Woolley & Wallis by Jamm Design Ltd

WOO L LE Y & WA L LI S SA L I S B U R Y SA L E R O O M S

Fine Jewellery

Thursday 28th April 2016

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:40 Page 2

Specialist Departments Please dial +44 (0)1722 followed by the number listed below

20TH CENTURY DESIGN Michael Jeffery Zoe Smith

— —

424505 329477

ASIAN ART John Axford MRICS ASFAV Sophie Lister Alex Aguilar Doméracki Freya Yuan

— — — —

424506 424591 424583 424589

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham — 424507 FURNITURE, WORKS OF ART & CLOCKS Mark Richards — Jim Gale — Anna Brown — JEWELLERY Jonathan Edwards FGAA Marielle Whiting FGA Hannah Galbraith

— —

411854 339161 411854

424504 424595 424586

PAINTINGS Victor Fauvelle Jo Butler

— —

424503 424592

SILVER Rupert Slingsby Lucy Chalmers

— —

424501 424594

TRIBAL ART & ANTIQUITIES ARMS & ARMOUR Will Hobbs Gemma Bush

Members of The Society

— —

339752 339752

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV — 424509 Clive Stewart-Lockhart FRICS FRSA 424598 ACCOUNTS Janice Clift (Office Manager) —

424500

MARKETING Tamzin Corbett

—

424590

—

424500

—

424500

GENERAL OFFICE Sharon Ringwood Pauline Jones Nicola Young Amanda Lawrence SALEROOM MANAGER David Jordan BOARD OF DIRECTORS Paul Viney ASFAV Chairman John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart Managing Director COMPANY SECRETARY Jim Macarthur CA ASSOCIATE DIRECTORS Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby Jonathan Edwards FGAA Janice Clift Clare Durham

of Fine Art Auctioneers

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 Fax: 01722 424508

FRICS FRSA

—

424599

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:40 Page 3

FINE JEWELLERY

Thursday 28th April 2016 at 11.00am Viewing Times Saturday 23rd April Monday 25th April Tuesday 26th April Wednesday 27th April Thursday 28th April

10.00am – 1.00pm 10.00am – 4.00pm 10.00am – 4.00pm 10.00am – 4.00pm 9.00am – 10.45am

ENQUIRIES

Jonathan Edwards FGAA 01722 424504 jonathanedwards@woolleyandwallis.co.uk

LIVE BIDDING

Marielle Whiting FGA 01722 424595 mariellewhiting@woolleyandwallis.co.uk

Please register by 4pm Wednesday 27th April. Please note there is a 3% + VAT surcharge for this service. Front cover: Lot 1394 Back cover: Lot 1390 Fronticepiece: Lot 1395 Catalogue £10.00 (£15.00 by post) Images and a catalogue word search facility are available at www.woolleyandwallis.co.uk

Administrator Hannah Galbraith 01722 424586 hannahgalbraith@woolleyandwallis.co.uk

Please note that requests for telephone bids cannot be accepted after 5pm on Wednesday 27th April.

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:40 Page 4

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:40 Page 5

Special Jewellery Notices Some lots are accompanied by gemmological certificates which give an opinion on some or all of the gem stones included in that particular lot. These certificates may have been obtained by Woolley & Wallis or supplied by vendors. It is important to note that the content of these certificates is not guaranteed by Woolley & Wallis and we cannot be held responsible for any disagreement over the content of certificates after the sale, or for a retrospective change in opinion by the providers of any of the certificates. Not all images are life-sized, weights and measurements in the catalogue are approximate only. It is common practice for coloured stones including jade to be treated to enhance their appearance. This includes jade that has been bleached (usually in acid), polymer/resin filled or dyed, or a combination of any of these treatments. Prospective buyers should presume that all coloured stones sold by Woolley and Wallis have been treated unless stated to the contrary in the catalogue description. Please contact the department for more information regarding enhancement and treatment of coloured stones, and for condition reports which are available on single item lots. Any dispute as to the authenticity of a lot, including signatures, age and condition, and as to the treatment of gem stones including pearls, synthetic diamonds and HTHP enhanced diamonds, must be brought to the attention of Woolley and Wallis within two weeks of the sale date. Saturday collections by appointment. 10.00am to 1.00pm

Lots marked with this symbol contain gemstones including rubies, sapphires and jade of Burmese origin and are not permitted for import by The United States of America.

CITES REGULATIONS Please note that lots marked may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:40 Page 6

1001

1000

1003

1002

1000. A jewellery box with lift out tray and key containing jewellery, including three matching circular shell dress studs set with diamonds. Two brooches, each mounted with a micromosaic plaque depicting ruins. A circular brooch mounted with a pietra dura pansy plaque. A carved shell cameo brooch depicting two warriors in the classical manner. Six graduated carved coral roses. A pair of gilt metal Regency slides. A 9ct gold propelling pencil. Eight assorted stick pins. A decorative gilt metal bracelet. A set of six George III silver teaspoons, Peter and Anne Bateman, 1797. A William IV fiddle pattern silver salt spoon, 1831, another silver salt spoon, and various items of assorted jewellery. £200-300 1001. A mixed quantity of jewellery and costume jewellery including a portrait miniature of a gentleman, the frame engraved The hon Mr Edward Percival earl of Egmond, a cameo-mounted horn hair comb, a silver-gilt fob seal, a cased glass scent bottle a large piece of amber and various other items £200-300 1002. Six amber bead necklaces, one with graduated melon-carved amber beads alternately mounted with carved non-amber beads and a further necklace broken in two places. Approximately 260g in total. £800-1,200

1004

1003. A graduated amber bead necklace, 58cm, 31g. An amber necklace of nine beads with metal chain, 34g total. And some loose amber beads weighing 36g in total. £200-300 1004. A single row amber bead necklace, the oval beads graduate from 1.5 x 1.3cm to 3.6 x 2.8cm. 94.5cm long, 151.1g. £800-1,200

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:40 Page 7

1006

1005

1007

1008

1005. A two row cultured pearl necklace, with a cultured pearl and gem-set clasp. A two row cultured pearl bracelet with a cultured pearlset gold clasp. And a single row cultured pearl necklace with silver clasp. £400-500 1006. A three row cultured pearl necklace, the pearls measure approximately 8.00mm, with a diamond-set white gold spray clasp. 67cm longest. £1,000-2,000 1007. A three row cultured pearl choker, on a yellow gold clasp set with a line of calibré-cut sapphires. 34cm longest. £400-600 1008. A set of nine gilt metal buttons, modelled as blackamoor heads. Each 3.5cm high. £200-300 1009. A Masonic medal, the silver gilt medal centred with Masonic emblem within a surround of white paste stones. Marks for London, 1930. Maker G. K. & S. Cream ribbon with fittings. The medal 3.8cm wide. £100-150 1010. A 15ct gold Masonic medal, the pierced medal displaying various Masonic emblems and supporting further gold Masonic emblems mounted with a cushion-shaped diamond. The maroon ribbon mounted with a gold bar with Canongate Kilwinning. 13cm high. Cased. £600-800

1009

1010

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:40 Page 8

1012

1011

1013

1014

1011. A Victorian carved shell portrait cameo brooch, probably depicting Benjamin Disraeli (1804-1881) and engraved to the reverse ‘Ronca 1866’ and with inverted ‘R’s. 5.5cm high, in fitted case. A carved shell cameo brooch, depicting a finely carved Athena with helmet and wearing the aegis, bearing the head of the Gorgon Medusa. Her attribute, the snake (Prudence), is entwined around her spear. Edge chipped. 4.5cm high, gold frame. And a carved shell cameo depicting Hera wearing her diadem and veil signifying her roles as Queen of Olympus and a marriage divinity. Gold mount and attached to a gilt metal bracelet. The cameo 3.8cm high. £200-300 1015

1012. An amethyst and pearl fringe necklace, the seed pearl necklace suspends a line of graduated circular-cut amethysts below white stones and suspending £600-800 pearls in gold. 38cm long. 1013. A lady’s early 20th century diamond cocktail wristwatch, the circular white dial signed Kenwell, with black Arabic numerals, within millgrain-set diamond case and band. In platinum. £100-150 1014. A silver folding travel clock by Cyma, the terminals compress to open the front panel and reveal the watch face. The signed silver dial with silver Arabic and baton numerals. Manuel winding. The case back signed Cyma Watch Co, with serial number 14818, with Swiss control marks. 4.8cm wide. Leather Jaeger£200-300 LeCoultre pouch.

1016

1015. A lady’s gold bangle wristwatch by Chopard, the tonneau-shaped signed tiger’s eye dial within yellow gold border and yellow gold bifurcated bangle. The case 4.2cm wide. £500-700 1016. Five assorted gold rings, including an 18ct yellow gold ruby and diamond five stone ring, size I. An 18ct yellow gold diamond and sapphire five stone ring, size M. And three plain gold rings. Total weight 21.8g. £500-700

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:57 Page 9

1019

1018

1017

1020

1023 1022

1021

1024

1025 1026

1017. A collection of rings by Wendy Ramshaw, including a circular gold ring mounted with an aquamarine cabochon, within two silver spacer rings. Marked for W.R and London 2007. £200-300 1018. Three silver and enamel rings by Wendy Ramshaw, two rings applied with a central band of blue enamel, one ring applied with a central band of green enamel. Maker’s mark W.R for Wendy Ramshaw and with London marks for 1998. Size P and Q½. £200-300 1019. Four rings by Wendy Ramshaw, set with an amethyst cabochon and a smokey quartz cabochon, with two silver rings either side. Marked W.R and with London marks for 2007. Size O and N. £150-250

1027

1020. An Edwardian 22ct yellow gold posy ring, engraved to the interior ‘Love is sure where faith is pure’. Marks for Birmingham 1903 and maker Henry Williamson Ltd. 7.2g, size J½. £100-150 1021. An 18th century gold posy ring, engraved indistinctly to the interior. 3.2g, size N. With another 18th century gold posy ring engraved indistinctly to the interior. 0.7g, size L. £100-200 1022. A synthetic ruby cluster ring, the cushion-shaped synthetic ruby is set within a surround of diamonds and smaller synthetic rubies in silver and gold. Size L (approximately). £200-300 1023. A ruby and diamond three stone ring, the oval shaped ruby is set with two round brilliant cut shoulder diamonds in yellow gold and platinum. The diamonds weigh approximately 1.15cts in total. Size P½. £1,500-2,000

1028

1024. A diamond set ring, set with two lines of graduated princess-cut diamonds in white gold. Size P. £600-800 1025. A lapis lazuli and diamond half hoop ring by Cartier, half set with lapis lazuli, the other half pavéset with circular-cut diamonds in yellow gold. Signed Cartier 750 and 124862.48. Size I. £1,000-2,000 1026. Two ruby and diamond full circle eternity rings, with opposingly mounted stones, in yellow gold. Both size R. In Asprey box. £800-1,200 1027. An unmounted sapphire, the cushion-shaped blue sapphire weighs 6.28cts.

£1,500-2,000

1029

Accompanied by report number 01327 from The Gem and Pearl Laboratory, London dated 13th November 2008 stating that the oval-shaped sapphire measures 13.33 x 8.87 x 6.40mm, weighs 6.28cts and is a natural sapphire with no evidence of treatment observed. 1028. A pair of emerald and diamond cluster ear studs, the oval-shaped emeralds are set within a surround of circular-cut diamonds in white gold. £1,000-1,500 1029. A pair of sapphire and diamond cluster earrings, the oval-shaped sapphires are set within a surround of round brilliant-cut diamonds in white gold. £650-750 1030. A pair of diamond cluster ear studs, the six old circular-cut diamonds in foliate form are set in silver and gold. £200-300

1030

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:40 Page 10

1031. A ruby and diamond bracelet, designed as thirteen hearts, each set with a cabochon ruby within a surround of circular-cut diamonds in yellow gold. 18cm long. £1,000-1,500 1032. A 9ct gold curb-link bracelet, suspending various gold charms, fob seals and coins. 69g in total. £200-300 1033. A sapphire and diamond bracelet, the textured gold links are alternately-set with a sapphire or £400-600 diamond, in yellow gold. Marked 14K and W. 18cm long. 1034. A sapphire and diamond bracelet, the curb-links set with alternating sapphires and diamonds in yellow gold. 19cm long. £600-800 1035. An Art Nouveau gold bracelet, the stylised gold links are alternately set with cushion-shaped pink tourmalines in yellow gold. 20cm long. £500-700 1036. A gold oval-link bracelet mounted with assorted gold charms, including an enamel ladybird, a spinning gold disc which reads ‘I love you’, a gold Kiwi and various other charms. 30g. £200-300 1037. A Victorian gold bracelet, of abstract form, the clasp set with old cushion-shaped diamonds within foliate design. £600-800 1038. A gold bangle, of textured ropetwist design, with gold terminals. 51g.

£600-800

1039. A pair of diamond hoop earrings, designed as a crescent of circular-cut diamonds in yellow gold. 2cm long. £600-800 1040. A pair of diamond stud earrings, the round brilliant-cut diamonds weigh approximately 0.95cts in total. Set in white gold. £700-900 1041. A pair of diamond studs, the circular-cut diamonds weigh approximately 0.90cts in total, ruboverset in white gold. £1,000-2,000 1042. A pair of diamond stud earrings, each set with an old cushion-shaped diamond in silver and gold cut down collet setting. The diamonds weigh approximately 1.30cts in total. £600-800 1043. A pair of diamond drop earrings, each white gold earring is set with three graduated old circularcut diamonds. £2,000-3,000 1044. An aquamarine and diamond pendant, the emerald-cut aquamarine is set within a surround of circular-cut diamonds and suspends from a further three graduated diamonds in white gold. On fine-link diamond-set white gold chain. 46cm long (excluding pendant). £1,200-1,500 1045. An emerald and diamond pendant, the large oval-shaped emerald is set beneath two circular-cut diamonds in platinum and yellow gold. On fine link yellow gold neck chain. 46cm long. £600-800 1046. An aquamarine pendant, the central emerald-cut aquamarine is set within a surround of circularcut and square-shaped aquamarines in 18ct white gold. On white gold neck chain. £400-600

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:40 Page 11

1031

1032

1033

1034

1036

1035

1037 1038

1039 1040

1041

1042

1043

1044 1045

1046

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:40 Page 12

1047. An emerald and diamond necklace, the central foliate scroll pendant, is set with oval and circularcut emeralds and circular-cut diamonds in yellow gold, on fancy-link yellow gold collar necklace. Marked 18K and Italy. 49g. 43cm. £1,000-1,500 1048. A ruby and diamond-set gold bracelet, the centre panel set with a cabochon ruby within circular£300-400 cut diamond surround on fancy-link diamond-set gold bracelet. 17.5cm long. 1049. A curb-link necklace by Garrard, the design with alternating brushed and plain links in 18ct yellow gold. With marks for Garrard and Chiampesan and London marks for 1997. Case by Garrard. £2,000-3,000 1050. A fancy link gold collar necklace, set in 18ct gold. 80g.

£1,200-1,500

1051. A sapphire and diamond line bracelet, set with a line of square-shaped sapphires which graduate in intensity of colour, within two lines of circular-cut diamonds in white gold. 18cm long. £600-800 1052. A late Victorian insect brooch, the wings set with small cushion shaped diamonds on the realistically designed enamel ground. Opal body (damaged) with a further circular-cut opal and demantoid garnet eyes in gold. Spring loaded clasp. 5.2cm wide. Fitted case. £600-800 1053. A 9ct gold pennant brooch, the signalling flags with enamel decoration, 3.5cm high. A pair of 9ct gold and enamel cufflinks and matching enamel and gold pennant stick pin for the Royal Thames Yacht Club. A 9ct gold pennant brooch and matching gold stick pin for the Royal Lymington Yacht Club. A pair of 9ct gold and enamel ear studs for the Royal Solent Yacht Club and another pennant stick pin. £400-600 1054. A set of mother of pearl and enamel dress studs and cufflinks, the circular discs applied with a central seed pearl millegrain-set within a carved foliate pattern mother of pearl surround and a further border of white enamel with gold decoration, in yellow gold. Fitted case by Carrington & Co. £400-600

1050

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:40 Page 13

1047

1049

1048

1051

1052

1053

1054

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:40 Page 14

1055

1055. A 9ct gold rectangular cigarette case, with Asprey slide action hinge. Engine-turned pattern overall and engraved internally ‘Dick, June 28th 1934’. London marks for 1934. Maker A&Co. 154g, 12cm. £800-1,200 1056. A textured gold cigarette case, of rectangular form and applied with textured swirling decoration. With inner textured gold hinged sleeve. 167g. £2,000-2,500 Provenance: The property of the Earl of Chichester. 1057. A gold powder compact, with lines of engine turned decoration within plain lines. Of envelope form and opening to reveal a powder compact and mirror. £1,000-1,500 Provenance: The property of the Earl of Chichester. 1058. An early 20th century two colour gold and sapphire mesh evening bag, the bag composed of finely woven mesh in an alternating white and yellow gold weave pattern to an arched frame lined with emerald-cut sapphires. suspended from a gold oval-link chain. The frame marked 750 585 and 60238. 226g. 34cm long (total). £2,000-3,000 Provenance: The property of the Earl of Chichester.

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:40 Page 15

1056

1057

1058 not actual size

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:40 Page 16

1059. A gold-mounted banded agate fob seal, depicting the arms for Teesdale. 4cm high.

£200-300

1060. An early 19th century gold bell-form fob seal, with stylised openwork Prince of Wales feather body, the matrix with heavily chased foliate shell decoration and mounted with a citrine carved with a Japanese dignitary. Conforming gold split suspension ring. The seal 4.2cm high. £800-1,200 1061. A gem-set gold cigarette case, with hammered pattern and set with two cushion-shaped diamonds and an oval-shaped emerald beneath and applied with the cipher ‘S’ beneath continental coronet. £1,200-1,600 With emerald thumbpiece and inscription to the interior. 120g. Provenance: The property of the Earl of Chichester. 1062. Six gem-set stick pins, including an untested pearl-mounted platinum stick pin by Cartier, signed; a ruby and diamond target stickpin, a stickpin mounted with a ruby and suspending two untested pearl and diamond drops; a stickpin designed as a horseshoe, set with lapis lazuli and diamonds; a stickpin set with a diamond and a diamond rondel suspending an untested pearl; and a freshwater pearl stickpin. £800-1,200 1063. A sapphire mounted gold box, applied with linear decoration overall and two lines of calibré-cut sapphires. With sapphire thumbpiece. Marked 750 and 62287 and with indistinct maker’s mark. Austrian control marks. 7.7cm long. 93g. In silk pouch. £1,500-2,000 Provenance: The property of the Earl of Chichester. 1064. A gold vesta case, of hammered gold finish and applied with the cipher S below continental coronet. With emerald cabochon thumbpiece. Stamped 585. 4.5cm high. 18g. £200-300 Provenance: The property of the Earl of Chichester. 1065. A pair of gold ‘horse bit’ style cufflinks, with hinged folding rings. Cabochon blue stone terminals. Case by Collingwood. £400-600 1066. A pair of French dress cufflinks, each link formed with an oval section of crosshatch engraved white stone and centred with a line of rose cut diamonds. Gold mounts. French control marks. Fitted case. £800-1,200 1067. A French 19th century diamond and enamel stick pin, realistically designed as a Polo player with red enamel shirt mounted on a pavé-set diamond horse in silver and gold. 1.7cm wide. Fitted case. £600-800 1068. A 19th century gold and enamel charm, depicting a polo player on horseback with blue enamel shirt. The horse pavé-set with diamonds. 1.8cm wide. £150-200 1069. A pair of French gold cufflinks, the circular links engraved with concentric circles. 10g, 1.4cm wide. Case. £300-400 1070. A stick pin formed as a blackamoor’s head, the carved black hardstone with a diamond set fez and diamond collar. 5.7cm long. £400-600 1071. A pair of diamond-set cufflinks, the square cufflinks are set with an inner yellow gold circle and £300-400 a circular-cut diamond in white gold. Case by Asprey & Co.

1072. A Regency gold and amethyst mounted stirrup-style seal, with three-colour gold fruiting vine decoration overall. Blank matrix. 4.5cm high. £800-1,200 1073. An owl’s head stick pin, the circular head pavé-set with graduated turquoise cabochons, seed pearls and cabochon ruby eyes. With gold beak and shaft. The head 1.5cm wide. Case by Wartski. £600-800

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:40 Page 17

1059

1060

1061

1062

1063

1064

1067

1065

1068 1066

1069

1073

1070 1071

1072

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:40 Page 18

1074. A lady’s gem-set gold wristwatch by Boucheron, the textured gold dial with baton numerals, within a surround of sapphires and diamonds. On textured gold band with sapphire cabochon winder. Signed Boucheron Paris BT1203255 to the clasp and 79689 to the case. With Boucheron box. £1,000-1,500

1075. A gentlemen’s 18ct yellow gold open faced pocket watch by Patek Philippe, the plain signed gold dial with applied gold Arabic numerals and subsidiary seconds dial. Engraved to the reverse with a bird crest. The movement signed and numbered 805696 for 1952, and numbered 608586 and inscription for 9th January 1953. 4.5cm wide. With a two colour 9ct gold fine link watch chain, 7g, 34cm. Fitted case. £1,000-1,500

1076. A watch converted from a United States 1893 Ten Dollar gold coin by Piaget, signed plain dial with baton numerals. Opening with concealed push section to the side and folding out case. 2.9cm wide. In fitted Piaget case. £800-1,200

1077. An 18ct gold dress pocket watch by Cartier, the silver guilloche dial signed Cartier, France. Outer Arabic five minute dial and inner Roman hour dial. Movement signed European Watch Co. Inc. The interior of the detachable back case with London import marks for 1927, numbered 19412 and 751. J. C. and French control marks. With enamel crest for Lever to the outside of the case. Maximum diameter 4.4cm. With watch chain, alternately formed with platinum x and gold fine links, 34cm. Fitted case by Cartier. £2,000-3,000

1078. A gentleman’s gold wristwatch by Patek Philippe, the silver enamel dial with gold baton numerals. Manual winding. Associated £1,500-2,000 band and clasp. With Patek Philippe case.

1079. A lady’s diamond-set cocktail wristwatch by Tiffany & Co, the square silver dial set with Arabic numerals to the white gold case, within a surround of circular-cut diamonds, Signed Tiffany & Co Atlas to reverse, L3760 and 19-032 with Swiss control mark, 2.1cm wide. On a black silk Tiffany & Co band, with Tiffany & Co 18ct gold buckle. In Tiffany case and box. £800-1,200

1080. A lady’s gem set cocktail wristwatch by Kutchinsky, the circular signed silver dial with baton numerals is set within a surround of circular diamonds and baguette-shaped sapphires on a textured white gold band. 17cm long. £800-1,200 1077 1081. A lady’s steel Reverso wristwatch, by Jaeger-LeCoultre. Manual winding. Signed silver dial with black Arabic numerals. Fluted shoulders. Back numbered 1746229 and 260.8.08. The case 19mm wide. Black leather band. £600-800

1076

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:40 Page 19

1074

1075

1076

1077 1078

1079 not actual size

1080

1081

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:40 Page 20

1082. An aquamarine and diamond cluster ring, the oval-shaped aquamarine is set within a surround of circular-cut diamonds in white gold. Size O½. £1,300-1,600 1083. An emerald and diamond half hoop ring, set with an emerald-cut emerald on a pavé-set diamond band, in yellow gold. Size M. £600-800 1084. A diamond and ruby cluster ring, the centre round brilliant cut diamond is set within a surround £550-750 of smaller diamonds and two bands of calibré-cut rubies in white gold. Size M½. 1085. A sapphire and diamond cluster ring, set with a central cushion-shaped sapphire within scrolling lines of sapphires and diamonds in platinum. Size N. £600-700 1086. A sapphire and diamond cluster ring, the square shaped sapphire is millegrain-set within a surround of circular-cut diamonds in white gold. Size N½. £600-800 1087. A Burmese ruby and diamond cluster ring, the cushion-shaped ruby is set within a surround of smaller circular-cut diamonds and further diamond-set shoulders in platinum. Size L½. £1,800-2,500

Accompanied by report number 12139 dated 18th December 2015 from The Gem and Pearl Laboratory, London, stating that the rectangular cushion-shaped ruby measures 6.7 x 6.0 x 2.4mm, weighs 1.04ct and is a natural ruby with no indications of treatment. Origin: Burma. 1088. A baguette-shaped diamond-set full-circle eternity ring, set in white gold. Size M. £1,000-2,000 1089. A yellow and white diamond cluster ring, the pear shaped yellow diamond is set within a surround of circular-cut white diamonds in platinum and yellow gold. £1,000-2,000 Accompanied by report number F6E33853 from IGI stating that the pear-shaped diamond weighs 0.34cts, with fancy intense yellow colour and VVS1 clarity 1090. A diamond solitaire ring, the circular-cut diamond weighs approximately 1.10cts, set with a baguette-shaped diamond to each shoulder in platinum. Size N. £1,000-2,000 1091. An amethyst and diamond set ring, the oval-shaped amethyst is set within a surround of circularcut diamonds in white gold. Size O. £400-600 1092. A sapphire and diamond half hoop ring, set with three oval-shaped sapphires and four smaller diamonds in yellow gold. Size P. £200-300 1093. A diamond solitaire ring, set with an old circular-cut diamond which weighs approximately 0.65cts with rose-cut diamond shoulders in white gold. Size P½. £1,500-2,000 1094. A diamond cocktail ring, designed as three sections, alternately set with baguette-shaped and princess-cut diamonds in domed setting. Set in white gold. Size L½. £500-700 1095. A diamond three stone ring, the three graduated old circular-cut diamonds are set in platinum. Size R½. £600-800 1096. A yellow sapphire and diamond cluster ring, the cushion-shaped yellow sapphire is set within a surround of circular-cut diamonds in yellow gold. Size O½. £1,500-2,000 1097. A ruby and diamond five stone ring, set with graduated rubies and diamonds in platinum and yellow gold. Size N. £200-300 1098. A sapphire and diamond cluster ring, the cushion-shaped sapphire is set within a surround of old cushion-shaped diamonds in yellow gold. Size M. £800-1,200 1099. A pink tourmaline and diamond ring, the emerald-cut tourmaline is set within a surround of small £450-550 circular-cut diamonds, with larger circular-cut diamonds to the shoulders. Size N½.

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:41 Page 21

1082

1085

1083

1084

1088

1086

1087

1094

1091

1089

1090

1092

1093

1096 1095

1097

1098

1099

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:41 Page 22

1100. A pair of aquamarine and diamond drop earrings, the oval-shaped aquamarines are set within a surround of circular-cut diamonds and suspend from a further circular-cut diamond in white gold. £800-1,200 1101. A three row cultured pearl necklace, with a sapphire and diamond flower-head clasp. 49cm long. £1,000-1,500 1102. A sapphire and diamond pendant, the oval-shaped sapphire weighs approximately 4.50cts, within £2,000-3,000 pavé-set diamond teardrop-shaped surround, in yellow gold. 3cm long. 1103. An emerald and diamond cluster ring, the emerald-cut emerald is set within a surround of circularcut diamonds in platinum and yellow gold. Size M. £600-800 1104. A sapphire and diamond half hoop ring, set with graduated baguette-shaped diamonds within a £2,500-3,500 calibré-cut sapphire border and calibré-cut emerald shoulders in white gold. Size O. 1105. A tourmaline and diamond-set gold ring by Tiffany & Co, the mixed-cut tourmaline is set within pierced shoulders, set with diamond set crosses. Signed Tiffany & Co to the shank interior and C2000. Size L. £600-800 1106. An opal and diamond cluster ring, the oval-shaped white opal is set within a surround of circularcut diamonds in platinum and gold. Size N½. £600-800 1107. A opal and diamond cluster ring, the oval-shaped white opal is set within a surround of circularcut diamonds in platinum and yellow gold. Size P½. £800-1,200 1108. A pair of three-colour gold earrings, designed as plaits with post and clip fittings. 2.5cm long. 27.2g. £300-400 1109. A pair of diamond-set gold earrings, set with cushion-shaped diamonds within yellow gold surround. 11mm diameter. £200-300 1110. A diamond solitaire pendant, the circular-cut diamond weighs approximately 2.45cts and is set within yellow gold target setting. 2.5cm diameter. £5,000-7,000 1111. A diamond solitaire ring, set with a round brilliant-cut diamond which weighs approximately 1.25cts. Yellow gold mount with split shoulders. Size M. £2,000-3,000 1112. A sapphire and diamond ring, the oval-shaped blue sapphire is set with two baguette-shaped diamonds to each shoulder in yellow gold. Size Q½. £2,500-3,000 Accompanied by report number 5776-4518 from GCS, London stating that the oval-shaped sapphire weighs approximately 5.00cts in total and is a natural sapphire with no indications of treatment. 1113. A sapphire and diamond three stone ring, the cushion-shaped sapphire is set between two circular-cut diamonds in platinum. Size N½. £1,800-2,500 1114. A tanzanite and diamond cluster ring, the emerald-cut tanzanite is set within a surround of circularcut diamonds in white gold. Size R. £1,000-1,500 1115. A sapphire and diamond ring, the cushion-shaped sapphire is set within a surround of old circularcut diamonds in white gold. Size O. £2,000-3,000 1116. A sapphire and diamond three stone ring, the oval-shaped sapphire is set with two triangular cut shoulder diamonds in white gold. Size K½. £2,000-3,000 1117. A Burmese sapphire and diamond cluster ring, the cushion-shaped sapphire is set with three baguette-shaped diamonds to each shoulders in platinum. Size N. £12,000-15,000

Accompanied by report number 58062 dated 14th December 2010 from SSEF, Switzerland stating that the antique cushion-shaped sapphire measures 9.37 x 8.86 x 6.02mm, weighs 4.428cts and is a natural sapphire with no indications of heating. Origin: Burma. 1118. A gold horse bangle, realistically designed as a horses head in textured gold with diamonds set to the mane and sapphire eyes. The body comprised of plaited and textured yellow gold. 79g. £1,000-1,500 1119. An 18ct yellow gold stylised rope link necklace, the fluted clasp set with rows of small round brilliant cut diamonds. 74g, 43cm. With a matching diamond-set 18ct yellow gold bracelet. 38g, 20cm. £1,500-2,000 The necklace can be worn attached to the bracelet.

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:41 Page 23

1100

1102

1101

1103

1104

1105

1114

1107

1106

1115

1113 1116

1110

1112 1117

1109 1108

1119 1118 1111

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:41 Page 24

1120. A ruby and diamond half hoop ring, alternately set with cushion-shaped diamonds and ovalshaped rubies in carved yellow gold shank. Size J. £800-1,200 1121. A late 19th century ruby and diamond bar brooch, alternately-set with cushion-shaped rubies and diamonds in silver and gold. 3.8cm long. £150-250 1122. A late Victorian natural pearl and diamond starburst brooch, the central pearl is set within a surround of cushion-shaped diamonds and lines of graduated cushion shaped diamonds and alternatelyset knife-edge links with diamond terminals, in silver and gold. 5cm diameter. £3,000-4,000 1123. A Victorian natural pearl and diamond pendant, of circular form and mounted with five natural pearls within graduated old cushion-shaped diamonds in silver and gold. 3.2cm long. Fitted case by Catchpole & Williams. £2,000-3,000 Accompanied by report number 5776-4152 dated 5th January 2016 from GCS, London stating that the pearls graduate from 5.4 to 7.7mm, are cream in colour and are natural saltwater pearls. 1124. A diamond three stone ring, the three graduated old circular-cut diamonds are set in yellow gold. Size O. £2,000-3,000 1125. A single row natural pearl necklace, the pearls graduate from 3.5 to 4.7mm with a platinum and yellow gold box clasp set with three old circular-cut diamonds. 92cm. £1,000-1,500 Accompanied by report number 5776-4151 dated 5th January 2016 from GCS, London stating that pearls weigh 24.47g in total and are natural saltwater pearls. 1126. A Victorian amethyst rivière necklace, the graduated oval-shaped amethysts are set in fine wirework collets with pellet borders, in yellow gold. The largest amethyst suspends a smaller amethyst drop. 40cm long. £1,300-1,500 1127. A 19th century amethyst and diamond three stone ring, the oval-shaped amethyst is set within a cushion-shaped diamond to each shoulder in scroll carved yellow gold mount. Size M½. £400-600 1128. A late 19th century pearl and diamond pendant, designed as a diamond-set bow suspending from a pearl with diamond-set bale and suspending a larger drop-shaped pearl. Set in silver and gold. £5,000-10,000 Detachable bale. 5cm high. Fitted case by Harvey & Gore. Accompanied by report number 5776-4773 dated 3rd March 2016 from GCS, London stating that the two pearls measure 8.3 x 8.0 x 7.5mm and 13.0 x 9.8 x 8.6mm, both are natural saltwater pearls with no indications of treatment. Total weight 7.18g including mounts. 1129. An amethyst mounted gold ring, the large circular-cut amethyst is set within yellow-gold collet surround and a ring of black enamel. Size G (approximately). Case. £200-300 1130. A late 19th century natural pearl and diamond bow brooch, realistically formed and set overall with graduated old circular and cushion-shaped diamonds in silver and gold. Suspending a drop-shaped £5,000-7,000 natural pearl. Accompanied by report number 11970 dated 6th November 2015 from The Gem and Pearl Laboratory, London stating that the drop-shaped pearl measures 8.8 - 9.6 x 13.1mm, weighs 7.03cts and is a natural saltwater pearl.

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:41 Page 25

1124

1120

1123

1122

1121

1130

1129

1125 1128

1127

1126

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:41 Page 26

1131. A gem set floral brooch in the style of Dorrie Nossiter, set with pink, yellow and blue sapphires, moonstones and zircons in white gold. 9cm high. £3,000-5,000 1132. A pair of Arts and Crafts clip brooches in the style of Dorrie Nossiter, each mounted overall with graduated oval-shaped citrines, circular-cut rubies and pearls. Silver mounts. Each clip 5cm high. £800-1,200 1133. An Art Deco white gold bracelet mounted with six circular carved jade cabochons, the green jades carved with foliate motives and the openwork rectangular panels with Chinese characters zhen you gong xi tian ji. 18.5cm. Fitted case by Liberty. £1,500-2,000 1134. A late Victorian ‘Revelations’ bracelet by Giuliano, the gold bracelet mounted with pearl-centred openwork oval panels decorated with black and white enamel each joined with a gemstone. The stones refer to the Building of Paradise described in the Book of Revelations in the New Testament and include jasper, sapphire, chalcedony, emerald, sardonyx, sard, chrysolite, beryl, topaz, chrysoprase, jacinth and amethyst. The clasp marked C & A G for Carlo and Arthur Giuliano. 16.5cm. With case marked ‘C. Giuliano, £5,000-7,000 115 Piccadilly’ but missing fitted compartment. Circa 1900. 1135. An Art Nouveau plique-à-jour pendant, depicting the Virgin Mary within a blue plique-à-jour halo on circular yellow gold pendant. Signed F.Vernon. 2.3cm wide. £600-800 1136. An Art Nouveau opal and diamond pendant, the solid white opal cabochon is set within scrolling diamond-set surround in platinum and gold. 4.8cm long. Fitted case by Liberty & Co. £600-800 1137. A gem set brooch by Giuliano, the gold bar brooch is decorated with white and light blue enamel and black enamel pellets. Oval-shaped smokey quartz terminals. Signed C & A G for Carlo and Arthur Giuliano. 3.5cm wide. Fitted case (dilapidated). £1,000-1,500 1138. A pair of freshwater baroque pearl and diamond drop earrings, the large freshwater pearls suspend from an articulated line of circular-cut diamonds in white gold. With diamond-set swags across the pearls. 6cm (longest). £2,000-3,000 1139. A pair of cushion-shaped diamond cluster earrings, the central diamonds weigh approximately 0.95cts each and are millegrain-set within a surround of smaller diamonds in carved and pierced platinum mount. Suspending from a smaller diamond. 2.2cm long. £4,000-6,000 1140. A Burmese ruby and diamond brooch, the central oval-shaped ruby is set within a quatrefoil of diamonds on pierced foliate surround and with a further diamond-set border in platinum. French control marks. 3cm wide. £3,000-4,000

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:41 Page 27

1131 1132

1133

1134

1137

1139

1136

1140 1135

1138

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:41 Page 28

1141. A cultured pearl and coloured diamond necklace, the pearls measure approximately 8.44mm diameter, the clasp set with a central rectangular cushion-shaped diamond which weighs approximately 1.15cts and is set within a surround of smaller diamonds in platinum. The pearls 44cm. In Garrard box. £8,000-12,000 1142. A pair of cultured pearl and diamond earrings, set with a circular-cut diamond cluster suspending £1,500-2,000 a large South Sea cultured pearl, the pearls approximately 15.65mm. 1143. A pair of diamond cluster earrings, each white gold earring centred with a round brilliant cut diamond within a surround of further smaller brilliant-cut diamonds and marquise, pear and baguette shaped diamonds. The two larger diamonds weigh approximately 1.60cts in total. £4,000-6,000 1144. A sapphire and diamond cluster ring, the oval-shaped sapphire is set within a surround of circular£1,500-2,000 cut diamonds in white gold. Size L. 1145. A Burmese ruby and diamond cluster ring, the oval-shaped ruby is set within a surround of circular-cut diamonds in white gold. Size M. £4,000-6,000

Accompanied by report number C1407100913 dated 10th July 2014 from HGT stating that the oval-shaped ruby measures 10.43 x 9.70 x 4.18mm, weighs 4.32ct and is a natural ruby with indications of heat treatment. Origin: Burma. 1146. A pair of diamond cluster earrings, of foliate design and set with marquise and baguette-shaped diamonds in platinum and white gold. 1.6cm long. £2,200-2,500 1147. A heart-shaped diamond cluster ring, set with a central heart-shaped diamond which weighs approximately 1.90cts and is millegrain-set within a surround of calibré-cut sapphires and circular-cut £2,500-3,000 diamonds in platinum. Size J½. 1148. A ruby and diamond cluster ring, the oval-shaped ruby is set within a surround of circular-cut diamonds in platinum and yellow gold. Size N½. £500-700 1149. A pair of sapphire and diamond stud earrings, set with oval-shaped sapphires within a surround of circular-cut diamonds in white gold. £800-1,200 1150. A diamond cluster ring, the central circular-cut diamond weighs approximately 1.00cts and is set within a surround of smaller circular-cut diamonds in platinum. Size P. £2,000-3,000 1151. A ruby and diamond cluster ring, the central circular-cut diamond is millegrain-set within a surround of calibré-cut rubies and with further rubies to the shoulders, set in white gold. Size N½. £800-1,200 1152. A diamond solitaire ring, the emerald cut diamond weighs approximately 1.87cts and is set in 18ct white gold and platinum with three small diamonds set to each shoulder. Size L½. £4,000-5,000 1153. An Art Deco style diamond bracelet, each lozenge-shaped link is millegrain-set with a central line of baguette-shaped diamonds within pierced circular-cut diamond surround. Alternately mounted with a circular-cut diamond in white gold. 18.2cm long. £4,000-5,000 1154. An garnet and diamond strap bracelet, set with four rows of square-shaped garnets within a border either side of circular-cut diamonds in spherical surrounds. Set in yellow gold, with makers mark W with a coronet above and stamped 750. 18cm long. £1,000-2,000

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:41 Page 29

1141

1142

1145

1143

1144

1148

1146

1147

1151

1149

1150

1152

1153

1154

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:41 Page 30

1155. A diamond three stone ring, the three graduated old circular-cut diamonds are set in platinum. Size N. £500-700 1156. A diamond solitaire ring, set with an old cushion-shaped diamond which weighs approximately 1.10cts, set in platinum and gold. Size N½. £800-1,200 1157. An emerald and diamond cluster ring, of hexagonal form and set with lines of circular-cut £300-400 emeralds and diamonds in white gold. Size M½. 1158. A diamond five stone ring, set with graduated old cushion-shaped diamonds in platinum and gold. Size R½. £300-400 1159. A ruby and diamond cluster ring, the oval-shaped ruby is set within a surround of circular-cut diamonds in platinum and gold. Size T. £600-800 1160. A peridot and diamond cluster ring, the oval-shaped peridot is set within a surround of pale pink round brilliant cut diamonds and with a further six pale pink diamonds to each shoulder in rose gold. Size O. £2,300-3,000 1161. A diamond full circle eternity ring, the fifteen baguette-shaped diamonds channel-set in platinum. Size K½. £1,000-1,500 1162. A sapphire and diamond cluster ring, the emerald-cut sapphire is set within sapphire and diamond chequerboard surround in platinum and yellow gold. Size O. £1,100-1,500 1163. An early 20th century sapphire and diamond plaque ring, the central circular-cut diamond millegrain-set within calibré-cut sapphires and circular-cut diamonds in carved and pierced geometric platinum surround. Size N. £2,500-3,000 1164. A sapphire and diamond cluster ring, the oval-shaped sapphire is set within a surround of circularcut diamonds in yellow gold. Size O. £600-800 1165. A diamond solitaire ring, the circular-cut diamond weighs approximately 1.50cts, with millegrainset diamonds to the shoulders in platinum. With re-sizing balls to the shank interior. Size M (approximately). £2,000-3,000 1166. An aquamarine ring, the rectangular-cut aquamarine is set in carved and pierced white gold mount. With inner re-sizing balls. Size M (approximately). £600-800 1167. A square-shaped citrine set yellow gold full circle eternity ring, size K.

£400-500

1168. A ruby and diamond five stone ring, set with two old round circular-cut diamonds and three ovalshaped rubies in gold and platinum. Size P. £600-800 1169. An aquamarine and diamond ring, the oval-shaped aquamarine is set within a surround of circularcut diamonds in platinum and yellow gold. Size O½. £600-800 1170. A sapphire and diamond half hoop ring, set with a cushion-shaped sapphire within six circularcut diamonds in platinum. Size R½. £600-800 1171. A catesye and diamond ring, the oval catseye cabochon is set within a foliate surround of cushionshaped diamonds in silver and gold. Size P½. £300-400

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:41 Page 31

1155

1156 1157

1158

1159

1160

1162

1161

1164 1163

1165

1166

1167

1168

1169 1170

1171

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:41 Page 32

1172. A pair of abstract design gold earrings by Tiffany & Co, marked for 18ct and London 1987, signed Tiffany & Co. Clip fittings. £400-600 1173. A pair of sapphire and diamond set gold earrings by Elizabeth Gage, each earring surmounted with a cabochon heart-shaped sapphire and lines of graduated round brilliant cut diamonds. 1.9cm wide. £2,000-3,000 With correspondence and a valuation from Elizabeth Gage. 1174. An aquamarine and diamond ring by John Donald, the mixed-cut aquamarine is set within seven circular-cut diamonds and a pierced textured gold circular surround. Signed JAD and with London marks for 1972. Size M½. In case by John Donald. £600-800

1175. A pair of coral stud earrings, the coral beads are approximately 15.00mm diameter. Set in silver. £80-120 1176. A carved foliate necklace by Stuart Devlin, mounted with carved rhodochrosite flowers mounted with a central circular-cut diamond, and carved green stone leaves. Mounted on twisted branch design textured gold. With maker’s mark SD for Stuart Devlin and London 1980. 34cm long. With a matching pair of earrings by Stuart Devlin. £500-700 1177. A fancy-link gold bracelet, of yellow gold and platinum abstract design. 53g. 20cm. £1,500-2,000 1178. A large aquamarine and diamond cocktail ring, the rectangular-shaped aquamarine is set within yellow gold spray terminals and trifurcated shoulder. Size O. £800-1,200 1179. An abstract silver and quartz brooch, circa 1970, the rough quartz slice is set in silver multiple square design mount. 7.8cm high. In case by John Donald. £100-150 1180. A pair of diamond-set gold ‘night and day’ earrings, the top sections of textured gold scroll design and set with circular-cut diamonds. With a detachable matching articulated textured gold and diamond section. 6.5cm long. £800-1,200 1181. A gold brooch by John Donald, set with a central mixed-cut rutilated quartz within plain and £300-400 textured rhomboid border. Marked JAD and London 1972. In case by John Donald. 1182. A diamond solitaire ring, the trillion-cut diamond weighs approximately 0.80cts and is set in plain 14ct gold band. Size L½. £600-800

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:41 Page 33

1172

1173

1174

1176 1175

1178 1177

1179

1180

1182 1181

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:41 Page 34

1183. A gem-set gold pendant by Andrew Grima, the uncarved coral section is mounted with a central sapphire cabochon and mounted in gold. Signed Grima to reverse. On a fine-link gold neck chain. With Grima pouch. £200-300 1184. An 18ct yellow gold pierced and textured graduated collar necklace, set with graduated marquise-shaped sapphires and round brilliant cut diamonds. Birmingham import marks for 1966. Maker R. H. B. 73g, internal length 38cm. £2,000-3,000 1185. A pair of citrine cluster earrings, mounted with an octagonal-cut yellow citrine within a surround of eight fancy-cut orange citrines and set in gold. 2.2cm wide. Clip fittings. £1,500-2,000 1186. A pair of diamond scroll earrings, designed as gold scrolls either side a pavé-set diamond section. 3.8cm widest. £2,000-3,000 1187. A ruby and diamond brooch, of stylised textured gold ‘pencil shaving’ design alternately set with circular-cut rubies and diamonds. Marked for London 1969. 4cm wide. £400-600 1188. A yellow gold brooch by Andrew Grima, the stylised birds nest design with a central circular-cut diamond as the egg, in textured yellow gold. Signed Grima to reverse. In Grima box. £1,000-1,500 1189. An abstract gold brooch by Bjorn Weckstrom, set with a cushion-shaped ruby and marked BW and Finland, with London marks for 1971. 3cm wide. £450-550 1190. An abstract brooch by Triggs and Payne, designed as stylised leaves surrounding a rough quartz. Marked C.P.T. and T.A.P. and Birmingham 1997. 3.8cm wide. £400-600

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:41 Page 35

1183

1185 1184

1187

1188

1186

1189

1190

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:41 Page 36

1191. A pair of French flowerhead earrings, designed as roses, the hinged gold mesh petals open to reveal articulated diamond stamens, in yellow gold. Maker’s mark J L with French control marks. £1,500-2,000 1192. An emerald and diamond pendant, the pear-shaped emerald is set within a surround of circularcut diamonds and suspended from a further circular-cut diamond in white gold. On a fine-link white gold neck chain. £1,500-2,000 1193. An emerald and diamond cluster ring, the emerald-cut emerald weighs approximately 2.30cts and is set in carved and pierced platinum mount pavé-set with circular-cut diamonds. French control marks. Size L½. £3,000-4,000 1194. A Happy Diamond teddy bear pendant by Chopard, designed as an 18ct rose gold teddy bear set with four round brilliant cut diamonds and three further ‘floating’ round brilliant cut diamonds to the centre raised section. 3.5cm high and on a fine link gold chain. With Chopard case and papers. £800-1,200 1195. A Happy Amore diamond pendant by Chopard, designed as 18ct rose gold hearts with three ‘floating’ round brilliant cut diamonds to the centre heart. 3.5cm high and on a fine link gold chain. With Chopard case and papers. £800-1,200 1196. A large blue topaz and diamond set ring, the emerald cut topaz is millegrain set with six circularcut diamonds to each shoulder in 18ct white gold. Size Q. £600-800 1197. An emerald and diamond cluster ring, the oval-shaped emerald set within a surround of small round brilliant cut diamonds in white gold. Size L½. Case. £2,000-3,000

1198. A coral and diamond ring by Van Cleef & Arpels, the stylised bow centred with a marquiseshaped diamond and mounted with pink coral within a border of small circular-cut diamonds in yellow gold. Inventory number NY5K621-76E. Signed VCA, made in France. Exterior French control marks. Size K. Van Cleef & Arpels box. £2,000-3,000 1199. A pair of diamond stud earrings, the round brilliant cut diamonds weigh approximately 1.25 and 1.30cts each and are set in white gold coronet mounts. Fitted case by Ogden. £4,000-6,000 1200. A gold torque by Cartier, with fine wirework decoration to the front section and plain back section, and centred with three carved malachite beads separated with two gold rondels, each set with a line of circular-cut diamonds. Signed Cartier. 12cm internal diameter. £3,000-4,000 1201. A diamond bracelet, formed with six oval-shaped links and set overall with matched round brilliantcut diamonds in platinum and white gold. The diamonds weigh approximately 18.50cts in total. 17.5cm. £8,000-10,000 The property of a lady of title.

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:41 Page 37

1192 1191

1194

1195

1193

1196

1197

1198

1199 1200

1201

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:41 Page 38

1202. A pair of diamond drop earrings, of teardrop form, set overall with circular-cut diamonds and suspending a further diamond in white gold. 3cm long. Case. £1,500-2,000 1203. Six assorted gem-set gold charms, including a diamond-set mother goose applied with red and blue enamel, an aeroplane set with circular-cut diamonds and ruby and sapphire cabochons, a diamondset scared cat with black enamel body and emerald eyes, a horseshoe set with diamonds and sapphires, a sailboat set with circular-cut diamonds, and cabochon sapphires, rubies and garnets and a gem-set roulette wheel with freely spinning centre-section. £2,200-2,500 1204. A diamond pendant, mounted with a kite-shaped diamond which suspends a baguette-shaped diamond and a larger triangular-cut diamond in white gold. 2cm long. £1,500-2,000 1205. A cultured pearl and diamond necklace, the silver/grey pearls graduate from 10.38 to 13.34mm with a diamond-set flowerhead platinum clasp. 42cm long. With six additional pearls. £1,000-2,000 1206. A pair of diamond cluster earrings, of foliate design and set with marquise-shaped and circularcut diamonds in platinum with white gold clip fittings. 2.2cm long. £3,500-4,500 1207. An oval-shaped diamond and cultured pearl brooch, the central cultured pearl set within a foliate surround of millegrain-set diamonds and two smaller cultured pearls (one missing). 3cm wide. £300-400 1208. A diamond line bracelet, the fifty three circular-cut diamonds weigh approximately 4.75cts in total and are set in 18ct white gold. 19cm long. £1,500-2,000 1209. A jadeite and diamond pendant, designed as a marquise-shaped jade cabochon below a marquise-shaped diamond and a further marquise-shaped jade cabochon, mounted horizontally. Rubover set in platinum, on fine-link platinum neck chain. Fitted case. £4,000-6,000 Accompanied by report number 2135466138 dated 3rd June 2011 from GIA, stating that the marquiseshaped cabochon measures 16.40 x 6.80 x 4.25mm, weighs 3.75cts and is translucent green jadeite jade with no indications of impregnation. Accompanied by report number 2135823684 dated 23rd September 2011 from GIA stating that the marquise-shaped diamond measures 10.69 x 6.10 x 3.71mm, weighs 1.38cts with E colour and VS1 clarity. With strong blue fluorescence. Accompanied by report number 5131466128 dated 3rd June 2011 from GIA stating that the marquiseshaped double cabochon measures 18.65 x 8.10 x 4.25mm, weighs 5.40cts and is translucent green jadeite jade with no indications of impregnation. 1210. A pair of diamond drop earrings, designed as a line of alternating circular and baguette-shaped diamonds, suspending a cluster of diamonds in white gold. £1,200-1,500 1211. A carved and pierced jade brooch, designed as writhing fish with diamond-set white gold foliate half border. 5.5cm high. £2,200-2,500 1212. A diamond solitaire ring, the round brilliant cut diamond weighs 2.12cts and is set in 18ct white gold with four tapered baguette-shaped shoulder diamonds. Size M½. £4,000-6,000 Accompanied by report number 2501506524 from E.G.L stating that the round brilliant-cut diamond weighs 2.12cts, with K colour and SI2 clarity 1213. A diamond cluster ring, set with a central circular-cut diamond which weighs approximately £1,500-2,000 1.25cts, within a surround of eight smaller circular-cut diamonds in platinum. Size O. 1214. A green jade mounted white gold pendant, the oval cabochon jade is mounted in white gold within a surround of circular-cut diamonds and suspending from a diamond-set white gold bale. £600-800 Accompanied by report number 12096 dated 8th December 2015 from The Gem and Pearl Laboratory, London stating that the oval-shaped cabochon-cut green stone measures 17.1 x 11.4 x 4.2mm and weighs 7.14ct and is jadeite jade with no evidence of treatment observed. 1215. A green jade heart-shaped pendant, 3cm high.

£600-800

Accompanied by report number GL86133 from The Hong Kong Gem Laboratory stating that the jade is of natural colour (type A). 1216. A jade and diamond ring, the oval shaped jadeite cabochon is set with three diamonds to each shoulder in platinum. Size N½. £2,500-3,500 Accompanied by report number 09476 dated 25th February from The Gem and Pearl Laboratory, London stating that the oval-shaped cabochon cut stone measures 16.2 x 12.0 x 4.4mm and is jadeite jade with no evidence of treatment observed.

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:41 Page 39

1202

1203

1206

1204

1205 1207

1212

1210

1211 1213

1209

1208

1216 1214 1215

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:41 Page 40

1217. An early 19th century almanack with enamel and gold mount, the front and back cover each applied with two exotic pheasants, a squirrel and swan amongst foliate scroll decoration and polychrome enamel highlights (some damage). The gold clasp chased with a duck. The almanack dated 1833. 10cm high. £2,000-3,000 1218. A George II gold and green enamel aide-mémoire, of rectangular form and open topped with vacant pencil compartment and the other containing a 1789 silk-bound Almanack. The fine deep green guilloche enamel sides each centred with a glazed navette-shaped locket and applied with a seed pearl P beneath a baron’s coronet and AP beneath a baron’s coronet to the other side and both within seed pearl borders. The P probably stands for Pelham. Both sides with cracked enamel. 8.3cm high, 81g. £400-600 Provenance: The property of the Earl of Chichester. 1219. A lapis lazuli and gold mounted box, the hinged gold mount with foliate engraved decoration. 3.7cm wide. £400-600 1220. A George III gold mounted eye miniature brooch, of oval form and depicting a realistically painted eye with diamond tears. 4cm wide. £1,000-1,500 1221. A Regency circular three colour gold vinaigrette locket pendant, centred with an emerald within a surround of pearls and further border of turquoise cabochons. On matted ground with border of three colour gold fruiting vine decoration. The reverse applied with the word ‘Souvenir’. Foliate scroll decoration to the bale. Opening to reveal a finely pierced foliate scroll grille. 3cm wide. £1,000-1,500 1222. A 19th century carved octagonal citrine cameo, depicting Sir Walter Scott (1771 - 1832), Scottish novelist and poet. 3.3cm long. £350-500 1223. A lady’s 19th century open faced key-wind fob watch, centred with a scalloped guilloche pattern and with black Roman numerals. The reverse with blue enamel Chinoiserie scene within foliate scroll borders. 3.5cm wide. With fine link chain and watch key incorporating a chalcedony matrix seal carved £300-400 with a boar’s head issuing from a Ducal coronet. 1224. An early 19th century gold ring, applied with a Tassie cameo of a gentleman on blue guilloche enamel ground. Closed back gold setting. Size R½. £600-800 1225. An 18th century gold ring mounted with a tassie depicting a gentleman, in closed back gold setting with foliate carved shoulders. Size Q. £600-800 1226. A mid 18th century miniature portrait ring, the glazed portrait realistically depicting Francis Ayscough within an oval surround of rose cut diamonds in closed back silver and gold setting. Size N½. £3,000-4,000 Francis Ayscough was a tutor to George III.

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:41 Page 41

1218

1217

1220

1219

1222

1221

1226

1225

1223 1224

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:41 Page 42

1227. A gold brooch and matching earrings designed as frogs by David Webb, realistically formed and decorated with black enamel with gold stripes and cabochon ruby eyes. The two earrings with raised pellets. All marked 18k and signed. The brooch 4cm long. £4,000-6,000 The property of a lady of title. 1228. A late 19th century labradorite monkey brooch, realistically carved and with hardstone eyes on a plain gold bar brooch. 5cm long. Case. £400-600 1229. A French double monkey brooch, designed as a monkey sitting on a bar with pearl terminals and suspending a further monkey. Both pavé-set with rose cut diamonds, one with ruby eyes and an emerald hat, the other with ruby eyes and his back set with sapphires and a pearl. Set in silver and gold, French £1,000-1,500 control marks. 6.5cm high. Fitted case by Wartski. 1230. An early 20th century terrier brooch, the dog modelled as a Patterdale terrier pavé-set with old circular-cut diamonds in silver and gold, with black onyx cabochon eyes (one missing) and silver collar. 3cm wide. £800-1,200 1231. A late Victorian diamond-set dog brooch, realistically formed as a sprinting greyhound and pavéset overall with graduated old circular-cut diamonds and a ruby eye, set in silver and gold. 4.3cm wide. £1,000-1,500 1232. A carved opal and peridot brooch, realistically designed as a pansy with a cushion-shaped peridot to the centre. Mounted in yellow gold. 5cm high. £1,000-1,500 1233. An early 19th century gem-set foliate brooch, realistically formed as a flower sprig set with ruby £3,000-4,000 petals, diamonds and emerald leaves. In closed-back silver and gold mount. 6.5cm long.

1234 detail

1234. An early 20th century gem set gold and enamel insect watch pendant, realistically formed, the hinged folding wings set with graduated circular-cut diamonds on light blue guilloche enamel ground. With black enamel decoration to the head and set with a circular-cut diamond and ruby eye. Stem wind movement, white circular dial with blue Arabic numerals and red ‘12’. 4.5cm long. With a gold fine link chain mounted with blue guilloche and white enamel cylinder links. The chain 56cm. £2,000-3,000 1235. A 19th Century gem-set gold butterfly hair pin, the wings applied with black enamel and cushionshaped diamonds and set with cabochon ruby eyes in yellow gold. Mounted en tremblant on a yellow gold hair pin. £800-1,200 1236. An 18th century gem-set gold bird pendant, with polychrome enamel decoration overall, suspending three pearls and the body set with a square-shaped emerald. Suspending a gold-mounted £600-800 cabochon emerald (probably later). Repaired and damaged. 7cm high. 1237. A dragonfly brooch, each plique-à-jour enamel wing set with an oval shaped sapphire and with emerald eyes, cabochon sapphire body and line of graduated oval-shaped garnets. 9cm wide. £3,000-4,000 1238. A diamond-set swallow brooch, realistically designed and pavé-set with circular-cut diamonds and a ruby collar and eye, in silver and gold. 4.5cm wide. £800-1,200 1239. A Victorian diamond-set grasshopper brooch, realistically formed and pavé-set overall with diamonds (two missing) in silver and gold. 4.2cm wide. Fitted case by Sir John Bennett Ltd. £2,000-3,000 1240. A late Victorian diamond-set duck brooch, realistically designed as a duck in flight and pavé-set with rose-cut and cushion-shaped diamonds, with a ruby eye, in silver and gold. 3cm wide. £800-1,200

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:41 Page 43

1229

1228 1227

1230

1231

1240

1239 1232

1238 1233

1235

1234 1237 1236

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:41 Page 44

1241. A diamond-set heart shaped pendant, pavé-set with graduated old circular-cut diamonds in silver and gold. Removable glazed locket section to the reverse, with a fine link platinum neck chain set with seed pearls. The pendant 2cm wide, the chain 45cm long. £2,500-3,500 1242. An early 20th century ruby and diamond lozenge-shaped ring, the elongated hexagonal-form ring is millegrain-set with three cushion-shaped rubies within carved and pierced diamond mount. Set in platinum and yellow gold. Size P½. £400-600 1243. An emerald and diamond cross-over ring, set with a circular-cut diamond and a square-shaped emerald, within millegrain-set diamond sprigs in platinum and gold. Size O. £2,000-2,500 1244. A diamond two stone cross-over ring, the circular-cut diamonds weigh approximately 1.00cts in total. Set in yellow gold. Size P. £400-600 1245. A diamond three stone ring, the three graduated circular-cut diamonds are set with smaller diamonds in white gold. Size M. £3,000-4,000 1246. A late 19th century seed pearl and aquamarine brooch, the emerald-cut aquamarine is set within a surround of seed pearls in yellow gold closed back mount. 2.7cm wide. £300-400 1247. A lady’s diamond-set lapel watch by Tiffany & Co, circa 1900. The watch with white enamel dial and black Arabic numerals, signed Tiffany & Co, New York, the case pavé-set with circular-cut diamonds in yellow gold. On spinning suspension ring which hangs from a graduated circular-cut diamond gold fleurde-lys brooch. 6.2cm long. In case by Catchpole & Williams, 14 Grafton Street. £4,000-6,000 Accompanied by a letter from Tiffany & Co, dated November 2011 which authenticates the watch. 1248. An early 20th century peridot and diamond brooch pendant by Pickslay & Co, the pear-shaped peridot is set within diamond-set laurels in platinum and gold. 2.7cm wide. £600-800 1249. An early 20th century silver and enamel spherical watch by Rolex, applied with mauve guilloche enamel and fine gold decoration. The circular white dial with black Arabic numerals. The movement signed Rolex. The inside case signed Rolex, with serial number 1091795 with maker’s mark W&D and import mark £400-600 for London 1919. Manual winding. 2.4cm diameter. 1250. An early 20th century spinel, ruby and diamond line bracelet, alternately set with diamonds and either a red spinel or a ruby in platinum and gold. French control marks. 19cm long. Fitted case by C.B. £4,000-5,000 Vaughan. 1251. An early 20th century ruby and diamond bracelet, the oval-links set with circular-cut diamonds (one missing) alternately set with a pair of baguette-shaped rubies in platinum. 17.6cm long. Case by Antrobus. £2,000-3,000 1252. A sapphire and diamond brooch, designed as a line of graduated cushion-shaped sapphires within £600-800 a border of circular-cut diamonds and further trefoil terminals in white gold. 7.3cm wide. 1253. A sapphire and diamond bar brooch, set with lines of graduated circular-cut diamonds, with calibré-cut sapphire centre-section with diamond swags across. Set in platinum. 7.5cm wide. £400-600 1254. A sapphire and diamond brooch by Cartier, set with a line of circular-cut diamonds and with sugarloaf sapphire terminals, in platinum and gold. Signed Cartier Paris. 4.2cm wide. Fitted case by Cartier, Paris. £800-1,200 1255. An opal and diamond cluster ring, the marquise-shaped solid white opal cabochon is set within concentric surrounds of circular-cut diamonds and diamond-set shoulders in platinum and gold. Size P½. £2,500-3,000 1256. An Edwardian peridot, diamond and pearl brooch pendant, the oval shaped peridot is set within a surround of old circular-cut diamonds with a border alternately set with diamond-set leaves and pearls. Suspending a larger pearl from a diamond-set (one missing) cap. 5.5cm high. £1,000-1,500 Accompanied by report number 5776-4779 dated 3rd March 2016 from GCS, London stating that the pearl measures 9.5 x 8.3 x 7.8mm and is a natural saltwater pearl with no indications of treatment. 1257. A pair of diamond drop earrings, of palmette design, each suspending a larger circular-cut diamond and set with further graduated circular-cut diamonds in white gold. 5.5cm long £5,300-6,000 1258. An early 20th century navette-shaped diamond cluster ring, set with a central pear-shaped diamond which weighs approximately 1.15cts within carved and pierced millegrain-set diamond surround in platinum. Size Q½. £2,000-3,000

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:41 Page 45

1241

1242

1243

1245 1244

1246

1247

1248

1249

1250

1251

1252

1253 1255 1254

1256

1258 1257

WW102-365 Listing.qxp_Layout 1 21/03/2016 17:09 Page 46

1259. A 19th century gold necklace, the four fine-link gold chains set with a garnet and seed pearl target clasp. 44cm long. £200-300 1260. A Victorian amethyst rivière necklace, the graduated oval-shaped amethysts are set in gold coronet mounts. 41cm long. £500-800

1261. A pair of 19th century coral and gold earrings, the coral cabochons set within foliate carved gold surround and suspending gold capped coral drops. 5.4cm long. £200-300 1262. A late 19th century hardstone cameo mounted gold brooch, depicting a lady in the classical manner carved in agate, within quartrefoil fleur-de-lys border and black enamel and gold mount. 4.5cm high. £600-800 Provenance: Believed to be from the collection of King Ludwig II. 1263. A Victorian gold bracelet, of pierced box-form and circular links, suspending a turquoise and seed pearl silver-gilt viniagrette. Fitted box. £300-400 1264. An 18th century gold posy ring, engraved indistinctly to the interior, probably ‘In unity lets live & die’. Marked with a lion passant and indistinct initials, possibly IP. 1.7g, size O. £200-300 1265. An early 19th century gold fob seal, the carnelian matrix engraved with the arms of the King of Denmark. 3cm high. And a late 18th century gold fob seal mounted with a carnelian matrix engraved with the arms of the King of Denmark. 2.3cm high. £1,000-1,500 Provenance: Believed to be from the Bavarian royal family. 1266. A citrine and diamond brooch, the large oval-shaped citrine is set within a surround of circularcut diamonds in yellow gold. 3cm wide. £300-400 1267. A 19th century garnet and diamond pendant, the carved garnet with yellow gold twisted rope border and surmounted with a cushion-shaped diamond in star-shaped collet. Glazed locket compartment to reverse. 3cm high. Fitted case by Sachs. £200-300 1268. A Queen Anne memorial ring, engraved to the interior ‘Cutter ob 25 Apr 1710 aet 42’. 1.8g, size O. £100-200 1269. An 18th century gold posy ring, engraved to the interior ‘Love and(?) live happy’. Marked with initials IW. 1.9g, size P½. £200-300 1270. An 18th century gold ring, engraved to the exterior with mullets. 6.0g, size K. With another 18th century gold ring with an engraved design to the exterior. 5.3g, size R. £200-300 1271. A Stuart crystal memorial ribbon slide, circa 1680, centred with gold wirework initials on a plaited hair ground beneath rose cut rock crystal. Within a surround of pearls. With red and white foliate counter enamel which reads M.F Desember y.25 1655. 2.6cm wide. Case. £400-600 1272. An 18th century diamond flower head brooch, realistically designed and set with rose-cut diamonds in closed back silver and gold mount. 2.7cm wide. £300-400 1273. A 19th century gold and enamel mourning ring, the central black enamel plaque applied with gold lettering ‘John Bull Emery OB: 7 Sep 1831 AE: 50’. The black enamel shank applied with the letters INMEMORYOF set in yellow gold. Marked for London 1831. With glazed locket compartment containing hair to the interior. Size P. £350-500 1274. A pair of diamond stud earrings, the circular-cut diamonds weigh approximately 0.90cts in total and are set in white gold. £1,200-1,500 Accompanied by report number 20026916 dated 17th December 2015 from Anchorcert, Birmingham stating that the round brilliant-cut diamond weighs 0.47cts with F colour, VS1 clarity, no fluorescence. Accompanied by report number 20026921 dated 17th December 2015 from Anchorcert, Birmingham stating that the round brilliant-cut diamond weighs 0.47cts with F colour, VS1 clarity, no fluorescence. 1275. A pair of diamond drop earrings, the principal old circular-cut diamonds weigh approximately 0.90cts each and suspend from line of three smaller diamonds on knife-edge links, set in platinum and gold. 2.3cm long. £3,000-5,000

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:42 Page 47

1259

1260

1262 1261 1264 1263

1268 1266 1265 (2) 1269 1267

1271 1270 (2) 1273 1275

1274 1272

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:42 Page 48

1276. A 19th century gold and blue enamel circular locket brooch, the central old cushion-shaped diamond is set within interlocking blue enamel foliate border and further smaller diamonds. The reverse with corresponding blue enamel. Hinged inner compartment. 2.9cm wide. £800-1,200 1277. A Russian 19th century rectangular Romantic brooch, with blue guilloche enamel ground and circular-cut diamond border, applied with a diamond-set bow and quiver lover’s trophy in silver and gold. 56 zolotnik and indistinct initials possibly EK for Erik Kollin. 2.5 cm wide. £600-800 1278. A George III enamel and diamond brooch, the rectangular guilloche enamel panel is mounted with a diamond set galleon, set within a border of old cushion-shaped diamonds in silver and gold. 3.2cm wide. £2,000-3,000 1279. A sapphire and diamond five stone ring, alternately set with sapphires and old circular-cut £1,000-1,500 diamonds in platinum and gold. Size O. 1280. An early 20th century sapphire and diamond set ‘chequerboard’ ring, pavé-set with five circularcut diamonds and five circular-cut sapphires in yellow gold. Fluted shoulders. Size M. Case. £400-600 1281. A realistically formed late 19th century gold fouled anchor pendant with a blue enamel and gold matched oval link watch chain, the anchor with broken rope and oval glazed locket compartment to the reverse and with polished gold bale. 6.5cm high. £5,000-7,000 The gold watch chain with two swivel clips of different sizes and royal blue enamel decoration overall. The chain 36cm long. Provenance: Believed to be from the collection of King Ludwig II. 1282. A late Victorian cruciform pendant on fine link gold chain, the gold pendant set with pearls and enamel scroll terminals. The chain necklace with pearl-set heart shaped slide with blue enamel decoration. The pendant 2.5cm high, the necklace 42cm long. £600-800 1283. An 18th century gold memento mori memorial ring, engraved to the interior ‘Remember W. L. ob. Au. 28. 82’. Marked with initials RG. 3.3g, size M½. £200-300 1284. An 18th century gold memento mori memorial ring, engraved to the exterior with a skull and internally inscribed ‘T Wefterne ob. 9 Aug. 97 aet 42’ and with mark IW. 3.4g, size M½. £300-400 1285. An 18th century gold posy ring, engraved to the interior ‘Let vertue be thy guide’. Marked with initials JD. 2.4g, size P½. £500-700 1286. An 18th century gold posy ring, engraved to the interior ‘I have obtaind in God ordaind’. Marked with initials KL. 3.9g, size Q. £300-400 1287. An 18th century gold posy ring, engraved to the interior ‘God for ever bless us together’. Marked with initials, probably RN. 1.9g, size M. £300-400 1288. An 18th century gold posy ring, engraved to the interior ‘Fear God & love me’. Marked for London, 1795 and with initials HB. 1.9g, size I½. £300-400 1289. An 18th century gold posy ring, engraved to the interior, ‘No riches to content’. With indistinct mark, possibly DC, and pricked with initials BM. 2.7g, size S. £400-600 1290. An Victorian posy ring, engraved internally ‘A Hope Fulfilled. 18th March 1880’. 4.7g, size N. £300-400 1291. A Victorian gold snake-link bracelet, the bracelet suspends three gold and enamel hearts, the hearts individually applied with pink guilloche enamel, red guilloche enamel and blue enamel, and each applied with a diamond set forget-me-not flower. With glazed locket compartments to reverse, containing hair, one dated 1889. 18.3cm long. £1,500-2,000

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:42 Page 49

1277

1276

1280

1279

1278 1288

1287

1286

1285 1282

1290

1281

1284 1283

1291

1289

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:42 Page 50

1292. A pair of Art Deco onyx and diamond drop earrings, with scalloped lines of circular-cut diamonds and calibré-cut onyx sections in platinum. 4cm long. Later conversions to post fittings. Case by D.S.Lavender. £1,500-2,000 1293. A diamond cross-over ring, the old circular-cut diamonds weigh approximately 3.25cts each, set either side with a baguette-shaped diamond in platinum. M½. £25,000-35,000 1294. An aquamarine and diamond ring, the large emerald-cut aquamarine is set within scrolling shoulders set with graduated baguette-shaped and circular-cut diamonds in platinum. Size M. Case. £1,500-2,000 1295. A diamond cluster ring, the circular-cut diamond weighs approximately 1.70cts and is set within a surround of circular-cut diamonds and undulating baguette-shaped diamonds in white gold. Size L. £2,000-3,000 1296. A sapphire and diamond cluster ring, the circular-cut diamond is set within a surround of calibrécut sapphires and circular-cut diamonds in white gold. Size N (with inner re-sizing sleeve) £1,500-2,000 1297. A French diamond-set platinum bracelet, each oval-shaped panel is centred with a round brilliant cut diamond with fine wirework decoration. French control marks. 15g, 20cm. £1,500-2,000 1298. An Art Deco diamond brooch, with two flowers draped over the open rectangular-form and set overall with graduated circular and baguette-shaped diamonds in platinum. Indistinct inventory number. 3.5cm wide. £800-1,200 1299. An early 20th century diamond plaque brooch, the pierced geometric design is millegrain-set with old circular-cut diamonds in platinum 5.5cm wide. Box. £1,000-1,500 1300. A French Art Deco diamond set double clip brooch, set overall with graduated square and circularshaped diamonds in white gold. French control marks and maker’s lozenge mark stamped ‘G.R.’ with inverted ‘C’s between. 6.5cm wide, fitted case. £3,000-4,000 1301. A lady’s early 20th century diamond-set cocktail wristwatch by Ebel, the rectangular silver dial with black Arabic numerals, within millegrain-set diamond surround and further diamonds to the lugs and links, in platinum. Manual winding. On plated cream band with platinum clasp. The case 10mm wide. The watch 16cm long. £600-800 Provenance: The property of the Earl of Chichester. 1302. An early 20th century emerald and diamond bracelet, the circular-cut diamonds and emerald-cut emeralds are millegrain-set overall in platinum. 18.1cm long. £2,000-3,000 1303. An Art Deco onyx and diamond brooch, of geometric design. Set with an oval-shaped onyx plaque set with a circular-cut diamond within graduated millegrain-set diamond surround, in platinum. 4.7cm wide. Fitted case. £1,500-2,000 1304. An Art Deco onyx and diamond pendant, the rhomboid plaque applied with a millgrain-set diamond giardinetto in platinum and gold. 5cm long. £400-600 1305. An Art Deco emerald and diamond brooch in the Oriental taste by Cartier, circa 1925. Centred with a rectangular cut emerald within a diamond set openwork geometric rectangular surround. The terminals each set with nine emeralds (some damaged) and circular-cut diamonds. Platinum. Signed ‘Cartier Paris’. French control mark. 5cm wide. £5,000-7,000

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:42 Page 51

1300 1295 1292

1299

1294

1298

1293

1296

1305

1297

1304

1301 1303

1302

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:42 Page 52

1306. An Edwardian opal and gem set cluster ring, the oval-shaped solid black opal is set within a surround of graduated circular-cut diamonds, baguette-shaped rubies and triangular-shaped emeralds millegrain set in platinum. Size M½. £4,000-6,000 1307. An opal and diamond set yellow and white 18ct gold brooch by John Donald, the pierced and flame-inspired brooch is centred with an oval-shaped solid black opal within a surround of five graduated circular-cut diamonds. London marks for 1989, with maker’s stamp ‘J. A. D.’ 5cm. £6,000-8,000 John Donald studied at The Royal College of Art, London and formed part of a select group of designers who revolutionised British jewellery in the 60’s and 70’s. The abstract designs and novel textures were a reaction to the sombre and somewhat austere postwar styles. New manufacturing techniques and unusual, not necessarily valuable, gem stones were typical. His patrons included HRH The Princess Margaret. 1308. A Belle Èpoque opal and diamond bracelet, the centre section set with three graduated solid black opal cabochons within millegrain set pierced diamond surround in platinum and gold. On an ovallink bracelet. 17.5cm long. £10,000-15,000 1309. A solid white opal cabochon, weighing 6.41cts and measuring 21.15 x 12.71 x 4.15mm. £2,000-3,000 1310. An opal and diamond brooch pendant, the large solid white opal weighs approximately 28.00cts and is set within a surround of circular-cut diamonds in platinum and gold. 3.5cm long. £4,000-5,000 1311. An early 20th century opal and diamond-set comet brooch, set with a large solid white opal £600-800 cabochon and a line of millegrain-set diamonds in platinum and gold. 4.2cm wide. 1312. A pair of opal and ruby cluster ear studs, the solid white cabochon opals are set within a surround of rubies in yellow gold. £400-600 1313. An early 20th century boulder opal and seed pearl brooch pendant, the solid opal is set within a surround of seed pearls in yellow gold. 3.3cm long. £1,500-2,000 1314. A pair of opal and diamond cluster earrings, the solid white opal cabochons are set within a surround of small circular diamonds and set in yellow gold. 1.5cm long. £600-800 1315. An opal and diamond cluster ring, the solid black opal cabochon weighs approximately 7.00cts and is set within a surround of circular-cut diamonds in platinum and yellow gold. Size N. £5,000-7,000

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:42 Page 53

1306

1307

1308

1311

1310 1314

1309

1313 1312

1315

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:42 Page 54

1316. A 19th century turquoise and topaz cross pendant, set with five oval-shaped orange topaz and eight turquoise cabochons in gold cannetille mount. 5.5cm high. £800-1,200 1317. A 19th century topaz rivière necklace, the graduated oval-shaped orange topaz are set in gold cut-down collets. 38cm long. £2,000-3,000 1318. A pair of diamond cluster ear studs, the central old cushion-shaped diamond is set within a surround of smaller cushion-shaped diamonds in silver and gold. Closed back settings and post fittings. 1cm diameter. In case by S.J. Phillips. £1,000-1,500 1319. A Victorian pink topaz and diamond brooch, the oval-shaped pink topaz weighs approximately 5.30cts within foliate diamond-set surround, in silver and gold. 2.3cm wide. £800-1,200 1320. A 19th century ruby and diamond cluster ring, the emerald cut ruby is set within a surround of eight cushion-shaped diamonds a further surround of smaller cushion-shaped rubies with bifurcated gold shoulders. Size K½. £300-400 1321. A 19th century diamond half hoop ring, the two rows of cushion-shaped diamonds are set in silver and gold. Size N½. £600-800 1322. A late Victorian emerald five stone ring, the five graduated emerald-cut emeralds with diamond £500-700 pointers set in scroll-carved yellow gold shank. Size N½. 1323. A George III emerald and diamond cluster ring, the square-shaped emerald is set within a surround of cushion shaped diamonds within trifurcated diamond shoulders in closed back silver and gold mount. Size K. Case. £1,000-1,500 1324. An early 19th century seed pearl and topaz brooch, the oval-shaped topaz is set within a surround £300-400 of seed pearls, in closed back gold mount. 2.2cm wide. 1325. A Victorian emerald and diamond heart shaped brooch, the diamond-set bow suspends an emerald set heart with hinged glazed locket containing hair. Foliate engraved detail to reverse and set in silver and gold. 2.2cm long. £1,000-1,500

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:42 Page 55

1324 1317

1323

1322 1318 1321 1316 1320 1325

1319

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:42 Page 56

1326. A pair of emerald and diamond drop earrings, each principal circular-cut diamond suspends two articulated lines of alternately-set circular and baguette-shaped diamonds and a large emerald with diamond tassels beneath, in platinum. The emeralds weigh approximately 13.50cts in total. Case. £10,000-15,000 Accompanied by report number 11248 dated 12th May 2015 from The Gem and Pearl Laboratory, London stating that the two emerald-cut emeralds weigh 13.56cts in total and are natural emeralds with evidence of moderate clarity enhancement, Origin: Colombia. 1327. A pair of emerald and diamond drop earrings, the pear-shaped emeralds weigh approximatey 4.50 and 4.10cts and are each set within a surround of graduated round brilliant cut diamonds and suspend from an articulated line of graduated round brilliant cut diamonds in white gold and platinum. 5cm high. £20,000-25,000 1328. A diamond three stone ring, the three round brilliant cut diamonds weigh approximately 1.51, 1.55 and 2.14cts. Set in platinum. Size R. £17,000-20,000 Accompanied by report number 06009975023 dated 3rd May 2006 from HRD, Antwerp stating that the round brilliant-cut diamond weighs 1.51cts with G colour, SI1 clarity, no fluorescence. Accompanied by report number 14986847dated 11th April 2006 from GIA stating that the round brilliant cut diamond weighs 1.55cts with G colour, SI2 clarity, no fluorescence. 1329. A diamond and black onyx half hoop ring, set with five black onyx sections within a border of millegrain-set circular-cut diamonds in white gold. Size O. £450-650 1330. An emerald and diamond cluster ring, the emerald-cut emerald is set within a surround of eight circular-cut diamonds in platinum and yellow gold. Size Q. £2,200-2,600 1331. An emerald and diamond cluster ring, the emerald cut emerald is set within a surround of baguette and tapered baguette-shaped diamonds and a further surround of smaller round brilliant cut diamonds in white gold. Scroll engraved decoration to the shoulders which are each set with two further baguette shaped diamonds. Size M. £3,500-4,500 1332. A diamond dress ring, set with an old circular-cut diamond which weighs approximately 2.65cts, within a millegrain-set spiral of circular-cut diamonds in white gold. Size R½. £6,000-8,000 1333. A square-shaped diamond and emerald cluster ring, the diamond weighs approximately 1.60cts and is millegrain-set within a surround of calibré-cut emeralds and a further border of millegrain-set circular£6,000-8,000 cut diamonds in white gold. Size O. 1334. A Burmese sapphire and diamond cluster ring, the oval-shaped sapphire is set within surrounds of circular-cut and marquise-shaped diamonds with baguette-shaped diamonds to the shoulders, in platinum. Size O½. £4,500-6,000

Accompanied by report number 5775-2107 dated 3rd June 2015 from GCS, London stating that the ovalshaped sapphire measures 10.6 x 7.4 x 4.2mm, weighs approximately 3.00cts and is a natural sapphire with no indication of treatment. Origin: Burma. 1335. An Art Deco style onyx and diamond bracelet, the geometric design is set as a line of calibré-cut onyx and thirty circular-cut diamonds in platinum. 17cm long. £3,600-4,000

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:42 Page 57

1328

1329

1330

1331

1326

1332

1333

1327 1334

1335

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:42 Page 58

1336. An Edwardian diamond and natural pearl set tiara converting to a necklace of foliate form, and set with five pearls and graduated cushion-shaped diamonds in silver and gold. On a metal frame. With a gold and silver knife-edge back chain with rose cut diamond-set cut down collets. 28cm long. Fitted case by Edward Tessier, 25 New Bond St. £4,000-6,000 1337. A pair of diamond drop earrings, each earring set with three graduated round brilliant cut diamonds in white gold. The principal diamonds weigh approximately 1.15 and 1.20cts and the total weight is approximately 4.60cts. £8,000-10,000 1338. A Burmese sapphire and diamond cluster ring, the triangular pear-shaped pink sapphire is set within a surround of old cushion-shaped diamonds in silver collet and later yellow gold shank. Size O½. £2,000-3,000

Accompanied by report number 5776-4655 dated 23rd February 2015 from GCS, London stating that the heartshaped pink sapphire measures 10.6 x 9.0 x 2.6mm and is a natural pink sapphire with no indications of heating. Origin: Burma. 1339. A Burmese sapphire and diamond cluster ring, the oval-shaped sapphire is set within a surround of old circular-cut diamonds in platinum and gold. Size O½. £1,500-2,000

Accompanied by report number 5776-4777 dated 3rd March 2016 from GCS, London stating that the cushion-cut sapphire weighs approximately 2.40cts and is a natural sapphire with no evidence of heating. Origin: Burma. 1336 1340. A Victorian Burmese ruby and diamond three stone ring, centred with a cushion-shaped ruby with two cushion-shaped shoulder diamonds in yellow gold. With inscription dated 1869. Size M £2,000-3,000

Accompanied by report number 5776-4778 from GCS London dated 3rd March 2016 stating that the cushion-cut ruby weighs approximately 1.20cts and is a natural ruby, with no evidence of heating. Origin: Burma. 1341. A late Victorian ruby and diamond brooch, designed as two interlocking circles, one set with circular-cut rubies, the other with circular-cut diamonds in silver and gold. 2.7cm wide. £400-600 1342. A sapphire and diamond cluster ring, the oval-shaped sapphire is set within a surround of old cushion-shaped diamonds in yellow gold. Size N½. £600-800 1343. A diamond five stone ring, the graduated old circular-cut diamonds are set in platinum and yellow gold. Size O½. Mappin & Webb box. £800-1,200 1344. A Colombian emerald and diamond three stone ring, the square-shaped emerald is set with two old circular-cut diamonds in platinum. £2,000-3,000 Expanding shank. Minimum size Q. Accompanied by report number 5776-4782 dated 3rd March 2016 from GCS, London stating that the emerald-cut emerald weighs approximately 1.00cts and is a natural emerald with indications of moderate clarity enhancement. Origin: Colombia. 1345. A 19th century sapphire and diamond five stone ring, alternately set with circular-cut diamonds and cushion-shaped sapphires in carved and yellow gold mount. Size Q½. £2,500-3,000 Accompanied by report number 20026104 dated 4th November 2015 from Anchorcert, Birmingham stating that the central stone is a natural sapphire measuring 6.5 x 6.3 x 3.81mm.

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:42 Page 59

1336

1339

1342

1345 1338

1337

1341

1340

1344 1343

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:42 Page 60

1346. An enamel and gem-set gold cruciform pendant by Fabergé, the budded cross with blue enamel border and diamond set terminals, with a central square-shaped ruby and linear decoration. Suspended from a millegrain-set diamond bale. With blue enamel inscription to reverse which reads ‘Save and Protect’ in cyrillic. Marked КФ, 72 zolotnik with St Petersburg mark and workmaster’s initials BA for Viktor Aarne. 6cm long. Fitted case by Asprey. £4,000-6,000 1347. A Russian two-colour gold cigarette case, the strips of finely fluted pink gold extend over the entire exterior and are separated with plain yellow gold bands. The colour pattern extends to the polished interior. Cabochon sapphire thumbpiece. Engraved inside the lid ‘Ursula 28.3.1940’, the base stamped with maker’s mark АЛ, kokoshnick and 56 zolotnik with α for the St Petersbug region. Maker’s mark and £2,000-3,000 kokoschnik repeated to the inside cover. 10cm wide. Provenance: Property of the Earl of Chichester. Ursula was the current Earl of Chichester’s mother, Ursula von Pannwitz, and married the 8th Earl of Chichester in 1940. 1348. A gold and enamel brooch by Fabergé, the abstract design applied with mauve guilloche enamel and diamond-set lattice within scrolling diamond borders, in silver and gold. Signed ФАБЕРЖЕ, with £4,000-6,000 maker’s mark МП for Michael Perchin. 3.2cm high. 1349. A Russian sapphire and diamond brooch, the oval-shaped sapphire is set within a surround of circular and single-cut diamonds within pierced diamond-set foliate border in silver and gold. Marked 56 zolotnik and ФП. 3.6cm wide. £6,000-8,000 Accompanied by report number 5776-4781 dated 3rd March 2016 from GCS, London stating that the ovalshaped sapphire weighs approximately 14.2cts and is a natural sapphire with no evidence of treatment observed. Origin: Sri Lanka. 1350. A heart-shaped locket pendant by Fabergé, the gold locket centred with a cushion-shaped diamond with radiating lilac guilloche enamel within a rose cut diamond border. Opening to reveal a vacant circular locket. Plain gold bale. Signed with initials КФ. and kokoshnik. And a kokoshnik 56 and ИЛ for £4,000-6,000 Moscow assay master Ivan Lebedkin. 2.3cm wide. 1351. A diamond-set crown brooch possibly by Fabergé, the gold Imperial Crown of Russia is set with graduated old circular-cut diamonds and rose cut diamonds. Indistinct mark on pin, probably A.H. With £3,000-4,000 further marks to the catch including КФ. 2.5cm wide. 1352. A 19th century circular gold box, decorated with oyster coloured guilloche enamel and centred with a diamond-set bow and quiver romantic trophy, within entwined laurel border. 4.5cm diameter. £1,500-2,000 1353. A small gold egg pendant by Fabergé, with a central ring of rose cut diamonds and further gold bordered blue and white enamel rings. The gold bale signed for Henrik Wigström and indistinct zolotnik mark. 1.6cm high. Damaged. £1,000-1,500 1354. A small gold egg pendant by Fabergé, the upper section with oyster coloured guilloche enamel decoration and set with a small diamond, sapphire and ruby. The gold lower section with fine wirework decoration. The gold bale marked A★H for August Hollming and 56 zolotnik mark. 1.7cm high. £1,000-1,500 1355. A small gold egg pendant, with pink guilloche enamel decoration and applied with foliate decoration set with rose cut diamonds. The suspension ring stamped A★H with a 56 zolotnik mark. 1.3cm high. £1,000-1,500

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:42 Page 61

1346

1347

1349

1350

1348

1354

1353 1351

1355 1352

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:42 Page 62

1356. A late 19th century diamond-set gold and enamel cross pendant, the Latin cross fleurée with polychrome enamel foliate decoration. Centred with a rose-cut diamond and with diamond-set stylised fleur-de-lys quarters and bale. 8.2cm high (without bale). £5,000-7,000 Attributed to Lucien Falize. Cf: Katherine Purcell, Falize A Dynasty of Jewellers, Thames and Hudson1999, P. 245 for a box applied with similar cream coloured enamel embellished with translucent enamel floral details in similar colours, P.258 for a bracelet applied with a very similar enamelled motif. 1357. An early 20th century diamond-set quizzing glass by Cartier, millegrain set overall to the platinum frame and stem. Double semi stirrup form suspension ring further set with diamonds and suspended from a fine link platinum chain. Signed Cartier and numbered 3117191 to the terminal. 9.5cm long, the chain 62cm. Cased by Cartier. £4,000-5,000 1358. A yellow gold and diamond bracelet by Cartier, the striated chevron links set with a central line of circular-cut diamonds. Marked Cartier Inc and 18ct, Swiss. 19cm long. £2,000-3,000 1359. A pair of diamond and ruby-set three colour gold clip brooches by Cartier, the three graduated double hoops are mounted with bands of calibré-cut rubies and pavé-set with small circular-cut diamonds. Signed Cartier Paris. £6,000-8,000 1360. A diamond solitaire ring, the old circular-cut diamond weighs approximately 3.50cts, with three graduated baguette-shaped shoulder diamonds in platinum. Size T. £16,000-17,000 1361. An emerald cut diamond solitaire ring, the diamond weighs 6.27cts and is set with two tapered baguette shoulder diamonds in platinum. Size U½. £15,000-20,000 Accompanied by report number 20011055 dated 26th July 2013 from Anchorcert, Birmingham stating that the emerald-cut diamond measures 11.65 x 8.96 x 6.35mm and weighs 6.27cts, with L colour, VS2 clarity. Strong fluorescence. 1362. A sapphire and diamond ring, the oval-shaped sapphire is set with a baguette-shaped diamond to each shoulder in platinum. Size V½. £1,000-1,500 1363. An Art Deco diamond wristwatch by Cartier, the rectangular signed cream dial, with black Arabic numerals, the case set with circular and baguette-shaped diamonds within palmette-style lugs and further pavé-set diamond caps. On black cord band and with enamel and diamond-set clasp. Cartier box. £10,000-15,000

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:42 Page 63

1356

1363

1357

1362

1361

1358

1360

1359

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:42 Page 64

1364. A Burmese ruby and diamond ring, the oval shaped ruby is set within graduated baguette-shaped diamonds and four circular-cut diamonds in platinum. Size K½. £15,000-20,000

Accompanied by report number 08440 dated 30th August 2013 from The Gem and Pearl Laboratory, London stating that the oval-shaped ruby weighs 2.05cts and is a natural ruby with no evidence of heat treatment. Origin opinion: Burma. 1365. A bombé-shaped diamond dress ring by Van Cleef & Arpels, set with a circular-cut diamond within a line of graduated baguette-shaped diamonds and a further surround of pavé-set circular-cut diamonds in platinum. Signed Van Cleef & Arpels N.Y.17346. With French control mark. Size K. £18,000-25,000 1366. A Lightning Ridge solid black opal and diamond cluster ring, the black opal cabochon weighs approximately 5.00cts and is set within a surround of circular-cut diamonds in platinum and gold. Size M. £15,000-20,000 1367. A gold, enamel and amazonite bracelet by Lacloche Frères, the four tonneau-shaped sections designed with a central black enamel lozenge within triangular gold folds, alternately-set with sugarloaf amazonites in yellow gold. Signed Lacloche Frères Paris and with French control marks. 19cm long £6,000-8,000 1368. A graduated sapphire bead necklace, the graduated flat round sapphire beads are each separated with carved, faceted sapphire rondelles. With a cultured pearl mounted clasp pavé-set with small circularcut sapphires. The sapphire beads graduate from 13.5 to 6.0mm. 235cts in total, 45cm. And a similar necklace, with graduated flat round sapphire beads, each separated with carved, faceted sapphire rondelles. With a cultured pearl mounted clasp pavé-set with small circular-cut sapphires. The sapphire beads graduate from 13.5 to 6.0mm. 200cts in total, 41cm. £3,000-5,000

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:42 Page 65

1364

1368

1365

1366 1367

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:42 Page 66

1369. A single row graduated natural saltwater pearl necklace, the pearls of various colours. 50cm. Diamond-set open oval platinum clasp. £15,000-20,000 Accompanied by report number 2171374739 from GIA dated 10th November 2015 stating that the 99 pearls graduate from 2.38 to 11.58mm and are natural saltwater pearls. Accompanied by report number 5776-4771 dated 3rd March 2016 from GCS, London stating that the 99 pearls graduate from 2.6 to 11.5mm and are natural saltwater pearls. 1370. A single row graduated natural pearl necklace, with a pearl and diamond set gold and platinum cluster clasp. 48cm. £4,000-6,000 Accompanied by report number 187519 from Laboratoire Francais de Gemmologie dated 22nd December 2008 stating that 205 pearls graduate from 3.4 to 6.6mm, weigh 52.19cts (in total) and are natural pearls. 1371. A single row graduated natural saltwater pearl necklace, the clasp formed from a pearl. 46cm. With thirteen additional natural pearls, one with clasp mounts. £10,000-15,000 Accompanied by report number 12351 dated 23rd February 2016 from The Gem and Pearl Laboratory, London stating that the pearls graduate from 5.7 to 7.3mm and are natural saltwater pearls. Total weight 29.53g including clasp and loose pearls. 1372. A pair of natural saltwater blister pearl and diamond earrings, the large blister pearls are set within a surround of cushion-shaped diamonds and suspend from a further diamond in silver and gold closed back settings. 2.5cm wide. £6,000-8,000 Accompanied by report number 11397 dated 12th June 2015 from The Gem and Pearl Laboratory, London stating that the button-shaped blister pearls measure 15.2 - 16.3 x 11.4mm and 15.5 - 16.5 x 10.8mm and are natural saltwater blister pearls. 1373. A late Victorian sapphire and diamond closed crescent brooch, set with an outer line of cushionshaped sapphires and an inner line of circular-cut diamonds in silver and gold. 3cm wide. Case £600-800 1374. A late Victorian diamond crescent brooch, the closed crescent set overall with graduated old circular-cut diamonds in silver and gold. 3.5cm wide. With detachable brooch fitting. Tessier box. £1,000-1,500 1375. A late Victorian diamond crescent brooch, the open crescent is set with a central conch pearl within a row of graduated old circular-cut diamonds in silver and gold. 7cm wide. Fitted case. £400-600 1376. A pair of natural pearl and diamond earrings, the large natural pearls weigh 15ct (60 grains) and 13ct (52 grains) and are set below and old cushion-shaped diamond in silver and gold. French control marks. £20,000-30,000 Accompanied by report number 83806 dated 29th January 2016 from SSEF, Switzerland stating that the button-shaped half-drilled pearls, with partly worked surfaces measure 13.70 - 14.25 x 10.80mm and 13.50 - 14.50 x 10.00mm and weigh 15ct and 13ct, are slightly cream in colour and both are natural saltwater pearls. Accompanied by report number 5776-4106 dated 18th December 2015 from GCS, London stating that the cream pearls measure 14.1 x 13.6 x 10.6mm and 14.0 x 13.3 x 9.1mm and are natural saltwater pearls.

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:42 Page 67

1372

1369

1370

1371

1373

1374

1375

1376

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:42 Page 68

1377. An early 20th century large aquamarine mounted pendant, the cushion-shaped aquamarine weighs approximately 46.00cts with a pierced millegrain-set diamond surround. On fine-link white gold neck chain. With screwdriver and fitting for brooch conversion. Fitted case. £5,500-6,000 1378. An unsusual late 19th century orange pink topaz and diamond pendant, the emerald-cut topaz weighs approximately 17.00cts and is set within a surround of cushion-shaped diamonds, suspending from £8,000-12,000 a diamond-set bow in silver and gold. 5.5cm long. Accompanied by report number 5776-4517 dated 23rd February 2016 from GCS, London stating that the topaz measures 20.5 x 12.3 x 7.4mm and weighs approximately 15.00cts and is an orangey pink natural topaz. 1379. A single row natural saltwater pearl necklace, the pearls graduate from 3.80 to 8.55mm. With a marquise-shaped diamond clasp, the diamond weighs approximately 0.90cts. 55cm long.£50,000-70,000 Accompanied by report number 83685 dated 26th January 2016 from SSEF, Switzerland stating that the 97 pearls graduate from 3.80 to 8.55mm, weigh 22.2g (in total) are light cream to cream and light yellow to yellow, with partly rosé and green overtones. All are natural saltwater pearls. 1380. A pink sapphire and diamond cluster ring, the oval-shaped pink sapphire is set within a surround of circular-cut diamonds in carved and pierced platinum mount. French control mark. Size L. £5,000-7,000 1381. A late Victorian amethyst and diamond brooch, set with a long oval-shaped amethyst within a border of circular-cut diamonds in silver and gold. 3.5cm wide. £600-800 1382. A late 19th century aquamarine and diamond cluster brooch, the large cushion-shaped aquamarine weighs approximately 26.00cts and is set within a surround of circular-cut diamonds weighing approximately 5.50cts in total, set in silver and gold. 3.3cm wide. £4,000-5,000 1383. A sapphire and diamond ring, the oval-shaped yellow sapphire is set with a tapered baguette and £2,500-3,500 triangular diamond to each shoulder. In yellow and white gold. Size O. Accompanied by report number 5776-4780 dated 3rd March 2016 from GCS, London stating that the cushion-shaped yellow sapphire measures 10.7 x 9.2 x 4.8mm and is a natural sapphire with no indications of heating. Origin: Sri Lanka.

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:42 Page 69

1377 1383

1382

1378

1381

1379 1380

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:42 Page 70

1384. A sapphire and diamond-set yellow gold flowerhead brooch by Cartier, centred with nine graduated circular-cut diamonds within two surrounds of graduated oval shaped blue sapphires and a border of eleven small diamonds. With eight oval-shaped surrounding yellow sapphires and a smaller oval shaped blue sapphire and graduated circular-cut diamonds to the stem. 6cm high. Signed Cartier London 16 17. £10,000-15,000 The property of a lady of title. 1385. A pair of sapphire and diamond-set flowerhead earrings, circa 1950, each earring centred with a cushion shaped yellow sapphire set within a surround of seven circular-cut diamonds and within a border of six blue, pink and mauve coloured sapphires. Set in white gold and platinum, the clips probably later fitted. 2cm wide. £5,000-10,000 The property of a lady of title. 1386. An enamel and diamond-set gold cigarette case by Cartier, the rectangular case decorated with horizontal black enamel lines and white enamel lozenges. Applied to the centre with a diamond-set stylised Chinese character representing double happiness within white enamel square border. Rose-cut diamondset thumbpiece, circa 1940, Signed Cartier. Stamped 14k. £2,000-3,000 1387. A pair of cultured pearl and diamond earrings by Van Cleef & Arpels, the white pearls measure approximately 13.8mm diameter and suspend from a circular and two marquise-shaped diamonds in white gold. Signed Van Cleef & Arpels N.Y. 51074 and 585. With Van Cleef & Arpels silk pouch. £8,000-12,000

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:42 Page 71

1384 1385

1386

1387

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:43 Page 72

1388. A French Art Deco gold cigarette case, finely inlaid with mother of pearl billowing clouds, mountains, and sea. With square-topped sailboat in the distance, the central tree millegrain set with graduated circular-cut diamonds to the conforming swirling foliage. Further diamonds set to the bridge and rooftops of the two small buildings. With carved emerald cabochon thumb piece and concave sides. Black enamel back. Indistinct maker’s lozenge mark but almost certainly Sasportas for Paul Levy. Stamped to the interior L. Feist. Paris. Claridge’s and S. A. S. 354 for Sasportas. Further French control marks. 160g, 8cm high. £5,000-7,000 The mother of pearl inlay in the manner of Vladimir Makovsky. Lucien Feist was a Parisian jewellery retailer who had a store at 25, Avenue Niel between 1921 - 1938 and also at Claridge’s, Rue François 1er, between 1922-1929.

Detail of interior inscription

Advertisement which appeared in Paris Vogue, 1st December 1922, for Lucien Feist jewellery being sold at Claridge’s.

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:43 Page 73

not actual size

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:43 Page 74

1389. A Charles II loyalty ring, the glazed portrait miniature attributed to Nicholas Dixon. The King is turned to his left and wears gilt-studded armour under a white lace lawn collar partly covering the blue Garter Sash. He wears a black full-bottomed wig and moustache. Lightly clouded sky background. 2.2 x 1.9cm. Mounted in an 18th century gold ring with bezel in the classical manner. Ring size K. £5,000-10,000 Nicholas Dixon replaced Samuel Cooper as the King’s limner in 1673, the year his predecessor died. It is thought that Dixon painted this portrait miniature at around this time and it was probably inspired by a portrait of King Charles by Cooper.

actual size

To accompany the ring:‘Boscobel - or, the History of His Sacred Majesties most miraculous Preservation’.

On 22nd August 1651 Charles Stewart (later Charles II), son of King Charles I, arrived at Worcester following his march from Scotland. The Royalist army had been severely depleted and so the heroic efforts of his mainly Scottish troops were no match for the superior cavalry and infantry of Cromwell’s New Model Army when they were defeated at the Battle of Worcester on 3rd September. Charles sought refuge at the nearby Bentley Hall, home of the Royalist Colonel John Lane and his sister Miss Jane Lane. To avoid the commonwealth cavalry patrols specifically tasked to unearth the King, Charles was disguised as a servant and even had to famously hide in an oak tree in the near by Boscobel Wood. Jane had obtained a pass to travel to Bristol with a servant to visit her pregnant sister. Catholics were at that time forbidden to travel more than five miles from their homes without written permission. She used this and rode to Bristol with Charles dressed as her servant. Charles eventually escaped from Dorset to Paris. Jane had to flee to Paris also where she was welcomed in to the royal court in exile and held in great esteem. After the Restoration and on return to England, Jane received a generous royal pension and many gifts including portraits of the King. Provenance: The current owner of the miniature portrait ring, Lady Chataway, is the widow of Sir Christopher Chataway, world record breaking Olympic athlete, Conservative Member of Parliament, government minister and television reporter, amongst many achievements. Lady Chataway was the first cousin once removed of Rosemary Lane MBE and inherited the ring from her in 2006. Family tradition holds that their distant relative Jane Lane had been presented with the miniature portrait by King Charles II, in recognition and gratitude for the courageous loyalty he had received from Jane when escaping England and Cromwell. Jane Lane also developed a friendship with King Charles when in exile in Paris.

Accompanied with the following book which was inherited with the ring: Blount, Thomas; Boscobel: or, the History of His Sacred Majesties Most Miraculous Preservation After the Battle of Worcester, 3. Sept. 1651, Doncaster, Reprinted and Sold by Thomas and Hunsley, 1809, 8vo. Upper board, first free end paper and frontispiece loose. Inscribed, ‘Ronald. B. Lane. Bought when Lt. Gov. of the Royal Hospital Chelsea, 7th Oct: 1908.

King Charles II and Jane Lane riding to Bristol by Isaac Fuller. © National Portrait Gallery, London.

King Charles II and Colonel William Carlos (Careleu) in the Royal Oak by Isaac Fuller. © National Portrait Gallery, London.

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:43 Page 75

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:59 Page 76

To accompany the brooch: A certificate of provenance from Kensington Palace. Signed by Viscount Linley.

H.R.H. The Princess Margaret wearing lot 1390 arriving to meet members of the New Zealand Women’s Association at The Royal Society’s building in Northumberland Avenue, London, on 9th November 1948.

1390. An early Art Deco bow brooch, with calibré-cut sapphire-set circular motifs with diamond centres, on pavé-set graduated circular-cut diamond ground. Tied with graduated diamonds between calibré-cut sapphire borders. Engraved with Princess Margaret's cipher. 5.6cm wide. With Christie's certificate of provenance. £12,000-18,000

Her Royal Highness The Princess Margaret was born on 21st August 1930, daughter of Prince Albert Duke of York and Elizabeth, Duchess of York, later to become the King and Queen. She grew up in the family home at 145, Piccadilly and Windsor Castle with her sister, Her Majesty Queen Elizabeth. Princess Margaret was a hugely popular member of the Royal Family, both at home and abroad, and as a beautiful and glamorous young woman began her public duties at the age of eighteen. She was second in line to the throne. She was soon idolized and seen in the light of a movie star. She loved jewellery and her collection grew from the inherited pieces to the many additional pieces presented to her personally and those given to mark state occasions. Despite Princess Margaret's glamorous lifestyle, she remained devoted to the Royal Family and her charities of which she was president and patron of over eighty. She died in 2002. Provenance: Purchased by the current owner from Christie's, lot 11, ‘Property from the Collection of Her Royal Highness The Princess Margaret, Countess of Snowdon’, 13 June 2006, London.

actual size

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:43 Page 77

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:43 Page 78

actual size

1391. A pair of natural saltwater pearl and diamond earrings, each pearl suspends from a diamondset cap and a larger cushion-shaped diamond in silver and gold. ÂŁ40,000-60,000 Accompanied by report number 84768 dated 15th March 2016 from SSEF, Switzerland stating that the drop-shaped half-drilled pearls weigh 9.363 and 8.614ct, measure 9.39 - 10.38 x 14.70 and 9.33 - 9.96 x 13.43mm, are white in colour and are both natural saltwater pearls. Accompanied by report number 5776-3758 dated 20th November 2015 from GCS, London stating that the pearls measure 14.0 x 9.8 x 9.4mm and 14.5 x 10.4 x 9.5mm and weigh 6.35g (in total), are cream in colour. Both are natural saltwater pearls.

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:43 Page 79

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:43 Page 80

actual size

1392. A diamond solitaire ring, the Asscher cut diamond weighs 5.47cts and is set within millegrain-set diamond shoulders in carved and pierced platinum mount. Size M. In Case by R.M. Wilks. ÂŁ60,000-80,000 Accompanied by report number 13438861 dated June 23rd 2004 from GIA, New York stating that the square emerald-cut diamond measures 9.91 x 9.52 x 6.69mm, weighs 5.47ct with H colour and IF clarity. With Strong blue fluorescence.

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:43 Page 81

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:43 Page 82

1393. A pair of natural saltwater pearl and diamond drop earrings, the drop-shaped pearls weigh 13.41 and 13.79cts and suspend from millegrain-set diamond caps and palmette design diamond mounts. In leather and silk-lined case. ÂŁ50,000-70,000 Accompanied by report number 83684 dated 26th January 2016 from SSEF, Switzerland stating that the two pearls are natural saltwater: A: 6.4g, slightly baroque, drop-shaped, drilled. measuring approximately 8.70 - 12.10 x 18.90mm, approximately 13ct (52 grains) slightly cream in colour. B: 6.4g, slightly baroque, drop-shaped, twice drilled measuring approximately 10.20 x 12.10 x 19.00mm, approximately 14ct (56 grains), light cream in colour. Accompanied by report number 5775-2983 dated 10th September 2015 from GCS, London stating that the pearls measure 13.79ct and 13.41ct, are cream in colour and are natural saltwater pearls with no indications of treatment. * The biggest pearl presents two plugged drill holes partially hidden behind the longest â&#x20AC;&#x2DC;clawsâ&#x20AC;&#x2122;. **The smallest pearl is fully drilled and presents a small metal insert.

actual size

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:43 Page 83

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:43 Page 84

actual size

1394. An impressive natural saltwater pearl ring, the French platinum mount is set with small shoulder diamonds and with a control mark. Size MÂ˝. ÂŁ100,000-200,000 Accompanied by report number 84071 dated 1st February 2016 from SSEF, Switzerland stating that the button-shaped half-drilled, slightly grey pearl weighs 18.005ct (72.02 grains) and is a natural pearl with no indications of artificial colour modification. Accompanied by report number 5776-4439 dated 27th January 2016 from GCS, London stating that the pearl measures 14.47 - 14.77 x 11.93mm, weighs 18.01ct and is a natural saltwater pearl.

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:43 Page 85

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:43 Page 86

actual size

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:43 Page 87

actual size

â&#x153;Ł1395. A cased set of three mid-Victorian floral brooches set with diamonds and Burmese rubies in silver and gold, the first brooch set with an oval-shaped ruby and graduated cushion-shaped diamonds to the foliage. 7.5cm high. The second brooch set with a fancy shaped ruby and graduated cushion shaped diamonds to the tremblant centre section and with further larger graduated cushion shaped diamonds to the petals, with secondary tremblant brooch mount. The third brooch centred with an oval shaped ruby and graduated cushion shaped diamonds to the tremblant flowerhead, and a further oval shaped ruby and cushion shaped diamonds to the stem and foliage. 7.5cm high. Fitted case by S.J. Phillips, 113 New Bond Street. ÂŁ20,000-30,000

The property of a lady of title. Accompanied by report 5776-4912 dated 14th March 2016 from GCS, London, details on following page.

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:43 Page 88

Date:

14.03.2016

Description:

Four faceted gemstones

TESTING RESULTS:

Measurements (in mm)

A: 13.09 x 10.26 x 3.67 C: 9.08 x 7.06 x 3.30

B: 8.73 x 7.90 x 3.89 D: 10.20 x 9.80 x 5.61

Weight

A: 4.90 ct C: 1.90 ct

B: 2.60 ct D: 5.02 ct

Shape

Cushion and fancy cut

Transparency

Transparent

Colour

Pink to red

Specias

Natural corundum

Variety

Rubies

Origin

Gemmological characteristics of these items are consistent with rubies origination from: Burma

Comment

NTE. No indication of heating Non heated rubies are scarce

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:43 Page 89

JEWELLERY & WATCHES Thursday 21st July 2016

A gold tiara by Castellani. Sold January 2016 for ÂŁ9,700

ENQUIRIES Hannah Galbraith | Tel: +44 (0)1722 424586 | hannahgalbraith@woolleyandwallis.co.uk

WW102-365 Listing.qxp_Layout 1 21/03/2016 17:00 Page 90

ENGLISH & EUROPEAN CERAMICS & GLASS Tuesday 19th April 2016

A Staffordshire enamel étui, c.1770, the contents including a pair of scissors, a penknife, a snuff spoon and a pair of tweezers, 10cm. Estimate: £1,200 - £1,500

ENQUIRIES Clare Durham | Tel: +44 (0)1722 424507 | claredurham@woolleyandwallis.co.uk

WW102-365 Listing.qxp_Layout 1 21/03/2016 17:00 Page 91

CLARICE CLIFF, ART DECO & 20TH CENTURY DESIGN Wednesday 20th April 2016

A rare Dunhill Aquarium cigarette box and cover by Margaret Bennett and a Dunhill Aquarium lighter by Margaret Bennett. Provenance: Lady Docker. Lady Docker commissioned two such cigarette boxes, this example and also one as a gift for Sir Winston Churchill. Estimates: £1,500 - £2,000 and £1,000 - £2,000

ENQUIRIES Michael Jeffery | Tel: +44 (0)1722 424505 | michaeljeffery@woolleyandwallis.co.uk

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:44 Page 92

FINE SILVER & OBJECTS OF VERTU Wednesday 27th April 2016

By Omar Ramsden, an Arts and Crafts silver inkwell, London 1930, the underside inscribed 'OMAR RAMSDEN ME FECIT', length 26cm. Estimate: £2,000 - £3,000

ENQUIRIES Rupert Slingsby | Tel: +44 (0)1722 424501 | rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers | Tel: +44 (0)1722 424594 | lucychalmers@woolleyandwallis.co.uk

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:44 Page 93

ASIAN ART

Tuesday 17th & Wednesday 18th May 2016

A Chinese wucai baluster vase and cover, 2nd half 17th century, painted with fruiting vines and squirrels, 40cm. Estimate: £12,000 - £15,000

ENQUIRIES John Axford | Tel: +44 (0)1722 424506 | johnaxford@woolleyandwallis.co.uk

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:44 Page 94

Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays. VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered. REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies. PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us. COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids. TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

LIVE ONLINE BIDDING Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom.com, subject to approval. There is a 3% + VAT charge for this service. In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via thesaleroom.com, and 2. confirm that you are authorised to provide these credit card details to Woolley and Wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale. CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate. The colours printed in the catalogue are not necessarily true. SALE RESULTS These will be posted on our website shortly after the sale. BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 22% + VAT on the first £500,000 of the hammer price and 12% + VAT thereafter.

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:44 Page 95

PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released. The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of 15,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present. Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction. Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office. Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid. VAT Lots marked with an asterisk (*) are subject to VAT on the hammer price. Lots marked with an omega ( ) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price. CITES REGULATIONS Please note that lots marked may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 12,500. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 12,500 Lots marked with a ‡ symbol are potentially subject to the levy. PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping

01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

APS

0800 118 5868 sales@apservices.info 07736 544 362 www.apservices.info

Mailboxes

01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover

Pack & Send

0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:44 Page 96

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate. 5. VAT. (*) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. 6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale). 7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. 8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7. 7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. . Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense. 9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request. 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:44 Page 97

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque four weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate. 5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position). 6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for. 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:44 Page 98

10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below. Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

21. English law applies to the interpretation of these Conditions.

Lots marked with a ‡ symbol are potentially subject to the levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 12,500. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 12,500

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:44 Page 99

Valuations PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount. INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Contact Christine Johnson 01722 424509 FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

Woolley & Wallis valuations are accepted by all leading insurance companies.

W MARLBOROUGH & SWINDON

CENTRAL CAR PARK

N SCOTS L SALISBURY ST WE

F IS

HER TO N

CHIPPER

T WIN S BED

WOOLLEY & WALLIS

L SALT

WINCH ESTER ST

NEW

LL R O AD

Salisbury Salerooms e

ark eP hiv

id &R

A36 Ch

WILTON & WARMINSTER

Sarum Business Park

A36(T) CH URC HIL L

S OUT H

Westover Garage

T) C

Old Sarum Park

A 3 6(

ND WY

O MR HA

Woolley & Wallis 2 Danebury Court Old Sarum Park SP4 6EB

A36 C HUR CH ILL WA YN OR TH D

urchill W ay

LW AY W ES T IL

D SR SE VI DE WILTO NR DA

EET STR TLE CAS

A3 60

Old Sarum Kia Motors

D OA

AMESBURY & MARLBOROUGH

E LS

H AS

YR LE

WOOLLEY & WALLIS

Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU

LONDON, ANDOVER & WINCHESTER

CASTLE RD A345

DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO OLD SARUM

r Po

A345 Castle Rd

L CANA

SALISBURY A36

AMESBURY NEW STR EET

Old Sarum

Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough.

OA D

DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO SALT LANE PEDESTRIAN ROUTE DRIVING ROUTE TO SALT LANE DRIVING ROUTE TO CASTLE ST.

D PAY AN Y DISPLA RK CAR PA

A30

94 NEW H

NT O

A33 8

ROLLES

WOOLLEY & WALLIS Salt Lane

Woolley & Wallis Carter House 6 – 10 Salt Lane SP1 1EE

EET

ENDLESS STR

Registered in England No. 2998482

Salisbury Salerooms

CHIPPE

WOOLLEY & WALLIS

SCOTS LANE

Woolley & Wallis Salisbury Salerooms Ltd. 51-61 Castle Street, Salisbury Wiltshire SP1 3SU

R LANE

R O AD

A354 DORCHESTER WEYMOUTH & BLANDFORD

A338 BOURNMOUTH & RINGWOOD

REET

TONE ST

Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU

ARN HAM

LANE

IN S

RO A

( T)

SALT

UT SO

Y A36

A36(T) SO UTHA MPT ON R

W BED

HAR NH AM

W OOLLEY & W ALLIS S ALEROOMS

SOUTHAMPTON CATHEDRAL

TRE

ST AN

N ST

Qudos CASTLE STREET

VAT No: 631 9832 29 TESCO

Design & Production by Jamm Design Ltd. Tel. 020 7424 7830 www.jammdesign.co.uk

Due to the one-way system of Salisbury, please follow the red route when driving from Salt Lane to Castle Street.

WW102-365 Listing.qxp_Layout 1 21/03/2016 16:44 Page 100

WOO L LE Y & WA L LI S Absentee Bid Form

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Fine Jewellery

Brief Decription

Price Excluding buyer’s premium & VAT

Thursday 28th April 2016 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. Billing Name (please print)

Address

Postcode Daytime telephone Email All accounts must be settled within 21 days. There is no surcharge for debit card payments, but for credit cards there will be a 2% (+VAT) surcharge. ID is required for all first time bidders.

Signature

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508

100

www.woolleyandwallis.co.uk

AUCTION CALENDAR ARMS & ARMOUR 6th April Will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk FURNITURE, WORKS OF ART & CLOCKS 6th April 6th July Mark Richards +44 (0) 1722 411854 • markrichards@woolleyandwallis.co.uk ENGLISH & EUROPEAN CERAMICS & GLASS 19th April – English & European Ceramics & Glass Clare Durham +44 (0) 1722 424507 • claredurham@woolleyandwallis.co.uk 20TH CENTURY DESIGN 20th April – Clarice Cliff, Art Deco & 20th Century Design 22nd June – Arts & Crafts Michael Jeffery +44 (0) 1722 424505 • michaeljeffery@woolleyandwallis.co.uk SILVER 27th April – Fine Silver & Objects of Vertu 19th & 20th July – Silver, Vertu, Coins & Medals Rupert Slingsby +44 (0) 1722 424501 • rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lucychalmers@woolleyandwallis.co.uk JEWELLERY 21st July Jonathan Edwards +44 (0) 1722 424504 • jonathanedwards@woolleyandwallis.co.uk Marielle Whiting +44 (0) 1722 424595 • mariellewhiting@woolleyandwallis.co.uk ASIAN ART 17th & 18th May John Axford +44 (0) 1722 424506 • johnaxford@woolleyandwallis.co.uk Sophie Lister +44 (0) 1722 424591 • sophielister@woolleyandwallis.co.uk PAINTINGS 8th June – 20th Century & Contemporary Art Victor Fauvelle +44 (0) 1722 424503 • victorfauvelle@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jobutler@woolleyandwallis.co.uk TRIBAL ART & ANTIQUITIES 20th September Will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk