Woolley & Wallis by Jamm Design Ltd

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WOO L LE Y & WA L LI S SA L I S B U R Y SA L E R O O M S

Furniture & Works of Art Wednesday 6th July 2016

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Specialist Departments Please dial +44 (0)1722 followed by the number listed below

20TH CENTURY DESIGN Michael Jeffery Zoe Smith

424505 329477

ARMS & ARMOUR, MEDALS & COINS AND MILITARIA Ned Cowell Gemma Bush

341469 341469

ASIAN ART John Axford MRICS ASFAV Sophie Lister Alex Aguilar Doméracki Freya Yuan

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ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham

424507

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA

424509 424598

MARKETING Tamzin Corbett

424590

ACCOUNTS Janice Clift (Office Manager)

424500

GENERAL OFFICE Sharon Ringwood Pauline Jones Nicola Young Amanda Lawrence

424500

SALEROOM MANAGER David Jordan

FURNITURE, WORKS OF ART & CLOCKS Mark Richards Jim Gale Anna Wimbush

411854 339161 411854

JEWELLERY Jonathan Edwards FGAA Marielle Whiting FGA Hannah Galbraith

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PAINTINGS Victor Fauvelle Jo Butler

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SILVER Rupert Slingsby Lucy Chalmers

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TRIBAL ART & ANTIQUITIES Will Hobbs Gemma Bush

339752 339752

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BOARD OF DIRECTORS Paul Viney ASFAV Chairman John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart Managing Director

FRICS FRSA

COMPANY SECRETARY James Macarthur CA ASSOCIATE DIRECTORS Janice Clift Clare Durham Jonathan Edwards FGAA Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 • www.woolleyandwallis.co.uk

424599

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FURNITURE & WORKS OF ART Wednesday 6th July 2016 at 10.00am VIEWING TIMES Saturday 2nd July Monday 4th July Tuesday 5th July Wednesday 6th July

10.00am – 1.00pm 10.00am – 4.30pm 10.00am – 4.30pm 8.30am – 9.45am

ENQUIRIES

Mark Richards 01722 411854 Furniture & Works of Art markrichards@woolleyandwallis.co.uk

Jim Gale 01722 339161 Furniture & Works of Art jimgale@woolleyandwallis.co.uk

Anna Wimbush 01722 411854 Administrator annawimbush@woolleyandwallis.co.uk

COLLECTION OF LOTS All items will be in transit from the Salerooms to the Warehouse at Old Sarum on Monday 11th and Tuesday 12th July. From Wednesday 13th July collections will be from the Old Sarum Warehouse, 2 Danebury Court, Old Sarum Park, Salisbury, SP4 6EB, please call 01722 411854 prior to collection to ensure the items are ready. Our Old Sarum Warehouse address details and map are at the back of this catalogue. All accounts to be settled prior to collection. TELEPHONE BIDDING Please note that requests for telephone bids cannot be accepted after 5pm on Tuesday 5th July. LIVE BIDDING

ILLUSTRATIONS Front cover: Lots 51, 54, 55 Back cover: Lot 397 Above: Lot 451 Catalogue £10.00 (£13.00 by post)

www.the-saleroom.com Please register by 5pm on Tuesday 5th July. Please note there is a 3% +VAT surcharge for using this service.

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OAK, COUNTRY & WALNUT

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1. A George III oak pot-board dresser, with mahogany banding, the boarded top above three drawers and a serpentine edge apron on turned column legs, 80cm high, 190.5cm wide, 45cm deep. £400-600

2. An oak open armchair, the panelled back carved with leaves and leaf spandrels above a solid seat and a carved lozenge frieze, on turned stretchered supports. £300-500 3. A mid 18th century oak cupboard, the double domed top above a pair of fielded panel doors enclosing a later painted interior with four shelves, 105.7cm high, 82cm wide, 33.5cm deep. £100-150 4. An early 18th century and later oak refectory table, the boarded top with cleated ends above a wavy edge frieze on baluster turned supports united by peripheral stretchers, 79.5cm high, 87cm wide, 214cm long. £400-600 4

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5. A Charles II and later oak and walnut enclosed chest, in two halves, with ebonised decoration and inlaid with mother of pearl and bone with flowers, portrait busts and rondels, with a long shallow drawer above a deep drawer, the base with a pair of doors enclosing three long graduated drawers, with panelled architectural fronts, 134cm high, 122.7cm wide, 60.5cm deep. £2,000-3,000

6. An early 18th century oak refectory table, the triple boarded top on turned legs united by an ‘H’ stretcher, 72.3cm high, 68.5cm wide, 144cm long. £300-500

7. A Queen Anne elm gateleg table, the oval drop-leaf top above slender baluster and block legs united by peripheral stretchers, 71.3cm high, 87.5 x 92.5cm (open). £100-200

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8. A Charles II cedar and walnut enclosed chest, in two halves, with a shallow and deep drawer, above a pair of hinged doors enclosing three oak drawers, with geometric panelled fronts with some ebony veneers on flattened bun feet, with panelled sides, 123.7cm high, 119cm wide, 63cm deep. £800-1,200

9. A Queen Anne oak side table, the boarded top above a frieze drawer and a wavy edge apron on baluster and block legs united by peripheral stretchers, 71.7cm high, 82.5cm wide, 53.2cm deep. £200-300

10. An oak centre table, the boarded top above a thumbnail lozenge frieze either side on turned and block tapering legs, 17th century and later, 73.7cm high, 130.3cm wide, 75cm deep. £400-600

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11. An oak candlestand, the hexagonal fixed top on a spiral twist stem and conforming tripod legs, late 17th century and later, 73.3cm high, 41cm wide. £300-500 12. A Queen Anne oak press cupboard, the frieze carved with vine leaf and grapes and with triad initials ‘TCM’; and the date ‘1704’ above a pair of panelled doors flanking a flower carved panel above a pair of doors carved with serpents, probably £300-500 North Country, 179cm high, 138.2cm wide, 46cm deep.

13. A small 17th century oak boarded coffer, the later hinged top with a moulded edge above a front carved with strapwork, on stile feet, 51.3cm high, 67.5cm wide, 34.7cm deep. £300-500 14. An early 18th century oak back stool, with a scroll carved top rail above a moulded slat back and a drop-in leather seat. £80-120 15.

A 19th century oak bench, on sleigh feet, 49.5cm high, 181.5cm long. £100-150

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16. An early 17th century oak coffer, the later hinged top with a moulded front edge and crimped sides revealing a vacant interior originally with a till, with a triple panelled front with carved arches with Gothic spandrels and fluted pilasters flanked by bog oak and holly lozenge panels and inlaid with geometric banding, possibly Yorkshire, 73.9cm high, 151.5cm wide. 59.cm deep. £500-700

17. An oak joined stool, the top with a moulded edge on baluster supports united by peripheral stretchers, 55.7cm high, 40cm wide, 29.8cm deep. £150-250 18. A Charles II oak joined stool, the moulded edged top above bicuspid carved friezes on ring turned supports united by peripheral stretchers, 56cm high, 46.7cm wide, 31cm deep. £300-500 19. An oak coffer, the later hinged top above a quadruple panelled front carved with urns of flowers with raised oblong and circular bosses, 17th century and later, 68cm high, 146.7cm wide, 62cm deep. £150-250 17

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20. An early 18th century oak chest, of two short and three long drawers with chamfered edge fronts, on stylised hoof feet, 105.8cm high, 83.8cm wide, 50.8cm deep. £300-400

21. A George II oak chest, the boarded top with an applied moulded edge above two short and two long drawers on bun front feet and later castors, 85.2cm high, 89.5cm wide, 52.3cm deep. £200-300 22. A 17th century continental chestnut and iron bound chest, £200-300 46.8cm high, 96cm wide, 52.3cm deep.

23. An early 18th century oak close stool, the hinged lid revealing a vacant interior, with false drawer fronts on bracket feet, 50.5cm high, 52.6cm wide, 42cm deep. £100-200 24. An Eastern teak and iron mounted pirate’s style chest, with strapwork hinges and locking clasp, the interior with open and lidded compartments, with side carrying handles, 49.5cm high, 85.7cm wide, 52cm deep. £200-300

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25. A late 17th century oak chest, of four long drawers each with geometric panelled fronts and with split rondel mouldings and on shaped bracket feet, 95.8cm high, 97cm wide, 58cm deep. £300-500 26. A late 17th century oak chest, with two short and three long drawers with panelled fronts, 92.7cm high, 96cm wide, 56cm deep. £300-400

27. A small William and Mary oak gateleg table, the oval drop-leaf top on bobbin and disc turned legs united by peripheral stretchers, 67.5cm high, 76.3 x 98.2cm. £200-300 28. A mid 18th century oak press cupboard, the frieze inlaid with bog oak and holly stringing above a pair of Gothic arch fielded panel doors, the base with five drawers on bracket feet, 146cm high, 142.4cm wide, 53.8cm deep £400-600

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29. A French iron spiral twist candlestick, on a treen base, 20.4cm high, a terracotta trivet stand with a moulded leaf design and a painted tin vessel. (3) £50-100 30. An oriental bronze globe shape hanging incense burner or dowry lantern, with pierced decoration of scrolling leaves with stylised key bands, possibly Chinese or Burmese, 33cm high, together with a Japanese iron hanging dowry lantern with pierced decoration and a hinged door, 27.2cm high. (2) £200-300 31. An 18th century limewood carving, of a female bust with dishevelled hair, 37cm high, 15.3cm wide. £150-250 32. An 18th century continental brass and bronze tinder box, with leaf decoration, one end with an orb and crown, with a hinged clasp to the other, together with a chain and a brass tamper, 15cm high, 9cm wide. £120-180 33. Treen. A carved apple corer, with a dog finial, 13.7cm long, a measure with a turned handle and stamped ‘VR 1750 HK’, a turned boxwood egg and a box and cover with a turned finial. (4) £100-150

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34.

A turned sycamore dairy bowl, 45cm diameter.

£200-300

35. A turned treen tazza, with incised bands on a domed foot, 33cm diameter, together with a turned treen bowl, 18.5cm diameter. (2) £100-150

36. A French iron locksmith’s shop sign in the form of a key, together with an iron bracket, the key: 58cm wide, the bracket: 31cm high. (2) £150-250

37. A 17th century brass warming pan, with a wrought iron handle stamped ‘ES 1668’, the pierced hinged lid inscribed ‘THE ARMORERS ARMS’, 97.5cm long. £300-400

38. A coopered brass bound barrel, the ends with carrying handles, the stopper with a lion’s mask ring handle, 32.5cm high, 48.3cm wide. £80-120

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39. A late 17th century oak chest on a later stand, with a dentil moulding above one shallow and one deep drawer with panelled fronts and split mouldings, the stand with a frieze drawer on turned stretchered supports, 114.3cm high, 113.3cm wide, 59.4cm deep. £400-600 40. A medieval carved stone relief of a cross, 29.5 x 24cm. £200-300

Provenance: By repute believed to have come from a disused Priory in Yorkshire.

41. An 18th century carved ivory Corpus Christi fragment, with traces of polychrome decoration, 11.2cm high, mounted on a later perspex cross, 19.7cm high. £100-150

42. A collection of pewter, comprising: two chargers, six platters two with triad owner’s initials, one by Samuel Ellis, London, a water flask with wrigglework decoration, a pepperette, a lidded mustard pot, a wine funnel, three half-pint measures, a mug inscribed ‘W. HAWKE’ and a lidded flagon, marked ‘W.W.H. & CO.’, late 17th / early 18th century and later, 46cm diameter (max). (18) £80-120

43. A set of four early 19th century brass chamber candlesticks, each handle engraved with flowers, the pan bases £100-150 pierced with trefoils and circles, 32cm wide. (4)

44. A collection of five spinning wheels, in fruitwood, ash and beech, 18th / 19th century, 149cm high, 98cm wide, (max.) (5) £200-300

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45. A set of eight early 19th century yew and beech low back Windsor armchairs in the manner of the Prior family, each with a hooped back with a pierced and rondel carved triple horizontal splat above an elm seat, on turned legs united by a crinoline stretcher, c. 1820-40, Thames Valley. (8) £2,000-3,000

46. An early 19th century oak tripod table, the burr oak tilt-top, stamped to the underside ‘W N COPE’, on a turned stem and scroll feet, 66.2cm high, 51cm diameter. £200-300

47. A Victorian fruitwood and elm Windsor armchair, the slat back with a carved and pierced central splat on turned legs united by double ‘H’ stretcher. £200-300

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A COLLECTION OF NUTCRACKERS

48. A 19th century Swiss carved treen screw action figural nutcracker, in the form of a standing gentleman sporting a hat, 19.4cm high. £100-150

49. An 18th century bronze screw action nutcracker, of lyre shape, the base with a pipe tamper end, 8.7cm long. £200-300

50. An 18th century steel screw action nutcracker, of lyre shape with a geometric handle, 9.5cm long. £200-300

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51. A rare treen lever action nutcracker, carved in the form of a bearded man with a flat face above a fluted tapering handle, probably English, late 17th / early 18th century, 13.5cm long. £1,000-1,500 See Edward H. Pinto, ‘Treen and other Wooden Bygones’, pl.74, for a similar nutcracker dated ‘1700’ and with initials.

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52. An early 19th century French boxwood screw action nutcracker, carved with rondels, 10.5cm long. £300-500 See Owen Evan-Thomas, ‘Domestic Utensils of Wood’, pp.126-127, pl.49 for a similar nutcracker described as rare English 17th century however also see Jonathan Levi ‘Treen for the Table’, p.156, pl.12/4 for three similar nutcracker which are attributed to France, Switzerland and Germany and dated to the early 19th century.

53. An 18th century pocket fruitwood screw action nutcracker, of barrel shape, 7.3cm long. £300-500 See Owen Evan-Thomas, ‘Domestic Utensils of Wood’, pp.126-127, pl.49 for a similar nutcracker described as English 18th century, see also Jonathan Levi ‘Treen for the Table’, p.158, pl. 12/7, for five similar nutcrackers and he describes them as ‘being designed to slip into the pocket, just as some people eat popcorn in cinemas today, in the eighteenth and nineteenth centuries it was popular to eat hazlenuts at theatrical performance’s.

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54. A rare treen lever action nutcracker, carved with the head of a man, with a flat face and engraved with owner’s name ‘Geoe Holt’, probably English late 17th / early 18th century, 16.5cm long. £1,000-1,500 See Jonathan Levi,’'Treen for the Table’, pl.12/11 and pl. 12/13 for similar nutcrackers carved with the same flat faces.

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55. A rare painted treen lever action nutcracker, carved with the head of a man with a flat face and with stylised hair, with owner’s initials ‘W M’ and with remains of red painted decoration, late 17th / early 18th century, 15.7cm long. £1,000-1,500 See Jonathan Levi, ‘Treen for the Table’, pl.12/11 and pl. 12/13 for similar nutcrackers carved with the same flat faces.

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56 56. A 16th century Italian iron and silver mounted tondo or charger, the border decorated with a hunt within scrolling foliage, the inner well with classical figure rondels and with grotesques, 49cm diameter. £2,000-3,000 57. A George III tôle oval erotic snuff box, the lid painted to simulate tortoiseshell and inscribed in gilt ‘Let’s Live & Love, Enjoy the Fair, Bannish Sorrow, Bannish Care’, the interior £300-500 with a secret lid painted with a couple making love, 12.3cm wide. 58. An early 19th century French carved coquilla nut snuff flask, with a white metal top, the body carved with a soldier and five horses that appear to be falling through the clouds, with a screw-off base, 6cm high. £80-120 59. A 19th century naive straw-work collage picture, titled ‘A Cottage near Stellenbosch’, decorated with hand-coloured engraved figures with a street scene before houses, with pressed flower trees, straw and wood buildings and card details, in a glazed painted reeded £200-300 frame, South African or Dutch, 56.8 x 72.2cm. 58

60. English School. A 19th century naive painting of a spaniel, oil on board within an ebonised frame, 41.2 x 56cm. £200-300

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61. An early 19th century Scandinavian painted pine marriage chest, the domed lid painted with panels of flowers, the underside with strapwork hinges and painted with scrolling leaves and flowers, the interior with an open candle compartment and with a drawer, the front with a further a floral panel with an iron escutcheon flanked by oval panels painted with crowns and inscribed ‘Christi Ols Pattir Orsund 1819 Fod Din 1ste October Mar 1802’, with side carrying £300-500 handles, 66.5 cm high, 122.5cm wide, 61.5cm deep. 62. A Swedish flat weave tapestry runner, with panels of geometric designs, figures, dated ‘1883 and with initials ‘IK D’, probably Scania, late 19th century, 399 x 58cm. £300-500 63. A Swedish flat weave tapestry runner, with panels of geometric designs, figures and birds, probably Scania, late 19th century, 330 x 60cm. £300-500 64. A Swedish flat weave tapestry panel, worked with geometric designs and birds, probably Scania, late 19th century, 55 x 132cm. £200-300

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65. A Swedish flat weave tapestry carriage cushion cover, worked with figures, birds and vases of flowers, Scania, late 18th century, 50 x 102cm. ÂŁ500-700 See The Khalili Collection for very similar cushion covers which were made for wedding carriages.

66. A Swedish flat weave tapestry carriage cushion cover, worked with figures, birds and vases of flowers, with geometric ends, Scania, late 18th century, 50 x 103cm. ÂŁ500-700 See The Khalili Collection for very similar cushion covers which were made for wedding carriages.

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67. A walnut side table, the boarded oval top above an oak frieze drawer on ring turned supports united by peripheral stretchers, late 17th / early 18th century, 64.4cm high 94.3cm wide, 70.5cm deep. £200-300

67 68. A walnut stool, the stuffed-over seat covered in floral tapestry on spiral twist and block supports, united by an ‘H’ stretcher, late 17th / early 18th century and later, 42.8cm high, 50.5cm wide, 46cm deep. £150-200

70 69

69. An 18th century walnut open armchair, the arched padded back and seat covered in Bargello style fabric, with turned baluster and block legs united by stretchers. £300-400 70. A William and Mary style walnut armchair, with a padded back, seat and armrests on moulded ‘X’ frame supports with a squab cushion, united by a turned and block stretcher, late 19th century. £300-500 71. An early 18th century walnut stool, the later drop-in seat above a frieze carved with florets on square section cabriole legs united by a block and turned stretcher, 47cm high, 50.5cm wide, 42.2cm deep. £200-300

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72. A walnut and seaweed marquetry cabinet on chest, with a cushion drawer above a pair of doors revealing an arrangement of eleven drawers with six further secret drawers, above four long graduated drawers, on bun feet, early 18th century and later, 184cm high, 109.2cm wide, 54.5cm deep. ÂŁ2,000-3,000

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73. A pair of late 17th century back stools, each with an upholstered back and seat on turned baluster and block stretchered supports. (2) £200-300 74. An early 18th century burr walnut bureau, cross and feather banded, the hinged fall revealing an interior with pigeon holes, drawers, a sliding well cover and a later baize lined writing surface above two short and two long graduated drawers, on later bun feet, 98cm high, 94cm wide, 53.4cm deep. £500-800 75. A near pair of Italian carved giltwood and painted altar candlesticks, each with a leaf carved baluster stem on a triform scroll decorated base with paw feet, later converted into table lamps, 18th century, 58.5cm high (excluding fittings), 25.5cm wide. (2) £200-300 76. Two similar 18th century walnut open armchairs, each with an upholstered back and seat, with downswept arms on turned and block legs united by stretchers. (2) £600-800 75

77. An early 18th century black japanned bureau on stand, decorated in raised gilt with chinoiserie scenes, the hinged fall revealing a fitted interior with pigeon holes and drawers, above a ripple front drawer and a further long drawer, on cabriole legs and pad feet, in need £150-250 of restoration, 95.3cm high, 49cm wide, 29.6cm deep.

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78. A George II and later black japanned chest on stand, with raised decoration of chinoiserie scenes with figures in various pursuits with birds, trees and buildings, with three short and three long graduated drawers, the base with an arrangement of six drawers on square section cabriole legs, 153.9cm high, 105cm wide, 59.5cm deep. £800-1,200

79. An early 18th century wing armchair, with an arched back and scroll arms, upholstered with later brown velvet, the japanned base with a scroll carved crest and on Braganza style front feet, previously on castors. £1,000-1,500

80. An early 18th century ebonised walnut and beech open armchair, with a scroll carved top rail above a cane back and seat with a carved crest rail between the front legs. £300-400 80

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FURNITURE & WORKS OF ART

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81. An early George III mahogany linen press, with a detachable cornice above a pair of doors with outline mouldings and turned rondels, enclosing four later shelves above two short and two long drawers on panelled bracket feet, 194cm high, 127cm wide, 60cm deep. £400-600

82. A George III mahogany tub armchair, with a moulded frame upholstered in later pink damask on square tapering front legs and block feet. £300-500 81

83. A large George III mahogany tray-top bedside commode, the gallery pierced with three handgrips above a cupboard and a pull-out base fitted with a ceramic pot with a turned lid, 81cm high, 66cm wide, 53cm deep. £300-500 84. A George III mahogany side table, inlaid with stringing, the crossbanded top above twin frieze drawers on square tapering legs, the back with a trade label for ‘Norman Adams’, 78cm high, 76.7cm wide, 45.5cm deep. £300-400

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85. A George III satinwood demi-lune card table, inlaid with boxwood and ebonised stringing and kingwood banding, on double gate supports, 73cm high, 94m wide, 43cm deep. £300-500

86. A George III mahogany Pembroke table, the drop-flap top above a frieze drawer on chamfered legs and guttae feet, 71cm high, 73.2 x 94.7cm. £100-200 87. A mahogany and harewood demi-lune tea table, banded in satinwood, the fold-over top on twin gate supports, George III and later, 76.3cm high, 91cm wide, 44.5cm deep. £400-600

88. A George III fruitwood and elm side table, fitted with three frieze drawers on moulded and chamfered legs, 72.6cm high, 81cm wide, 46.2cm deep. £300-500 89. A George III mahogany serpentine Pembroke table, the dropleaf top crossbanded in kingwood on square tapering legs with £300-500 applied ankles, 77.7 x 102.5cm (open).

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90. A George II style mahogany side table, the verde antico marble top above a plain frieze and a scrolling leaf carved apron, on shell capped and carved cabriole legs and claw and ball feet, 19th century, 85.5cm high, 155cm wide, 73.7cm deep. £2,000-3,000

91. A George II red walnut card table, the serpentine edge foldover top revealing a baize lined surface with candlestands and counter wells, on a single gate support, the frieze carved with a shell pendant on conforming cabriole legs and pointed pad feet, possibly Irish, with some later additions, 72cm high, 86.2cm wide, 49cm deep. £800-1,200

92. A George II and later mahogany card table, the inverted breakfront fold-over top revealing a baize lined playing surface with candlestands and counter wells, above a gadroon carved frieze on floret and cartouche and leaf capped cabriole legs and claw and ball feet, 73cm high, 95.5cm wide, 45.5cm deep. £800-1,200

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93. A George III mahogany and brass bound octagonal cellaret on stand, the hinged lid revealing a vacant interior with side carrying handles, 72.8cm high, 48cm wide. £1,000-1,500

94. A 19th century mahogany open armchair, the oval back with a pierced splat centred by a leaf and flower carved rondel, with scroll arms and moulded supports. £100-150

94 93 95. A George III mahogany tripod table, the circular tilt-top on a turned barrel stem and pointed pad feet, 69.5cm high, 77.7cm £80-120 diameter. Provenance: Purchased from Paul Smith Antiques, 10 Church Street, Ludlow. June 1989.

96. A George III mahogany tripod table, the rectangular tilt-top with a moulded edge, on a vase turned stem, 69.6cm high, 75.3cm wide, 73.8cm deep. £200-300 Provenance: Purchased from Paul Smith Antiques, 10 Church Street, Ludlow. February 1990.

97. A George III mahogany dumb waiter, with three graduated revolving dished tiers, on baluster turned stems and brass roller castors, 98.5cm high, 56.3cm diameter. £80-120

98. A late George III mahogany pot cupboard, the gallery pierced with two handgrips above a door with an open slatted base, on square tapering legs united by an ‘X’ stretcher, 78.2cm high, 35cm wide, 34.7cm deep. £150-200

98 97

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99. A pair of George II red walnut candlestands, each with a lobed moulded edged top above a baluster turned and faceted stem on cabriole legs carved with leaves and terminating in stylised claw and ball feet, 96.2cm high, 45.6cm wide. (2) £600-800

100

100. A set of George III mahogany hanging wall shelves in Chinese Chippendale style, the arched top with fret panels and a scroll carved surmount above four shelves with floret and ribbon carved edges and with fretwork sides, 149.2cm high, 79.5cm wide, 27.3cm deep. £500-800 Provenance: By repute purchased by the present vendor from a sale held at Cholderton House, Nr. Salisbury, Wiltshire.

101. A George II mahogany chest, fitted with a brushing slide above four long graduated drawers and on bracket feet, 82cm high, 95cm wide, 50.4cm deep. £1,000-1,500

101

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102. A George III mahogany chest on chest, with two short and six long graduated drawers, the upper section with fluted split quarter pilasters, on ogee bracket feet, probably North Country, 174.7cm high, 117.3cm wide, 57.3cm deep £700-900

103. A George III mahogany chest on chest, the moulded cornice above two short and three long graduated drawers flanked by reeded split pilasters with carved protruding capitals, the base with three long drawers and with ogee bracket feet, 163.6cm high, 116cm wide, 57.5cm deep. £300-500

104. A George III mahogany chest, inlaid with boxwood stinging with two short and three long graduated drawers, 98.5cm high, 103.5cm wide, 57cm deep. £300-500

105. A George III mahogany chest, the crossbanded top above four long graduated drawers on bracket feet, 101cm high, 108.8cm wide, 56.7cm deep. £300-500

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106. A George III mahogany breakfront Chinese Chippendale style display cabinet, with a fret carved gallery with turned finials flanking and arched astragal glazed door and with two side doors enclosing three shelves, the base with blind fretwork panels and fitted with a central frieze drawer on panelled square tapering legs and block feet, 192cm high, 124.2cm wide, 50.6cm deep. ÂŁ2,000-3,000

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107. A Regency mahogany and brass two tier dumb waiter, with pierced galleries on turned column supports, brass caps and castors, 98cm high, 67cm diameter. £300-500

108. A George III and later mahogany bookcase cabinet, with a pair of astragal glazed doors enclosing six adjustable shelves, the base with a pair of panelled doors enclosing eight drawers, each fitted with a brass handle, with reeded pilasters, 234.8cm high, 144.4cm wide, 47cm deep. £1,500-2,000

109

110. A George III mahogany demi-lune card table, with tulipwood crossbanding, the fold-over top on twin gate supports, with carved paterae above square tapering stop fluted legs and spade feet, 71.7cm high, 91.3cm wide, 44.5cm deep. £500-700

109. A George III mahogany gentleman’s washstand, the hinged top revealing a pull-up mirror with an adjustable easel back on a ratchet, with three washbowl apertures above a cupboard, a drawer and a pull-out later converted base, with pierced handgrips, 88cm high, 48cm high, 50.7cm deep. £100-200

111. A George II mahogany dining table, the oval drop-leaf top on club legs and pad feet, 69.4cm high, 121 x 126 (open). £400-600

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112. A very near pair of George III mahogany bowfront chests, each fitted with a brushing slide above three long graduated drawers, the later brass plate handles stamped ‘H.J.’, on French bracket feet, 84.7cm high, 108cm wide, 60.6cm deep. (2) £1,000-2,000

113. An early George III mahogany chest on chest, the dentil cornice above a blind fretwork carved frieze and two short and three long graduated drawers flanked by blind fretwork anted angles, the base with three long graduated drawers, all fitted with gilt brass rococo style handles and escutcheons, 182cm high, 117cm wide, 59.3cm deep. £600-800

114. A George III mahogany Channel Islands wardrobe, with a moulded cornice above a pair of fielded panelled doors enclosing a later rail with bone escutcheons and on wavy edge bracket feet, 188.5cm high, 134cm wide, 59.2cm deep. £400-600

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115 116

115. A miniature mahogany table top bureau, the interior with pigeon holes and three drawers, above a long drawer, 23.8cm high, 36.1cm wide, 20cm deep. £80-120 116. A Regency burr yew tea caddy, of sarcophagus shape, inlaid with boxwood stringing, the interior with twin lidded compartments, with a bone escutcheon and disc feet, 16cm high, 20.5cm wide. £100-200

117. A George III ivory decagonal tea caddy, with a silver loop handle, escutcheon and navette shape plaque inscribed with initials ‘F B’, with tortoiseshell stringing and mother of pearl disc decoration, with a foil lined interior, 12.7cm high, 10.8cm wide. £400-600 118. A George III mahogany and marquetry box, inlaid with stringing and banding and with fan paterae, the top with a brass swing handle above a drawer, with a lift-out plush lining, £100-150 12.7cm high, 28.9cm wide. 119. A George IV mahogany and brass mounted writing slope, the hinged lid centred with a vacant plaque, the interior with a later baize lined writing surface with a pair of lidded compartments, a pen tray and a pair of inkwells, with a pair of gilt brass sconces, with a liftout compartment with a sunken brass handle revealing rulers and a Highclere Castle game card dated 1895, with a secret spring loaded panel revealing drawers, with a brass lock stamped ‘TURNERS W-H. ... TON, PATENT’, with sunken side carrying handles, 17.5cm high, 50.3cm wide. £300-400

117

118

119

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121

120

120. An 18th century continental tortoiseshell casket, with engraved borders and with cut steel strapwork mounts, the hinged lid with a swing handle above a bat’s wing key escutcheon and with side ring handles on ball feet, 9.8cm high, 21.3cm wide. £200-300 121. A George II oak tea caddy, inlaid with parquetry stringing and with moulded edges, the hinged lid with a leaf cast, silver coloured metal handle, the interior originally with divisions and with a raised spoon shelf, on brass paw and ball feet, 18.2cm high, 28.3cm wide. £300-500 122. A rare tôle peinte tea caddy, painted with scenes of dogs in the manner of Landseer, with parcel gilt decoration, 15.3cm high. 10.1cm wide. £400-600 123. A black japanned tea caddy, decorated in gilt with part raised decoration with chinoiserie scenes, the interior with three divisions, the right side with a sliding front revealing a secret base drawer on disc feet, containing a Victorian silver caddy spoon, 18th century and later, 17.6cm high, 25.4cm wide. £300-500 124. A Regency penwork box, the hinged lid decorated with chinoiserie figures, the body with flowers and leaves, with a vacant interior, 9.1cm high, 21.5cm wide. £100-150 122

123

124

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126 125

125. A George III mahogany double chair back settee, with a pierced ladder back carved with leaf scrolls with moulded and chamfered legs united by stretchers, 92.3cm high, 124.4cm wide, 50cm deep. £300-500 126. A pair of 19th century mahogany open armchairs, each with a pierced serpentine ladder back, above a pair of out-scrolling arms, with a stuffed-over seat on stretchered supports. (2) £300-400 127. A late George III mahogany secretaire bookcase, with satinwood and amaranth banding, the astragal moulded glazed door enclosing three adjustable shelves above a deep secretaire drawer fitted with pigeon holes and drawers above three further drawers, 214.1cm high, 74.7cm wide, 57.3cm deep. £300-500 128. A mahogany dining table, comprising: a pair of ‘D’ ends, a central section with a dropleaf, together with an additional leaf, on square tapering legs, George III and later, 73.3cm high, £200-300 122cm wide, 306cm long.

128 127

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129. A George III Irish mahogany four poster bed, with a carved leaf pelmet above Gothic carved cluster columns with leaf capitals and leaf and flower carved baluster supports, the headboard with a conforming carved edge, with a folding base, with possible adaptations, 239cm high, 163.1cm wide, 212cm long. ÂŁ2,000-3,000 Provenance: Purchased by the current vendor from Roger & Jill Bichard Ltd., 9A Whitehill, Bradford-on-Avon, Wiltshire, 21st October 1988.

130. A pair of George III mahogany sidechairs, each with a moulded shield shape back, the splats carved with sheaves of wheat, the stuffed-over seat on square tapering legs and spade feet. (2) ÂŁ500-700

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131 132

131. A George III mahogany oval tray, with brass banding and scroll lifts, 50.2 x 70cm. £300-500 132. A George III mahogany butler’s tray, the serpentine edge three quarter gallery pierced with handgrips, 10.5cm high, 61.8cm wide, 46.3cm deep £300-400 133. A George III mahogany butler’s tray, the serpentine edge three quarter gallery pierced with handgrips, on a folding stand, 76.3cm high, 68cm wide, £150-200 49.6cm deep. 134. A George III mahogany chest, the crossbanded top inlaid with stringing above two short and three long graduated drawers, 98.5cm high, 110.6cm wide, 52.5cm deep. £300-500 133

135. Three George III mahogany open armchairs, each with a triple pierced vertical splat back above a stuffed-over seat on moulded front legs, together with £200-300 a pair of ebonised side chairs with matching green fabric seats. (5)

135 134

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136. A set of six mahogany cockpen armchairs in George III style, each with a Chinese lattice style back and a cane seat, early 20th century, possibly by Whytock & Reid. (6) £400-600

137. Two George III mahogany tray-top bedside commodes, each with a gallery pierced with handgrips, one with a cupboard, both with converted pull-out bases, 80cm high, 56.3cm wide, 47cm deep, 72.7cm high, 59cm wide, 51.5cm deep. (2) £400-600

137

138. A George III mahogany Pembroke table, the drop-leaf top crossbanded in satinwood above a frieze drawer, the reverse with a false front on brass caps and castors, 70.7cm high, 86 x 180.7cm (open). £300-500

138

139. A pair of ebonised hanging wall shelves in George III style, with fretwork decoration, each fitted with a pair of drawers, modern, 77cm high, 57cm wide, 12.5cm deep. (2) £200-300

139

140. A George III mahogany and brass bound wine cooler, with side carrying handles, on a later stand with carved cabriole legs and stylised paw feet, 65cm high, 66.5cm wide, 47cm deep. £300-500

140

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CONTINENTAL FURNITURE, WORKS OF ART & LIGHTING

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141. A 19th century Baltic mahogany and brass mounted bowfront commode, fitted with two drawers and flanked by stop fluted pilasters on square tapering legs and leaf cast sabots, 85.8cm high, 96.3cm wide, 52.5cm deep. £800-1,200

142. A 19th century continental walnut bedside table, of concave form with a grey marble top, the side and undertier with kingwood parquetry panels, on cabriole legs, 77cm high, 49cm wide, 47.6cm deep. £300-500 143. A 19th century Dutch walnut secrétaire à abattant, inlaid with chequer stringing and marquetry Prince of Wales plumes and a conch shell, with a frieze drawer above a fall front enclosing a fitted interior with pigeon holes and drawers with a central revolving compartment inlaid with a cross and two further drawers, with a leather writing surface, the base with a cupboard, 151.5cm high, 94cm wide, 47.8cm deep. £250-350 144. A Swedish Biedermeier style birch single bed, with scroll carved surmounts above arc d’arbelette panelled ends, 99cm high, 83.5cm wide, 190cm long. £300-500 142 143

144

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145. An 18th century continental painted and carved wood console table, with a serpentine edge red marble top above a pierced frieze and carved with scrolls and florets, together with an almost identical but later table, 85cm high, 64cm wide, 42cm deep. (2) £500-700

147

146. A white painted rococo style wall mirror, the shaped plate within a ‘C’ scroll and rocaille carved frame together with a matching console table, with a pink brèche marble top, the mirror: 156.5 x 121cm, the table: 88cm high, 136cm wide, 36cm deep. (2) £500-700

147. A 19th century French carved marble cistern, with a pair of bronze mounts depicting a pair of swans holding a draped standard, £200-300 24cm high, 41cm wide, 25.4cm deep.

146

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148

148. A French kingwood and marquetry bombe commode in Louis XV style, with ormolu rococo style mounts, the marble top with a moulded edge above two drawers inlaid with Chinese figures in a landscape setting, late 19th century, 89.5cm high, 112cm wide, 60cm deep. £800-1,200

149

149. A pair of late 19th century French rosewood bedside cupboards, each with a red marble top, one damaged, above a drawer and a cupboard with a marble lining, on carved cabriole legs, 83.5cm high, 40cm wide, 40cm deep. (2) £100-200

150

150. A pair of French kingwood and parquetry bedside chests, each with a pierced brass gallery and a red marble top above two drawers, first half 20th century, 84cm high, 60.7cm wide, 40cm deep. (2) £300-500 151. A late 19th century French mahogany and brass mounted étagère in Louis XVI style, with three parquetry tiers and pierced galleries on toupie feet, 72.4cm high, 33cm wide, 23cm deep. £300-500 152. A late 19th century French mahogany and brass mounted étagère in Louis XVI style, with pierced galleries on toupie feet, 75.4cm high, 35.5cm wide, 25cm deep. £200-300 151

152

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153. A pair of French gilt and patinated bronze candlesticks, each in the form of a standing Nubian boy holding a pair of torches on a Siena marble stepped plinth base, early 19th century and later, 28.2cm high, 17.5cm wide. (2) £800-1200

154. A plated brass and cut glass hall lantern in Adam style, the body hung with swags of flowers and with a bud pendant, with a single light fitting, 45.3cm high, 25.5cm wide. £150-200

153

155

155. A pair of continental biscuit porcelain and gilt metal wall lights, decorated with scrolling leaves and with twin lights, each with a crossed leaf mark in blue, 27cm high, 41cm wide. (2) £200-300

154

156. A set of seven late Victorian cut glass and gilt brass Clarke’s patent ‘Cricklite’ candlestick bases, each with a faceted stem on circular bases with winged paw feet, stamped ‘CLARKE’S CRICKLITE TRADEMARK’ and with several numbers and letters, two finials missing, 33.3cm high. (7) £150-250

156

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157. A pair of Napoleon III ormolu and porcelain candelabra in Louis XVI style, each with a royal blue body with scrolling leaf and beaded mounts with flowers and foliage and five lights, 63.8cm high. (2) £600-800

158. A pair of French ormolu and white marble perfume burners in Louis XVI style, each with a lift-off lid with a cone finial above a pierced band and with male mask tripod supports with hoof feet, 19th century, 33cm high. (2) £600-800

159. A pair of French gilt and patinated bronze candelabra in Empire style, each with a winged female term figure supporting a pair of griffins and with three engine turned sconces, on a green marble base and ball feet, with later faux candle light fittings, late 19th century, 47cm high (excluding fittings), 22.5cm wide. (2) £800-1,200

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160. An Empire style gilt and patinated bronze three light chandelier, with a reeded lappet moulded stem, with anthemion appliques above eagle’s head and ring mounts and a bud pendant, late 19th / early 20th century, 77.5cm high, 42.7cm wide. £150-250

161. A pair of Empire style gilt and patinated bronze figural candlesticks, each with a flaming finial above a pair of engine turned nozzles supported by a classical female on a guilloche decorated plinth, drilled for electricity, 19th century, 45.5cm high, 21cm wide. (2) £500-700

161

160

162. A late Victorian gilt brass hexagonal hall lantern, with bevelled glass panels, a hinged door and a three light fitting, 61.3cm high, 31cm wide. £300-400

163

163. A pair of Baroque style silvered metal girandoles, each with a shaped plate within a scroll cast backplate decorated with cherubs and ribbon tied flowers, with three scroll branches, early to mid 20th century, 49.7cm high, 39.6cm wide. (2) £300-500

164. A pair of Regency gilt brass candlesticks, hung with cut glass drops and lustres, the bases decorated with shells and anthemion motifs, 31.5cm high. (2) £200-300

162

165. A set of four Restauration ormolu wall lights, each with a backplate decorated with a coat of arms and war trophies, with twin scroll branches and turned nozzles, 53cm high, 28cm wide. (4) £800-1,200

165

164

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166. A French Directoire style grey and blue painted small sofa, the scroll back carved with husks, upholstered with striped fabric with carved Egyptian caryatids front legs on hoof feet, early 19th century, 93cm high, 103cm wide, 80cm deep. £300-500 Provenance: Purchased from O.F. Wilson Ltd., Queens Elm Parade, London SW3 6EJ, 8th December 1998.

166

167. A pair of French Louis XVI style painted bergères, each with a moulded frame and upholstered in later check fabric, with carved baluster arms supports on stop fluted tapering legs, 19th century. (2) £600-1,000

167

168. Two Louis XV walnut side chairs, each with a moulded frame and carved with leaves and flowers with a padded back and seat on cabriole legs, the back rail of one stamped ‘NOGARATA LEON’. (2) £600-800 Provenance: The property of the Comtesse d’Aiguy, from the Château de Béon nr. Culoz. Purchased by the present owner from O.F. Wilson Ltd., Queens Elm Parade, London SW3 6EJ, May 1989.

168

169. A pair of Louis XV style grey painted bergères, each with a moulded frame carved with flowers and covered in cream calico, the backs with check fabric. (2) £400-600 169

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170 171

170. A giltwood centre table, the red levanto marble top with a moulded edge on leaf and scroll carved trestle ends, 20th century, 76cm high, 182 cm wide, 62.3cm deep. £800-1,200 171. A white painted triptych dressing mirror, the shaped plates within a reeded frame, 192.7cm high, 162cm wide. £100-200 172. A French kingwood two tier occasional table by Perol, with a kidney shaped top and pierced brass galleries, the underside with a brass plaque inscribed ‘Ameublement Decoration Maison BELZACQ J. et E. PEROL 4 et 6 Rue de la Pepiniere PARIS’, late 19th / early 20th century, 74cm high, 62.5cm wide, 34cm deep. £150-250 173. An Italian painted and giltwood dressing table in 18th century style, decorated with scrolling leaves and swags of husks, with an arrangement of five drawers, early 20th £300-500 century, 75.3cm high, 152.2cm wide, 52cm deep.

172

174. A late 19th century Florentine giltwood wall mirror, with a rectangular plate within a beaded inner moulding and a scrolling leaf carved frame, 55.1 x 39.7. £150-250

174

173

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175. An Italian leather three-fold screen, painted with figures and a dog at a fountain, the back painted with flower sprays, late 19th century, 165.4cm high, 66cm wide (each panel). £500-700

176. A giltwood dressing table mirror, with an oval bevelled plate within a ribbon and floret moulded frame with swag drapery supports, the base with a basket of flowers, early 20th century, 71cm high, 77cm wide, 23cm deep. £100-150 177. A Louis XV style giltwood stool, of waisted form, the stuffedover seat on a leaf carved and moulded frame with cabriole legs, 40.3cm high, 71.7ccm wide, 58.5cm deep. £200-300

176

177

178. A pair of white painted fauteuil in Louis XVI style, each with a ribbon moulded frame and a padded back seat and armrests, on fluted tapering legs. (2) £100-200 179. A pair of Louis Philippe mahogany fauteuil, each with a plush upholstered back and seat with scroll arms on lappet carved cabriole front legs. (2) £400-600

179

178

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180. A French giltwood and gesso wall mirror in Louis XV style, with a shaped bevelled plate within a beaded scroll and rocaille carved frame, late 19th century, 103.4 x 69cm. £200-300

181. A French giltwood wall mirror in Louis XV style, the arched rectangular plate within a beaded and spiral twist moulded frame with a shell and scroll surmount, late 19th / early 20th century, 187.5 x 110.5cm. £500-700

182. A late French Dieppe carved ivory and bone wall mirror, with an oval bevelled plate within a leaf scale frame applied with sea creatures, beaded male masks and with a coat of arms, with the motto ‘SGOTORUM’, with a plush outer frame, late 19th century, 83.5 x 51cm. £400-600

183 A French giltwood wall mirror, the arched bevelled plate within a moulded frame and with a carved composition surmount of musical instruments and oak leaves and acorns, the back with stencilled numbers ‘102 63’,136.8 x 82.8cm. £100-200

184. A French giltwood and composition wall mirror in 18th century style, with a rectangular bevelled plate flanked by marginal plates within a moulded border and with a leaf scroll and cartouche surmount, late 19th / early 20th century, 120.4 x 93cm. £300-500

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185. A pair of late 18th century giltwood and gesso wall mirrors, each with a later circular convex plate within a moulded slip bordered by paterae and scrolling husk swags, with a ribbon tied laurel wreath surmount and an acanthus carved pendant, 73 x 51cm. (2) ÂŁ2,000-3,000

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186. A late 19th century Russian lacquer Easter egg by Lukutin, painted on one side with Archangel Gabriel the other with a castle, the gilt interior painted with the Imperial spreadeagle mark and factory initials, 10cm high. £150-250 187. A 19th century French gilt metal mounted casket, retailed by Alphonse Giroux, Paris, with a later red velvet cover, the hinged lid centred with a miniature topographical painting of Paris, the interior inscribed ‘Alph. Giroux a Paris’, containing a section of giltwood with an inscribed paper label ‘a piece of the Throne of Louis Philippe which was destroyed in the Revolution of February 1848 and which I obtained at the time of its destruction’, together with a posy in relation to the Revolution of February 1848 and other letters and ephemera, 10.4cm high, 18cm wide. £400-600

186

187 detail

187

188

189. An early 19th century French pressed horn snuff box, the hinged lid decorated with Napoleon’s tomb, inscribed ‘TOMBEAU DE NAPOLEON EMPEREUR DE FRANCAISE A L’HOTEL DES INVALIDES’ 9.7cm wide. £100-150

188. A 19th century Sorrento olivewood and marquetry tea caddy, inlaid with figures in various pursuits and with parquetry banding, the interior inscribed ‘Sorrento’, with a later plush lining, 10.5cm high, together with a Victorian ‘JUBILEE PAPER KNIFE 1837-1887’ and two French papier-mâché snuff / tobacco boxes, one printed with musicians, the other with ‘CALENDRIER Pour l’An 1830’. (4) £150-250

190. An early 20th century shagreen and ivory mounted box, with a hinged lid, 5.7cm high, 18.5cm wide. £80-120

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191. A fine Italian embroidered silk bed hanging in 17th century Sicilian style, decorated with gilt metal and silver thread, coral beads and garnets with birds, trees, urns of flowers, leopards with collars, on a mottled green and blue field, mounted on a later green felt backing, 19th century either Rome or Sicily, together with a copy of the original receipt, 244 x 188cm. ÂŁ3,000-5,000 Provenance: Purchased on 30th October 1901 from Jean Pallotti Antiquaire 3, Rue Rondinelli, Florence by Count Redmond Toler Clayton-Browne Clayton (1863-1937) to furnish his home: Villa La Punta, Cervara, Santa Margherita, Liguria, Italy. Bequeathed to his nephew, Sir Henry Russell Hornby, Bt, (1888-1971), 2nd Baronet of Brookhouse, of Barraclough, Clitheroe, Lancashire and thence by descent.

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192 192. A Louis XV beadwork altar frontal, embroidered on an ivory satin ground with tubular beads in white and yellow with seed pearls and brilliants, the centre with the monogram of Mademoiselle Louise, the daughter to Louis XV, surmounted by a coronet and flanked by floral sprays, in a later glazed and gilt frame, 158.8 x 97.3cm. £800-1,200 Provenance: By repute this panel was worked by the Ladies in Waiting of Mademoiselle Louise, who took it to the Carmel of St. Denis in 1769. When the Convent was disbanded during the French Revolution one of the nuns, Sister Mary Charlotte, brought it to England. 193. A late 19th century French paisley shawl, with central medallions and elongated botehs and with coloured tassel ends, 308 x 155cm. £150-250 194. A large Aubusson style woven carpet in Louis XVI style, decorated with a central medallion of flowers, with foliate borders and corner trophies, 421 x 610cm. £1,500-2,500 Provenance: Purchased by the current vendor from Stark, New York, c.1996.

193

194

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195. A set of fine early 19th century embroidered silk curtains, lined and interlined and decorated with ribbon tied swags of flowers, cornucopiae, pairs of love birds, urns and trophies of bows and arrows, comprising: five pelmets with applied brocaded tassels and five pairs of curtains with matching silk fringes, tiebacks of twisted golden silk cord and with some supplementary pieces, Jacquard either Spitalfields or French manufacture, the pelmets: 294-296cm wide, the curtains: 272 x 200-235cm. (A lot). ÂŁ2,000-3,000 Provenance: The Ballroom, Cricket House, Cricket St. Thomas, Chard, Somerset. Purchased by the current vendor from Charles Angell Antiques, 34 Milsom Street, Bath, October 1964.

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A COLLECTION OF SILKWORK EMBROIDERIES & LADIES AMUSEMENTS

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196. A George III silkwork embroidered oval picture, depicting an exotic bird perched in a tree with a basket of flowers in its beak, in a glazed and moulded giltwood frame, 62 x 55cm. £150-200

197. A George III silkwork embroidered oval picture, of a basket of flowers in a glazed and moulded giltwood frame, 60.2 x 51.5cm. £150-200

198. A George III silkwork embroidered picture, of ribbon tied flowers within a laurel border, in a verre églomisé and moulded gilt and composition frame, 55 x 56.3cm. £150-200

199. A George III silkwork embroidered picture of flowers, 46.2 x 47cm, in a later glazed, gilt frame. £100-150

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200. A George III silkwork embroidered oval picture, worked with flowers and leaves in a glazed, giltwood frame, together with a silk and raised work picture of ribbon tied flowers in an oval glazed, giltwood frame, 41 x 33cm (max). (2) £100-150

200

201. A George III silkwork embroidered picture of flowers, 28 x 18cm in a glazed beaded, giltwood frame, together with a 19th century cut paper and watercolour picture of a still life of flowers in a glazed, gilt frame. (2) £100-150 202. A George III silkwork embroidered picture, of ribbon tied flowers, signed ‘Ann Maria Makin’, in a glazed, gilt and ebonised moulded frame, 45.7 x 36.9cm. £100-150

201

202

203. A George III silkwork embroidered oval picture, of ribbon tied flowers in a verre églomisé glazed and giltwood frame, together with a similar picture in a glazed, ebonised frame, 43.5 x 36cm (max). (2) £100-150

203

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204

204. A pair of early 19th century silkwork embroidered pictures, one depicting a shepherd with his flock together with an amorous couple, a cottage and various trees, the other with a red brick house and a mother and child with trees and flowers, 18.4 x 28cm, in a glazed gilt and simulated walnut frame. (2) £200-300

205. A pair of silkwork embroidered pictures mounted on paper, one of ribbon tied flowers and leaves, the other with a cornucopia issuing flowers, each in a glazed, gilt and ebonised carved frame, late 18th / early 19th century, 27.4 x 22cm, with a hand written paper label to the verso inscribed ‘The Property of Harriet Sophia Betty Payne. Born at Uphill, Weston-super-Mare, Somersetshire, 1813. Married Michael Miller of Plush, Dorsetshire 1836. Died at Fordington, Dorchester, 1868. Buried at £150-250 Plush.’ (2)

206. A rare 18th century double-sided silkwork embroidered picture, of a still life of flowers in a vase on a table, on paper, 24 x 18.4cm, in a glazed, parcel gilt and ebonised frame, together with another needlework picture of flowers on a paper ground in a moulded gilt frame. (2) £80-120

205

206

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207

207. A pair of Victorian ‘Sea Weed Basket’ dioramas, each printed with title and a poem, in a glazed, ebonised frame, 23 x 29.2cm, together with an early Victorian pressed seaweed picture, inscribed ‘Guernsey Sea Weeds’, in a glazed, rosewood frame. £100-150 208. A 19th century cut paper still life diorama, with a blue painted lattice cornucopia issuing various flowers and leaves, in a glazed carved pine case, 51.5 x 44cm, together with a pressed flower picture in a glazed ebonised and gilt oval frame, an early 19th century bouquet of flowers made from tied strands of hair in a glazed ebonised oval frame, a George III silkwork embroidered picture of flower and two other floral pictures, one in a rosewood frame, the other in a simulated frame. (6) £150-250 209. A pair of early 19th century cut paper pictures, one depicting a church and a graveyard, the other with a cross on a hill with figures, angels and a boat, together with a cut paper and pinprick decorated picture of a lady, all in glazed, ebonised frames, 40.5 x 31cm (max). (3) £200-300

208

209

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210. A George III silkwork embroidered landscape picture, depicting buildings beside a stream with trees and a flock of birds, in a gilt verre églomisé mount and a moulded gilt frame, 26.5 x 31.1cm. £100-150

210

211

211. A George III silkwork landscape picture, depicting a castle and a river in an oval frame with rolled paper scrolls and flowers, on a crushed iridescent ground, in a later glazed, gilt moulded frame, 30.5 x 33.8cm, together with a George III silkwork embroidered landscape picture of a mill house with trees and hills beyond, in a glazed, beaded, giltwood frame, the reverse with a paper label printed with ‘JOHN FISHER, Carver, Gilder & Picture Frame MANUFACTURER, 5 WEST NILE STREET, GLASGOW’, 20.3 x 28cm. (2) £300-500 212. A pair of George III silkwork embroidered pictures, each depicting country folk in a landscape setting with a tree, with painted features and details, 27.5 x 22.1cm, each in a later glazed gilt moulded frame. (2) £150-250 212

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214. Five bird feather and watercolour pictures, comprising: a pair of birds perched in trees, in ebonised frames; a thrush in a later Hogarth type frame and a pair of pictures of a woodcock and a moorhen, both with glass eyes, in Hogarth type frames, 19th century, 38 x 28.7cm (max). (5) £150-250

213. Four bird feather and watercolour pictures, comprising: a pair of a thrush and a jay, later mounted in ebonised octagonal frames and a pair of birds perched in trees, in mahogany and boxwood strung frames, 19th century, 39 x 33cm (max). (4) £150-200

216. Five bird feather and watercolour pictures, comprising: three birds in flight, in a Hogarth type frame; three partridge in a woodland setting, in a gilt frame; a woodcock in an ebonised frame; an exotic bird perched in a tree and a partridge with its two chicks, in an ebonised oval frame, 19th century, 48 x 48cm (max). (5) £150-250

215. Five bird feather and watercolour pictures, comprising: six exotic birds in a tree, in a glazed simulated rosewood frame, a similar picture in a faux walnut frame, a partridge in a landscape setting, titled ‘Das Rebhuhn’ and ‘La Perdrix’ and two cockerels, both in ebonised and gilt frames, 19th century, 35.5 x 43.2cm (max). (5) £150-250

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217. An early 19th century needlework sampler by Ann Roberts, worked with a ship at anchor with trees and a house within a floral border, in a glazed Hogarth type frame, the verso inscribed in pen with a brief family history, 21.4 x 28.6cm. £100-150

218. An early Victorian needlework sampler by Sarah Greaves, worked with an urn of flowers with birds and dated 1839, in a glazed, mahogany frame, 39 x 42.8cm, together with a Victorian embroidered cotton apron inscribed ‘Needlework’, in a glazed, bird’s eye maple frame. (2) £100-150

219. An early 19th century needlework sampler attributed to the Quaker School at Ackworth, worked with medallions with flowers, birds, letters and numbers, in a later glazed wooden frame, 42 x 34cm. £300-500

217

218

219

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221 220

220. An early Victorian mahogany twin pedestal desk, with three frieze drawers and three graduated drawers to each pedestal, fitted with turned knob handles, 75cm high, 152cm wide, 69cm deep. £400-600 221. A William IV mahogany library table, with a crossbanded top above twin frieze drawers on leaf carved column supports and brass castors, 74.8cm high, 136.8cm wide, 65.5cm deep. £200-300 222. An early Victorian mahogany stool, with a red leather seat on turned legs and brass caps and castors, 43.9cm high, 91.5cm wide, 35cm deep. £500-700 223. A George IV mahogany Pembroke table, inlaid with ebonised stringing, the drop-leaf top with a reeded edge above a frieze drawer, the reverse with a false front, 68.8cm high, 59.7cm wide, 85.8cm deep. £80-120

222

224. A Regency mahogany supper table, inlaid with ebonised stringing, the drop-leaf top with canted corners, with end frieze drawers with turned column supports and splay legs, terminating in bass paw sabots and castors, 70.5cm high, 91 x 103cm (open). £150-250

223

224

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225 225. A Regency mahogany breakfront sideboard, inlaid with boxwood stringing, ebonised edging and satinwood banding, the crossbanded top above two central drawers flanked by a deep drawer either side, on square tapering legs and spade feet, 93.8cm high, 168cm wide, 71.5cm deep. £500-800 226. A late George III mahogany tripod table, the fixed top with canted corners on a baluster and leaf carved stem, 76.4cm high, 48cm wide, 39cm deep. £150-200 227. A quartetto nest of early 19th century mahogany occasional tables, each with a beaded rectangular top on turned legs united by a curved stretcher, 75cm high, 46.3cm wide, 35cm deep. (4) £400-600 Provenance: Purchased by the current vendor from Hugh Williams Ltd., 29 High Street, Steyning, 16th August 1969.

226

228. A set of eight William IV mahogany dining chairs, each with a curved top rail above a lappet carved splat on reeded front legs, the seat rails stamped ‘JAMES WINTER 101 WARDOUR ST.’ comprising: a pair of open armchairs and six side chairs. (8) £800-1,200

228

227

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230

231

229

229. A Colonial hardwood corner armchair, with out-scrolling arms carved with leaves and thistles, with a pair of solid splats above a drop-in seat on carved cabriole legs and pad feet, 19th century. £200-300 230. A George IV mahogany side table, inlaid with ebonised stringing and lozenge parquetry banding, with two drawers and brass castors, 75.6cm high, 51cm wide, 46cm deep. £250-350 Provenance: With a printed paper depository label for ‘Lt. Col. Chandler 1954’. 231. An early Victorian mahogany side chair, the scroll and cartouche carved back with a central needlework panel above a solid seat on lappet carved front legs. £100-150 232. A Regency mahogany hall chair, the shell and scroll carved back above a later seat on ring turned and tapering front legs, the back seat rail stamped ‘D. HANCOCK’. £100-150

232

David Hancock, Chairmaker is recorded as working at 33 Willow Street, Finsbury Square, London circa 1808.

233. A Regency rosewood pole firescreen, with a needlework panel on a leaf carved stem and with scroll feet, 137.5cm high, 42.5cm wide. £40-60 234. A 19th century occasional table, the circular fixed top banded in rosewood and burr yew and inlaid with fruitwood and hardwoods a geometric parquetry design on a fluted stem, 71.2cm high, 46cm diameter. £100-200

233 234

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235. A Regency satinwood chest, with ebony banding, the raised superstructure with a three quarter gallery above a pair of cupboards each enclosing a shelf above two short and three long graduated drawers, on swept bracket feet, 137cm high, 112.5cm wide, 54cm deep. £500-800 Provenance: Purchased by the current vendor from Hugh Williams Ltd., 29 High Street, Steyning, 1st February 1965.

235

236. A Regency rosewood breakfast table, the tilt-top crossbanded in satinwood with an arc d’arbelette shaped band, on a turned stem and splay legs with brass caps and castors, the block with the remains of a paper label ‘...tman, Umbrella & Parasol Manufacturer, 73.8cm high, 113.7 x 148.7cm. £500-800

236

237. A rare early 19th century wengewood sofa table, the drop-leaf top crossbanded in satinwood above a pair of frieze drawers with false fronts to the reverse, on sold trestle ends and brass lion’s paw sabots and castors, 75cm high, 66 x 161.6cm (open). £800-1,200

237

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239

238. A set of early Victorian mahogany wall shelves, with later brass suspension rings and four tiers with turned baluster supports, 71.3cm high, 63.8cm wide. £250-350

239. An early Victorian rosewood centre table, the circular tilt-top on a faceted baluster stem and brass castors, 74cm high, 134cm diameter. £400-600

238

240. An early 19th century mahogany Canterbury, with three divisions above a drawer and on brass castors, 49.4cm high, 49.8cm wide, 31.7m deep. £200-300

241

241. A William IV rosewood side cabinet, with nulled mouldings, the raised back with scroll supports above a pair of doors on turned feet, 116.4cm high, 89cm wide, 35.6cm deep. £200-300

240

242. An early Victorian mahogany dumb waiter, with a baluster turned three quarter gallery and two serpentine edge tiers, on castors, 96.8cm high, 90.5cm wide, 40cm deep. £200-300 242

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243

243. A Regency mahogany Cumberland action dining table, the reeded edge top with a pair of drop-leaf ends and two additional leaves, on ring turned gateleg supports, reeded splay legs and brass castors, 70.8cm high, 137cm wide, 329cm (extended). £1,500-2,000

244. A Regency beechwood window seat, of ‘X’ shape with a cane seat, scroll ends and spiral twist lifts, with traces of simulated rosewood decoration, 62.7cm high, 105.5cm wide, 43cm deep. £400-600

243 detail

245. A large George IV mahogany cellaret, of sarcophagus shape, with egg and dart mouldings, the interior later fitted for tea with three lift-out and hinged canisters, two circular apertures and six divisions, together with a lift-out tray, with carved shell and scroll lifts and on carved hairy paw feet, on leather castors, 73.8cm high, 93.5m wide, 59cm deep. £600-800

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246

246. A small early 19th century chaise longue, with a scroll end and upholstered with peach silk with a squab cushion, on beechwood splay legs and brass caps and castors, 74.4cm high, 115cm wide, 59cm deep. £150-200 247. An early 19th century black japanned sewing table, decorated with chinoiserie with figures, trees and birds, the hinged lid revealing a divided interior above a turned stem with a galleried undertier, 75cm high, 41.5cm wide, 35.5cm deep. £200-300 Provenance: Purchased by the current vendor from Richard Piner Ltd., 3 High Street, Windsor, 6th December 1964. 248. A quartetto nest of Victorian mahogany occasional tables, with bobbin turned supports, 72.3cm high, 58cm wide, 35.8cm deep. £300-400 249. An early 19th century bergère armchair, with a later green damask cover on simulated rosewood legs £200-300 and later brass castors. 250. A William IV mahogany wing armchair, with lappet carved column front supports on ceramic castors. £300-500

247

249

250

248

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251. A George IV amboyna sofa table, the drop-leaf top above a pair of frieze drawers, the reverse with false fronts on trestle ends terminating in anthemion cast brass sabots and castors, 73.3cm high, 67.7 x 150.5cm (open). £600-800

251

252. A pair of Regency simulated rosewood and parcel gilt open armchairs, each with a lyre shape back above a cane seat, with a squab cushion, on ring turned legs. (2) £300-500

252

253. A Regency mahogany card table, the reeded edge ‘D’ shaped hinged and swivel top revealing a vacant compartment with an ivorine trade label for ‘S. & H. JEWELL’, above sabre ribbed tapering legs and brass caps and castors, 74cm high, 91.5cm wide, 44.7cm deep. £300-400

253

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254

255

254. A late Victorian bronze inkwell, in the form of an owl perched on a branch with inset glass eyes, the hinged lid revealing a vacant interior, 6.7cm high, together with a Regency papier-mâché wine coaster. (2) £100-150 255. A Victorian tôle peinte tray, painted with a steamer in full sail, the edge pierced with two handgrips, 56 x 77cm. £200-300 256. A pair of early 19th century japanned pewter chestnut urns and covers, transfer printed and painted with chinoiserie scenes, with lion’s mask ring handles, probably Dutch, 33cm high, 19cm wide. (2) £300-400 257. A sailor’s whale bone rum toddy ladle, the bowl scrimshaw decorated in red with a whale and inscribed ‘Whale Ship DIANA GREENLAND’, 19.6cm long. £100-150 258. Two sailor’s scrimshaw whales teeth, one decorated with a lady beside a tree stump, the other with a young boy, 13.3cm high £300-400 (max). (2)

256

257

258

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259 260

259. A 19th century papier-mâché tray, painted in red with a border of butterflies and flowers, the centre decorated with oriental figures in a landscape, 79.5cm wide. £50-100 260. A Regency tôle peinte tray, painted with a farmyard scene after George Morland, the canted gallery pierced with two handgrips and later mounted in an ebonised wood frame, 52.5 x 73.8cm. £400-600 261. Four Victorian shellwork displays, depicting flowers, three under a glass dome, one dome cracked, on wooden bases and £300-500 ebonised feet, 51.5cm high (max). (4) 262. A pair of glass tazzas, in two sections with reeded decoration, the bases etched with ‘WY’, 26cm high, 30.5cm diameter, containing a small selection of nautilus, cowrie and conch shells. (2) £80-120 263. A 19th century sailor’s shell valentine, with geometric designs, one side decorated with a heart motif, the other inscribed ‘HOME AGAIN’, in a glazed and hinged teak and pine case, each £400-600 panel: 23cm wide.

261

263

262

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264

264. A mahogany triple pillar dining table, the reeded edge top with two additional leaves, above lobed baluster stems and splay legs, terminating in brass paw sabots and brass castors, 72.3cm high, 119.5cm wide, 214 - 336cm long. £800-1,200

265. A William IV leather armchair, with a button upholstered back and seat with scroll arms and turned mahogany front legs and brass castors. £500-700

266. A Regency mahogany cot, with turned finials and shaped ends and sides, on ring turned tapering legs and brass castors, 123.6cm high, 70cm wide, 116cm long. £200-300

265

266

Provenance: Purchased by the present owner from J. W. Blanchard Ltd, 12 Jewry Street, Winchester, 8th October 1991.

267. An early 19th century oak occasional table, with turned and block supports united by a conforming stretcher, on disc feet, 70.5cm high, 59.2cm wide, 42.3cm deep. £100-150

267

268. A George IV mahogany supper table, with rosewood banding, the drop-leaf top with canted corners above a frieze drawer on ring turned column supports and brass castors, 72.3cm high, 89.7 x 96.5cm. £80-120

268

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269. Two 19th century Wedgwood black basalt busts of Mercury and Minerva, both with impressed marks ‘WEDGWOOD’, Minerva with ‘XCDF’, Mercury with ‘XCDE’, Mercury: 46.9cm high, Minerva: 48.1cm high. (2) £500-700 270. A 19th century Wedgwood pottery part dinner service, decorated in iron red with printed botanical specimens including: tureens and covers, casters, meat plates, dishes, plates, a pair of custard cups and covers and other items, impressed marks ‘WEDGWOOD’ and ‘ABN’, 42cm wide (max). (49) £300-500 Provenance: Purchased by the current vendor from Tom Smith Antiques, The White Horse, Lavenham, 27th August, c.1981. 271. A pair of 19th century Wedgwood black basalt wine and water ewers, modelled with Bacchus and Neptune, Bacchus applied with a grapevine and a horned ram, Neptune with waves and a fish, impressed ‘WEDGWOOD’, 40cm high. (2) £100-200

269

270

271

272. A 19th century Wedgwood pottery footbath, decorated in green with a vine leaves and grapes, with a pair of handles, impressed mark ‘WEDGWOOD’, 22.2cm high, 48cm wide. £200-300

272

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274

273

273. An early 19th century mahogany breakfast table, the rectangular tilt-top above an octagonal tapering stem and hipped splay legs on brass castors, probably Scottish, 73.5cm high 84.5 x 98cm. £300-400 274. A William IV Irish mahogany wine cooler by Mack, Williams & Gibton, of sarcophagus shape, the domed hinged lid revealing a vacant interior, the front edge stamped ‘MACK, WILLIAMS & GIBTON DUBLIN’, the panelled front carved with vine leaves and grapes on scroll carved lion’s paw feet and brass castors, 60.7cm high, 80.5cm wide, 65.1cm deep. £1,000-1,500 275. A George IV mahogany dining table, the crossbanded tilt-top inlaid with brass stringing, above a turned stem and leaf carved splay legs with stylised paw feet and brass castors, possibly Irish, 75cm high, 102.2 x 161cm. £500-800

275

276. A 19th century Irish green painted kidney shape settee, the twin chair back with carved flower rondels, with parcel gilt decoration on baluster turned front legs and brass caps and castors, 77cm high, 110cm wide, 50cm deep. £400-600 277. A 19th century Irish mahogany hall bench, on ring turned and ribbed tapering legs, 46.5cm high, 125.5cm wide, 32.7cm deep. £300-500

277

276

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278. A Victorian carved oak ice box, of sarcophagus shape, the hinged lid with a fruit and leaf panel, the interior with a lift-out metal liner with spiral twist columns and leaf carved cartouche panels, on brass castors, 54.5cm high, 66.8cm wide, 52cm deep. £600-800

279. A pair of Regency style simulated rosewood and parcel gilt open armchairs in the manner of George Smith, each with an open slatted top rail above scroll and lion’s paw arms and a cane seat on lion’s paw feet, late 19th / early 20th century, with squab cushions. (2) £400-600

Provenance: Hannington Hall, Wiltshire.

Provenance: Purchased by the current vendor from Number Forty, West Street, Alresford, 31st January early 1960s.

281

280. A set of six Regency painted faux bamboo chairs, each with a rush seat and a later squab cushion comprising: an open armchair and five side chairs. (6) £300-500 281. An early 19th century painted fruitwood and pine chest, with gilt line decoration, fitted with a brushing slide above four long graduated drawers, on bracket feet, possibly New England, America, 80.7cm high, 80.9cm wide, 47.5cm deep. £200-300

282

282. A pair of Regency style simulated rosewood and parcel gilt open armchairs in the manner of George Smith, each with an open slatted top rail above scroll and lion's paw arms and a cane seat on lion's paw feet, late 19th / early 20th century, with squab cushions. (2) £400-600 Provenance: Purchased by the current vendor from Number Forty, West Street, Alresford, 31st January early 1960s.

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283. A George IV mahogany washstand by Gillows, the reeded three quarter gallery above a later top and a central frieze drawer stamped ‘GILLOWS. LANCASTER’, with outline mouldings and on ribbed tapering legs and brass castors, 95.7cm high, 122cm wide, 58cm deep. £300-400 Provenance: Purchased by the vendor from J. W Blanchard, 12 Jewry Street, Winchester, January 1992. 284. A George IV mahogany side table, the crossbanded top above twin frieze drawers on turned lappet legs, 74.5cm high, 91.6cm wide, 53.2cm deep. £400-600 285. Three mahogany stools in the manner of Gillows, each with a stuffed-over seat on ring turned and ribbed tapering legs, 49cm high, 51cm wide, 35cm deep. (3) £400-600

283

284

286. A 19th century giltwood tripod table, the fixed top above a well carved base in the manner of Gillows, on a leaf carved baluster stem and cabriole legs and leaf scroll feet, 70cm high, 51.5cm wide. £100-150

285

287. A William IV rosewood whatnot, with three tiers and lappet carved and turned supports terminating in brass castors, 98.5cm high, 53.6cm wide, 38cm deep. £300-500

288. A William IV rosewood occasional table, the circular fixed top on a lappet carved stem and triform base with scroll feet, 74.1cm high, 46cm diameter. £200-300

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289. A George III ivory brisé fan, the sticks and guards finely carved with flowers, foliage, cherubs, musical instruments and birds, with three painted panels depicting a young boy with a flute, a girl with her dog and a young lady with a basket of flowers, later mounted in a glazed, gilt tooled leather frame, 31 x 53.7cm. £300-500

289

290. An early 19th century rosewood gallery glass, with a moulded frame and a turned handle, 42.2cm long, 21cm diameter. £200-300 Provenance: The Property of the Rt. Hon. Sir Mathew Thorpe.

291. Ballooning interest. A French painted chicken-skin and bone fan, depicting the Mongolfier flight at Versaille 19th September 1783, together with two other panels of balloon flights inscribed ‘Premiere Experience de Parachute par Sebastien LENORMAND’ and ‘Descente de Jacques Garnerin en Parachute le 22 Octobre 1797’, painted with birds and floral swags, late 18th / early 19th century, in a later gilt metal mounted, glazed case, with an easel back, 28.5 x 47.3cm. £300-500

292 292. A 19th century porcelain vase and cover, painted with panels of flowers on a green ground, later converted into a table lamp with a gilt brass base, 39.6cm high (excluding fitting), with shade. (2) £100-150 293. Attributed to William Hayes (1729-1799). A George III painted and embossed bird picture, depicting a bird of prey with a beaded glass eye, in a glazed and moulded giltwood frame, 25cm diameter. £100-150

293

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294. An 18th century and later giltwood and gesso pier mirror, the later plate in a rococo style frame carved with leaves and scrolls, re-gilt, 105 x 52.5cm. £300-500

295. A Regency style giltwood convex wall mirror, the circular plate within an ebonised reeded slip and a ball decorated frame, with an ebonised carved eagle surmount, 19th century, 104 x 69cm. £300-400

294

295

296. A George IV mahogany dressing table mirror in the manner of Gillows, the rectangular plate with reeded upright scroll supports with ball finials, the platform base with fustic banding, 52cm high, 58.2cm £200-300 wide, 23cm deep.

296

297. An early Victorian mahogany dressing table mirror, the arched plate within a moulded frame on scroll supports united by a turned stretcher frame, 69.3cm high, 61.5cm wide, 28cm deep. £100-150

297

298. A Queen Anne style walnut wall mirror, the arched plate within a moulded frame, 91.8 x 62.3cm, £200-300

299. A simulated tortoiseshell wall mirror, with two arched plates within a gilt moulded slip and a painted frame, 91.5 x 51cm. £300-500

298

299

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300 300. A late Victorian giltwood and gesso overmantel mirror, the arched bevelled plate within a leaf moulded frame with a female portrait bust within laurel leaves flanked by Corinthian columns and with a leaf scroll and cartouche surmount, 176 x 158cm. £300-500 301. A pair of Victorian giltwood and gesso girandoles, each with an oblong plate within a guilloche moulded frame with a shell and leaf scroll surmount, the base with three foliate scroll candle sconces, 129 x 50cm wide. (2) £300-500 302. An early 20th century green painted overmantel mirror in Adam Style, the architectural frame decorated with ribbon tied swags and Corinthian capital pilasters, 140 x 186.2cm. £500-800

301 part

302

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303

303. A Regency mahogany dressing table mirror, with a rectangular plate on ring turned and baluster turned supports, with carved bone urn and ball finials, the barrel front base inlaid with stringing and rosewood banding and fitted with three drawers on bone ball feet, 62.8cm high, 55cm wide, 22.5cm deep. ÂŁ200-300

304

304. A Victorian mahogany cheval mirror, with an arched plate with scroll supports and a serpentine edge platform, 158.3cm high, ÂŁ200-300 82.6cm wide, 56.5cm deep. 305. Two similar giltwood overmantel mirrors, each with an arched plate within a moulded frame, one late 19th century, the other later, 128.1 x 107.5 and 136.8 x 114. (2) ÂŁ200-300

305

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306. A George II style mahogany and giltwood wall mirror, the arched plate within a carved slip, with a leaf and berry decorated frame and an eagle surmount, 111 x 54cm. £150-200

307. A Regency giltwood pier mirror, the rectangular bevelled plate within a beaded and leaf moulded frame, with carved Egyptian style male masks to the corners in the manner of Thomas Hope, 126.3 x 73cm. £600-800

308. A large William IV mahogany dressing table mirror in the manner of Gillows, the rectangular plate within a moulded frame on scroll supports, the platform base with a nulled moulding on bun feet, 89.5m high, 65.8cm wide, 37.5cm deep. £300-400

309. A Regency mahogany dressing table mirror by William Wilkinson, the rectangular plate within a flame veneered frame with turned column supports with engine turned gilt brass capitals and plinths, the base stamped ‘WILKINSON. LUDGATE HILL 14110’, 64cm high, 78.2cm wide, 29cm deep. £400-600

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MAPS

310

313

311

312

314

315

310. Philippe Buache (French 1700-1773). ‘CARTE DU LAC DE GENEVE’, an engraved map by Antoine Chopy, with a plan view map of Geneva, date 1740, 50 x 66.7cm, in a later mounted, glazed burr walnut frame. £100-150 311. Tobias Conrad Lotter (German 1717-1777). ‘PETROPOLIS’, a hand-coloured engraved city plan map of St. Petersburg, ‘TOPOGRAPHIA SEDIS IMPERATORIAE MOSCOVITARUM PETROPOLIS anno 1744 delignata jam publici juris facta per TOBIAM CONRADUM LOTTER, Geographum Aug. Vind’, 50.5 x 58.3cm, in a later mounted and glazed frame and Homann Heirs ‘INGERMANLANDIAE feu INGRIAE’, a handcoloured engraved map showing the environs of St. Petersburg, dated 1734, mounted, glazed frame. (2) £150-250 312. After John Speed (1552 -1629). ‘WILSHIRE’, a hand-coloured engraved map with a plan of Salisbury and a view of Stonehenge in a glazed, ebonised frame, 40.8 x 53.3, together with a Robert Morden hand-coloured engraved map titled ‘THE SMALLER ISLANDS in the BRITISH £100-200 OCEAN’, and a map of ‘DORSET SHIRE by H. Mole’. (3) 313. After John Speed (1552-1629). ‘HANTSHIRE’, a hand-coloured engraved map with plan of Winchester, the verso with text, 38 x 51cm, in a later glazed, double sided gilt frame. £100-150 314. Richard Blome (1635-1705). ‘A MAPP of the Kingdome of IRLAND by Ric Blome by his Matys Com’, a hand-coloured engraved map, 37.7 x 39.2cm, in a later mounted glazed and green painted frame. £200-300 315. Pieter van den Keere (Dutch 1571-1646). ‘CONNACK’, a hand-coloured map, 8.8 x 12.5cm, in a later, glazed Hogarth style frame, together with ‘The Continuation of the Road from LONDON to the LANDS END Plate 2’, a hand-coloured engraved map 32.5 x 44.3cm, in a later glazed Hogath style frame. (2) £80-120

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316. John Speed (1552-1629). ‘THE KINGDOME OF IRLAND’, a hand-coloured engraved map with six costumed figures, dated 1610, the verso with text, 38.6 x 51cm, in a later glazed, double sided Hogarth style frame. £200-300

317. John Speed (1552-1629). ‘THE PROVINCE ULSTER’, a handcoloured engraved map with a view of Enis Kelling Fort, dated 1610, the verso with text, 38 x 51cm, in a later glazed, double sided Hogarth £200-300 style frame.

318. John Speed (1552-1629). ‘THE PROVINCE OF CONNAUGH with the Citie of GALWAYE’, a hand-coloured engraved map with a plan of Galwaye, dated 1610, the verso with text, 38.7 x 51.5cm, in a later glazed, double sided Hogarth style frame. £200-300

319. John Speed (1552-1629). ‘THE PROVINCE OF MOUNSTER’, a hand-coloured engraved map with plans of ‘LYMERICKE’ and ‘CORCKE’, dated 1610, the verso with text, 39 x 51.5cm, in a later £200-300 glazed, double sided Hogarth style frame.

320. John Speed (1552-1629). ‘THE COUNTIE OF LEINSTER’ with ‘THE CITIE DUBLIN’, a hand-coloured engraved map with plans of Dublin, dated 1610, the verso with text, 38.2 x 50.8cm, in a later glazed, double sided Hogarth style frame. £200-300

321. Gerardus Mercator (1512-1594). ‘IRLANDIAE regnum’, a handcoloured engraved map, 33.5 x 42cm, in a later glazed ebonised and gilt frame. £200-300

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322

323

322. A pair of 19th century pottery neo-classical vases by Wilhelm Schiller & Son, each with fluted decoration, with ibex head handles, the bodies decorated with a cartouche and a classical portrait relief bust of a man and a lady, the bases with impressed marks ‘WS & S 164’, 29cm high. (2) £100-150

323. A 1930’s French blonde tortoiseshell dressing table set, in a red leather case fitted with five brushes, a hand mirror, a shoe horn, a nail buffer, a comb and a pot and cover, all applied with gilt metal initials ‘R V’, 34 x 54.6cm. £200-300 324. Golfing interest. A pair of serpentine and patinated metal bookends, modelled with a golfer mid swing together with his caddy £100-200 carrying his bag, 24.2cm high, 22.2cm wide. (2) 324

325. A pair of Victorian bois durci portrait plaques of Queen Victoria and Prince Albert, each titled and the backs stamped ‘BOIS DURCI’, each with a suspension ring, 11.1cm diameter. (2) £100-150

326. A Victorian tortoiseshell page turner, with an applied white metal monogram, 49cm long. £50-100 327. A 19th century bronze Thomason type corkscrew, with a turned bone handle with a later brush, the barrel with an applied Royal Coat of Arms inscribed ‘NE PLUS ULTRA PATENT’, 16.8cm long. £150-200

325

326

327

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329

328

328. A 19th century Italian bronze door knocker, in the form of a pair of putti supporting a coat of arms, with a grotesque male mask plate, 31.5cm high. £100-200 Provenance: Purchased from Eila Grahame Antiques, 97c Kensington Church Street, London 14th October 2004. The Property of the Rt. Hon. Sir Mathew Thorpe. 329. A 19th century German brass wine cooler by Herman Robert Bichweiler, in Renaissance style, the ribbed lid with a ball finial above a lobed and spiral twist body with patinated ram’s head mask ring handles, the base stamped ‘R. BICHWEILER HAMBURG’, 46.5cm high, 45.5cm wide. £600-800 Herman Robert Bichweiler was a designer and architect and established ‘Die Kunstgewerbliche Werkstätt’ in partnership with Dr. E. Berlieu in Hamburg in 1878.

330. An early 19th century bronze and copper samovar, with a brass spout, with scroll handles with ivory lifts and cast leaf feet, 43.9cm high, 35.5cm wide. £80-120

330

331. A cast iron urn in Adam style, decorated with ram’s heads and floral swags, 20th century, 87.3cm high, 67cm wide. £300-500 332. A Victorian brass doorstop, with a heart shaped handle, the reverse stamped possibly £100-150 ‘PARKER’, with a weighted base, 43.8cm high, 15.3cm wide.

332

331

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333

335

334

333. A Victorian brass lion’s paw doorstop, with an open handle and a leaf cast stem, 40cm high. £100-150 334. A Victorian brass wheat sheaf doorstop, with an open handle and a reeded stem, 40.5cm high. £100-150 335. A William IV bronze Aesop’s Fables doorstop, depicting the stork and ewer, 26.5cm high. £100-150

336

336. A Victorian mahogany surgeon’s case, with brass mounts, the hinged lid centred a plaque inscribed ‘Robert Merry’, the plush lined and divided interior with various utensils, some associated, including: an amputation saw and two other knives all with ebonised handles, the steel blades stamped ‘WRIGHT LONDON ROAD, LONDON’, a tourniquet, a tenaculum forceps, a small hacksaw and other instruments, above a divided base drawer, with sunken brass handles, 13.5cm high, 43cm wide, 27.5cm deep. £1,000-1,500 337. A German stoneware ewer, with a pewter lid, the base stamped ‘244’, 41cm high, a pair of cast brass chimney ornaments, two pairs of gilt metal curtain tie-backs, a pair of ormolu candlesticks, porcelain door plates and door handles, a collection of curtain hooks and other items. (A lot) £100-200 338. A Victorian magic set, the mahogany box with a lift-off cover revealing a divided interior with various turned boxwood conjuring tools, including an Egg Vanisher, a Ball Vase, Grandma’s Beads, Solomon’s Pillars and the Secret Barrel, £100-150 31.6cm wide.

337

338

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339. An Edwardian wax modello of the Gallery chimneypiece at Knowsley Hall, mounted on a wooden board and in a glazed ebonised case, the chimneypiece: 36cm high, 21cm wide, with case, 45.5cm high, 27.7cm wide. £300-500

340. A Victorian diamond engraved slate paperweight, depicting a view of Chatsworth House, the paper lined base inscribed ‘Bright & Sons, Jewellers, Silversmiths, Cutlers, SHEFFIELD & BUXTON’, in a fitted leather case, the lid with gilt tooled decoration and inscribed ‘CHATSWORTH VERY HIGHLY FINISHED DIAMOND ENGRAVING. SOLD BY BRIGHT & SONS BUXTON’, 13.5 x 21.5cm. £500-700 341. A fine 19th century steel sewing table clamp, with damascened style etched decoration of scrolling leaves with mythical beast terminals, the hinged holder in the form of a duck head with gilt metal stud eyes and gilt initials ‘M H’, above a plush pin cushion, 13.5cm high. £500-700

339

341

342. An 18th century copper bookplate for Cardinal Henry Stuart, engraved with his coat of arms, the reverse with a hand written paper label inscribed 'Prince Henry Stuart Cardinal of York AE bookplate from the Marquis Vete... family Henry IX 1788', 7.8 x 6cm, in a fitted leather case. £300-400 Henry Benedict Stuart (1725-1807) was a Roman Catholic Cardinal and the fourth and final Jacobite heir to publicly claim the thrones of England, Scotland, France and Ireland. 343. An 18th century verde di prato and gilt copper mounted bodkin case, Italian or French, with a faceted body, 11cm long. £80-120

343

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344

345

344. A late Victorian mahogany chest, of six graduated drawers, with turned wood handles on disc feet, 104.6cm high, 68.5cm wide, 39.3cm deep. £200-300 345. A Victorian pine Wellington chest, of ten drawers with brass knob handles with two pilasters, one locking, 98.1cm high, 50.6cm wide, 45.2cm deep. £200-300 346. A Victorian papier-mâché teapoy, inlaid with mother of pearl and decorated with gilt highlights, the hinged lid with a mosque revealing a vacant interior, on brass castors, 81.5cm £150-250 high, 45.8cm wide, 35cm deep. 347. A Victorian papier-mâché side chair by Jennens & Bettridge, with gilt and mother of pearl decoration, the underside of the seat rail stamped £100-150

346

348. A Victorian elm desk chair, with a leather button upholstered back and a solid seat, on £300-400 turned front legs united by a crinoline stretcher. 349. A pair of Victorian walnut and ebonised armchairs, each with a moulded frame and carved with female masks on turned and tapering front legs and ceramic castors. (2) £200-300

347

348

349

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350. A Victorian pitch pine Gothic revival side table, the boarded top above twin frieze drawers with rope twist brass ring handles, on chamfered ‘X’ shape supports united by a stretcher, 74cm high, 91.3cm wide, 55.3cm deep. £300-500

350

351

352 351. A German stained glass panel, of a saint with an attendant knight, with figures above holding scrolls of script, probably 17th century, 46 x 26.7cm. £100-150

352. A 19th century continental rosewood Gothic style wall tabernacle, 115.2cm high, 55.3cm wide. £100-200 353. A pitch pine open bookcase in Gothic style, the ends pierced with Gothic motifs, with six shelves each with a carved front, 203.5cm high, 122cm wide, 22.9cm deep. £200-300

354. A Victorian rosewood hourglass shaped stool, on disc feet, 52.3cm high, 38.5cm square. £150-200

354

353

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355

356 355. After Henry Bernard Chalon (1770-1849). A coloured mezzotint of ‘Thunder’, an old English setter, by William Ward, 38 x 51.7cm, in a Hogarth style glazed frame. £40-60 Provenance: The Property of the Rt. Hon. Sir Mathew Thorpe. 356. English Naive School (19th century). An oil on canvas painting of a dog with game birds and a hare, 66 x 52.7, in a gilt frame. £100-200

359

357

357. After J. Wells. A set of six sporting prints, ‘Duck Shooting, ‘Snipe Shooting’, ‘Hare Shooting’, ‘Wood-Cock & Pheasant Shooting’ and ‘Coursing’, hand-coloured aquatints and stipple engravings, each titled and inscribed ‘Published Augst 16th 1804 by John P Thompson, Gt. Newport Street’, 33.3 x 39.2cm, each mounted and in a glazed and parcel gilt frame, the verso of each with an Arthur Ackermann & Son label. (6) £200-300 358. Two 19th century watercolour topographical costume studies, each titled and inscribed 'Admiral Hollis' with 'A Fisherman of Venice & his Son' and 'Native of the Island of Lefsa in the Adriatic carrying Water to the English Camp', later mounted, 26 x 21.2cm. (2) £200-300 Vice-Admiral Aiskew Paffard Hollis c.1764-1844 was a Royal Navy officer of the early 19th century who is best known for his service in the French Revolutionary and Napoleonic Wars. in 1811, he was transferred to HMS Achille in which he served with the Mediterranean Fleet, especially in the Adriatic Sea.

359. After Sir Edwin Henry Landseer R. A. (18021873). ‘The Falconer’s Son’, an engraving by William Chevalier, 47 x 31cm, in a glazed rosewood frame with a gilt slip. £100-150 358

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360

360. A set of ten mahogany dining chairs, each with an upholstered back and seat on baluster turned front legs, late 20th century. (10) £400-600 Provenance: Made for the current vendors by Westenholz Antiques.

361. An unusual Victorian ash and elm boot jack, with a pair of spade handles and ring turned supports and brass bosses, 85cm high, 33.5cm wide, 51cm deep. £300-400

362. A Victorian mahogany stickstand, with turned baluster columns, with a metal liner and on carved paw feet, 69.3cm high, 39cm wide. £100-150

362

361 363. A 19th century walnut stool, the padded seat covered with plush fabric on moulded cabriole legs and disc feet, 50.8cm high, 87.5cm wide, 53cm deep. £150-250

364. Two Edwardian revolving bookstands, one in satinwood, the other in mahogany, each with a brass gallery and inlaid with stringing, 68.8cm high, 45.5cm diameter (max). (2) £200-300

364

363

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365 366

365. A pair of early 19th century French coloured engravings of ladies in the manner of Greuze, each in a beaded and moulded glazed frame, 33 x 27.2cm. (2) £100-150 Provenance: Purchased from Eila Grahame Antiques, 97c Kensington Church Street, London 17th March 2010. The Property of the Rt. Hon. Sir Mathew Thorpe.

366. Three late Victorian miniatures on ivory, one of a young boy, one of a love sick young girl, the other of a lady and child, each in a glazed, gilt composition frame, 25 x 23cm (max). (3) £100-200 367

367. A pair of cream painted bergére armchairs, with parcel gilt decoration, each with a cane back, sides and seat, late 19th / early 20th century. (2) £100-200 368. A pair of painted open armchairs in George III style, the pierced interlocking splat back carved with Prince of Wales plumes on panelled front legs painted with husks, late 19th / early 20th century. (2) £200-300 369. Literature. Ralph Edwards ‘The Dictionary of English Furniture, Revised Edition’, in three volumes, Christopher Payne ‘19th Century European Furniture’ and ‘Pictorial Dictionary of British 19th century Furniture Design’ all published by the Antique Collector’s Club; Herbert Cescinsky ‘English Furniture of the 18th century’, in three volumes, Percy McQuoid ‘A History of English Furniture’ three associated volumes; ‘Sotheby’s Concise Encyclopedia of Furniture’; together with various other books and pamphlets relating to furniture and clocks. (23) £100-150 370. Literature. Francis Lenygon and Margaret Jourdain ‘English Decoration & Furniture From 1500-1820’, in four volumes, two matched sets, 1st and 2nd editions; ‘The Knights of Glin, Seven Centuries of Change’, edited by Tom Donovan and James Chambers: ‘The English House’. (6) £100-150

368

369

370

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371. A late Victorian walnut easy armchair by Howard & Sons, upholstered in floral fabric on turned front supports and brass castors, stamped ‘HOWARD & SONS LONDON’, the inside of the back left leg stamped ‘11909 7170 HOWARD & SONS LTD BERNERS ST.’. £600-1,000

371

372

372. An Edwardian daybed, the button back above a squab cushion, later covered in Ramm fabric on mahogany legs and brass castors, £300-500 85cm high, 72cm wide, 176cm long. The fabric was purchased from Colefax and Fowler. 373. A pair of painted pine simulated marble pilasters, with parcel gilt decoration, 175.7cm high, 25.4cm wide. (2) £100-200 374. A pair late Victorian satinwood book carriers, each with a handle and a drawer on swept bracket feet, 35.7cm high, 34.2cm wide. (2) £500-800

374 373

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375. An early 20th century curved sofa, with a button back on Bassick castors, stamped ‘PAT NO. 191420’, possibly American, 77.5cm high, 298.5cm wide, 91.5cm deep. £300-500

377

376

376. A pair of brass occasional tables, each with a plate glass top, modern, 51.3cm high, 50cm wide, 41.5cm deep. (2) £150-250

377. A gilt metal coffee table in the manner of Maison Jansen, the plate glass top with canted corners above cabriole legs, mid 20th century, 40.7cm high, 115cm wide, 55cm deep. £200-300

378

378. A pair of painted wood faux marble tazzas, each with a scalloped bowl on a fluted spreading foot, 26cm high, 39.2cm diameter. (2) £150-200

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379. A pair of Art Deco distressed brown leather easy armchairs, each with a fan back with brass studded decoration with a plush covered squab cushion and on faceted beechwood front legs. (2) £500-1,000

381 380 380. A set of six cane garden chairs by Dryad, each with a lattice back and with an ivorine plaque inscribed ‘DRYAD, CANE FURNITURE LEICESTER ENGLAND’, comprising: four side chairs and two armchairs. (6) £150-250 381. A white painted jardinière stand in Chinese Chippendale style, with fretwork decoration with a concave undertier, 111 cm high, 75.5cm wide, 51cm deep. £150-250 382. Two gilt metal birdcage wall appliques, the glass backs decorated one with a parrot, the other with a finch, each perched on a key, the reverse of one with a printed label for ‘G & C INTERIORS DENMARK’, modern, 38cm high, 25.5cm wide. (2) £100-200 382

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383

383. A croquet set in a pine box, comprising: four mallets, two by Jaques, two by Spalding with six hoops, four balls and six posts. £100-200 384. Taxidermy. A stuffed Chinese Reeves pheasant by Rowland Ward, in a naturalistic setting and within a glazed case, with an ivorine plaque inscribed ‘ROWLAND WARD 167 PICCADILLY’, late 19th / early 20th century, 107.4cm high, 56.3cm wide, 28.3cm deep. £200-300

385

385. A mahogany and brass mounted fishing reel, with ebonised handles, stamped ‘PATENT NO.13388/85’ and ‘SUN’, 13.2cm high. £80-120 386. A Coco de Mer (Lodoicea Maldivica), with a polished patination, 33 x 29.5cm. £300-400 387. A brass sundial, with an ‘S’ shaped gnomon and engraved with a sun head and the date ‘1752’, 20.1 x 20.4cm. £100-150 388. A George II mahogany cased compass by Thomas Wright, with a printed dial inscribed ‘Tho Wright Londini Fecit’, with blued steel hands and with a brass outer register, with a sliding lid, 11cm square. £200-300

384

Thomas Wright, Mathematician, Instrument Maker and Toyman was working between 1718-1747 at The Orrery and Globe, Fleet Street, London.

386

387 388

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389. After the antique. Two painted plaster cast frieze panels, taken from the inner frieze of the Parthenon, of elders and maidens, one with a metal plaque inscribed 'MUSEE DU LOUVRE REDUCTION ... ATELIER DE MOULAGE', mid 20th century, 138.5 x 107cm and 93.3 x 107.5cm. (2) £2,000-3,000

390. After the antique. A plaster figure of a young Hercules, wearing a lion’s pelt and resting on a tree stump, the base with a metal pastille stamped ‘REDUCTION MECANIQUE BREVETE A. COLLAS’, with Latin and Roman numerals inscribed to base, late 19th / early 20th century, 72.2cm high, 27cm wide. £500-800

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391. Attributed to Francesco Bertos (Italian 1678-1741). A marble figure of Christ, 36.5cm high. £300-500

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392. A William IV mahogany and specimen marble centre table in the manner of Gillows, the later octagonal moulded edge top inset with various marbles and semi-precious stones, including: malachite, red griotte, porphyry, verde antico, violet jura brocatelle, cipollin, the centre inlaid with a chequer board, the base with nulled mouldings and with a ribbed baluster and lappet stem, on scroll feet and wooden castors, 73.5cm high, 94cm wide. ÂŁ6,000-8,000

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393. After the antique. A large late 19th century Italian green serpentine model of the Dying Gaul, the gladiator lying wounded on an oval base with his sword and horn, on a matching pedestal with a spiral twist stem and a turned and octagonal plinth, 145.8cm high, 77.5cm wide, 37.5cm deep. £2,000-3,000

393

394

394. A late 19th century Italian carved green serpentine classical urn, with a pair of moulded square section handles above an ovoid body, 82cm high, 23.5cm wide. £400-600

395. An Italian marble water urn, with a lead lining and with a brass tap above a shell shaped bowl, 65.5cm high, 43.5cm wide, 62cm deep. £800-1,200

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396. After the antique. An Italian porphyry veneered model of a torso, on a marble plinth, 80.5cm high, 36.5cm wide, 27cm deep. £3,000-4,000

397. A rare 19th century blue john table, the segmented circular top with a malachite spider inlaid into the centre, the veined fluorite appears like a spider’s web, on a later gilt brass base with a blue john globe finial and on leaf cast hoof feet, 59.5cm high, 65.3cm diameter. £2,000-3,000

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398

398. After the antique. An Italian bronze figure of a faun, holding a spear on a stepped plinth, early 20th century, 26.5cm high. £100-150 399. After Giambologna (Flemish 1529-1608). A late 19th century bronze figure of Mercury, holding his caduceus on a turned black marble plinth, 82cm high. £500-700 400. After Giambologna (Flemish 1529-1608). A late 19th century bronze model of a pacing bull, 11.1cm high, 11cm long, together with a bronze figure of a seated satyr, on a scrolling leaf base, 7.6cm high. (2) £100-150 399

401. After the antique. A bronze figure of a kneeling satyr, in the manner of Severo Calzetta da Ravenna, originally with a fitting to his right hand, mounted on a verde antico marble plinth, 18th / 19th century, 25.2cm high. £300-400

400

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403 402

402. After the antique. An Art Deco gilt bronze figure of Discobolus, standing on a circular plinth, 63cm high, 45cm wide. £500-700

403. After the antique. A 19th century bronze classical figure of a man, holding a vase, 29.6cm high, mounted on an ebonised wood plinth, 40.9cm high. £300-500

404. An 18th century gilt bronze figure of a winged cherub, on a later plinth base, 18.7cm high. £100-150

404

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405. After Joseph Chinard (French 1756-1813). A marble bust of Madame Recamier, 64.2cm high, 33cm wide. £2,000-3,000

405

406. A late 19th century French alabaster bust of Napoléon Bonaparte, on a turned socle, 44.9cm high, 32cm wide. £500-700

406

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407. After the antique. A late 19th century Italian carved marble figure of the Callipygian Venus, or of the beautiful buttocks, the rectangular plinth signed ‘S. CALI’, 108.8cm high, 34.5cm wide, 29th deep. £3,000-4,000

407

408. Attributed to Augusto Passaglia (Italian 1838-1918). A carved marble figure of a young fisherman, carrying his nets, 104.5cm high, 42cm wide, 25cm deep. £2,000-3,000

408

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409

411

λ 409. An early 19th century French carved ivory figure, of a winged cherub holding a wreath of flowers and riding a goat, mounted on a bronze and Siena marble base, the ivory: 9.7cm high, with base: 14.8cm high. £500-700 λ 410. A marine ivory carving of the Madonna and child, possibly South American, 17th century or later, 18.2cm high. £200-300 λ 411. A late 19th century French Dieppe carved ivory figure, of a Bacchic cherub holding a bunch of grapes in his tunic, 14.3cm high. £300-500 λ 412. A pair of Italian carved ivory portrait relief plaques, one of a Bishop the other of bearded man sporting a cap, 18th / 19th century, with a pair of perspex modern stands, 10cm high, together with a pair of Florentine carved giltwood miniature frames. (4) £200-300

410

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413. Emmanuel Frémiet (French 1824-1910). A bronze group of two retrievers, on a naturalistic base signed ‘E. FREMIET’, and numbered ‘238’, 24.7cm high, 18.8cm wide. £800-1,200

414. Emmanuel Frémiet (French 1824-1910). A bronze model of a seated dachshund, the naturalistic base signed ‘E. FREMIET’, and stamped ‘145’, 15.1cm high, 14.8cm wide. £400-600

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416 415

415. After the antique. A 19th century German Berlin cast ironwork group of Ariadne and the Panther, 18.7cm high, 13.9cm wide. £200-300 416. A 19th century gilt and patinated bronze group of a Turk with his stallion, mounted on an ebonised wood base, 20cm high, 23.5cm wide. £150-200 417. A pair of carved walnut lion’s head finials, mounted on marble plinths, the lions probably 19th century, 14.1cm high. (2) £200-300 418. Three Austrian bronzes, of a wren and a pig, both stamped ‘GESCHUTZT’, together with a bull, 12cm long, (max). (3) £80-120 419. An Austrian bronze model of a lion, the tail stamped ‘GESCHUTZT’, late 19th / early 20th century, 12.7cm long. £80-120 417

418

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420 420. After Antonio Canova (Italian 1757-1822). A late 19th century bronze model of Venus Italica, the base signed ‘Canova’, on a marble socle, 29.3cm high. £300-400 421. After Auguste Rodin (French 1840-1917). A bronze figure of the Burgher of Calais Jean d’Aire, the base signed ‘A. RODIN’ and also stamped indistinctly to the reverse, 44.8cm high. £400-600 422. A 19th century French bronze figure of Napoléon Bonaparte, standing on a plinth £80-120 the base cast with a crowned ‘N’, 21.5cm high. 423. A 19th century French bronze figure of a lady, seated on a rocky outcrop holding a bowl, on a black marble base, 20.8cm high, 18.;3cm wide. £80-120

421

424. Emile Guillémin (French 1841-1907). A terracotta bust of an 18th century gentleman, signed with initials and ‘ELe Guillemin’, on a rouge marble socle, 29cm high. £150-250

422

424 423

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425 426

425. A late 19th century Italian bronze plaque of the Last Supper, with a rococo border, 32.5 x 40.5cm, together with a carved mother of pearl shell depicting Christ with the Twelve Apostles, in a glazed, gilt frame. (2) £150-250 426. A 19th century gilt bronze stand, the base with leaves and three griffin monopodia legs, supporting a Siena marble sphere, 29.3cm high, 18.3cm wide. (3) £150-250 427. A pair of 19th century French bronze figures of a man and woman, each standing on a brèche d’alep marble base, 39cm high (max). (2) £300-400 428. A late 19th century Venetian carved pine cherub wall swag, with part ebonised and painted decoration, 113.2cm high, 25.5cm wide. £300-500 427

428

429. A 19th century French bronze bust of Pierre Corneille, raised on a socle and an associated turned stand, 16cm high. £80-120 430. After Auguste Moreau (French 1834-1917). A cold painted spelter figure of Cupid, the base with an applied plaque inscribed ‘ENFANT VICTORIEUX’, 74cm high. £150-250 431. A pair of 17th century Flemish carved oak architectural corbels, each carved with a stylised male head, possibly originally part of a Barbet chimneypiece, 51cm high, 20.6cm wide, 42.7cm deep £300-400

429 430

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432

432. English School (late 19th century). A bronze bust of a gentleman, unsigned, mounted on a verde antico marble plinth, 71.8cm high, 53cm wide. £500-700 433. Mary Syme Boyd (Scottish 1910-1997). A carved wood figure of a nude lady, standing on an octagonal plinth, signed with initials ‘MSB’, the underside with a trade card inscribed ‘MARY SYME BOYD, HOUSE & STUDIO, 14 BELFORD MEWS, EDINBURGH, 4, SCULPTURE, WOOD CARVER, HAND WROUGHT SILVER’, 93.7cm high. £400-600 434. Francis H. Aloysius Jahn (1871-1967). A plaster bust of a choirboy, with a bronzed patination, stamped to the back ‘F.H.A. JAHN’, 55.8cm high, 48.5cm wide. £300-400

433

434

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435. Jacques Louis Gautier (French b.1831). A large bronze figure of Mephistopheles, standing on a rocky outcrop, signed ‘J. GAUTIER’, late 19th / early 20th century, 85.5cm high. £1,500-2,500

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ORIENTAL FURNITURE, RUGS & WORKS OF ART

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437 436

436. Two Chinese red lacquer side chairs, each with a panelled splat carved with flowers and figures with parcel gilt decoration, on a fret carved base, late 19th century. (2) £150-250 437. A Chinese hardwood side table, the rectangular top inset with a brown lacquer panel decorated in gilt with chrysanthemums and other flowers above a pierce frieze, 67cm high, 131.5cm wide, 61.5cm deep. £200-300 438. A late 19th century Chinese padouk stand, the circular top inset with a marble panel above a carved leaf frieze, 48.3cm high, 38cm wide. £100-150 439. A Chinese hardwood side table, the panelled top above three frieze drawers, 82.7cm high, 120cm wide, 52cm deep. £100-200 440. A pair of Chinese elm side chairs, each inscribed with Chinese characters, late 19th century. (2) £200-300

438

440 439

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441. A pair of Chinese porcelain square section jardinières on stands, each painted in enamels with famous historical figures and with Chinese script, the bases with iron red seal marks, early 20th century, 23.7cm high, 20cm wide. (4) £300-500

442. A pair of Chinese porcelain square section vases, painted with enamels with exotic birds amidst trees and flowers, with moulded ring mask handles, each on a hardwood stand, 30cm high, 14.8cm wide. (4) £300-500

443. A blanc de chine type figure of a Chinese lady, mounted on a French ormolu rococo style base with gilt and cold painted leaves and with porcelain flowers, 34.3cm high, 18.5cm wide. £200-300

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444

445

446

444. A 19th century Chinese watercolour, of a man and a woman with a young boy, with a flower decorated outer border, 46.3 x 46.3cm, in a later gilt splashed glazed frame. £200-300 445. A 19th century decalcomania octagonal panel, decorated with chinoiserie scenes of an Emperor with his attendant, with dragons and butterflies, 32.2 x 32.2cm in a later moulded and parcel gilt glazed frame. £200-300 446. A 19th century Chinese watercolour, depicting a lady with three young boys, with a foliate decorated border and a silk mount, 44 x 44.3cm, in a later moulded and parcel gilt glazed frame. £200-300 447. A matched pair of Chinese blanc de chine Buddhist lion dogs, each resting one paw on a ball, 39cm high. (2) £100-150 448. A Chinese brown lacquer box and cover, the interior with a tray, 24.1cm wide, together with a 19th century Chinese black lacquer box with pierced decoration, one side with leaves and with a pull-out drawer, an oriental rattan and lacquer pillow and a 1930’s continental beadwork lady’s purse. (4) £100-150

449. A collection of Chinese cloisonné and gilt bronze appliques and mounts, a Chinese mother of pearl necklace with a fret carved pendant with a bird alighting its nest, a tusk handled paper knife and a small ivory or bone mortar, probably 18th / 19th century. (17) £100-150 450. A late 18th century Chinese export reverse glass painting of a lady, 48 x 34.4cm, in its original moulded giltwood frame. £200-300

447

448 450

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451

451. A Chinese reverse glass picture, depicting a Turkish interior scene with figures and a lady dancing holding a stiletto dagger, late 18th / early 19th century in a moulded giltwood frame, 33.4 x 46.3cm. £300-500 452. A Chinese carved hardwood lamp, the base in the form of Guanyin, with a twin light mount, 135.5cm high, 31cm wide. £100-150 453. A Chinese ebonised wood and glass hexagonal hall lantern, with fret carved decoration with protruding dragon’s heads, the panels painted with fruit and flowers and with figures in domestic interior settings, late 19th / early 20th century, 82.9cm high, 67.2cm wide. £400-600 454. A black lacquer coffee table, incorporating a Chinese panel decorated in gilt with a stork, ducks and other birds in a watery landscape, on a later base, possibly by Mallett, with a plate glass top, 18th / 19th century and later, 44cm high, 100cm wide, 69.5cm deep. £300-500 455. A 19th century Chinese camphorwood and painted leather chest, decorated with bands of flowers and with brass studs, with side carrying handles, one missing, 48.7cm high, 104.6cm wide, 53.5cm deep. £500-700

452

453

454 455

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457

456

458

459

λ 456. An early 20th century carved ivory group of St George and the Dragon, mounted on a stepped rosewood plinth, Indian or Chinese, the ivory: 16.8cm high, with base: 24.5cm high. £200-300 λ 457. A late 19th century Chinese Canton carved ivory figural part chess set, with puzzle ball bases, natural and stained red, the king: 12.7cm high, the pawn: 6.4cm high. (30) £100-150 λ 458. A 19th century Chinese ivory chess set, the natural as Chinese figures, the stained red as Europeans, the king: 10.5cm high, the pawn: 6.2cm high, in a mahogany box. (33) £500-800 λ 459. A late Victorian ivory Staunton pattern chess set, natural and stained red, the king: 6.3cm high, the pawn: 3.4cm high, housed in a plush lined mahogany box. (33) £400-600 460

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460. A late 19th century Chinese export lacquer tea chest, decorated in gilt with figures and buildings, the interior with a pair of lidded lift-out canisters, on carved giltwood feet, 12.6cm high, 20cm wide. £100-150

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462

461

461. An Indian carved wood model of a horse, probably from a marriage cart, with traces of original polychrome decoration, mounted on a teak base, probably Rajasthan 18th century, 62cm high, 62.5cm long. £300-500

463

462. An Anglo-Indian Nagina ebony occasional table, the detachable octagonal top all over carved with scrolling leaves and flowers, on a conforming folding base, 66cm high, 69.8cm wide. £300-400 463. An Anglo-Indian hardwood and brass occasional table, the octagonal top inlaid with scrolling leaves with ebony stringing, on a folding base, the top now fixed, the underside with a paper label, 62.cm high, 66cm wide. £300-400 464. An Indian embroidered patchwork textile stuffed model of a camel, mid 20th century, 93.5cm high, 89cm long, together with a similar model of an elephant. (2) £100-200 464

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465. A Japanese six-fold screen, painted with trees on a gilt ground, with a lattice outer border and a lacquer frame, late 19th / early 20th century, 172.2cm high, 62cm wide (each panel) together with a similar screen in need of some restoration. (2) ÂŁ300-500

466. A large late 19th century Mamluk revival brass vase, with pierced and engraved decoration with panels of Arabic script, 54.2cm high, 56cm diameter. ÂŁ200-300

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467. A pair of Iznik style pottery and brass mounted obelisks, each with a caparisoned elephant standing on a plinth and supporting the obelisk, the base with a printed mark, modern, 64cm high. (2) ÂŁ150-250

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468. A large Turkish Ushak carpet, west Anatolia, late 19th / early 20th century, 685 x 435cm.

469. A Turkish rug, Bergama, second half 19th century, 143 x 128cm. £500-700

£1,000-1,500

470. A Turkish Karapinar Cicim embroidered flat weave rug, second half 19th century, 171 x 148cm. £300-500

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471

472 471. A Turkish prayer rug, early 20th century, 146 x 108cm.

£100-150

472. A Turkish style rug, with an Afshar lattice design, 178 x 128cm.

£300-500

473. A Turkish Yagcibedir rug, late 20th century, 220 x 116cm, together with a Turkish style rug, possibly central Anatolia, 116 x 106cm. (2) £100-150 474. A Kerman rug, with an ivory field, south west Persia, early 20th century, 206 x 122cm. £100-200

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475. A fine Raver Kerman rug, south Persia, early 20th century, 222 x 143cm.

476. An unusual north west Persian rug, early 20th century, 190 x 109cm. £80-120

477. A Saruk rug, north west Persia, early 20th century, 176 x 122cm. £100-150

£1,000-2,000

478. A Malayer rug, north west Persia, c.1920, 191 x 139cm. £100-150

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479. A Fars rug, south Persia, early 20th century, 180 x 123cm together with another Fars rug, 180 x 128cm. (2) £100-200

480. A north west Persian rug, early 20th century, 253 x 115cm together with a Hamadan rug, north west Persia, c.1920, 145 x 102cm. (2) £100-150

481. A Qum rug, with a boteh field, central Persia, mid 20th century, 160 x 92cm. £100-200

479

482. A Kurdish rug, north west Persia, c.1920, 160 x 133cm. £80-120

483. A Kurdish rug, decorated with figures and a triple medallion, north west Persia, c.1930s, 255 x 142cm. £100-150

480

481

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482

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484. A rare Baluchi design silk rug, with a central tree of life design, late 19th century, 124 x 72cm. £400-600

485. A Baluchi rug, with an ivory ground, north east Persia. second half 20th century, 190 x 101cm. £80-120

486. A Baluchi prayer rug, north east Persia, c.1930, 154 x 80cm. £100-150

487. A Baluchi rug, north east Persia, c.1930, 194 x 112cm. £100-150

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488. A Baluchi prayer rug, north east Persia, c.1930, 151 x 103cm, together with an Afshar style sofreh 124 x 109cm. (2) £100-150

489. A Tekke Turkmen ensi, Turkmenistan, late 19th century, 136 x 120cm. £100-200

490. A Turkmen Yomut ensi, Turkmenistan, late 19th / early 20th century, 155 x 108cm. £100-150

488

491. A Veramin bag face, worked with animals, north west Persia, late 19th century, 84 x 71cm. £80-120

492. An Afshar bag face, with varied decoration to the bridge, with an upside down animal, south Persia, second half 19th century, 62 x 78cm. £100-200 489

491

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490

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493 493. An Ersari beshir torba, with multi-coloured woollen tassels and braided fringe, late 19th / early 20th century, 87 x 126cm. £100-200 494. An unusual Tekke Turkmen dip khali, Turkmenistan, early 20th century, 109 x 104cm. £100-150

494

495. A Tekke Turkmen dip khali, Turkmenistan, late 19th century, 105 x 88cm. £100-200 496. A Tekke Turkmen saddle bag, Turkmenistan, early 20th century, 105 x 59cm together with a Qashqai saddle bag, mid 20th century, 97 x 57cm, both with plain weave backs. (2) £100-150 497. Two Tekke Turkmen bag faces, Turkmenistan, late 19th century, both with hanging loops, 34 x 100cm and 60 x 118cm. (2) £100-200 498. A Yomut Turkmen chuval face, Turkmenistan, late 19th century, one end folded over, 64 x 114cm. £100-150

495

496

498 497

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499. An Indian carpet, with a yellow ground, early 20th century, 453 x 320cm.

£500-800

500. An Indian Dhurrie, decorated with stylised urns of flowers 277 x 183cm.

£80-120

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501. A Karabakh carpet, south west Caucasus, second half 19th century, 288 x 246cm. £2,000-3,000

502. A Bakhtiari rug, Chahar Mahal Valley, south west Persia, early 20th century, 232 x 146cm. £500-800

END OF SALE

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SILVER, VERTU, COINS & MEDALS

Tuesday 19th & Wednesday 20th July 2016

A Victorian Scottish novelty silver thistle vinaigrette, Edinburgh 1881, retailed by Mackay and Chisolm. Estimate: £750 - £800

ENQUIRIES Rupert Slingsby | Tel: +44 (0)1722 424501 | rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers | Tel: +44 (0)1722 424594 | lucychalmers@woolleyandwallis.co.uk

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JEWELLERY & WATCHES Thursday 21st July 2016

An opal and paste set silver gilt necklace by Arthur & Georgie Gaskin. Estimate: £3,000 - £4,000

ENQUIRIES Hannah Galbraith | Tel: +44 (0)1722 424586 | hannahgalbraith@woolleyandwallis.co.uk

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FURNITURE, WORKS OF ART & CLOCKS Wednesday 5th October 2016 Closing date for entries 5th August

A fine George III mahogany musical automata longcase clock by Samuel Smith, London. Estimate: £4,000 - £6,000 ENQUIRIES Mark Richards | Tel: +44 (0)1722 411854 | markrichards@woolleyandwallis.co.uk

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ARMS & ARMOUR, MEDALS & COINS & MILITARIA Wednesday 19th October 2016 Closing date for entries 2nd September

A fine 24 bore flintlock pistol by Samuel Nock. Estimate: £2,000 - £3,000 ENQUIRIES Ned Cowell | Tel: +44 (0)1722 341469 | nc@woolleyandwallis.co.uk

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Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays. VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered. REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies. PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us. COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids. TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

LIVE ONLINE BIDDING Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom.com, subject to approval. There is a 3% + VAT charge for this service. In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via thesaleroom.com, and 2. confirm that you are authorised to provide these credit card details to Woolley and Wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale. CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate. The colours printed in the catalogue are not necessarily true. SALE RESULTS These will be posted on our website shortly after the sale. BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 22% + VAT on the first £500,000 of the hammer price and 12% + VAT thereafter.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released. The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of 15,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present. Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction. Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office. Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid. VAT Lots marked with an asterisk (*) are subject to VAT on the hammer price. Lots marked with an omega ( ) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price. CITES REGULATIONS Please note that lots marked may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 12,500. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 12,500 Lots marked with a ‡ symbol are potentially subject to the levy. PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping

01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

APS

0800 118 5868 sales@apservices.info 07736 544 362 www.apservices.info

Mailboxes

01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover

Pack & Send

0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate. 5. VAT. (*) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. 6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale). 7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. 8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7. 7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. . Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense. 9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request. 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

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11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque four weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate. 5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position). 6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for. 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below. Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

21. English law applies to the interpretation of these Conditions.

Lots marked with a ‡ symbol are potentially subject to the levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 12,500. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 12,500

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Valuations PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount. INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Contact Christine Johnson 01722 424509 FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

Woolley & Wallis valuations are accepted by all leading insurance companies.

W MARLBOROUGH & SWINDON

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WOOLLEY & WALLIS

Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU

LONDON, ANDOVER & WINCHESTER

CASTLE RD A345

DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO OLD SARUM

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A345 Castle Rd

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Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough.

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DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO SALT LANE PEDESTRIAN ROUTE DRIVING ROUTE TO SALT LANE DRIVING ROUTE TO CASTLE ST.

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Registered in England No. 2998482

Salisbury Salerooms

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WOOLLEY & WALLIS

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Woolley & Wallis Salisbury Salerooms Ltd. 51-61 Castle Street, Salisbury Wiltshire SP1 3SU

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Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU

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VAT No: 631 9832 29 TESCO

Design & Production by Jamm Design Ltd. Tel. 020 7424 7830 www.jammdesign.co.uk

Due to the one-way system of Salisbury, please follow the red route when driving from Salt Lane to Castle Street.

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WOO L LE Y & WA L LI S Absentee Bid Form Furniture & Works of Art

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Brief Decription

Price Excluding buyer’s premium & VAT

Wednesday 6th July 2016 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. Billing Name (please print)

Address

Postcode Daytime telephone Email All accounts must be settled within 21 days. There is no surcharge for debit card payments, but for credit cards there will be a 2% (+VAT) surcharge. ID is required for all first time bidders.

Signature

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508

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www.woolleyandwallis.co.uk

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Auction Calendar SILVER 19th & 20th July – Silver, Vertu, Coins & Medals 25th October – The Arthur Holder Collection (Part I) 26th October – Fine Silver & Objects of Vertu Rupert Slingsby +44 (0) 1722 424501 • rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lucychalmers@woolleyandwallis.co.uk JEWELLERY 21st July – Jewellery & Watches 27th October – Fine Jewellery Jonathan Edwards +44 (0) 1722 424504 • jonathanedwards@woolleyandwallis.co.uk Marielle Whiting +44 (0) 1722 424595 • mariellewhiting@woolleyandwallis.co.uk PAINTINGS 7th September – Old Masters & 19th Century Paintings 13th December – Modern British & 20th Century Art Victor Fauvelle +44 (0) 1722 424503 • victorfauvelle@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jobutler@woolleyandwallis.co.uk ENGLISH & EUROPEAN CERAMICS & GLASS 13th September Clare Durham +44 (0) 1722 424507 • claredurham@woolleyandwallis.co.uk TRIBAL ART & ANTIQUITIES 20th September Will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk FURNITURE, WORKS OF ART & CLOCKS 5th October Mark Richards +44 (0) 1722 411854 • markrichards@woolleyandwallis.co.uk 20TH CENTURY DESIGN 18th October – 20th Century Design 30th November – British Art Pottery Michael Jeffery +44 (0) 1722 424505 • michaeljeffery@woolleyandwallis.co.uk ARMS & ARMOUR, MEDALS & COINS AND MILITARIA 19th October Ned Cowell +44 (0) 1722 341469 • nc@woolleyandwallis.co.uk ASIAN ART 15th & 16th November John Axford +44 (0) 1722 424506 • johnaxford@woolleyandwallis.co.uk Sophie Lister +44 (0) 1722 424591 • sophielister@woolleyandwallis.co.uk

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