Woolley & Wallis by Jamm Design Ltd

WOO L LE Y & WA L LI S SA L I S B U R Y SA L E R O O M S

Furniture, Works of Art & Clocks Wednesday 4th July 2018

Specialist Departments Please dial +44 (0)1722 followed by the number listed below 20TH CENTURY DESIGN Michael Jeffery Zoe Smith

424505 446955

ASIAN ART John Axford MRICS ASFAV Jeremy Morgan Marta Olszewska

424506 424506 424591

CHINESE PAINTINGS Freya Yuan-Richards

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA

424509 424598

MARKETING Ilona Pichler Tamzin Corbett

446960 424590

ACCOUNTS Janice Clift (Office Manager)

424500

424589 GENERAL OFFICE Sharon Ringwood Pauline Jones Nicola Young Fleur Field

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham

424507

FURNITURE, WORKS OF ART & CLOCKS Mark Yuan-Richards Jim Gale Suzy Becsy

411854 339161 446974

SALEROOM MANAGER David Jordan

JAPANESE ART Alex Aguilar Doméracki

424583

CASTLE GATE MANAGER Matt Hill

JEWELLERY Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Charlotte Glyde

424595 424504 424586

MEDALS & COINS, ARMS & ARMOUR Ned Cowell Zoe Cordey

341469 446980

PAINTINGS Victor Fauvelle Jo Butler Hollie Grubb

424503 424592 424592

SILVER Rupert Slingsby Lucy Chalmers

424501 424594

TRIBAL ART & ANTIQUITIES Will Hobbs Zoe Cordey

339752 446980

424500

CASTLE GATE RECEPTION Madeleine White BOARD OF DIRECTORS Paul Viney ASFAV Chairman John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart Managing Director

FRICS FRSA

COMPANY SECRETARY Natalie Milsted FCCA

424599

ASSOCIATE DIRECTORS Janice Clift Clare Durham Will Hobbs Michael Jeffery Mark Yuan-Richards Rupert Slingsby Marielle Whiting FGA

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 • www.woolleyandwallis.co.uk

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS

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FURNITURE, WORKS OF ART & CLOCKS Wednesday 4th July 2018 at 10.00am VIEWING TIMES Saturday 30th June Monday 2nd July Tuesday 3rd July Wednesday 4th July

10.00am – 1.00pm 10.00am – 4.30pm 10.00am – 4.30pm 8.30am – 9.45am

ENQUIRIES

Mark Yuan-Richards 01722 411854 myr@woolleyandwallis.co.uk

Jim Gale 01722 339161 jg@woolleyandwallis.co.uk COLLECTION OF LOTS Collection is available from Thursday 5th July to Saturday 7th July from our Castle Street Salerooms.

Suzy Becsy 01722 446974 sb@woolleyandwallis.co.uk

All items will be in transit from the Salerooms to the Warehouse at Old Sarum on Monday 9th July. Collection will not be available on that day. From Tuesday 10th July collection is from our warehouse at Castle Gate, Unit 1B, Castle Gate Business Park, Old Sarum, Salisbury, SP4 6QX. Please call 01722 446974 prior to collection to ensure the items are ready. All accounts to be settled prior to collection. BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 25% plus VAT TELEPHONE BIDDING Please note that requests for telephone bids cannot be accepted after 5pm on Tuesday 3rd July. LIVE BIDDING

ILLUSTRATIONS Front cover: Lot 250 detail Back cover: Lot 217 detail Catalogue £10.00 (£15.00 by post)

www.the-saleroom.com Please register by 5pm on Tuesday 3rd July. Please note there is a 3% +VAT surcharge for using this service.

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OAK & COUNTRY

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

1. A mid-17th century oak joint stool, the seat with a moulded edge above bicuspid rails and cup and column turned legs united by peripheral stretchers, 55.3cm high, 46cm wide, 29.2cm deep. £300-500 2. A Charles II oak joint stool, the seat with a moulded edge above a frieze with a channelled border, on ring turned legs and peripheral stretchers, 56.8cm high, 45.6cm wide, 30.5cm deep. £300-500 3. A late 17th century oak joint stool, the seat with a moulded edge, on turned legs united by peripheral stretchers, 57.2cm high, 45cm wide, 27cm deep, together with another oak joint stool, the frieze carved with lunettes and with branded marks ‘RM’, 58.5cm high, 45.5cm wide, 33cm deep. (2) £100-200 4. Two similar oak joined forms or long stools, each with a rectangular seat, with a moulded edge, each with a lunette and swag carved frieze and with panelled incised zigzag ends, on ring turned tapering legs united by peripheral stretchers, 17th century and later, 57.1cm high, 133cm long, 35cm deep and 57.5cm high, 127cm long, 35.3cm deep. (2) £400-600

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5. A Charles II oak triple panelled coffer, the hinged top revealing an open till, the front carved with a lunette frieze and with foliage lozenge panels, 63.5cm high, 116.8cm wide, 52.5cm deep. £300-500

6. A late 17th century oak coffer, the hinged top with a moulded edge, the front with a foliate carved lunette frieze, above triple panels, decorated with lozenges, 68.3cm high, 100.9cm wide, 45.7cm deep. £200-300

7. A small 17th century boarded oak coffer, the interior originally with a till, the front carved with a band of lunettes, on cut-out ends, 43.3cm high, 74.8cm wide, 33.7cm deep. £200-300

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

8. A mid-17th century oak gateleg table, the oval drop-leaf top above solid moulded ends and on sleigh type feet, 72.3cm high, 81 x 102cm (open). £500-800

9. A small oak gateleg table in William and Mary style, the oval drop-leaf top above a frieze drawer, on spiral twist supports and Braganza type feet, 70cm high, 63.7 x 83.5cm (open). £300-400

10. A small early 18th century oak gateleg table, the oval drop-leaf top on baluster and block end supports, with a pierced stretcher and sleigh type feet, 61.7cm high, 73.5 x 78.5cm (open). £300-400

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11. A William and Mary oak gateleg table, the oval drop-leaf top on bobbin turned and block legs united by peripheral stretchers, 79cm high, 151 x 157.5cm (open), together with a harlequin set of six ash and elm Windsor side chairs, each with a pierced wheel splat back, one stamped with initials ‘HV’, another numbered ‘R183’. (7) £200-300

12. A Queen Anne oak gateleg table, the oval drop-leaf top on spiral twist, urn and block supports united by peripheral stretchers, 73.3cm high, 133 x 151.5cm (open). £800-1,200

13. Two similar fruitwood and ash hoop back Windsor chairs, each with a pierced and rondel splat back, above an elm seat, on turned front legs, united by an ‘H’ stretcher, the back of one stamped with initials ‘R.F’, possibly High Wycombe, first half of 19th century. (2) £100-150

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14. An early 18th century oak hanging food cupboard, the panelled front carved with lunettes and stylised leaves, with a pierced spindle decorated door enclosing a shelf, 69cm high, 80.7cm wide, 29.7cm deep. £400-600

15. An oak and walnut stationery box, with a scroll and leaf carved surmount centred with an angel, above three drawers with carved fronts, above a slide revealing a vacant interior, the front with a pair of leaf and flower carved panels flanking a central panel with initials ‘S H 1688’, 17th century elements, 34.7cm high, 66.7cm wide, 32.2cm deep. £150-200

16. A late 17th century oak hanging food cupboard, the panelled front carved with scrolling leaves and fruit, with a central door decorated with a lozenge, with brass suspension rings, 47.3cm high, 82cm wide, 28.3cm deep. £400-600

17. A late 17th century elm boarded box, with a hinged lid and a vacant interior, 21.1cm high, 58cm wide, 23.7cm deep. £150-250

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18. An unusual oak dresser base, the boarded top with cleated ends, above panelled sides, the fronts with four open arches, the two end ones originally with doors, 18th century but adapted, 89.6cm high, 247.5cm wide, 69.5cm deep. £400-600

19. A planewood and fruitwood armchair, with a serpentine crest above a twin splat back, with outscrolling arms and an oak seat, on baluster turned legs united by peripheral stretchers, possibly Irish or Dutch, late 17th / early 18th century. £200-300

20. A George III oak tripod table, with a circular tilt-top on a tapering stem, 64.3cm high, 75.7cm diameter. £100-150

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21. An early 19th century Welsh oak dresser, inlaid with chequer stringing, the raised plate rack with a pierced and shaped frieze decorated with love hearts, above three shelves and a pair of drawers, the conforming base with a pair of drawers, on ring turned tapering front legs, 208.1cm high, 111cm wide, 35.9cm deep. ÂŁ300-500

22. A William and Mary oak side table, the boarded top above a frieze drawer, on turned disc legs united by conforming peripheral stretchers, 78.5cm high, 96.7cm wide, 67.4cm deep. ÂŁ300-500

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23. A harlequin set of eight Lancashire dining chairs, each with a spindle back, above rush seats, with turned front legs united by stretchers, early 19th century and later, comprising: an armchair and seven side chairs. (8) £300-500

24.

An early Victorian ash and beech child’s Windsor armchair, with a stick back, above an elm seat, on turned legs united by an ‘H’ stretcher. £200-300

25.

A 19th century ash and beech child’s chair, with a turned spindle back above a rush seat.

26.

A Victorian ash child’s Windsor armchair, the stick back above an elm seat, on turned legs united by a crinoline stretcher.

£80-120 £100-200

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

27. A set of six Lancashire ash dining chairs, each with a spindle back, above a rush seat, on turned front legs united by stretchers, early 19th century. (6) £700-900 Provenance: Purchased from David Tron Antiques, 275 Kings Road, Chelsea, London, 25th February 1988.

28. A 19th century yew and elm low back Windsor armchair, with a pierced splat back, on turned legs united by a crinoline stretcher. £300-400

29. A matched pair of Victorian ash and beech smoker’s bows, each with a pierced splat back, with turned spindle arm supports, above an elm seat. (2) £300-500

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30. A 19th century French cherrywood draw-leaf farmhouse kitchen table, 75.8cm high, 117cm long, 217.4cm long (extended), 78.5cm deep. £300-500 Provenance: Purchased from Henry Baines Antique Furniture, Tunbridge Wells, Kent, 6th February 1988. 31. A Victorian hanging pine display cabinet, with a glazed front and two fixed shelves, with a hinged rear door and a sunken brass ring handle, 64.5cm high, 48cm wide, 21.3cm deep. £80-120

32. A Victorian pine display cabinet, the top with a pair of astragal gazed doors enclosing a red painted interior with two adjustable shelves, above a conforming base with one shelf, 177.5cm high, 123.5cm wide, 33cm deep. £300-500

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33 detail

33 33. An early 19th century burr yew occasional table, the circular fixed top with segmented veneers, on a turned stem and a triform base, 77.9cm high, 56.7cm diameter. £300-500 34. An early Victorian yew stool, with a floral needlework seat, on baluster turned legs, 49cm high, 51cm wide, 50cm deep. £200-300

35. A George II oak bureau, the hinged fall revealing a fitted interior with a central cupboard flanked by pigeon holes and drawers, above an arrangement of five drawers, on shaped bracket feet, 102cm high, 91.7cm wide, 44.5cm deep. £300-500 36. An early 19th century elm occasional table, the circular fixed top on a turned stem and a triform base with disc feet and castors, 70.5cm high, 48cm diameter. £150-200

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37. An early 17th century French bronze mortar, the rim decorated with four rectangular panels, with a wild boar’s head issuing scrolling leaves, above eight ribs or buttresses, interspersed with a pair of relief portrait busts, possibly Lyon, Toine Cavet, 11cm high, 14.7cm diameter. £150-200

38. A late 17th century bronze cauldron, with a flared rim and angular handles, together with two 18th century skillets, one by Robert Street, the other by Bayley & Street of Bridgewater, 35.5cm (max). (3) £200-300

39. Three 18th century bronze and bell metal skillets by Warner, the handles cast ‘WARNER 5P’, ‘WARNER 1P’ and ‘2WARNER’, 46cm long (max). (3) £150-200

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40. A pair of pewter trumpet base candlesticks, each with a rimmed nozzle above a twin knopped stem and a drip-pan with a reeded edge, the underside of each with a touchmark 'B B 1664' (Cotterell p.348 5415.) possibly for Beza Boston, 18.1cm high. (2) £800-1,200

41. A Charles I pewter tankard, with a domed hinged cover with a pierced heart and bar thumbpiece, with a scroll handle and a worn touchmark to interior of base, 28.1cm high, together with a late 17th century broad rim charger by Richard Fletcher, London, with reeded decoration, owner’s initials ‘S C’, touchmarks and further marks, 42.1cm diameter and a plate by William Matthew, London, 22.5cm diameter. (3) £800-1,200

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42. A pair of George III brass altar candlesticks, each with an ejector mechanism and a ring turned stem, on a domed foot, 50.3cm high. (2) £200-300

43. An 18th century wrought iron hanging pendant floating wick lamp, 66cm long. £100-150

44. An 18th century brass and iron tinder lighter, engraved with scroll decoration and with a ball foot, 18.8cm long. £200-300

45. A wrought iron wax jack, the top with a pair of nips above a plain stem and platform base, with tripod feet, together with a wrought iron table rushnip on an oak base and a wrought iron wall driven or beam candlestick, 18th century, 22.7cm (max). (3) £200-300

43 46. A pair of mid-Victorian brass and bell metal tavern candlesticks, each with an urn nozzle, above a bell and a dished foot, 32cm high. (2) £150-250

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47. A George III steel and brass goffering iron, with a baluster turned stem and tripod supports, 26.7cm high. £100-150

48. A cast iron lace iron, numbered ‘8’, together with two other lace irons, each with a turned wooden handle, one with a maker’s plaque inscribed ‘E.PUGH & CO. WEDNESBURY’, with a lift-off top, the other with a compartment for heating, together with two other cast iron irons and a brass example with a wood handle, George III and later, 16.7cm long. (6) £150-250

49. An early 19th century cast iron ball iron, the hinged top with a recess for a hot coal, above a ring turned stem and a ‘lemon squeezer’ type base, together with another ball iron by Kenrick & Sons, the detachable base stamped ‘A.K. & Sons No. 0’, one with a mushroom finial and a lemon squeezer base and a brass and cast iron example with a screw-off top and a lift-off cover, 33.9cm high. (4) £200-300

50. Two similar 18th century wrought iron and bronze tally or goffering irons, each with a scroll stem and on tripod supports, together with a wrought iron double goffering iron, with a baluster stem on tripod legs and stylised boot feet and two wooden handled iron pokers or slugs, 36.7cm long (max). (5) £300-500 50

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51. A Victorian walnut stool, the seat decorated with a plushwork dalmatian dog, on flattened bun feet, 13cm high, 32cm wide. £150-200

52. A pair of 19th century elm and studded leather bellows, the front carved with a pointer dog with polychrome decoration, 56.7cm long. £100-150

53. A carved and painted wood fox hunting group attributed to Frank Whittington, of Forest Toys, comprising: six horse and riders, six hound dogs and a fox, early 20th century, 21.5cm (max). (13) £100-150 Frank Whittington (1876-1973) established a toy making firm at the end of World War I in the New Forest, making carved animals and people, inspired by his surroundings and from regular trips to London Zoo and the Natural History Museum. Originally making the toys from home the demand became such that in 1922 he built a factory on the edge of the New Forest (Brokenhurst). The popularity of the figures rose when Queen Mary ordered two dozen Noah`s Arks after seeing them at the British Industries Fairs during the inter war period.

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54. A rare late Victorian folk art carved pine butcher’s shop sign, in the form of a pig mounted on an oval plaque, inscribed ‘G. GODDARD. CASTON’, restorations,, 82 x 138cm. £1,000-1,500 George Goddard is recorded as a farmer living in Caston at The Chase c.1908.

55. A Victorian wrought iron and copper weather vane, with a coral finial above a sail, decorated with scrolls and with the points of £400-600 the compass, 195.5cm high, 99.5cm wide. Provenance: By repute, Thorpe Park Estate, Surrey.

56. A French folk art tôle weather vane, in the form of a cockerel, 40.9cm high, 52cm wide. £150-250

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57. An 18th century bronze bell, the reeded body inscribed ‘JOHN MARSHALL ESQR 1783’, 34.5cm high. £200-300 This bell probably relates to John Marshall (1755-1835), the American politician and fourth Chief Justice of the United States (1801-1835). Marshall had English ancestry and this bell was possibly made to commemorate his wedding on 3rd January 1783 to Mary Ambler.

58. A 19th century antler handled honing steel, carved with a bull’s head finial, with glass eyes, 32cm long. £80-120

59. A folk art painted wood figure of a train conductor, wearing a peaked cap with initials ‘MR’ for Midlands Railway, carrying a brass lamp and two flags, early 20th century, 34.6cm high. £100-150

60. A primitive painting of a prize bull, standing in a parkland setting before a country house, signed ‘J. Blakey’, oil on canvas, 29.8 x 40cm, in a bird’s eye maple frame. £150-250

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61. Two Victorian carved limestone models of Medieval tomb effigies, both of knights, one wearing chainmail and armour, his shield decorated with a lion rampant and six crosses, the other supported by angels with a dog at his feet, his shield decorated with the arms for Richard the Lionheart, three lions passant guardant, 24.3cm long (max). (2) ÂŁ400-600

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62. A small collection of carved oak panels, comprising: a pair decorated with an angel’s mask, dragons and leaves, another similar pair with a Bacchus type mask issuing a grapevine, with a pair of figures holding clubs, together with a larger panel carved with a central term figure, with scrolling leaves above an urn and with an eagle surmount, 17th century, 74.7 x 29.7cm (max). (5) £100-150

62 63. Two pairs of carved oak caryatids, comprising: a pair of musicians playing lutes, carved with flowerheads, the other with two figures with crossed arms across their chests, 17th / 18th century, 85cm high (max). (4) £200-300

64 64. A Portuguese giltwood and painted Corpus Christi, with ebonised decoration on a leaf and fluted base, with stylised paw feet, late 18th / early 19th century, 85cm high, together with an associated giltwood wall bracket. (2) £200-300 65. Two similar 19th century German Westerwald salt glaze stoneware ewers in Renaissance revival style, each with a blue glaze, with an eagle head and ring spout, the bodies decorated with leaves and a coat of arms dated 1588, each foot applied with a lion’s head mask, 80.7cm high (max). (2) £200-300 Provenance: Warrens House, Bramshaw, New Forest.

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66. A rare 18th century primitive treen oak lever action figural nutcracker, in the form of a man with a flat face and a moustache, the sides carved with arms, the front with the owner's initial 'T', 21cm long. ÂŁ500-800 See Woolley and Wallis, Furniture and Works of Art, 6th July 2016, lots 51, 54 and 55 for similar examples.

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67. A Victorian treen lignum vitae string box, of cylindrical form, with a screw-off lid, 16.3cm high. £80-120

68. A 19th century treen lignum vitae string box, with a screw-off cover, cylindrical body and a hexagonal foot, together with another treen string box, the lid with a cutter, 18.5cm high (max). (2) £100-150

69. Three treen lignum vitae turned bowls, 12.2cm diameter (max). (3) £80-120

70. Three 19th century treen coquilla nut nutmeg graters, one in the form of an acorn, one barrel shaped and another one as a basket, all with steel and bone graters, 8.2cm (max). (3) £100-150 70

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71. A treen turned and carved nutmeg box and cover, the lid decorated with leaves above a basket base, 10cm high. £100-200

72. A George III treen coquilla nut and lignum vitae table nutmeg grater, turned and carved, with a screw-off lid revealing a steel and bone grater, the basket base also screws off to reveal a compartment for nutmegs, 16cm high. £300-400

73. Two 19th century treen lignum vitae beehive string boxes, each with turned and carved decoration, together with a similar inkwell, 10.8cm high (max). (3) £150-250

74. A George III treen coquilla nut and lignum vitae table nutmeg grater, turned and carved, with a screw-off lid revealing a steel and bone grater, the basket base also screws off to reveal a compartment for nutmegs, 15.5cm high. £300-400

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75. A small collection of carved wood picture frame gesso moulds, of various designs, including: a flaming torch, an Art Nouveau flower design, laurel leaves and scrolls, the majority numbered, one stamped ‘VERONESE LTD’, 40cm long (max). (10) £300-400

76. A late 18th century Swedish treen pine butter or cheese mould, the interior with ridges and the base decorated with crosses, the underside with initials ‘MTD 1793’, 8.9cm high, 19.8cm wide. £80-120

77. A 19th century treen butter print mould, with various designs, including a fish, possibly Swiss, 32.5cm long. £80-120

78. A treen kvosh, with chip carved decoration, the handle in the form of a stylised deer, Scandinavian or Russian, together with an Indonesian bone tribal figure, 14.4cm (max). (2) £80-120

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79. A 19th century treen ash dairy bowl, 43cm diameter. £150-200

80. A George III oak wall hanging spoon rack, with a shaped raised back and three tiers pierced with fifteen apertures, containing later treen spoons and a pastry brush, 33.4cm high, 36.7cm wide, 15.7cm. (16) £200-300

81. Fifteen Scottish pottery carpet bowls, of various designs and sizes, late 19th / early 20th century, 8.5cm diameter. (15) £200-300

82. A George III treen lignum vitae coffee grinder, the lid with a stylised acorn finial, above a ring turned body, with a detachable steel folding handle, with a screw-off base, 22cm high. £200-300

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84 83. A naive treen figure of a flapper girl, sporting a bob hair-cut and high heels, early 20th century, possibly American, 15.7cm high. £100-150 84. An elm and fruitwood hanging candle box, with an oak hinged lid, 36cm high, 25.7cm wide, 17.5cm deep. £100-150 85. A pair of treen and horn boot-pulls, the carved handles in the form of riding boots, late 19th / early 20th century, 19cm long. (2) £100-150 86. A Victorian treen elm and walnut beer barrel tobacco jar, brass bound and of staved construction, the lid with a ‘U’ shape handle, 24.8cm high. £100-150

85 86

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87. An early 18th century treen pen knife, the handle carved with a figure of a lady, with long hair, bodice and dress, with hatched decoration, with a folding steel blade, possibly Scandinavian, 13.8cm long (open). ÂŁ300-500

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88. A George III needlework sampler by Sarah Johnson, worked in various colours with alphabets, numbers, the Lord’s prayer, ‘GR crowned’, urns of flowers, birds, a lion and unicorn and inscribed ‘Be a Guide to me Sarah Johnson her sampler wrought in the yaer 1769 SJ the Daughter of Nicholas and Rebekah Johnson born Feb the sixteenth in the year of our lord 1756’, 44.4 x 29.3cm, in a later glazed bird’s eye maple frame. £200-300

89. A late George II needlework sampler by Hannah Hodgson, worked in coloured silks with alphabets and numbers, flowers, crowns and a moral passage titled ‘MORAL PRECEPS’, inscribed ‘HANNAH HODGSON’S work taught by Mary Ann Smith of Bradford and finish’d on the 25th of Apr 1757’, 29.7 x 23.5cm, in a later glazed bird’s eye maple frame. £150-250

90. An early Victorian needlework sampler by Isabel Kelly, worked with a house flanked by trees, with raised woolwork grass above a lion, flowers, crowns and peacocks, with urns of flowers and letters, inscribed ‘ISABEL KELLY 1848’, 42.2 x 38cm, in a glazed rosewood frame. £150-250

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91. A George IV needlework sampler by Mary Simpson, worked in various colours, with Adam and Eve under the tree of life, flanked by flowers and two houses, one with a chapel, above boats, stags, lion and a unicorn, birds, two angels, flowers and a verse, inscribed ‘Mary Simpson’s 1828’, 54.8 x 65.8cm, in a later glazed and moulded mahogany frame. £400-600

92. A Regency needlework sampler by M. Watt, worked in various colours with alphabets, numbers, flowers, family initials and with a house, inscribed ‘M. WATT 1810’, 41.5 x 21.7cm, in a later glazed ebonised frame. £200-300

93. A George IV needlework sampler by Mary Hardcastle, worked in various colours, with Adam and Eve under the tree of life, with urns of flowers and baskets of fruit, with a pair of stags, birds and crosses, with lovehearts and crowns, with a verse and an alphabet, inscribed ‘MARY HARDCASTLE Aged 9 1829, Born July 25’, 42.4 x 43cm, in a glazed burr oak and ebonised frame. £150-250 92

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94. A Victorian woolwork picture, depicting Rebecca at the well, with painted features, 37 x 45cm, in a glazed moulded gilt and composition frame. £200-300

95. A George III silkwork picture, depicting a lady in a landscape, picking flowers, with painted details, 25.5 x 18.3cm, in a glazed and giltwood oval frame. £100-150

96. An early Victorian silhouette, depicting a girl with her dog, signed in pencil ‘Jane Phillips. Aslockton. 1840’, 13.8 x 9.5cm, in a glazed stained pine frame. £100-150

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97. Scottish School (19th century). A naive watercolour of a girl, wearing a tartan dress and holding a doll, in a mountain landscape setting, 21.2 x 17.5cm, in a glazed bird’s eye maple frame. £150-250

98. A 19th century naive watercolour, depicting a boy and a girl with a cart, outside a thatched cottage, 16.7 x 22.5cm, in a glazed, simulated walnut moulded frame. £150-200

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99. A matched pair of early 19th century theatrical tinsel print pictures, ‘THE SAILORS FAREWELL’ and ‘THE SAILORS RETURN’, silk, cut tinsel foil and handcoloured print, inscribed ‘London J. Fairburn, Minories’ and titled, 20.5 x 15.7cm (max), in glazed, reeded ebonised wood frames. (2) £100-200

100. An early 19th century theatrical tinsel print picture of Mrs Fitzwilliam as Poll the Pet, silk, cut tinsel foil and hand-coloured etching, inscribed ‘J. FAIRBURN 110 Minories London, MRS. FITZWILLIAM AS POLL THE PET, In the Pot of the Petticoats’, 24 x 19.4cm, in a glazed, rosewood frame. £100-150 Tinsel prints were created from etched portraits of theatrical stars in popular roles they played on the London stage. They were hand-coloured and decorated with scraps of material and tinsel additions. They were popular during the first half of the 19th century and were considered an adult, rather than a child’s hobby. By the 1830s it was possible to buy the tinsel, leather and feather ornaments to go with each image. 101. Two similar early Victorian seaweed pictures, each in the form of an urn of flowers, the urns composed from sand on a material base, inscribed ‘Jersey’, the flowers made from a variety of dried seaweeds, 26 x 21.5cm and 26 x 21cm, each in a glazed, gilt and composition frame. (2) £200-300

100

101

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FURNITURE & WORKS OF ART

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102. A walnut highback open armchair in early 18th century style, the pierced back carved with scrolls and leaves, with baluster turned supports, above a stuffed-over seat, on faceted front legs and ‘X’ stretchers. £200-300 Provenance: Warrens House, Bramshaw, New Forest.

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103. A walnut open armchair, in late 17th century style, the arched back and seat covered with needlework, decorated with exotic birds, with scroll arms, on turned and block supports united by an ‘X’ stretcher. £200-300

103

104. An oak stool, with a needlework seat with a tasselled fringe, on scroll carved legs united by an ‘X’ stretcher with an urn finial, early 18th century elements, 44.3cm high, 53.5cm wide, 43.5cm deep. £300-400

104

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105. A Charles II Anglo-Dutch walnut and marquetry cabinet on later stand, inlaid with pewter stringing and natural and green stained bone, with panels of fruitwood flowers and leaves on an ebony ground, the moulded cornice above a cushion drawer, with a pair of cupboard doors with oval panels decorated with Roman style centurions, enclosing an arrangement of ten drawers, surrounding a cupboard door inlaid with an urn of flowers and a bird, with four further drawers, all with gilt brass foliate handles, the stand with a conforming frieze drawer, on faceted tapering oak legs united by peripheral stretchers, 159.3cm high, 112cm wide, 48.5cm deep. ÂŁ3,000-5,000

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106. A William and Mary and later cocus wood and walnut side table, the quarter veneered top with ebony stringing and with a chevron banding, above a conforming divided frieze drawer, on spiral twist legs united by an ‘X’ shape stretcher and on bun feet, 63cm high, 47cm wide, 34.2cm deep. £1,500-2,000 Provenance: Woolley & Wallis, The Nolte Collection, 25th September 2007, lot 238.

106

107. A William and Mary walnut chest on stand, the quarter veneered and crossbanded top above a cushion drawer, above two short and three long feather banded drawers, the stand with a long drawer, on turned feet, 122.5cm high, 109.5cm wide, 57cm deep. £1,000-1,500 Provenance: From a European Princely Collection.

107

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108. An 18th century Dutch red japanned display cabinet on later stand, of canted form, decorated in gilt with chinoiserie with figures, birds, animals, pagodas and prunus trees, the triple arched top with a turned spindle frieze and with four urn finials, above a glazed door enclosing two later fabric lined shelves, with glass side panels, the stand with a hatched panel and an acanthus carved frieze, on fluted column legs, 216.8cm high, 103.5cm wide, 44cm deep. ÂŁ2,000-3,000

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109. A George I walnut chest on chest, with three short and three long cross and feather banded drawers, flanked by fluted angles, the base with three long drawers, the base drawer inlaid with a parquetry sunburst concave panel, on bracket feet, 164.2cm high, 105.3cm wide, 55.2cm deep. £1,500-2,500 Provenance: From a European Princely Collection.

109

110. An early 18th century walnut toilet mirror, with a rectangular bevelled plate and turned and block supports, the two-tier box base with four ripple fronted drawers, on later bun feet, 58.5cm high, 37cm wide, 17.2cm deep. £200-300 Provenance: The Property of a Cotswolds Private Collector.

111. A George II walnut lowboy, the quarter veneered top with feather and crossbanding, above a frieze drawer, on club legs and pad feet, 68cm high, 74.5cm wide, 47.8cm deep. £300-500

111

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112. A Flemish ebony cabinet, decorated with ripple mouldings, the hinged top revealing a vacant interior with a mirror to the underside of the lid, with a pair of panelled doors enclosing an arrangement of seven drawers around a mirrored and column recess with an ebony and ivory parquetry floor, with six further secret drawers, late 17th / early 18th century, on an English giltwood base, decorated with leaves on a punched ground, with pointed pad feet, 114.1cm high, 66cm wide, 40cm deep. ÂŁ800-1,200

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113. A George II walnut bureau, the hinged fall with feather and crossbanding, revealing an interior with a cupboard flanked by pigeon holes and drawers, above two short and three long drawers and bracket feet, 100.4cm high, 95.4cm wide, 52.2cm deep. £800-1,200 Provenance: Purchased from Brian Rolleston, Kensington Church Street, London. The Property of a Cotswolds Private Collector.

113

114. A George II walnut hanging corner cupboard, with an arched glazed door, enclosing three plush lined shaped shelves, 97.9cm high, 62cm wide, 33.3cm deep. £100-200

115. A George I walnut stool, the later gros and petit point needlework seat depicting a prosperous farmer carrying a saw, decorated with flowers and leaves, on faceted and channelled cabriole legs and pad feet united by a shaped and pierced stretcher, 46.8cm high, 55.7cm wide, 41.7cm deep. £800-1,200 114

115

115 detail

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116. A George II mahogany bookcase cabinet, with a pair of astragal glazed doors enclosing three adjustable shelves, the base with a pair of fielded panel doors enclosing two slides, on bracket feet, 218.4cm high, 124.2cm wide, 55.8cm deep. £500-700

116

117. A mahogany bachelor’s chest, with a later hinged fold-over top, above an arrangement of five drawers, on bracket feet, with brass side carrying handles, mid-18th century and later, 84.3cm high, 94.8cm wide, 52.7cm deep. £400-600

118. A George II red walnut side chair, the scroll carved top rail above a vase shape solid splat, with a later needlework drop-in seat, on shell capped cabriole legs and claw and ball feet. £300-500 118

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119. A George II mahogany tripod font stand, the later square cover revealing a marble font, on a fluted and acanthus wrapped baluster stem, on leaf carved cabriole legs and hairy lion’s paw feet, possibly Irish, 94.3cm high, 70cm wide. £150-250

120. A George III mahogany pole firescreen, with an adjustable petit-point floral needlework panel, above a fluted stem on leaf carved cabriole legs and stylised paw feet, 152cm high, 49.5cm wide, £80-120 together with a similar firescreen. (2)

121. A George III mahogany circular dished tray, 37.6cm diameter. £100-150

122. A mahogany octagonal tray, with a serpentine pierced gallery, 50cm wide. £100-150

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123. A George III giltwood wall mirror, the later rectangular bevelled plate flanked by columns, the frame decorated with ‘C’ scrolls and roses, with a shell surmount and a leaf and husk pendant base, possibly Irish, 125.5 x 67cm. £800-1,200

123

124. A George II mahogany kneehole desk, the top with a moulded edge, above a brushing slide and an arrangement of eight drawers around a central cupboard, with a Rococo pagoda style moulding, with canted angles, carved with leaves and flowers, on bracket feet, 78.4cm high, 87.8cm wide, 52cm deep. £800-1,200

124

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125. A George III mahogany secrétaire bookcase, with a pair of geometric astragal glazed doors, enclosing three adjustable shelves, the base in two parts, fitted with a deep drawer, with a baize lined writing surface and an arrangement of drawers and pigeon holes flanking a cupboard, top and base possibly associated, 220.7cm high, 105cm wide, 52.5cm deep. £400-600

126. A George III mahogany pot cupboard, the hinged door inlaid with a patera, with a shaped apron, 72.5cm high, 35.5cm wide, 35.1cm deep. £100-150 Provenance: Purchased from J. Liptich Antiques, 177 Westbourne Grove, London, 31st March 1991. 125

127. A George III mahogany extending dining table, comprising: a pair of ‘D’ ends and two additional leaves, on square tapering legs, 73cm high, 232.8cm long, 122cm wide (extended). £200-300 127

Provenance: Warrens House, Bramshaw, New Forest.

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128. A pair of white painted breakfront side tables in George III style by John Sander, each with a faux marble top, above a fluted and lattice panelled frieze, on square tapering legs and spade feet, c.1966, 84cm high, 168.4cm wide, 54.5cm deep. (2) £500-700 Provenance: Recently removed from Gavelacre House, Longparish, Hampshire.

129. A mahogany partner’s library table, with satinwood banding, the rectangular top inset with burgundy leatherette, with three frieze drawers to either side and with false fronts to the sides, inlaid with oval fan paterae, on moulded tapering legs and brass caps and castors, 74cm high, 136.3cm wide, 97.6cm deep. £800-1,200 Provenance: Warrens House, Bramshaw, New Forest.

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130. A George III mahogany chest, the top with an applied moulded edge, above a baize lined brushing slide and four long graduated drawers, with bone escutcheons, on later bracket feet, 85.5cm high, 108.5cm wide, 53cm deep. £300-400

130

131. A George III mahogany tall chest, of two short and four long graduated drawers, on bracket feet, 128.5cm high, 110.2cm wide, 54.5cm deep. £250-300

131

132. A mid-18th century mahogany tripod table, the circular tilt-top on a baluster turned stem, cabriole legs and pad feet, 62.2cm high, 67.7cm diameter. £300-500

132

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133. A George III mahogany serpentine commode, crossbanded in satinwood, the top with a moulded edge above a brushing slide and three long drawers, quarter veneered sans traverse, on bracket feet, 78.7cm high, 95.7cm wide, 52.5cm deep. ÂŁ3,000-5,000 Provenance: Purchased from Peter Liptich, Fulham Road, London. The Property of a Cotswolds Private Collector.

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134. A George III mahogany linen press, inlaid with boxwood stringing and kingwood crossbanding, the arched cornice inlaid with a fan patera, above a pair of oval panelled doors enclosing two slides and a later brass hanging rail, the base with two short and two long drawers, the top and base possibly associated, 239.3cm high, 140.2cm wide, 62.5cm deep. £800-1,200

134

135. A George III mahogany tripod table, the circular tilt-top on a fluted spiral twist vase stem and cabriole legs, 68.8cm high, 70.5cm diameter. £150-200

136. A George III Scottish mahogany card table of canted form, the top with rosewood crossbanding, on square tapering legs and brass castors, 75.3cm high, 91.8cm wide, 45.7cm deep. £80-120

136

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137. A George III Hepplewhite period mahogany oval sewing table, inlaid with kingwood banding and ebonised and boxwood stringing, the crossbanded top above a frieze with satinwood dogtooth banding and a pull-out front, with a drawer originally with a bag, on square tapering legs and brass caps and castors, 72.3cm high, 58.3cm wide, 42.8cm deep. £1,000-1,500 Provenance: The Property of a Cotswolds Private Collector.

137

138. A George III mahogany tray-top bedside commode, the gallery with pierced handgrips, above a concave front, with a tambour shutter and a pull-out base with a lidded ceramic pot, 78.5cm high, 56.6cm wide, 51.3cm deep. £200-300

138

139. A George III and later Irish satinwood and marquetry demi-lune card table in the manner of William Moore, inlaid with stringing, the fold-over top inlaid with a fan design and purple heart panels, on a single gate support, the frieze with ribbon tied swags of husks, on square tapering legs with applied ankles, 77.5cm high, 107cm wide, 47.5cm deep. £500-700

139

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140. A George III oak tripod table, the circular tilt-top inlaid with an oval panel, revolving on a birdcage, on a vase turned stem, with a fluted base and cabriole legs, 69.4cm high, 82cm diameter. £300-500

140

141

141. A George III mahogany Pembroke table, with a butterfly dropleaf top, above a frieze drawer, on chamfered legs united by an ‘X’ stretcher, 70cm high, 87.3 x 98.5cm (open). £200-300

142. A 19th century mahogany secrétaire chest, the interior with an arrangement of six drawers and pigeon holes, with an inset writing surface, above three long drawers, on French bracket feet, 105.3cm high, 83.2cm wide, 48.5cm deep. £200-300

142

143. A George III mahogany serpentine tea table, the fold-over top with a moulded edge on a single gate support revealing a secret drawer, with a plain frieze, on Gothic channelled front legs, 73.8 cm high, 100.5 cm wide, 49.2 cm deep. £200-300 143

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144. A pair of George III Sheraton period satinwood card tables, inlaid with ebonised stringing and geometric decoration, each with a rosewood and kingwood crossbanded ‘D’ shape fold-over top, on twin gate supports and square tapering legs, 75.5cm high, 91.5cm wide, 43.7cm deep. (2) £3,000-5,000

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145. A late George III Sheraton period rosewood card table, inlaid with boxwood stringing, the satinwood crossbanded ‘D’ shape fold-over top on a single gate support, 74cm high, 91.3cm wide, 41.8cm deep. £300-500 Provenance: The Property of a Cotswolds Private Collector.

145

146. A George III mahogany tripod table, the dished circular tilt-top on a vase turned stem, on faceted cabriole legs and pad feet, 70.3cm high, 60.7cm diameter. £300-500 Provenance: The Property of a Cotswolds Private Collector.

146

147. A late 18th century satinwood lady’s dressing table, the hinged lobed shaped lid inlaid with a stylised fan motif with stained sycamore, ebony, wenge and rosewood, with a central rosette, above a divided interior with a hinged central compartment, the lid inset with a mirror, originally with a bag, on square tapering legs united by an undertier, 74.3 cm high, 64 cm wide, 44.3 cm deep. £300-400

147

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148. A pair of George III mahogany open armchairs in the manner of Gillows, each with a later padded needlework back, armrest and seat, with scroll arms on stop fluted supports, carved with flowerheads, together with another George III mahogany open armchair in the manner of John Linnell, the frame carved with a guilloche moulding with palmettes and husk swags (one arm missing). (3) £500-800

149. A pair of painted and parcel gilt side chairs, each with an oval back with a carved shell and leaf surmount, above a splat back carved with garlands of leaves and berries, with an oval medallion painted en grisaille with baskets of flowers and instruments, above a needlework seat, on fluted tapering legs. (2) £100-200

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150. A George III satinwood knife box, with kingwood banding, the sloping lid marquetry inlaid with a conch shell, the interior converted for stationery, with a parquetry star, 37cm high, 22.7cm wide, 29.4cm deep. £300-500

150

151. A George III satinwood tea caddy, of canted rectangular form, the hinged lid inlaid with a marquetry conch shell, with a vacant interior, the front inlaid with oak leaves and acorns, 12cm high, 12.5cm wide. £100-150 151

152. A George III harewood tea caddy, inlaid with oval fan paterae, the interior with a pair of lidded compartments flanking a sugar bowl aperture, 13.5cm high, 25.1cm wide, 13.5cm deep. £200-300

152

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153. An early Victorian rosewood novelty tea chest, in the form a sideboard, the hinged lid (originally with a raised back) revealing a baize lined interior, with a pair of spoon compartments flanking a sugar bowl aperture, the front with a pair of pull-out tea canisters which are locked when the lid is down, with an arched panelled front, 40.9cm high, 38cm wide, 17.5cm deep. £300-500

154. A George IV amboyna and brass marquetry tea chest, of sarcophagus shape, the interior with a pair of burr yew and kingwood banded pull-out canisters, flanking a cut glass sugar bowl, on gilt brass cast paw feet, with lion’s mask ring handles, 20cm high, 31cm wide, 16.5cm deep. £400-600

155. A late Regency tortoiseshell sarcophagus tea caddy, with pewter stringing, the hinged top with a silver coloured metal vacant plaque, revealing an interior with ivory edging and a pair of lidded compartments, with a serpentine front and concave sides, on ball feet, 14.5cm high, 18.2cm wide, 12cm deep. £200-300

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156

156 open

156. A Victorian morocco leather table cabinet, with polychrome and gilt tooled decoration of scrolling leaves and flowers, the hinged lid with a letter pouch to the underside, above an interior with five mother of pearl and bone reel holders, silk lidded compartments and a needle holder, the hinged front revealing pigeon holes for letters and stationery, above a pen and ink drawer fitted with two inkwells and lidded compartments for stamps and wafers, 22.4cm high, 24.6cm wide, 19.8cm deep. £200-300 157. A 19th century French stained burr maple tea chest, with cut steel decoration, the maple interior with a pair of part hinged lift-out canisters flanking a glass sugar bowl, 14.7cm high, 30cm wide, 15.8cm deep. £200-300 158. A 19th century specimen wood parquetry jewellery box, with ebony banding and inlaid with palm wood, burr yew, olive wood and various other timbers, the top with lozenge panels and a stylised star, the plush lined interior originally with a lift-out tray, 13.8cm high, 35.6cm wide, 26.5cm deep. £150-250

157

158

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159. A Victorian walnut games compendium, with brass strapwork mounts and pietra dura cabochons, the hinged lid with a monogram ‘CAH’, the satin birch veneered interior with a folding macassar ebony and ivory games board for backgammon and chess inset into the lid, above ivory and brass mounted bezique and cribbage boards, with an ivory chess set, draughts and whist markers, with dice and markers, with a base drawer activated by a button mechanism, fitted with dominoes, playing cards, shakers, dice and counters, with side carrying handles, 20.4cm high, 37cm wide, 25.7cm deep. £800-1,200 Provenance: Given to the vendor's great grandfather, Charles Howard, of the Manor House, Shepperton, in lieu of a gambling debt by his neighbours the Beale brothers.

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160 161

162

160. A William IV tortoiseshell and mother of pearl etui case, inlaid with an urn of flowers, a peacock, butterflies and leaves and flowers, lacking contents, together with an engraved mother of pearl etui, containing: two stilettos, a pair of scissors, a mother of pearl pen knife and a leather needle box, 11.6cm high (max). (2) £200-300 161. A 19th century French mother of pearl jewellery box, inscribed ‘Le Harvey’, with a silk lined interior, 14.2cm wide. £150-200 162. A late 19th century red agate casket, with gilt metal cagework mounts, on ball feet, together with two other agate caskets in need of restoration, 14.5cm wide (max). (3) £200-300

163

163. A collection of boxes, including: an early 19th century treen lignum vitae and ivory engine turned circular snuff box, a Russian papier-mâché box, an 18th century tortoiseshell and gold inlaid snuff box (damages), an 18th century Dutch brass tobacco box, a Japanese lacquer box, a snuff box in the form of a hoof and a George III papier-mâché snuff box with a silver plaque with initials ‘W W’, 16.6cm wide £150-200 (max). (11)

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164. A Victorian coromandel dressing case, inlaid with brass stringing, the hinged lid with a vacant plaque, the underside of the lid fitted with a leather framed mirror and a letter pouch, above a lift-out tray and glass bottles, jars and inkwells (one bottle missing), with engraved silver lids by William Neal, hallmarked London 1865, with mother of pearl handled utensils, including penknives and a button hook, with engraved hinges and a Bramah lock, above a sprung jewellery drawer, 19.5cm high, 31.5cm wide, 23.3cm deep. £500-800

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165. A Victorian coromandel dressing case, with brass mounts, the hinged lid with an engraved plaque with a monogram and a date ‘1862’, the underside of the lid with a leather framed mirror and a letter pouch, above a fitted interior with cut glass bottles and jars, with engraved silver lids by Thomas Whitehouse, hallmarked London 1861, with a lift-out tray, the central compartment with bone and ivory handled utensils, with engraved silver hinges and a lock, the base drawer operated by a push button mechanism, with a leather cover revealing divisions for jewellery, 18.4cm high, 32.5cm wide, 23.2cm deep. £500-700

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166. A 19th century French kingwood decanter box, with a serpentine front and chevron veneers, the hinged lid inlaid with a vacant brass plaque, above hinged sides, revealing a lift-out rosewood stand fitted with four gilt decorated liquor decanters and stoppers and sixteen matching glasses, 28.4cm high, 33.7cm wide, 26.2cm deep. £300-400

166

167. An early 19th century gilt brass model of a seated dog in the manner of the Weeks Museum, chained to a square base with canted £150-200 corners and engraved with scrolling leaves, 7.3cm high. 167

168. A 19th century French rosewood and boulle nécessaire, inlaid with white tortoiseshell and gilt brass, the domed lid revealing an interior fitted with mother of pearl handled utensils, steel scissors, thimbles and other implements, 20.2cm wide. £100-150

168 168 open

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169. A large Italian copper oval wine cooler, with repoussé decoration and a lobed body, with lion’s mask ring handles, with a lift-out liner, on stylised paw feet, 18th century, 37.4cm high, 93.3cm wide, 66cm deep. £400-600

170. A 19th century Irish mahogany and brass bound peat bucket, of staved construction, with a swing handle, 46.8cm high, 37.5cm diameter. £200-300

171. A Victorian cast iron umbrella stand by Kenrick & Sons, with a handle above four divisions, the base stamped ‘A.K. & SONS’, 71.5cm high, 32cm wide. £100-150

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173

172. A late 19th century Dutch copper log bin, with a brass swing handle, the riveted body repoussé decorated with farm scenes, with a lift-out liner, 33.8cm high, 38.5cm wide. £100-150

172

173. Two wicker log baskets, one inscribed ‘Schweppes’, 51.5cm high, 91.5cm wide, 53cm deep, the other with rope handles, 79cm high, 69cm wide, 55cm deep. (2) £200-300 174. A late Victorian brass and wirework magazine rack, with four divisions, stamped ‘S. H. & S.’, with registration number ‘RD 55248’, 72.4cm high, 41.5cm wide, 31.8cm deep. £150-200 175. An Edwardian mahogany and brass magazine rack, the revolving top with two divisions and ribbon tied husk swag decoration, the mechanism stamped ‘Hall Bm’, 78.8cm high, 35.8cm wide. £150-200

174

175

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176

177

176. Three copper samovars, one decorated with eagles and a sphinx, one with mermaid handles and a griffin support, the other with ram’s mask ring handles, late 18th / early 19th century, 58cm high (max). (3) £300-500 Provenance: Bonhams, Knightsbridge, The Rothman Collection, 8th March 1995, lots 13, 32 and 156. 177. An early Victorian bronze samovar by I. Warner & Sons, of urn shape, with lobed decoration and with opaque glass handles and finial, stamped ‘I. WARNER & SONS MANUFACTURERS LONDON’, 50.5cm high, 38.2cm wide. £100-150 178. A 19th century brass wheat sheaf doorstop, with an open handle and a reeded leaf decorated stem, with a weighted base, 40.5cm high. £150-200 179. A pair of 19th century brass bell shape doorstops, each with a rope twist handle and a lead weighted base, 50.8cm high, 15.5cm wide. (2) £200-300

179

178

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180. A Victorian brass doorstop, cast with a cherub riding a dolphin, with a registration lozenge, 41cm high. £150-200

181. A Victorian cast iron doorstop by Coalbrookdale, in the form of a knight under an arch, with a leaf decorated handle, indistinctly marked ‘THE COALBROOKDALE COMPANY REGISTERED OCTOBER 28TH 1841 NO 893’, 45.3cm high. £150-200

182. A Victorian brass figural doorstop, in the form of an old man walking holding a pint of beer, on a naturalistic base inscribed ‘A Sup of Ale’, 33.3cm high. £150-200

183. A Victorian brass bell shape doorstop, with a stepped lead weighted base, 47.3cm high. £100-150

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CONTINENTAL FURNITURE & LIGHTING

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184. A Charles X burr maple secrétaire à abattant, inlaid with ebonised stringing, the pink veined marble top above a cushion drawer, above a hinged fall revealing a gilt tooled leather writing surface and six drawers, with a secret pilaster compartment, the base with cupboard doors enclosing three slides, 142.2cm high, 92.5cm wide, 37.5cm deep. £800-1,200 Provenance: From a European Princely Collection.

184

185. A 19th century mahogany and parquetry bonheur du jour in Louis XVI style, with a white marble top and a pierced brass gallery, above a pair of doors, with faux-leather bindings flanking a mirror, above four drawers flanking an alcove, with a hinged fold-over writing surface inset with leather above a drawer, 119.3cm high, 85.2cm wide, 46cm deep. £300-500

186. A set of four Louis Philippe giltwood fauteuils in Louis XV style, each with moulded frames carved with leaves and flowers, with a cartouche shaped back button upholstered with green fabric, on £400-600 cabriole legs and one on horn castors. (4) 186

Provenance: Recently removed from Gavelacre House, Longparish, Hampshire.

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187. A Louis Philippe mahogany salon suite, carved with palmettes, bell flowers and with lappet decoration, originally with an Aubusson tapestry padded back and seat, the tapestry decorated with a wild boar hunt (some covers with the suite but in need of re-upholstering), with paper labels inscribed in pen ‘FROM COL & MRS WALTER HENEAGE COKER COURT YEOVIL’, comprising: a settee, 95cm high, 177cm wide, 60cm deep, and a pair of fauteuils. (3) £2,000-3,000

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188. A 19th century continental mahogany display cabinet, with a turned spindle gallery, above a divided glazed front with hinged doors to the sides, fitted with three shelves and with a bevelled mirror panelled back, above a pair of panelled doors, flanked by cluster columns with carved leaf capitals, on ribbed mushroom feet and castors, 172cm high, 112.5cm wide, 40.7cm deep. £600-800

189. A 19th century French gilt and ebonised overmantel mirror, the shaped plate within a beaded slip, with a ribbon and leaf border and a floral leaf surmount, 94.5 x 103.3cm. £300-400

188

190. A French giltwood console table in Louis XVI style, the marble top with a moulded edge above a floral guilloche frieze, on lobed and fluted tapering legs united by a stretcher, with a flaming urn finial, 82.2cm high, 62cm wide, 30.2cm deep. £500-700 191. Two similar early 19th century Dutch mahogany encoignures, each with reeded panels, one with three drawers, the other with a drawer and a cupboard, 81.9cm high, 102.4cm wide, 62cm deep and 81cm high, 76.5cm wide, 48.5cm deep. (2) £700-900 Provenance: Sotheby's, Colonnade 18 Sale, 21st July 1995, lot 783.

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190

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192. An early 19th century Italian walnut and giltwood console table, with a rectangular verde antico marble top, with foliage and egg and dart mouldings, the panelled frieze applied with flowers, on stop fluted tapering legs, 86cm high, 136cm wide, 68.5cm deep. £800-1,200

193. A 19th century kingwood and bois citron side table in Louis XVI style, with ormolu ribbon tied tassel mounts, the top and frieze parquetry inlaid with lattice panels, the top with a brass moulded edge above a drawer, on square tapering legs inlaid with bell flowers and brass sabot, 67.3cm high, 60.5cm wide, 40.3cm deep. £200-300

193

194. A late 19th century French onyx pedestal, with champlevé enamel and ormolu mounts, the square top with canted corners, on a turned stem and stepped base, with paw feet, 74.8cm high, 38.5cm square. £500-700 194

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195. A late 19th century Black Forest carved and stained limewood stag’s head coat hook, with glass eyes and with branch and leaf decoration, 68 x 79cm. £400-600

195

196. A late 19th century Swiss finely carved wood group, of a domestic scene of a family about to have dinner, seated around a table, accompanied by a cat and dog, 10.8cm high, 19cm wide, in an associated £100-200 box. (2)

196 197. A Black Forest carved wood inkstand, modelled with mummy and baby bear, with a pair of naturalistic ink stands and glass wells with lids, with a pen tray, late 19th / early 20th century, 14.6cm high, 22.2cm wide. £200-300

197

198. A Black Forest musical oval bowl or centrepiece, carved with a pair of bears with glass eyes, the base inset with a musical movement, late 19th / early 20th century, 40.5cm wide. £300-400

198

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199. A 19th century French carved coconut bugbear flask, with brass mounts, relief decorated with the battle of Solferino and depicting Napoleon III on horseback commanding his army, inscribed ‘’BATAILLE SOLFERINO’, with a bugbear end and a beast finial, 17.5cm long. £400-600 The Battle of Solferino on 24th June 1859 resulted in the victory of the allied French army led by Napoleon III and the Sardinian army under Victor Emmanuel II against the Austrian army under Emperor Franz Joseph I. It was the last major battle where all the armies were under the personal command of their respective monarchs. It resulted in the annexation of most of Lombardy by SardiniaPiedmont, thus contributing to the unification of Italy. The battle led the Swiss Jean-Henri Dunant to write his book ‘A Memory of Solferino’, he was horrified by the suffering of the wounded soldiers and this led to the Geneva Conventions and the establishment of the International Red Cross.

200. A 19th century coquilla nut flask, the body carved with religious scenes, including the Deposition of Christ, with a bugbear end with a bone stopper, the other end with a screw-off dog’s head finial, Spanish or Italian colonial, 10.7cm long. £150-250

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201. A pair of French gilt bronze figural twin-light wall appliques, with a ribbon tied tasselled backplate, issuing a scroll branch supporting a winged cherub holding rose branches, late 19th / early 20th century, 45.7cm high (excluding fittings). (2) £200-300

201

202. A late 19th century French ormolu six-light chandelier in Louis XVI style, decorated with ribbons and leaves, with a torch stem issuing scroll branches, 77.7cm high, 36.8cm wide. £150-250

202

203 203. A pair of ormolu twin-light wall appliques in Empire style, each with a crossed arrow back, with scroll arms, 26.9cm high. (2) £200-300

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204. A pair of late 19th century French Sèvres style plate wall lights, each with a bleu céleste ground, with panels of flowers and gilt highlights, the centres painted with figures beside a well, with an attendant cupid, with gilt brass mounts, a tied ribbon surmount and a satyr mask pendant issuing scroll branches, with faux Sèvres marks and printed marks ‘S. 75’, 35cm high. (2) £300-500

205. A set of four Italian painted and giltwood curtain tie-backs, in the form of a lady’s hand, mid20th century, 26cm. (4) £200-300

205

206. Nine mother of pearl shell lightshades, each with a brass clip mount decorated with a fleur-de-lis, 12.2cm high. (9) £100-150 206

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207. A pair of gilt brass table lamps in Regency style, each with a leaf capital above a ribbed and acanthus wrapped baluster stem, on tripod monopodia legs and scroll paw feet, 52.4cm high (excluding fittings). (2) £400-600

207

208. A pair of gilt and patinated bronze table lamps in Regency style, each with a baluster stem decorated with scroll leaves, on tripod lion’s paw monopodia feet, with shades, 29.5cm high £200-300 (excluding fittings). (2)

209. A white metal lamp base in Regency style, the ribbed stem above acanthus leaves and tripod monopodia paw feet, 71.2cm high. £300-500

209

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210. A pair of Regency gilt and patinated bronze figural twin-light lustre candlesticks, each with a putto supporting leaf scroll branches, with a cut-glass nozzle and a drip-pan hung with faceted drops and lustres, the circular base with beaded, leaf and lattice engine turned borders, 33.5cm high, 32cm wide. (2) £1,000-1,500

211. A Victorian ormolu and cut-glass epergne by F & C Osler, of oval stepped form, with eight bud vases, on scroll lion’s paw feet, stamped ‘OSLER’, 17.9cm high, 46.5cm wide. £300-500

211

212. A pair of William IV cut-glass and gilt bronze twin-light lustre candlesticks, each with a bud finial above a pair of lappet decorated scroll arms, with urn shape candle holders, with drip-hands hung with faceted drops and lustres, on a ribbed stem and a petal base, 33.8cm high, 32cm wide. (2) £800-1,200

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213. A pair of late Victorian Doulton Lambeth faience pottery vase table lamps, painted with oleander flowers and butterflies on a blue ground with flowerhead borders, impressed marks to base ‘DOULTON LAMBETH FAIENCE 1880’, with shades, 54.6cm high (excluding fittings). (2) £500-800

213

214. A Chinese porcelain famille verte table lamp, decorated with a scaly dragon, chasing a pearl amidst clouds, together with a marble table lamp, both with shades, 50.6cm high (excluding fittings) (max). (2) £40-60 Provenance: Recently removed from Gavelacre House, Longparish, Hampshire. 214 215. A pair of Chinese porcelain table lamps, painted with flowers, figures, bats and trees, with gilt highlights and on a giltwood base, together with another Chinese porcelain table lamp, the twin lights applied with recumbent deer and decorated with panels of figures, 20th century, 38.8cm high (excluding fittings). (3) £200-300 Provenance: The Property of a Cotswolds Private Collector.

215 216. A pair of Victorian brass table lamps, each with a drip-pan, above a bobbin turned stem, on a domed foot, with shades, 39.2cm high (excluding fittings). (2) £200-300

216

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217. A pair of large and impressive Napoleon III ormolu figural twelvelight candelabra attributed to Raingo Frères, each modelled with a seated putto holding a leafy branch issuing six leaf-scroll arms and further lily flowers and leaves, the underside of the base inscribed in pen ‘Raingo 11 Vieux’, some of the leaf scroll feet stamped ‘RG’, each on an ebonised stop fluted column plinth with ormolu mounts, the base with a laurel wreath, the candelabra 112.1cm high, the columns 100cm high, 51cm diameter. (4) £3,000-5,000 The firm of clockmakers Raingo Frères was founded by four brothers in Paris in 1813 and was recorded at 8 rue de la Touraine by 1830. Initially the firm was primarily known for its fine quality clocks but by the 1840s they had added bronzes and finely cast ormolu mounts to their repertoire. By 1860 they had carried out commissions for Napoleon III and his wife Empress Eugénie supplying bronzes, garnitures and table pieces for their apartments. Known for the fine quality of their ormolu, the firm exhibited at many of the important exhibitions of the second half of the 19th century and served as fondeurs for a number of prominent sculptors, including AlbertErnest Carrier-Belleuse and worked with the famous ébéniste François Linke.

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218. A set of four continental painted wood and metal Baroque style wall lights, with scroll leaf and flower decoration, the three lights each bearing a pricket, 68.8cm high, 51.2cm wide. (4) £200-300 219. A brass standard lamp in 18th century style, with an adjustable arm, on a baluster stem and tripod supports, late 19th / early 20th century, 159cm high. £100-150 220. An Art Nouveau brass and copper standard lamp, with two lights, with open scroll decoration, 176.5cm high, 45cm wide. £80-120 221. An early 19th century gilt brass candelabrum, with three leaf decorated scroll branches, with drippans and fish scale decorated nozzles, a torch with a flaming finial, above a reeded stem and a conforming base, 36.8cm high. £80-120 Provenance: Warrens House, Bramshaw, New Forest. 222. An Art Nouveau oil lamp, with a frosted glass globe shade, above a green glass reservoir, the triform marble column stem on a pierced base, 70.4cm high. £80-120

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219

221

222

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223. A Georgian style bronze hall lantern, with a leaf decorated ring, above an urn issuing scroll supports, above canted corners and arched tapering sides with glass panels, with a four-light fitting, 74.3cm high, 51.5cm wide. £500-800 Provenance: Warrens House, Bramshaw, New Forest.

223

224. A Georgian style gilt brass hall lantern, with a ‘C’ scroll ring, above scroll supports and bud finials, with arched glass panels flanked by columns, with a four-light fitting and a base door, 58cm high, 32cm wide. £300-500 Provenance: Warrens House, Bramshaw, New Forest.

225. A bronze and white metal globe hall lantern, with twelve glass panels divided by bands of leaves, with egg and dart and rosette decoration, with a six-light fitting and a bud pendant, 118cm high, 51cm wide. £500-800

225

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IVORIES, ASIAN ART, CARPETS & RUGS

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226. A set of six 19th century English carved ivory portrait reliefs, of Richard III, Queen Catherine of Aragon, Julius Caesar, Queen Elizabeth of York, Mary Queen of Scots and Lady Jane Grey, each on an oval panel and within a ribbon tied wreath and mounted on a brown velvet panel, with hand written paper labels to verso and with an easel back, 21.5 x 15.3cm (overall). (6) £2,000-3,000 Provenance: By repute, Frances Waldegrave, Countess Waldegrave (1821-1879), possibly at Strawberry Hill, Twickenham.

227. Two 19th century Italian carved ivory rondels, one with St. George and the Dragon the other with a portrait of a knight, each in a plush frame, with a trade label to the verso ‘CORNICI SPECCHIERE A. PIAZZINI, V.G. CARDUCCI 30, TEL.181914, ROMA’, 13.8 x 11cm (overall). (2) £300-500

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λ 228. Four religious carved ivory relief brooch mounts or bookmarks, one of Christ within a thorn border, two of the Lamb of God and one of the Immaculate Conception, 19th century, 5.4cm (max). (4) £100-150

228

λ 229. Three relief carved ivory portrait medallions, one after Albrecht Dürer’s selfportrait as Christ, the verso etched ‘ALBRECHT DURER’, one of a classical maiden and one of a lady, 18th / 19th centuries, 5.5cm (max). (3) £100-150

229

λ 230. A Dutch ivory oval snuff box, the lid relief carved with a tavern scene in the manner of Teniers, late 18th / early 19th century, 9.6cm wide. £100-150

230

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λ 231. After the antique. A 19th century carved ivory figure of the Callipygian Venus, or of the ‘beautiful buttocks’, standing on an ebony and ivory plinth, French or Italian, the figure: 14cm high, overall: 24.8cm high. £500-800

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λ 232. A pair of 19th century French Dieppe carved ivory portrait reliefs, of Queen Elizabeth I, with her coat of arms of three fleur-de-lis and three lions passant guardant and George Villiers, 1st Duke of Buckingham (1592-1628), with his coat of arms of five scallop shells arranged within a cross, each numbered to verso ‘No.79’, 9.4 x 7.6cm, mounted in a gilt tooled leather case, lined with velvet. (2) £1,000-1,500

λ 233. A 19th century European ivory ornamental powder horn, carved to one side with a deer hunt in a cartouche, flanked by panels of oak leaves and acorns, the verso with the coat of arms of the Kingdom of Württemberg: three black antlers representing Württemberg on the dexter and three black lions passant of Medieval Swabia on the sinister, with a beast head terminal and carved with acanthus leaves, Austrian or French Dieppe, 30.5cm long. £800-1,200

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λ 234. A late 17th century South German ivory relief plaque in the manner of Balthasar Permoser, depicting the Holy family with St. John the Baptist, the Virgin seated beneath a column holding Christ, with a recumbent sheep tucked into her dress, Joseph leaning on a tree trunk, the sky with three cavorting putti, one holding a laurel wreath, 18.5 x 12.5cm, in an early 20th century ivory frame. £2,000-3,000

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λ 235. A 19th century ivory screw-action nutcracker, with engine turned decoration, an ivory reticulated box and cover, the base signed ‘Lillyburn’, together with three stilettos, including an Indian ivory example, 7.4cm (max). (5) £100-150

235

λ 236. A Victorian ivory watch case / stand, with a glazed hinged lid with button mechanism, engraved with the initial ‘G’, 6.8cm diameter. £80-120

λ 237. A 19th century European ivory paper knife, the handle carved with William Tell carrying a crossbow, with his son holding an apple, both standing on a rocky outcrop adorned with oak leaves and acorns, 29.8cm long. £100-150

237

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238. A Japanese stained ivory articulated model of a spiney lobster, finely carved with moveable limbs, detachable antennae and adjustable feelers, Meiji 1868-1912, 50cm long. ÂŁ1,000-1,500

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239. A Japanese ivory and polychrome decorated group of two bantams, mounted on a naturalistic carved wood base, Taishou 19121926, 9cm high, 20.2cm wide. £400-600

240. A pair of Japanese ivory kimono buttons, inlaid with hardstones and mother of pearl, with a bird on a flowering branch, Meiji 1868-1912, 2.7cm square. (2) £150-200

241. A pair of Japanese rosewood shibayama whist markers, decorated with gilt branches, the ivory pegs with various insects, Meiji 1868-1912, 9.2cm wide. (2) £100-150

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λ 242. A carved ivory figure of Christ as the good shepherd, with traces of polychromy, depicted sleeping with his lamb, 17th / 18th century, probably Chinese or Thai-Portuguese, 20.6cm long. £1,000-1,500 Provenence: See the Tàvora Sequeira Pinto Collection, illustrated in Pedro Dias, Thailand and Portugal 500 years of a common Past: The Art legacy, 2011, p. 26, fig. 19. For other examples sold at auction see Christie's Amsterdam, 26th & 27th March 2013, lot 74 and Christie's New York, 15th & 16th September 2011, lot 1283.

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λ 243. A Chinese carved ivory head of Guanyin, with a serene expression, wearing earrings and with a pierced headdress relief carved with Buddha and attendants, with a four-character Qianlong mark but later, late 19th century, 21cm high. £500-800

244. A collection of 19th century Chinese carved mother of pearl gaming counters, of various designs including: fish, circular engraved with coat of arms, oval and navette shape, 6.7cm long (max). (57) £50-100

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λ 245. A 19th century Anglo-Indian turned ivory cup and cover, with a ribbed body and domed foot, 27.2cm high. £500-800 See Christie’s, Important European Furniture, Sculpture and Tapestries, London, 9th November 2006 for a very similar cup and cover.

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λ 246. A 19th century Anglo-Indian turned ivory taperstick, with fluted, pierced and rondel decoration, with a detachable drippan, the twist-off top revealing a sander, 12cm high, 8.5cm wide. £200-300 λ 247. A turned ivory rosewater sprinkler, with an acorn finial and a baluster screw-off stem, with an urn base on a square plinth, late 18th / early 19th century, 14.6cm high. £100-150

246

247

λ 248. A 19th century African Loango tribal ivory tusk, carved with a procession of semi-naked figures with a monkey and a horned beast, with a male mask finial, 30cm long. £150-250

249

λ 249. A late 19th century Anglo-Indian ivory and sadeli box, inlaid with ebonised stringing and geometric designs, Bombay, together with a late 19th century Chinese carved ivory needle case and a Victorian fan with ivory guards and sticks, boxed, 20.5cm (max). (3) £50-100

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250. A rare collection of thirty-six Indian carved ivory botanical specimens, polychrome decorated, comprising: fruit, vegetables and spices, including: mango, nutmeg and mace, pineapple, plantain, jack fruit and pomegranate, late 19th century, together with a beetle, housed in an English stained pine box with numbered divisions and a typed index list, 9.1cm long (max), the box: 35cm wide. (38) ÂŁ1,500-2,500

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λ 251. A late 18th century Mughal ivory rectangular writing box, with silver hinges, clasp and mounts, all over relief carved with floral medallions and bands of flowerheads and foliage, the interior originally with divisions for pens and ink, on a carved slightly shaped base, Indian or Ceylonese, 5.6cm high, 23.7cm wide, 7.4cm deep. £1,500-2,000

λ 252. A late 19th century Anglo-Indian horn and ivory jewellery box, with fret carved panels and lac decoration, the lid with a central panel of a goddess, the interior with divisions and lidded compartments and a hinged clock aperture, on paw feet, Vizagapatam, 7.9cm high, 21.8cm wide, 15.5cm deep. £150-200 Provenance: Woolley & Wallis, The Dr. Lawrie Webster Collection of Boxes, 8th July 2014, lot 444.

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253. A 19th century Anglo-Indian ivory and sadeli mosaic games table, inlaid with pewter and with green stained borders and panels, the octagonal top inlaid with bands of geometric decoration and with a chequer board, the frieze with four sandalwood drawers, two plush lined for chess / games pieces, one fitted with divisions for pens and ink with two glass wells and with a lined writing surface, the other fitted for sewing with five lidded compartments, thimble and reel holders and a pin cushion, on an octagonal tapering chevron decorated stem and conforming quatre-form base, with sunken brass castors, Western India, probably Bombay, 74.5cm high, 66.3cm wide. £6,000-8,000 See Amin Jaffer, Furniture from British India and Ceylon, p.315 fig. 130 for a photograph of a similar table exhibited by Framjee Pestonjee Bhumgara’s stall, Pondicherri Court, Universal Exhibition, Paris, 1889.

The method of veneering sadeli mosaic involves the binding together of geometrically-shaped rods, each about two feet in length, of various materials, for example: tin, ivory, stained ivory, sappan wood, horn and ebony. They are arranged geometrically and then sliced through transversely and arranged into sheets of repeating patterns which are then glued onto the carcass. The main centre of production in India was Bombay and the earliest known pieces appear to have been produced in the first decade of the 19th century. Commonly produced items veneered in sadeli were small, portable boxes, writing-cases, ink-stands, letter-openers and picture-frames. Chairs and gaming-tables are known but relatively rare.

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254 open

254. A late 19th century Anglo-Indian ebony dressing box, all over carved with scrolling leaves and flowers, the hinged lid inscribed in ivory ‘Mrs H.M. SMITH’, the sandalwood interior fitted with a mirror, with a lift-out tray and six divisions, 12.4cm high, 22.7cm wide, 28.3cm deep. £300-500 255. An Anglo-Indian hardwood octagonal occasional table, inlaid with ebonised stringing and bone and ivory scrolling leaves and foliage, the detachable top on a folding base, Hoshiarpur, late 19th / early 20th century, 47cm high, 49cm wide. £200-300

255

256. A pair of Indian brass trays, of canted rectangular shape with pierced and engraved decoration of birds and beasts, 42.2 x58.2cm. (2) £100-150

256

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257 257. A set of six Regency style Anglo-Indian hardwood open armchairs, each with a curved top rail carved with scrolling leaves, above a padded back and drop-in seat, with conforming friezes on sabre legs, late 19th / early 20th century. (6) £800-1,200

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258. A late 19th century AngloIndian carved sandalwood walking cane, with a mythical beast handle, the stem relief decorated with panels of scrolling foliage, birds and beasts, Mysore, 99cm long. £300-500

259. An early 19th century Anglo-Indian teak chest, the top with a reeded edge, above two short and three long drawers fitted with later glass handles, on bracket feet, 101.1cm high, 116cm wide, 49.4cm deep. £200-300

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260. A hardwood and yew open armchair, the top rail carved with shells and mythical beasts, above a solid vase shape splat and a cane seat, the base with carved cabriole legs and paw front feet, incorporating 18th century Batavian elements, with a later squab cushion. £300-500

260

261. A Turkmen silver asyk pendant, heart shaped with parcel gilt decoration and with applied carnelian cabochons, with scroll £100-150 borders, second half 19th century, 28 x 16.5cm.

261

262. A Dutch East Indies hardwood ‘Zanzibar’ chest, with engraved and repoussé decorated brass mounts, in the form of Buddhas, birds and beasts, with brass and copper studs, five mounts decorated with a coat of arms and one with a ‘VOC’ monogram and the date ‘1735’, with a vacant interior, on separate turned and bracket feet, with side carrying handles, 53.6cm high, £400-600 93cm wide, 49cm deep.

262

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263. A Chinese carved wood and polychrome decorated figure of Guandi, seated reading a book, Qing Dynasty, 54.7cm high, 35cm wide. £100-150

263

264. Nine Chinese carved wood throne figures, each seated, with traces of polychrome decoration, together with a brass example, a standing figure and a carved wood Thai Buddha, the majority with collection numbers inscribed with pen, 29.5cm high (max). (12) £100-200

264

265. A 19th century Chinese export carved tortoiseshell snuff box, of curved form, relief decorated with figures amongst trees and buildings, taking tea and listening to music, the base with two figures fishing, the inside of the lid engraved with a monogram, 8.2cm wide. £400-600

265

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266. A Chinese hardwood open armchair, with a carved and pierced splat back, decorated with birds and flowers and with Chinese characters, above a solid seat and stretchered supports, late 19th century. £200-300

266

267. Two Chinese elm armchairs, each with a horseshoe back above a pierced splat and a rattan seat, one with traces of ebonised decoration. (2) £200-300

268. A Japanese macassar ebony and brass mounted cylindrical birdcage, finely inlaid with brass stringing, with two ebonised perches, early 20th century, 29.5cm diameter. £200-300 268

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269. Chinese School (late 19th century / early 20th century). A set of five gouache paintings of Chinese junks, 9.4 x 14.8cm, each in a giltwood frame. (5) £200-300

270. A Chinese carpet, with a blue ground and decorated with auspicious objects, including: bats, vases, incense burners, fruit and butterflies, late 19th / early 20th century, 355 x 276cm. £200-300

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271

271. A modern Heriz style carpet, 492 x 358cm.

£200-300

Provenance: Warrens House, Bramshaw, New Forest. 272. A Kuba soumac, north east Caucasus, late 19th century, 282 x 226cm. £200-300 273. A long Hamadan runner, north west Persia, 1816cm long, 83cm wide. £300-500 Provenance: Warrens House, Bramshaw, New Forest.

272

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274

274. A north west Persian rug, decorated with a tree of life flanked by columns, on an ivory ground, 212.5 x 133cm. £80-120

273

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275. A late 18th century French Aubusson tapestry after François Boucher, depicting a shepherd and shepherdess in an oval medallion, decorated with scrolls and garlands of flowers, 227 x 160cm. £800-1,200 Provenance: Purchased from Victor Franses Gallery, 6th September 1983.

276. A 19th century French Aubusson tapestry rug, decorated with a floral wreath and borders, on a scrolling foliage ground, 171 x 160.5cm. £150-200

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277. An Akstafa Kazak rug, south west Caucasus, 177.5 x 112cm. £200-300

277

278. A Shirvan rug, south east Caucasus, 158 x 101cm. £200-300

278

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FURNITURE & WORKS OF ART

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279. A Regency mahogany sofa, decorated with rosewood and brass marquetry panels, with scroll ends and on ribbed tapering legs and brass castors, 87.8cm high, 203cm wide, 64.5cm deep. £400-600

280. A George III Sheraton period mahogany open armchair, the lattice splat back above a green silk squab cushion and seat, with baluster arm supports and on turned legs. £300-500 Provenance: The Property of a Cotswolds Private Collector.

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281. A George IV mahogany sofa table, the drop-leaf top with a reeded edge, above a pair of frieze drawers with false fronts to the reverse, on solid trestle ends united by a turned stretcher, 71.3cm high, 93.5cm wide, 65.7cm deep. £200-300

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282. A scroll end sofa of country house proportions, on mahogany ribbed mushroom feet and leaf cast brass caps and castors, 93.5cm high, 216cm wide, 80.5cm deep. £500-800

283. A late Regency mahogany sofa table, with ebonised outline mouldings, the drop-leaf top with a reeded edge, above a pair of cedar lined frieze drawers, on twin baluster end supports, a stepped base and splay legs, united by a turned stretcher, on brass caps and castors, 73.2cm high, 66 x 157cm (open). £400-600

284. A Regency simulated rosewood open armchair, with parcel gilt decoration, the lyre shape back above a cane seat with a squab cushion, on turned front legs. £150-250 Provenance: The Property of a Cotswolds Private Collector.

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285. A George IV mahogany breakfast table, the rectangular tilt-top with a nulled edge, on a lappet carved stem, on four splay legs and stylised lion’s paw sabot and castors, 71cm high, 98 x 145.5cm. £400-600

285

286. An early 19th century kneehole dressing table, the top with a three-quarter gallery, above three drawers and ring turned tapering legs, 85.5cm high, 105.2cm wide, 49.5cm deep. £250-350

286

287. An early 19th century mahogany twotier buffet, the moulded edge top above baluster and ball turned supports, on brass caps and castors, 84cm high, 135.6cm wide, 46.8cm deep. £200-300

287

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288. A Regency mahogany breakfront gentleman’s wardrobe in the manner of Gillows, the detachable moulded cornice above a pair of panelled doors enclosing five slides, above two short and two long drawers, fitted with ribbed mushroom handles, flanked by cupboards, each with a shelf, a brass rail and pegs, 213.7cm high, 251.8cm wide, 75.3cm deep. £800-1,200 Provenance: Warrens House, Bramshaw, New Forest.

289. A George IV mahogany bergère armchair in the manner of Gillows, with a cane back, sides and seat, with ribbed arm supports and front legs, on later ceramic castors. £500-800

290. A George IV mahogany toilet mirror in the manner of Gillows, with a rectangular plate and fluted scroll supports and a rectangular tray base with a reeded edge, 53cm high, 66cm wide, 25.7cm deep. £300-500

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291

291. A late Regency mahogany breakfront bookcase in the manner of Gillows, with a pair of central glazed cupboard doors enclosing two adjustable shelves, flanked by turned columns and further conforming cupboards, 95.3cm high, 152.5cm wide, 42cm deep. £500-800

293

292. A pair of William IV mahogany bedposts in the manner of Gillows, the stem carved with palm fronds above acanthus leaves, the rectangular base with stylised leaf designs, with later finials, together with a similar smaller pair, 201.5cm high (max). (4) £100-200 293. A Regency mahogany hall chair, on sabre legs, together with an early 19th century toilet mirror. (2) £80-120 294. A William IV mahogany adjustable reading table in the manner of Gillows, the hinged top originally with a rest, on a lobed and ribbed tapering stem and triform base, 116.1cm high, 44cm wide. £200-300

112

292 294

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295. A George IV amboyna bookcase cabinet in the manner of Gillows, the open top with two adjustable shelves, above a pair of doors with watered silk panels, enclosing two adjustable shelves, fitted with a Brahma lock, 152.4cm high, 122cm wide, 40.4cm deep. £1,000-1,500

295

296

296. A Regency mahogany wine table, the oval fixed top on a ring turned stem and scroll tripod supports, 73cm high, 44.5cm wide and deep. £300-400

297. A Regency mahogany writing table, on solid trestle ends and reeded splay legs terminating in brass caps and castors, 73.2cm high, 91.5cm wide, 57cm deep. £600-800 Provenance: The Property of a Cotswolds Private Collector.

297

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298. A Regency mahogany breakfront sideboard, inlaid with kingwood banding and ebonised and boxwood stringing, fitted with three drawers, a deep cellaret drawer and a tambour shutter, 95.8cm high, 168.7cm wide, 70.5cm deep. £400-600

298

299

300

299. A George IV mahogany wine cooler, of sarcophagus shape, the interior with a later lining and with a brass Brahma lock, on castors, 52cm high, 77cm wide, 50cm deep. £400-600 300. A William IV mahogany Canterbury after a design by J.C. Loudon, carved with scrolls and wreaths, with three ‘X’ shape divisions, above a frieze drawer, on brass castors, 51.5cm high, 49cm wide, 39.5cm deep. £250-350 301. A Regency mahogany sideboard, inlaid with boxwood stringing, with a central frieze drawer flanked by a concave drawer, a deep bottle drawer and a cupboard, on square tapering legs and applied ankles, 97.8cm high, 166.1cm wide, 65.8cm deep. £200-300 Provenance: Ballington Manor, Wylye, Wiltshire. 301

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302. A George IV mahogany hall bench in the manner of Gillows, the seat with a moulded edge and bolster lifts, on ribbed tapering legs, 57.2cm high, 119cm wide, 31.5cm deep. £800-1,200 Provenance:Christie’s, English Furniture, 7th October 1993, lot 79.

302

303. A Regency mahogany hall chair in the manner of Gillows, with a shell and ‘C’ scroll back above a moulded bell shape seat, on turned front legs, together with another £200-300 mahogany hall chair. (2)

303

304. A William IV rosewood breakfast table, the circular tilt-top on a lappet carved stem, with a triform base, scroll feet and castors, 72cm high, 137.5cm diameter. £500-700

304

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305. A late George III mahogany bowfront chest, with boxwood edging, fitted with a brushing slide, above three long drawers, on French bracket feet, 87cm high, 91.3cm wide, 55.1cm deep. £300-400

305

306

306. A Victorian walnut hanging wall shelf, with turned spindle ends, 63.3cm high, 70cm wide, 22cm deep. £150-200 307. A Regency mahogany commode chest, the hinged top and front revealing a lidded ceramic pot, with gilt brass lion’s mask ring handles, 74.3cm high, 63cm wide, 45cm deep. £100-150 Provenance: Warrens House, Bramshaw, New Forest.

307 308. A quartetto nest of 19th century mahogany occasional tables, the tops inlaid with boxwood stringing, with turned spindle pendants and on bobbin turned supports, united by curved stretchers, 75.5cm high, 48.9cm wide, 39.5cm deep. (4) £700-900 Provenance: Sotheby’s, 13th June 1995, lot 691. 308

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309

309. An early Victorian simulated rosewood settee by Holland & Sons, with a concave front and button upholstered with blue floral silk, with scroll arms, turned legs and brass caps and castors, the frame with an ink stencil mark inscribed 'HOLLAND & SONS Upholsterers & Co. 19 Marylebone Street, ST JAMES', LONDON', with workman’s initials ‘G H’, together with five scatter cushions, 70.9cm £500-800 high, 199cm wide, 88cm deep. Provenance: Warrens House, Bramshaw, New Forest.

310. A 19th century American laminated rosewood nursing chair in the manner of John Belter, with a scroll and pierced curved back above a stuffed-over seat, on cabriole front legs and brass castors. £300-500 John Henry Belter (1804-1863) was born in Germany and trained as a cabinet maker’s apprentice in Württemberg, specialising in Rococo carving. He moved to New York City in 1833. He is most well known for developing a technique of processing laminated rosewood in many layers to achieve thin panels, that once shaped by moulds, were finely carved.

310

311. A pair of early 19th century giltwood parlour chairs, each with an arched back, button upholstered with ivory watered silk, on ribbed and fluted tapering legs and on brass Cope’s patent castors. (2) £400-600

311

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312. A William IV mahogany chiffonier, with an architectural raised back, with turned baluster supports, above a moulded frieze drawer, above a pair of flame veneered panel doors enclosing a shelf, 138.2cm high, 91.3cm wide, 43.7cm deep. £300-400

313. A William IV mahogany open bookcase, the top with a moulded edge above a pair of frieze drawers and four adjustable shelves applied with dust guards, 138.2cm high, 118cm wide, 33.5cm deep. £300-500

314. A 19th century mahogany hanging wall shelf, 72.5cm high, 84cm wide, 15cm deep. £150-200

315. A pair of Regency mahogany open armchairs, each with a curved tablet top rail above an ‘X’ shape back, with a stuffed-over seat and on turned front legs. (2) £100-150

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316. A George IV mahogany waterfall bookcase cabinet, with a shaped scroll surmount, above an open waterfall bookcase, fitted with a pair of drawers, the base with a pair of panel doors enclosing a shelf, on bun feet, 172.8cm high, 95cm wide, 41.3cm deep. £400-600

317. A William IV mahogany collector’s type cabinet, with a pair of flame figured panelled doors enclosing a shallow drawer and four graduated drawers above an alcove, flanked by turned columns, 106.9cm high, 63.5cm wide, 59.6cm deep. £600-800

318. A Regency mahogany tea table, with a reeded edge ‘D’ shape fold-over top, on twin-gate supports, the frieze with outline mouldings and carved floral paterae, on ring turned tapering legs, 74cm high, 91.3cm wide, 44.8cm deep. £300-500

319. A Regency mahogany card table, the ‘D’ shape fold-over top on a single gate support, the frieze with outline mouldings, on ring turned tapering legs, 73.8cm high, 91cm wide, 44.8cm deep. £200-300

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320. A George IV mahogany dressing table, the overhanging top with a three-quarter gallery, above a pair of frieze drawers and three long graduated drawers, on flattened bun feet, 80.7cm high, 107.5cm wide, 54.5cm deep. £600-900

320

321. A late George III rosewood breakfast table, the satinwood crossbanded tilt-top on a turned stem and splay legs, inlaid with stringing, on brass caps and castors, 69.8cm high, 77.2 x 114.1cm diameter. £200-300 322. A William IV rosewood and Tunbridge ware occasional table, the rectangular crossbanded fixed top inlaid with bands of mosaic and with a central panel of geometric inlay, on a tapering stem, 70.5cm high, 60.7cm wide, 46.7cm deep. £150-200

321

322 322 detail

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323. A pair of Victorian Irish mahogany plate stands by Strahan & Co, each with a solid back above turned disc supports, with a weighted base, stamped ‘STRAHAN & CO 53001’, 38.4cm high, 25.5cm wide, 14.7cm deep, together with a pair of 18th century Chinese porcelain blue and white meat plates. (4) £300-500

323

324. A Victorian rosewood bookstand, with fret carved folding ends and a central division, 18cm high, 40.5cm wide, 32cm deep. £100-150

324

325. A Regency rosewood book carrier in the manner of Gillows, with a pair of brass handles above a turned spindle gallery, with egg and dart mouldings, on flattened bun feet, the base stamped ‘21150’, 19.2cm high, 41cm wide, 22.7cm deep. £300-500

325

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326. A William IV japanned centre table, decorated in gilt and red with chinoiserie and bands of leaves and flowers, the circular fixed top on a turned stem, triform base and metal castors, 71.9cm high, 79cm diameter. £500-700

327. An early 19th century tôle oval tray, decorated with flowers, fruit and leaves, on a later ebonised and gilt stand, 48cm high, 75.6cm wide, 57cm deep. £150-200

122

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328. A Regency rosewood sofa table, inlaid with ebonised and satinwood banding, and with gilt brass anthemion mounts, the drop-leaf top above a pair of frieze drawers, with a high stretcher, on splay legs and brass caps and castors, 71.5cm high, 68.2 x 146.2cm (open). £2,000-3,000 Provenance: The Property of a Cotswolds Private Collector.

329. A Regency satinwood card table, the ‘D’ shape fold-over top with partridgewood banding, on twin gate supports, 73.3cm high, 90.8cm wide, 43.8cm deep. £300-400

123

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330

331

332

330. A late George III mahogany longcase clock by John Price of Chichester, the eight day movement with an anchor escapement and five turned pillars striking on a bell, the twelve inch brass arched dial with Roman and Arabic numerals to the silvered dial, with subsidiary seconds and date dials, inscribed ‘John Price Chichester’, with four season spandrels and Strike/Silent dial to the arch, with a pagoda top hood and a Gothic ogee trunk door, 227.5cm high. £300-500 331. A George II oak longcase clock by Paul Thackwell of Ross, the thirty-hour brass birdcage movement with an anchor escapement and striking on a bell, the ten inch dial with a silvered chapter ring, with Roman and Arabic numerals, the centre engraved with scrolls and a Chinese style pagoda and signed ‘Paul Thackwell ROSS’ with Rococo cast gilt brass spandrels, the hood with three turned finials and plain columns, above a trunk door with a moulded edge, 210.5cm high. £300-400 Provenance: The Property of a Cotswolds Private Collector. 332. A 19th century Austrian walnut Vienna regulator, the eight day three train grande sonnerie brass movement striking on two bells, with an anchor escapement, the enamel dial with Roman numerals, blued steel hands and indistinctly signed to the recessed centre, in a typical case, with turned finials and carved applied corbels, 140cm high. £500-800

124

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333. A Swiss ormolu grande sonnerie pendule d’officier by Grand Girard, the twin train movement with verge escapement and striking on two bells, with mono-metallic balance wheel and alarm, the three and a quarter inch enamelled dial with Arabic numerals and inscribed ‘Grand Girard’, the case with a serpent carrying handle and decorated with wreaths, flowers, leaves and patera, with pull-repeat and pullwound alarm, on paw feet, late 18th / early 19th century, 20cm high. £800-1,200

333

334. A brass mystery water wheel ball bearing timepiece, with an eight day movement, the glass dial with Roman numerals, under a glass dome and on an ash base, 45cm high, 45cm wide, 22.3cm deep £600-800

334

335. A Southern Railway mahogany dial clock, the brass single fusee movement with an anchor escapement, the eight inch painted dial with Roman numerals and inscribed with initials ‘S.R.’ and numbered ‘10815’ with ‘MADE IN ENGLAND’, with a brass bezel, and a mahogany case, late 19th / early 20th century, 27.5cm diameter. £500-700

335

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336. A giltwood sunburst wall timepiece, the brass movement by Japy Frères & Cie, stamped and numbered ‘38395’, the white enamel dial with Roman numerals, the rear of the case inscribed ‘COPYRIGHT DESIGN Rd. 741811’, 38cm wide. £100-150

336

337. A late 19th century French brass repeating carriage clock, the twin barrel movement with a platform lever escapement striking on a bell, the white enamel dial with Roman numerals and a subsidiary alarm dial, inscribed ‘DENT A PARIS’, in a gorge case, 13cm high. £200-300

337

338. A late 19th century French brass repeating carriage clock, the twin barrel movement with a platform lever escapement, striking on a gong, the backplate stamped ‘PATENT SJRETY POLLER’, the white enamel dial with Roman numerals and subsidiary alarm dial, in a brass corniche case, with travelling case. (2) £200-300

338

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339. A rare mid-18th century German black japanned and gilt bronze grande sonnerie table clock, the brass single fusee movement with twin engraved barrels, with a vertically mounted balance wheel covered by a pierced and engraved balance cock, striking on two bells and with push repeat, the backplate finely engraved with an eagle perched on a wall with outstretched wings, above scrolling acanthus leaves, the arched dial with a silvered chapter ring with Roman and Arabic numerals, with a silvered recessed centre engraved with putti, centred with a vase of flowers, with a subsidiary dial inscribed ‘Nicht/Repet/Schlagt/Nicht’, the black lacquer case inlaid with mother of pearl and silver with imbrication and lattice work, with birds, urns and flowers, the caddy top above four bevelled glass panels, on bracket feet, probably Augsburg, 18.2cm high. £4,000-6,000

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detail

340. An early 19th century French verre églomisé and stained maple piano etui, with moulded gilt decoration, the hinged lid with a couple playing a piano and a lute on a terrace, with panels of palmettes and a lyre, the interior with a mirror to the underside of the lid, with three verre églomisé lidded compartments, one with a musical movement, decorated with musical trophies and a lady playing a guitar, with further divisions, the etui tray now missing, on turned tapering brass legs, late 18th / early 19th century, 17.3cm high, 37.6cm wide, 27.3cm deep. £800-1,200

341. A late 19th century Swiss tortoiseshell singing bird box, the top with a gilt brass hinged lid engraved with birds and flowers revealing a pierced grille and a brightly coloured bird, activated by a lever on the front of the box, the back with a hinged compartment, 10cm wide. £1,500-2,500

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342. An early 19th century French Palais Royal gilt and patinated bronze musical box, in the form of a square piano with mother of pearl panels, the hinged lid revealing an automaton repoussé panel of two amorous figures making love in a classical landscape, the front decorated with musical trophies, pipes and a central lyre, mounted on a conforming base fitted with a drawer for jewellery, on paw feet, 12cm high, 14.8cm wide, 14.6cm deep. £1,500-2,000

129

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343. A late 19th century German walnut symphonion by Schutz-Marke, the hinged lid inlaid with marquetry flowers and leaves, the underside with a verre églomisé panel with cherubs playing musical instruments, inscribed ‘Symphonion’, the twin movements stamped ‘SCHUTZ-MARKE TRADE-MARK MADE IN GERMANY’ and numbered ‘328035’, the case with side carrying handles and fluted column corners, 27cm high, 50.4cm wide, 41.3cm deep, together with thirty-four discs and a winding handle. (36) £300-500

343

344

344. A mid-19th century Swiss pressed horn musical box, the hinged lid with a tavern scene with soldiers and indistinctly inscribed, the three inch cylinder playing three airs, 10.7cm wide. £250-350

345. An early 20th century French brass musical automaton singing bird, perched on a bar in a birdcage, with a leaf and floral decoration and a ring for suspension, the underside stamped ‘MADE IN FRANCE’, 28.2cm high. £150-200

345

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SCULPTURE & THE GRAND TOUR

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346. After the antique. A 19th century Grand Tour bronze bust of Augustus, on a pink marble socle, 29cm high. £200-300

346

347

347. Jean-Baptiste called Auguste Clésinger (1814-1883). A bronze group: an ‘Allegory of Rome’, with a seated classical lady flanked by two boys, with a suit of armour and a helmet, signed to the back ‘J. CLESINGER, ROME 1860’ and ‘F. BARBEDIENNE. FONDEUR’, with foundry pastille ‘A. COLLAS BREVETE’, 39.5cm £1,000-1,500 high, 45.5cm wide. Provenance: Sotheby’s, 19th & 20th Century Sculpture, 25th November 2009, lot 16. The Collection of Roy Merley.

348

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348. After the antique. A late 19th century Italian Grand Tour carved green serpentine model of the Dog of Alcibiades, seated on a moulded plinth, 25.5cm high, 21.5cm wide. £200-300

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349. A 19th century Italian Grand Tour micromosaic plaque, depicting the Temple of Vesta at Tivoli, overlooking the falls of Aniene, mounted on copper, 18.3 x 23.5cm, in an English gilt and composition frame, with an old paper label for ‘S. ALKEN LIVERPOOL’. £3,000-4,000

350. A late 19th century Italian Grand Tour micromosaic plaque, with five oval panels depicting St. Peter’s square, the Temple of Vesta, the Pantheon, the Colosseum and the Temple of Vespasian and Titus, on a millefiori ground, 12.7 x 16.7cm, in a moulded gilt frame. £700-1,000

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351. After Guillaume Coustou (French 1677-1746). A pair of early 19th century bronze Marly horse groups, each on a black marble plinth, 15.7cm high, 16.5cm wide. (2) £200-300

351

352. Henri Emile Adrien Trodoux (French 19th century). A bronze model of a pheasant chick, standing on rocks with £200-400 leaves, signed ‘TRODOUX’, 16.3cm high. Provenance: The Collection of Roy Merley.

352

353. A large bronze group depicting six hunting dogs attacking a wild boar, on a naturalistic base, 20th century, 54.5cm wide. £200-300 Provenance: The Collection of Roy Merley.

353

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354. Pompeo Marchesi (Italian 1783-1858). A 19th century carved marble bust of a young lady, her hair in tresses and wearing a classical tunic, titled ‘DILIGES’, the Latin for love, signed ‘C.P. MARCHESI f. 1842’, on an associated socle, 52.5cm high, 39.4cm wide. £1,000-1,500 Pompeo Marchesi was a Lombard sculptor of the Neo-Classical school. He first studied at the Brera Academy of Fine Arts in Milan. In 1804 he won a scholarship to study in Rome under Antonio Canova. He spent the majority of his career in Milan where he was professor of sculpture at the Academy. One of his best known works is the group of the ‘Mater Dolorosa’ in the church of San Carlo.

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355. A Victorian bronzed cast iron tazza in Grecian style after E. W. Wyon, the shallow bowl decorated with classical figures, with a pair of handles, the underside of the foot stamped ‘ART UNION OF LONDON 1851’, 13.2cm high, 42.7cm wide. £200-300

356. A 19th century bronze relief portrait bust of a gentleman, signed ‘Th Godel 1837’, 12cm diameter, in an ormolu slip and satin veneered frame. £100-150

136

357. A 19th century wax relief portrait of a man, possibly Arthur Wellesley, the 1st Duke of Wellington, 19.5 x 10.5cm, with a gilt slip and mounted in a glazed rosewood frame, 43.7 x 40cm. £200-300

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358. Louis Julien called Jules Franceschi (French 1825-1893). A bronze group of Hebe and the eagle, the rotating base signed ‘Jules Franceschi’, the back with a foundry pastille inscribed ‘F.P. SANSON SUCCH HAMBURG 4 NEUERWALL’, late 19th / early 20th century, 67.7cm high. £3,000-4,000

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359. After Antoine-Louis Barye (French 1795-1875). ‘Éléphant du Sénégal’, a bronze model of a running elephant, green/brown patination, signed ‘BARYE’, 6.5cm high, 9.5cm long, mounted on a marble base, 9.3cm high, 12cm long. £300-500

359

360. Armand Jules Le Veel (French 1821-1905). ‘Ligueur’, a late 19th century French bronze figure of a soldier, with a musket slung over his shoulder, the cobbled base titled and dated ‘1847’, with Victor Paillard foundry mark ‘VP crowned’, 56.3cm high. £600-800 Provenance: Christie’s South Kensington, 22nd November 1995, lot 74.

361. A pair of ormolu models of recumbent poodles in the manner of the Weeks Museum, each on an oval white marble plinth, late 18th / early 19th century, 11cm wide. (2) £600-800 360

361

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MARITIME

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A COLLECTION OF POND YACHTS FROM THE ESTATE OF THE LATE JOHN HENRY BRUCE PROLE LOTS 362-372

362. An Edwardian painted wood model yacht, of a gaff cutter, original condition and stand, 67.5cm long. £100-200 Provenance: The Estate of the late John Henry Bruce Prole.

362

363. A late 19th century child’s pond yacht, of carved construction, with later rigging, on a later stand, 93cm long. £100-200 Provenance: The Estate of the late John Henry Bruce Prole.

363

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364. ‘Niagaras 1899’. A late 19th century racing pond yacht, of plank construction, with assorted mast, spars and sails, bearing brass plaque on stern inscribed ‘NIAGARAS BUILT BY T. PHELPS 1899’, on a later pine stand, 150cm long. £400-600 Provenance: The Estate of the late John Henry Bruce Prole.

364

365. An Edwardian barkeel later class pond yacht, plank on frame construction, with complimentary mast, spars and sails, 132cm long. £200-300 Provenance: The Estate of the late John Henry Bruce Prole.

365

366. A late 19th century pond yacht, in the form of a two masted schooner, with detailed decking and carved figurehead, on a pine stand, 119cm long. £300-500 Provenance: The Estate of the late John Henry Bruce Prole.

366

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367. A 19th century wooden model of a three masted frigate, with full complimentary rigging, on a later stand, 93cm long. £200-300 Provenance: The Estate of the late John Henry Bruce Prole.

368. A mid-20th century pond yacht, of plank on frame construction, in the form of a two masted schooner, on a later stand, 102cm long. £100-200 Provenance: The Estate of the late John Henry Bruce Prole.

367

369. A mid-20th century racing pond yacht, of plank construction, with assorted masts and sails, on a later stand, 108cm long. £200-300 Provenance: The Estate of the late John Henry Bruce Prole. 368

369

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370. A mid-20th century marblehead class racing pond yacht, bread and butter construction, with later sails, but original mast and boom, on a painted pine stand, 127cm long. £300-500 Provenance: The Estate of the late John Henry Bruce Prole.

371. A mid-20th century racing pond yacht, of plank construction, on a later stand, 157cm long. £300-500 Provenance: The Estate of the late John Henry Bruce Prole.

370

371

372. ‘Joan’. An Edwardian racing pond yacht, in the form of a schooner, hull of plank construction and full complimentary suite of masts and sails, on a later pine stand, 167cm long (hull only). £400-600 Provenance: The Estate of the late John Henry Bruce Prole.

372

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373. A 19th century model steamboat, complete with a boiler and steam plant (untested), with brass fittings, sitting on a painted wood stand, 106cm long. ÂŁ800-1,200

374. A mid-20th century 6m class racing pond yacht, with full complementary mast and sails, on a later oak cradle stand, 142.5cm long. ÂŁ200-300

375. A racing pond yacht, of fibre glass construction, with assorted mast and sails, on a later pine cradle stand, second half of 20th century, 141cm long. ÂŁ200-300

144

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376. A late 18th century French straw-work box, decorated with panels of leaves and flowers, the hinged lid with a view of a large Elizabethan country house with trees and cattle, the vacant interior with a panel to the underside of the lid with a harbour scene, with figures fishing and promenading, with a church, buildings and a boat flying the Red Ensign, 12.5cm wide, 28.3cm wide, 20.1cm deep. £600-800 Provenance: The J.H. Walter Collection

376

377. A Victorian sailor’s woolwork picture, depicting a three-masted sailing ship flying the White Ensign and a lighthouse, 38.5 x 55cm, in a glazed rosewood frame. £200-300

377

378

378. A 19th century Napoleonic French prisoner of war straw-work cylinder bureau, with geometric parquetry decoration, the later simulated top above a printed scene of battle ships, enclosing an interior with a pair of mirrors and drawers, above a pull-out writing surface with five compartments, the front with a drawer, on brass bun feet, 22cm high, 24.8cm wide, 15.7cm deep. £150-250 379. An early 19th century French prisoner of war bone Spinning Jenny, with £150-200 cogs to the base, 12.5cm high, 7cm wide. 379

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381

380

380. A mahogany wall hanging whip rack, for seven whips, together with six leather and brass whalebone driving whips, three by Crawley & Sons, Peterborough, inscribed ‘CRAWLEY & SONS MAKERS PETERBOROUGH’, the ends with a copper plaque inscribed ‘C S P TRADEMARK’ with a coat of arms and one with a portrait of a jockey, 239cm long (max). (7) £400-600 381. ‘THE WIMBLEDON’. A croquet set by Ayres, comprising: four marked mallets, six Davidson patent hoops, marker posts, boundary pegs with original box, clips, four coloured balls and a smaller hoop stamped ‘F. H. AYRES REGD 417313 LONDON’, in a pine box, the front with a stencil mark inscribed ‘F. H. AYRES LTD. THE WIMBLEDON COMPOSITION BALLS’. £200-300 382. A Victorian horse measuring stick by M. Long, the mahogany screw-off handle with a brass ferrule above a brass and wood hinged measure, originally with a level, inscribed ‘M. LONG 217 HIGH HOLBORN LONDON’, with a malacca shaft, 93.4cm long. £100-150 383. An amber specimen, 11.5cm wide.

£80-120

384. An aspidorhynchus fish fossil, Cretaceous period, one hundred and twenty million years old, Sergipe, Brazil, 18cm long, on a metal stand. (2) £100-150 382

383

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384

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385

385. Taxidermy. An Indian leopard skin rug mounted by Van Ingen & Van Ingen of Mysore, with head mount and glass eyes, with teeth and some claws, mounted on navy blue felt with a linen backing, numbered ‘23798’ and stencil mark inscribed ‘VANINGEN & VANINGEN MYSORE’ and printed paper care label, 247 x 174cm. £400-600 Order 23798 was taken on 13/1/1937 from E.W. Wylde? of the Bettiah Estate, Champaran, India and consisted of a Panther (Leopard) skin and skull. 386. Taxidermy. A preserved peregrine falcon by William Chalkley, mounted in a naturalistic setting, with a printed paper label ‘CHALKLEY WINCHESTER’, in a glazed case part ebonised case, with trade label to verso inscribed ‘W. CHALKLEY, Taxidermist, & c., THE SQUARE, WINCHESTER’, early 20th century, 37.8cm high, 31.5cm wide, 14.3cm deep. £200-300

387. A George V carved and painted wood half-block model of a trout by Rowland Ward, mounted on an oak plaque and applied with an ivory plaque inscribed ‘6 LBS 6 OZS, KILLED BY G.T. HAWKES IN SHERMAN’S LOCK AVINGTON, KENNET JUNE 6TH 1917’, the verso with two paper trade labels inscribed ‘The Jungle TRADE MARK Rowland Ward 167 Piccadilly London’, numbered in chalk ‘1503’, 27.7 x 71cm. £800-1,200

386

387

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388. A Coalbrookdale style oak and ivy pattern cast iron garden bench, with a slatted wood seat and lion’s mask handles and paw feet, 95.2cm high, 146.6cm wide, 70cm deep. £300-500

388

389. A Victorian cast iron garden urn, with a lobed body and leaf wrapped scroll handles, on a fluted stem, the plinth base decorated with laurel leaves and a stiff leaf border, £400-600 123cm high, 66.5cm wide. (2)

389

390. A cream painted wirework planter, with an oblong tray, on scroll supports, 76.5cm high, 107cm wide, 31cm deep. £100-150

390

148

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391. A pair of stoneware garden urns, each with an egg and dart rim, above a lobed body, with bearded satyr masks and leaf handles, on an associated near pair of Doulton plinths, impressed marks ‘DOULTON LAMBETH’, 84.4cm high, 33cm wide, 33.5cm deep. (4) £200-300

391

392. A limestone sundial pedestal, the octagonal detachable top with a bronze sundial, on a faceted stem and conforming plinth, 107.5cm high, 40.5cm wide. £200-300

393. A pair of reconstituted stone garden urns, each with a lobed body and on a fluted spreading foot and square plinth base, 38cm high, 55cm diameter. (2) £100-150

392

393

149

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394. A late Victorian mahogany twin pedestal desk, the top inset with tooled black leather, above an arrangement of nine drawers, on bracket feet and castors, 78.8cm high, 120.7cm wide, 58.8cm deep. £300-500

394

395. A nest of three mahogany occasional tables in Regency style, each with a beaded top, on ring turned legs united by curved stretchers, 63.7cm high, 53.3cm wide, 38cm deep (max). (3) £150-250 396. A late Victorian oak revolving desk chair, the padded back and seat upholstered with brown leather, with turned spindle arm supports and later Shepherd castors. £200-300 397. A late Victorian ebonised and brass mounted three-tier whatnot, inlaid with bone stringing, the top with a pierced threequarter gallery, on castors, 87.5cm high, 69.5cm wide, 40.3cm deep. £400-600

396

150

395

397

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398. A Victorian oak twin pedestal desk, the top with a moulded edge and inset with tooled burgundy leather, above an arrangement of nine drawers, on castors, 76.7cm high, 136.5cm wide, 74.5cm deep. £400-600

398

399. A mahogany hanging display cabinet, with a dentil cornice, above a fluted frieze, with an astragal glazed door enclosing two adjustable shelves, flanked by stop fluted canted angles, 19th century, 107.5cm high, 75.4cm wide, 31.8cm deep. £100-150 400. A late Victorian Aesthetic movement walnut occasional table, the top with canted corners above a galleried undertier, 73.2cm £100-150 high, 68.3cm wide, 50.5cm deep. 401. A mahogany whatnot, the middle tier with a central division, with turned supports and pad feet, late 19th century, 86.7cm high, 48.2cm wide, 26.7cm deep. £200-300

399

400

401

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403

402

402. A pair of mahogany bedside chests, each with a three-quarter gallery, above four graduated drawers, with carved handles, 78.3cm high, 43.3cm wide, 59cm deep. (2) £400-600 403. A set of five mahogany dining chairs in George III style, each with an upholstered padded back and seat, on chamfered legs united by stretchers. (5) £200-300 404. A late Victorian easy armchair, with later button upholstered ivory £300-500 fabric, on turned oak front legs and ceramic castors. 405. A set of eight Sheraton style mahogany dining chairs, each with a serpentine top rail above reeded and leaf capital vertical splats, with a dropin seat on panelled square tapering front legs, late 19th / early 20th century, comprising: a pair of open armchairs and six side chairs. (8) £400-600

404

152

405

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406. A Victorian oak console table, the raised back carved with a grapevine and male mask, above a panelled frieze centre of a lion’s mask, on cabriole front legs, 119cm high, 106.4cm wide, 51cm deep. £200-300

406

407. A Victorian walnut Canterbury, carved with scrolls, with three divisions, fitted with a drawer, on ceramic castors, 36.8cm high, 53.1cm wide, 37.5cm deep. £150-250

407

408. A Victorian walnut and marquetry loo table, the oval quarter and burr veneered tilt-top inlaid with flowers, leaves and stringing, with a carved border and shaped edge, on a carved stem and four scroll legs and ceramic castors, 74.5cm high, 144 x 112cm. £500-700

408

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409. A set of sixteen engraved portraits of dignitaries, including: Edward, Duke of Kent and Strathearn, the Earl of Harewood, Sir Edward Codrington, Richard Porson, William Wordsworth and Herbert Marsh, Lord Bishop of Peterborough, after famous paintings by Sir Thomas Lawrence, Sir William Beechey and J. S. Copley, the majority published by Fisher, Son & Co. London, with facsimile signatures, 1830-33, 18 x 14cm (max), all mounted £300-500 in later glazed and ebonised frames. (16)

409

410. John Speed (1552-1629). ‘DORSETSHYRE’, a handcoloured engraved map, with a plan of Dorchester, together with ‘SOMERSET_SHIRE’ a hand-coloured engraved map, with a plan of Bath, text to verso, both dated ‘1610’, 37.7 x 50cm and 39.2 x 52cm, both framed and glazed. (2) £400-600

410

411. Five early 19th century engravings after David Wilkie R.A., ‘THE READING OF A WILL’, ‘CHELSEA PENSIONERS READING THE GAZETTE OF THE BATTLE OF WATERLOO’, ‘DISTRAINING FOR RENT’, ‘THE BLIND FIDDLER THE RENT DAY’, engraved by J. Burnett and Abraham Rainbach, differing dates of publication, 18171825, together with an engraving entitled, ‘The Saints Day’ after J. P. Knight A.R.A. each in a glazed gilt composition frame, 72.8 x 95.4cm. (6) £200-300 Provenance: Rookley Manor, Hampshire.

411

154

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412. A Victorian chalcedony and gold mounted desk set, with finely engraved strapwork decoration, comprising: a paper knife with a gilt brass blade, a seal with a plain matrix, a pencil and a fountain pen, fitted in a maroon leather case, 24cm wide. £1,200-1,800

412

413. A Victorian tortoiseshell and piqué desk set, inlaid with gold, silver and mother of pearl with grapevines, comprising: a letter opener, a seal with a plain matrix, a bookmark, two steel bladed utensils, a stiletto, a fountain pen, ruler and a box with a sliding cover and leather inside, all fitted in gilt tooled brown leather case, 26.2cm. £1,500-2,000

413

155

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414 415

414. A collection of Victorian mother of pearl gambling tokens or counters, of canted rectangular form, each engraved to one side ‘£25, 500 SHILLINGS’, the verso with a monogram and numbered, 6.8cm wide. (37) £300-500 415. A Victorian engine turned ebony box and cover, containing a large quantity of treen counters, in various woods, the underside of the lid with a handwritten label inscribed ‘This box is of green ebony, the counters of Eucaliptus, Fiji, Australian native pear, african satin wood, £200-300 Black ebony’, 11.3cm diameter. Provenance: Althorp House, Northamptonshire. 416. An early Victorian silver plated wine bottle holder / pourer by Mappin Brothers, with an adjustable top, a rope twist handle and a pierced galleried base, the underside stamped ‘MAPPIN BROTHERS REGENT ST. AND LONDON BRIDGE’, 28.8cm high. £150-200 417. A late Victorian polished coal vase on stand, the body carved with a primrose flower, possibly to commemorate the death of Benjamin Disraeli, first earl of Beaconsfield, on 19th April 1881, on a separate base, 20.5cm high, 15cm wide. £100-150

416

156

417

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418

418. A pair of Victorian amethyst glass and gilt bronze tazze, each with a shallow bowl, with a rosette boss above a scroll, ivy and grapevine decorated urn, on a turned slate base, 24.5cm high, 36.6cm diameter (slight differences). (2) £2,000-3,000 419. A decalcomania glass vase, of baluster form, decorated with Chinese figures, birds, butterflies, flowers and leaves on a green ground, 30.3cm high. £200-300

419

420. A Victorian six-inch terrestrial desk globe by Malby & Sons, inscribed ‘MALBY’S TERRESTRIAL GLOBE, compiled from the latest & MOST AUTHENTIC SOURCES, Including all the recent Geographical Discoveries, Published under the superintendence OF THE SOCIETY FOR THE DIFFUSION OF USEFUL KNOWLEDGE. BY MALBY & SONS, 37 Parker Street, Little Queen Street, LONDON 1878’, on a turned mahogany stand, 26.5cm high. £200-300 420

157

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421

422

421. A vintage crocodile leather lady’s handbag, with brass hinges and locks, stamped ‘REGD DESIGN NO. 854995’, with a silk lined interior, with a zipped purse and pouches and a crocodile leather vanity case, 16cm high, 24cm wide. £120-150 422. An Arts and Crafts hammered brass box, the hinged lid revealing a vacant interior, with riveted corner panels, 12.3cm high, 27.7cm wide, 15.4cm deep. £100-150 423. A Victorian style pedlar doll, modelled as Judy, with a painted plaster head and wooden arms, her basket offering various wares, including: shoes, gloves, scissors, dolls, a purse and other items, under a glass dome and on an ebonised base, 44cm high. £300-400 424. A Burmantofts Faience yellow glazed jardinière, with moulded and impressed marks, 23.8cm high, 30cm wide. £100-150 425. A set of seven glass finger bowls, with etched decoration, each with a greyhound crest, together with eight matching carafes or bottle vases, 16.5cm (max). (15) £40-60

423

424

158

425

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426. A large pair of oval wall mirrors, each with a sectional mirrored outer frame, 138.2 x 126cm. (2) £1,000-1,500

427. An Art Deco style wall mirror, of arched sectional form, with a peach coloured bevelled outer border, 133.5 x 70.2cm. £100-150

428. A pair of Art Deco style brown leather easy armchairs, first half of 20th century. (2) £500-800

159

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429. A mahogany tripod table in George III style, the circular piecrust tilt-top on a baluster stem, carved with leaves, on cabriole legs and claw and ball feet, late 19th century, 71.7cm high, 83.7cm diameter. £200-300

430 429

430. A mahogany stool in 18th century style, the needlework seat above a gadrooned edge, on ribbon carved cabriole legs and claw and £100-150 ball feet, 46.8cm high, 58.5cm wide, 49.5cm wide.

431. A mahogany silver table in George III style, with a plum pudding top and a carved moulded edge, on acanthus capped cabriole legs and claw and ball feet, late 19th century, 68cm high, 81cm wide, 57.2cm deep. £150-200

431

432. A mahogany oval tray table, with a wavy edge gallery, a pair of brass handles and on reeded legs, 52cm high, 69cm wide, 49cm deep. £100-150 432

160

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433. An Edwardian mahogany metamorphic campaign style desk, with satinwood banding and boxwood stringing, the hinged top revealing a slide-out maroon leather lined interior, with plated mounts and fitted with paper clips, stationery compartments, a pocket watch holder with watch, calendar and engagement frames, a blotter/writing surface, five drawers, one for ink and with ivory and bone utensils, with a Bramah lock, the hinges stamped ‘HODGES PATENT’, above a leather lined frieze drawer, 84.3cm high, 65cm wide, 44.5cm deep. £400-600

434. A mahogany tripod table, the octagonal tilt-top carved with shell rondels, on fluted splay legs, 19th century, 66.5cm high, 75.8cm wide. £100-150 Provenance: Christie’s South Kensington, 14th September 1994, lot 157

435. A late Victorian satinwood lamp table in Sheraton revival style, the circular top with kingwood crossbanding, inlaid with segmented veneers in the form of a star, on square tapering legs united by an ‘X’ stretcher and brass castors, 72.3cm high, 61cm diameter. £150-200

161

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436. A pair of painted demi-lune console tables in Adam style, decorated with palmettes, husks and fan paterae, each with a frieze drawer, on square tapering legs, 81.6cm high. 96cm wide, 43.5cm deep. (2) £200-300

436

437. A painted bowfront chest in Adam revival style, the frieze with a laurel border, above two short and two long drawers, 91cm high, 103.5cm wide, 52.5cm deep, ensuite with a bedside cupboard, decorated with an urn, with a drawer, above a door enclosing a shelf, 77.2cm high, 38.3cm wide, 39.7cm deep, numbered ‘54527815’, late 19th / early 20th century. (2) £200-300

437 438. A Rowley Gallery marquetry and giltwood wall mirror, the rectangular plate within a moulded frame, the frieze inlaid with a cottage beside a lake, with a Rowley Gallery paper label to verso, inscribed ‘A. J. Rowley, THE ROWLEY GALLERY 140-2 CHURCH STREET KENSINGTON. W.8.’, 62.4 x 31.7cm. £100-150

438 439. A black japanned centre table, gilt decorated with chinoiserie, the circular top on cabriole legs and carved paw feet, early 20th century, 74cm high, 72.2cm diameter. £200-300

162

END OF SALE

439

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FURNITURE, WORKS OF ART & CLOCKS Wednesday 3rd October 2018 Entries are now being accepted for this sale

A rare Charles II needlework casket. Estimate: £15,000 - £20,000

ENQUIRIES Mark Yuan-Richards | Tel: +44 (0)1722 411854 | myr@woolleyandwallis.co.uk

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SILVER & VERTU

Tuesday 17th July 2018

By Sebastian Garrard, a commemorative silver inkwell, London 1935. Provenance: H.G. Murphy (1884-1939), and thence by descent to the present owner. Estimate: £300 - £400

ENQUIRIES Rupert Slingsby | Tel: +44 (0)1722 424501 | rs@woolleyandwallis.co.uk Lucy Chalmers | Tel: +44 (0)1722 424594 | lc@woolleyandwallis.co.uk

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OLD MASTERS, BRITISH & EUROPEAN PAINTINGS Tuesday 11th September 2018 Closing date for entries 17th July

Antonietta Brandeis (Austrian 1848-1926) Courtyard of the Doge’s Palace, Venice with the Giant’s Staircase Signed, oil on canvas, 50 x 40.5cm Estimate: £6,000 - £8,000

ENQUIRIES Victor Fauvelle | +44 (0)1722 446961 | vf@woolleyandwallis.co.uk Jo Butler | +44 (0)1722 446962 | jb@woolleyandwallis.co.uk

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TRIBAL ART & ANTIQUITIES

Wednesday 19th September 2018

Detail from a Papuan Gulf gope board, 126cm high. Estimate: £3,000 - £4,000

ENQUIRIES Will Hobbs | Tel: +44 (0)1722 339752 | wh@woolleyandwallis.co.uk

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DESIGN

Wednesday 17th October 2018 Closing date for entries 31st August

A Goldscheider figure of a young boy, 57cm. Estimate: £1,000 - £1,500

ENQUIRIES Michael Jeffery | +44 (0)1722 424505 | mj@woolleyandwallis.co.uk

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Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays. VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered. REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address

LIVE ONLINE BIDDING Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom.com, subject to approval. There is a 3% + VAT charge for this service. In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via thesaleroom.com, and 2. confirm that you are authorised to provide these credit card details to Woolley and Wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale.

You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies.

CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us.

The colours printed in the catalogue are not necessarily true.

COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids. TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office. BUYER’S PREMIUM The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

SALE RESULTS These will be posted on our website shortly after the sale. PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping

01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

Kimdan Ltd.

07973 389436 andy@kimdan.co.uk

Mailboxes

01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover

Pack & Send

0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released. The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of 10,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present. Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction. Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

LOT SYMBOLS VAT Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega ( ) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price. CITES REGULATIONS Please note that lots marked may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/ ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a ‡ symbol are potentially subject to a levy. Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 10,000. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 10,000 FIREARMS Lots marked Ƒ in the catalogue are subject to the UK firearms/shotgun licencing regime, and may only be viewed and/or purchased by individuals with appropriate licences. Such lots are offered on an auctioneer’s permit, and must be collected prior to the expiry thereof. For further information, please contact Ned Cowell.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter. 5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The omega symbol ( ) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. 6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale). 7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. 8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7. 7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. . Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense. 9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request. 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it. 11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is

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unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque 5 weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter. 5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with a † or . Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position). 6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for. 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below. Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

21. English law applies to the interpretation of these Conditions.

Lots marked with a ‡ symbol are potentially subject to the levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 10,000. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 10,000

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PRIVACY NOTICE FOR CUSTOMERS WHAT THIS PRIVACY NOTICE DOES This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you. This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you. DATA CONTROLLER AND CONTACT DETAILS Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 1998 (DPA) and, once in force, the General Data Protection Regulation (GDPR). If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details: • By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51-61 Castle Street, Salisbury, SP1 3SU. • By email – privacyofficer@woolleyandwallis.co.uk • By telephone – +44 (0)1722 424599 HOW WE COLLECT YOUR PERSONAL DATA We collect your personal data from the following sources: From you when you: • interact with us before entering into a contract with us, for example when you express your interest in our Services; • instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions; • communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account; • in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below. From third parties such as: • other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you; • the-saleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on the-saleroom.com) of individuals who register for one of our auctions (please see thesaleroom.com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (the-saleroom.com’s payment provider); • sage pay who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided); • shipping companies whom you hire to collect items you purchased from us. THE CATEGORIES OF PERSONAL DATA WE COLLECT

THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following: • to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services); • once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents. In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies. LEGITIMATE INTERESTS We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following: • to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance; • to deal with any concerns or feedback you may have in the performance of the Services; • for our internal business record keeping and processes; • to seek advice on our rights and obligations, including obtaining legal advice; • to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes; • to customise our website and marketing communications in line with your particular interests or preferences; • to collect money owed to us or our consignors; • to carry out background and credit checks in relation to bidders and buyers.

We may collect the following personal data about you:

In this respect we will provide your data to the following:

• your name and contact details including address, telephone and email address; • your image, as captured by CCTV, if you attend our premises; • personal identification documents, including copies of government-issued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details); • account details and other information relating to your transactions/dealings with us and your use of our Services; • payment details such as credit card and bank account details; • credit and payment history (where you open an account with us as a buyer or bidder); • information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and • other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.

• our professional advisors; • the-saleroom.com; • debt collection agencies; • third parties who assist us with our marketing; • our website and email management software provider.

We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

LEGAL OBLIGATIONS We may also process your Personal Data for our compliance with our legal obligations. In this respect, we may use your Personal Data for the following: • to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks; • in order to assist with investigations (including criminal investigations) carried out by competent authorities; In this respect we will provide your data to the following: • external auditors; • the police and other competent authorities, including HMRC;

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CONSENT

HOW LONG YOUR INFORMATION IS KEPT

We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

• if it is necessary to protect your or another person’s vital interests (for example, where you have a life-threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention);

In particular: • in relation to CCTV images taken when you attend our premises, we will retain these for a few months; • in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services; • we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive; • in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market.

• if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers);

YOUR LEGAL RIGHTS

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services. SPECIAL CATEGORIES OF PERSONAL DATA We process special categories of personal data for the following reasons:

We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events). INTERNATIONAL TRANSFERS OF DATA We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company. We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey. PROFILING We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

Under the DPA you have the following rights: • to obtain access to, and copies of, the personal data that we hold about you; • to require that we cease processing your personal data if the processing is causing you damage or distress; • to require us not to send you marketing communications. ONCE GDPR TAKES EFFECT ON 25 MAY 2018, YOU WILL ALSO HAVE THE FOLLOWING ADDITIONAL RIGHTS: • to require us to correct the personal data we hold about you if it is incorrect; • to require us to erase your personal data; • to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal); • to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller; • to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights. Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply. If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available

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CASTLE RD A345

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INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

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For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

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Woolley & Wallis valuations are accepted by all leading insurance companies.

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Contact Amanda Lawrence 01722 424509

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PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO OLD SARUM Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU

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Woolley & Wallis Unit 1B Castle Gate Business Park Old Sarum Salisbury SP4 6QX

Old Sarum Park

FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

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Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough.

Design & Production by Jamm Design Ltd. Tel. 020 7424 7830 www.jammdesign.co.uk

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WOO L LE Y & WA L LI S

Absentee Bid Form Furniture, Works of Art & Clocks

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Brief Decription

Price Excluding buyer’s premium & VAT

Wednesday 4th July 2018 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. Billing Name (please print)

Address

Postcode Daytime telephone Email All accounts must be settled within 21 days. ID is required for all first time bidders.

Signature

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508

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www.woolleyandwallis.co.uk

Auction Calendar FURNITURE, WORKS OF ART & CLOCKS 4th July 2018 3rd October 2018 Mark Yuan-Richards +44 (0) 1722 411854 • myr@woolleyandwallis.co.uk 20TH CENTURY DESIGN 20th June 2018 – Arts & Crafts 17th October 2018 – Design 12th December 2018 – British Art Pottery Michael Jeffery +44 (0) 1722 424505 • mj@woolleyandwallis.co.uk SILVER 17th July 2018 – Silver & Objects of Vertu 30th & 31st October 2018 – Fine Silver & Objects of Vertu Rupert Slingsby +44 (0) 1722 424501 • rs@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lc@woolleyandwallis.co.uk JEWELLERY 19th July 2018 – Jewellery & Watches 1st November 2018 – Fine Jewellery & Watches Marielle Whiting +44 (0) 1722 424595 • mw@woolleyandwallis.co.uk Jonathan Edwards (Consultant) +44 (0) 1722 424504 • je@woolleyandwallis.co.uk Charlotte Glyde +44 (0) 1722 424586 • cg@woolleyandwallis.co.uk PAINTINGS 11th September 2018 – Old Masters, British & European Paintings 4th December 2018 – Modern British & 20th Century Art Victor Fauvelle +44 (0) 1722 424503 • vf@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jb@woolleyandwallis.co.uk TRIBAL ART & ANTIQUITIES 19th September 2018 Will Hobbs +44 (0) 1722 339752 • wh@woolleyandwallis.co.uk ASIAN ART, CHINESE PAINTINGS & JAPANESE WORKS OF ART 13th & 14th November 2018 John Axford +44 (0) 1722 424506 • jea@woolleyandwallis.co.uk Freya Yuan-Richards +44 (0)1722 424589 fyr@woolleyandwallis.co.uk Alex Aguilar Doméracki +44 (0) 1722 424583 • aad@woolleyandwallis.co.uk ENGLISH & EUROPEAN CERAMICS & GLASS 16th October 2018 – English & European Ceramics & Glass Clare Durham +44 (0) 1722 424507 • cd@woolleyandwallis.co.uk MEDALS & COINS, ARMS & ARMOUR 21st November 2018 Ned Cowell +44 (0) 1722 341469 • nc@woolleyandwallis.co.uk