Woolley & Wallis by Jamm Design Ltd

WOO L LE Y & WA L LI S SA L I S B U R Y SA L E R O O M S

Jewellery & Watches

Thursday 21st July 2016

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Specialist Departments Please dial +44 (0)1722 followed by the number listed below

20TH CENTURY DESIGN Michael Jeffery Zoe Smith

424505 329477

ARMS & ARMOUR, MEDALS & COINS AND MILITARIA Ned Cowell Gemma Bush

341469 341469

ASIAN ART John Axford MRICS ASFAV Sophie Lister Alex Aguilar Doméracki Freya Yuan

424506 424591 424583 424589

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham

424507

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA

424509 424598

MARKETING Tamzin Corbett

424590

ACCOUNTS Janice Clift (Office Manager)

424500

GENERAL OFFICE Sharon Ringwood Pauline Jones Nicola Young Amanda Lawrence SALEROOM MANAGER David Jordan

FURNITURE, WORKS OF ART & CLOCKS Mark Richards Jim Gale Anna Wimbush

411854 339161 411854

JEWELLERY Jonathan Edwards FGAA Marielle Whiting FGA Hannah Galbraith

424504 424595 424586

PAINTINGS Victor Fauvelle Jo Butler

424503 424592

SILVER Rupert Slingsby Lucy Chalmers

424501 424594

TRIBAL ART & ANTIQUITIES Will Hobbs Gemma Bush

339752 339752

424500

BOARD OF DIRECTORS Paul Viney ASFAV Chairman John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart Managing Director

FRICS FRSA

COMPANY SECRETARY James Macarthur CA ASSOCIATE DIRECTORS Janice Clift Clare Durham Jonathan Edwards FGAA Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 • www.woolleyandwallis.co.uk

424500

424599

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JEWELLERY & WATCHES Thursday 21st July at 11.00am VIEWING TIMES Saturday 16th July 2016 Monday 18th July 2016 Tuesday 19th July 2016 Wednesday 20th July 2016 Thursday 21st July 2016

10.00am – 1.00pm 10.00am – 4.00pm 10.00am – 4.00pm 10.00am – 4.00pm 9.00am – 10.45am

ENQUIRIES

Jonathan Edwards FGAA 01722 424504 je@woolleyandwallis.co.uk

Marielle Whiting FGA 01722 424595 mw@woolleyandwallis.co.uk

Hannah Galbraith 01722 424586 hg@woolleyandwallis.co.uk

TELEPHONE BIDDING Please note that requests for telephone bids cannot be accepted after 5pm on Wednesday 20th July. LIVE BIDDING ILLUSTRATIONS Front cover: Lot 1359 Back cover: Lot 1355 Inside cover: Lot 1360 Catalogue £10.00 (£13.00 by post)

www.the-saleroom.com Please register by 5pm on Wednesday 20th July. Please note there is a 3% +VAT surcharge for using this service.

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1359

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Special Jewellery Notices Some lots are accompanied by gemmological certificates which give an opinion on some or all of the gem stones included in that particular lot. These certificates may have been obtained by Woolley & Wallis or supplied by vendors. It is important to note that the content of these certificates is not guaranteed by Woolley & Wallis and we cannot be held responsible for any disagreement over the content of certificates after the sale, or for a retrospective change in opinion by the providers of any of the certificates. Not all images are life-sized, weights and measurements in the catalogue are approximate only. It is common practice for coloured stones including jade to be treated to enhance their appearance. This includes jade that has been bleached (usually in acid), polymer/resin filled or dyed, or a combination of any of these treatments. Prospective buyers should presume that all coloured stones sold by Woolley and Wallis have been treated unless stated to the contrary in the catalogue description. Please contact the department for more information regarding enhancement and treatment of coloured stones, and for condition reports which are available on single item lots. Any dispute as to the authenticity of a lot, including signatures, age and condition, and as to the treatment of gem stones including pearls, synthetic diamonds and HTHP enhanced diamonds, must be brought to the attention of Woolley and Wallis within two weeks of the sale date. Saturday collections by appointment. 10.00am to 1.00pm

Lots marked with this symbol contain gemstones including rubies, sapphires and jade of Burmese origin and are not permitted for import by The United States of America.

CITES REGULATIONS Please note that lots marked may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

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1000

1001

1000. A quantity of assorted jewellery boxes, pouches and rolls, including boxes signed Tiffany & Co, Van Cleef & Arpels and Boucheron. One hundred and one containers in total. £100-200

1001. A quantity of assorted jewellery boxes, including boxes by Mappin & Webb and Cartier. Thirty two boxes in total. £100-150

1002

1002. Various items of jewellery, costume jewellery etc., including a lady’s 9ct white gold wristwatch by Bueche Girod with a 9ct integrated white gold band. A gold-mounted gold coin pendant, a gold fancy-link bracelet, three gold finelink neck chains, two with gold pendants. Two gold rings and a gold brooch. The wristwatch 30g in total, the other gold items 84g in total. £200-300

1003

1003. Various items of jewellery, costume jewellery, loose gemstones etc., including a large oval-shaped citrine, which weighs approximately 340.00cts. A gold bracelet set with various rectangular-cut stones including citrine, peridot, topaz, amethyst and garnet. A pair of gold earrings each mounted with a mabé pearl, and with a mabé pearl mounted gold ring and mabé pearl mounted gold pendant. A five-strand necklace with assorted multicoloured stones. A single-row (broken) faceted emerald bead necklace. Various £200-300 unmounted gemstones etc.

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1004. A small jewellery box with lift out tray, containing a gold Art Nouveau pendant with shaded enamel decoration to the leaves and set with a ruby and two seed pearls, 3cm high. A micro mosaic mounted gold brooch, depicting ruins. An Edwardian gold pendant set with a peridot and seed pearls. A gold medallion centred with an enamel painting of a pigeon. A brooch mounted with an enamel painting of a girl, a whistle with watch key and miniature ring. A long guard chain and various other items of jewellery. £200-300

1005

1005. Seven assorted unset gemstones, including a pear-shaped orange topaz weighing 8.40cts. A pear-shaped golden beryl, 9.12cts. An oval solid white opal cabochon, 6.62cts. A blue sapphire cabochon, 4.24cts, and a kite-shaped blue sapphire, 1.03cts. A pink tourmaline cabochon, 4.88cts, and an emerald-cut tourmaline, 1.85cts. £800-1,200

1004

1007

1006

1006. Various pairs of gold-mounted cufflinks, including a pair mounted with gold coins, with pierced and engraved rectangular jade sections, an octagonal pair with jade sections engraved with Chinese characters, a pair with pierced circular jade motifs depicting birds and a peach, a pair mounted with oval-shaped carnelian cabochons, a pair with circular amethyst cabochons, and a pair with oval-shaped green stone cabochons. A 9ct gold slide. A gold key ring suspending a brown and white jade pendant depicting two animals in the archaic manner. A gold fob seal mounted with a carved hardstone Blackamoor's head and the oval chalcedony matrix engraved JOH BRUMEL. A small silver rectangular box, a small fob seal and a cased set of three dress studs. £300-500 1007. A gentleman’s travelling part toilet set by Hermès Paris, the signed leather case 33cm wide and with fitted compartments containing two rectangular signed silver gilt cologne containers, a signed silver gilt soap container, a £100-150 wooden-backed hair brush and a signed razor.

1008

1008. A mixed quantity of jewellery and costume jewellery, including a white stone set cruciform pendant in yellow gold, 5.7cm high. A smoky quartz pendant, a late 18th century white paste necklace, a square-shaped compact and various items of assorted jewellery. £100-150

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1010

1009. A quantity of assorted jewellery, including a silver curb link choker-length necklace by Tiffany & Co., 38cm, a silver heartshaped pendant by Paloma Picasso for Tiffany & Co., 2cm high and set with a round brilliant-cut diamond on a fine link silver chain, 40cm. A silver key pendant by Tiffany & Co., 5.7cm high and on a fine link silver chain, 78cm. And various other items of jewellery, costume jewellery etc. £200-300

1009

1010. A silver ‘Love and Kisses’ open bangle by Paloma Picasso for Tiffany, signed, matching signed earrings. £400-600 1011. Assorted jewellery, including a single row cultured pearl necklace, the fifty five pearls graduating to 9.1mm, and the clasp set with amethysts and seed pearls (two missing), 40cm. An 18ct yellow gold lady’s wristwatch by Omega. An aquamarine set gold bar brooch, cased. A two row oval link gold bracelet, 19cm, a gold and white metal fancy link watch chain, 34cm, and a two-tone gold necklace, 41cm. A yellow gold ring, size K, and a yellow gold tie tack. £600-800

1011

1012. A 9ct gold sovereign and half sovereign case with pendant mount and engraved with inscription dated 1897, 32g in total. A 9ct gold Sagittarius pendant, 12g. Two gold stock pins. A gold scrolling stick pin, 3g. A 9ct gold fine link watch chain, 21g. A 9ct gold propelling pencil, 26g in total. A pair of 18ct gold foliate engraved oval-shaped cufflinks, 8g, case by Asprey. A pair of square-shaped 18ct gold cufflinks, 6g. A silver boating money clip and two stick pins. £600-800

1013

1013. A 9ct gold House of Commons portcullis brooch, 2.5cm wide, 8g. An 18ct gold signet ring carved with lozenge-shaped arms, size I½, 7g, with cast. A cased set of three gold studs, a cased set of two gold studs, a cased pearl-mounted gold stud, two gold propelling pencils, a short gold fancy-link watch chain and a peridot and seed pearl set gold £200-300 brooch. 1014. A gold medallion suspending from a fine link gold neck chain, two gold coins, a pair of cultured pearl and diamond drop earrings, a bracelet mounted with circular-cut blue zircons, a turquoise matrix (cracked) gold ring, a pair of sapphire and diamond set cluster earrings and three assorted brooches. £600-800

1012 1014

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1015

1015. A lady’s Art Deco platinum wristwatch on a metal wristband, a gold panel bracelet, 53g, two RAF wings brooches, and a pair of yellow and white paste set earrings. £300-400

1016

1016. A gold fancy-link bracelet suspending a circular-shaped gold locket pendant, an oval-shaped jade cabochon and diamond-set white gold and platinum ring, size P. A gold bracelet mounted with five oval-shaped jade cabochons. A pair of jade-mounted yellow gold drop earrings. A white gold ring mounted with jade cabochons and small diamonds. A ring mounted with an oval-shaped yellow stone (possibly sapphire) and diamonds. An 18ct gold ring mounted with four cushion-shaped diamonds and a pair of green stone drop earrings. £400-600

1017

1017. A lady’s gold wristwatch by Longines on a leather cord band, two gold rings set with cultured pearls, a pair of gilt metal earrings mounted with pearls and sapphires, a gold ring mounted with an oval-shaped carnelian, and a paste-mounted necklace. £100-200 1018. Assorted jewellery, including a cased Victorian demi-parure, the large cushion shaped citrine mounted brooch with kite shaped citrine mounted pendant, the brooch 6cm wide. A yellow gold flowerhead brooch, centred with a diamond and five rubies. A pair of 9ct yellow gold cufflinks engraved with the initials ‘M.A.’. A flat-link gold bracelet with a 9ct yellow gold heartshaped padlock clasp. Five gold rings set with various coloured and white stones and two gold wedding rings. A gold sovereign dated 1892, depicting Queen Victoria and St. George slaying the dragon to the reverse and mounted as a pendant. £800-1,200 1019. A four-row graduated ruby and sapphire bead choker-length necklace, mounted with two diamond-set yellow gold flowerheads with similar diamond-set yellow gold floral clasp. And a pair of similar diamond-set yellow £800-1,200 gold flowerhead earrings. 40cm. 1020. An Indian gold pendant with polychrome enamel decoration overall, with Sanskrit inscription Shri Rāma Ji (Lord Rāma) on one side, and the other side with a pair of feet, 2.8cm wide. Another Indian gold pendant with polychrome enamel decoration to both sides and also decorated with inscription Srinathji and a pair of feet. An Indian mango-shaped pendant with polychrome enamel decoration and set with a red stone, 2.8cm high. An Indian lozenge shaped slide set with white stone and ruby cabochons, 4cm long. An Indian circular pendant centred with a star motif set with cabochon rubies. An Indian four-sided pendant set with white stones, two rubies, seed pearls and with polychrome enamel decoration overall, 2.5cm wide (widest). And a witch’s heart design brooch set with pink stones overall and with £400-600 indistinct Chinese marks, 6.5cm high.

1018

1019

1020

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1021. A diamond-set five stone gold ring, size K ½. An opal and seed pearl set gold bar brooch. A pair of blue and white paste set clip brooches and two other white paste set target brooches. £100-200 1022. A pair of cultured pearl and diamond set white gold drop earrings, a pair of mabé pearl mounted gold earrings, a pair of cultured pearl mounted gold ear studs, a single cultured pearl mounted gold ear stud, an amethyst mounted gold ring, two loose stones and a diamond-set £200-300 suspension ring.

1021

1022

1023. A gold filigree bracelet, 27g, 19cm. With a gold bar brooch designed as a ski pole, 3.2g, a foliate engraved gold ring, size N, 8.7g, and a pair of cufflinks. £500-700 1024. An 18ct yellow gold half hoop ring, set with seven round brilliant-cut diamonds, size O. A gold ring set with five emerald cabochons, size Q. An 18ct gold ring set with an oval-shaped emerald and ten small round brilliant-cut diamonds to each shoulder, size K½. A yellow gold bracelet alternatively formed with rectangular panels, each set with five small circular-cut emeralds and pairs of small diamonds. 17.5cm. A pair of gold earrings set with emeralds. A carved aquamarine figure of Guanyin, 5cm high. A matched cultured pearl single-row necklace with cabochon sapphire and cultured pearl mounted gold pendant, 45cm. And various items of assorted jewellery. £400-600

1023 1024

1025. A Chinese bead necklace, the white metal chain mounted with metal, agate and turquoise matrix beads and suspending a white metal pendant embossed with the characters lian sheng gui zi, ‘May you bear many sons’, and a bird and flower pattern to the reverse. 72cm. A gold Chinese necklace mounted with hardstone and coral. 80cm. And a carved and pierced lapis lazuli pendant depicting a phoenix in flight. 5.5cm wide. £600-800 1025

1026

1026. An 18ct gold propelling pencil by Chaumet, with tiger’s eye terminal. And a gold propelling pencil cum fountain pen with engine-turned decoration and three bands of white enamel Greek key decoration. 13.5cm extended both sides. £200-300 1027. An oval-shaped opal mounted gold pendant, a gold ring set with an oval-shaped opal and four small shoulder diamonds, size M, and a pair of gold earrings each set with an oval-shaped opal and three small diamonds. £200-300

1027

1028

1028. A diamond and blue enamel decorated George III cluster ring, size K. An early 19th century gold ring mounted with five graduated half-pearls, size K. An early 19th century gold ring with glazed locket within seed pearl surround, size M. And a gold ring mounted with five graduated ovalshaped sapphires, size O. £400-600

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1029

1029. A topaz and pearl fringe necklace, the fine link gold necklace alternately suspends graduated oval-shaped blue topaz cabochons and half-pearls. 45cm. And an 18ct gold ring set with a ruby crystal and two baguette-shaped shoulder diamonds. Size N. £200-300

1030

1030. Fifty one carved shell, hardstone and lava cameos and intaglios. £200-300

1031. A 19th century carved shell cameo brooch, depicting a woman’s head and mounted in a ropetwist frame. Three 19th century carved shell cameo brooches mounted in gold and a further 19th century carved shell cameo brooch. £200-300

1031 1032

1032. Four carved hardstone and shell cameo profiles £200-300

1033. A hardstone cameo ring, depicting a women in the classical manner in a gold mount. Cased. With two other carved hardstone cameos and a pitch-backed carved shell cameo. £200-300 1033 1034. A small diamond five stone ring, the five graduated circular-cut diamonds are set in gold, size N, case. With a 22ct gold wedding ring, an opal and diamond set gold ring with case, and an unmounted carved shell cameo brooch depicting a woman in the classical manner. £100-150

1034

1035. A carved shell cameo brooch, depicting a gentleman in the classical manner, within a foliate carved gold surround. 6.3cm long. £200-300

1036. A late 19th century reverse-carved crystal brooch, depicting a dog within a gold mount. 3.5cm high. £400-600

1036 1035

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1037. A silver brooch by Georg Jensen & Wendel, of foliate form, pattern number 236. 4cm wide. And a pair of swirl ear clips. £80-120 1037 1038. A Victorian turquoise-set brooch, with three gold rings and a platinum ring. £200-300 1039. A 9ct gold brooch modelled as two galloping horses, Birmingham marks for 1990, 19g, 5cm long. A gold bird brooch, standing on a textured gold branch with a nest containing three pearl eggs and a further small diamond and turquoise cabochon. 9g, 3.5cm. An 18ct yellow gold floral brooch with pierced leaves, cabochon ruby centred frosted crystal flowers (one damaged) and five further diamonds. 19g, 6cm. And a gold dog charm. 6g, 1.5cm. £400-600

1038

1039 1040. A yellow gold ring set with rubies and diamonds, and a pair of ruby and diamond set yellow gold earrings. 16g in total. £400-600 1040 1041. A textured yellow gold flowerhead brooch, centred with a cluster of circular-cut rubies. 4.7cm high. And a pair of gold starburst earrings set with small rubies. 2.5cm wide. 33g in total. £300-400 1042. An early 19th century gold cruciform brooch, mounted with pink and light green foiled closed-backed gemstones and with cannetille decoration, with three gold chain festoons, 5.5cm wide. An early 19th century gold brooch pendant mounted with oval-shaped amethysts, 4.5cm wide. And an early 19th century gold pendant brooch, set with amethysts and turquoise cabochons (some £600-800 missing).

1041

1042 1043. A gold bracelet mounted with oval-shaped cabochon opals, a pair of oval-shaped cabochon opal mounted gold ear studs, two gold rings mounted with white opals, and thirteen opal beads. £200-300

1044

1043

1044. An oval-shaped Victorian gold locket brooch mounted with an oval-shaped garnet, and a Victorian gold brooch mounted with graduated oval-shaped garnets and with a gold fringe. £200-300

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1045. A gold military brooch for the Royal Army Service Corps, and a diamond-set yellow and white gold Royal Naval Crown brooch, cased. £100-200

1045

1046. An 18th century gold pendant mounted with graduated flat garnets, two further garnet-mounted pendants and a garnet-mounted brooch. £100-200

1047. A navette-shaped diamond ring, millegrain-set with old cushion-shaped diamonds in platinum and white gold. Size I. With an Edwardian sapphire and diamondset bar brooch, set in platinum and gold. 6cm wide. £80-120

1046

1047

1048 1048. Five assorted 19th century gold and gold-cased fob seals, one mounted with a carnelian matrix engraved with the profile of a gentleman and a shooting star, another with a chalcedony matrix carved with a pelican in her piety crest and with arms, another with similar crest and full coat of arms, another with a red stone (possibly garnet) engraved with a woman leant against an anchor, and another with a bloodstone matrix carved with a forget-me-not and the words ‘You deserve it’. £200-300

1049. A group of three carved smoky quartz seated French bulldog puppies, on an oval agate plinth. The pups 5.5cm high, fitted case. £600-800

1049

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1050 1051

1053

1052

1050. A graduated amber bead necklace, the baroque oval beads graduate from 1.9 to 2.9cm. 183.9g, 122cm. A quantity of disc-shaped amber beads, 112g. And another amber bead necklace with amber pendant, 72.6g, 81.5cm including pendant. Box by Sac Frères. £600-800 1051. A necklace mounted with fifteen large graduated amber beads, and two red beads. 242g in total, the largest bead 5.5cm wide. 40cm. A long amber bead necklace, with alternating larger and smaller beads, £600-800 125g, 84cm. 1052. An amber bead necklace, 27g and two other amber bead necklaces 63g. £400-600 1053. A single row graduated amber bead necklace, the oval beads graduate from 0.8 to 1.5cm. 31.2g, 44cm. With a single row faceted amber bead necklace, 33.6g, 50cm. £200-300 1054. A single row graduated amber bead necklace, 165g, 100cm. £200-300 1055. A graduated amber bead necklace, 49.3g. 69cm.

1054

1055

£200-300

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1057

1056

1059

1058

1056. A single row graduated amber bead necklace, the barrel-shaped beads graduate from 2.4 to 3.2cm. 267g, 90cm. £600-800 1057. A single row graduated amber bead necklace, 71g, 75cm. £100-200 1058. A slightly graduated amber bead necklace, 85.0g. 43.5cm. £400-600 1059. Two amber bead necklaces, both formed with oval-shaped beads. 27g, 50cm. 57g, 48cm. £400-600 1060. A graduated amber bead necklace, 87.1g. 95cm.

1060

£400-600

1061. A single row graduated amber bead necklace, the oval beads graduate from 1.0 to 2.5cm. 81g, 90cm. £600-800 1062. A single row graduated amber bead necklace, the oval beads graduate from 0.7 to 2.5cm. 54.8g, 65.5cm. £500-700

1061

1062

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1064

1063. A parcel gilt foliate pendant mounted with green pastes, amethysts and citrines, a religious gilt metal pendant painted to one side with Christ crucified and Our Lady of Sorrows to the other. Two coral bead necklaces. A carved coral chimera expanding bracelet. A stone and untested pearl set gold brooch. A whimsical painted porcelain plaque brooch. A garnet bead necklace. A pair of bloodstone drop earrings. A 9ct gold telescopic toothpick pendant, a ring and a pendant. £400-600

1063

1064. A suite of coral jewellery, comprising a tortoiseshell hair comb surmounted with foliate carved coral sections, 8.8cm wide. A hinged coral bracelet mounted with graduated circular corals with gold mounts. A pair of foliate carved coral earrings. A branch coral brooch with foliate carved coral decoration. £400-600

1065

1065. A suite of foliate-carved coral jewellery, comprising a pendant on a fine-link gold chain, 7cm wide. A further pendant on a fine link gold chain, 3.5cm high. And a pair of earrings, 2.7cm high. £600-800

1066

1066. A coral necklace formed of clusters of small coral beads, and another short coral necklace. An 18ct gold MIZPAH ring set with a small diamond, size O, cased. A gold floral brooch set with turquoise cabochons and seed pearls, cased, and an aquamarine-mounted gold brooch, cased. £200-300

1067

1068

1067. A single row coral bead necklace, 48.2g. 44cm. £200-300 1068. A single row graduated faceted coral bead necklace, 74g, 57cm. £400-600

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1070

1069

1069. A late 19th century tworow necklace comprising graduated piqué-decorated tortoiseshell spherical beads, the stylised screw heads are each mounted within a gold circle. Textured silver gilt clasp and mounted with four conforming piqué hemispheres. 44cm. £400-600 1070. A graduated opal bead necklace, each opal is separated with a carved crystal rondel. 48cm. Cased. £200-300 1071. An eight-row malachite and gold bead necklace, with gold cage design clasp. 44cm. £150-200

1072 1071

1072. A long fine link gold necklace, mounted with sixteen jade spherical beads. 122cm. And a fancy link gold necklace mounted with six iridescent green beetles. 56cm. £100-150 1073. A single row graduated jade bead necklace, the white gold navette-shaped pierced clasp is set with a small sapphire. 46cm. £100-150

1073

1074. A pair of lapiz lazuli gold drop earrings, the spherical lapis lazuli beads suspend from a gold ram’s head and fluted gold mount with flowerhead and pellet terminal. 5.5cm long. £600-800 1074

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1076

1075. A two row cultured pearl necklace, with a cultured pearl and gem-set clasp. A two row cultured pearl bracelet with a cultured pearl-set gold clasp. And a single row cultured pearl necklace with silver clasp. £300-400

1075

1076. A single-row cultured pearl necklace, the pearls graduate from 3.1 to 6.9mm. The platinum boat-shaped clasp set with diamonds and calibré-cut sapphires. 42cm. £200-300 1077. A cultured pearl single-row necklace, the pearls graduate from 5.6 to 7.5mm. French white gold and platinum clasp set with a ruby and two diamonds. 44cm. £400-600

1077

1078. A two row cultured pearl necklace, the pearls graduating from 3.36 to 8.12mm and with a silver and gold star-shaped clasp set with graduated circular-cut diamonds. 67cm. £400-600 1079. A single row cultured pearl necklace, the pearls graduate from 5.06 to 8.66mm and with a gold clasp set with rosecut diamonds (one missing). 45.5cm. £400-600 1080. A three row cultured pearl necklace, with a sapphire and diamond flower-head clasp. 49cm long. £600-800 1078

1081. A natural pearl mounted gold ring, size K. £150-200 Accompanied by report number 11387 dated 9th June 2015 from The Gem and Pearl Laboratory, London, stating that the partdrilled button-shaped pearl with a worked base and a small pit in its top measures approximately 9.6 - 9.9 x 7 - 8mm and is a natural saltwater pearl.

1079 1080

1081

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1082

1084

1083

1082. A lady’s circular gold wrist watch by Gübelin, with an 18ct gold band. Another lady’s gold wristwatch, a lady’s steel wristwatch by Ebel and an 18ct white gold mesh link watch bracelet by Vacheron & Constantin (51g). £400-600 Provenance: The property of the Earl of Chichester 1083. A lady’s diamond-set wristwatch, with octagonal-faced bezel and lugs. Manual winding. Platinum case. Silk cord and leather band. And a white gold lady’s octagonal-faced wristwatch by Altus. Millegrain-set diamond bezel and shoulders. On a white gold double band. £300-400 Provenance: The property of the Earl of Chichester 1084. A lady’s gold square shaped wristwatch by Bueche Girod, signed circular dial and black leather band. And a lady’s 18ct white integrated gold wristwatch by Girard-Perregaux. Signed plain dial and £400-600 conforming white gold band. Papers.

1087

1086 1085

1085. A gentleman’s 18ct yellow gold wristwatch by Gübelin, the signed square dial with centre seconds hand and manual winding. 3.1cm wide. Expanding metal band. £400-600 1086. A gentleman’s gold Omega Seamaster wristwatch, automatic winding. The signed dial with baton numerals and sweep seconds hand. Centred with Seamaster hippocampus to the reverse. £400-600 Brown leather band. Omega case and guarantee.

1088

1087. A gentleman’s gold wristwatch by Verbena, the signed dial with applied gold baton numerals. Manual winding. With push button chronograph activation and further button for stop and return. Subsidiary seconds dial and 45 seconds recording dial. Leather band. £600-800 1088. A lady’s wristwatch by Bucherer, the signed square dial with baton numerals. 2cm wide. Manual winding, and with integrated white gold band. £600-800 Provenance: The property of the Earl of Chichester 1089. A lady’s yellow gold wristwatch with circular dial signed ‘Omega’. Manual winding. On an integrated 9ct yellow gold strap bracelet. 17.5cm long. £300-400

1089 1091

1090. A lady’s Art Deco cocktail wristwatch by Movado, the square signed dial with Arabic and baton numerals. The case and lugs millegrain-set with circular-cut diamonds in platinum. On dilapidated black leather strap. The case 1.4cm wide. £300-400 1091. A lady’s Art Deco diamond set wristwatch, set overall with circular-cut diamonds in platinum. The dial 0.6cm wide. Silk cord band (worn). £300-400

1090

1092

1092. A lady’s diamond-set yellow gold wristwatch by Delaneau, the signed heart-shaped plain face with diamond-set bezel and further heart-shaped diamond to the upper lug. Black leather band with gold fittings and suspending a gold chain. £300-400 1093. A lady’s Omega Sapphette 18ct gold wristwatch, 1.8cm wide, numbered 55153280. The signed square shell dial with diamond-set bezel and 18ct gold integrated band. Manual winding. With 18ct gold deployant clasp. With spare links. With Omega cream leather centreopening case. With certificate, papers and outer box. £600-800

1093

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1094

1095

1094. A travelling desk clock with barometer and thermometer mounted in a leather-bound book form case, the square-form barometer with adjustable setting hand, the clock with luminous Arabic numerals and hands, both signed Le Coultre, in chrome cases. 12.5cm wide. £40-60

1196

1095. An 18ct yellow gold stem-wind half hunting cased pocket watch, blue enamel outer chapter ring with Roman numerals. The white enamel dial signed ‘Dent, 61 Strand’ and ‘4 Royal Exchange’, and numbered 56243. With subsidiary seconds dial, signed 3/4 plate movement. And an 18ct yellow gold key-wind open faced pocket watch. White enamel dial with subsidiary seconds dial. 3/4 plate movement, signed ‘Moreland, Chester’. Loose glass. With an 18ct yellow gold T-bar and chain, a gold fob pendant with retracting compass, three chains and a £500-700 pendant formed with three coins. 1096. An 18ct gold open faced pocket watch, the white enamel dial with black Roman numerals and subsidiary seconds dial. A gold hunting cased pocket watch. Two gold open faced fob watches and a watch key. And a watch movement, signed ‘Wm Brown Croxton 1781’ and with a white enamel dial decorated with a village scene. £400-600 1097. A gold open faced pocket watch, the engraved gold dial with black enamel Roman numerals. A 9ct gold half hunting cased pocket watch by Record. A 9ct gold open faced pocket watch and two gold watch chains. The watches 208.7g and the watch chains 19.6g. £600-800

1097

1098. A gold open faced pocket watch by Tiffany & Co, the signed white enamel dial with outer Arabic five minute dial and inner Arabic hour dial. Movement signed ‘Tiffany & Co No. 74999’. Back case engraved with initials. Winder loose. A gold open faced pocket watch, the white enamel dial with black Roman numerals and subsidiary Arabic seconds dial. A gold open faced fob watch with a gold engraved dial and black Roman numerals and an 18ct gold long oval-link watch chain, 23.0g, 39cm. The watches weigh 175.6g in total. £600-800

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1099

1098

1099. An open faced gilt metal stem-wind pocket watch, 4cm wide, silver dial with gold bar numerals. Signed Tell. Date aperture. With a yellow gold fancy-link watch chain, 34g, 38cm. And with a gold swivel fob seal, the bloodstone matrix carved with a lion crest and motto. £400-600 1100 1100. A 9ct gold half hunting cased pocket watch by Elgin, the signed white enamel dial with black Roman numerals and subsidiary seconds dial. A gold half hunting cased pocket watch, damaged and missing hands. And a gold open faced pocket watch with white enamel dial and black Arabic numerals, and subsidiary seconds dial. The watches 220.1g in total. £600-800

1101

1101. A gold half hunting cased fob watch, with green guilloche enamel chaptering and white enamel Roman numerals (damaged). And a gold open faced pocket watch by J. W. Benson, the signed white enamel dial with Roman numerals. The case with blue and white enamel key-pattern border (damaged) and the initials SD set with diamonds to the reverse. The watches weigh 99.6g in total. £300-400

1102. An open faced yellow gold fob watch, foliate engraved dial with black Roman numerals and with a fancy-link gold chain. The chain 20g, 75cm. £300-500

1102

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1104 1103 1103. An 18ct yellow gold hunting cased pocket watch, white enamel dial with black Roman numerals and subsidiary seconds dial. Front opening with 3/4 plate movement, signed Hart & Co, Duke Street, Barrow, Inverness, and numbered 4144. Unusual hinged winding mechanism, accessible from inner case. With a 9ct yellow gold graduated curb-link watch chain. 14g, 36cm. £300-400 1104. A gold open faced stem-wind pocket watch, metal inner case cover signed ‘John Bennett, Cheapside, London’. With a gold watch chain mounted with gold nuggets and ornate £400-600 nugget form T-bar. 22g, 28cm. The watch 4cm.

1105

1105. An 18th century silver pair cased pocket watch, white enamel dial with black Roman numerals. Scroll pierced balance cock. The movement signed Ellicot 2699, London. The reverse of the outer case applied with a porcelain plaque with foliate decorations. £250-350 Missing glass. The dial 3.7cm wide. 1106. A 14ct white gold watch with Masonic dial, damascened nickel keyless lever movement signed E. Howard Watch Co, Boston USA, no. 1213048, Temperature 3 pos., silvered dial with chapters of Masonic symbols, in a plain case, 47mm diameter. 1.0 cm dent in side of case. Damaged and missing glass. £100-200 1107. An early Victorian key-wind open faced pocket watch, ornately engraved gold dial with gold Roman numerals and three colour gold foliate border. The movement signed ‘G. Wheeler, London. Number 1106’. London marks for 1838. With stone-mounted gold cased watch. Loose glass. £200-300 1108. An 18th century repoussé pair cased pocket watch by Benj Maud, London, the gilt metal outer case decorated with two figures in a classical scene within a scrolling surround. White enamel dial with black Roman numerals, missing one hand. Scroll pierced balance cock and signed movement on square-form pillars. 5cm. £200-300 1109. A 14ct gold hunting cased repeating chronograph stem-wind pocket watch, white enamel dial with black Arabic numerals and minute recording hand. Plunge action chronograph £600-800 and quarter repetition. 6.3cm wide.

1106

1109

1107 1108

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1110

1111

1110. An 18ct gold cased stem-wind pocket watch, the white enamel dial with subsidiary moon phase dial, and three further dials for day, date and month. 4.8cm wide. £300-400 1111. An 18ct yellow gold hunting cased stem-wind pocket watch by Langford, the white enamel dial with black Roman numerals and subsidiary seconds dial. The movement signed ‘Langford, 13 Gresham Street, London’. £400-600 London marks for 1887. Missing glass. 5cm wide. 1112. An 18th century open faced 18ct gold key-wind pocket watch, white enamel dial (hair cracks) with black Roman numerals and subsidiary seconds dial. The movement signed Bissett, Royal Exchange. Balance cock engraved with grotesque mark amongst foliate scrolls. 5cm wide. £400-600

1112

1113. An 18ct yellow gold half hunting cased pocket watch, blue enamel outer chapter ring with Roman numerals. The white enamel dial with black Roman numerals and outer seconds ring. Swing seconds hand. 3/4 plate movement numbered 31143. Outer case engraved with crest, motto and initials. 5.2cm wide. £600-800 1114. An 18ct gold half hunter pocket watch, the 3/4 plate movement inscribed ‘Jones & Sons. Liverpool No 49723’. The white enamel dial numbered 49723 with Roman numerals and blued steel hands, the front cover with glazed aperture and chapter ring with blue enamelled Roman numerals. With presentation inscription to inner case for Charles William £600-800 May Massey, by his father 27th April 1901.

1113

1115. A 9ct gold half hunting cased stem-wind pocket watch, the white enamel dial with black Roman numerals and signed ‘Kendal & Dent, London, Makers to the Admiralty’. Subsidiary seconds dial. 4.8cm wide. £300-400 1116. An 18ct yellow gold half hunting cased stem-wind pocket watch, blue enamel outer chapter ring with Roman numerals. White enamel dial with black Roman numerals and subsidiary seconds dial. London marks for 1915. The back case with transfer image of a lady. 3/4 plate movement, signed Goldsmiths & Silversmiths Company, 112 Regent Street, London. Cracked £400-600 glass. 4.5cm wide. 1117. A yellow gold half hunting cased fob watch, blue enamel outer chapter ring with Roman numerals. The white enamel dial with black Roman numerals. Swing seconds hand. Outer case engraved with crest, initials. 3.5cm wide. £200-300

1115

1114

1116

1117

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1119

1118 1118. An 18ct gold tapered curb link watch chain, with swivel clips and T-bar. 48.4g, 43cm. £700-900 1119. A gold curb link watch chain, 48.1g, 29cm. And another gold curb link watch chain, 37.2g, 42.0cm. £400-600 Provenance: The property of the Earl of Chichester 1120. A 9ct gold tapering curb link watch chain, 58.7g, 34.5cm. £400-600 1121. A French gold 18th century châtelaine, with gold fancy links, an upper rectangular link with blue and white enamel decoration to both sides (damaged) and a lower shaped link with enamel decoration of two children to one side and a dog mourning a pillar with dove to the other. With two further short gold chains suspending a small fob seal and a watch key with conforming enamel decoration. 24cm. £400-600

1120

1122. A 19th century gold cased quizzing glass, with a gold fancy-link watch chain, 12g, 37cm. £150-200 1123. A 9ct gold double sovereign case, engraved with a crest to the hinged cover. Birmingham marks for 1936. With two sovereigns, 1832 and 1911. The sovereign case 34g, 5.5cm. £400-600 1124. A gold cigarette packet holder, both sides spring-hinged and with engine-turned decoration to the front and back, and a plain lattice section at the top. The front engraved ‘Ursula’. 122.7g, 9cm high. £600-800

1121

Provenance: The property of the Earl of Chichester

1122

1123

1124

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1126

1125 1128

1125. A square-shaped 18ct gold cigarette case, the engine-turned yellow gold case with vertical white gold stripes and cipher. London marks for 1920. 114g, 8cm wide. With a gold stick pin mounted with a hardstone cameo depicting a man’s head in profile, fitted case by S. J. Phillips. And two further stick pins, each mounted with an untested pearl. £1,500-2,000 1126. A gold William Browne medal for Greek verse, 36g. 3.5cm wide. Applied with suspension ring. £500-700 Sir William Browne (1692-1774) left money in his will for the foundation of an annual prize worth five guineas for original Latin and Greek verse composition at Cambridge University.

1127

1127. A pair of 18ct gold cufflinks, the oval links engraved with a lion’s head above a ducal coronet, probably for Fuller. London marks for 1937. And a pair of gold cufflinks designed as oval buttons, with cross-over ropetwist gold ‘threads’ on shell ground. £200-300 1128. A gold curb-link charm bracelet, mounted with eleven gold charms, including an abacus, a street vendor and a rickshaw. 54.0g, 18cm. £400-600 1129. A tourmaline and diamond pendant, the green tourmaline is set within a surround of circular-cut diamonds in 18ct yellow gold. 2.5cm wide. £300-500

1129

1130

1130. A Victorian gold brooch, set with four pearshaped garnets and four circular-cut chrysolites to the foliate quatrefoil design and suspending a conforming pendant with two fine-link gold chain festoons. 4.5cm wide. Cased. £200-300 1131. A jade disc pendant, engraved with the Chinese character fu to one side for ‘happiness’ and with a flower to the other, 4.9cm wide, with a yellow gold rectangular link necklace. The necklace 21g, 49cm. £200-300 1132. A late 19th century gold locket pendant with gold necklace, the oval-shaped locket is set with small diamonds and suspends from a gold necklace formed with rectangular convex links. 53g in total. The necklace 50cm long. £600-800

1131

1132

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1134 1133

1135

1136

1137

1140

1138 1139

1133. A two-row fancy open linked yellow gold necklace, 75g, 42cm.

1141

£800-1,200

1134. A diamond-set gold fringe necklace circa 1950, the scallop-edged fluted chevron links suspend a snake-link fringe within further swags and diamond-set scrolls. 38cm long. 81g. £1,000-1,500 1135. A diamond spray brooch, the stylised bow is set with graduated round brilliant-cut diamonds in 18ct white gold. 6.5cm long. £400-600 1136. A diamond-set gold bangle, set with a line of baguette-shaped diamonds in yellow gold. 6cm wide (interior). £400-600 1137. A gold line bracelet set with square-shaped gemstones, including peridot, citrine, garnet, amethyst and topaz. 22g in total. 18cm. £600-800

1142

1138. An emerald and diamond pendant, the large oval-shaped emerald is set beneath two circular-cut £300-400 diamonds in platinum and yellow gold. On fine link yellow gold neck chain. 46cm long. 1139. An emerald and diamond necklace, the pear-shaped emerald is set within a surround of circular-cut diamonds on a graduated diamond-set necklace, on snake-link chain, in platinum and white gold. 40cm long (excluding pendant drop). £600-800 1140. A pair of diamond cluster earrings, each earring set with seven circular-cut diamonds millegrain set in white gold. £650-850 1143

1141. A natural freshwater pearl, sapphire and diamond pendant

£200-300

Accompanied by report number 10967 dated 13th March 2015 from The Gem and Pearl Laboratory, London stating that the part-drilled irregularly shaped pearl measures approximately 16 - 17 x 14.6 x 9 - 10mm and is a natural freshwater blister pearl. 1142. A tourmaline and diamond set gold ring, circa 1970. The square-shaped tourmaline is set within six shoulder diamonds. Size M. £200-300 1143. A hematite panther pendant by Cartier, the realistically formed animal suspended from its waist on a diamond-set gold pendant loop, with diamond-set eye. One paw broken and re-attached. Numbered C20533, signed Cartier and with various French control marks. £200-300

1144. An amethyst mounted silver brooch, the oval-shaped, emerald-cut and circular-cut amethysts are set £100-200 within blister pearls and hammered silver leaves. 6cm long. 1144

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1147

1146

1145

1148 1149

1145. A 19th century scarab beetle necklace, the thirty scarabs are set in gold colets. 41cm long. The necklace separates to form two bracelets. £300-400 1146. A Victorian gold pietra dura brooch, the two oval hardstone plaques depicting flowers against a white background, both with locket compartments to reverse. Connected by a gold ropetwist and within gold pellet border. 5.5cm wide. £100-150 1147. A 19th Century gold chain, with a clasp which enables it to be worn as two row or single row necklace, the double cluster clasp is set with pearls, rose-cut diamonds and blue enamel beads, on a fine link gold chain. 62cm long (as a two row). £300-400 1148. An antique religious pendant, the heart-shaped crystal is set within a silver gilt mount and applied with a motif of Christ crucified. With small baroque pearl pendant. 4.5cm high. £200-300

1151

1150

1149. A gold star brooch set with sapphires and diamonds, the centre set with a cluster of oval-shaped sapphires and the rays set with graduated diamonds and sapphire terminals. 4.5cm wide. £400-600 1150. A sapphire and seed pearl set gold brooch pendant, set with ovalshaped sapphires and graduated seed pearls in yellow gold. £200-300

1152

1151. A ruby and diamond set pin, the oval-shaped ruby is set with four small circular-cut diamonds in gold. £200-300 Accompanied by report number 12632 dated 23rd April 2016 from The Gem and Pearl Laboratory, London stating that the rectangular cushion-shaped ruby measures approximately 5 - 6 x 4 - 5mm and is a natural ruby with no evidence of heat treatment.

1152. A pair of 19th century coral and gold earrings, the coral cabochons set within foliate carved gold surround and suspending gold capped coral drops (one cracked). 5.4cm long. £200-300 1153. A pair of double-lozenge form drop earrings, set with rose-cut diamonds in silver and gold and each suspending a marquise-shaped sapphire. 5cm long. £300-400

1154 1153

1155

1154. A late 19th century pearl and diamond set mourning ring, the three half-pearls and four small cushion-shaped diamonds are decorated with black enamel. Size Q. £200-300 1155. A diamond set bar brooch, set with five graduated cushionshaped diamonds in gold. 7cm wide. £200-300 1156. A pair of diamond drop earrings, the circular old-cut diamonds are set in platinum and each with a smaller diamond. Fitted case. £600-800 1156

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FINE JEWELLERY IS NOW BEING ACCEPTED FOR THE 27TH OCTOBER 2016 SALE

To include: an emerald and pearl-set gold consular cased pocket watch with cylinder movement, signed Bautte and Moynier, Geneva. Circa 1840. Estimate: £6,000 - £8,000 Both sides illustrated.

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FOR APPOINTMENTS IN SALISBURY OR LONDON Hannah Galbraith | Tel: +44 (0)1722 424586 | hg@woolleyandwallis.co.uk

To include: A Cartier gold floral brooch, set with topaz, citrines and diamonds. Circa 1950. Estimate: £10,000 - £15,000

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1157. A gentleman’s oyster perpetual Datejust gold and steel wristwatch by Rolex, automatic movement. The signed vertically striated dial with baton numerals, sweep seconds hand and date aperture. Gold bezel with steel and gold Rolex band. £1,000-1,500 1158. A gentleman’s 18ct yellow gold wristwatch by Omega, the signed dial with baton numerals and sweep seconds hand. Automatic winding. 18ct yellow gold adjustable mesh band, 20cm long (maximum). £1,000-1,500 1159. A lady’s diamond-set gold wristwatch by Vacheron Constantin, the cream dial with baton numerals, the bezel set with circular-cut diamonds. on textured 18ct gold band. Manual winding. £800-1,200 1160. A lady’s 18ct yellow gold wristwatch by Omega, the signed circular dial with diamond-set bezel £600-800 and textured 18ct integrated yellow gold band. Manual winding. 17.5cm. With Omega case. 1161. A gentleman’s yellow gold self-winding Classical wristwatch by Breguet, tonneau-shaped, the dial signed and numbered 2241 with two smaller signatures above. Guilloche-decorated centre section with seconds aperture dial. Black Roman numerals. The case reverse signed ‘Breguet, 2241 H’ and ‘REF £1,500-2,000 3670’ above. 3.3cm high. Blue leather band. With box and booklet. 1162. A lady’s 18ct gold manual winding wristwatch by Rolex, the signed oval gold dial marked ‘Cellini’ and with gold baton numerals. With 18ct yellow integrated gold Rolex band. Maximum length 17.5cm. £1,500-2,000 1163. A lady’s gold wristwatch by Piaget, the square white dial with black Roman numerals on textured 18ct yellow gold band. Manual winding. The case back numbered 1001A6 and 146950. 15.5cm long. £600-800 1164. A lady’s gem-set wristwatch by Patek Philippe, the rectangular signed dial with silver baton numerals, with a hinged rectangular cover set with baguette-shaped sapphires and circular-cut diamonds, on textured white gold band. Signed Patek Philippe and 750. 17cm long. £1,000-1,500 1165. A lady’s yellow gold wristwatch by the International Watch Company, the signed dial with baton £600-800 numerals and 18ct integrated gold band. Manual winding. 18.5cm long. 1166. A gentleman’s oyster perpetual Datejust gold and steel wristwatch by Rolex, automatic winding. The signed cream enamel dial with applied gold Roman numerals, sweep seconds hand and date aperture. Gold bezel with steel and gold Rolex band. With two boxes and pamphlet. £1,000-1,500 1167. A lady’s gold wristwatch by Audemars Piguet, the plain white dial with Roman numerals, 2.5cm wide (excluding winder). Inscribed D24572 and 750 to reverse. Quartz movement. On green leather Audemars Piguet band and gold signed clasp. £200-300

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1160

1162

1159

1163 1161

1165

1167 1158 1157 1164

1166

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1168. An aquamarine and diamond dress ring, the emerald-cut aquamarine is set within circular-cut and baguette-shaped scrolling shoulders, in platinum and white gold. Size M. £1,000-1,500 1169. A diamond full circle eternity ring, set with round brilliant-cut diamonds in platinum. size R. £500-700 1170. A ruby and diamond cluster ring, the circular-cut diamond is set within a surround of tapered Frenchcut rubies, of star design and within a surround of smaller circular-cut diamonds in white gold. Size Q. £1,000-1,500 1171. A diamond cluster ring, centred with a circular-cut diamond within a surround of smaller diamonds in white gold. Size K. £400-600 1172. An emerald and diamond set cluster ring, the oval-shaped emerald is set with baguette and triangular-shaped shoulder diamonds within a border of smaller circular-cut diamonds in platinum and 18ct yellow gold. Size L. £600-800 1173. A diamond three-stone ring, the three round brilliant-cut diamonds weigh approximately 1.80cts in total, and are set in platinum and 18ct yellow gold. Size M. £1,000-1,500 1174. A sapphire and diamond cluster ring, the oval-shaped deep blue sapphire is set within a surround of twelve round brilliant-cut diamonds in platinum and gold. Size L½. £600-800 1175. An aquamarine and diamond cluster ring, the oval-shaped aquamarine is set within a surround of twelve circular-cut diamonds in platinum and yellow gold. Size P. £1,200-1,500 1176. A Victorian yellow gold ring, set with a line of five small green stones (probably paste) opposite a line of five seed pearls with engraved shank. Maker WB and marks for Birmingham, 1869. Size L. £100-150 1177. An opal and diamond cluster ring, the oval-shaped opal is millegrain-set within an openwork border of circular-cut diamonds in yellow and white gold. Size N. £500-700 1178. An amethyst and diamond cluster ring, the circular-cut amethyst is set within a surround of circular-cut diamonds and baguette-shaped diamond shoulders. In platinum and white gold. Size O. £300-400 1179. A sapphire and diamond cluster ring, the oval-shaped sapphire is set within a surround of two rows of round brilliant-cut diamonds and two larger shoulder diamonds in 18ct white gold. Size N. £300-400 1180. A ruby and diamond cluster ring, the oval-shaped ruby is set within an openwork surround of graduated circular-cut diamonds in platinum and gold. Size M. £400-600 1181. A diamond solitaire ring, the round brilliant-cut diamond weighs approximately 1.10cts and is set in platinum. Size Q. £1,500-2,000 1182. An emerald and diamond cluster ring, the oval-shaped emerald is millegrain-set within a surround of circular-cut diamonds in yellow and white gold. Size O½. £600-800 1183. A sapphire and diamond set gold cross-over ring, set with two sapphires and two circular-cut diamonds. Size N. £400-600 1184. A diamond solitaire ring, the cushion-shaped diamond is set in yellow gold and platinum. Size P½. £200-300 1185. A sapphire and diamond cluster ring, the oval-shaped sapphire is millegrain-set within a surround of round brilliant-cut diamonds in white gold. Size O. £1,400-1,600 1186. A peridot and diamond half hoop ring, the three peridots are set with eight small diamonds in yellow gold with scroll carved shoulders. Size P½. Cartier box. £400-600

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1168

1169 1170

1171

1172

1173

1177

1181

1185

1174

1175

1178

1179

1182

1183

1176

1180

1184

1186

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1187. A natural pearl mounted gold stick pin, fitted case by Briche.

£400-600

Accompanied by report number 09817 dated 5th May 2014 from The Gem and Pearl Laboratory, London, stating that the drilled oval-shaped iridescent grey/black pearl measures approximately 7.6 x 9mm and is a natural saltwater pearl with no evidence of treatment. 1188. A French gold stick pin depicting a realistically formed monkey looking in a mirror, the mirror set with an old cushion-shaped diamond in platinum and yellow gold. With another gold stickpin set with an oval-shaped sapphire. In case by Spiers & Sons Ltd. £150-200 1189. A natural pearl set gold stick pin, case by Wiese.

£400-600

Accompanied by report number 09814 dated 5th May 2014 from The Gem and Pearl Laboratory, London stating that the part-drilled irregular button-shaped iridescent yellowish grey pearl measures approximately 11.3 - 12.6 x 8mm and is a natural saltwater pearl with no evidence of treatment. 1190. A natural pearl and diamond set gold stick pin, the pearl is set with rose-cut diamonds in gold. Case by Dhrrant. £600-800 Accompanied by report number 10595 dated 19th December 2014 from The Gem and Pearl Laboratory, London stating that the part-drilled irregularly shaped iridescent yellow/brown pearl measures approximately 9 - 10 x 8.3 x 6 - 7mm and is a natural saltwater pearl with no evidence of treatment. 1191. A fine-link gold necklace mounted with seventeen assorted egg-form pendants, including a turquoise cabochon mounted gold egg with pricked decoration, a cloisonné decorated egg, an egg with green enamel decoration, a plain gold egg, an egg with a reverse-carved cockerel intaglio to one side and the letters XB to the other, a pear-shaped red stone, an amethyst egg, a chalcedony coloured egg applied with the letters RI beneath a crown, a lapis lazuli egg mounted with three diamonds, a crystal egg pavéset with small round red stones, a beaten silver egg applied with a silver lizard, a plain frosted yellow gold egg with enamel shamrock and opening to reveal two glazed locket compartments, a blue guilloche enamel egg, a beaten yellow gold egg set with sapphires and diamonds, a small egg pavé-set with seed pearls, a silver egg with blue enamel decoration, and a plain pink gold egg pavé-set with a circular-cut diamond. Some with Russian marks, and the fine-link gold chain with Russian marks. 46cm long. £6,500-8,000 1192. Ten assorted stick pins, five of which are set with untested pearls, a ruby and seed pearl cluster pin, an opal and diamond cluster pin, a seed pearl set foliate pin, a diamond set disc pin and a seed pearl set open crescent pin. £400-600 1193. A fine reverse-carved crystal intaglio brooch, the circular intaglio depicting a long-haired white cat within a gold foliate border set with four cabochon sapphires and eight small diamonds. Fitted case. £800-1,200 1194. A late 19th century Russian gem set beetle brooch, set with diamonds and red stones and the body formed with a blister pearl. The insect clasping an untested pearl and set in silver and gold. Russian marks. 7.7cm long. £1,000-1,500 1195. A pair of natural pearl and diamond cluster earrings, each earring centred with a pearl and £800-1,200 millegrain-set with circular-cut diamonds in platinum and yellow gold. Accompanied by report number 12450 dated 11th March 2016 from The Gem and Pearl Laboratory, London stating that the part-drilled button-shaped pearls measure 6.0 - 6.1 x 5.7mm and 5.9 - 6.0 x 5.7mm (with worked base), and weigh 1.42 and 1.45cts and both are natural saltwater pearls. 1196.

A coloured stone set gold bar brooch, including zircon, sapphire and garnet. 7cm wide.

£200-300

1197. Eight gold-mounted egg pendants, including a rock crystal egg pendant, a lapis lazuli egg pendant, an amazonite egg pendant, a malachite egg pendant with makers mark A.T and Russian marks, a blue guilloche enamel egg pendant, a silver egg pendant, a jasper egg pendant and a larger smokey quartz egg pendant with Russian marks and maker’s mark L.C. £600-800 1198. Twelve rough diamonds, 7.03cts in total.

£400-600

1199. A demantoid garnet five stone ring, the graduated garnets are set in carved and pierced yellow gold mount. Size Q½. £1,000-2,000 1200. A green garnet and diamond cluster ring, the oval-shaped garnet is millegrain-set within a surround of circular-cut diamonds in white gold. Size O½. £600-800

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1187

1192

1188

1189

1190

1193

1197

1191

1194 1195

1198

1196 1199

1200

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1201. An aquamarine and diamond set gold ring, the emerald-cut aquamarine is set within a surround of round brilliant-cut diamonds in gold. With two further smaller shoulder cut diamonds. Size O½. £1,100-1,200 1202. An emerald and diamond five-stone ring, set with two round brilliant-cut diamonds and three circular-cut emeralds in 18ct gold. Size P. Garrard box. £200-300 1203. A sapphire and diamond cluster ring, the oval-shaped sapphire is set within a surround of eight round brilliant-cut diamonds in yellow and white gold, with a further two smaller diamonds to each shoulder. Size O. £1,200-1,500 1204. A diamond and sapphire cluster ring, the five cushion-shaped diamonds are set with four sapphires in gold. Size K. £200-300 1205. An emerald and diamond three stone ring, the oval-shaped emerald is set with two circular-cut shoulder diamonds in platinum and gold. Size P½. £500-700 1206. A diamond solitaire ring, the transitional round brilliant-cut diamond weighs approximately 1.10cts and is set in white gold with six rose-cut shoulder diamonds. Size P½. £1,000-1,500 1207. A sapphire and diamond cluster ring, the emerald-cut sapphire is set within a surround of circular £600-800 brilliant-cut and two square-shaped diamonds in white gold. Size O½. 1208. An emerald and diamond plaque ring, the oval-shaped emerald is set within a surround of graduated circular-cut diamonds in square-shaped white gold surround. Size O ½. £1,200-1,500 1209. A diamond solitaire ring, the old cushion-shaped diamond is set in 18ct yellow gold (broken shank). Size T ½. £800-1,200 1210. An 18ct white gold full circle eternity ring, alternately set with circular-cut rubies and round brilliant-cut diamonds and with foliate engraved shoulders. London marks for 1993. Size P. £1,200-1,500 1211. A ruby and diamond cluster ring, the circular-cut ruby is millegrain set within a border of ten cushion shaped diamonds in platinum and white gold. Size M. £750-1,000 1212. An amethyst and diamond cluster ring, the oval-shaped amethyst is set within a surround of small £200-300 diamonds in platinum and yellow gold. Trifurcated shoulders, size R. 1213. A diamond and untested pearl five stone ring, set with three graduated old circular-cut diamonds with two half pearls in platinum. Size O. £200-300 1214. A cabochon sapphire and diamond seven stone ring, the central sugarloaf sapphire is set within £400-600 six French-cut diamonds in yellow and white gold. Size K ½. Accompanied by report number 1/17803-001 dated 17th June 2009 from Anchorcert, Birmingham stating that the rectangular cushion-shaped cabochon sapphire measures 6.42 x 4.63 x 5.50mm and weighs 1.71cts and is a natural sapphire with no evidence of heat treatment. Origin opinion: Kashmir. 1215. An opal and diamond ring, the oval-shaped opal is set in white gold with small diamonds millegrain-set to each shoulder. Size N. £450-600 1216. A gem-set triple ring, each section centred with a ruby, diamond and sapphire set with two smaller shoulder diamonds in gold. Size O. £100-150 1217. A diamond cluster ring, set with six cushion-shaped diamonds in platinum and 18ct yellow gold. Size H. £200-300 1218. A sapphire and diamond cluster ring, the oval-shaped sapphire is set within a surround of circularcut diamonds in white gold. Size M ½. £800-1,200 1219. A 1940s aquamarine mounted gold ring, the emerald-cut aquamarine is mounted in gold with stylised scroll shoulders. Size N. £300-400

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1201

1202

1206

1210

1214

1218

1203

1207

1204

1208

1211

1212

1215

1216

1205

1209

1213

1217

1219

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1220. A 19th century gold vinaigrette, oval-shaped and with engine-turned decoration to the hinged cover and base. Hinged grille. Unmarked, 3cm wide. And a gold thermometer pendant. Marked for Fahrenheit and Centigrade. Signed ‘Thos. Rowley & Son, Brighton’, 3156. 2.8cm wide. £200-300 1221. A pair of 9ct gold blackberry form cufflinks, 13.8g.

£350-450

1222. A French 18th century gold open faced key wind pocket watch, the white enamel dial with black Arabic numerals and numbered in red ‘981 Paris’. The bezel set with half pearls and similar pearl-set bezel to the reverse containing a cover with dark orange guilloche decoration with white graduated cruciform design. Unidentified French marks to the inner case with later 9ct gold mounted black silk fob and small £600-800 fob seal mounted with a carnelian engraved with a small bird. The watch 3.5cm wide. 1223. A pair of yellow gold cufflinks by Tiffany & Co, the larger spherical link is set with circular-cut diamonds. Signed and stamped 750. Case by Tiffany & Co. £1,200-1,500 1224. A pair of gem-set gold circular cufflinks, each centred with a circular-cut diamond or cabochon sapphire on a patterned and textured ground. £300-400 1225. A pair of cabochon sapphire cufflinks, set in white gold rub-over mounts.

£5,000-7,000

1226. A pair of French textured white and plain blue enamel cufflinks, the circular links each with rosecut diamond borders and set in gold and platinum. Maker’s lozenge for R&G, breveté sgdg, and ghiso. French control marks. Each circular disc 1.2cm wide. £1,200-1,500 1227. A pair of early 20th century gem-set cufflinks, each oval-shaped panel is centred with an old circular-cut diamond millegrain-set within a lozenge-shaped surround of fancy-shaped sapphires and further £1,000-1,500 border of graduated circular and rose-cut diamonds. Set in gold and platinum. Cased. 1228. An early 20th century Regimental brooch for the Denbighshire Hussars, the Prince of Wales feathers are pavé-set with rose-cut diamonds above blue enamel swags with the words ‘Ich Dien’ and £400-600 ‘Denbighshire Hussars’ in gold. 3.5cm wide. Cased. The Denbighshire Hussars was a unit of the British Army from 1794 to 1921. It saw service in the First World War before being merged into a unit of the Royal Artillery. 1229. A Royal Navy crown brooch, millegrain-set with circular-cut diamonds and calibré-cut sapphires in platinum and gold. 2cm wide. Cased. £200-300 1230. A Regimental brooch, for the Queen’s Bays regiment 2nd Dragoon Guards. Set with rose-cut diamonds in platinum with red and green enamel decoration. 2.1cm wide. Cased. £300-400 1231. A Regimental brooch for the Royal Northumberland Fusiliers, the white gold flaming bomb centred with the Regimental motif of St. George slaying the dragon within the Regimental motto. Decorated £300-400 with enamel and set with diamonds. 3.2cm high. 1232. An early 19th century mixed metal ring, with gold and silver foliate decoration to the shoulders. Size X. £200-300

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1220

1223

1227

1226

1221 1222

1228

1230

1225

1224

1229 1231

1232

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1233. A late 19th century diamond-set caduceus brooch, formed of two snakes entwined around the winged staff of Hermes and set overall with graduated diamonds. With ruby eyes to the serpents. 5cm high. £1,500-2,000

1234. A 19th century gold necklace with coral pendants, the snake link necklace suspends six coral beads from textured leaf surmounts and joined with finer gold festoons. 39cm. £600-800 1235. A garnet and diamond pendant by John Brogden, the circular garnet cabochon centred with a diamond-set star and mounted in a gold twisted rope border with green enamel decoration. Applied with a signature plaque with initials JB. On a fine-link gold neck chain. £600-800 1236. An early 19th century gold cannetille brooch, centred with an oval-shaped topaz and four further stones. Closed-back foiled mount. 2.5cm wide. £400-600 1237. A cased suite of George III garnet-mounted gold jewellery, the brooch with four flowerheads and clusters of smaller garnets, and with a section to receive a pendant mount. A pair of conforming garnet drop earrings with screw fittings and alternative mounts for pierced ears. Fitted case by Marriott of Oxford. £500-700 1238. A late George III garnet set rivière necklace, the graduated oval-shaped garnets are set in foilbacked gold cut down collets. 38cm. £600-800 1239. A pearl-mounted gold monkey brooch, one monkey is sitting on a gold bar with seed pearl terminals, and supporting a further monkey swinging on two fine link gold chain ropes set with seed pearls. 8cm high. £800-1,200 1240. A Victorian gem-set gold Holbeinesque pendant, centred with a cabochon emerald between four octagonal-cut garnets. The gold mount set with four pear-shaped emeralds and four red guilloche enamel flowerheads each centred with a small diamond. With further enamel decoration. Suspending an untested pearl which hangs from the small diamond and enamel-decorated cap. The bale and conjoining scroll section further decorated with blue and white enamel. The small circular link possibly added later. Profuse foliate scroll-engraved decoration to the reverse. 7cm high. Fitted case by Bloom. £2,000-3,000 1241. A 19th century double sided carved nephrite jade cameo pendant, one side carved with a profile of an emperor with laurel wreath, the other side carved with the profile of a woman. 3cm high. Plain gold pendant mount. £2,000-3,000 Possibly the Emperor Domitian (r. AD 81 - 96) and his wife Domitia Longina to the reverse. 1242. A Victorian pink sapphire set 9ct gold ring, the shoulders with engraved foliate decoration. Birmingham marks for 1888. Size P. £800-1,200 1243. A sapphire and diamond five stone ring, alternately-set with oval-shaped sapphires and cushionshaped diamonds within diamond pointers. In carved and pierced yellow gold mount. Size P. £1,500-2,000 1244. A ruby five stone ring, the graduated oval-shaped rubies are set in yellow gold. Size N. £600-800 1245. An early 19th century gentleman’s gold compass ring, mounted within laurel border and tri-colour gold foliate shoulders. With inscription to reverse ‘qu’elle dirige vos pensées’ which translates to mean ‘it directs your thoughts’. Size W (approximately). £1,200-1,500

1246. A carved coral and jade plaque bracelet, mounted with five foliate-carved and pierced coral sections and two rectangular carved and pierced jade sections, each joined with a platinum and yellow gold textured foliate link. Case. French control marks. 17.5cm long. £1,000-1,500

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1233

1234 1236

1235

1238

1237 part

1242

1243 1240

1241

1239 1244 1245

1246

1237 part

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1247. A pair of ‘night and day’ aquamarine drop earrings, with channel-set aquamarine hoops which suspend detachable pear-shaped aquamarine drops in white gold. 5cm long. £2,000-3,000 1248. An opal and diamond pendant, the rectangular-shaped opal is set within a surround of small circular-cut diamonds in 18ct gold. On a fine-link yellow gold chain. £400-600 1249. A sapphire and diamond pendant, the oval-shaped sapphire weighs approximately 4.50cts, within £2,000-3,000 pavé-set diamond teardrop-shaped surround, in yellow gold. 3cm long. 1250. A gem-set double parrot brooch, the two birds sitting on a perch and looking at each other. Pavéset with circular-cut rubies, sapphires and diamonds and with black enamel beaks. 4cm high. £300-400 1251. A gem-set gold toucan brooch, with cabochon ruby eye and set with graduated circular-cut diamonds overall. Green guilloche enamel decoration to the body and his large beak with black and yellow enamel. 7.5cm high. £2,250-2,500 1252. An opal and diamond cluster ring, the solid opal is set within a surround of undulating circularcut diamonds and diamond shoulders, in platinum. Size L. £2,000-3,000 1253. A pair of diamond and opal set drop earrings, each oval-shaped opal suspends from a circularcut diamond in yellow gold. £1,200-1,500 1254. A pair of yellow gold twisted rope design earrings, 31g, 3cm high.

£200-300

1255. A turquoise, sapphire and diamond ring, the large turquoise cabochon is set within a surround of circular-cut sapphires and diamonds in white gold. Size N. £1,000-1,500 1256. A pair of gold circular ear clips, pavé-set with ruby, sapphire and emerald cabochons and of a lattice design. And a pair of gold spiral form ear clips. £400-600 1257. A pair of diamond stud earrings, the two round brilliant-cut diamonds weigh 2.11 and 2.08cts. In yellow gold rub-over mounts. £10,000-15,000 Accompanied by report number 5776-5635 dated 24th May 2016 from GCS, London stating that the brilliantcut diamonds measure 8.20 - 8.32 x 5.10mm and 8.46 - 8.53 x 4.88mm and weigh 2.11 and 2.08cts with H colour and SI1 clarity, and K colour and VS1 clarity and faint fluorescence. 1258. A diamond solitaire ring, the round brilliant-cut diamond weighs approximately 3.00cts and is set in a rub-over 18ct yellow gold mount. London marks for 1997. Size E. £6,000-8,000 1259. A ruby and diamond cluster ring, the oval-shaped ruby is set within a surround of baguette-shaped £800-1,200 and circular-cut diamonds in white gold. Size L.

1260. A Burmese ruby and diamond plaque ring, of navette-shaped design and set with a central oval-shaped ruby within a surround of cushion-shaped diamonds and rubies. In fluted yellow gold mount. Size K. £1,000-1,500 Accompanied by report number 5776-5641 dated 24th May 2016 from GCS, London stating that the nineteen cushion-cut rubies measure approximately 2.1 x 1.8 x 1.2mm to approximately 9.0 x 7.2 x 2.5mm and weigh approximately 5.7cts in total, the centre ruby weighing approximately 1.7cts, and are all natural rubies with no indications of heating. Origin: Burma.

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1247

1249

1248

1250

1251 1254 1252

1253

1255 1258 1256 part

1259

1257 1256 part

1260

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1262

detail

1263

1261. A late 19th century amethyst and rock crystal necklace, the seven oval-shaped amethysts are set in silver, within clusters of circular-cut rock crystals. Each separated with a rock crystal foliate trefoil and suspending a pear-shaped amethyst and rock crystal drop. 40cm long. Fitted case by Collingwood. £1,500-2,000 1262. An early 19th century diamond cluster ring, the pear-shaped rose-cut diamond is set within a surround of cushion-shaped diamonds in silver and gold. The shoulders with black and white enamel scroll £2,000-3,000 decoration. Size O½. Cased. 1263. An early 19th century carved carnelian intaglio and diamond cluster ring, the oval intaglio carved with the head of an emperor, probably Augustus. Set within a surround of cushion-shaped diamonds in £1,500-2,000 silver and gold. The shank with scroll carved shoulders. Size M. 1264. A synthetic ruby and diamond brooch pendant, the geometric design set overall with synthetic rubies and diamonds, in white gold. 3.6cm diameter. Cased. £200-300 1265. A cased paste-set silver necklace and brooch, of open foliate design and set overall with graduated circular-cut white paste stones. The necklace 40cm, the brooch 6.8cm wide. Fitted case by W. Phillips and embossed Daphne, 19. Sep. 1928. £400-600

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1262

1263

1261

1265

1264

1265

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1266. A pair of aquamarine and diamond cluster earrings, each emerald-cut aquamarine is set within a surround of graduated round brilliant-cut diamonds in white gold and suspended from a larger round brilliant-cut diamond. £1,400-1,600 1267. A three row cultured pearl bracelet, with a diamond-set flower-head clasp in white gold. 16.5cm long. £600-800 1268. A fancy-shaped diamond set platinum cluster ring, the centre diamond is set within a heartshaped surround set with diamonds and with further smaller diamonds to the shoulders. Size M½. £3,000-3,500 Accompanied by report number 928590 dated 12th October 2011 from AGI, Manchester stating that the centre trillion-cut diamond weighs 1.00ct, with E colour, VVS2 clarity. 1269. An untested fancy coloured diamond solitaire ring, the circular-cut diamond weighs approximately 1.90cts and is set within two borders of smaller round brilliant-cut white diamonds in white gold, with further diamonds to the shoulders. Size N. £1,000-1,500 1270. A pink spinel and diamond-set cluster ring, the cushion-shaped spinel is millegrain-set with circularcut diamonds in white gold. Size N. £1,750-2,000 1271. A green diamond and white diamond cluster ring, the cushion-shaped green diamond weighs approximately 2.75cts and is set within a surround of circular-cut white diamonds to the gallery and shoulders in 18ct white gold. Size N. £800-1,200 1272. A sugarloaf-shaped sapphire and diamond cluster ring, the sapphire weighs approximately 12.20cts and is set within a surround of round brilliant-cut diamonds in white gold. Stylised fleur-de-lys shoulders each set with a small diamonds. £4,000-5,000 Accompanied by report number 20027226 dated 25th January 2016 from Anchorcert, Birmingham stating that the cushion shaped cabochon sapphire measures 13.66 x 11.50 x 7.64mm and weighs 12.22cts and is a natural sapphire with evidence of heat treatment. 1273. An emerald and diamond line bracelet, alternately set with circular-cut emeralds and diamonds in white gold. 18cm long. £800-1,200 1274. A transitional brilliant-cut diamond ring, the diamond weighs approximately 1.75cts and is set in platinum with three small circular-cut diamonds to each V-form shoulder. Size M. £1,000-1,500 1275. A diamond solitaire ring, the circular-cut diamond weighs approximately 2.30cts with circular-cut diamonds set to the shoulders, in platinum. Size J. £3,000-4,000 1276. A diamond solitaire ring, the marquise-shaped diamond is set within trifurcated shoulders, the central line set with tapered baguette-shaped diamonds in white gold. Size F ½. £1,500-2,000 1277. A diamond solitaire ring, the round brilliant-cut diamond weighs approximately 1.90cts and is set in platinum with four smaller diamonds to each shoulder. Size Q. £2,000-2,500 1278. A diamond ring, the princess-cut diamond is set within pavé-set diamond shoulders in 18ct white gold. Size N. £400-600 1279. A pair of aquamarine and diamond drop earrings, the square-shaped aquamarines suspend from an articulated line of baguette-shaped aquamarines and circular-cut diamonds in white gold. £850-1,000 1280. An early 20th century diamond-set clasp, of rectangular design and pavé-set with old cushionshaped diamonds in platinum. 2.5cm long. £400-600 1281. A navette-shaped platinum clasp, centred with a circular-cut cabochon sapphire and two small diamonds. 2cm wide. £200-300 1282. A baroque-shaped cultured pearl and diamond-set brooch pendant, with matching earrings by Kenny. Of foliate form, and the petals set with graduated round brilliant-cut diamonds in white gold. Signed. The brooch pendant 4cm wide. £600-800 1283. A pair of cultured pearl and diamond drop earrings, the diamond-set bows suspend two baguette-shaped diamonds and a cultured pearl in platinum. 3.5cm long. £600-800

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1266

1268

1269 1267

1274

1270

1271 1275

1272

1276 1279 1280 1277

1281 1278 1273

1282

1283

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1284. A textured yellow gold stylised ‘pencil shaving’ circular brooch, polished reverse. 20g, 4.8cm wide. £200-300 1285. A ruby and diamond brooch, of stylised textured gold ‘pencil shaving’ design alternately-set with circular-cut rubies and diamonds. Marked for London 1969. 4cm wide. £300-400 1286. A 1940s ‘handkerchief’ design brooch, set with a central interwoven round diamond section and £400-600 highlighted with graduated calibré and circular-cut ruby border in gold. 26g, 5cm. 1287. A pair of Arts and Crafts gem-set double clips in the manner of Dorrie Nossiter, set with circularcut citrines and garnets within silver scroll mounts. 3cm wide. £600-800 1288. A Georg Jensen 18ct three colour gold Fusion ring, the three rings interlock and the white gold section is pavé-set with eight small round brilliant-cut diamonds. The yellow gold ring numbered 59 and the pink and white gold rings numbered 60, and each signed Georg Jensen. Size S. Georg Jensen box. £1,000-1,500 1289. A natural freshwater pearl mounted gold brooch, the pearl measures 12.6-12.8mm and is set within a surround of round brilliant-cut diamonds in yellow gold. £1,500-2,000 Accompanied by report number 12676 dated 6th May 2016 from The Gem and Pearl Laboratory, London stating that the part-drilled button shaped pearl measures 12.6 - 12.8 x 7.4mm, weighs 8.30cts and is a natural freshwater pearl. 1290. A pair of diamond-set white gold starburst earrings, each earring set with graduated round brilliant-cut diamonds. Each earring 2.4cm wide. £500-800 1291. A pair of silver bracelets by Georg Jensen, designed as an articulated series of demi-lune shaped polished silver links, designed by Astrid Fog. The bracelets can be joined together to form a choker. Signed Georg Jensen, with design number 169. With import marks for London, 1972. 18cm long each. £2,500-3,000 1292. An Art Nouveau pendant by Murrle Bennet & Co, centred with an oval-shaped turquoise cabochon within a yellow gold openwork mount set with a small pearl and suspending a further pearl. £400-600 Signed MB within a circle. 3.8cm wide. 1293. A diamond set gold brooch by Andrew Grima, the heavily-textured 18ct yellow gold brooch is applied with three white gold lozenges, each set with graduated circular-cut diamonds. Signed GRIMA and also AGLtd for Grima and London marks for 1976. 18g, 8cm high. With Grima box. £1,500-2,000 Accompanied by original invoice dated 12th April 1978 from Grima, Switzerland. 1294. An emerald and diamond set 18ct yellow gold brooch pendant by Andrew Grima, the centre emerald-cut emerald is set with three bars further set with small diamonds to the heavily-textured openwork brooch. Signed GRIMA and maker’s mark AG. With London marks for 1965. 6.5cm long. £1,000-1,500 1295. A pair of cufflinks by Andrew Grima, with textured gold rectangular plaques, chain links and fluted £400-600 baton terminals. Signed Grima and with London marks for 1967/68.

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1289

1288 1287

1284

1290

1285

1286

1294

1291

1293

1295

1292

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1296. An impressive Victorian parure of amethyst jewellery, comprising a rivière necklace with two additional amethyst links, suspending a detachable cross pendant mounted with seven amethysts. A pair of bracelets, each mounted with oval and cushion-shaped amethysts, and a pair of earrings with detachable long amethyst pear-shaped drops. One earring has been converted to a brooch. In gold cut£6,000-8,000 down collets. Fitted case by William Angus of Liverpool.

1297. A Victorian amethyst stomacher, the graduated oval and pear-shaped amethysts are mounted in gold cut-down collets. Mounted with long brooch pin and additional supporting hoops. Without frame but could be worn as a tiara. 16cm wide. Fitted case by Marriott of Oxford. £2,000-3,000

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1296

1297

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1298. A 19th century moss agate pendant, the centre circular section suspending a triangular pendant and three gold batons. On a fine link gold neck chain. £200-300 1299. A Victorian agate necklace, formed with graduated oval-shaped agate cabochons and mounted in gold cut-down collets. 39cm. £800-1,200 1300. An early 19th century agate-mounted gold cross pendant, the circular agate cabochons each £300-400 with concentric circular bands. 7cm high including bale. 1301. A pair of late 18th century Catalan pendeloque gold earrings, set with orange-coloured garnets. 12.5cm long. £5,000-6,000 1302. A 19th century bracelet formed with graduated oval moss agate plaques, each mounted in a gold frame with fine gold stylised ropework border. 20cm. £800-1,200 1303. A late 19th century entwined heart and moon brooch, set overall with graduated old circular-cut diamonds in silver and gold. £200-300 1304. An early 20th century pearl and demantoid garnet set open crescent brooch, the graduated untested half pearls are each divided with a pair of circular-shaped demantoid garnets in gold. 6.5cm. £700-900 1305. A late Victorian diamond-set open crescent brooch, set with graduated circular-cut diamonds in silver and gold. 3.6cm wide. £200-300 1306. A late Victorian diamond flowerhead brooch pendant, set with a central cushion-shaped diamond within pavé-set diamond petals and further diamond sprays in silver and yellow gold. 3.5cm wide. Case by T.W.Harris. £1,000-1,500 1307. An early 20th century diamond-set star brooch pendant, set overall with graduated circular-cut diamonds in silver and gold. Detachable brooch fitting and with hair ornament fitting. 3.5cm. Fitted case by the Goldsmith’s and Silversmith’s Company. £800-1,200 1308. A pair of late 18th century Catalan amethyst and gold pendeloque earrings, set overall with assorted amethysts and engraved decoration to the reverse. 9.5cm. £4,200-5,000 1309. A carved hardstone cameo brooch, depicting the head of Psyche and set in silver and gold within £600-800 a border of rose-cut diamonds. The cameo 2.2cm wide. Cased.

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1299

1301

1300

1302

1298 1309

1303

1306 1307

1308

1304 1305

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1310. A Victorian diamond and ruby set gold hinged bangle, centred with three graduated oval-shaped rubies each set with four rose-cut diamonds and further diamonds to the shoulders. Blue guilloche enamel decoration overall. 6cm inner diameter. Cased. £3,000-4,000 1311. A late Victorian sapphire and diamond five stone ring, set with three oval-shaped sapphires and £1,000-1,500 two cushion-shaped diamonds. In yellow gold with scroll carved shoulders. Size R. 1312. A George III diamond-set cluster ring, the centre cushion-shaped diamond is set on a ground of blue guilloche enamel and with border of smaller cushion-shaped diamonds in silver and gold. Closedback mount. Stylised fleur-de-lys shoulders and twisted rope design shank. Set in silver and gold. Size N. £1,000-1,500 1313. An early 19th century sapphire and diamond set double heart ring, the pear-shaped diamond and sapphire are each set within a surround of rose-cut diamonds and further diamonds set to the stylised bow surmount. Set in silver and gold. Size N½. £3,000-4,000 1314. A gold fine-link neck chain, with cylindrical links decorated with blue guilloche enamel and white enamel terminals. 54cm. £400-600 1315. An 18th century diamond-set ring, centred with a trophy of two flaming torches amongst foliage and set overall with small diamonds. On a blue enamel rectangular ground within a border of rose-cut diamonds. The shoulders of pierced foliate design and fluted shank. Silver and gold. Possibly French. Size I. £1,000-1,500 1316. A George III diamond cluster ring, the square-form ring set with nine rose-cut diamonds in silver £400-600 and gold. Foliate bifurcated shoulders with reeded shank. Size R. Cased. 1317. A diamond three-stone ring, the centre circular-cut diamond weighs approximately 1.00ct and is set with two circular-cut shoulder diamonds which weigh approximately 1.30cts in total. Set in platinum and gold. Size O. £2,000-3,000 1318. A diamond solitaire ring, the old slightly cushion-shaped diamond weighs approximately 3.05cts and is set in platinum with six smaller shoulder diamonds. Size E½. £4,000-6,000 1319. A Regency diamond-set openwork cluster ring, the centre cushion-shaped diamond is set within a surround of smaller graduated diamonds in silver and gold. Textured shell mounted bifurcated scroll shoulders and grooved shank. Size J. £2,000-3,000 1320. A pair of diamond stud earrings, the old cushion-shaped diamonds weigh 2.20 and 2.75cts, in white gold. £6,000-8,000 1321. A Victorian diamond-set floral brooch, set overall with graduated cushion-shaped and rose-cut diamonds in silver and gold. Repair to the reverse. 8cm high. £800-1,200 1322. A Victorian gem-set 15ct gold ring, set with two pear-shaped garnets, four seed pearls and green stones (probably paste). Engraved with scroll decoration. Obscure maker’s mark, Birmingham marks for 1865. Size Q. £400-600 1323. A Victorian gem-set gold ring, set with garnets, seed pearls and green stones (probably paste). Engraved decoration. Obscure marks but probably for Birmingham, 1874. Size L. £400-600 1324. A pair of 19th century diamond-set flower head earrings, realistically designed and pavé-set with £4,000-6,000 graduated old cushion-shaped diamonds in silver and gold. 2.5cm diameter. Cased. 1325. A 19th century diamond-set openwork scroll brooch, the centre old square cushion-shaped diamond weighs approximately 3.75cts and is set in silver and gold with smaller cushion-shaped and rose-cut diamonds. With detachable pendant loop set with three small graduated diamonds. The brooch 3.5cm wide. £4,000-6,000

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1326. A sapphire and diamond cluster ring, the cushion-shaped sapphire weighs approximately 2.89cts and is pavé-set in a surround of circular-cut diamonds in platinum with three smaller diamonds set to each shoulder. Size O. £1,000-1,500 1327. A ruby and diamond cluster ring, the oval-shaped ruby is millegrain-set within a surround of old circular-cut diamonds in platinum and gold. Size N. £900-1,000 1328. An early 20th century diamond-set openwork oval form brooch, centred with a marquise-shaped diamond with further circular and baguette-shaped diamonds set to the openwork geometric design. 4.8cm. £800-1,200 1329. A large oval-shaped opal and diamond brooch, the opal is set within a surround of round brilliantcut diamonds in white gold. Opal crazed. The brooch 4cm wide. £400-600 1330. A sapphire, diamond and pearl brooch by Tiffany, centred with a slightly oval-shaped sapphire within a surround of graduated diamonds millegrain-set in a foliate design and quartered with four natural pearls. Signed Tiffany & Co. 3.4cm wide. £1,500-2,000 Accompanied by report number 5776-5401 dated 9th May 2016 from GCS, London stating that the cream pearls measure approximately 5.0 to 5.5mm and are natural saltwater pearls with no indications of treatment. 1331. A navette-shaped diamond cluster ring, set with a centre line of five graduated old circular-cut diamonds within a surround of further diamonds and with pierced scroll shoulders in platinum. Size P. £400-600 1332. A natural pearl and diamond necklace, designed as a diamond-set stylised ribbon suspending an articulated line of diamonds and a natural pearl. On a seed pearl mounted platinum chain. 44cm long £7,000-9,000 (exluding drop section) Accompanied by report number 5776-5588 dated 17th May 2016 from GCS, London stating that the 67 cream coloured pearls with orient measure approximately 2.8 - 3.7mm in diameter (beads) and approximately 9.6 - 9.7 x 13.3mm (drop) and are all natural saltwater pearls with no indications of treatment. The pearls under 3mm may be either natural or cultured. 1333. A Belle Époque sapphire and diamond fob brooch, the quatrefoil plaque with carved and pierced demi-lunes pavé-set with circular-cut diamonds and calibré-cut and marquise-shaped sapphires with semi circular lines of seed pearls and suspending from a seed pearl mounted chain and a diamond, sapphire and seed pearl brooch in platinum. 11cm long. £5,000-7,000 1334. A cabochon sapphire and diamond cluster ring, the slightly oval-shaped sapphire is set within a surround of graduated old circular-cut diamonds in white gold. Size N½. £6,500-8,000 1335. A pair of diamond drop earrings, of foliate design and millegrain-set with circular and single-cut diamonds in platinum. 3.5cm long. £400-600 1336. A pair of diamond-set drop earrings, each mounted with a briolette-cut diamond in platinum and white gold, and suspended from three further circular-cut diamonds. Cased. £1,500-2,000 1337. A cultured pearl and diamond set ring by Boucheron, the pearl measures 14.05mm and is set with two baguette-shaped shoulder diamonds in platinum. Signed Monture Boucheron. Size L½. £600-800

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1337 1336

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1338. Arthur (1862-1928) and Georgie Gaskin (1866-1934). An Arts and Crafts parcel gilt silver openwork foliate necklace. The main body suspends from a smaller rectangular section and with two similar sections to the three-row fine link gold chain necklace and conforming clasp. Each section set with closed-back graduated opals and smaller green pastes. Floral decoration with silver florets. Suspending three opal pendants, the centre stamped ‘G’. The principal section 5.5cm wide, the necklace 42cm long. £3,000-4,000 Literature: For a similar example see Arthur & Georgie Gaskin Exhibition Catalogue 1982. P64 figure XIV cat. no. G22.

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1339. An Art Deco lipstick holder by Van Cleef & Arpels, of geometric design and applied with blue, red and black enamel. Opening to reveal and vacant lipstick holder. Signed Van Cleef & Arpels N.Y. and 6704. 5.2cm long. £1,500-2,000 1340. An early 20th century gold silver and enamel butterfly brooch, the wings applied with pale blue plique-à-jour enamel, the body embellished with rose-cut diamonds and a ruby cabochon, with maker’s mark H.B and Austrian marks for Vienna. £2,200-2,600 1341. A late Victorian diamond and garnet brooch, the realistically designed serpent is millegrain-set with circular-cut green garnets and diamonds, with ruby eyes, in silver and gold. 4cm wide. £400-600 1342. An early 20th century French diamond-set brooch, the six-sided brooch is set with graduated circular-cut diamonds and decorated with black enamel sections (one damaged). French control marks. £1,000-1,500 5.2cm wide. 1343. An Art Deco natural pearl, diamond and onyx brooch, of geometric design and suspending a natural pearl. £4,000-6,000 Accompanied by report number 08395 dated 28th August 2013 from The Gem and Pearl Laboratory, London, stating that the drilled drop-shaped pearl measures approximately 8.7 - 9.5 x 15mm and is a natural saltwater pearl. 1344. An early 20th century diamond-set horse and jockey brooch, the realistically designed horse is pavé-set with circular-cut diamonds, the jockey decorated in blue and white enamel clothing, set in platinum and gold. 3.7cm wide. £800-1,200 1345. An Edwardian diamond and natural pearl set brooch, formed as five conjoining circles each centred with a natural pearl or transitional circular-cut diamond within a surround of smaller diamonds. The two principal diamonds weigh approximately 2.70cts in total. Set in platinum. 6.2cm wide. Fitted case by Wellby. £6,000-8,000 Accompanied by report number 12525 dated 27th March 2016 from The Gem and Pearl Laboratory, London stating that the three part-drilled button-shaped pearls measure 7.2 - 7.3 x 6.2mm, 6.9 - 7.0 x 6.5mm and 7.2 x 6.1mm and weigh 2.48, 2.31 and 2.35cts, and are all natural saltwater pearls. 1346. An Edwardian diamond bracelet with black enamel decoration, the centre oval-shaped diamond weighs approximately 0.95cts and is millegrain-set within a surround of circular-cut diamonds with black enamel decoration in platinum and gold. Two small diamonds missing. Engraved with scroll decoration to the sides. 17.5cm long. £1,500-2,000 1347. A diamond three-stone ring, the three old circular-cut diamonds are set in platinum coronet mounts and yellow gold shank. The centre diamond weighs approximately 1.45cts and the two shoulder diamonds weigh approximately 1.20cts in total. Size O. £5,000-7,000 1348. A natural pearl and diamond set French ring, the pearl measures 7.7-7.8mm and is set in platinum £2,000-3,000 with eight small shoulder diamonds. French control marks. Size I. Accompanied by report number 12674 dated 6th May 2016 from The Gem and Pearl Laboratory, London stating that the part-drilled button-shaped pearl with a polished base measures 7.7 - 7.8 x 4.6mm, weighs 1.93cts, and is a natural saltwater pearl.

1349. A Burmese ruby and diamond cluster ring, the oval-shaped ruby is set within a surround of ten old circular-cut diamonds in yellow gold. Size N½. £3,000-4,000 Accompanied by report number 12017 dated 17th November 2015 from The Gem and Pearl Laboratory, London stating that the oval mixed-cut ruby is natural with no evidence of heat treatment observed. Origin opinion: Burma. 1350. A diamond solitaire ring, the round brilliant-cut diamond weighs approximately 1.95cts and is set £3,000-4,000 with two baguette-shaped diamonds to each shoulder in platinum. Size M. 1351. A diamond-set five stone half hoop ring, the centre diamond weighs approximately 1.10cts, and the five diamonds weigh approximately 3.60cts in total. Size K. £2,000-3,000 1352. A gem-set snake full circle eternity ring, the head set with a fancy-shaped sapphire, with emerald eyes and alternately set with rectangular-shaped sapphires and emeralds. The sides with carved foliate £400-600 decoration. Size M. 1353. An Edwardian diamond cluster ring, centred with a circular-cut diamond and millegrain-set within a surround of smaller diamonds to the pierced mount. Platinum. Size K. Box. £400-600 1354. A late Victorian diamond half hoop ring, centred with an old circular-cut diamond millegrain set with five smaller diamonds to each shoulder in platinum and 18ct yellow gold. Birmingham marks for 1893. £400-600 Size O½. Case by Carrington.

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1355. An Edwardian Colombian emerald and diamond pendant, set with a central emerald-cut emerald within millegrain-set emerald and diamond scallop-edged surround. Suspended from two lines of circularcut diamonds and a larger circular-cut diamond in platinum and yellow gold. On fine link silver neck chain. Fitted case by Mappin & Webb. £6,000-8,000 Accompanied by report number 5776-5717 dated 24th May 2016 from GCS, London stating that the octagonal emerald measures approximately 8.0 x 6.3 x 2.6mm, weighs approximately 1.00ct and is a natural emerald with indications of minor clarity enhancement. Origin: Colombia. 1356. A pair of French Art Deco diamond-set bracelets, each flexible panel is set with old circular-cut and four baguette-shaped diamonds in platinum. Each joined with a quatrefoil of old circular-cut diamonds. French control marks. Each bracelet 17.5cm long, and combines to form a necklace. Cased. £15,000-20,000

1357. A Burmese ruby and diamond ring, the oval shaped ruby is set within graduated baguetteshaped diamonds and four circular-cut diamonds in platinum. Size K ½. £8,000-12,000 Accompanied by report number 12228 dated 16th January 2016 from The Gem and Pearl Laboratory, London stating that the oval-shaped ruby weighs 2.05cts and is a natural ruby with no evidence of heat treatment. Origin opinion: Burma. 1358. A diamond, ruby and sapphire set white gold floral brooch, set en tremblant with round brilliantcut, pear and marquise-shaped diamonds with oval-shaped sapphires and pear-shaped and circular-cut rubies. The diamonds graduate to approximately 0.85cts. 3.7cm wide. £7,000-9,000

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1359. A late 19th century coloured gemstone set necklace and pendant, the necklace formed with graduated gemstones each set in a gold cut-down coronet collet, and each separated with a gold scroll link centred with a leaf design set with a diamond and decorated with shaded enamel and spotted white enamel to the scrolls. With detachable gem and diamond set enamel decorated pendant. 36cm. ÂŁ5,000-10,000 Gemstones include sapphires, tourmalines and quartz stones.

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1360. A French 19th century gold long chain and cruciform pendant in the Renaissance Revival manner. The hexagonal body divided by lines of pellets which are joined with strips of polychrome enamel lozenges. The centre red, green and white guilloche enamel cross quartered with floral designs. The gold chain formed with links of three designs: armillary spheres with white enamel zodiac bands, longer triangular form links with cannetille decoration and enamel lozenges conforming with the body of the cross, and shorter three-sided links with enamel axe head motifs. Simple cylinder clasp. Ram's head control marks to the cross and chain. Other indistinct marks. The cross 8.8cm high, the chain 84cm. £6,000-8,000 The armillary sphere reflected scholarship and knowledge throughout the Renaissance and appeared in many examples. See Snowman, Kenneth A., The Master Jewellers, Thames & Hudson (2006) , p.81 for a châtelaine by Frédéric Boucheron surmounted with a similar armillary sphere, circa 1870 - 80.

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1361. A Renaissance Revival gold bracelet set with sapphires and diamonds by Carlo and Arthur Giuliano, formed with scroll pierced rectangular hinged panels, each centred with a quatrefoil of old circular-cut diamonds between trefoils of similar diamonds and decorated with black and white enamel. Alternately mounted with conforming narrow panels, each centred with a rectangular-shaped sapphire. Signed C&AG. 17.5cm long. ÂŁ10,000-15,000 In fitted case with additional recesses for safety chains, silk lining signed C & A Giuliano, 115 Piccadilly, London.

1360

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SILVER, VERTU, COINS & MEDALS

Tuesday 19th & Wednesday 20th July 2016

A Victorian Scottish novelty silver thistle vinaigrette, Edinburgh 1881, retailed by Mackay and Chisolm. Estimate: £750 - £800

ENQUIRIES Rupert Slingsby | Tel: +44 (0)1722 424501 | rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers | Tel: +44 (0)1722 424594 | lucychalmers@woolleyandwallis.co.uk

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OLD MASTERS & 19TH CENTURY PAINTINGS Wednesday 7th September 2016 Entries are now being accepted for this sale

Jakob Bogdani (Hungarian 1660-1724) Still life of grapes, peaches, pomegranate and flowers on a stone plinth in a landscape with a butterfly signed, oil on canvas, 76 x 63.5cm; 30 x 25in Provenance: The Collection of Henry F. Pulitzer, The Pulitzer Gallery, 5 Kensington High Street, London W8 Estimate: £25,000 - £35,000

ENQUIRIES Victor Fauvelle | Tel: +44 (0)1722 424503 | victorfauvelle@woolleyandwallis.co.uk

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ENGLISH & EUROPEAN CERAMICS & GLASS Tuesday 13th September 2016 Entries are now being accepted for this sale

ENQUIRIES Clare Durham | Tel: +44 (0)1722 424507 | claredurham@woolleyandwallis.co.uk

A Ludwigsburg figure group of The Fortune Teller, c.1770. Estimate: £400 - £600

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TRIBAL ART & ANTIQUITIES Tuesday 20th September 2016 Entries are now being accepted for this sale

An Aborigine broad shield, South East Australia, 98.5cm high. Estimate: £8,000 - £12,000

ENQUIRIES Will Hobbs | Tel: +44 (0)1722 339752 willhobbs@woolleyandwallis.co.uk

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ARMS & ARMOUR, MEDALS & COINS & MILITARIA Wednesday 19th October 2016 Entries are now being accepted for this sale

A fine 24 bore flintlock pistol by Samuel Nock. Estimate: £2,000 - £3,000 ENQUIRIES Ned Cowell | Tel: +44 (0)1722 341469 | nc@woolleyandwallis.co.uk

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FINE SILVER & OBJECTS OF VERTU Wednesday 26th October 2016 Entries are now being accepted for this sale

An Edwardian silver and enamel cigarette box, by the Guild of Handicraft Ltd, London 1904. Estimate: £1,500 - £2,000

ENQUIRIES Rupert Slingsby | Tel: +44 (0)1722 424501 | rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers | Tel: +44 (0)1722 424594 | lucychalmers@woolleyandwallis.co.uk

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Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays. VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered. REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies. PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us. COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids. TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

LIVE ONLINE BIDDING Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom.com, subject to approval. There is a 3% + VAT charge for this service. In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via thesaleroom.com, and 2. confirm that you are authorised to provide these credit card details to Woolley and Wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale. CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate. The colours printed in the catalogue are not necessarily true. SALE RESULTS These will be posted on our website shortly after the sale. BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 22% + VAT on the first £500,000 of the hammer price and 12% + VAT thereafter.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released. The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of 15,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present. Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction. Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office. Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid. VAT Lots marked with an asterisk (*) are subject to VAT on the hammer price. Lots marked with an omega ( ) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price. CITES REGULATIONS Please note that lots marked may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 12,500. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 12,500 Lots marked with a ‡ symbol are potentially subject to the levy. PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping

01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

APS

0800 118 5868 sales@apservices.info 07736 544 362 www.apservices.info

Mailboxes

01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover

Pack & Send

0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate. 5. VAT. (*) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. 6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale). 7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. 8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7. 7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. . Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense. 9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request. 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

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11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque four weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate. 5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position). 6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for. 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below. Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

21. English law applies to the interpretation of these Conditions.

Lots marked with a ‡ symbol are potentially subject to the levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 12,500. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 12,500

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Valuations PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount. INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Contact Christine Johnson 01722 424509 FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

Woolley & Wallis valuations are accepted by all leading insurance companies.

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WOOLLEY & WALLIS

Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU

LONDON, ANDOVER & WINCHESTER

CASTLE RD A345

DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO OLD SARUM

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A345 Castle Rd

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Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough.

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DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO SALT LANE PEDESTRIAN ROUTE DRIVING ROUTE TO SALT LANE DRIVING ROUTE TO CASTLE ST.

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Registered in England No. 2998482

Salisbury Salerooms

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WOOLLEY & WALLIS

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Woolley & Wallis Salisbury Salerooms Ltd. 51-61 Castle Street, Salisbury Wiltshire SP1 3SU

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Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU

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VAT No: 631 9832 29 TESCO

Design & Production by Jamm Design Ltd. Tel. 020 7424 7830 www.jammdesign.co.uk

Due to the one-way system of Salisbury, please follow the red route when driving from Salt Lane to Castle Street.

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WOO L LE Y & WA L LI S Absentee Bid Form

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Jewellery & Watches

Brief Decription

Price Excluding buyer’s premium & VAT

Thursday 21st July 2016 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. Billing Name (please print)

Address

Postcode Daytime telephone Email All accounts must be settled within 21 days. There is no surcharge for debit card payments, but for credit cards there will be a 2% (+VAT) surcharge. ID is required for all first time bidders.

Signature

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508

www.woolleyandwallis.co.uk

Auction Calendar SILVER 19th & 20th July – Silver, Vertu, Coins & Medals 25th October – The Arthur Holder Collection of Silver & Vertu (Part I) 26th October – Fine Silver & Objects of Vertu Rupert Slingsby +44 (0) 1722 424501 • rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lucychalmers@woolleyandwallis.co.uk PAINTINGS 7th September – Old Masters & 19th Century Paintings 13th December – Modern British & 20th Century Art Victor Fauvelle +44 (0) 1722 424503 • victorfauvelle@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jobutler@woolleyandwallis.co.uk ENGLISH & EUROPEAN CERAMICS & GLASS 13th September Clare Durham +44 (0) 1722 424507 • claredurham@woolleyandwallis.co.uk TRIBAL ART & ANTIQUITIES 20th September Will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk FURNITURE, WORKS OF ART & CLOCKS 5th October Mark Richards +44 (0) 1722 411854 • markrichards@woolleyandwallis.co.uk 20TH CENTURY DESIGN 18th October – 20th Century Design 30th November – British Art Pottery Michael Jeffery +44 (0) 1722 424505 • michaeljeffery@woolleyandwallis.co.uk ARMS & ARMOUR, MEDALS & COINS AND MILITARIA 19th October Ned Cowell +44 (0) 1722 341469 • nc@woolleyandwallis.co.uk JEWELLERY 27th October – Fine Jewellery Jonathan Edwards +44 (0) 1722 424504 • jonathanedwards@woolleyandwallis.co.uk Marielle Whiting +44 (0) 1722 424595 • mariellewhiting@woolleyandwallis.co.uk ASIAN ART 15th & 16th November John Axford +44 (0) 1722 424506 • johnaxford@woolleyandwallis.co.uk Sophie Lister +44 (0) 1722 424591 • sophielister@woolleyandwallis.co.uk