwin, probably retailed by Liberty & Co, angled section seat, with curved arms, the high-back with a panel of rod and ball decoration 130cm. high. £200-300

1383

1382. An Anglo-Persian occasional table possibly retailed by Liberty & Co, octagonal section on arched legs, inlaid with marquetry and mother of pearl panels, unsigned, 54cm. high. 41cm diam. £120-180

1383. A Liberty & Co Secessionist mahogany overmantel mirror, with flanking shelves, 163cm. wide, 119cm. high. £400-600

1384. An English Art Nouveau mahogany display cabinet in the manner of Shapland & Petter, slender, bow-fronted form, inlaid with pewter and marquetry flower stems, the leaded glass with simple pink flower stems, unmarked, 167cm. high, 83cm wide. £300-500

1384

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1385

1385. A rare Morris Marshall Faulkner & Co embroidered velvet bell pull probably designed by William Morris or Ford Madox Brown, embroidered in silk with flowers and foliage in green, white, brown and white on an olive green ground, 260 x 10.5cm . £800-1,200 Provenance Decorative Arts Phillips Glasgow, Friday 6th October 1995, page 20 lot 103. part of a collection by or associated with Morris & Company, formed between the wars and purchased from Morris & Co. in Hanover Square, London. Private collection. Literature Linda Parry (editor) William Morris Philip Wilson/Victoria & Albert Museum, 1996, page 239 catalogue number M.13 for an identical bell-pull dated to circa 1865. This example is believed to be one of the examples mentioned in his household account book as ‘ two sets of worsted bell ropes’.

1387

1386. An ebonised ash rocking chair designed by Ernest Gimson, with turned bobbin back and rails, and rush seat, 122cm. high. £500-800 Provenance purchased from Sotheby’s London in the 1980s by the vendor. Literature Ernest Gimson His Life & Work, plate 38 for a settee, chair and armchair from this range illustrated. 1387. A pair of ash Clissett rocking chairs by Neville Neal, with turned bobbin backs, rush seat, stamped to inside of back £600-800 strut Neville Neal, 105cm. high. (2) 1388. An Arts and Crafts ash ladder back chair designed by Ernest Gimson, with three shaped splats, with rush seat, and two other chairs, unsigned, 87cm. high. (3) £400-600 1388

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1389. A good Arthur W Simpson of Kendal oak sideboard, rectangular section, the panelled back with central small plinth, carved with panels of flowers and foliage and simple borders, the base with two panelled cupboards with carved square floral panels, flanking three central drawers, patinated metal door furniture, applied ivorine label to drawer, 131cm. high, 155cm. wide. ÂŁ500-800 Provenance H.G. Murphy (1884-1939), and thence by descent to the present owner.

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1390. A rare Bugatti wood, patinated copper and ivory occasional table designed by Carlo Bugatti, the shaped square top with inlaid pewter crabs and script motif, the frame with Moorish arch motif on turned legs and black feet, applied with patinated metal and ivory decoration below flower stems, the arches set with copper circle motif unsigned 71cm. high. £4,000-6,000 Literature The Amazing Bugattis Royal College of Art, 8th October-18th November 1979, page 19 for a large cabinet with similar decoration. Elton John Art Nouveau & Art Deco, Volume 3, Sotheby’s 7th September 1988 lot 768 for a comparable table illustrated.

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1391

1391. An English Art Deco walnut veneer corner desk, triangular section top with red leather writing desk, with two banks of two drawers over cupboards, unsigned, 126cm. wide 77cm. high. £500-800 1392. An English Art Deco walnut veneer occasional table, the D shaped section above single drawer and cabinet, with orange bakelite handles, Good Furniture Units label, 47cm. high, 84cm. long. £200-300 1393. An Art Deco maple veneer table, circular section, with stepped shelves and central push-through drawer unsigned, 69cm. £150-200 high, 58cm. diam.

1392

1393

1394. A Laszlo Hoenig macassar ebony and maple bureau and cocktail cabinet on stand, the maple stand supporting drop-down fitted bureau, and a mirrored glass fitted cocktail cabinet, with orange bakelite handles, applied label, 135cm. high, 103cm. wide. £300-500

1394

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1395

1395. A fine Hille burr walnut and ebonised wood canteen fitted with a suite of Richard Richardson silver cutlery, the wooden canteen designed by Ray Hille, 1935, with rounded rectangular top, four fitted drawers over pedestal with single cupboard with single shelf and hinged door, the Richard Richardson cutlery comprising 24 grapefruit spoons, 1 soup ladle, 12 soup spoons, 24 fish knives and forks, 2 fish carvers, 24 table knives and forks, 2 meat carvers, 1 steel, 48 knives and forks, 8 small servers, 36 dessert spoons, 24 dessert knives and forks, 24 dessert forks, 12 cheese knives, 12 coffee spoons, 12 tea spoons, 12 pastry forks, 2 cake knives, 2 forks and 2 sugar tongs stamped marks Richard Richardson, Sheffield 1937. £4,000-6,000 Provenance Private collection Literature Sutherland Lyall Hille - 75 Years of British Furniture, Elron Press/Victoria & Albert Museum, page 75 this actual canteen partially illustrated (lower right corner) in situ at the V&A Exhibition in 1981.

1396. An Epstein burr walnut veneer cocktail cabinet, on scroll legs, the twin curved doors opening to mirrored compartment with slide shelf and lower two drawer cabinet, unsigned, 162cm. high, 84cm. wide and 53cm. deep £3,000-5,000 1396

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1398

1399 part 1397

1397. A large modern bow fronted corner display cabinet, mahogany and fruitwood veneer, with curved, glazed door, internally fitted with five wooden shelves, unsigned, 168cm. high. £200-300 1398. A French Art Deco patinated metal ceiling light, the articulated frame with applied leaf motif, with central opaque glass bowl and three shades, cast with geometric flowers and £300-500 foliage, unsigned, 91cm. drop. 1399. A pair of large silk embroidered curtains, each on salmon pink ground with metallic silk embroidered geometric waves and circles, lined 205 x 220cm (approx). (2) £80-120 Literature The Studio, 1937, by repute 1400. An English Art Deco peach-tinted mirrored glass standard uplighter lamp, three £150-200 peach glass tubes supporting textured paper shade, unsigned, 157cm. high. 1401. An Art Deco Epstein walnut veneer dining room suite for four, comprising dining table, four chairs and a sideboard, the table with shaped rectangular top on two pedestals, with glass protective top, the curved, solid back chairs with black leather cushioned pads, unsigned, 184 x 91cm (table top), 162cm. wide (sideboard). (9) £1,000-1,500

1400

1401

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1402

1402. An Art Deco Mercier Freres Paris burr maple veneer bedroom suite, comprising large double wardrobe, bed, dressing table and stool, inlaid with silver and ivory flower garlands, applied label to drawer, 185cm. high, 150 wide (wardrobe). (4) £1,000-2,000 Provenance Sotheby’s Olympia 1999 Private collection. 1403. A W Hand & Sons Elizabeth II Coronation stool from 1953, blue velvet pad with gold braid edging, limed oak frame, with applied number 265, stamped ER Coronation to sub-structure, 84cm. high. £200-300 1404. A pair of W Hand & Sons Elizabeth II Coronation chairs from 1953, faded blue velvet pads the back bearing ER II monogram beneath crown, with applied numbers to back 22 and 24, stamped ER Coronation to sub-structure, 84cm. high. £500-600 Literature The London Sale Christies South Kensington, 3rd September 2012 for a comparable pair of chairs.

1403

1404

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1406

1405. A Scandinavian teak cabinet in the manner of Stig Lindberg, the twin-cupboard with fitted shelves and two narrow drawers, above twin door cupboard, the doors carved with domestic kitchen utensils, bottles and a tea service, 173cm. high, 100cm wide, 44cm. deep. £300-500 1406. A pair of Soho Crafts painted wood candelabra, one painted in vivid lime green, the other £50-80 vivid orange, unsigned, 57cm. high. (2)

1405

Provenance These candelabra where exhibited at the Soho Artist’s Exhibition, by repute. 1407. A Knoll Bird chair and ottoman designed by Harry Bertoia, model no. 423, polished wirework with seat cover, unsigned, 102cm. high. (2) £800-1,200 Literature Charlotte & Peter Fiell 1000 Chairs Taschen, page 254 this design illustrated.

1407

1408. A pair of Herman Miller Time Life chairs designed by Charles & Ray Eames, polished aluminium frames with tan leather pads, applied label to one, 88cm. high. £1,000-1,500 1409. A Bowman Brothers armchair and side chair designed by Alvar Aalto, bent ply seat and back, lacquered black, applied label to armchair, stamped Bowman to side chair, 70cm. high. (2) £300-400

100

1408

1409

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1410 1410. A set of four Knoll Bertoia chairs designed by Harry Bertoia, model no. 420, polished wirework frames, with pale grey leather seat pads unsigned 76cm. high. (4) £400-600 Literature Charlotte & Peter Fiell 1000 Chairs Taschen, page 254 this design illustrated. 1411. A 1950s floor lamp and side table in the manner of Pierre Guariche, with wirework magazine rack, red and black tile topped table and standard lamp, black coated metal frame unsigned, 157cm. high. £150-200

1411

1412. A Hille Hilleplan Coffeestak beech frame table designed by Robin Day, on streamlined tapering legs, with veneered square top, unsigned, 51cm. high, top 61cm square. £300-500 Literature Austerity to affluence British Art and Design 1945-1962 Fine Art Society, Merrell Holberton, page 20 catalogue number F19 for a comparable example illustrated. House & Garden July 1952 page 63 for a contemporary illustration. 1413. An Isokon Penguin Donkey II bookshelf designed by Ernest Race, designed 1963, white painted wood on cherry legs, unsigned, 53.5cm. wide, 40cm. high. £250-350 1414. Alan Reynolds (1926-2014) August Image-Chrystalline, circa 1962-63 produced by the Edinburgh Weavers, Rayon and Linen panel, unsigned

£200-300

1412

Literature 20th Century British Art, Christie’s London, 1st March 2006, lot 270 for the original watercolour design sold from the Edinburgh Weaver’s collection.

1413 1414

101

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1416 1415 1415. ‘Stones of Bath’ a Sandersons pair of printed cotton curtains designed by John Piper, in autumn shades of green, brown and black, with green lining, unsigned 167 x 106cm. (2) £150-250 Literature Geoffrey Rayner, Artist’s Textiles in Britain 1945-1970, ACC books, page 85 catalogue number 74 for a comparable example illustrated.

1416. Fish a printed wall hanging by Helen Dalby, dated 1951, printed in grey and black on a white ground, paper label pinned to £120-180 corner, 132 x 110cm.

1417. ‘Stones of Bath’ a Sandersons long printed cotton portiere designed by John Piper, in autumn shades of green, brown and black, with green lining, unsigned 256 x 111cm £150-250

1417

Literature Geoffrey Rayner, Artist’s Textiles in Britain 1945-1970, ACC books, page 85 catalogue number 74 for a comparable example illustrated.

1418. A Wiener Werkstatte Notschrei woven textile designed by Josef Hoffmann, made by Joh. Backhausen & Sohne, decorated with a geometric foliate repeat on a red and brown on a buff ground, unsigned 138 x 126cm. £150-200 Literature Ruth Gronwoldt Art Nouveau Textil-Dekor um1900, page 202 catalogue number 151 (illustrated page 203) for a comparable example. Kirk Varnedoe Vienna 1900 Art, Architecture & Design, The Museum of Modern Art, page 88 for another example illustrated.

102

1418

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1419

1420

1421

WORKS ON PAPER 1419. Modern English Silverwork by Charles Robert Ashbee produced in limited edition by Alan Crawford & Shirley Bury, a book, and William Morris Edward Burne Jones and the Kelmscott Chaucer, and six other volumes. (8) £50-100 1420. ‘The Yellow Book’ volumes 1-13 thirteen volumes published by John Lane The Bodley Head, published 1894-1897, with designs by Aubrey Beardsley and ‘An Anthology of Nineties Verse’ published by Elkin Mathews & Marrot, 1928, with illustrations by Aubrey Beardsley. (14) £500-800 1421. Alphonse Mucha (1860-1939) L’ Estampe Moderne, April 1898 Lithographic print on paper, framed signed and dated in the print 59.5 x 40cm (image).

£250-350

1422

1423

1422. Eric Gill (1882-1940) Xenia Nowelle Lowinsky, (1924) wood engraving on paper, and three Canterbury Tales (borders) by Eric Gill in common mount signed in reverse in the print EG 23 x 15cm (2). £150-200 Literature Christopher Skelton Eric Gill The Engravings, The Herbert Press, plate 278 for this design (Lowinsky) illustrated. 1423. ‘Wendingen’ September 1920 (Series 3 volume 8-9) a Dutch architectural magazine on designs by Josef Hoffmann, with cover design by Hendrik Van Den Eijnde, including Palais Stoclat and designs for furniture and jewellery 32.5cm. square. £120-180 1424. The Studio twenty four volumes, comprising volume 5, 11,12,12-13, 14 to 19, 20-21, 21 to 24, 26, 27 (two volumes), 27 (three), 28, 29 (two), 30, and 32, various binding, volume 26 includes The Little Princess by Jessie M King, (24) £200-400 1425. A watercolour design of a Man O’ War, circular, possibly designed for a mosaic, framed, unsigned, £120-180 44.5cm. diam. (image).

1424

1425

103

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1426. Walter Crane (1845-1915) Baby’s Opera, seven lithographs on paper, mounted signed in the print 14.5cm. square (image). (7) £150-200 1427. Walter Crane (1845-1915) The Baby’s Bouquet six lithographs on paper, mounted signed in the print 15cm. square (image). (6) £150-200 1428. A pair of Peacock panels, each painted foil on black board, framed unsigned, 57 x 55cm (frame). (2) £120-180 1426

1427

1429. Arthur Gaskin RBSA (1862-1928) The Lost Treasure, 1925 woodcut print on paper, three other Gaskin prints and an etching, signed, titled and dated in pencil, 12 x 6.5cm. (5) £200-300 Provenance H.G. Murphy (1884-1939), and thence by descent to the present owner. 1430. Arthur Gaskin RBSA (1862-1928) A Welsh Farm, 1926 woodcut print on paper and three other Gaskin prints, signed, titled and dated in pencil 14.5 x 8cm. (4) £200-300

1428

Provenance H.G. Murphy (1884-1939), and thence by descent to the present owner. 1431. Arthur Gaskin RBSA (1862-1928) The Farm Yard, 1926 woodcut print on paper and four other Gaskin prints, signed, titled and dated in pencil, 13.5 x 9cm (image). (5) £200-300 Provenance H.G. Murphy (1884-1939), and thence by descent to the present owner.

1429

104

1430

1431

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1433

1432. Percy Hague Jowett (1882-1955) Moored Boat,1929 watercolour sketch on paper, laid on board and 14 other prints and a pastel, signed and dated in pencil, dedicated to H.G. Murphy 1935 41cm. x 31cm. (image). (16) £150-250

1433. William Palmer Robins (1882-1959) Hertfordshire Peasant, 1921 etching on paper, mounted and seven other etchings by Robins, signed and dated in pencil 11cm. x 9.5cm (image). (8)

£150-250

1434. ‘Snaffles’ Charles Johnson Payne (1884-1967) R.N.R.T. 1916 print highlighted in colour, laid on board eight other various prints, 44.5cm. x 41cm. (9) £150-250

1434

105

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1435

1436

1437

1435. John Hall Thorpe (1874-1974) The Caravan woodcut on paper, framed signed and titled in pencil, 34 x 27cm. (image). £120-180 1436. John Hall Thorpe (1874-1974) Haymakers woodcut on paper, signed and titled in pencil, 34 x 27cm. (image). £120-180

1438

1437. William Henry Caffyn (1870-1958) Study for a Dancer, pastel on paper, framed 63 x 42cm (image). £450-550 1438. Mobilier & Decoration 1929, 1930, 1933 three volumes, another undated (possibly 1925), Modern Interiors by Herbert Hoffmann, 1930 The Studio publication, Le Salon Des Artistes Decorateurs, 1930, and five other books. (11) £150-200

1439

1439. Ensembles Mobiliers Exposition Internationale 1925 serie1-3 by Maurice Dufrene three folio books, and Ensembles Nouveaux Editions Charles Moreau. (4) £150-250 Provenance From the Library of Andrew L Mazzei (Ensembles Mobiliers) 1440. Le Style Moderne dans la Decoration Interieure a folio book by Ch. Massin & Cie, Decors et Ambeublements, Meubles du Jour 3rd Serie, Interieurs executes dans le Gout Moderne, and Interieurs Modernes et Rustiques, four folio books. (5) £150-200 Provenance From the Library of Andrew L Mazzei

106

1440

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1441

1443

1442

1441. The Power and The Glory of Real Baseball a lithographic poster on paper, by the Duffy Design Group, framed, and another Vanderbilt The Heart and Soul of All-out Basketball, signed Duffy in the print 92.5 x 48.5cm (image). (2) £100-150

1442. Griff Death of a Salesman at the Phoenix, 1949 original design on paper for The Sketch magazine, including Henry Oscar as Ben, Paul Muni as Willy and Ralph Theadore as Charley, framed signed Griff top left corner 74.5 x 29cm. £150-200

1443. John Hassall (1868-1948) Milford Haven - Where Fish Come From a GWR lithographic poster published by Meiner Ltd, framed signed in the print Hassall 101 x 63cm.

£400-600

1444. Patrick Cokayne Keely (died 1970) Staggered Travelling Saves Busy Workers Time, 1945 a London Underground transport poster published by Waterlow & Sons ltd, framed signed in the print dated 45 99 x 61cm (image).

£400-600

1445. Edward McKnight Kauffer (1890-1954) American Airlines, East Coast, 1948 Lithographic poster, framed signed in the print E Mcknight Kauffer ‘48 100 x 75cm.

£400-600

1444

1445

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1447

1446

1446. Louis Icart (1888-1950) Les Masques (Masks), 1926 dry-point etching and aquatint on paper with hand colouring, framed signed in pencil lower right, numbered 225, embossed artist blindstamp, 46 x 36.5cm. (image). £400-600 1447. Louis Icart (1888-1950) Fair Dancer, 1939 etching and aquatint on paper with hand colouring, framed signed in pencil lower right, embossed artists blindstamp, 56 x 47cm (image).

£300-400

1448. Louis Icart (1888-1950) Nijinsky, Russian Ballet Dancer aquatint on paper, framed signed lower right Louis Icart 46 x 31cm. (image).

£300-500

1449. Bill Jacklin RA (born 1943) Man with a Bib etching on paper, signed Jacklin lower right, H/C 29.5 x 22cm.

£120-180

1448

108

1449

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1450

1451

1450. C Lloyd Totem, 1967 lithograph in colours on paper, framed, indistinctly signed in pencil and titled, dated 1967, numbered 23 of 25, 61.5 x 19cm. £120-180 1451. Lowicz Wycinanki a paper-cut design of two cockerels,amongst foliage, framed, unsigned 72cm. square. £120-150 1452. Alec Macdonald (born 1954) Bi-Planes (on the airfield) acrylic on canvas, framed signed lower right 75 x 60cm.

1452

£150-200

Provenance Private collection 1453. John Young (born 1930) Bi-Plane flying over mountains, acrylic on canvas, framed signed lower right 50 x 39cm.

1453 £150-180

Provenance Private collection 1454. Edmund Miller GAA (born 1929) Wings over Scarpa Flow (DH89 Rapide) acrylic on board, framed signed lower left, paper label to reverse 59 x 50cm (image).

£150-180

Exhibited The Guild of Aviation Artists, 2001 Annual Exhibition, catalogue number 174 Provenance Private collection 1454

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FURNITURE & 20TH CENTURY DESIGN FROM THE COLLECTION OF RODNEY BEWES The following 21 lots are from the collection of TV and stage actor, Rodney Bewes, who was first introduced to Woolley and Wallis through his role as curator of the ceramics collection at the Garrick Club. Despite his love of 18th and 19th century pottery and porcelain, Rodney had a keen enthusiasm for modern design, with which he furnished his 1960s-built house in Henley-on-Thames. Born in Yorkshire in 1937, Rodney attended RADA from the age of 14, with a two year break for National Service. A series of jobs in repertory established in him a love of theatre, and TV roles followed in Dixon of Dock Green and Z-Cars. The role for which he is best known (as Bob Ferris in The Likely Lads), followed in 1964 and was reprised in 1973. Although television work had dried up in later years, Rodney continued to tread the boards, touring a number of one-man shows and appearing regularly at the Edinburgh Festival. He was a long time member of the Garrick Club, where he could regularly be found, and was fiercely proud of the extensive collection of theatrical ceramics which he had been planning to write a book on at the time of his death. His own collection included a number of 19th century theatrical figures and other ceramics, which are included in our English and European Ceramics and Glass sale on 16th October.

1455. A Giorgio Armani coated steel desk, with hanging two drawer unit, the top with insert black veneered wood surface unsigned, 173 x 88cm, 72cm. high. £200-400 Provenance The collection of Rodney Bewes 1456. A Herman Miller Time Life Chair designed by Charles & Ray Eames, polished aluminium with black pads unsigned, 82cm. high. £400-600 Provenance The collection of Rodney Bewes 1457. A pair of B34 armchairs designed by Marcel Breuer, with bent ply seats and backs painted black, on chrome tube frame, unsigned, 89cm. high. (2) £300-500 1455

Provenance The collection of Rodney Bewes Literature Charlotte & Peter Fiell 1000 Chairs Taschen, page 109 for similar chairs illustrated.

110

1456

1457

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1458

1459 1458. A Cidue black veneer and chromed metal low table designed by Willy Rizzo, rectangular section on central pillar, the table top with inset chrome drop in storage compartment, unsigned, 129 x 80cm, 34cm. high. £100-200 Provenance The collection of Rodney Bewes 1459. A pair of 1-2-3- System chairs designed by Verner Panton, probably made by Vitra, chrome, swivel butterfly foot supporting padded black cushioned £200-400 seats unsigned, 78cm. high. (2) Provenance The collection of Rodney Bewes Literature Charlotte & Peter Fiell 1000 Chairs, Taschen, page 472-473 for this range illustrated. 1460. A Modernist bakelite and chromed metal table, the circular brown bakelite top on chromed tube base, stamped Plastic Metal Products 91cm. diam. £100-150 Provenance The collection of Rodney Bewes

1461. A Dyrlund Danish rosewood Captain’s Bar cocktail cabinet the design attributed to Erik Buck, rosewood veneer, with polished metal handle, fitted interior, on casters, applied label, 77cm. high, 60cm wide. £200-400 Provenance The collection of Rodney Bewes

1461

1460

1461 closed

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1462. An Egyptian Revival wall mirror, in the manner of BIBA, rectangular with overhanging mantle, decorated in low relief with winged scarab and snakes, the base with two resting naked maidens, in colours and gilt unsigned, 88cm. wide. £200-400 Provenance The collection of Rodney Bewes

1463. An Art Deco French pottery model of a fish, covered in a crackled pink glaze and a continental box and cover, the cover modelled with a comical Chinaman, unmarked 40cm. wide. (3) £80-120 Provenance The collection of Rodney Bewes

1464. A pale lemon glass and chrome uplighter, on square chrome base unsigned, 36cm. high. £120-180 Provenance The collection of Rodney Bewes

1462

1465. A pair of silvered bronze birds, perched on perspex cubes, the rectangular bases with light fittings, unsigned, 18cm. high. (2) £120-180 Provenance The collection of Rodney Bewes

1466. A silvered metal car mascot modelled as a flying crane, mounted on oval wooden base, unsigned, 20cm. wide. £100-150 Provenance The collection of Rodney Bewes

1463

112

1464

1465

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1467 1467. A Skaraborgs Mobelindustri Tibro Scandinavian teak drop down desk unit, wall mounted, fitted interior above two slender drawers, stamped mark, 105cm. wide, 33cm. high, 52cm deep. £300-500 Provenance The collection of Rodney Bewes 1468. A Danish teak wall mirror, circular frame stamped Made in Denmark 49.5cm. diam. £120-180

1468

Provenance The collection of Rodney Bewes 1469. A Danish teak six drawer chest of drawers, on four turned legs, with glass top, another smaller teak chest of drawers on legs probably Danish and two Nathan sideboards, applied labels to Nathan pieces, 108cm. high, 80cm wide (main item). (4) £150-250 Provenance The collection of Rodney Bewes 1470. Barrie Cook (born 1929) Lizard Magic, 1999 acrylic on paper, framed signed in pencil, dated 99, title and date on paper label to reverse £120-180 40 x 29cm. Provenance The collection of Rodney Bewes 1471. A Flos Biblap floor lamp designed by Achille Castiglione, slender rod stem with white enamelled base and lamp, and a plastic globe ceiling shade 190cm. high. (2) £150-250

1469

Provenance The collection of Rodney Bewes

1470

1471

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1472

1473 1472. Frederick William Meyer (1869-1922) The Rescue oil on canvas, framed signed with monogram bottom right 60 x 44.5cm.

£150-200

Provenance Sotheby’s lot 256, 6th June 1984, by repute The Collection of Rodney Bewes 1473. Henry Scott Tuke RA RWS (1858-1929), manner of The Bathers watercolour on paper, framed unsigned 27 x 17.5cm (image).

£200-300

Provenance The collection of Rodney Bewes Catalogue notes This painting by a follower of Henry Scott Tuke possibly Edward Van Goetham. 1474. Christopher D Arnold Barges on the Thames two watercolours on paper, framed signed lower right 22.5 x 15.5cm.

£120-180

Provenance The collection of Rodney Bewes 1475. Claude Hamilton Rowbotham (1864-1949) The Thames at Bray and Temple Island near Henley two watercolours, framed, and A Thames Lock and River bank with Reeds two additional watercolours, Bray signed and dated 1907 lower left 41 x 19.5cm. (image). (4) £120-180 1474

114

Provenance The collection of Rodney Bewes

1475

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1477

1476

SCULPTURE 1476. Woman with Dogs a patinated metal sculpture by A Delatour, on veined black marble base with onyx, signed A Delatour, 84.5cm. wide. £800-1,200

1477. Claire Jeanne Roberte Colinet (1880-1950) The Juggler patinated bronze on veined polished marble base unsigned, 32.5cm. high. £500-800

1478. A Patinated bronze model of a naked woman, standing with arched back, holding a garland of grapes and vine, on cast rocky outcrop, on waisted circular base, unsigned, 40cm. high. £200-300

1478

1479. Message of Love a patinated bronze model of a naked woman cast from a model by Pierre Le Faguays, modelled standing on a rocky outcrop, offering up a dove, on veined marble base, signed in the cast to base rim Le Faguays and foundry mark, 57cm. high. £700-900

1479

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1480. Leo Laporte-Blairsy (1865-1923) La Voie Lactee (The Milky Way) a fine Art Nouveau patinated bronze table lamp, with cased blue glass shade probably made by Daum, the shade and bronze with star aperture to emit light, signed in the cast 41.5cm. high. ÂŁ20,000-30,000 Provenance Colonel George Winch (Style & Winch Brewery) Michael Bluett Winch, circa 1953, thence by descent. Literature Victor Arwas, Art Nouveau, The French Aesthetic, Andreas Papadakis Publisher, page 270 for a comparable example illustrated. An example of this spectacular bronze lamp was exhibited at the Salon of the Societe des Artistes Francais in 1904.

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1482

1481. A patinated spelter model of a dancer with a ball, modelled on one foot her arm raised aloft holding a ball, on alabaster base, and another patinated spelter model of a dancer in the manner of Josef Lorenzl, unsigned, 32cm. high. (2) £120-180

1482. Woman with a Deer a patinated metal sculpture cast from a model by Demetre Chiparus, on brown and veined black marble base, etched D Chiparus to base, 60cm. wide. £200-300

1481

1483. A patinated spelter model of a young dancer, modelled resting on a graduated stack of boxes, her hands on her waist, on stepped base, and another silvered metal of a young woman in pantaloons in the manner of Josef Lorenzl, on stepped alabaster base, unsigned, 25cm. high. (2) £120-180

1484. An Art Deco gilt bronze model of a naked woman frolicking with two goats, on veined marble base, unsigned, 38cm. wide. £300-500

1483

118

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1485. Nubian Dancer a bronze and ivory figure by Demetre Chiparus, modelled standing balancing on one leg, the other raised, in elaborate Egyptianesque costume and headdress, on stepped, veined marble base with inset plaque of an Egyptian lady playing a wind instrument, incised D Chiparus to base, signed in the cast D H Chiparus to the plaque, 43cm. high. £12,000-18,000 Provenance Private UK collection. Literature Alberto Shayo Chiparus Master of Art Deco, Antique Collector’s Club, page 113 plate 41 for an example illustrated. Bryan Catley Art Deco and Other Figures Antique Collector’s Club, page 80 for an example illustrated.

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1486 1487

1488

1486. Slave Trader and Odalisque cold painted bronze erotic sculpture by Franz Xavier Bergman, the couple modelled standing on an oriental carpet, he holding a drape around the naked woman, cast makers mark to back of drape, 18cm. wide, 17cm. high. £1,500-2,000 1487. A Rena Rosenthal patinated bronze model of an African warrior, modelled standing on one foot holding shield and spear, and a patinated metal model of an oriental lady carrying baskets stamped RR mark, 21cm. high. (2) £180-220 1488. A Hagenauer Golfer pedestal bowl, gilded brass bowl on pierced metal base with golfers playing amongst stylised pine trees unsigned, 19.5cm. diam, 10.5cm. high. £150-200

1489

1490

1489. A patinated bronze model of an exotic dancer by Joe Descomps, modelled with arms and one leg raised her head thrown backwards, on circular base, on waisted veined alabaster base, signed Joe Descomps to the circular base in the cast, £400-600 34cm. high. 1490. A small patinated bronze model of a woman by Josef Lorenzl, modelled dancing with one leg kicked backwards her arms raised, on stepped alabaster base, unsigned, 29cm. high. £120-180 1491. A small Josef Lorenzl patinated bronze model of a young woman by Dakon, modelled on one foot her arks raised up as she skips, patinated gilt finish, on veined green onyx base, cast Dakon to dome base, chip to back of onyx base, 25cm. high. £400-600

1491

120

1492

1492. Josef Lorenzl, a small patinated bronze model of a woman, nude modelled standing on one foot, her left leg raised upwards, her head thrust backwards, on later base, signed in the cast Lorenzl, 17cm. high. £300-500

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1493. Temple Dancer a patinated cold painted bronze and ivory figure by Gerda Iro (Gerdago), modelled balancing on one leg, arms raised, wearing elaborate, cold painted bronze costume, on waisted green onyx base, signed in the cast Gerdago and foundry mark, 48cm. high. £8,000-12,000 Provenance Victor Arwas Elton John Elton John Volume III Art Nouveau and Art Deco, Sotheby’s London 7th September 1988, lot 840 Private collection Literature Victor Arwas Art Deco Academy Editions, page150 colour plate this actual figure illustrated.

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1494

1496A

1494. An Ivory figure of a standing woman in the manner of Ferdinand Preiss, naked, modelled stepping forward, on green onyx base, unsigned, restuck ankles and left arm, 18cm. high. £150-200 1495

1495. A small ivory model of an exotic woman in the manner of Ferdinand Preiss, modelled wearing a diaphanous skirt, kneeling with one arm raised to her head, on later marble base, unsigned, repaired, 9.5cm. high. £120-180 1496. Posing, a small carved ivory figure of a naked woman kneeling by Ferdinand Preiss, on veined green onyx base, unsigned, 10cm. high. £600-1,000 Literature Bryan Catley Art Deco and other Figures, Antiques Collector’s Club, page 276 for an example illustrated. 1496A. Fisher Boy a cold painted bronze and ivory figure by Ferdinand Preiss, model no. 1229, on stepped onyx base etched F Preiss to base, 36cm. high £500-1,000 Literature Alberto Shayo, Ferdinand Preiss and Art Deco Sculptor, ACC Books, page 128 for a comparable Fisher Boy figure illustrated.

122

1496

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1497. Summer Dancer a rare cold painted bronze and ivory figure of a dancer by Ferdinand Preiss, modelled standing on one leg her body thrown back and arms extended, her bodice top set with turquoise stone, on a veined green onyx base, etched Ferdinand Preiss to onyx, 23.5cm. high. £6,000-10,000 Literature 20th Century Decorative Arts Christie’s South Kensington, 1st May 2008 lot 125 for a comparable figure. Provenance Purchased by the vendor’s grandmother who was studying at the Sorbonne, Paris in the 1920s and 1930s.

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1498. A bronze and ivory figure of a Russian Dancer by Georges Omerth, modelled standing on one leg, her arms raised up and holding a coupe in her right hand, on flaring, square onyx base, incised to the base Omerth, 40.5cm. high. £2,000-3,000 Provenance Private collection

1498

1499. Innocence a bronze and ivory figure by Demetre Chiparus, modelled standing in contemplative pose, on flaring veined onyx base, signed in the onyx D Chiparus, 24.5cm. high. £1,500-2,000 Literature Bryan Catley Art Deco and other Figures, Antique Collector’s Club, page 71 for a comparable example illustrated.

1499

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1500. Dancer of Olynthus a bronze sculpture by Demetre Chiparus on veined onyx base with light fitting, modelled as a dancer in exotic dress standing on one foot, with arms and leg raised in balance, etched Chiparus to the base, cast number to her foot, 24.5cm. high (figure), 33cm. high (overall height). ÂŁ5,000-8,000 Provenance Purchased from Waring & Gillows by the mother in law of Nat Temple (1913-2008) the English big band leader and musician. Thence by descent Literature Alberto Shayo Chiparus Master of Art Deco ACC Books, page 177 for a comparable bronze mounted on a variation of the lamp base. Brian Catley Art Deco & Other Figures, ACC Books, page 81 for this sculpture mounted on a simple stepped base.

125

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1501 1501. A verdi gris patinated bronze model of a gymnast, modelled balancing on her arms, her legs outstretched in the splits, on wooden base, unsigned, 60cm. wide £150-200 1502. Lapin a patinated bronze by Edouard Sandoz, cast as a crouching rabbit, signed in the cast Ed M Dandoz Suisse Fes Edition Paris, 7.5cm. wide. £700-1,000 1503. A patinated metal Crucifixion of Christ sculpture, with wire wall mount, £120-180 unsigned, 37.5cm. long. (2) 1504. A patinated plaster bust of a mother and child by Jan Anteunis, covered in an olive matt patination, signed in the cast Jan Anteunis, 39cm. high. £150-250

1502

126

1503

1505. Zacharian Njobo (born 1962) Abstract head, carved serpentine, etched Z Njobo 34cm. high.

1504

£50-100

1505

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1507

1506

1506. Dance of the Harlequinade a large patinated bronze and ivory figure cast from a model by A Gilbert, modelled as a harlequin standing on one foot in red and silver catsuit, on tapering, triangular base unsigned, 56cm. high. £500-1,000 Literature Les Annees Folles Christie’s London, 26th October 1998, lot 78 lot 102. Bryan Catley Art Deco and Other Figures, ACC Books, page 154 for a comparable figure.

1508

1507. A patinated bronze and ivory model of an exotic dancer in the manner of Samuel Lipchytz, modelled standing on her toes, in eastern pantaloons and tunic, on brown veined onyx base indistinct scratched signature, 28cm. high. £200-300

1508. A patinated bronze and ivory model of a young woman by Josef Lorenzl, modelled with one leg raised, her arms raised and lifting her painted floral dress, on green veined onyx cylindrical base, signed Lorenzl in the cast, 30.5cm. high. £800-1,200 Literature Victor Arwas Art Deco Academy Edition, page 151 for a comparable Lorenzl figure illustrated.

1509. A tall patinated bronze model of a woman in a drape by Josef Lorenzl, on cylindrical veined green onyx base, signed to the RLor Austria 33.5cm. high. £800-1,200 1509

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METAL WARE 1510. A Keswick School of Industrial Arts brass wall charger, repousse hammered to the well with a fish medallion flanked with radiating panels, inside bands of swag and flowerhead decoration, unmarked, 30.5cm. diam. £200-300 Literature Ian Bruce, The Loving Eye and Skilful Hand, page 23 figure 16 for a comparable example illustrated.

1510

1511

1511. A Hugh Wallis patinated copper charger on three scroll feet, hammered finish, the well applied with silvered metal heraldic shield with a lion rampant with oak leaf and acorn border, stamped mark to base, 47cm. diam. £120-180 1512. A Birmingham Guild of Handicrafts patinated copper jardinière designed by Arthur Stansfield Dixon, swollen hammered body, applied with twin, patinated loop handles, unsigned, 19cm. high. £200-300 Literature Alan Crawford By Hammer and Hand The Arts and Crafts Movement in Birmingham, page 99 illustration number 77 for a comparable form. 1513. A set of Arts and Crafts patinated metal fire-tools on stand, each with pierced bud form handles, comprising shovel, tongs and poker on stand with tripod foot, unsigned, 70cm. high. (4) £150-200

1512

1514. A Glasgow School tin picture frame, rectangular, on easel back, stamped in low relief with Art Nouveau foliage, £200-250 unsigned, 36.5 x 26cm. 1515. A Scottish tin caddy with hinged cover, square section stamped in low relief with a Glasgow rose motif, to each side, unmarked, 14cm. high. £200-250

1513

1516. A modern Sabattini electroplated knife and fork set originally designed by Charles Rennie Mackintosh and Margaret Macdonald Mackintosh, designed circa 1900-1903 and manufactured in 1984-86, in original presentation case with pink silk lining, stamped marks, 22.5cm. long. (2) £150-200

1514

1516

128

1515

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1517

1517. A Ferdinand Barbedienne cloisonné enamel box and cover, dated 1878, the gilt metal box on four pierced and cast feet with claw pads, the cover with foliate knop, enamelled with a frieze of flowers and foliage in colours on a blue ground, signed to the base F Barbedienne, B Souvenir affectueux 26 Fevrier 1878, 13cm. high. (2) £800-1,200

1518

1518. A pair of Hardman & Co brass candlesticks the design attributed to A.W.N Pugin for the Palace of Westminster, the drum base on bun feet, knopped cylindrical stem with castle turret top, one with stamped Palace of Westminster Portcullis and J.H& Co stamped marks to washer, 33cm. high. (2) £700-900

1519. A pair of W.A.S. Benson patinated copper and brass candlesticks, model no.2A tapering square bases, on knopped square column with circular drip pan and sconce, unsigned, 29cm. high. (2) £200-300 Literature Ian Hamerton WAS Benson Arts and Crafts Luminary & Pioneer of Modern Design, ACC Books, page 253 plate 23 for this design illustrated. 1519

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1521

1520. A Leonard & Leopold Blanchaert painted wood crucifix in the manner of A.W.N Pugin, the cross and terminals with stencilled flower panels, fleur de lys terminals, highlighted in gilt, printed label to reverse, 107cm. long. £400-600 Catalogue notes Although there is no confirmed direct link between the Belgium firm and the Pugin family - they are documented making designs for Jean Baptiste-Bethune an associate of E.W. Pugin.

1520

1523

1521. A Gothic Revival enamelled brass ceiling light in the manner of A.W.N Pugin, circular frame supporting six light fittings with crenulated sconce, set with enamelled shields and stamped flowerhead motif, with hanging chains and ceiling rose, unsigned, 65cm. diam. £500-1,000

1524

1522. A pair of Arts and Crafts wrought iron fire dogs in the manner of M.H. Baillie Scott, each on tripod foot, rising to a three leaf foliate terminal, unmarked, 40cm. high. (2) £200-300 1523. A patinated metal tantalus, the rod frame set with fleur de lys terminals and seated lion to the corners, the arched handle with Egyptian Sphinx, unsigned, 31cm. wide. £200-300

1522

1524. A Hukin & Heath electroplated egg set the design attributed to Dr Christopher Dresser, model no. 2002, the oval tray on ball feet, with two recessed salts, central T bar handle, and two goblet shaped egg cups, £150-200 stamped marks, 15cm. high. (3) 1525

1525. A Hart and Huyshe Campden copper four piece coffee set, comprising coffee pot with hinged cover, hot-water jug and cover, milk-jug and sugar basin, the pots with wooden finials, on matched copper tray, cast mark to coffee pot, 21cm. high. (5) £120-180 1526. An Arts and Crafts patinated metal frame, rectangular on wooden frame, stamped in low relief with foliate border, with blue enamel roundels, with J P Virtue print of The Annunciation, 42 x 32.5cm. £150-200

130

1527. An Arts and Crafts copper picture frame, stamped in low relief with honesty sprays below hearts, inside ebonised wood frame, unsigned, 27 x 19cm £120-180 1526

1527

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1528

1529

1528. A Liberty & Co English Pewter butter dish designed by Archibald Knox, model no.0316, cast in low relief with Art Nouveau berried foliage stems, with later green glass liner, stamped marks, 17.5cm. wide. £120-180

1529. A set of six Liberty & Co Cymric silver teaspoons, each with cast foliate terminals, stamped marks, L & Co Cymric, Birmingham 1901 and 1902, 11cm. long. (6) £150-250

1530

1530. A Liberty & Co English Pewter and enamel carriage clock designed by Archibald Knox, model no.0721, the rectangular case cast in low relief with ivy leaf panels, the circular dial with Roman numerals, enamelled green and blue, stamped English Pewter 0721 to base, 12cm. high. £1,000-1,500

1531. A Liberty & Co Cymric silver picture frame designed by Archibald Knox, rectangular form inset with cast foliate roundels enamelled in green and blue, the frame inset to the rim with small turquoise stones, on leather backed easel support, stamped marks,. Cymric, Birmingham 1904, 19.5cm. high. £4,000-6,000 Literature Stephen A Martin, Archibald Knox, ARTMEDIA, page 230 for a comparable frame.

1531

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1532

1533

1532. A matched pair of Benjamin Thomas Greening and Charles S Green & Co silver photograph frames rectangular form on oak back with easel support, stamped in relief with sheep grazing, the sides with large flower terminals, stamped marks, BTG and CSG & Co Birmingham 1905 and 1907, 23cm. high, 16cm. wide. (2) £1,800-2,200

1533. A silver photograph frame, on wooden back with easel support, stamped in low relief with Art Nouveau climbing flowers and foliage, stamped marks, JA & S Birmingham 1904, 19.5cm. high. £600-700 1534 1534. A matched pair J Aitkin & Sons and Henry Charles Freeman silver photograph frames, oval, on wooden back with easel support, stamped in relief with a frieze of a dragonfly and butterflies feeding from wild flowers stamped marks JA&S Birmingham 1908 and HCF Birmingham 1904, 30.5cm. high. (2) £1,500-2,000

1535. A pair of Charles S Green & Co silver photograph frames, shaped rectangular form on wooden back with easel support, stamped in low relief with a maiden picking an apple from a tree stamped marks, CSG & CO Birmingham 1904, 25cm. high. (2) £2,000-2,500 1535

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1537

1536

1536. A W.M.F Jugendstil electroplated metal table mirror, model no.120, the pierced, shaped frame cast in low relief with panels of geometric decoration, on wooden back with easel support, stamped marks to the base rim, 53cm. high. £500-700 1538 1537. A Sanders and Mackenzie Art Deco silver photograph frame, the waisted rectangular frame with wooden back and easel support, decorated with fine engine-turned stripes, stamped marks, S & M Birmingham 1928, 33cm. high. £1,000-1,500

1538. A large William Neale silver photograph frame, on oak back with easel support, stamped in low relief with a pair of kingfishers perched on waterlily stems above a tranquil pond, stamped marks, WN Chester, 1903, 32.5cm. high. £800-1,200

1539. A Lawrence Emanuel silver and enamel photograph frame, shaped rectangular form on easel back, with pierced foliate band, enamelled in shades of blue and green stamped marks, LE Birmingham 1909, 21cm. high. £1,000-1,500

1539

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1541

1542

1540 1540. An Art Nouveau WMF silver dressing table set, comprising hairbrush, clothes brush, two rectangular box and covers, and two cylindrical box and covers, stamped in relief with fish swimming in turbulent waters, and a WMF Ikora metal vase, 24cm. long (hairbrush). (7) £120-180 1541. An Art Nouveau Deakin and Francis silver cigarette box, with hinged cover, rectangular section, stamped in low relief with stylised flowers on long whiplash foliage, cedar lined, stamped marks, Birmingham 1902, 17.5cm. wide. £120-180 1542. An Art Nouveau silver basket with glass liner, with swing handle, square section, stamped in low relief with scrolling panels of flowers and foliage, stamped 800, glass liner damaged, 15cm wide. (2) £120-180

1543

1543. An Art Deco electroplated four piece tea set, with bakelite handles, comprising teapot and hinged cover, hotwater pot and hinged cover, milk-jug and sugar basin and matched tray, stamped W B & S Ltd, marks. £120-180 1544. A Limoges enamel vase, shouldered form decorated with sprays of flowers signed in the enamel, losses, 15.5cm. high. £120-180 1545. An Art Nouveau WMF pewter inkwell, model no.232, cast in low relief with a maiden with long flowing hair, square inkwell with hinged cover, glass bottle, and a WMF tray model no. 280, cast in low relief with a courting couple, stamped marks, 17cm. wide. (3) £200-300

1544

1546. An Aesthetic Movement silvered metal mirror possibly American, on easel back, cast in relief with sunflower motif, cornucopia feet and a central heart terminal, unsigned 47cm. long. £300-500 1545

134

1546

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1547 1548 1547. A pair of J Heming & Co silver salts and spoons, with clear glass liners, each on four claw feet, with hammered bowl, applied handles, with clear glass liners, the spoons with cast knopped stems, stamped marks, J H & Co, London 1902 (salts) and 1903 (spoons), 8.5cm. diam. (6) £250-300

1548. An Omar Ramsden silver and shagreen box and cover, rectangular with hinged cover, the frame with cast entwined foliage border, each side and the top set with green shagreen panel, with cedar wood lining, stamped marks, OR London 1928 and Omar Ramsden Me Fecit, 11.5cm x 7cm, 5cm. high. £2,000-3,000

1549

1549. An Omar Ramsden silver dish, cast to the well with a Tudor Rose boss, on hammered ground, with fluted rim, stamped marks, OR London, 1923, 15cm. diam. £500-800

1550. An Edmund Thomas Wyatt Ware silver bowl, stamped in low relief with radiating pomegranate motif to the well, the rim with flowering foliate sprays, stamped marks ETWW, London 1903, 15.5cm. diam. £180-220

1550

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1551. A pair of H.G. Murphy silver napkin rings, London 1936, hexagonal form, plus a single Murphy napkin ring, London 1935, with the Falcon Studio mark, wire-work decoration, stamped marks, approx. weight 2oz. (3) £100-200 Provenance H.G. Murphy (1884-1939), and thence by descent to the present owner. 1551 1552. An H.G. Murphy Falcon Studio enamelled metal Ring-tailed Lemur bookend panel, with original colour drawing and tracing paper drawing by H.G. Murphy, stamped mark to enamelled metal panel, 13.5cm. long. (3) £100-200 Provenance H.G. Murphy (1884-1939), and thence by descent to the present owner. Literature Paul Atterbury and John Benjamin The Jewellery and Silver of H.G. Murphy Antique Collector’s Club, page 122 for this example and the original drawing illustrated.

1552

1553. Fair Damsel and a Knight a patinated bronze by H.G. Murphy, £100-200 unsigned, 6.5cm. high. Provenance H.G. Murphy (1884-1939), and thence by descent to the present owner.

1554. An early H.G. Murphy silver and ivory thermometer, rounded rectangular form, rope-work border and loop terminal, with niello decoration of a sun within foliate and scroll borders, ivory back panel, the glass thermometer broken, stamped H.G.M. monogram, 22.5cm long. £100-200 Provenance H.G. Murphy (1884-1939), and thence by descent to the present owner. Paul Atterbury and John Benjamin, The Jewellery and Silver of H.G. Murphy, Antique Collectors’ Club, 2005, page 78 for an example illustrated.

1554

1553

1555. An Art Deco chrome travelling timepiece in original fitted case retailed by Harrods, rectangular form with Swiss 8 day movement, Arabic numerals, with silk-lined case stamped Harrods London clock unmarked, 9cm. high, 7.5cm wide. £200-300 1556. A pair of silvered French bulldog book ends by Hippolyte Moreau, modelled seated on veined black marble base, with applied glass eyes, signed in the cast H £300-400 Moreau, 10.5cm. high. (2)

136

1555

1556

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1557

1558 1557. A pair of patinated wrought iron fire dogs in the manner of Edgar Brandt, tripod base with scroll feet, the stem with ornate scroll design forming the tail feather display, with peacock head terminals, unsigned, 48cm. high. (2) £300-500

1558. An Edgar Brandt silvered bronze table mirror, the diamond shaped stepped foot on four square feet, the scroll base supporting oval mirror, stamped E Brandt, 53.5cm high. £1,500-2,000

1559 1559. A polished chrome bottle holder probably Jacques Adnet, angled form with wooden handle unsigned, 33cm. wide. £150-200

1560. A pair of patinated iron fire dogs probably designed by Edouard Schenck, each modelled as a stylised dachshund, unsigned, 43cm. wide. (2) £400-600

1560

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1563 1561. An Art Nouveau verdi gris patinated metal mantel clock, with circular dial and Arabic numerals, unsigned, 45cm. high. £200-300

1562

1561

1562. An Art Nouveau mahogany wall mirror probably Russian, tapering rectangular form with flanking buttresses carved with panels of stylised flowers unsigned, 50cm. high. £120-180 1563. An Art Deco patinated bronze mounted blue john sculpture, architectural finial form, cast in low relief with panels and swags of stylised flowers, on tapering column, unsigned, 31cm. high. £300-400 1564. A continental polished slate and gilt metal mantel clock probably Austrian, in the manner of Otto Prutscher, tapering base on ball feet, set with a frieze of flowers and foliage, the square section clock set on a frieze of putti holding floral garlands, the circular dial with circular Arabic numerals, French movement, unsigned, 31cm. high. £150-200 1564

1565

1565. A brass lamp probably by Rena Rosenthal, modelled as a stylised rearing horse, unsigned, 28cm. high. £120-180 1566. A Calderoni Fratelli polished steel coffee set designed by Gio Ponti, made for the Hotel Parco dei Principi, Rome, comprising coffee pot and hinged cover, two smaller pots with hinged covers, two open jugs, and a bud vase stamped marks to base, 14cm. high. (6) £250-350 1567. A continental Art Nouveau polished brass mantle clock, square section face with raised Arabic numerals, above pierced decorative band, stepped rectangular base unsigned, 15.5cm. high. £120-180

1566

138

1567

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

1568

1570

1569

1568. An Ottaviani silver mounted walnut box and cover, dated 1976, rectangular section, the cover inset with silver stamped geometric panel decorated with splashed chemical patination, signed Ottaviani, 76 and 925, 26cm. wide. £150-200 ‡ 1569. An Art Deco burr wood and ivory mantel clock, the square body set with carved ivory figure, the dial with square hours, polished metal hands, on rectangular plinth, unsigned, 24.5cm. wide, 19.5cm. high. £120-180

1571

1571 open

1570. A Henry Howell & Co YZ bird ashtray probably retailed by Dunhill, modelled as a bird perched on a tree stump, wood with plastic eyes and feet, on Macassar ebony base, with bamboo match holder, and another similar, stamped marks, 15cm. wide. (2) £120-180 1571. An Olympia novelty football bartop cigarette holder, modelled as an association leather football, with pull opening mechanism and brass internal fittings, printed marks to ball, Olympia Chrome, £120-180 12.5cm. high (closed). 1572. A polished gilt metal adjustable desk lamp, rectangular base supporting rectangular swivel shade, with matt black enamel finish, unsigned, 39cm. high, 44cm wide. £150-200 1573. A Bramah stainless steel four piece tea set designed by Eric Clements, with black plastic handles and finials, comprising teapot and hinged cover, milk-jug and sugar basin, hot-water pot and hinged cover, stamped marks and some original paper labels, 12cm. high (tea pot). (4) £120-180

1572

1573

139

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1574

1575 1574. An Art Deco copper and chromed metal clock garniture, the central clock with four faceted copper columns supporting slate and marble pediment and silvered metal panther, square section clock with Arabic numerals, flanked with two copper urn spill vases, 39cm. high, 29cm. wide. (3) £500-600 1575. An Art Nouveau patinated metal ceiling light, central column with three radiating arms, cast in low relief, with panels of stylised flowers, and foliate wreaths, with three waisted and fluted opaque glass shades, unsigned, 93cm. long. £150-200

1576

1576. Three Jielde polished brushed steel wall lamps designed by Jean-Louis Dormecq, the domed shades with articulated stems, unsigned, 48cm. long. (3) £150-200 Literature Charlotte & Peter Fiell 1000 Lights, Taschen, page 450-451 for a comparable model 1200 standard lamp illustrated.

1577

1577. A Modernist brushed steel mantel clock by Michel Fleury, two rectangular columns supporting rotating dial face, with Roman numerals, on rectangular base, battery movement, signed to the front, 21cm. high. £120-180 1578. A Michelin Bibendum Man lorry mascot designed by O’Galop (Marius Rossillon), moulded plastic with metal mounts, moulded Made in France to foot, £120-180 44cm. long. 1579. A pair of Foscarini Murano Bubble lamps designed by Valerio Bottin, central chromed metal supporting perspex bubble shades 43cm. diam. (2) £300-500

1578

140

1579

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

1580

1581

1582

1580. A Sabattini polished metal Horned Mask sculpture designed by Gio Ponti, the curved sheet with pierced face unsigned, 38cm. high. £200-300

1581. A Christofle et Cie Gallia electroplated milk-jug designed by Lino Sabattini, slender form with pulled spout and angular handle, stamped Gallia 25cm. high. £300-500 Literature Victoria & Albert Museum collection number M.8-1979. for the four piece set.

1582. A Svenskt Tenn graduated set of Clover Foot candlesticks designed by Josef Frank, stamped marks, 41cm. high (tallest). (3) £120-180

1583

1583. A Dansk teak ice bucket and cover designed by Jens Quistgaard, tall, slender, flaring form with over-slung handle, internally coral red, printed mark, 49cm. high. £120-180 Literature Charlotte & Peter Fiell, Scandinavian Design, Taschen, page 29 for an example illustrated.

1584. A pair of modern nickel plated Bauhaus table lamps originally designed by Marcel Breuer, originally designed for the 1925 Paris Exposition, D shaped base supporting curved tube supports and D shaped shade, stamped mark to base, stencil mark to underside of base, 51cm. high. (2) £700-1,000

1584

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1585

1586 1585. A chrome and smoked glass ceiling shade, eight radiating smoked glass panels on chrome fitting, a twin-light wall shade and a frosted glass ovoid shade unsigned, 32.5cm. high. (3) £100-150 1586. A Lumitron table lamp designed by Robert Welch, smoked blue and opaque perspex on polished aluminium stem, 53cm. high. £150-250

1587

1587 open

1587. A small desk mounted safe, rectangular, the veneered wood body with hinged patinated metal door, cast in low relief with bunch of grape and rope design, internally polished gilt metal, unsigned, 23cm. wide, 20cm. high. £150-200 1588. A David Linley oak and burr walnut book rest, the square section box with hinged cover and rest, inset with Coromandel and exotic wood marquetry diamond panel to the top, inside with David Linley roundel, 32cm. square. £300-500

1588 open

142

1588

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

1589 1588A

1588A. A German cloisonné enamel box and cover by Kathe Ruckenbrod, cylindrical form, enamelled modern Egyptianesque motif in colours on a matt black ground, the interior powder blue incised KD monogram to base, paper label Tag & Nacht schwarz, 10cm. high. £150-200

1589. A large Fornasetti perspex tray, printed in colours with a bouquet of flowers wrapped in a copy of The Times newspaper, facsimile signature lower right corner, 83.5cm. square. £150-200 Catalogue notes This is based on a fabric design by Piero Fornasetti.

1590

1590. A large Fornasetti perspex tray, square section, printed in colours with cocktails and their recipes, printed facsimile signature lower right corner, 82.5cm. square. £150-200 Catalogue notes This is based on a fabric design by Piero Fornasetti.

1591. A Fornasetti limited edition umbrella stand designed by Piero Fornasetti, sheet metal, lithographically and transfer printed in colours with a tower of handbags, signed to the front Fornasetti number 2/2000, paper label to reverse, 76cm. high. £600-800

1591

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‡ 1592. Philippa Merriman a silver gilt vase, on stem foot, hammered finish, stamped marks, PJM Sheffield 1991, 9cm. high. £400-600

1592 ‡ 1593. Philippa Merriman a silver angled vessel, on square section foot, stamped marks, PKM Sheffield, 1988, 23cm. wide, 10cm. high. £250-350

‡ 1594. Philippa Merriman a silver bowl on cylindrical foot, stamped marks, PJM Sheffield 1990, 21cm. diam. £300-500

1593

1594

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1596

1595 ‡ 1595. Adrian Hope (born 1953) a pair of silver and ebony tall candlesticks, dated 1987, the low silver disk base with black perspex coaster, turned ebony stem and silver collar, the flaring drip pan with dropped channel, with fitted sconces, stamped marks AKAH Edinburgh 1987, 28cm. high. (2) £1,500-2,000 ‡ 1596. Adrian Hope (born 1953) a silver tea caddy and hinged cover, dated 1989, slender, faceted elliptical section with vertical raised columns, planished in low relief with slender trees, stamped marks AKAH, Edinburgh 1989, 13cm. high. £1,500-2,000

1597

Catalogue notes The caddy is one of approximately six produced by the artist - all with different patterns which are paper embossed.

‡ 1597. Adrian Hope (born 1953) Rocking Vessel, a silver vase with burnished finish, stamped marks AKAH Edinburgh 1989, 16.5cm. wide, 8.5cm. high. £800-1,200

‡ 1598. Adrian Hope (born 1953) Rocking Vessel, a black patinated copper vase, unsigned, 24cm. wide, 11cm. high. £400-600

1598

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

‡ 1599. Roger Doyle (born 1947) a silver cup dated 1984, slender waisted cylindrical form with lightly planished surface, engraved to the base Anthony Evelyn 7.3.84, in fitted case stamped marks, London 1984, 19.5cm. high. £350-450

1599

‡ 1600. Philippa Merriman a pair of silver serving spoons, with rounded rectangular bowl and flaring handle with ebony wood wedge, stamped marks, PJM Sheffield 1990, 27.5cm. long. (2) £250-300

1600

1601

‡ 1601. Adrian Hope (born 1953) a silver whip-end spoon, with hammered bowl, stamped marks, AKAH Edinburgh 1989, 18cm. long. £150-250

‡ 1602. Philippa Merriman a silver and macassar ebony four piece tea set on walnut wood tray, comprising mocha pot and hinged cover, with wood handled and finial, milk-jug, sugar basin and sugar spoon with wood handle, on large, rounded wood tray stamped marks, PJM Sheffield 1990, pot 15cm. high. (5) £1,200-1,800

Provenance Private collection, purchased from the artist directly. Literature this set illustrated on the cover of Philippa Merriman Sterling Silver. 1602

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1605

1603

1604

JEWELLERY 1603. A Charles Horner silver and enamel pendant necklace, pierced shield form with foliate panel, enamelled pale blue, another similar, and a collection of jewellery stamped marks, CH and indistinct date mark, 2.5cm. long. £120-180 1604. A silver and enamel pendant necklace in the manner of Charles Horner, simple foliate form with drop, enamelled in shades of green and blue, and an Art Deco enamelled metal Egyptian Revival bar brooch stamped Sterling silver, 4cm. drop. (2) £150-200 1605. A James Fenton silver and enamel pendant necklace, cast in low relief with a Tudor Rose, enamelled in blue and green, stamped marks, JF Birmingham 1908, 2.2cm. wide. £120-180 1606. A Gourdel silver and enamel pendant necklace, cast in low relief with foliate motif, enamelled blue and green, with blister pearl drop, indistinct marks under the enamel, 4.5cm. long. £120-180

1607 1606

1607. A Charles Horner silver and enamel pendant necklace, pierced and cast with scrolling foliage and honesty seedheads, enamelled blue and green, stamped marks, CH Chester, indistinct date mark, 2.5cm. wide. £250-350 1608. A set of four Albert Edward Bonner silver menu holders, each with cast fish motif, stamped marks, AEB London 1913, 3.5cm. wide. (4) £150-200 1608

147

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1609

1610

1611

1609. A Clark and Sewell silver novelty ring box, modelled as a coal box, the hinged cover cast with five cherubs, with silk lining to interior, stamped mark, C & S Birmingham 1907, 4cm. high. £150-200 1610. A James Fenton silver and enamel brooch, diamond shaped cast in low relief with knot motif, enamelled green, blue and turquoise stamped marks, JF £120-180 Birmingham 1908, 2.5cm. wide. 1611. An Arts and Crafts silver and abalone brooch, the wirework frame of flowers and foliage supporting a central abalone shell panel, unsigned 7cm. wide. £120-150

1612

1612. A Bernard Instone enamelled silver clip-brooch, circular cast in low relief with foliate wreath, enamelled in colours, a silver brooch decorated with central flower motif, and another brooch with turquoise drop, unsigned, 3.5cm. wide. (3) £120-180 1613. An Art Nouveau gold ring probably by Murrle Bennett, the pierced floriform design set with small paste stone, unsigned. £150-200 1614. A C. E. Williams silver belt and buckle, the buckle pierced with a design of cranes wading amongst bull rushes, the linked chain with pierced panels of foliage stamped CEW marks, Birmingham 1902, 71cm. long. (4 troy ounces) £150-200

1613

148

1614

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1615

1616

1617

1615. A Continental silver and enamel easel backed travel clock, shaped rectangular panel with guilloche enamel, circular dial with Arabic numerals and 8 Day movement, stamped marks W & D, import marks 1920 to reverse, 10.5cm. high. £250-350

1616. An Art Deco shagreen and ivory travel desk clock, with easel back, square section green stained shagreen with ivory band to rim, 9cm. square. £120-180 1617. An Art Deco shagreen and ivory travel desk clock, octagonal, on easel back, pink stained shagreen with ivory band to edge, with Swiss eight day movement, 11.5cm. wide. £120-180 1618. An Art Nouveau French silver necklace, pierced foliate form with a central abalone drop, on link chain, stamped French mark, 6cm. long. £150-200 1619. A Darmstadt silver and chrysoprase case in the manner of Patriz Huber, imported by Robert Friederich, hinged, rectangular form, the cover, cast in low relief and pierced with Ginko leaf design, set with three chrysoprase, the central shield lightly engraved with initials, with gilt interior, stamped import marks, RF London 1902, 9 x 6cm. £300-500 1620. A German Art Nouveau mirror pendant, tapering form, cast in low relief with Secessionist flowers and foliage, enamelled pale pink and yellow, unsigned, 5cm. long. £150-200 Literature Vivienne Becker Art Nouveau Jewelry Thames & Hudson, page 117 plate 167 for a similar example illustrated. 1621. An Austrian silver seal in the manner of Josef Hoffmann for the Wiener Werkstatte, the gadrooned domed base supporting leaf and berry finial, stamped Austrian marks to finial wirework, 5cm. high. £150-200

1619

1620

1620 open

1618

1621

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1622. A Gucci silver hinged bracelet, stamped mark, 7cm. wide. £150-200 1623. A Danish silver ring by Jacob Hull, simple streamlined scroll form, an English silver and chrysoprase ring, a silver ring with lapis lazuli stone and another modern silver ring, stamped marks, Hull ring size L. (4) £120-180 1624. Rose des Sables a silvered and gilt bronze brooch by Line Vautrin, hexagonal form cast in low relief stamped LV 6.5cm. wide. £700-900

1622

1625. Ramses a gilt bronze bracelet by Line Vautrin, each link variously cast with a bird on a trellis, stamped Vautrin, 18cm. long (approx). £1,500-2,000 Literature Un Souhait a Traverse Paris, Collection Marie-Laure Bonnaud Vautrin, Christie’s Paris 20th May 2015 lot 487 for an enamelled example.

1623

1624

1625

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BRITISH ART POTTERY

Wednesday 12th December 2018 Closing date for entries 19th October

Margi Hine (1927-1987) Girl on a Horse Estimate: £1,200 - £1,800 ENQUIRIES Michael Jeffery | Tel: +44 (0)1722 424505 | mj@woolleyandwallis.co.uk

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A selection of Georg Jensen and Omar Ramsden to be included in the sale

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JEWELLERY BY DESIGN

THE COLLECTION OF DR. ANNE SHANNON AN ACADEMIC EYE Wednesday 31st October 2018

ENQUIRIES Charlotte Glyde | Tel:+44 (0)1722 424586 | cg@woolleyandwallis.co.uk

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ENGLISH & EUROPEAN CERAMICS & GLASS Tuesday 16th October 2018

A Naples (Giustiniani) creamware part service, 19th century, decorated in the Egyptian Revival manner. Estimate: £1,000 - £2,000

ENQUIRIES Clare Durham| Tel: +44 (0)1722 424507 | cd@woolleyandwallis.co.uk

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FINE SILVER & OBJECTS OF VERTU Tuesday 30th October 2018

A modern silver and enamel vase by Fred Rich, London 1994, height 15.8cm. Estimate: £5,000 - £7,000

ENQUIRIES Rupert Slingsby | Tel: +44 (0)1722 424501 | rs@woolleyandwallis.co.uk Lucy Chalmers | Tel: +44 (0)1722 424594 | lc@woolleyandwallis.co.uk

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Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays. VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered. REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address

LIVE ONLINE BIDDING Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom.com, subject to approval. There is a 3% + VAT charge for this service. In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via thesaleroom.com, and 2. confirm that you are authorised to provide these credit card details to Woolley and Wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale.

You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies.

CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us.

The colours printed in the catalogue are not necessarily true.

COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids. TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office. BUYER’S PREMIUM The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

SALE RESULTS These will be posted on our website shortly after the sale. PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping

01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

Kimdan Ltd.

07973 389436 andy@kimdan.co.uk

Mailboxes

01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover

Pack & Send

0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released. The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of 10,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present. Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction. Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

LOT SYMBOLS VAT Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega ( ) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price. CITES REGULATIONS Please note that lots marked may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/ ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a ‡ symbol are potentially subject to a levy. Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 10,000. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 10,000 FIREARMS Lots marked Ƒ in the catalogue are subject to the UK firearms/shotgun licencing regime, and may only be viewed and/or purchased by individuals with appropriate licences. Such lots are offered on an auctioneer’s permit, and must be collected prior to the expiry thereof. For further information, please contact Ned Cowell.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter. 5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The omega symbol ( ) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. 6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale). 7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. 8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

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12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7. 7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. . Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense. 9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request. 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it. 11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is

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unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque 5 weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter. 5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with a † or . Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position). 6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for. 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below. Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

21. English law applies to the interpretation of these Conditions.

Lots marked with a ‡ symbol are potentially subject to the levy.

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Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 10,000. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 10,000

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PRIVACY NOTICE FOR CUSTOMERS WHAT THIS PRIVACY NOTICE DOES This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you. This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you. DATA CONTROLLER AND CONTACT DETAILS Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 1998 (DPA) and, once in force, the General Data Protection Regulation (GDPR). If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details: • By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51-61 Castle Street, Salisbury, SP1 3SU. • By email – privacyofficer@woolleyandwallis.co.uk • By telephone – +44 (0)1722 424599 HOW WE COLLECT YOUR PERSONAL DATA We collect your personal data from the following sources: From you when you: • interact with us before entering into a contract with us, for example when you express your interest in our Services; • instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions; • communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account; • in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below. From third parties such as: • other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you; • the-saleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on the-saleroom.com) of individuals who register for one of our auctions (please see thesaleroom.com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (the-saleroom.com’s payment provider); • sage pay who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided); • shipping companies whom you hire to collect items you purchased from us. THE CATEGORIES OF PERSONAL DATA WE COLLECT

THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following: • to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services); • once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents. In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies. LEGITIMATE INTERESTS We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following: • to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance; • to deal with any concerns or feedback you may have in the performance of the Services; • for our internal business record keeping and processes; • to seek advice on our rights and obligations, including obtaining legal advice; • to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes; • to customise our website and marketing communications in line with your particular interests or preferences; • to collect money owed to us or our consignors; • to carry out background and credit checks in relation to bidders and buyers.

We may collect the following personal data about you:

In this respect we will provide your data to the following:

• your name and contact details including address, telephone and email address; • your image, as captured by CCTV, if you attend our premises; • personal identification documents, including copies of government-issued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details); • account details and other information relating to your transactions/dealings with us and your use of our Services; • payment details such as credit card and bank account details; • credit and payment history (where you open an account with us as a buyer or bidder); • information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and • other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.

• our professional advisors; • the-saleroom.com; • debt collection agencies; • third parties who assist us with our marketing; • our website and email management software provider.

We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

LEGAL OBLIGATIONS We may also process your Personal Data for our compliance with our legal obligations. In this respect, we may use your Personal Data for the following: • to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks; • in order to assist with investigations (including criminal investigations) carried out by competent authorities; In this respect we will provide your data to the following: • external auditors; • the police and other competent authorities, including HMRC;

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CONSENT

HOW LONG YOUR INFORMATION IS KEPT

We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services. SPECIAL CATEGORIES OF PERSONAL DATA We process special categories of personal data for the following reasons: • if it is necessary to protect your or another person’s vital interests (for example, where you have a life-threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention); • if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers); We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events). INTERNATIONAL TRANSFERS OF DATA We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company. We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey. PROFILING We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

In particular: • in relation to CCTV images taken when you attend our premises, we will retain these for a few months; • in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services; • we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive; • in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market. YOUR LEGAL RIGHTS Under the DPA you have the following rights: • to obtain access to, and copies of, the personal data that we hold about you; • to require that we cease processing your personal data if the processing is causing you damage or distress; • to require us not to send you marketing communications. • to require us to correct the personal data we hold about you if it is incorrect; • to require us to erase your personal data; • to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal); • to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller; • to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights. Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply. If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available

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INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

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For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

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Woolley & Wallis valuations are accepted by all leading insurance companies.

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Contact Amanda Lawrence 01722 424509

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PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO OLD SARUM Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU

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Woolley & Wallis Unit 1B Castle Gate Business Park Old Sarum Salisbury SP4 6QX

Old Sarum Park

FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

Westover Garage

Sarum Business Park

WOOLLEY & WALLIS Castle Gate MARLBOROUGH & SWINDON

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A345 Castle Rd

Woolley & Wallis Salisbury Salerooms Ltd. 51-61 Castle Street, Salisbury Wiltshire SP1 3SU Registered in England No. 2998482 VAT No: 631 9832 29

SALISBURY A36

AMESBURY

Old Sarum

Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough.

Design & Production by Jamm Design Ltd. Tel. 020 7424 7830 www.jammdesign.co.uk

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WOO L LE Y & WA L LI S

Absentee Bid Form

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Design

Brief Decription

Price Excluding buyer’s premium & VAT

Wednesday 17th October 2018 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. Billing Name (please print)

Address

Postcode Daytime telephone Email All accounts must be settled within 21 days. ID is required for all first time bidders.

Signature

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508

www.woolleyandwallis.co.uk

Auction Calendar 20TH CENTURY DESIGN 17th October 2018 – Design 12th December 2018 – British Art Pottery Michael Jeffery +44 (0) 1722 424505 • mj@woolleyandwallis.co.uk FURNITURE, WORKS OF ART & CLOCKS 3rd October 2018 9th January 2019 Mark Yuan-Richards +44 (0) 1722 411854 • myr@woolleyandwallis.co.uk ENGLISH & EUROPEAN CERAMICS & GLASS 16th October 2018 – English & European Ceramics & Glass Clare Durham +44 (0) 1722 424507 • cd@woolleyandwallis.co.uk JEWELLERY 31st October 2018 – The Jewellery Collection of Dr. Anne Shannon 1st November 2018 – Fine Jewellery Marielle Whiting +44 (0) 1722 424595 • mw@woolleyandwallis.co.uk Jonathan Edwards (Consultant) +44 (0) 1722 424504 • je@woolleyandwallis.co.uk Charlotte Glyde +44 (0) 1722 424586 • cg@woolleyandwallis.co.uk SILVER 30th October 2018 – Fine Silver & Objects of Vertu Rupert Slingsby +44 (0) 1722 424501 • rs@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lc@woolleyandwallis.co.uk ASIAN ART, CHINESE PAINTINGS & JAPANESE WORKS OF ART 13th & 14th November 2018 John Axford +44 (0) 1722 424506 • jea@woolleyandwallis.co.uk Freya Yuan-Richards +44 (0) 1722 424589 fyr@woolleyandwallis.co.uk Alex Aguilar Doméracki +44 (0) 1722 424583 • aad@woolleyandwallis.co.uk MEDALS & COINS, ARMS & ARMOUR 21st November 2018 Ned Cowell +44 (0) 1722 341469 • nc@woolleyandwallis.co.uk PAINTINGS 4th December 2018 – Modern British & 20th Century Art Victor Fauvelle +44 (0) 1722 424503 • vf@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jb@woolleyandwallis.co.uk TRIBAL ART & ANTIQUITIES 20th February 2019 Will Hobbs +44 (0) 1722 339752 • wh@woolleyandwallis.co.uk