Woolley & Wallis - Porcelain, Pottery & Glass - 30 April 2013 by Jamm Design Ltd

Woo l le y & Wa l li s SA L I S B U R Y SA L E R O O M S

Porcelain, Pottery & Glass tuesday 30th aPril 2013

Specialist Departments Please dial +44 (0)1722 followed by the number listed below

20TH CENTURY DESIGN Michael Jeffery

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ASIAN ART John Axford MRICS ASFAV — Sophie Lister — Alex Doméracki Freya Yuan

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VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV — 424509 Clive Stewart-Lockhart FRICS FRSA 424598

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MARKETING Tamzin Corbett

CLOCKS, WATCHES & SCIENTIFIC INSTRUMENTS Richard Price — 07741 242421 Will Hobbs — 339752

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham — 424507 John Axford MRICS ASFAV — 424506 FURNITURE Will Hobbs Mark Richards Jim Gale JEWELLERY Jonathan Edwards FGAA Marielle Whiting FGA PAINTINGS Victor Fauvelle Jo Butler SILVER Rupert Slingsby Lucy Chalmers

Members of The Society

ACCOUNTS Janice Clift Ruth Pike GENERAL OFFICE Linda Garthwaite Pauline West Sharon Ringwood Nicola Young SALEROOM MANAGER David Jordan

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John Axford MRICS ASFAV Deputy Chairman

Willi Verdon-Smith

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COMPANY SECRETARY Jim Macarthur CA — —

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BOARD OF DIRECTORS Paul Viney ASFAV Chairman

Clive Stewart-Lockhart Managing Director — —

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ASSOCIATE DIRECTORS Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby Jonathan Edwards FGAA Janice Clift

of Fine Art Auctioneers

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 Fax: 01722 424508

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Porcelain, Pottery & Glass includinG the collection of sister Wendy Beckett

tuesday 30th april 2013 at 10.30am Viewing Times Saturday 27th April Monday 29th April Tuesday 30th April

10.00am – 1.00pm 10.00am – 6.00pm 9.00am – 10.30am

ENQUIRIES Clare Durham 01722 424507 claredurham@woolleyandwallis.co.uk

Catalogue £12.00 (£15.00 by post) Images and a catalogue word search facility are available at www.woolleyandwallis.co.uk

There is no surcharge for using this service. Please note that registration for this service will close at 4pm on Monday 29th April.

Porcelain, Pottery & Glass tuesday 30th april 2013 at 10.30am

1. A pair of Bohemian green glass vases, 19th century, the slender forms overlaid in white with panels enamelled with flowers alternating with diamond cut panels, on a ground enamelled with gilt vine, 30.5cm. (2) £400-600

2. A large Bohemian glass oil lamp, 19th century, the lower body balustershaped, faceted and enamelled with small floral panels reserved on a scrolling leafy ground, the oil reserve cut with a diamond pattern, 55cm. £500-600

3. A pair of German green glass Kurfürstenhumpen, 19th century, each enamelled with the Holy Roman Emperor and the Seven Electors of the Empire on horseback and titled above, the covers with elaborate finials and raised enamel decoration, a chip to one finial, 51.1cm. (4) £100-200

4. A pair of Kuttrolf or Angster bottles, probably 19th century Persian, the blue bodies with a wide mouth above a narrow tilted neck, and a glass hookah base flashed in blue and cut with scrolling designs, 35.5cm. (3) £150-250

5. A large opaque glass vase and cover, 19th century, well painted to two sides with scenes of courting couples within floral panels, the foot and cover with further floral garlands, the knop modelled as a pear, some damages to the cover, 47cm. (2) £300-500

6. An impressive pair of orange glass table lustres, the vibrant bodies enamelled in black with figures of maidens chasing birds and flying insects, each hung with two graduated tiers of cut lustres, contained within removable glass domes, 37.5cm high, 51cm overall. (6) £400-600

7. A good pair of glass table lustres, 19th century, the faceted stems rising from circular cross-cut bases, each hung with ten lustres, 26cm. (2) £200-300

8. A good pair of glass table lustre candlesticks, c.1790, ormolu-mounted, the bases with blue glass cylinders finely decorated in gilt with panels of figures between interlocking circle borders, hung with six garlands of cut lustres, 30cm. (2) £3,000-4,000

9. A pair of coloured glass bottles with metal mounts and stoppers, 19th century, one blue and one green, the metal mounts moulded as fruiting grapevine, an unusual green spiral-moulded bottle with a neck ring, and a squat bottle of deep turquoise colour, 35cm max. (6) £200-300

10. A pair of German milchglass teabowls and saucers, mid 18th century, decorated with a dense pattern of purple flecks, and a Nailsea pilgrim flask bottle, the flattened form decorated with pink striations, a section of one saucer broken and restuck,, 14.3cm max. (5) £200-300

11. A pair of cut glass jars and covers, 19th century, the rounded bodies pineapple cut and raised on small square bases, the covers flat with tall circular knops. (2) £250-350

12. A pair of green glass ship’s decanters and stoppers, the wide-bottomed forms cut with bands of polished ovals around hobnail cutting, the neck with stepped rings, star cut to the bases and stoppers, 24.5cm. (4) £150-200

13. A pair of blue glass decanters and one stopper, 1st half 19th century, of squat form with three neck rings, and a large blue glass decanter with facet cut stopper, 36cm max. (5) £200-300

14. A large Whitefriars amethyst glass bowl, 20th century, the shallow sides moulded to the exterior with elliptical bands, 31cm dia. £80-120

15. Seven glass walking canes, all with internal coloured spirals in shades of red, white and blue, 124cm max. (7) £250-350

16. A Baccarat paperweight, c.1860-65, inset with a pansy or heartsease, the centre with tiny millefiore canes, star cut to the base, 7cm dia. £100-200

17. Seven glass walking canes, of varying colour, two with an orange core, all spiral-moulded, 140cm max. (7) £100-200

18. A Whitefriars paperweight ink bottle and stopper, 20th century, the base and stopper set with concentric rings of millefiore canes, 17cm. (2) £150-250

19. Seven glass walking canes, four spiral-moulded in plain glass, one square and rising to a spiral handle, two with colour twists in blue and red, 100cm max. (7) £100-200

20. An Apsley Pellatt glass scent bottle and stopper, 19th century, with a sulphide inclusion of a profile bust portrait, and a pair of glass salts, the wells painted to the underside with head and shoulders portraits of a young couple, small chips to the salts, 11cm max. (4) £100-200

21. Five glass walking canes, all with internal coloured cores, spiralling or twisting in red, blue, green, white or yellow, 108cm max. (5) £100-200

22. Five glass walking canes, two with rounded handles and filled with coloured sand or tiny beads, another fluted, one spiral-formed, the last square-section, 121cm max. (5) £100-200

23. A massive glass paperweight, probably St Louis, set with swirling coloured canes, and a large glass plate swirled with red and white, the paperweight 17cm dia, the plate 47cm. (2) £50-100

24. Four glass walking canes, three with coloured spiral twists in red, blue, white, brown or orange, the last with a white core, two with shepherd’s crook handles, 133cm max. (4) £150-250

25. Various coloured glass, 19th century and later, including five pink plates with dense ribbing, eight green wine glasses of differing form, and two ruby glasses. 16cm max. (15) £50-150

26. Ten green glasses, 1st half 19th century, seven with flared trumpet bowls raised on double-knopped stems, the other three with varied bowls raised on plain stems, 13cm max. (10) £200-300

27. Fourteen amethyst glass plates, lightly moulded with a spiral design, the rims folded, 19cm. (14) £100-200

28. Ten cranberry glass bells, seven witrh clear glass handles, one white and one blue, and a Bohemian glass bell gilded and applied with small lilac flowers, some faults, 37cm max. (11) £100-200

29. A pair of cut glass sweetmeat jars and covers, c.1810-20, of pineapple shape and cut with lappets and hobnail banding, the tall domed covers with faceted knops, 35cm. (4) £500-800

30. Two Irish glass decanters and stoppers, c.1800, the first Waterloo Co. engraved with ribboned garlands above a moulded foot, the neck with three rings, moulded ‘Waterloo Co. Cork’, the other larger with three milled neck rings and a bullseye stopper, moulded ‘Cork Glass Co.’, one stopper probably associated,, 26cm max. (4) £400-600

31. A large pair of glass candlesticks, 19th century, the stems hollow and decorated with rows of polished ovals above tall faceted feet, 30.5cm. (2) £300-500

32. A pair of cut glass bowls and covers, decorated with bands of leaves and star roundels, raised on square bases, the domed covers topped with pineapple finials, minor faults, 28cm. (4) £250-350

33. Masonic interest: a pair of rummers, 19th century, engraved with Masonic emblems including a set square and pair of compasses, and with the initials ‘PMR’, raised on square lemon squeezer bases, 12.5cm. (2) £200-300

34. A pair of rummers, 19th century, engraved with hops and barley above polished lappets, raised on square starcut bases, 14.5cm. (2) £100-200

35. A large comical glass rummer and two goblets, 19th century, the rummer engraved with a woman’s foot against a larger man’s foot and inscribed ‘Fashionable Contrasts - or The Duchess’s Little Shoe Yielding to the Magnitude of the Duke’s Foot’, the goblets with fruiting grapevine, 21.5cm max. (3) £200-300

36. A set of six wine glasses, c.1760-70, the drawn trumpet bowls with diamond-point engraving of Maltese crosses and other motifs, raised on airtwist stems above folded feet, 19cm. (6) £600-800

37. A matched set of twelve large glasses, 18th century, the drawn trumpet bowls raising from teardrop stems, 19cm. (12) £2,200-2,800

38. A set of six wine glasses, c.1770, the bell-shaped bowls raised on double series opaque twist stems on slightly stepped feet, 15cm. (6) £500-800

39. Ten glass flutes, 19th century, the rounded conical bowls each cut with six long lappets and raised on short faceted stems, 15.8cm. (10) £200-300

40. A set of six wine glasses, late 18th century, with small bowls raised on double series opaque twist stems, 14cm. (6) £300-500

Together with a purchase invoice dated 18th March 1950 from R G Smith of New Milton, Hampshire. The glasses listed as being previously in the collection of Mrs Botsham of Bournemouth, sold to her in 1912 by the late Thomas Roham.

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41. A silver-plated cruet set, 19th century, with a blue glass mustard pot, oil jar and stopper, and two bottles with stoppers, set into an oval base with pierced sides, 26.5cm overall. (8) £50-100 42. A Bohemian glass bottle and stand, 19th century, decorated perhaps for the Islamic market with shaped motifs cut into white overlay, enamelled and gilded with flower garlands, 19.5cm. (2) £150-250 43. A good and large green glass decanter, early 19th century, cut with vertical bands of polished circles, the shoulder with a diamond pattern, the waisted neck with three cut rings, 30.5cm. £400-600 43A. A set of three green glass decanters and stoppers, c.1800-10, with gilt labels suspended from a gilded chain and titled ‘Brandy’, ‘Hollands’ and ‘Rum’, contained in a contemporary metal stand, 21.6cm overall. (7) £250-350 44.

A good Nailsea glass flask, early 19th century, the tapering form decorated with white swags on a green ground, 22.7cm.

£300-400

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A shaft and globe wine bottle, 18th century, the glass a pale green tone, with kick-in base and a tall tapering neck, 20cm.

£150-250

46. A large glass apothecary bottle, early 19th century, decorated with a shield to one side inscribed ‘Tr. ASAFOET’, the other side with a banner titled ‘... LAVAND’, 34cm. £150-250 Tryphera Asafoetida is used traditionally to fight influenza, and is recorded as being widely used in 1918 to help fight the Spanish Influenza Pandemic. 46A. A good blue glass decanter and stopper, c.1800-10, gilded with an elaborate cartouche and titled ‘Rum’, the stopper with a gilt ‘R’, and an amethyst decanter with enamelled stopper, titled for ‘Brandy’ in a simple gilt cartouche, 29.5cm max. (4) £350-450

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47. A pair of commemorative decanters for the coronation of Queen Victoria, 19th century, the faceted bodies engraved with a crown above the initials VR and the date 1837, and a ship’s decanter with a similar crowned monogram, the stoppers lacking, 21cm max. (3) £150-250

48. A cut glass decanter and stopper, 19th century, with three neck rings, cut with an oval hobnail design, and an Irish cut glass jug with stepped spout above a wide hobnail band, 23.5cm max. (3) £200-300

49. A pair of decanters and stoppers, cut with lappets and polished ovals, the stoppers slightly different, and a straightsided decanter with three neck rings and star cut stopper, 24cm max. (6) £100-150

50. Five glass rummers, 19th century, with narrow cylindrical bowls raised on low faceted stems, and two other rummers with larger bowls, 15.2cm max. (7) £150-250

51. Seven English and Continental glasses, 18th century and later, variously raised on faceted, airtwist and opaque twist stems, some faults, 16.8cm max. (7) £500-800

52. Ten glass rummers, English and Continental, of varying size, with plain bucket bowls raised on short stems, 15cm max. (10) £250-350

53. Two pairs of cut glass dishes, one pair of six-lobed form cut with panels of flowers, the other oval with star cut motifs, and a single round cut glass bowl with a large star design, 29.5cm max. (5) £250-350

54. Nine glass rummers, most 19th century, variously cut with oval lappets and polished circles, and three low flutes, 21.5cm max. (12) £200-300

55. Three large cut glass bowls, two graduated and cut with a lobed rim and a star design, the third with sunburst motifs, 25.5cm max. (3) £250-350

56. A good wine glass, c.1750, the small bucket-shaped bowl raised on a shaped plain stem with a cushion tear-drop knop falling to a smaller knop above the folded foot, also containing a small tear, 15.2cm. £500-800 Paper collection labels for the Jeffery Rose collection, another for the Ron and Mary Thomas collection. 57. A rare toasting glass of Scottish Jacobite significance, c.1760, the tall flared bowl engraved with a crowned single thistle flower, raised on a delicate knopped stem above a conical foot, 19cm. £1,200-1,500 The decoration on this glass relates to the Order of the Thistle, created by James VII in 1687 and revived by Queen Anne in 1703, having become obsolete when the monarch was deposed in 1688. 58.

A ratafia wine glass, c.1770, the bowl with spiral moulded vertical flutes, raised on an airtwist stem, 20cm.

£400-600

59. A rare mixed twist wine glass, c.1760, the rounded funnel bowl raised on a multiple twist stem, of an opaque netting within a double airtwist spiral, 15cm. £300-500 60.

A ratafia glass, c.1760, the tall fluted bowl with vertical moulding, raised on a double series opaque twist stem, 19cm.

£150-250

61. A wine glass of Jacobite significance, c.1760, engraved with a six petal rose and two buds, the reverse with a star, raised on an airtwist stem, 15cm. £400-600 62. A ‘Newcastle’ light baluster wine glass, c.1740, the bell bowl raised on a composite stem with a multiple knop of tears above a further teardrop knop, 16.4cm. £300-400 63.

A moulded ale glass, mid 18th century, the tall bowl with hammered effect, raised on a plain stem above a folded foot, 15cm. £200-300

64. A Jacobite portrait firing glass, c.1740, the trumpet bowl rising from a short teardrop stem and engraved with the head and shoulders of Bonnie Prince Charlie, with the motto ‘Audentior Ibo’, raised on a thick firing foot, 10.5cm. £3,000-4,000

65. A good sweetmeat glass, c.1740, the shallow bowl raised on an octagonal pedestal stem above a folded foot and separated by a ribbed knop, 12.5cm. £250-350

Cf. Geoffrey B. Seddon, Jacobites and Their Drinking Glasses, p.90, pl.30 for a similar example.

66. A good and rare pan-topped firing glass, mid 18th century, raised on a knopped airtwist stem above a thick firing foot, 14cm. £600-1,000

67. A Williamite firing glass, 18th century, later engraved, perhaps by Franz Tietze in the late 19th century, with a portrait of King William titled ‘The Glorious Memory’, with a crowned harp and grapevine to the reverse, raised on a firing foot, 11.8cm. £500-800

68. Seven dwarf ale glasses, 18th century, with spiral-moulded bowls, raised on short knopped stems with wrythen moulding, 13cm. (7) £300-400

69. A set of 14 champagne flutes, 19th century, raised on low faceted stems, the flared bowls with cut lappets, 17cm. (14) £550-750

70. Three wine glasses, mid 18th century, with ogee shaped bowls, all raised on plain stems above folded feet, 15.5cm max. (3) £300-400

71. A pair of wine glasses, c.1765, the moulded bowls gilded with flowers and small flying insects, raised on multiple opaque twist stems, and three Continental wines with bell-shaped bowls raised on opaque twist stems, one glass with a repair to the stem, 16cm max. (5) £150-250

72. A small wine glass, mid 18th century, with bucket-shaped bowl raised on a baluster stem and folded conical foot, and two small glasses, one a deceptive, 12.5cm max. (3) £300-400

73. Three small glasses, 18th century, variously engraved with a rose, fruiting grapevine, and other flowers, raised on double series opaque twist stems, 16cm max. (3) £150-250

74. Three small deceptive glasses, 18th century, the thickened bowls raised on plain stems, and a firing glass, 12.8cm max. (4) £200-300

75. Three wine glasses with bell-shaped bowls, 2nd half 18th century, one of Jacobite type, engraved with a six petal rose and single bud, one raised on an airtwist stem, the other on a knopped stem above a folded foot, 16cm max. (3) £250-350

76. Two ale glasses, 18th century, raised on short stems, and a green glass goblet with a cushion knop above a plain stem, 15cm max. (3) £150-250

77. A large glass bowl, engraved with a continuous landscape depicting a fisherman on a riverbank and two figures in a rowing boat before distant buildings, the folded rim with an ovolu band, possibly lacking a foot or stem, 25cm. £150-250

78. Two small wine glasses, mid 18th century, one bowl moulded and cut with polished ovals to the rim, both raised on plain stems beneath cushion knops and above folded feet, 15cm max. (2) £350-450

79. A large glass footed vase, 19th century, engraved with a continuous garland design, the slightly flared rim with a band of polished circles, raised on a low knopped stem, 25cm. £100-150

80. Two large wine glasses, c.1770, one with a bell-shaped bowl raised on an opaque twist stem, the other with drawn trumpet raised on an airtwist stem, 17.5cm. (2) £200-300

81. Royal interest: an engraved commemorative glass from a Royal suite, mid 19th century, engraved with ‘VR’ beneath a crown within a leaf band, beneath the foot inscribed ‘Her Most Gracious Majesty Queen Victoria Drank Out of This Glass’, 11.5cm. £150-250

82. Two small wine glasses, mid 18th century, the bowls engraved with birds in flight around fruiting grapevine, raised on plain stems, one knopped, above folded feet, 14.2cm. (2) £200-300

83. A glass tazza or syllabub stand, 2nd half 18th century, the wide dish with a raised rim, above a flared folded foot, 28cm dia. £200-300

84. A cordial and a wine glass, mid 18th century, both raised on double series opaque twist stems, the wine with a generous ogee bowl, 16cm max. (2) £200-300

85. A fine Anglo-Dutch moulded carafe or flask, 17th century, the globular body with pinched diamond decoration, the narrow neck applied with a scrolling band, 24cm. £3,000-4,000

87. A large wine glass, c.1760, the round funnel bowl engraved with rococo scrolls and small flowerheads, raised on a knopped double series opaque twist stem, 16.5cm. £250-350

86. A good and large baluster wine glass, c.1720, the flared bucket-shaped bowl raised on a double-knopped stem above a folded foot, the upper knop with a teardrop, 19cm. £600-800

88. An armorial wine glass of antiJacobite relevance, 18th century, engraved with a crest of an arm embowed and brandishing a scimitar above a shield with crowned thistles and chevrons, and a banner with the motto ‘Pro Rege Et Patria’, the arms for the Earl of Leven quartering Melville, raised on an airtwist stem, 16.5cm. £600-800 The 1st Earl of Melville and his son, the 1st Earl of Leven, were accused of conspiracy in the Rye House Plot - a Whig conspiracy to assassinate Charles II and the Duke of York (the future James VII).

89. A large wine glass, the generous bellshaped bowl raised on an airtwist stem with baluster knop above a conical foot, 19.2cm. £150-250

90. A toasting glass and a punch glass, 2nd half 18th century, the toasting glass with drawn trumpet bowl raised on a double series opaque twist stem, the punch glass with a handle also raised on an opaque twist stem, 19.3cm max. (2) £400-600

91. A pair of wine glasses, mid 18th century, the bell-shaped bowls rising from double series opaque twist stems, 16cm max. (2) £400-600

92. Two façon de Venise glasses, 1st half 18th century, the larger with a drawn trumpet bowl above a spiral twist stem, the small with dense spiral fluting on a wide foot, 17.8cm max. (2) £400-600

93. Two wine glasses, 18th century, one with a wide flared trumpet bowl, other with a rounded funnel bowl, both raised on plain stems, 17.2cm max. (2) £150-250

94. A large glass tumbler of possible Jacobite significance, mid 18th century, engraved with a continuous band of flowers including rose and sunflower, 13cm. £400-600

95. A cut glass pineapple stand, c.1820, cut with a rounded scalloped edge and raised on a low knopped stem, 13.5cm high. £100-200

96. A large glass tumbler, 19th century, engraved with monogrammed initials within foliate sprays, the rim with cut lappets, 15.5cm. £80-120

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97. A Silesian engraved ‘Friendship’ goblet, c.1730, decorated with clasped hands above two hearts aflame, two other panels with a crown, foliate scrolls and further hearts, separated by vertical bands of polished circles, raised on a faceted stem and flat, engraved foot, 15.2cm. £350-450

98. A Lowlands baluster glass, 18th century, the bell-shaped bowl cut with facets and and polished hemispheres, raised on a knopped stem above a folded foot, 15cm. £300-400

99. A Dutch-engraved ‘Friendship’ airtwist baluster glass, 18th century, engraved with a bunch of grapes and a banner proclaiming ‘Welkom Vriende in t Vaderland’, the reverse with a Jacobite rose, raised on a multiple opaque twist stem with a single knop, 18cm. £2,500-3,500

100. A pan-topped wine glass, c.1760, raised on an airtwist stem above a thick foot with a slight step, 16cm. £200-300

101. A Lynn wine glass, c.1765, the rounded funnel bowl moulded with three horizontal bands, raised on an opaque twist stem, 14.7cm. £400-600

102. A good wine glass, c.1760, the bowl raised on a double-knopped airtwist stem above a conical foot, 16.5cm. £250-350

103. A wine glass, mid 18th century, the slightly flared bowl raised on a mercurial twist stem, 14.8cm. £150-250 104. A rare mixed twist cordial glass, mid 18th century, the small hammered bowl raised on a thick multiple twist stem, two cotton spirals twisting around a large air bubble, 15.5cm. £400-600 Cf. Delomosne & Sons Ltd., Strength & Cheerfulness: The John Towse Collection of English Cordial Glasses, p.42, no.15 for a similar example.

105. A large wine glass, mid 18th century, the drawn trumpet bowl raised on a teardrop stem above a folded foot, 17.5cm. £150-250

106. A Jacobite wine glass, c.1760, engraved with a large six petal rose and single bud, raised on a double-knopped airtwist stem, 16.3cm. £400-600

107. A wine glass, 18th century, the rounded funnel bowl moulded with wide spiral flutes raised on a double series opaque twist stem, above a conical foot, 14cm. £200-300

108. A firing glass, c.1770, with trumpet bowl raised on a double series opaque twist stem above a stepped foot, 11.5cm. £250-350

109. A large wine glass, 18th century, the trumpet-shaped bowl rising from a thick plain stem, 20.3cm. £120-150

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110. An Apsley Pellatt globe and shaft decanter and stopper, 19th century, the round body diamond cut beneath an octagonal faceted neck with two bands of ribbing, 30cm. (2) £100-200

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111 111. A tall wine glass, the flared bowl raised on a double-knopped opaque twist stem, 19.6cm. £100-200

112. An extensive suite of cut glass, engraved with flower sprays above a hobnail cut band and raised on faceted stems. Comprising: two decanters and stoppers, two carafes, ten tumblers, ten saucer glasses, twelve standard glasses, twelve liqueur glasses, and two matched decanters and stoppers. (54) £300-500

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113. Five large delftware dishes, 18th century, all decorated in shades of blue, green and red, some with yellow, three with birds perched or walking through Chinese gardens, one with a blue fox running from a pagoda, the last with a figure fishing from a boat, damages and repairs, 35cm max. (5) £300-500

114. Two pairs of delftware plates, 18th century, one pair painted with an Oriental garden scene on polychrome enamels, the other with a stylized blue flower design, and three other delftware plates painted in blue and polychrome with stylized floral designs, some small damages, 22cm max. (7) £250-350

115. Five delftware plates, 18th century, painted in blue with various Chinese landscapes of pagodas beneath tall trees, some damages, 22.5cm. (5) £120-180

116. A pair of London delftware plates, 18th century, each painted in blue with a stork standing on one leg before rockwork, bamboo and flowering peony within blue and manganese borders, a Lambeth delftware plate painted with a courting couple before ruined buildings, and a polychrome Delft plate, some restoration, 23cm max. (4) £300-400

Three with paper labels for the Anthony Collection.

117. A pair of delftware dishes, 18th century, the deep wells painted in blue, green, red and manganese with a large dolphin within a narrow rim, and a third polychrome plate decorated with flower sprays, damages and repairs, 22.7cm max. (3) £150-250

118. Four delftware plates, 18th century, two decorated in blue with Chinese figures at various pursuits in garden scenes, one with a polychrome chinoiserie landscape, the last with a figure in a boat sailing before buildings, some damages, 23.5cm max. (4) £150-250

119. Three blue and white delftware dishes, 18th century, one painted with an Oriental river scene containing long-legged figures, the other two with Chinese flowers and a building in a landscape, signs of fire damage to two, 34cm max. (3) £100-200

120. A near pair of delftware plates, 18th century, painted in blue with a central strutting bird, a bird in flight above and a figure on an island behind, and a third plate painted with a cockerel and hen with a family of chicks, the border with fruiting pomegranate branches, some damages and repairs, 27cm max. (3) £100-200

121. A good Bristol delftware charger, c.1750-70, painted in blue in the ‘Bowen’ style with two ladies walking among buildings beneath a tall tree, 33.5cm. £800-1,200 Cf. Anthony Ray, English Delftware Pottery in the Robert Hall Warren Collection, no.81, pl.42.

123. A delftware drug or ointment jar, 18th century, painted with two birds either side of a basket of fruit above the inscription ‘U: NICOTIAN’, losses to the glaze, 20cm. £120-180 Ointment of Nicotiana had a variety of uses, but was probably primarily employed as a treatment for burns and boils.

122. A rare Bristol delftware charger, 1st half 18th century, painted in shades of blue, green and manganese with a house before a fence beneath a large tree, a further building in the background, damaged and repaired, 29cm. £300-500 The reverse with a paper label attributing the painting to William Pottery, who worked at the Limekiln Lane pottery. Cf. Frank Britton, English Delftware in the Bristol Collection, pp. 309-310 for more information.

124. A rare delftware holy water stoup, moulded with Christ crucified between two winged figures, surmounted by an angel head, the bowl with vertical ribs, the details picked out in shades of blue, 18th century, broken and restored, 17.4cm. £1,200-1,500 Cf. Garry Atkins, A Catalogue of English Pottery 2009, for a previously unrecorded English example.

125. A Delft guglet, 18th century, painted with panels of Oriental flowers and foliage reserved on a powdery cracked ice ground, the tall neck with a single narrow knop, a small amount of glaze chipping, 24cm. £300-500

126. A rare pair of delftware plates, probably London c.1750, each painted in polychrome enamels with a green-coated figure standing beside flowers issuing from rockwork and a fence, the borders with flower panels on a shaped powdered manganese ground, 22cm. (2) ÂŁ600-1,000 Cf. Michael Archer, Delftware in the Fitzwilliam Museum, p.106-107 for a similar plate in the Glaisher Collection.

126

127. A pair of Bristol delftware plates, mid 18th century, the wells painted in blue with figures on a jetty beneath a tall tree, the scalloped rims with a bianco-sopra-bianco border, one cracked, 22.8cm. (2) ÂŁ150-200

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128. A pair of Dutch Delft armorial chargers, 18th century, painted in petit feu enamels with the arms of Fenwick of Northumberland, 33.7cm. (2) ÂŁ250-350 A Chinese porcelain service was made in Canton with these arms c.1717 and it is possible that these dishes were made as additions or replacements for that service.

128

129. Two large Bristol delftware dishes, 18th century, decorated with figures fishing from a boat and another from a bridge before a village scene, one with a biancosopra-bianco border, some damages, 30cm. £100-200

130. Two delftware plates, 2nd half 18th century, one painted with flower sprays in polychrome enamels, the other in blue with Oriental flowers and foliage, the first broken and reglued, 22.8cm. (2) £40-60

131. Two delftware plates, 18th century, one Bristol and painted with a polychrome Chinese landscape within a shaped bianco sopra bianco border, the other with stylized flowers in shades of yellow, green, blue and manganese within a scalloped rim, some restoration, 22.5cm. (2) £400-600

132. A delftware small plate, 18th century, painted in blue, yellow and manganese with a large peacock, and a Continental tin-glazed plate painted with a landscape in puce monochrome, the former restored, 22.2cm. (2) £150-250

133. Three delftware bowls, 18th century, one of deep U-shape and painted to the interior with a stylized flower design in green, red and blue, one with a Chinese figure in a landscape, the last with a flower spray within a border of stylized wisteria, damages, 26.5cm max. (3) £200-300

134. Two large Dutch Delft chargers, 18th century, one with an unusual shaped rim, painted with a central flower vase within panels of further vases, the other with a stylized peacock design, the latter marked for the Gilded Flower Pot (De Vergulde Bloompot) factory, some chipping to the rims, 35cm. (2) £150-250

135. Three Delft vases, 18th century, one a reduced bottle vase painted with figures in a landscape in the Chinese style, with a wooden cover, the other two painted with Oriental flowers and rockwork, damages, 24.5cm max. (4) £80-120

136. A pair of delftware plates, mid 18th century, with elaborate shaped rims, each painted in blue with a crane stood amidst flowering peony, with further flowers and scrolls in three small vignettes around the rims, a few restored rim chips, 22.5cm. (2) £150-250

137. A Delft double gourd vase, 18th century, decorated in blue and manganese with Chinese figures at repose in gardens, a small bowl painted in blue, manganese and yellow with small buildings in a landscape, and a pierced circular cover decorated with figures and landscapes, some damages and repairs, 19cm max. (3) £150-250

The cover with a paper label for the Djanogly Collection.

138. A Cantagalli wall pocket, late 19th/early 20th century, modelled as a furled cone and painted in blue with a putto in flight before buildings, blue cockerel mark to the reverse, 35cm. £50-150

139. A large delftware charger, probably Liverpool c.1750-70, decorated in polychrome enamels with Oriental flowers issuing from stylized holey rockwork, some restoration, 36cm. £150-250

138

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140. A Lambeth delftware punch bowl, c.1770-80, the exterior brightly decorated in polychrome enamels with a pagoda and fence beneath willow, the interior with a single flower in blue, cracks and restored rim chips, 22.7cm dia. £180-220

140

141

141. A large delftware charger, 18th century, unusually painted with a lion and three other big cats at repose beneath pine trees in a Chinese landscape, broken and restuck, 34.5cm. £80-120

142. A massive and rare pair of Dutch doré chargers, c.1730, decorated in petit feu enamels with panels containing baskets of flowers beneath flying insects, alternating with smaller panels of a figure in a boat, reserved on a ground of red and gilt leaves, one broken and riveted, 39.5cm. (2) £1,500-2,500 142

143. Four rare London delftware tiles, c.1700, variously decorated in manganese with figures outside a tavern, dancing beneath a tree, and in exterior landscapes, the corners with winged angel motifs, 12.8cm. (4) £300-500

144. Four Liverpool delftware blue and white tiles, c.1740, painted with vases of flowers, the corners with blue scroll motifs, 13cm. (4) £120-150

Cf. Jonathan Horne, English Tin-glazed Tiles, p.26, no. 65 and Garry Atkins, An Exhibition of English Pottery 1999, no. 29 for similar examples.

145. Four rare London delftware tiles, early 18th century, painted with open landscape scenes of figures in gardens before buildings and a tavern, some chipping, 13cm. (4) £200-300 Provenance: by repute, originally from the Committee room of the Deaf and Dumb House (formerly Queen Anne’s House) on Lower Clapton Road, which was demolished in 1930.

146. Four rare London delftware tiles, c.1700, painted in manganese with European figures at various pursuits in exterior landscapes, the corners with winged angel motifs, some chipping, 12.8cm. (4) £300-500 Cf. Jonathan Horne, English Tin-glazed Tiles, p.26, no. 65 and Garry Atkins, An Exhibition of English Pottery 1999, no. 29 for similar examples.

147. A rare London delftware tile, probably Pickleherring Pothouse c.1625, decorated in blue, ochre and green with a figure running with a spear, the corners with petal motifs, some restoration, 13.3cm. ÂŁ500-800

148. A rare London delftware tile, probably Pickleherring Pothouse c.1625, decorated in blue, ochre and green with a seated hare, the corners with petal motifs, some glaze chipping, 13.3cm. ÂŁ500-800

The presence of oval nail holes in the corners of this tile, and those of the following lot, suggests a London manufacture. Cf. Ian Betts and Rosemary Wernstein, Tinglazed Tiles from London, p.5 and p.56.

149. Six Delft blue and white tiles, 2nd half 18th century, painted with biblical scenes from the Old and New Testaments, including Adam and Eve being banished from the Garden of Eden and Jesus risen from the tomb, titled, 13.3cm. (6) ÂŁ100-200

150

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152 150. Three Bristol delftware tiles, mid 18th century, decorated with pastoral scenes of figures gardening and at various pursuits in landscapes, within circular panels, the corners with stylized leaf motifs, glaze chipping to one, 13cm. (3) £120-180 Two with paper labels for the Grant-Davidson collection, nos. E622 and E623.

151. Four delftware tiles, 18th century, two similarly decorated with a stag and a bull, with flower roundels to each corner, one with the nativity scene in manganese, the other in blue with Lot and his daughters fleeing from Sodom, his wife already a pillar of salt, damages, 13cm. (4) £50-100 153

152. Four delftware tiles, 18th century, two painted in blue with children at play, one of a simple landscape scene, the last a Biblical tile painted in manganese, some damages, 13cm. (4) £30-50

153. Forty five Delft tiles, thirty five of them painted in blue with baskets of fruit, ten left plain with small blue motifs to each corner, 13cm. (45) £200-300

154. Fifteen Dutch and English delft tiles, 18th century, variously decorated in blue with biblical scenes, landscapes, animals, birds, flowers and a ship, and a large Spanish tile with a foliate motif, 21.5cm max. (16) £200-250

154

155. A rare medieval lead-glazed earthenware tile, c.13th century, decorated in pale yellow slip with the head of a king within a circular panel, and a fragmentary tile decorated in a yellow glaze and purporting to be from Henry II’s burial place at Lisieux, 11.5cm max. (2) £1,000-1,500 Cf. Elizabeth Eames, Catalogue of Medieval Lead-Glazed Earthenware Tiles in the British Museum, Vol II., cat. no. 1357. The image depicted on the tile bears a marked resemblance to English ‘Long Cross’ coins.

156. Four Liverpool delftware tiles, c.1740, painted in blue with a central flower mon, further partial flowerheads to the corners, some chipping, 12.6cm. (4) £80-120

157. Three Lambeth delftware tiles, mid 18th century, two decorated with Biblical scenes including Moses and John the Baptist, the last with a figure standing on a jetty, some faults, 12.7cm. (3) £120-180

158. A French faïence box, of Veuve Perrin style, painted with flowers and with hinged metal mounts, a Marseilles-style câchepot painted with figures in watery landscapes, and an Olerys-style plate decorated with a fantastical bird in green, ochre and blue, the câchepot cracked, 26.5cm max. (3) £150-250

159. A large French faïence bough pot, 18th/19th century, with three panels between column supports, painted in a predominantly pink palette with stylized garlands and single flower sprays, the top pierced with a semi-circular opening within two rows of small holes, small damages and restoration, 26cm across. £150-250

160. Three Italian maiolica dishes, early 20th century, two by Vincenzo Molaroni of Pesaro, one painted with a scene depicting the Rape of the Sabine Women within a wide border of mythical creatures and putti, the other with a portrait and the inscription ‘Multo se Ipsum Quam Nostem Superasse Operosius Est’ quoting Valerius Maximus, in a giltwood frame, the third dish with a bridge in a rococo landscape, one dish cracked, 32.5cm max. (3) £200-300

161. A Continental Majolica oval jardinière, 19th century, each side moulded with a stag being set upon by three hounds in a wooded landscape, the handles modelled as dog masks, raised on four paw feet, 50cm across. £150-250

162. A pair of Wardle & Co. Majolica bamboo and fern pots, c.1876, decorated with large green fern leaves encircling the banded bamboo bodies, and a Wedgwood Majolica butterdish with cover and stand, applied with a band of daisies, impressed marks and registration diamonds, some faults, 20cm max. (5) £100-200

163. A Wedgwood Majolica game pie dish and cover, 19th century, the sides moulded with hanging game birds from garlands of fruiting vine, the cover with further game and a rabbit finial, broken and restuck, 22cm. (2) £100-200

164. A large Berlin faïence vase and cover, 18th/19th century, of gu beaker form, lacquered in red with over-painted decoration of flowers and leaves around panels containing Chinese figures, the tall domed cover surmounted with a cockerel, blue artemesia leaf mark to the base, repaired sections to the rim, 66cm. (2) £400-600

164

165. An Italian maiolica charger, 19th century, painted in the Castelli manner with a maiden and a faun seated by a grassy knoll with water beyond, within a border of putti and fruiting cornucopia, signed with a monogram, 34.5cm. £150-250

166. A large pair of French faïence jars and covers, 19th century, the cylindrical forms painted with colourful floral garlands, titled ‘Conf. Alkermées’ and ‘Onguent de Laurier’, the covers with acorn finials, some good restoration, 29cm. (4) £100-200 165

166

167

168

169

170

167. A large French faïence jardinière, probably 19th century, one side painted in blue and manganese with a figure wearing a tunic and holding a spear, the other with buildings, between maskhead handles, blue dash rim, a section broken out but present, other chipping, 30cm high. £150-250

168. An Italian maiolica tondino, 19th century, in the 16th century Faenza manner, the deep well painted with a coat of arms relating to the Habsburg Empire and the Duchy of Milan, the wide rim with a stylized foliate scroll design in bianco-sopra-bianco, incised numbers to the base, 27.3cm. £200-300

169. A massive Italian maiolica charger by Vincenzo Molaroni of Pesaro, early 20th century, the well painted with Classical figures, the rim with putti and mythical beasts amid foliate scrolls on a blue ground, blue marks to the reverse, 48cm. £200-300

170. A large Hispano-Moresque lustre charger, probably 17th century, decorated with a large bird within continuous scrolling foliage in copper lustre, and a 19th century copper lustre dish decorated with a bowl of fruit, some damages, 37.5cm max. (2) £250-350

171. A good pair of Castelli maiolica circular plaques, first half 18th century, one painted with Daphne transforming into the laurel tree as Apollo catches up to her, the other with Samson slaying a Philistine with the jawbone of an ass, both in giltwood and gesso frames, pencil markings to the reverse, the plaques 22cm each. £2,500-3,500 Provenance: from the collection of Luís Esteves Fernandes, Portugal (1897-1988). Previously in the collection of Henri Leman and purchased c.1913.

172. A massive Spanish pottery basin, 19th century, painted in the Talavera manner with a central figure wearing a feather-plumed hat, walking between stylized foliage in shades of ochre, blue, green and manganese, the flared sides with a wide border, 57.5cm dia. £200-300

173. A Venetian albarello, c.1550-70, decorated in the workshop of Domenego da Venezia, one side with a portrait of a soldier wearing a helmet, the reverse with a young man wearing a white-collared tunic, on a ground of scrolling leaves and flowers, chipped and cracked, 17cm. £1,600-2,000 Cf. Italian Maiolica in the Fitzwilliam Museum, pp.418-9 for other examples of work by Domenego da Venezia.

174. A rare Minton earthenware tortoise teapot and cover, c.1895, naturalistically modelled and enamelled, his mouth forming the spout, the cover set into his back and with a finial formed from a seashell and seaweed frond, printed mark and moulded registration diamond, 22cm. (2) £1,200-1,500

174 175. A Majolica figure of a Medici lion, 2nd half 19th century, by George Skey’s Wilnecote Pottery in Tamworth, modelled standing four square with one forepaw resting on a red ball, raised on a rectangular green base, impressed mark, 35.5cm. £500-800 Cf. Geoffrey Godden, An Illustrated Encyclopedia of British Pottery and Porcelain, pl.518 for a similar example.

175 176. A Minton Majolica vase, date code for 1871, two putti seated on the shoulders between garlands of fruit issuing from masks, the neck and foot with stylized leaf motifs, impressed mark, 29cm. £500-800

177. A Minton Majolica tobacco jar and cover, c.1860, formed as stacked coils of rope with a drunken sailor perched atop and imbibing from a tankard, impressed marks to the base, 22.5cm. (2) £600-1,000 176

177

178. An Italian maiolica salt, probably 19th century, of ovoid form, flanked by two seated putti holding baskets, the central well painted with an armoured figure, the long sides with satyr mask handles, damages, 20.5cm. £100-200

179. Four pearlware female figures, 19th century, one of the Widow seated with a barrel of meal and a jar of oil, one of a young girl reading a book, one holding a broom, the other flowers, damages, 26cm max. (4) £150-250

180. A large Staffordshire pearlware spill vase group, 19th century, modelled with the figure of a boy leaning against a hollow tree trunk on which squirrels and birds perch, the figure groups lacking, some damages, 39cm across. £100-200

181. A pair of Staffordshire porcelain quill-holders, mid 19th century, modelled as a farmer and his wife leaning on a gate and watching rabbits at play, and a pair of pearlware models of a stag and doe, recumbent before leafy bocage, 10.5cm max. (4) £120-150

182. A pair of Staffordshire pearlware figures of Age, early 19th century, modelled as a pensionable man and his companion wrapped up against the cold, titled to the bases, and a pearlware figure of the Cobbler’s Wife, pouring a mug of ale, damages and restoration, 20cm max. (3) £180-220

183. Five Staffordshire figures, 19th century, including a pearlware Scottish piper, a putto holding a basket, a pearlware sportsman, a figure with a blunderbuss, and a porcelain figure in a frock coat, damages, 22cm max. (5) £50-150

184. Two pearlware figure groups, 19th century, one of a boy holding a bird’s nest beneath a flowering tree, possibly emblematic of Spring, the other a spill vase group of a family of sheep beneath a hollow tree trunk, some restoration, 15.5cm max. (2) £80-120

185. An unusual Pratt type figure of a boy, late 18th/early 19th century, pulling his trousers around his ankles and exposing his buttocks, typically coloured in splashes of green, blue and ochre, damaged and repaired, 6cm. £50-100

186. Two Staffordshire figures of Winter, personified as young boys huddling into their clothes, and a white-glazed figure of Spring, holding a basket of flowers and a bird’s nest, some restoration, 16cm max. (3) £100-200

This figure may relate to a reported stage act of a boy laying an egg, popular in music halls of the time.

187. Five Staffordshire pearlware figures, 1st half 19th century, two of The Poor Labourer, one of a man with a begging dog at his feet, one probably emblematic of Autumn, the last feeding a cockerel tucked beneath one arm, some damages and restoration, 19.5cm max. (5) £150-250

188. A treacle-glazed model of a cat, 19th century, seated with its head turned to sinister, its tail curled about its paws, and a small stoneware model of a cockerel, tinged with brown and raised on a tall scrolling base, 15cm max. (2) £100-200

189. A pair of Salt pearlware sheep groups, 1st half 19th century, a similar Walton group and another, all modelled standing four square on tall grassy bases with recumbent lambs at their feet, applied marks to three, some losses and repairs, 17cm max. (4) £150-250

190. Two pearlware models of dogs, early 19th century, one finely modelled and recumbent on an elongated octagonal base, the other of Portobello type with black ears and paws, recumbent amidst tall grass, a little restoration, 8.5cm max. (2) £100-200

191. A pearlware model of a red squirrel, 1st half 19th century, after Derby, eating a nut which it clutches in its forepaws, and raised on a low grassy base, 8cm. £50-100

192. Two small creamware models of a sheep and a dog, 2nd half 18th century, the sheep decorated in a cream Whieldon-type glaze with green tinges around the base, the dog recumbent and painted with brown patches, some damages and restoration, 7.2cm max. (2) £150-250

193. Three Staffordshire porcelain groups, 1st half 19th century, one modelled as two cows beneath a spill formed as a tree trunk, one of a deer recumbent beneath bocage, the last of an elephant standing four square on a shaped dish with a castle on his back, some restoration, 11cm max. (3) £120-150

194. A rare Staffordshire pearlware group, c.1800, of a large chicken with brightly-coloured plumage being savaged by a fox beneath flowering bocage, some restoration, 15.5cm high. £200-300

195. Two pearlware religious groups, 19th century, one of the Vicar and Moses in the pulpit, the other of St Peter, penitent before flowering bocage, some restoration, 24.5cm max. (2) £150-250

196. A Ralph Wood figure of Hope, late 19th century, personified as a maiden in Classical dress, supporting a large anchor by her side, and a Pratt ware musician holding a lyre and draped in a spotted robe, some good restoration, 17.5cm max. (2) £300-400

197. A pottery white-glazed figure of Justice, late 18th / early 19th century, after Derby, standing on a tall rococo scrolling base, glazed in white, one arm, her sword and scales lacking, 33.2cm. £100-200

198. A Ralph Wood figure of a boy, c.1790, standing with arms crossed over his chest and wearing a sullen expression, and a pearlware figure of a lady in Ralph Wood style, holding a bird in her left hand, a dog by her side, the former extensively damaged, 24cm max. (2) £200-300

199. Five small Staffordshire pearlware figures, 19th century, two of children reading, one of Falstaff seated on a grassy stump, one of Winter, wearing a furry hat and a long cloak, the last of a lion resting a forepaw on a blue ball, some restoration, 14.5cm max. (5) £200-300

200. Four Staffordshire spill vase groups, 19th century, three of children with a donkey, a basket of fish, or seated in an arbour, the last of a nobleman seated with a spaniel, and a figure of Prince Albert, 27cm max. (5) £50-150

201. Ten Staffordshire equestrian groups, 19th century, including Dick Turpin and Tom King, Going to Market and Returning Home, General Pelissier and Sir George Brown, the Empress of France, George and the Dragon, and a pair of Highland figures on horseback, 26cm max. (10) £200-300

202. Six Staffordshire Highland groups, 19th century, one of Auld Lang Syne with three drinkers sat around a table, the others of dancers and other figures in Highland dress with flowers, birds and animals, 24cm max. (6) £100-200

203. A rare and large Staffordshire advertising spill vase, 19th century, modelled as a red and white heifer standing before a hollow tree trunk with thistle growing up beneath, the base titled ‘Milk Sold Here’, 36cm high. £400-600

205. A Staffordshire pearlware model of an eagle, early 19th century, standing on a flowered stump with wings unfurling, its head arched back, some good restoration, 20cm. £80-120

204. An Enoch Wood pearlware model of two cupids fighting, 19th century, after the sculpture by Pierre Philippe Thomire, one holding the other back and his foot moved to crumple pink roses beneath it, raised on a rectangular black-glazed base, damage to one arm, 41cm. £250-350

206. A creamware model of a pug dog, c.1760, after Meissen, raising his rear paw to scratch one ear, decorated in a mottled Whieldon type glaze, a faint crack through one foot, 5.5cm across. £400-600 Cf. Leslie B. Grigsby, The Henry H Weldon Collection, English Pottery 1650-1800, p.345 for a similar model.

207. A Pratt ware model of a dog, c.1800, seated on its haunches with its head turned to sinister, its coat decorated with patches of a muddy brown, raised on a grassy base, good restoration to the base, 8.2cm. £100-200

208. A pair of Staffordshire porcelain spaniels, c.1830, recumbent with heads turned and raised on scrolling bases highlighted in green and gilt, and a similar recumbent dog with a red patched coat, 10cm max. (3) £100-200

209. A pair of Staffordshire porcelain sheep and two others, 1st half 19th century, all recumbent on moulded bases with gilt rims, their heads turned and fleeces applied with rough clay, 9cm. (4) £180-220

210. A pair of Staffordshire lion and lamb groups, 1st half 19th century, two small Staffordshire porcelain models of recumbent lions, and a porcelain model of a lion seated on a cushion and wearing a coronet, 9.2cm max. (5) £100-200

211. Two pairs of Staffordshire greyhound inkwells, 1st half 19th century, recumbent with forepaws crossed over blue oval cushions, and a Staffordshire model of a poodle and two puppies, faults to some, 16.5cm max. (5) £120-150

212. A creamware cow creamer and cover, late 18th century, standing four square on a green-glazed base, the cow decorated in a Whieldon-type manganese glaze, some restoration to the horns and ears, 17.5cm. (2) £80-120

213. Two large pearlware models of sheep, 1st half 19th century, one of Portobello type, recumbent on a base glazed in green and black, the other a recumbent ram decorated in an allover umber wash, 16cm. (2) £300-400

214. A pair of Ralph Salt pearlware models of gardeners, c.1820, raised on titled bases before flowering bocage, a Walton group titled ‘Tenderness’, and a Tithe Pig group, some damages, 17cm max. (4) £200-300

215. A Pratt ware figure of Hope, late 18th century, cradling a baby while two further children cling to her skirts, with enamelled highlights in brown and blue, raised on a square plinth, a chip to the boy’s hand, 21.5cm. £250-350

216. Two Ralph Wood pearlware figures, late 19th century, one of Neptune, resting his foot on the head of a dolphin and holding a replacement metal trident, the other of a water carrier, resting a handled urn on her cloaked head, another resting on one hip, some restoration, 24cm max. (2) £200-300

218. A good pair of Staffordshire models of poodles, 19th century, seated with forepaws separated and heads turned, their coats applied with white fritting, 21cm. (2) £80-120

217. An Astbury type figure of a gardener, decorated in a treacle glaze, wearing a frock coat and wig, standing and resting on his spade, a chip to the base, 14.5cm. £300-500

219. A large Robinson and Leadbetter Parian bust of Gladstone, 19th century, titled to the reverse, and an early plaster bust of Tchaikovsky by Astrid Zydower, c.1958, probably from her Men of Letters series, signed to the reverse, 44cm max. (2) £250-350

220. A red and white stoneware part chess set, probably 1st half 19th century, the pieces finely modelled with detailed robes and faces, small damages, 8.6cm max. Comprising: a king, a bishop and five pawns. (7) £100-200

Dear Tom, this brown jug that now foams with mild ale, (In which I will drink to sweet Nan of the Vale) Was once Toby Philpot, a thirsty old soul As e’er drank a bottle or fathom’d a bowl. These lines from the 18th century song ‘The Brown Jug’, written by the Rev. Francis Fawkes, tells the story of Toby Philpot (sometimes Fillpot) describing how the decayed remains of the drunken protagonist turn to clay in the ground and are excavated by a potter and made into a jug. While other stories and legends surround the origins of the now famed Toby jug, these lines provide a logical link between the name and the commencement of production of these most characterful of jugs in around 1780. The following 29 lots, most from a single private collection, offer a good insight into this unique area of collecting, with examples made by Ralph Wood of Burslem (the original Toby jug potter), and a number of rarities in form and decoration. Some have already featured in significant collections, such as the Lord Mackintosh collection or the Margaret Cadman collection, and offer a rare opportunity to acquire a piece of English pottery history.

221. A rare ‘Convict’ Toby jug of Thin Man type, c.1790, holding a cup or the bowl of his pipe in his right hand, his left resting a jug on his knee, enamelled in shades of yellow, ochre and brown, his coat with a design of arrows and loose stripes, 25cm. £2,000-2,500 Illustrated: Vic Schuler, British Toby Jugs, p.35. Cf. John Bedford, Toby Jugs, p.29 for a description of the ‘Convict’ class of Toby jugs.

222. A rare pearlware ‘Sinner’ Toby jug, c.1800, seated and looking slightly to the right, holding a small painted jug and a cup of ale, his face of a ruddy and warty complexion, his coat an unusual bluish-green, minor faults, 20cm. £1,200-1,500

223. An unusual creamware ‘Step’ or ‘Twyford’ Toby jug, c.1780, the foamy head of his ale escaping down one side of his jug, his long clay pipe resting against his chin, his mouth slightly agape to reveal a missing front tooth, enamelled in washes of green and blue, the slightly canted base in manganese brown, some faults, 24cm. £1,800-2,200 Illustrated: Desmond Eyles, Good Sir Toby, fig. 32, the image captioned as courtesy of Lord Mackintosh of Halifax.

224. An unusual pearlware Toby jug with ‘Askew’ face, c.1800, crudely moulded and painted with an ochre frock coat, blue breeches and brown hat, a blue jug resting on his knee, the chamfered base enamelled green, 20cm. £400-600 Paper label for the Margaret Cadman collection. Cf. Christie’s, Works of Art from the Bute Collection, 8th July 1996, lot 128 for a similar example.

Provenance: from the collection of Lord Mackintosh. Sotheby’s, 2nd May 1967, lot 44.

225. A Ralph Wood Toby jug and cover, c.1790, typically moulded with a foaming jug of ale, his wrinkled face with mouth agape to reveal gaps in his teeth, washed in brown, blue and green, some faults, the cover associated, 24.5cm. (2) £1,000-1,500 Old paper labels to the base, one printed ‘Heirloom’.

226. A large Yorkshire ‘Crown Mark’ Toby jug, c.1800-10, enamelled in a pale attractive palette of blues and yellows, a miniature Toby resting on one knee while he raises a spotted cup to his lips, the handle elaborately leaf-scrolled, the interior of his tricorn hat with sponged decoration in blue, faint impressed crown to the underside, some restoration, 26cm. £1,000-1,200

227. A pearlware Toby jug, 1st half 19th century, typically moulded in frock coat and breeches, the foaming jug on his knee unusually modelled as a grotesque bird-type creature with large beak, the handle with a scroll terminal, some retouching or restoration to his hat, 25.5cm. £100-150

228. A Wood-type pearlware Toby jug, c.1790, modelled in typical seated pose, a small upright barrel between his feet, his long clay pipe resting vertically by his right side, his coat sponged in blue, some faults, 24.5cm. £200-300

229. A ‘Success to our Wooden Walls’ Toby jug, c.1820, of Ordinary type, holding a long-stemmed pipe and an inscribed jug of ale, some faults, 25.5cm. £100-200

230. Two pearlware Toby jugs, c.1820, both seated and resting a jug on their left knee, one jug disappointingly empty, each with a clay pipe resting by his side, one with a barrel between his feet, small damages and restorations, 26cm max. (2) £300-400

231. Two Toby jugs, 1st half 19th century, one of Squire type, seated on a corner stool and clutching his jug of ale to his stomach, the other of Ordinary type with a brightly patterned waistcoat, marked for Walton, some faults, 27.5cm max. (2) £250-350

232. Three Toby jugs, 19th century, one a ‘Hearty Good Fellow’, one of Martha Gunn, the other seated and holding his jug of ale aloft, damages to one, 28cm max. (3) £150-250

233. A pearlware ‘Success to our Wooden Walls’ Toby jug, c.1820-30, typically modelled and painted with a warty face, a foaming jug resting on his left knee with the inscription black within a shield, impressed number to the underside, some faults, restoration to the hat, 25cm. £100-150

234. A small Yorkshire Pratt ware standing Toby jug, c.1810, wearing a long blue frock coat and standing on a green grassy base, the handle incised with scale effect, 11cm. £150-250

235. A Yorkshire Pratt ware standing Toby jug, c.1810-20, wearing a patterned waistcoat beneath a blue coat, a bottle and cup clutched against his broad stomach, the inside hat rim and base sponged with broad stripes, the handle modelled as a figurehead, minor damages, 19.5cm. £300-500

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236. A small Yorkshire Pratt ware standing Toby jug, c.1800-10, wearing a long blue frock coat, his tricorn hat with black scalloped rim, the handle with foliate terminals, a 2cm flat chip, 12cm. £200-300 Cf. Christie’s, Works of Art from the Bute Collection, 8th July 1996, lot 107 for two similar examples.

237. A Toby jug of Ralph Wood type, c.1800-10, decorated in a muted palette of blue, brown and yellow, a green jug of ale resting on one knee while he holds the stump of a short pipe in his teeth, some restoration to his hat, 24cm. £200-300

238. A Pratt ware Toby jug, c.1800-1810, decorated in a typical palette with striped stockings and, an ermine type coat, a jug of ale resting on one knee, some restoration to his hat, 24.5cm. £300-400

239. A pearlware Toby jug, c.1810, painted in Pratt type colours with an ochre frock coat, green waistcoat and blue breeches, his eyes and hair detailed in blue enamel, damages, 24cm. £100-150

240. A small Ralph Wood Toby jug, c.1790, seated and wearing a pale green coat and ochre breeches, a jug of ale resting on his left knee, his tricorn hat with moulded detailing, some good restoration to the handle, 16cm. £400-600 Old partial paper collection labels to the base.

241. A creamware ‘Step’ or ‘Twyford’ Toby jug and associated cover, c.1780-90, the empty jug in his left hand decorated with a pattern of spots and stripes in brown, his chin with a roughly enamelled brown beard, the base slightly canted, some damages, 24cm. £1,200-1,500 The base with an old paper collection label, no. 243. 240

241

242. A Ralph Wood type Toby jug, c.1790, typically modelled resting a foaming jug of ale on one knee, his pipe resting beside his stool, damages and restoration, 24.5cm. £60-100

243. An unusual pearlware Toby jug, c.1780-90, decorated in blue and green enamels, his long clay pipe resting against his stool, a barrel lying down between his feet, some damage to the hat, 25cm. £500-700

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Most Toby jugs of this period are modelled with an upright barrel, while far fewer are known with the barrel in this position.

244. A ‘Squire’ Toby jug, c.1810, decorated all over with a green swirl design, a jug of ale clutched to his broadening girth, his arm reglued and pipe lacking, 28cm. £400-500

245. A large Yorkshire ‘Crown Mark’ Toby jug, c.1800-10, his hat with an unusual scalloped rim, decorated in Pratt ware enamels, his blue coat with ochre trim, the handle with leaf scroll moulding, impressed crown mark to the base, some restoration, 26cm. £400-600

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246. A rare ‘Trafalgar’ or ‘Victory’ Toby jug, c.1815-18, wearing a striped waistcoat and blue jacket, seated on a grey sea chest bearing the legend ‘Trafalgar’ and an applied medallion of Nelson’s flagship Victory, holding a foaming jug of ale and a cup, a little good restoration, 28cm. £2,000-2,500

247. A Pratt ware ‘Hearty Good Fellow Sailor’ Toby jug, c.1820, standing with body turned and wearing blue striped trousers and a double-breasted waistcoat, a foaming jug of ale in his right hand, his pipe in his left, restoration to his hat, 23.5cm. £300-500

This model is based on the ‘Rodney’s Sailor’ Toby jugs made some 20 years earlier.

248. A large ‘American Sailor’ Toby jug, c.1820, seated astride his sea chest, resting his tankard and clay pipe on one knee, nautically dressed in striped trousers and blue jacket, the base unusually incised ‘Joseph Owen’, restoration, 27.5cm. £300-500

249. A small ‘American Sailor’ Toby jug, c.1820, seated on a sea chest bearing the inscription ‘Dollars’ to two sides, his foaming jug of ale inscribed ‘Success to the Wooden Walls’, typically dressed in striped trousers and blue jacket, some faults, 26cm. £400-600 Provenance: Christie’s, The Property of the late Surgeon Rear Admiral P. D. Gordon-Pugh, 26th April 2001, lot 69.

250. A Doulton Lambeth stoneware tyg, late 19th century, applied with a hunting scene and topers between three dog handles, a jug applied with a hunting scene, and a pearlware moulded Bacchus jug with the handle formed as a monkey, some damages, 22.5cm max. (3) £150-250

251. A large brown stoneware mask jug, 19th century, modelled as Bacchus with fruiting vine and ears of corn around his head, 24cm high. £200-300

252. Three pearlware jugs, early 19th century and later, one printed with a portrait of the Quaker and philanthropist, Richard Reynolds, the reverse with a stanza mourning his demise, one a Sunderland lustre jug of Crimean interest, the last a Wedgwood commemorative jug for the bicentenary in 1930, some small faults, 16cm high max. (3) £150-250

253. A large pair of Merkelbach and Wick stoneware ewers, late 19th century, in the Renaissance manner, the flat circular bodies with a central hole, the spouts with griffin masks, enamelled in blue and brown, impressed mark to one, some faults, 37cm. (2) £100-200

254. A small collection of Doulton Lambeth and Royal Doulton stoneware, late 19th/early 20th century, variously sprigged with hunting scenes, windmills and topers, some faults, 25cm max. Comprising: five jugs, a teapot and cover, and a Salisbury Gill Pot inscribed ‘RSM 1658’ and made only for Watson & Co. in Salisbury. (8) £150-250

255. Three moulded pearlware jugs, 19th century, the largest applied with Classical figures in carriages drawn by animals, highlighted with purple lustre, two applied with children or flowers on a copper lustre ground, and a copper lustre goblet, 19cm max. (4) £50-150

256. A pair of stoneware pistol flasks, 19th century, modelled with hollow barrels and highlighted with a blue glaze, 20.5cm. (2) £150-250

257. A brown stoneware puzzle jug, 19th century, after Nottingham, applied with topers and incised ‘J R 1706’, the neck and rim pierced with an arrangement of holes, some good restoration, 23.5cm. £200-300

258. Two stoneware boots, 19th century, the larger a flask decorated in a warm treacle glaze, the smaller a moneybox with Whieldon type colours washed in green and brown, 16.5cm max. (2) £50-150

259. A stoneware flagon, 19th century, the long ovoid body a warm brown tone, 29cm. £60-80

260. Five blue and white transferware meat platters, 19th century, variously decorated with Chinese pagoda patterns and European figures in a landscape, some faults, 48cm max. (5) £100-200

261. A large brown stoneware jug or flagon, 17th/18th century, decorated with a tigerware glaze and tapering to a narrow neck with small handle, 31cm. £150-250

262. Two large pearlware blue and white chargers, 19th century, printed with the Broseley pattern, 47cm max. (2) £50-150

263. A slipware moneybox, 19th century, the waist and shoulders applied with small birds with a single bird finial perched atop, decorated in brown and yellow striations, some damages, 25cm. £50-150

264. Two large stoneware flagons, 19th century, of tall ovoid form, each with a small handle near the neck and impressed with a 4, small damages, 46cm. (2) £250-350

265. A pair of pearlware plaques, 19th century, printed and coloured with figures in rural scenes, a pearlware children’s plate printed with a farm scene and moulded with animals to the rim, a lustre câchepot moulded with Classical figures, and a Doulton Burslem mug to commemorate Queen Victoria’s Golden Jubilee, 19cm max. (5) £250-350

266. Two Sunderland lustre bowls, c.1820 and later, the earlier printed with a view of the Sunderland bridge and other vignettes and poems relating to shipping and masonry, the later printed with the Shipwright’s Arms and a coloured print of ‘Ship Caroline’ to the interior, and a Sunderland lustre bowl and cover decorated with the Farmer’s Arms, the latter extensively damaged and repaired, 26.5cm max. (4) £100-200

267. A creamware sugar bowl and cover, late 18th century, printed in red with the Lovers Disturbed, the reverse with a reclining shepherd, three reticulated creamware tureen covers and an oval stand, 24cm max. (6) £150-250

268. A rare Mortlake (Kishere) brown stoneware hunting jug, early 19th century, sprigged with a scene of a horse-drawn cart before farm buildings, winged cherubs and Classical figures in addition to the more usual topers and hounds, restoration to the spout, 17.5cm. £400-600

269. A Westerwald stoneware tankard, early 18th century, incised with three panels of a tulip design, enamelled in blue and purple on a grey ground, fitted with a later metal hinged lid, 20.5cm. £150-250 268

269

270. A good Cambrian pottery footed bowl, c.1830-40, printed in purple with the Swiss Villa pattern, moulded to the exterior, 22.5cm dia. £500-800

271. A Cambrian Pottery puzzle jug, early 19th century, printed in blue with Oriental foliage in the Carnation or Peony Rose pattern, the rim pierced and with three rounded spouts, 18.5cm. £500-800 Paper label for the B A Williams collection.

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272. A rare Cambrian ‘Puzzle of Portraits’ mug, c.1800, printed in black with floral sprays and seemingly meaningless arrangements, revealing the profile portraits of royalty, titled ‘A New Puzzle of PORTRAITS. Striking Likenesses of the King & Queen of England and the late King & Queen of France’, 9.3cm. £1,000-1,500

273. A Westerwald stoneware jug, late 18th/early 19th century, the round-bellied body applied with small flowerhead roundels on a deep blue ground, the handle with the remains of a pewter mount, cracked, traces of an old paper label to the base, 21cm. £100-200

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274. Two Whieldon-type creamware plates, late 18th/early 19th century, one octagonal and decorated in a sponged manganese glaze, the other with geometrically arranged splashes of blue, green and ochre on a sponged ground within a feather-moulded rim, 24cm max. (2) £200-300

275. A Dawson creamware tureen and cover, 1st half 19th century, with scrolled shell handles, impressed mark, the cover surmounted with a leafy finial, a few small chips, 30cm,. (2) £50-150

276. Two pearlware teapots, early 19th century, one decorated in ochre and silver lustre, inscribed ‘Elizabeth Ginders born 14th September 1790’, the other with flower bands and purple lustre, some restoration, 25cm. (4) £100-200

277. A rare pearlware commemorative cream jug, c.1840, to celebrate the wedding of Queen Victoria and Prince Albert, moulded with profile busts of the bride and groom, decorated all over in a rich yellow glaze, 9.3cm high. £50-150

278. A pair of pottery pie funnels, late 18th century, moulded with bands and impressed with a star design, each impressed ‘ER 1794’, 6cm. (2) £80-100

279. A pearlware moneybox, early 19th century, of Portobello type, modelled as a house flanked by two figures, two faces peering through the upstairs windows, the back of the roof with a coin slot, a chip to the slot, 12.5cm. £150-250 Paper label for Leonard Russell, Newhaven.

280. A rare English salt-glazed stoneware guglet, mid 18th century, applied with sprigs of fruiting vine, and a similar bottle vase, further applied with small vignettes of Classical figures, some restoration, 22cm max. (2) £250-350

281. A blue and white transferware bottle, 19th century, decorated with figures before a cathedral, a Wedgwood Jasperware plate applied with flower garlands, and a Caughley creamer painted with polychrome flowers, 19cm max. (3) £150-250

282. A good salt-glazed stoneware plate, c.1750, elaborately moulded with diaper panels and foliate scrolls, the shaped rim pierced, and a creamware plate, Dutchdecorated with William of Orange and Queen Mary, 24.5cm max. (2) £250-350

283. A Pratt ware moneybox, early 19th century, modelled as a house flanked by two gentleman in hats, and a treacle-glazed window or furniture rest modelled as the head and shoulders of a woman, small damages, 12.5cm max. (2) £80-120

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284. A rare brown salt-glazed stoneware cream jug, c.1750-70, Nottingham or Derbyshire, the body incised with vertical ribs and bands of chevron decoration between bands of fritted clay, 12.5cm. £600-800

285. An unusual pearlware mug, c.1760, painted in blue with a four line inscription, ‘When in the slippery paths of youth With heedless steps from Thy Arm unseen conveyed me safe And led me up to man’, damaged, 12cm. £50-100 285

286 286. A Pratt ware model of a cradle, late 18th/early 19th century, modelled with a bonneted baby resting in the interior, the basket-woven exterior decorated with underglaze yellow, blue and ochre, 12cm. £80-120

287. A Jackfield loving cup, mid 18th century, the bell-shaped body with twin handles, a yellow-glazed pearlware mug with a bright stylized leafy border, and a green-glazed creamware mug and stand moulded with ribs, minor damages, 10cm high max. (4) £200-300

287

288. A pair of pearlware blue and white leaf pickle dishes, 1st half 19th century, printed with Oriental figures beneath a domed parasol in an exotic landscape, and a Caughley pickle dish printed with the Fisherman and Cormorant pattern, 14.5cm max. (3) £100-200

288

289. A pearlware plaque, early 19th century, of Portobello type, moulded and enamelled with a gentleman in Eastern dress seated beneath a palm tree with a lady by his side, some chipping to the edge, 16cm. £80-120

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290. A Whieldon-type creamware dish, c.1800, decorated with patches of green and yellow glaze on an unusual greyish blue sponged ground, the rim pierced, 24cm. £80-120

291. Six Wedgwood creamware plates, c.1810-20, decorated with flowering cornucopia and leafy pears on a pale lilac ground, impressed marks, 20.2cm. (6) £200-300

292. Twelve pearlware blue and white plates, 19th century, each printed with three boys seated on a grassy bank before Eastern buildings, the borders with winged putto amidst flowers, 23.5cm. (12) £200-300

291 293. Two pairs of creamware plates, 19th century, one pair Spode soup plates decorated in pattern 1783, the other pair painted with simplistic floral sprays, and an armorial plate painted with a central crest of a lion holding a cross, 24.5cm max. (5) £250-350

294. A creamware wall sconce, 1st half 19th century, the recess painted in blue with a gallant standing with one hand resting on his hip and leaning to his right, the outside edge with a border of oeil de perdrix and partial flowerhead mon, 25.2cm. £150-250

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295. A good pair of Wedgwood pearlware candlesticks, mid 19th century, each modelled as a tall fluted column raised on a square base, the details highlighted in blue, impressed Wedgwood and P marks, the tops fitted with brass mounts, 31.2cm. (2) £300-500

296. A Leeds creamware cornucopia wall vase, late 18th century, moulded with a putto holding a flaming urn aloft, a quiver of arrows by his side, the rim moulded with a band of leaves, a little good restoration, 24cm. £80-120 293

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297. A dry-bodied stoneware vase, 1st half 19th century, applied in white with Venus and Cupid between stiff leaf borders, the sides with mask-head handles, raised on a flared plinth with key fret bands and geometric foliate motifs, 20cm. £150-250 Cf. D. Edwards and R. Hampson, English Dry-Bodied Stoneware, p.154-155 for similar wares retailed by James Mist of London.

298. A Chanakkale (Western Turkey) pottery bird, 19th century, stylistically modelled with curled tail and narrow wings, its rounded beak forming a spout, raised on a circular base, decorated in cream glaze with coloured splashes, 21.5cm high. £400-600

300. A large Kutahya (Turkish) dish, 19th century, decorated in the Iznik style with saz leaves and other flowers in shades of blue, green and purplish red, 32.5cm. £200-300

299. A Chanakkale (Western Turkey) pottery ewer, 19th century, green-glazed and painted with flowers around an applied motif, with ropetwist handle, 34cm. £300-400

301. A massive black basalt model of a putto, 19th century, possibly personifying Summer, semi-reclining on a rocky base beside sheaves of corn, placing a circlet of corn ears on his head, raised on a circular base with key fret design, unmarked, chips to two toes and one finger, 46.5cm. £800-1,200

302. A Wedgwood black basalt coffee pot and cover with matching milk jug, 19th century, the bodies finely fluted, the cover with a sibyl finial, impressed marks, 19cm max. (3) £100-200

303. A large Castleford type stoneware teapot and cover, early 19th century, one side painted with a figure travelling through a landscape before thatched buildings, the other side with a river scene, moulded with garlands and leaf designs, a small restored chip to the cover, 28.5cm across. (2) £150-250

304. A large black basalt teapot and cover commemorating the Battle of Vitoria, dated 1813, the teapot with a mythical beast spout and inscribed ‘India Portugal Spain Vittoria 21st June 1813’, the reverse applied with a bust of Wellington being crowned by Britannia, and a coffee pot and cover applied with Napoleon crossing the Alps, some damages to the coffee pot, 23.5cm max. (4) £150-250

305. A pair of Wedgwood black basalt candlesticks, early 19th century, the Classical forms painted with Oriental flowers including peony, lotus and chrysanthemum, impressed marks, some damages, 17.5cm. (2) £100-200

306. A good pair of Wedgwood creamware baskets and stands, c.1800, the baskets’ slatted sides interwoven with red ribbons, the stands with reticulated rims, impressed marks, 27.8cm. (4) £300-400

307. A pair of Wedgwood Jasperware campana vases, early 19th century, applied in white with Classical figures, animals and putti, on a blue ground between formal leaf borders, impressed marks, the square bases lacking, 13.5cm. (2) £300-500

308. Two Spode pearlware plates, late 18th/early 19th century, one bat-printed with P406 of two sheep, the other printed in blue with the First Temple Landscape, and a Mason’s Ironstone dessert plate decorated with flowers within a wide moulded border, 23.3cm max. (3) £50-150

309. Literature: Leslie B Grigsby, English Pottery 1650-1800, The Henry H Weldon Collection, edition 155 of 800. £100-200

Cf. Geoffrey Godden, Mason’s Ironstone China, p.106 for examples from the Mason’s dessert service.

Paper label for Alistair Sampson Antiques Ltd.

310. Three black basalt teapots and covers, 1st half 19th century, two with engine-turned bands, one Wedgwood and moulded with stiff leaves, a moulded cream jug, and a Birch sucrière and cover with a sibyl finial, small damages, 19cm max. (9) £200-300

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311. A Staffordshire creamware miniature teapot and cover, c.1770, decorated in a mottled Whieldon type glaze with splashes of blue and green, the handle and spout moulded as twigs, the cover with a floral knop, some faults to the cover, 12.5cm. (2) £100-200 Provenance: The Joseph Jackson Collection of Teapots, 24th April 2001, lot 172. 312. A creamware toy dinner service, early 19th century, painted with a border of stylized green leaves within red and manganese bands, some damages. Comprising: a tureen and cover, a sauceboat, three serving plates, two tureen covers, three soup plates and six other plates in two sizes. (17) £150-250 313. A miniature Staffordshire salt-glazed teapot and cover, c.1760, the cylindrical body applied with heraldic lions, flowers and leaves, the handle formed as a dolphin, some restoration to the cover, 12.7cm. (2) £80-120 Provenance: The Joseph Jackson Collection of Teapots, 24th April 2001, lot 173. 314. Miniature Wedgwood black basalt teawares, 19th century, enamelled with Oriental flowers including peony and chrysanthemum, impressed marks, 9.5cm max. Comprising: two teapots and covers, a sugar bowl and cover, and a milk jug. (7) £150-250 315. A Staffordshire redware teapot and cover, c.1770, after the Chinese Yixing, the cylindrical body applied with birds in flight within cartouches of scrolls and hatched bands surmounted by equestrian figures, small chips to the cover, 15cm. (2) £200-300 Provenance: The Joseph Jackson Collection of Teapots, 24th April 2001, lot 158. 316. Two Wedgwood miniature teapots and covers, c.1820, one pearlware and painted with blue carnation sprays, the other caneware with a turned body picked out in blue enamel, impressed marks, some faults, 11.5cm max. (4) £120-150 Provenance: The Joseph Jackson Collection of Teapots, 24th April 2001, lots 152 and 154. 317. Two miniature Pratt ware teapots and covers, c.1805, similarly painted with sprays of flowers in a palette of green, blue and ochre, 14cm. (4) £80-120 318. A miniature slipware mug, the cylindrical body marbled in cream and treacle, a 7mm rim chip to the interior, 4cm high.

£80-120

319. Two pearlware miniature teapots and covers, c.1800, one cylindrical, the other globular, both painted in blue with pagoda landscape scenes, some faults, 11cm max. (4) £100-200 Provenance: The Joseph Jackson Collection of Teapots, 24th April 2001, lots 155 and 160.

320. Six creamware bin labels, mid 19th century, of coat-hanger form, titled in black with ‘Port’, ‘Madeira’, ‘Sauterne’, ‘Champagne’, ‘Bucellas’ and ‘Port 1847’, 14cm. (6) £350-450

321. A Wedgwood black basalt plaque, 19th century, attributed to William Hackwood, modelled with Cupid reaching up to seedheads or fruits dangled above him by a Classical maiden, impressed mark, 16.6cm. £150-250 Cf. Wolf Mankowitz, Wedgwood, pl.92 for the Jasperware version of the plaque.

322. A pair of Wedgwood circular portrait plaques, late 18th/early 19th century, of John Flaxman and his wife, modelled in profile on a pale blue ground, impressed marks and incised to the reverse, framed and glazed, the plaques 14cm dia. (2) £300-400

323. A black basalt circular plaque, late 18th/early 19th century, with the profile portrait of a man turned slightly away, titled ‘Canorvci’? to the reverse, 8.2cm. £200-300

324. A black basalt circular box and cover, 19th century, moulded with the profile of George I and inscribed with an abbreviated inscription after the coinage, the underside of the box engraved with a six petal flower, some chipping to the cover’s flange, 7.2cm dia. (2) £50-150

325. Twelve Rockingham type porcelain models of cottages and other buildings, 1st half 19th century, applied with moss and flowers, some small damages, 14.5cm max. (12) £300-400 Old paper collection labels to most. One with a label for Gloria Antica of Old Brompton Road, London.

326. Ten pottery and porcelain models of cottages, 1st half 19th century and later, some pastille burners with removable roofs, one a moneybox, variously decorated and applied with flowers, leaves and moss, and a pair of Derby figures of children with birds, some faults, 15.5cm max. (15) £200-300 Old paper collection labels to most.

327. Five Derby figures, late 18th/early 19th century, one an iceskater emblematic of Winter,a pair of figures with a dog and a cat, one a gardener with a hat full of flowers, the last seated on a chair and holding a book, various marks and incised numbers, some restorations, 16cm max. (5) £250-350

329. A pair of Derby flower ornaments, c.1820-30, with large applied flowers issuing from small jardinières, and a Minton figure of a lady gardener standing beside a flowering pot plant, some damages and restoration, 18.5cm max. (3) £150-250

328. Five dog groups, 19th century, one of a poodle holding a basket in its mouth and raised on a tall moulded base, a Parian type model of a recumbent dog on a cushion, two others of recumbent dogs, the last a small dog standing four square and wearing a red collar, 10cm max. (5) £100-200

330. Three Staffordshire porcelain models of children on dogs, 19th century, two of children sitting on the back of recumbent dogs, the last of a boy astride his mount and with his arms wrapped around its neck, 12.5cm max. (3) £150-250

331. Two Derby figures, 19th century and later, one of Dr Syntax being chased by a bull, the other of a seated lady at her tatting, some damages, 17cm max. (2) £80-120

332. Two pairs of Royal Worcester flower groups, mid 20th century, modelled by Dorothy Doughty, two of Mexican Feijoa and two of Apple Blossom, black printed marks, some damages, 25cm max. (4) £200-300

333. A pair of Royal Worcester Majolica candlesticks, 19th century, each modelled as a winged griffin supporting a gilded sconce between its wings, impressed marks, a few small chips to extremities, 14cm. (2) £200-300

334. A good pair of Royal Worcester porcelain bird groups, date codes for 1960, modelled by Dorothy Doughty, of Oven Birds, one with a Ladyslipper Orchid, the other with Crested Iris, set into wooden bases, printed marks, 29cm. (4) £200-400

335. Two Royal Worcester figural candle snuffers, 20th century, one modelled as a nun the other as an elderly Welsh woman wearing a bonnet and shawl, printed marks, 9.2cm max. (2) £80-120

336. Two English porcelain figures, 19th century Derby or Minton, one of a girl kneeling and saying her prayers, the other tying her bootlace, both knelt on green tasselled cushions, 9.5cm. (2) £80-120

337. A pair of Royal Worcester menu holders, c.1874, modelled by James Hadley as London ‘down-and-outs’ wearing workaday clothes and hardened expressions, standing on cobbled bases, impressed marks and registration diamonds for 1874, 14.5cm. (2) £100-200 The menu cards would have been slung over the figures in the sandwich-board fashion.

338. Two Royal Worcester figures of water carriers, c.1910-11, each carrying a vessel on their head, an amphora in one hand, printed marks and date codes, restoration to one, 24.5cm. (2) £100-200

339. A Parian figural group, 19th century, of a lady seated with two playful dogs, a small child stood beside her, unmarked, 32cm. £200-300

340. Four Royal Worcester bird groups, mid 20th century, modelled by Dorothy Doughty, three of Indigo Buntings, one of a Yellowhammer, all perched on blackberry sprays, black printed marks, some chipping, 22cm max. (4) £150-250

341. A pair of lamps each formed with two Royal Worcester figures, mid 20th century, the figures modelled by Gwendoline Parnell of Chinese figures at various pursuits, enamelled in shades of black, red and turquoise, mounted on black wooden lamp bases, 27cm overall. (2) £100-200

342. Five Royal Worcester dessert plates and a square dish, date codes for 1929, the wells painted with flowers, signed E Phillips, the borders elaborately decorated with raised gilt shells and scrolls on a peach and green ground, 27.5cm max. (6) £600-1,000

343. An unusual Kerr & Binns Worcester rhyton vase, date code for 1858, formed as the head of a horned stag supported by a snake with raised green scales, the rim with a moulded ovolu band, printed mark, 7.5cm high. £200-300

344. A pair of Kerr and Binns Worcester three-footed vases c.1860, each finely painted, probably by George Hundley, with three sprays of heathers beneath jewelled rims, raised on claw feet, and a Grainger’s Worcester reticulated vase, with pierced bands on a pale green ground, painted mark, 15cm max. (3) £300-500

345. A Royal Worcester vase and cover, date code for 1899, finely decorated in raised and coloured gilding with a pair of exotic pheasants amidst rococo scrolled foliage on a turquoise ground, the neck pierced, shape 1927, printed mark, the cover’s finial broken and repaired, 23cm. (2) £400-600

346. A good Belleek jardinière, late 19th century, of ‘Belleek’ shape, the spiral moulded body richly applied with a variety of flowers anmd raised on three scroll feet, second period black mark, 26cm. £500-800

347. A remarkable Royal Worcester ewer and stand by Thomas Bott, dated 1866 and 1867, the ewer beautifully decorated in Limoges enamel style with scenes of Classical figures between bands of entwined dolphins, shells and profile portraits, the gilt handle formed as a mermaid clutching a dove to her breast, the stand enamelled with panels of mythical beasts between foliate scroll bands, printed mark to the stand, the ewer signed ‘T. Bott 1867’, the stand ‘T. Bott/66’, the gilding probably by Josiah Davis, some damages, 30.8cm. (2) £300-500 Cf. Henry Sandon, Royal Worcester Porcelain, col. pl. III for a similar example. Provenance: from the collection of the 2nd Viscount Bearsted, and thence by descent.

348. A rare and impressive pair of Royal Worcester vases and covers, 2005, from the Nelson collection, finely painted with battle scenes, involving HMS Victory and Bucentaure, signed L. Sykes and Liam Miller, limited editions 1 of 10, 36cm. (4) £500-1,000

349. A massive Royal Worcester figure of Bacchus, c.1890, modelled by James Hadley, holding a stick behind his back and wearing a ragged robe and grapevine coronet, printed mark, some restoration, 69cm. £600-1,000

350. A small Belleek ‘Shamrock’ basket, late 19th century, the rim applied with three small floral arrangements above a shaped three-strand base, the underside applied with two pads, 12.5cm. £80-120

351. A pair of Minton plates, c.1881, painted wiyth small figures before country cottages, the borders with a rich gilt design and panels of pink roses, impressed marks and one with a date code, 23cm. (2) £120-180

352. A Belleek ‘Sydenham Twig’ basket, 20th century, the oval form with a four strand base, the rim applied with various flowers and shamrock leaves, applied pad to the base, 31cm. £200-300

353. A Minton cabinet plate, date code for 1879, the well painted with a view of Osborne House within a bright turquoise border decorated with foliate scrolls in a pâte-sur-pâte border, titled in red to the reverse, printed and impressed marks, 24.5cm. £150-250

354. Military interest: a Wedgwood commemorative bowl, 1991, produced for the Light Infantry to commemorate the presentation of New Colours by Elizabeth, the Queen Mother, to the 1st, 2nd and 3rd battalions at Tidworth on 31st May 1991, limited edition 30 of 80, and a Coalport Light Infantry plate, limited edition 61 of 350, 27.5cm max. Together with certificates. (4) £100-200

355. A good Minton porcelain plate, c.1900, painted perhaps by J E Dean with ships sailing on a calm sea, within a wide cobalt blue border highlighted with floral sprays in raised gilding, printed and impressed marks, 24.5cm. £100-150

356. A large Royal Worcester pot pourri vase and cover, c.1906, with inner cover, decorated with a sprawling spray of aster type flowers, the tall cover of tasselled crown form, printed mark and date code, restoration to the outer cover, 44cm. (3) £100-200

357. A pair of Ridgway porcelain vases, 1st half 19th century, painted with continuous landscape scenes of figures before stately mansions and romantic ruins, pattern number 3/365, some restoration, 18cm. (2) £120-180

358. A Grainger’s Worcester reticulated vase and cover, c.1880, the ovoid shape pierced with an elaborate foliate design and raised on three lion feet, printed marks, 21cm. (2) £200-300

359. A Coalport oval teapot and cover, early 19th century, decorated in a rich Imari pattern, and three English porcelain coffee cans, including one Minton in pattern 299, 26.5cm max. (5) £350-500

360. An English porcelain botanical plate, 19th century, the well painted with a large spray of honeysuckle, the rim decorated with an ivy garland on a peach ground, titled to the reverse, pattern number ‘4/No.1284’ in puce, 22.7cm. £40-80

361. A Chamberlain’s Worcester sauce tureen and cover, c.1830, decorated with an Imari type pattern, a Chamberlain’s buttertub and cover painted with dry blue flower sprays within a gilt dentil rim, and a porter mug painted with a panel of flowers reserved on a puce ground, 16cm max. (5) £500-800

362. A Rockingham dessert dish and a pastille burner and stand, 19th century, the dish painted with flowers within a shaped rim of white and gilt flowers on a grey basketweave ground, the pastille burner applied with flowers, some faults, 26cm max. (3) £120-150

363. A small collection of decorative English porcelain, most 1st half 19th century, including a lobed cabinet plate painted with a kingfisher, a J. & M. P. Bell saucer painted with a landscape within a pink border, a fluted Coalport milk jug, a Pattern Book plate, cup and saucer with gilt garlands, and a King Street Derby milk jug, some wear and damages, 24cm max. (7) £50-150

364. A good New Hall teacup and saucer, early 19th century, painted with panels of flowers reserved on a blue ground with a rich gilt design, a pair of Derby small cups and saucers with garlands of rose and cornflowers, and an inkwell painted with pink roses, 14.3cm max. (7) £250-350

Provenance: the Geoffrey Godden reference collection.

365. A pair of miniature English porcelain vases and covers c.1815-25, probably Spode, painted with pink and white roses, the covers pierced, and a pair of Bloor Derby flower vases applied with large colourful blooms, crowned D marks in red, some damages, 16.5cm max. (6) £250-350

366. A miniature Spode porcelain pot pourri basket and cover, c.1825-30, with gilt detailing, the domed cover pierced with seventeen holes, iron red pattern number 341, 10.5cm across. (2) £100-200

367. Two English porcelain baskets, 1st half 19th century, perhaps Coalport, painted and encrusted with flowers, the smaller with a pierced cover, a similarly decorated ewer, a rococo-moulded vase with flowers applied to a blue ground, and Spode ring stand painted with pink roses in pattern 3336, 16cm max. (6) £250-350

368. A Spode Copeland part dessert service, c.1900, attractively painted with baskets of flowers and further single sprays including divergent tulip and chrysanthemum. Comprising: two oval dishes, a square dish, two soup plates and eight plates. (13) £150-250

369. A Charles Ford bone china part service, late 19th century, unusually decorated in the Chinese famille verte palette with scenes of Chinese figures in pagoda and garden landscapes, the rims with panels of birds in branches, impressed CF monograms, some damages. Comprising: seven saucers, four small plates and seven larger plates. (18) £100-200

370. Twelve Chinese porcelain coffee cans and saucers, 1st half 19th century, unusually and brightly decorated with beetles and other insects around lychees, finger citron and other fruits and flowers, some small damages, 14.7cm. (24) £100-200

371. An English porcelain part tea service, 19th century, moulded with rococo scrolled panels and printed in blue with sprays of roses. Comprising: two square dishes, a teapot stand, six plates, seven saucers and six cups. (22) £100-200

372. A Spode porcelain part tea service, 1st half 19th century, richly decorated in pattern 4327 with gilt scrolls and stylized motifs, iron red marks and pattern numbers. Comprising: two square plates, ten saucers, four teacups and six coffee cups. (22) £150-250

373. A Barr Worcester part tea service, c.1800, richly decorated with gilt leaves and swags over dark blue bands, incised marks. Comprising: a slop bowl, a cake plate, three trios, and a teacup and saucer. (13) £250-350

374. An English porcelain part tea service, c.1810-15, brightly painted with a shell and floral design similar to New Hall pattern 1045, the slop bowl with number 208 in iron red. Comprising: a slop bowl, eight saucers and nine teacups. (18) £50-100

375. A pair of English porcelain square dishes, 1st half 19th century, painted with alternating panels of finches and English flowers on a gilt and cobalt blue ground, and a similar square twohandled dish painted with panels of flowers in pattern 193, 26.5cm max. (3) £150-250

376. A pair of Ridgway two-handled dishes, c.1825-30, painted in pattern 673 with sprays of pink roses to the wells, the borders with panels of flowers on a cobalt blue ground gilded with grapes, and a similar English porcelain shaped dish decorated with floral panels, 30.5cm max. (3) £300-400

377. Three Davenport porcelain plates, c.1830, painted with pattern 970, one with a Golden Plover, one with a Water Rail, the other with an Orange-Legged Hobby, all within café au lait borders pierced and finely painted with flowers, and a third plate painted with aquatic birds within a pink border, 24cm. (4) £300-400

378. Twenty various English plates and dishes, 1st half 19th century, seventeen porcelain, including Coalport, variously decorated with flowers, shells and Imari patterns, and with painted pattern numbers 11, 384, 507, 610, 729, 1121, 1281, 1428, 2279 and 3859, one Wilson creamware painted with flowers within a moulded rim, and two stone china dishes in patterns 307 and 478, 28cm max. (20) £400-600

379. A small collection of English Regency porcelains, variously decorated with flowers, some faults. Comprising: a pair of Davenport botanical plates within pierced rims, a pair of Spode shallow bowls in pattern 2004 with moulded rims, a pair of cups and saucers in pattern 1206, and a small plate with retail mark for Mortlocks. (9) £150-250

380. A Chamberlain’s Worcester trio, c.1805, painted by George Davis with exotic birds and butterflies reserved on a blue ground with rich gilt scales, 13.4cm. (3) £300-400

381. A garniture of three Coalport vases, c.1815, of narrow lightly flared form, finely painted with wide bands of flowers on a gilt ground within gilt foliate borders, painted pattern numbers 656 and 565, a restored crack to one smaller vase, 12cm max. (3) £200-300

382. An English porcelain cabinet cup and stand, c.1820, Spode or Minton, brightly painted with flowers and moulded with a band of raised white enamel on a dark pink ground, the cup raised on three paw feet, 13cm. (2) £250-350

It is possible that the pattern number on the larger vase has been incorrectly painted, as the vases are identical.

383. An unusual English porcelain bough pot and cover, 19th century, probably Coalport, each side painted with a panel of a bird amidst flowers, the cover and handles with bird surmounts, the four feet issuing from swan terminals, a small amount of good restoration, 20.5cm. (2) £150-250

384. A Derby lobed dish, c.1800, painted with a figure on horseback before a mountainous landscape within a border of pink rose panels reserved on a blue and gilt band, and an English porcelain plate painted in the Chinese famille rose palette with rockwork and a fence, some faults, 22.6cm max. (2) £80-120

385. A Coalport sucrière and cover, c.1820, finely painted with small arrangements of polychrome flowers within gilt hatched panels, the inside rim with gilt flowers, gilt pattern number 830 to the base, 16.3cm across. (2) £250-350

386. An English porcelain plate, 1st half 19th century, the well painted with two birds, the border with four sprays of flowers in a shaped gilt rim, and a Daniel high-sided bowl, the interior painted perhaps by Pardoe with heather, buttercups and strawberries in a muted palette, 23cm max. (2) £200-300

387. A good Coalport trio, c.1820, painted in the manner of William Pollard with spindly floral sprays within a shaped gilt panel border, printed Society of Arts mark to the saucer, 14.8cm. (3) £250-350

388. Two Derby dessert dishes, c.1825, painted in pattern 77 with shaped panels of flowers, the wells with small scattered sprigs, iron red crowned crossed batons marks, some gilt wear, 26cm. (2) £200-300

389. Two miniature Staffordshire porcelain teapots and covers, 1st half 19th century, painted with sprays of flowers, the larger with gilt detailing to the rims, spout and handle, 13.5cm max. (4) £100-200

390. A Barr Worcester miniature teapot and cover, c.1800, the barrel-shaped body painted with leafy sprigs in gilt and sepia, incised B mark and painted numeral 10, 12cm. (2) £200-300

Provenance: The Joseph Jackson Collection of Teapots, 24th April 2001, lots 332 and 333

Provenance: The Joseph Jackson Collection of Teapots, 24th April 2001, lot 369.

392. A miniature Swansea porcelain jug, c.1820, decorated with a gilt vermicelli ground, and a miniature Coalport coffee can and saucer painted with ruinous landscapes on a gilt ground, 7cm max. (3) £200-300

393. A good Spode chamberstick, early 19th century, painted in pattern 382 with a rural sepia landscape, the base with a border of gilt husks, iron red SPODE mark and pattern number, some gilt wear, 6.5cm. £150-250

The jug with paper labels for the collections of Harry Sherman and Sir Leslie Joseph.

395. A good Spode cup and saucer, c.1820, finely painted in pattern 2478 with flower sprays on a dense spiral blue and gilt ground, painted Spode and pattern number in iron red, 14cm. (2) £250-350

391. A Spode miniature cabinet cup and saucer, c.1820, decorated in raised gilt with peacocks perched on leafy branches, on a rich puce ground, iron red mark and pattern number 3993, 7.5cm. (2) £300-400

394. A rare Coalport two-handled ice cup and cover, c.1810-20, the square-section body painted with panels of flowers within gilt rococo cartouches reserved on a blue scale ground, one handle broken and reglued, 9.5cm. (2) £80-120 Paper label for the Sir Leslie Joseph Collection, no. M54.

396. A Spode violeteer, c.1815, finely painted in pattern 711 with colourful flowers on a gilt ground, the cover pierced with small holes, factory mark and pattern number in iron red, 6.5cm. (2) £300-500

397. A Flight Barr and Barr two-handled cup and saucer, c.1820, the cup painted with a panel of seashells and seaweed fronds reserved on a claret ground, impressed and painted marks, 14.5cm. (2) £200-300

398. A pair of Nantgarw plates from the Wyndham Lewis service, c.1822, painted by Thomas Pardoe, one with Columbine, Rose and Geranium, the other with Woodbine, Nasturtium, Peacock Iris and Purple Heath, the pale pink borders moulded and painted with convolvulus, impressed Nantgarw CW marks, 22.2cm. (2) £3,000-5,000 This is one of few services with this ground colour and was made for Wyndham Lewis, MP of Glamorganshire, in around 1822. A sauce tureen from the service is inscribed to the commissioner in Pardoe’s hand. The service is discussed by W D John on page 145 of Nantgarw Porcelain where he states that most of it is in the possession of the Marquess of Bute.

399. A good Nantgarw oval dish from the Mackintosh service, c.1818-20, the well painted with a Golden Pheasant standing on a grassy tussock, the rim with panels of flowers within gilt scrolls and scallop shells, impressed Nantgarw CW mark, 29.6cm.£5,000-8,000 Provenance: paper label for the Harry Sherman collection. The painting on plates and dishes from this service is now believed to have been executed by Thomas Martin Randall at the establishment of Messrs. Robins & Randall, after engravings from Le Vaillant of Paris (c.1801-06).

400. A Swansea porcelain square dish, c.1820, painted with a central flower spray within a gilt garland border, the shaped rim with further narrow floral posies, impressed mark, a faint 3cm hairline, 28.5cm. £300-500

401. A fine London-decorated Nantgarw plate, c.1820, painted perhaps by Moses Webster at Robin and Randall with a vase spilling over with flowers, resting on a marble ledge, the C-scrolled border picked out in gilt and painted with further small flower sprays on a buttermilk ground, impressed Nantgarw CW, 25.3cm. ÂŁ2,500-3,500 Provenance: from the collection of Harry Sherman.

402. A fine London-decorated Nantgarw plate, c.1820, painted perhaps by Moses Webster at Robin and Randall with a basket of flowers resting on the edge of a table with apples and bunches of grapes, the C-scrolled border picked out in gilt and painted with further small flower sprays and arrangements of fruit on a buttermilk ground, impressed Nantgarw CW, 25.3cm. ÂŁ2,500-3,500 Provenance: from the collection of Harry Sherman.

403. Two English porcelain shaped dishes, c.1830, probably Ridgway, decorated in pattern number 174 with flowers and fruit to the wells, within a border of broad foliate scrolls in blue and buttermilk, 28.5cm max. (2) £100-200

403

404

404. A Paris (La Courtille) porcelain sauce tureen with built-in stand, 2nd half 19th century, decorated in the Pinxton manner with a border of poppies and cornflowers, blue crossed arrows mark, the cover lacking, 25.5cm. £100-200

405. A Derby cabinet plate, c.1815, painted by Richard Dodson with an octagonal panel containing three birds perched on a branch in the foreground of a lakeside scene, within a stiff leaf gilt border reserved on a pale blue ground, iron red crowned crossed batons mark, some gilt wear, 22.3cm. £250-350

405

406

406. A Derby plate, c.1790-1800, painted by William Billingsley in pattern 100 with a spray of flowers within a spiral-moulded rim, and a Minton cabinet plate with similar decoration within a wide blue rim with gilt garlands, 23.6cm max. (2) £200-300

407. A Davenport two-handled vase, 19th century, painted with a spray of flowers within a wide giltbordered panel on a green ground, printed mark, 16.3cm. £50-150

407

408

408. A Ridgway dessert basket and stand, c.1810, painted with flowers in pattern 518, the basket pierced with a scrolling design, 24.5cm. (2) £120-180 Cf. Geoffey A. Godden, Ridgway Porcelains, pl.73 for a similar basket.

409. A good pair of Flight Barr and Barr dessert plates, c.1820, the wells painted with a tight posy of flowers within a large shaped panel, the rim with brightly coloured butterflies on a pale blue ground, impressed and printed marks, 22.5cm. (2) £300-400

409

410

410. A Swansea porcelain cup and saucer, c.1815, painted with a repeating pink rose spray within further gilded sprigs, 15cm. (2) £120-180

411. A rare Derby wash jug and basin, c.1800, the bowl navetteshaped, the jug of high-handled French form, richly gilded with a dense foliate pattern and highlighted with white enamel jewels, gilt marks, some damages, 34.5cm max. (2) £1,000-1,500 412. A rare Derby coffee can and saucer, c.1790, the can painted by George Complin in pattern 254 with two goldfinches pecking at fruits spilling from a blue and white bowl, reserved in a rectangular panel on a cornflower sprig ground, the can and saucer associated, 13cm. (2) £1,000-2,000 Provenance: the can from the collection of B A Williams. Cf. F. Brayshaw Gilhespy, Derby Porcelain, pl. 106 for a similar can. 413. A Barr Flight and Barr Worcester plate, c.1812, after the Derby service made for the Egerton family, painted by William Billingsley with a central bunch of grapes surrounded by laurel swags and pink camiaeu vignettes of fruit, impressed and painted marks, some wear to the gilt rim, 22.8cm. £200-300 Cf. The Pinxton Porcelain Society, Billinsgley-Mansfield 1799-1999 Bicentenary Exhibition, no. 157 for an identical plate. 411

412

413

414. A Barr Flight & Barr Worcester cabinet plate, c.1810, painted by William Billinsgley with three pink rose sprays on a faux marble ground, impressed and printed marks, a little wear, 20.3cm. £150-250

415. A rare Derby coffee can and saucer, the can painted with an oval portrait of the Duke of the York on a ground of cornflower sprigs, the cup and saucer associated, 13.2cm. (2) £500-1,000 The saucer with a paper collection label for Frances L. Dickson.

416. A good Coalport trio, c.1812-15, painted probably by Thomas Pardoe with botanical specimens including Passion Flower, Great St John’s Wort and Pelargonium, with gilt rims, unmarked, 14cm. (3) £400-600

417. A good pair of Coalport coffee cans, c.1812-15, painted probably by Thomas Pardoe with botanical specimens of Borage and probably Morning Glory encircling the body, between gilt line rims, 6cm. (2) £200-300

418. A good Coalport coffee can, c.1812-15, painted probably by Thomas Pardoe with a large single botanical specimen of Red Morning Glory encircling the body, 6cm. £100-200

419. A good pair of Coalport coffee cans, c.1812-15, painted probably by Thomas Pardoe with botanical specimens of Globe Amaranth and Woody Nightshade encircling the body between gilt rims, 6cm high. (2) £200-300

420. A pair of Swansea porcelain square plaques, 1st half 19th century, each painted with a basket of flowers including tulip, nasturtium, convolvulus and heartsease, within gilt borders, in black painted wooden frames, the plaques 19cm. (2) £500-800

420

421. An English porcelain circular plaque, 1st half 19th century, finely painted with a floral arrangement including convolvulus and rose, in a gilt wood frame, the plaque 11.5cm dia. £200-300 Provenance: previously in the collection of Lady Gretton of Market Harborough.

422. A rectangular porcelain plaque, 19th century, unusually painted with a cockatoo and a pair of love birds perched on branches, with pale leafy fronds behind, framed, the plaque 13cm x 8cm. £200-300

421

422

423. An English porcelain reectangular plaque, 19th century, painted with colourful exotic birds in flight and perched around a low tree and on a grassy tussock, within a gilt stiff leaf border on a green ground, framed, the plaque 15cm across. £400-600

424. A small English porcelain rectangular plaque, early 19th century, painted with a couple walking through a field of sheep and cattle before a view of Malvern, within a gilt wood frame, the plaque 11cm across. £100-200 Provenance: formerly in the collections of Geoffrey Godden and Billie Pain. The reverse bearing a paper label relating the painting to John Bly (1779-1833) who was employed as an artist at Worcester.

423

424

425. A small Minton pâte-sur-pâte square plaque, early 20th century, enamelled by Alboin Birks with a winged putto seated on a branch at the top of a tree and singing along to a tabor, on a greyish blue ground, signed, framed, impressed marks to the reverse, the plaque 6.5cm. £400-600

426. A Limoges pâte-sur-pâte plaque, early 20th century, decorated in white slip on a greyish blue ground with a maiden dancing while Cupid pulls at her dress, signed ‘Maarkatz’?, in a wood frame, the plaque 18cm. £100-200 425

426

427. A large porcelain oval plaque, probably 20th century, painted with the head and shoulders portrait of a young man in Regency dress, within an elaborate gilt mount, framed and glazed, the panel 42cm. £150-250

428. A large Meissen charger, early 20th century, outside-decorated with a sprawled female figure, naked before a faun term in an open field before woodland, cancelled crossed swords mark, 34.8cm. £200-300

429. A German porcelain oval plaque, 19th century, of Beatrice Cenci after the portrait by Guido Reni, framed, the plaque 16cm. £250-350

430. A Continental porcelain plaque, painted with a Negro child wearing a battered hat, a child’s blue and white transferware chamber pot, and a whiteglazed porcelain trembleuse saucer applied with three sprays of prunus, 29cm max. (3) £100-200

431. A French biscuit porcelain plaque, probably Sèvres, in the Jasperware manner, applied with the profile portrait of a nobleman wearing a laurel wreath crown, indistinctly signed or titled, incised ‘MaS’ to the reverse, 8.3cm dia. £250-350

432. Two German porcelain plaques, 19th century, one painted with a cherub after Michelangelo, the other with a young woman with downcast expression wearing a green cloak pinned with a brooch, both framed, the plaques 8cm. (2) £150-250

433. Three Sèvres-style plates, 19th century, each decorated with the portrait of a young noblewoman, within moulded turquoise borders, 20.2cm. (3) £100-200

Beatrice Cenci is believed to have murdered her father, with the help of her stepmother and siblings, following their failure to have him imprisoned for abuse and incest. She was executed in the 16th century and became a symbol of resistance against the aristocracy of Rome.

434. A pair of French pearlware plates, 19th century, in the manner of Veuve Perrin, one painted with a lady and a figure from the Italian Comedy, the other with peasants preparing a meal, both within osier moulded borders, VP marks to the reverse, and a similar Lille plate decorated with a couple and a cow beneath a tree, 25.5cm max. (3) £100-200

435. A Meissen tea canister and cover, modern, painted with pink indianische Blumen, and a Sèvres-style box and cover decorated with panels of flowers on a jewelled yellow ground, 9.5cm max. (4) £120-150

436. A Meissen schneeballen saucer, 19th century, the well painted with a bearded gentleman with his arm around a young maiden holding a cup of ale, the underside applied with flowerheads and trailing stems, cancelled blue crossed swords mark, 13.3cm. £200-300

437. A Meissen circular box and cover, 19th century, painted with figures seated beneath rocky outcrops reserved on a green hatched ground, cancelled blue crossed swords mark, and a similar Dresden box and cover painted with a courting couple on a blue scale ground, 8.5cm max. (4) £320-350

438. A Meissen cup and saucer, 19th century, outside decorated with lobed panels of figures in dockside landscapes, cancelled marks, and a Volkstedt saucer painted with a nobleman seducing a serving wench, holding onto his horse with his free hand, blue crossed hayforks, 13.8cm. (3) £100-200

439. Two Continental porcelain pipe bowls, 19th century, one painted with a topographical view of Schlossplatz in Teplitz, the other with a scene of a stag and hounds, set into wooden and horn stems, 23cm overall. (2) £250-350

440. A Meissen mustard pot and associated stand, late 18th/early 19th century, decorated with sprays of flowers and single scattered stems, the shaped stand with a gilt rim, blue crossed swords marks, the cover lacking, 17.7cm. (2) £120-180

441. A pair of large Meissen-style ornithological plates, 19th century, each decorated with birds perched on low branches with scattered insects, within blue garland borders, blue crossed sword and dot marks, one damaged and repaired, 29.5cm. (2) £200-300

442. A large Samson Chantilly-style box, late 19th century, enamelled in the Kakiemon palette with pine, peony, bamboo and other Oriental flowers issuing from rockwork and banded hedges, the hinged lid with silver-coloured metal mounts, 18cm. £200-300

443. A Frankenthal plate, date code for 1786, painted with an off-centre spray of flowers and fruit including gooseberries and plums, with further scattered sprigs and leaves, within a shaped blue and gilt line rim, crowned CT monogram, and a Paris porcelain plate painted with a flower spray within garlands of ribbon and pink roses, crossed arrows mark, 24cm. (2) £150-250

444. A Bordeaux porcelain coffee can by the Verneuilh factory, c.1781-87, painted with a putto playing the violin within gilt foliate borders, gilt double V mark, and a Paris porcelain saucer decorated with poppies and cornflower garlands with ribbon, red stencilled M mark, 13cm max. (2) £150-250 Cf. The Victoria and Albert Museum, Nos. C.27&A-1922, and C.442&A-1915 for other coffee cans made at this factory. 444

445 445. A Paris porcelain inkwell and cover, 19th century, modelled as a watermill, the building’s roof lifting to reveal two inset compartments, with gilt detailing, a few tiny chips, 14cm high. (4) £80-120

446. A Doccia coffee cup and saucer, c.1770, decorated with the Tulipano pattern, impressed R to the saucer, 12.8cm. (2) £100-150

446

447

447. A Paris porcelain coffee can and saucer, 1st half 19th century, decorated with a gilt chinoiserie scene within bands of black leaf vine on an orange ground, the can marked No. 32, and a Chantilly coffee can finely painted with birds in flight amidst scattered gilt leaves, early 19th century, blue horn and P mark, 12.6cm. (3) £150-250

448. A Meissen blue and white cup and saucer, mid 18th century, lobed and moulded, painted with a stylized floral design, blue crossed swords marks and painter’s numerals to the footrim, 13.1cm. (2) £100-200 448

449

Paper label for Brian Haughton Gallery.

449. A Meissen blue and white circular box and cover, late 18th century, painted with large insects and various deutscheBlumen, blue crossed swords and dot mark, 9.3cm dia. (2) £100-200

450. A small Meissen baluster vase, c.1770, finely decorated with various fruits between moulded scroll handles, the rim with a border of pink scale, blue crossed swords and dot mark,, a small rim fault, 10cm. £150-250

451. A Ludwisgburg tea canister and cover with inner stopper, c.1770, of flattened double gourd form moulded with scales and painted with flowers, the cover a replacement, 13cm. (3) £100-200 450

451

452. A large Sèvres-style bowl, 19th century, the exterior decorated with two maidens being entertained by a musician, the reverse with a landscape scene, reserved within raised gilded panels on a deep blue ground, the interior painted with flowers, blue interlaced LL mark, 29cm dia. £100-200

453. A Paris (La Courtille) porcelain plate, early 19th century, perhaps Londondecorated with daffodil and other bright flowers in a rich gilt leafy border, crossed arrows mark, 23cm. £100-200

454. A large Paris porcelain bough pot and cover, 19th century, brightly painted with panels of flowers separated by faux marble columns, the top with five lipped holes and five smaller, red crowned A mark, 29.5cm across. (2) £100-200

455. Two Meissen moulded cups and saucers, 20th century, one with panels of leaves in white and gilt, the other moulded as a flowerhead and detailed in blue and gilt, blue crossed swords marks, 12.5cm. (4) £100-200

456. A Meissen white-glazed cup and saucer, c.1740, each applied with three sprays of flowering prunus, faint blue crossed swords marks, 13.7cm. (2) £350-450

457. Five German porcelain condiment dishes, 19th century, including a Berlin (KPM) salt, a pair of Meissen shell-shaped salts with cancelled marks, and a pair of double salts with blue rims, 9.5cm max. (5) £50-150

458. A German porcelain coffee or chocolate pot, c.1770-80, perhaps Ludwigsburg, moulded with leafy rococo panels and painted with a young maiden being served a hot drink beneath trees, with a side handle, replacements to the cover, spout and handle, 25.5cm. £100-200

The saucer with a paper label for Rudolf Weigang, no. 106.

459. A Sèvres small handled bowl and cover, date code for 1779, finely painted with a band of flower garlands within undulating gilt waves on blue bands, interlaced LL mark, date code and painter’s mark for Meraud, and a miniature teabowl garlanded with pink roses and berried laurel, the teabowl chipped, 13cm max. (3) £150-250

Provenance: from the estate of the late George Burnaby Drayson, former MP for Skipton, 1945-79.

460. A Frankenthal two-handled sauceboat, 2nd half 18th century, brightly painted with flower sprays and individual blooms within osier-moulded borders, blue crowned factory mark, 23.2cm. £250-350

461. A fine pair of Niderviller chestnut baskets, late 18th century, painted with panels of figures fishing and at other pursuits in rural riverside landscapes, the pierced sides highlighted with rich puce enamel, pseudo Ludwigsburg marks, incised W marks, 23.5cm. (2) £2,500-3,500

462. A Sèvres porcelain cup and saucer, 2nd half 18th century, decorated in the 19th century in the Buen Retiro manner with Turkish battle scenes of figures on horseback beneath a sky clouded in purple and orange, blue fleur-de-lys marks, 13.6cm. (2) £250-350 Provenance: from the collection of the 2nd Viscount Bearsted, and thence by descent. A paper label to the cup, titled ‘Lord Bearsted’.

462

463

463. A Meissen teabowl and saucer, c.1740, the saucer painted with figures beside a water mill with a village scene in the distance, the cup with panels of traders by the dockside, reserved on a yellow ground, the cup’s interior with an Oriental flower spray, blue crossed swords marks and gilt 4, 12.5cm. (2) £700-1,000 Provenance: from the collection of the 2nd Viscount Bearsted, and thence by descent.

464. A Vienna plate, 19th century, the well painted with Abraham dismissing Hagar and Ishmael, the youngest child weeping as the elder sends him away, within an elaborate border of polychrome foliate scrolls and raised gilt designs, titled to the reverse, blue shield mark, 21.5cm. £400-600

464

465

465. A Meissen plate, c.1800, the well painted with a man, probably Orpheus, being drawn into the sea by a mermaid, within a reticulated pink rim, blue crossed swords and star mark, 23.5cm. £200-300

466. A good Sèvres tête à tête service, c.1783, painted with hot air balloons in flight above various landscape scenes, reserved on a bleu nouveau ground with gilt cracked ice decoration, blue interlaced LL marks and painter’s marks for Vieillard. Comprising: a tray, a teapot and cover, a sugar bowl and cover, two cans and two saucers. (9) £3,000-5,000 Provenance: from the collection of the 2nd Viscount Bearsted, and thence by descent. Cf. Bonhams, 8th December 2010, lot 170 for a milk jug, possibly originally from this service. The theme of hot air ballooning was triggered by the demonstration flight of the Montgolfier brothers in June 1783 with the first manned flight taking place just six months later. This sparked a trend among artists and manufacturers who produced a range of commemorative souvenirs to mark the event.

467. A Sèvres ecuelle with cover and stand, date code for 1773, finely painted with baskets of flowers within oval panels bordered with further narrow floral bands, reserved on a bleu de Roi ground, interlaced LL marks and painter’s mark for Binet, 20cm max. (3) £300-500

468. A pair of Copenhagen vases and covers, late 19th/early 20th century, painted with flowers including Morning Glory, raised on square bases, the covers each surmounted with a putto, blue wave marks, 27cm. (4) £150-250

469. A large Dresden porcelain vase and cover, late 19th/early 20th century, the ribbed ovoid body painted with panels of courting couple within bold floral sprays, the cover surmounted with a bird, 39cm. (2) £80-120

470. A large pair of Continental porcelain vases and covers, 19th century, in the Meissen manner, the wide shoulders painted and applied with flowers and with two putti seated and holding grapes, blue crossed swords marks, 45cm. (4) £200-300

471. A Meissen ‘Böttger Steinzeug’ year plaque, c.1921, by Paul Borner, modelled with a putto standing on a sphere, titled ‘Die Staatliche Porzellanmanufaktur Ihren Freunden 1. Jan. 1921’, the reverse with an impressed crossed swords and numbered 70 of 100, 21cm. £250-350

472. A Meissen spoon, mid 18th century, the bowl finely painted with traders on shore before a tempestuous sea, the reverse with a deep pink, flowers to both sides of the stem, broken through the stem and repaired, 14cm. £100-200

473. A Jacob Petit bottle vase, 19th century, painted with two panels of a small colourful bird perched amid an arrangement of flowers including rose and tulip, on a dense ground of moulded scrolling designs highlighted in gilt, blue JP mark, 24.3cm. £80-120

474. A Doccia plate, mid 18th century, painted in underglaze blue with a large central rose within Oriental-style diaper borders, a number of moths and insects picked out in polychrome enamels, a glued crack, 23.2cm. £300-500

475. A Meissen-style blue and white tea canister and cover, 19th century, painted with birds in flight above prunus and rockwork, the cover with a crossed swords and 8 mark to the interior, 12.5cm. (2) £80-120

476. A Sèvres-style custard cup and cover, 19th century, painted with panels of putti within gilt cartouches on a bright turquoise ground, and a similar plate decorated with panels of birds, interlaced LL marks, 19cm max. (3) £150-250

477. A Sèvres porcelain tête à tête service, early 1920s, painted in red and black with garlands of roses within a red striped border, printed marks, painted in iron red ‘CF d’apres E. Bagge’. Comprising: a tray, teapot and cover, a sucrière and cover, a milk jug, two cups and two saucers. (10) £500-1,000

478. Five Sèvres plates, 19th century, two gilded with Napoleonic emblems, three probably outside decorated with putti flanking a gilt monogram, the latter with marks for the Chateau des Tuileries, 24cm. (5) £150-250

Provenance: according to an accompanying letter dated 19th May 1940, the set was gifted to Elsie M. Grant by the Hon. Mrs Ronald Greville DBE of Polesden Lacey, who had in turn received the gift from Lord Blancborough.

479. A set of six Paris porcelain plates, c.1871, variously painted in detail with landscape scenes, of figures approaching a castle gate, of cattle drinking in a lake, and other chateau scenes, two signed ‘H. Lemarchant 1871’, four signed on the reverse ‘L. Lemarchant 1871’, 22.2cm. (6) £100-200

480. A Vienna box and cover, 19th century, decorated in the Meissen manner with figures of traders in dockyard scenes reserved on a yellow ground, impressed shield mark, 9cm. (2) £250-350

481. A French porcelain bonbonnière, probably 1st half 19th century, moulded as a large walnut and finely painted with sprays of flowers, a section broken out and cleanly repaired, 7cm. £50-150

482. A small Meissen Architectural teapot and cover, mid 19th century, one side painted with two figures in the foreground of a watery landscape, the other sides with flower sprays, the corners of the squaresection body moulded with Corinthian columns, the reticulated cover surmounted with a double-faced bust, blue crossed swords mark, 11.5cm. (2) £500-800

483. A Vienna triangular custard cup and cover, c.1770, painted with small floral sprays above a purple stylized moulded leaf border, blue shield mark, puce 34, 8cm. (2) £400-600

484. A Royal Copenhagen Flora Danica custard cup and cover, 1st half 20th century, the triangular body painted with botanical specimens, titled ‘Sedum anglicum Hud., and Hudsonianum, to the base, 7cm across. (2) £400-600

485. A Meissen beaker, c.1735, painted in the Kakiemon style with sprigs of pine, prunus and other flowers, brown line rim, blue crossed swords mark, 7.6cm. £350-450

486. A Marieberg porcelain custard cup and cover, c.1760-65, the wide bellied body finely fluted in the Mennecy manner between gilt borders, the cover with a fruit finial, 8cm high. (2) £300-500

487. A pair of Royal Copenhagen Flora Danica mustard pots and covers, 19th century, painted with botanical specimens within gilt and pink borders, titled ‘Erythroea pulchella Fr.’ and ‘Vaccinium uliginosum var. pubeso Horn.’ respectively, 8cm high. (4) £600-800

488. A good pair of Vienna faux-bois plates, date codes for 1786 or 1798, painted in trompe l’oeil each with a black etching of figures beneath tall trees before distant buildings, pinned against a naturalistic wood ground, blue shield marks, 23.8cm. (2) £3,000-4,000

489. A large Meissen soup tureen and cover, 2nd half 18th century, the unusual spherical body painted in purpurmalerei with scenes of courting couples at report in rococo landscapes between scattered floral sprays, the finial formed as a large fruit, blue crossed swords mark, 31cm across. (2) £1,000-2,000

490. A Meissen tureen and cover, 1st half 19th century, with panels of flower moulding alternated with painted floral sprays, the cover surmounted with a peeled lemon and applied with almonds, cinnamon sticks and cloves, together with a similarly moulded and decorated stand, blue crossed swords marks, the stand chipped, 28cm. (3) £800-1,200

491. Six Continental porcelain figures of traders, late 19th/20th century, peddling various wares from trays and baskets about their persons, raised on low scrolled bases, small chips, 17.5cm. (6) £250-350

492. A pair of Meissen figures from the Cris De Paris series, modern, one of a Pastry Seller after the model by Peter Reinicke, holding a tray of his wares before him, the other of a female fruit seller, resting a rectangular basket of fruit on her head, blue crossed swords marks, 15cm max. (2) £400-600

493. A Samson sweetmeat dish, late 19th century, modelled with two chinoiserie figures, one holding the rim of a large basket painted with flowers, the other seated on the grassy base, crossed S mark, some damages and restoration, 24.5cm across. £100-200

494. Two Niderviller figures, mid 19th century, one of a female game-seller with a basket of dead birds, the other of a street entertainer, impressed ‘SP’ marks, 13cm. (2) £300-400

495. A pair of Continental porcelain figures, late 19th/early 20th century, the girl modelled with two kid goats and a yellow chick, the boy with three rabbits, impressed EBS and printed blue anchor marks, 13.5cm. (2) £80-120

496. A Continental porcelain figure group, 19th century, of a young girl seated on a rocky stump with her arm around the waist of her beloved, a small dog seated by his side, 16.5cm. £100-150

497. A Meissen model of a girl, mid 18th century, barefoot and carrying a box of vegetables across a scrolling rococo base, and a model of Cupid in Disguise as a fishmonger, carrying a basket of shellfish, both with blue crossed swords marks to the reverse, some restoration, 12.5cm max. (2) £500-800 Cf. Woolley and Wallis, 31st May 2006, lot 246 for the figure of the girl.

498. A pair of Continental figures of Gainsborough portraits, late 19th century, one of the Blue Boy, the other of the Duchess of Devonshire, each raised on a scrolling base bearing armorials for the families of Grosvenor and Cavendish, blue marks, 29.5cm. (2) £100-200

499. A pair of Continental porcelain candelabra, late 19th century, each modelled with a putto standing on the lap of a maiden and supporting the central branch, the upper branches applied with flowers, damages and restoration, 46cm. (2) £100-200

500. A pair of Berlin sweetmeat figures, 19th century, each modelled as a vintner with bunches of grapes, standing over baskets painted with flowers to the interior, raised on triangular bases, blue sceptre marks, some damages, 22.5cm. (2) £150-250

501. A Meissen figure of a boy, 19th century, standing barefoot beside a plinth on which rests his hat filled with grapes, highlighted in blue and gilt, blue crossed swords mark and impressed 107, 12cm. £100-200

502. A Ludwigsburg white-glazed figural group, 19th century, one side with a couple courting, the other with children playing beneath a tea table while a barefoot maiden reaches for the teapot above, blue crowned CC mark, 19.5cm high. £300-500

503. A Meissen group of young lovers, late 19th century, the boy with his arms about the shoulders of the girl who protests, raised on a rococo scrolled base, blue crossed swords mark and incised O141, minor damages, 13.5cm. £250-350

504. A Meissen figure of a boy, mid 18th century, seated on a stump and eating grapes, his hat resting in his lap, blue crossed swords mark and incised ‘16’ to the back of the base, some chipping, 12cm. £120-180

505. A Continental porcelain figure group, 19th century, of a noble lady being carried in a sedan chair, supported by two horses ridden by attendants in livery, blue sceptre type mark, some faults, 30.5cm across. £120-150

506. A Meissen model of a cellist, 20th century, seated with his instrument and drawing a bow across the strings, and a 19th century Meissen model of a gardener carrying a hat full of pink roses, blue crossed swords marks, restoration to the latter, 16cm max. (2) £350-550

507. Two Meissen Italian Comedy figures of children dancing, c.1760, one a hunchbacked boy wearing a ribboned hat and frilled tunic, the other a girl in traditional dress, each stepping off their low base, blue crossed swords mark to the reverse of the girl figure, some restoration, 12cm max. (2) £400-600

507

508

508. Two Meissen figures of putti musicians, mid 18th century, one playing the triangle, the other holding a pair of drumsticks, each raised on a small scrolled base, a little good restoration, 12cm max. (2) £250-350

509. A Meissen model of a polar bear, 20th century, modelled with a shaggy coat and standing on all fours, blue crossed swords mark, incised ‘T182’ to one foot, 23cm. £200-300

509

510

510. A pair of Meissen models of yellow canaries, modern, perched atop stumps with heads turned, their plumage brightly defined, blue crossed swords marks, a few small chips, 9.5cm high. (2) £100-200

511. A Meissen model of a parrot, modern, perched on an oak branch with head turned to the left, its plumage brightly enamelled, blue crossed swords mark, and two other Continental models of birds, 19.5cm max. (3) £200-300

512. A pair of Meissen models of swans, 20th century, after J. J. Kändler, with beaks agape and outstretched wings, raised on bases detailed with reeds, blue crossed swords marks, 14cm max. (2) £300-400 511

512

513. A pair of Russian biscuit porcelain figures of pedlars, Gardner Factory mid 19th century, the bearded pair well wrapped in fur against the cold, one with various baked goods, the other with his wares in a tray on his head, covered with a white cloth, both raised on scrolled bases highlighted with blue enamel, impressed marks, 20.5cm max. (2) £1,000-2,000 513

514. A pair of Meissen models of cockatoos, 19th century, after the models by J J Kändler, perched on tree stumps with heads lowered, their feathers picked out in delicate shades of yellow, orange and grey, blue crossed swords marks, incised ‘57’, some good restoration, 25cm max. (2) £800-1,200 514

515. A Meissen figure of Count Bruhl’s Tailor, 19th century, the eccentric figure astride a goat with a bucket of two kids strapped to his back, brandishing a large pair of scissors, blue crossed swords mark, chips and restoration to the reins, 21cm high. £400-600 515

516. A small Meissen sweetmeat figure, mid 18th century, modelled as a ragged young boy holding a large upturned straw hat beneath his left arm, a miniature windmill in his right hand, blue crossed swords mark to the reverse, a few tiny chips, 11.5cm. £200-300

517. A Meissen figure of a lady, 19th century, standing beside a small tripod table with a fan of cards in her hands, wearing a plumed hat, raised on a circular base with moulded scroll decoration, blue crossed swords mark, incised F64, 15.5cm. £500-800

516

517 518. A Meissen-style figure of a girl, 19th century, seated with a dog in her lap, showing its reflection in a mirror she rests on her left knee, brightly enamelled and raised on a circular plinth, 15cm. £200-300

519. A Meissen figure of a putto from the Royal Court Pantry in Warsaw, mid 18th century, emblematic of Arithmetic, standing on a small square base and draped in a pink robe gilded with leafy sprigs, holding a tablet bearing the numbers 1 to 8, blue crossed swords mark to the reverse, the base marked in puce ‘KHCW’ for the HofConditorei Warschau, 12cm. £400-600 518

519

520. A Meissen figure of Cupid in Disguise, mid 18th century, carrying a stick and a basket of grapes, wearing a pale blue suit open at the waist, blue crossed swords mark to the reverse, some good restoration, 8.7cm. £100-200

521. A Continental porcelain model of a bear, 19th century, resting on his haunches with right forepaw outstretched and teeth bared, his grey coat finely detailed, some wear, 12.5cm. £200-300

520

521

522. A Meissen figure of Winter, mid 18th century, modelled as a bearded old man draped in a robe patterned with puce leaf sprigs, and warming his hand over a flaming brazier, blue crossed swords mark to the reverse, 11cm. £300-500

523. A Meissen pastoral figure of a boy, c.1760, holding a cockerel under his right arm, a wooden staff in his left, wearing a floral patterned coat, blue crossed swords mark to the back of the base, broken through his left wrist and restuck, 15cm. £250-350

524. A large Sèvres bisque porcelain figure of Cupid and a maiden, 18th century, Cupid reclining on a flower-encrusted rocky stump with an empty quiver by his side, the maiden holding further flowers and bending towards him, incised ‘LR’, some damages and restoration, 31cm. £500-1,000

525. A Ludwigsburg figure of Artemesia mourning Mausolus, c.1770-75, modelled by Beyer, draped in a tied robe and standing beside gilded urn bearing a Greek inscription, with tears coursing down her cheeks and holding a goblet in her right hand, blue monogram mark, 16cm high. £450-600 Mausolus was the king of Caria famed for the grand tomb he began to build but never completed. It is the origin of the word ‘mausoleum’.

526. A large Meissen model of a pug and puppy, 19th century, enamelled with a brown coat, the youngster playfully emerging from beneath its parent’s body, blue crossed swords mark, incised ‘315’, 18cm high. £300-500

527. A pair of Meissen models of pugs, 19th century, one with a puppy emerging from beneath her body, seated with heads turned, wearing blue collars with gilt bells, blue crossed swords marks, some damages, 18cm high. (2) £800-1,200

528. A pair of Samson Chelsea-style figures, late 19th century, of a floral shepherd and shepherdess, standing before tall flowering bocage and raised on high scrolling bases, some restoration, 26cm. (2) £100-200

529. A Derby figure of a musician, c.1765, playing the flageolet while his dog waits patiently at his side, standing before flowering bocage and raised on a tall scrolling base, his hands restored, 21.5cm. £300-500

530. A matched pair of Derby figures of Seasons, c.1758-60, of Spring and Summer, scantily clad and holding a garland of flowers and a sheaf of corn respectively, small damages, 10cm max. (2) £300-500

531. A pair of Derby figures of the Grape-Sellers, c.1765, seated with baskets of fruit resting in their laps, and a Derby figure of a farmer holding a pig, taken from the Tithe Pig Group, raised on a low pad base, small damages, 15cm max. (3) £200-300

532. Two Bow figures of musicians, c.1758 and later, she seated with a zither in her lap and music sheets around her feet, he from the Idyllic Musicians, standing and playing the flageolet and tabor, some damages, 19cm. (2) £200-300

533. A pair of Derby figures of the Welsh Tailor and his wife, c.1780, astride goats with baskets of children and kids on their backs, raised on grassy scrolling bases, incised ‘No. 62’, some restorations, 15cm. (2) £100-200

534

535

536

534. A Bow miniature figure of a gardener’s companion, c.1765-70, holding a basket of flowers and standing before tall flowering bocage, raised on a high tripod base, red anchor and dagger mark to the reverse, her right arm restored, 16.5cm. £300-500

535. A Bow white-glazed figure of an Abbess, c.1755, standing and holding an open book in her left hand, her right resting on her heart in a penitent manner, a chip to the book and her forefinger, 16cm.£300-500

536. A Derby figure of a piper shepherd, c.1775-80, seated on a flowering stump, his bagpipes tucked under one arm, his dog seated by his side on a scrolled base, incised ‘No. 301’ and further incised marks, some faults, 18cm. £150-250

537

537. A matched pair of Bow candlesticks, c.1760, each of a pair of yellow birds in flowering branches above a nest of chicks, a dog and a lamb recumbent on the bases, the reverses with loop handles, replacement sconce supports, 24cm. (2) £350-500

538. A near pair of Derby figures of a shepherd and shepherdess, c.1765, seated on flowering stumps with a dog and a lamb by their sides, he playing the bagpipes, she the mandolin, some faults, 19cm. (2) £300-500 538

539. A rare Bow model of a dolphin, c.1755, mythically moulded with teeth bared and scaly tail spiralling upwards, enamelled in shades of pink and yellow, the end of the tail lacking, 11cm high. £400-600

540. A rare Chelsea white-glazed model of a parakeet, c.1749-52, perched on a low stump with its head turned to dexter, applied raised anchor beneath its tail, restoration to the beak and tail, 6.5cm. £500-800 Cf. The Cheyne Book of Chelsea China and Pottery, pl. 14 no. 281 for an identical model.

541. A Longton Hall figure of Winter, c.1758-60, from the Rustic Seasons, modelled as a bearded gentleman in hat and greatcoat, warming his hands before a flaming brazier, left in the white, some restoration to his hands and collar, 11.5cm. £500-800 This figure was derived from Meissen and also produced at Chelsea around the same time as Longton Hall.

542. A Bow model of a bunting, c.1765, perched on a flowering stump before bocage with head turned to sinister, its plumage brightly coloured, red anchor and dagger mark, some restoration, 15.5cm. £500-800

543. Four Chelsea porcelain seals, c.1755-60, one of a gardener, seated and resting his chin on a stick, metal-mounted with a hardstone seal to the base, one of a dancing girl, one of a gallant with a seal of a bearded man in profile, the last of a bagpiper with a hardstone seal of a dog, three titled in red around the base, 3.5cm max. (4) £500-800

544. Four Bilston enamel patch boxes, late 18th/early 19th century, variously printed with courting lovers, Cupid, and a landscape scene between inscriptions including ‘Practise Love & you will know The Virtuous Love Is Life Below’, and ‘I love too well to Kiss and Tell’, the bases coloured yellow, pink and blue, all with mirrored interiors, some faults, 4.5cm max. (4) £400-600 Provenance: the circular box formerly in the Lesser Collection.

545. A Royal Worcester silver-mounted scent bottle, c.1886, of flattened flask form, printed in blue with the Broseley pattern, registration number 29260, hallmarks for S Mordan, London 1886, 5.4cm. £100-200

546. Six enamel patch boxes, early 19th century, variously painted with birds in nests, and perched on flowers, fences or signs, titled with mottoes including ‘If you love me don’t Deceive me’, ‘Esteem the Giver’ and ‘A Trifle from Cambridge’, five with mirrors to the interior, some restoration, 4.2cm max. (6) £300-500

547. A Lynton porcelain scent bottle, late 20th century, painted by Stefan Nowacki with a panel of musical motifs and flowers within a gilt and jewelled rim on a pink and white spiral twist ground, marked for Aspreys, with silver gilt mounts hallmarked for 1997, 6.5cm. £150-250

548. An enamel patch box, late 18th century, painted in black with a landscape scene and titled ‘The Gift of a Friend’ on a pale blue ground, the interior fitted with a mirror, cracks to the enamel, 3.7cm.£60-100

549. An enamel inkwell and a tripod salt, early 19th century, the inkwell painted with small panels of flowers on a pink ground, the salt with landscape panels on a turquoise ground, and a snuff box with an enamel lid painted with ruined buildings, some cracks, 7.5cm max. (3) £100-200

550. A South Staffordshire enamel inkwell, c.1770, of chamfered square form, painted with polychrome sprays of flowers and single stems on a white ground, the top with four small holes around a central metalmounted hole, 4.3cm high. £300-400 Cf. Susan Benjamin, English Enamel Boxes, p.118, fig. 8 for an inkwell of the same shape.

551. Two Worcester blue and white dishes, c.1770, one leafmoulded and decorated with a Naturalistic Floral pattern, the other a saucer dish painted with the Rock Strata pattern, crescent marks, a little restoration to the edge of the leaf dish, 25.5cm max. (2) £300-500

552

551

552. A small collection of Worcester blue and white porcelains, 2nd half 18th century, including a butter tub with cover and stand, printed with the RoseCentred Spray group, a tea canister and cover, and a mustard pot with associated cover, all printed with the Fence pattern, hatched crescent marks, some restorations, 18cm max. (7) £150-250 The mustard pot with a paper label for the Lycett Collection, no. 69.

554

553

553. A Worcester blue and white basket and two plates, c.1765-75, printed with the Pinecone pattern, hatched crescent marks, 22.5cm max. (3) £250-350 554. Two Worcester blue and white baskets, c.1765-75, one circular and printed with the Pinecone pattern, the other smaller and oval, printed with the Gillyflower pattern, the pierced rims applied to the exteriors with single flowerheads, hatched crescent marks, 24.5cm max. (2) £180-220

556

555

555. Two Worcester scallopedged plates, c.1775-80, one printed in puce with two Classical scholars conversing before ruins, the other with the Gillyflower pattern, hatched crescent mark, 20.7cm. (2) £100-200 One with a paper label for B & T Thorn & Son, Budleigh Salterton. 556. A Worcester blue and white junket dish c.1775-80, printed with the Pine Cone Group, and two small circular plates decorated with the same pattern, a crack to one plate, 26.3cm max. (3) £150-250 557. Three Worcester circular butter tubs and covers with seven Caughley and Worcester stands, c.1775, printed with a naturalistic floral pattern, three of the stands with the Fence pattern, hatched crescent or workman’s marks, 16cm max. (13) £300-500

557

558. A Caughley blue and white butterboat, c.1780-90, the leaf-shape printed to the interior with the Fisherman pattern, moulded with three trefoil leaves to the underside, 8.5cm. £50-150

559. A good miniature Caughley teabowl, c.1785, printed in blue with the Fence pattern, S mark to the base, 5.5cm. £300-400

561. A rare John Pennington’s Liverpool miniature teabowl and saucer, c.1775-85, painted with the monogrammed initials MH and JH amidst stylized scattered flowers, the teabowl broken and restuck, 8cm. (2) £400-600

562. A Worcester blue and white dolphin ewer creamer, c.1765-70, shell moulded and with dolphin decoration beneath the spout, painted with flower sprays, and a moulded Coalport creamer painted with birds on branches in the manner of Rogers, the ewer with damage to the handle, 11.5cm max. (2) £100-200

563. Two Worcester blue and white coffee cups, c.1760, one painted with the Cannonball pattern, the other moulded with a continuous floral band above a stylized motif design, open crescent and workman’s marks, 6.3cm max. (2) £300-500

565. A Lowestoft blue and white coffee cup, c.1765-70, painted with a house on an island with a long bridge leading away from it, the interior with a hatched border, 6cm. £100-200

566. A Worcester blue and white sauceboat, c.1760, printed with panels of flowers, the interior with a single floral stem, open crescent mark, minor damages, 15.5cm. £150-250

Exhibited: Liverpool Exhibition held at Phillips, 1997, no. 3/51.

While the Fence pattern was regularly employed on tea wares of a standard size, it is far less common to find it on toy wares of the same period.

560. A Worcester blue and white butterboat, c.1760, the leaf shape painted with the Mansfield pattern, the underside moulded with three leaf feet, 8cm. £100-200

Paper collection label for David & Jan Birley, no. 259.

564. A Derby blue and white dolphin ewer creamer, c.1770, of shell-moulded form picked out in blue, two entwined dolphins beneath the spout, 8cm high. £200-300

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567. Eight Worcester blue and white small plates, c.1780-85, with scalloped rims, painted with the Hundred Antiques pattern, each with a six character pseudo Chinese mark, some faults, 19cm. (8) £500-1,000 568. Two Worcester milk jugs and associated covers, c.1775, and four Worcester and Caughley saucers, all printed with naturalistic floral patterns, and a Worcester milk jug with a helmet-shape painted with the Mansfield pattern, some faults, 13.5cm max. (9) £150-250

569. A pair of Bow blue and white small flared bowls, c.1750-52, painted with the Two Storey Shelter pattern, and a square Bow plate decorated with the Image pattern of two Chinese figures in a landscape, some damages, 19cm max. (3) £200-300

570. A collection of English blue and white tea wares, 2nd half 18th century, mostly Worcester and Caughley, including four sparrowbeak jugs and two covers, one helmet-shaped jug, a teapot, a sugar bowl, a spoon, and two covers, some faults, 18.5cm max. (12) £250-350

571. A Worcester blue and white scallopedged plate, c.1775, printed with the Pinecone pattern, and a Caughley jug printed with a Fence pattern, open crescent and C marks, some damage to the jug’s spout, 18.5cm max. (2) £150-250

572. An early Worcester blue and white teapot and cover, c.1754, painted with the Plantation pattern, a pagoda perched high on rocks beneath tall trees, the reverse with bamboo and a fence, unmarked, a small chip to the cover, 17cm. (2) ÂŁ400-600

573. A large Worcester baluster shaped blue and white mug, c.1770, printed with the Plantation pattern, unmarked, 15cm. ÂŁ150-250

574. A pair of Bow elongated octagonal dishes, c.1755-60, painted with figures in boats in island lake scenes reserved in fan-shaped panels on a powder blue ground, each with a six character pseudo Chinese script mark, one with a rim chip, 31.3cm. (2) ÂŁ600-800

575. Two Bow plates, c.1755-60, one painted in the Kakiemon palette with the Two Quail pattern, the other octagonal and painted in blue on white with prunus and peony in a fenced landscape, hairline crack to one, 20cm max. (2) £250-350

576. A Chamberlain’s Worcester spiral fluted sucrière and cover, 19th century, decorated in pattern 48 with sepia and gilt floral sprigs, and a similar coffee cup in pattern 37 with a single gilt flower, 14cm max. (3) £100-200

577. Two English porcelain teapots and covers, 2nd half 18th century, painted with polychrome flowers, one with a pink scale border, the covers with floral finials, restoration around one handle, 19cm. (4) £300-400

578. Three Worcester cups and saucers, 2nd half 18th century, one reserved with panels of birds on a blue scale ground, another painted in the Dalhousie fashion with landscape panels between fruit garlands, and another later-decorated with fruit and green borders, 14.5cm max. (6) £300-500

579. A Worcester fluted teabowl and saucer, c.1770, decorated with a Japan pattern, a Worcester cup painted with panels of flowers on a blue scale ground, a similar saucer with panels of Kakiemon flowers, and an ovoid tea canister decorated with a blue and gilt flowering sprig, script W mark to the tea canister, seal marks to the rest, the cup cracked, 15cm max. (5) £200-300

580. Four Worcester-style coffee cups and saucers, painted with panels of exotic birds and colourful moths reserved on a blue scale ground, blue square seal marks, 12.5cm. (8) £100-200

581. Three leaf-moulded dishes, 18th century, one Chelsea of two cos leaves picked out in green and puce enamels, one a Cozzi vine leaf with flower sprays, the last Worcester, and a Sèvres lobed dish painted with flowers within a blue line rim, various marks, damages and repairs, 24.5cm max. (4) £200-300

582. A Chelsea spiral fluted bowl and stand, c.1756, red anchor marks, moulded with a band of leaves to the exteriors and finely painted with sprays of flowers, a Chelsea finger bowl and an octagonal saucer similarly decorated with flowers, two Chelsea-Derby saucers garlanded with flowers within a gilt dentil rim, and two hard-paste porcelain saucer painted with quail within a bamboo border, some damages, 21.3cm max. (8) £500-1,000

583. A Bow coffee can, c.1755, painted in polychrome enamels with a large peony spray issuing from rockwork, 5.5cm high. £150-250

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584. A small Bow mug, c.1765, painted with Chinese figures seated in a garden with holey rockwork, the interior with an iron red border, 5.6cm high. £300-400

585. A Derby armorial mug, late 18th century, gilded with a coat of arms between floral sprigs, traces of refiring around the foot, 9.2cm high. £80-120

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586. A good pair of English porcelain fluted coffee cups, late 18th century, painted with sprays of flowers and single scattered stems and leaves, the handles with a scroll thumbpiece, 7.5cm. (2) £100-200

587. A Liverpool bowl, c.1775, the exterior painted in polychrome enamels with two Chinese figures at various pursuits in a garden scene, the interior with an iron red border and floral spray, a faint rim crack, 12.2cm. £100-200

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Paper collection label for Geddes-Brown.

588. A pair of Seth Pennington Liverpool coffee cups, c.1780, printed and coloured with a Fancy Birds pattern, the exotic birds standing before trees, the interiors with iron red bands, 6.2cm. (2) £400-600 587

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589. A pair of Worcester dessert plates, c.1770-80, the wells painted with radiating floral arrangements within berried laurel borders, the rims with a band of blue between gilt dentil and foliate borders, 21.2cm. £300-500

590. A pair of Worcester scallop-edged plates, c.1775-80, decorated with single flower stems within jagged borders of French green enamel, 21.5cm. (2) £200-300

591. A Worcester fluted teabowl, c.1765, the wide flutes painted in the Kakiemon palette with the Two Quail pattern, and iron red border to the interior, blue square seal mark, 7.2cm. £300-500

592. A pair of Bow flower baskets c.1760, the baskets reticulated with interlocking circles and modelled with rising towers of varied blooms, some restoration, 10.5cm. (2) £150-250

593. An unusual Worcester teapot and cover, c.1770, painted with panels of flowers and foliage in the Kakiemon palette within gilt scrolling cartouches on a blue scale ground, a little good restoration to the end of the spout, 22cm. (2) £350-450

594. A Worcester coffee pot and cover, c.1765-70, painted in polychrome enamels with a seated Chinese dignitary with other figures around, 24.5cm. (2) £300-400

595. A pair of Worcester scallop-edged dishes, c.1780, the wells painted in the manner of J H O’Neale with horses beside winding rivers, within borders of birds in flight and fruit vignettes in the Dalhousie style, the lobed rims with gilt decoration on blue, open crescent marks, 26.7cm. (2) £1,200-1,500 Provenance: from the collection of the 2nd Viscount Bearsted, and thence by descent. Paper labels for Albert Amor.

596. A rare Bow shaped dish, c.1765-70, printed in black and enamelled in colours with a Chinese scene of a boy playing with a dog before two seated women, the rim with vignettes of other figures and auspicious objects, 23cm. £500-800

597. A Worcester scallop-edged plate, c.1770, the well painted with a vignette of fruit, the border with further fruit sprays and colourful moths and flying insects, 19.5cm. £250-350

598. A pair of Bow flower ornaments, c.1770, the tall leafy forms encrusted with a variety of colourful flowers raised in banded flowerpots painted with further blooms, some restoration, 17.5cm. (2) £300-500

599. A large Worcester cabbage leaf moulded jug, c.1775, painted with panels of flowers reserved in gilt foliate scrolls on a blue ground, the spout moulded with a bearded face, blue square seal mark, 23.5cm. £500-1,000

600. A Chelsea teacup and saucer, c.1760-65, finely painted with chinoiserie scenes of Oriental musicians seated amidst rococo foliage with birds perched around, reserved on a claret ground, gold anchor marks, some faults, 13.5cm. (2) £800-1,200

601. A Worcester coffee cup, c.1760, printed and coloured with ‘Les Garçons Chinois’ with Chinese figures seated on rococo scrolls in landscapes, 5.6cm high. £500-800

Provenance: from the collection of A B Burney, then from the collection of the 2nd Viscount Bearsted, and thence by descent. Exhibited: Chelsea Town Hall, June 1924, in aid of the funds of the Cheyne Hospital for Children, no.51. The saucer with a paper label pertaining to this.

602. A rare Worcester teacup and saucer, c.1772, decorated with the arms of the Plumbers’ Company in gilt and coloured enamels within dry blue flowers, titled ‘Justitia et Pax’ and ‘In God is All Our Hope’, blue crossed swords and 9 marks, 13cm. (2) £1,200-1,500

603. A rare Chelsea-Derby teabowl and saucer, c.1775, decorated with a version of the Hop Trellis pattern, berried leaves alternating with entwined trelliswork within bright turquoise bands, separate gilt anchor and D marks, 12.2cm. £400-600

Provenance: from the collection of the 2nd Viscount Bearsted, and thence by descent.

Cf. Bonhams, The Zorensky Collection of Worcester Porcelain, Part I, 16th March 2004, lot 115 for an identical example.

The unusual feature of a separate anchor and D mark, rather than being entwined, appears to be unique to this pattern.

604. A Chelsea goat and bee jug, c.1745-47, the jug’s body resting on the backs of two goats seated nose to tail, a finely moulded bee clambering on a flowering branch beneath the spout, the branch handle issuing from oak leaves, incised triangle mark, restoration to the handle, 11.2cm. £2,000-3,000 Paper label for Simon Spero’s Exhibition in 2003, no. 1.

Chelsea ‘Fable’ DeCorateD PorCelain

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605. A Chelsea ‘Fable’ octagonal teabowl, c.1750-52, painted by Jefferyes Hamett O’Neale with the Lion and the Mouse in a continuous landscape, the unfortunate amphibian flattened before the roaring beast, the interior painted with scattered flower sprays, brown line rim, broken and riveted, 9cm. £1,500-2,500 Cf. Stephen Hanscombe, Jefferyes Hamett O’Neale, p.43, no.20 for a teacup with the same decoration.

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606. A Chelsea ‘Fable’ octagonal teabowl, c.1752, painted by Jefferyes Hamett O’Neale with the fable of the Ox and the Toad, with two amphibians seated beside a river, one blowing himself up to rival the brown spotted bull, the interior painted with a small landscape, brown line rim, a 5mm chip to the inside of the rim, 9.2cm. £2,500-3,500 Cf. Stephen Hanscombe, Jefferyes Hamett O’Neale, p.39, no. 14 for a similar teabowl.

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607. A Chelsea ‘Fable’ octagonal teabowl, c.1752, painted by Jefferyes Hamett O’Neale with the fable of the Lion and the Mice, the large cat recumbent with his paw on one unfortunate rodent while others scurry past, the reverse and interior with flower sprays and flying aquatic insects, a few small chips to the rim, 9cm. £1,500-2,500 Cf. Margaret Legge, Flowers and Fables, no. 89 for a silvershaped dish bearing this decoration.

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THE COLLECTION OF SISTER WENDY BECKETT (B.1930) SOLD FOR THE BENEFIT OF THE CARMELITE MONASTERY, QUIDENHAM

For many, the name of Sister Wendy conjures up images of Old Master paintings and religious icons – the subject matter on which she has made many documentaries, and published even more books, over the last 25 years – but her interest in art goes much deeper than many realise. The following 45 lots provide an eclectic insight into the enquiring mind of this remarkable woman, who has managed to combine a rich career with a life of religious devotion. Born in South Africa in 1930, Sister Wendy was brought up between her native country and Scotland, where her father studied medicine. At the age of 16 she joined the Sisters of Notre Dame and travelled to England to enter the novitiate. Then the Order sent her to Oxford where she achieved a first class honours degree in English Literature from St Anne’s College. In the 1950s she returned to South Africa to teach, but recurrent bouts of illness forced her return to the UK in 1970. The Sisters of Notre Dame arranged for her to live under the protection of the Carmelite nuns in Quidenham, Norfolk, where she remains living in the grounds of the monastery to this day. Ten years after her return to England, Sister Wendy began to study art in earnest, and entered into regular correspondence with museums and galleries around the world. Her work caught the attention of the BBC and in 1991 she appeared in a documentary on the National Gallery. This was followed by a series of short films, which was so well received that a number of further series and one-off documentaries were commissioned to feature this unlikely but compelling narrator. Many of the pieces included here were gifts from colleagues, friends and well-wishers during her time travelling the world to make these documentaries, and many hold significance for certain points in Sister Wendy’s life. Now being sold to raise money for the Carmelite monastery which protects her to this day, Sister Wendy has written the following on the objects which have graced her modest caravan home for some time. “These beautiful ceramics have kept me company for many years. They have given me encouragement and joy. Looking at the lucidity of their forms and the beauty of their colour has raised my heart to God in joy and gratitude. As well as their intrinsic beauty, I have taken delight in the memories that each piece has for me. Some were given very generously by the BBC as a thank you for our work together. Others came from the generous friends who look after me when I have to be away from the caravan. Since everything here comes from generosity, and has spent years in the small room where I pray, I think a blessing surrounds them. I hope this blessing travels with them to their new homes.” – Sister Wendy Beckett

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608. A miniature Chinese qingbai moulded teapot, 12th/13th century, decorated in a pale blue glaze, a crackleware brushwasher with metal salt spoon, and a miniature pottery begging bowl, 5.5cm max. (3) £150-250 Provenance: The teapot formerly in the Piccus collection. 609. Four boxes and covers, 13th century and later, two of qingbai type, moulded with flowerheads and decorated in a pale blue glaze, one celadon with white floral decoration, the last moulded with a star design, 7cm max. (8) £80-120 608

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610. A miniature Chinese pottery vase, decorated in a blue and cream sancai glaze, together with a perspex stand, and a miniature bowl decorated in green and brown splashes, 5.2cm max. (3) £100-200 611. A small collection of miniature Chinese blue and white porcelain, 15th century and later, variously painted with figures in a landscape, a deer, flowers and geometric designs, 4.5cm max. Comprising: a brushwasher, three vases and a Vietnamese box and cover. (6) £400-600 Provenance: The box and cover formerly in the Piccus collection. 612. Four Chinese pottery figures, Tang dynasty, two of standing court ladies, one a gentleman with a moustache, the last a seated lady, with traces of coloured pigment, some damages, 10cm max. (4) £100-200 613. Four items of shipwreck porcelain, variously decorated in blue and white. Comprising: a peach-shaped brushwasher and a small box and cover from the Hoi An Hoard, a smaller box and cover and a teabowl from the Hatcher Cargo, the teabowl with a wood stand. (7). £150-250 614. Three Chinese celadon-glazed bowls, 12th century and later, all with incised decoration, two of stylized foliage, one of ducks swimming, 13.5cm max. (3) £200-300 Paper labels for E & J Frankel, and R & G McPherson Antiques, London. 615. Three Chinese pottery bowls, Song Dynasty, one decorated with a thick black glaze with an oil-spot effect, one with a black glaze draining from the rim, the last with a floral design on a mottled glaze, 20.2cm max. (3) £200-300 All with paper labels for the E & J Frankel collection - the husband and wife team who taught Sister Wendy about Chinese ceramics. Sister Wendy describes the largest bowl in this lot as her “greatest treasure... it represents so many unforgettable memories”.

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616. A small collection of Far Eastern ceramics, including a white-glazed bowl, a Chinese ear-cup, a blue and white small bowl, a teabowl decorated in a greenish blue glaze, and a Japanese blue and white plate, 19.3cm max. (5) £80-120

617. Five small various Chinese vases, Tang dynasty and later, one baluster shaped with a cover and decorated in a green glaze, one with a crackle glaze, another blue and white painted with prunus above a band of stiff leaves, the last celadon with a band of flowerheads, 10cm max. (5) £200-300

618. Five Chinese porcelain teabowls and one saucer, most decorated in famille rose enamels with flowers, figures and birds, and a waterpot enamelled with flowers and leaves, some damages, 9.7cm max. (7) £80-120

619. Four small ceramic figures, modern, including a Russian biscuit figure of a lion, another of a Viking ship, a biscuit figure of a winged putto, and a porcelain dachshund, and a Japanese ivory netsuke of a bearded gentleman, 14cm max. (5) £50-150

620. A Nymphenburg figure from the Ovidian Gods series, modern, of Minerva, standing on a tall plinth, her shield bearing the face of the Gorgon, impressed shield mark, and a Continental figure of Juno, standing with her peacock, 27cm max. (2) £100-200

621. Four cups and saucers, c.1820 and later, one Derby and decorated in pattern 92 with titled views, one outside-decorated Meissen, another Berlin, both decorated with flower sprays, one printed with a William Morris pattern, a pink ground bowl printed with flowers and a modern blue vase, some damages, 15.2cm max. (10) £20-60

The dachshund is apparently Sister Wendy’s favourite breed of dog, “so bright-eyed, so noble of countenance, so amiable of temperament”.

622. A pair of Derby Classical figures, early 19th century, raised on green square bases, a Bloor Derby figure of a girl kneeling to pray, a figure of a Turkish boy, and two late 18th century models of putti, some damages, 13.5cm max. (6) £150-250

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Provenance: The pink bowl in this lot was given to Sister Wendy by her mother

623. A Staffordshire porcelain group of a leopard and cub, 19th century, a Staffordshire sheep recumbent on a domed base, and a pair of modern porcelain copies of Staffordshire sheep, 12.8cm max. (4) £50-150

624. A bronze statue of Uma, modern, the Tibetan goddess seated and wearing a jewelled headdress, necklace and armlets studded with amber and turquoise coloured beads, 35cm high. £40-60

625. A bronze figure of Mercury, after the antique, seated on a rocky outcrop and wearing winged sandals, incised ‘Gommer Napoli’ to the reverse, raised on a fabric base, the bronze 29cm. (2) £100-200

626. A Jackie Giron figural group, modern, of the Queen of Hearts, berating her errant knave, the front of her skirt emblazoned with a lion, both standing on a rectangular base, 25cm across. £80-120

Provenance: This bronze was bought for Sister Wendy at the start of her time of working for the BBC.

Provenance: This piece came from a competition to illustrate nursery rhymes, of which Sister Wendy was one of the judges. She was struck by “the gawky and self-conscious guilt of the charming knave”.

627. ‘I Saw a Ship Come Sailing In’ a Jill Ford stoneware model of a ship, modern, with scrolling prows and a single furled sail, the body decorated with a circular design, with three small hooded figures representing the Three Kings, 23cm across. (4) £50-150

628. An American studio pottery waisted bowl, modern, by Brother Thomas, decorated in a pale celadon glaze, and a small fritted vessel, 9.5cm max. (2) £100-200

629. A Geoffrey Swindell (b.1945) vase and an abstract sculpture, the vase decorated with a tortoiseshell effect, the sculpture shelllike, incised S marks, 12.2cm max. (2) £80-120

630. A small stoneware cup by Dame Lucie Rie (1902-1995), decorated with a celadon glaze with bronze coloured glaze draining from the rim, impressed mark, 5cm. £300-500

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631. Five Augarten Vienna figures of comic animals, modern, playing instruments or dancing, highlighted in gilt and coloured enamels, and another of Mohammed from the Rosenkavalier, printed marks, the latter chipped, 8.5cm max. (6) £60-100

632. Three Meissen sculptural figures by Sylvia Klode, modern, of Pan, Daphne and a sea nymph, brightly enamelled and raised on small circular bases, blue crossed swords marks, 10cm max. (3) £100-200

633. A Chelsea figure of a Turk, c.1756, his fur-lined cloak parting to reveal a dagger tucked into his yellow sash, raised on a pad base applied with flowers, red anchor mark, and a miniature Meissen figure of a goddess holding a covered urn, blue crossed swords mark, damages, 16cm max. (2) £100-200

634. Two miniature Meissen models of animals on pillows, modern, one a tortoise, one a mouse, blue crossed swords marks, and three novelty boxes, one of Noah and his ark, one of a giraffe, the other of a cat, 9cm max. (6) £150-250

635. Three miniature Meissen models of birds, modern, including two parrots and a tawny owl raised on low bases, blue crossed swords marks, 4.8cm max. (3) £120-180

636. Two miniature Chelsea seals, c.1755-60, one of a seated nun, the other of a lady leaning against a pillar, and a Continental scent bottle and stopper modelled as a sleeping lady with a large dog, all titled in French, one seal mounted with gilt and mother of pearl, 8cm max. (3) £150-250

Sister Wendy says of them, “The parrots obviously belong in the same aviary... the owl lives free and is much more solemn”.

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Sister Wendy says of the seals, “I’m especially fond of the demure little nun proclaiming love conquers all, but the secular counterpart is also delightful”.

637. A Derby figure of a nun, c.1770, seated on a chest and holding an open book in her left hand, inscribed ‘Omnia Gloria’, dressed in a dark red robe with black wimple, the base incised ‘No 102’, 14cm. £100-200

638. A Chelsea figure of a nun, c.1755, seated on a studded chest and reading from a large book inscribed ‘Super Omni’, wearing a black wimple and peach habit, raised on an oval flower-encrusted base, red anchor mark, chips to her right hand, 13cm. £200-300

639. A Höchst figure of a nun, c.1750, seated and reading from a large book resting in her lap, wearing a red floral cowl over a striped robe, various marks including red wheel and incised ‘INH’, restoration to her hands and book, 13cm. £200-300

640. A rare Meissen model of a nun, mid 18th century, probably modelled by Kändler, standing in penitent pose with hands clasped, her habit with a gilt foliate edging, raised on a chamfered base, blue crossed swords mark to the back of the base, some chips and restoration, 18cm. £300-500

Exhibited: Höchster Porzellan des 18 Jahrhunderts aus Privatbesitz, Frankfurt, 1984. Sister Wendy describes this nun as being the most “worldly” of the several in her collection.

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641. Two Meissen figures of Turkish ladies, mid 18th century, one dancing with extended foot, the other holding a small flag, some good restoration, wearing headdresses and flowered robes, faint blue crossed swords marks to the undersides, some good restoration, 15cm max. (2) £800-1,200

642. A large Nymphenburg white-glazed figure of Mary, modern, after the model by Franz Anton Bustelli, her head turned in anguish, heavily draped in robes and with hands clasped, impressed shield marks, 31.5cm. £250-350 Sister Wendy says of this piece, “I don’t think one can look at this Mary without being moved by her sorrow and the grace with which it is silently expressed”. Cf. The Victoria and Albert Museum, no. C.122-1937 for the 18th century figure.

643. A Meissen figure of a nymph, mid 18th century, emblematic of Water, recumbent and draped in a floral robe beside an overflowing urn, reed and bulrushes behind, blue crossed swords mark, incised 34, some chipping to the reeds, 7cm high. £300-500 Provenance: This figure was gifted to Sister Wendy when filming at the Vatican.

645. A miniature Meissen figure of a huntress, mid 18th century, wearing a yellow skirt suit and pointing her gun at her prey, her dog alert by her side, faint blue crossed swords mark, some good restoration, 7.5cm. £150-250

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644. A Meissen figure of Cupid in Disguise as a Nightwatchman, mid 18th century, wearing a large black tricorn hat, clogs and wrinkled socks, his lantern strapped to his back, blue crossed swords mark to the back of the base, some restoration to his legs, 10.5cm max. £300-500

646. A porcelain snuff box, probably Chelsea or St James’s c.1755, modelled as a recumbent maiden tying a blindfold around an infant Cupid, titled ‘Aimant Aveuglement’ in red to the base, the interior painted with flowers, gilt metal mounts and a hardstone base, 5cm high. £200-300

647. A near pair of Meissen figures, c.1760, from the Gallant Orchestra series, he dancing with left hand raised above his head, she with a songbook in her right hand and holding one corner of her apron in her left, faint blue crossed swords mark to the back of his base, some good restoration, 15cm. (2) ÂŁ400-600

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648. A rare Meissen figure of the Dancing Shepherdess, mid 18th century, modelled by Meyer, wearing a flowing yellow skirt beneath a green tunic, holding a pair of castanets, before a tree stump, blue crossed swords mark to the reverse, together with a modern copy of the same figure, some small faults and restoration, 17.5cm. (2) ÂŁ400-600 These two figures were intended to be used as a comparison for a film on ceramics which was subsequently not made.

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649. Two Meissen peasant figures, mid 18th century, one of a gardener holding a rake and wearing ragged trousers, the other of a washerwoman carrying a basket of laundry on her back, the latter with a blue crossed swords mark, some good restoration, 11.5cm max. (2) ÂŁ400-600

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650. A Frankenthal figure group, date code for 1771, of a woodcutter and his companion, apparently having a heated discussion, she with a basket of apples on her back, holding out her palm, while he retains control of his axe, crowned CT monogram and blue ‘71’, 14.5cm. £300-500 Paper label for Brian Haughton Antiques. 650

651. Three small Meissen figures of Classical musicians, mid 18th century, two holding wooden sticks, the third a pair of castanets with a pointed hat by her side, all with blue crossed swords marks to the back of the bases, some small damages and restoration, 11.5cm max. (3) £500-800 651

652. Five Nymphenburg figures of putti from the Ovidian Gods series, c.1775 and later, after models by Franz Anton Bustelli, raised on flat shaped bases and each bearing attributes, impressed shield marks to four, 11.5cm max. (5) £800-1,200 Provenance: The three later figures were given to Sister Wendy while filming in Europe with the BBC.

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Fine Porcelain & Pottery spring 2014

One of twelve SĂ¨vres plates with chinoiserie decoration, from the collection of Lord and Lady Fairhaven. Sold in six lots for a total of ÂŁ108,580

To discuss consignments for this, or any of our other Ceramics or Glass sales, please contact: Clare Durham Tel: +44 (0)1722 424507 claredurham@woolleyandwallis.co.uk

Asian Art Wednesday 22nd and Thursday 23rd May 2013

A rare Chinese Yixing teapot and cover, 18th century, unmarked, 15.8cm. Estimate: £10,000 – £15,000

ENQUIRIES John Axford MRICS ASFAV Tel: +44 (0)1722 424506 johnaxford@woolleyandwallis.co.uk

Sophie Lister Tel: +44 (0)1722 424591 sophielister@woolleyandwallis.co.uk

Arts and Crafts (including fine Martin Ware) Wednesday 19th June 2013

A large and impressive bird sculpture by Robert Wallace Martin. Estimate: ÂŁ35,000 - ÂŁ45,000

ENQUIRIES Michael Jeffery Tel: +44 (0)1722 424505 michaeljeffery@woolleyandwallis.co.uk

Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays. VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered. REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. To register, you will need to provide two forms of identification:

LIVE ONLINE BIDDING Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom.com In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via thesaleroom.com, and 2. confirm that you are authorised to provide these credit card details to Woolley and Wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale.

1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies. PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us. COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids. TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

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CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate. The colours printed in the catalogue are not necessarily true. SALE RESULTS These will be posted on our website shortly after the sale. BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 22% + VAT on the first £500,000 of the hammer price and 12% + VAT thereafter.

PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released. The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €15,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present. Wire transfers should be sent to: Lloyds TSB, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction. Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office. Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid. VAT Lots marked with an asterisk (*) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500 Lots marked with a ‡ symbol are potentially subject to the levy. PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping

01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

APS

0800 118 5868 sales@apservices.info 07736 544 362 www.apservices.info

Mailboxes

01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover

Pack & Send

0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate. 5. VAT. (*) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. . Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request. 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. After sale settlement of the net sum due to you normally takes place within 28 days of the sale (by crossed cheque to the seller) unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate. 5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position). 6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due (b) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges. (c) No purchase can be claimed or removed until it has been paid for. 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below. Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

21. English law applies to the interpretation of these Conditions.

Lots marked with a ‡ symbol are potentially subject to the levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500

Valuations PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount.

INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual clientâ&#x20AC;&#x2122;s needs.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales. Contact Christine Johnson 01722 424509

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

Woolley & Wallis valuations are accepted by all leading insurance companies.

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Woolley & Wallis Salisbury Salerooms Ltd. Registered in England No. 2998482 VAT No: 9832 29 in association with Woolley & Wallis, Chartered Surveyors Design & Production by Jamm Design Tel. 020 8901 7522

Woo l le y & Wa l li s Absentee Bid Form Pottery, Porcelain & Glass

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Brief Decription

Tuesday 30th April 2013 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. Billing Name (please print)

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If you have not settled your account within 21 days of the auction Woolley & Wallis Salisbury Salerooms Ltd reserves the right to debit all charges due. There is no surcharge for debit card payments, but for credit cards there will be a 2% (+VAT) surcharge. By signing below you are authorising this payment to be taken by us. ID is required for all first time bidders.

Signature Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508

Price Excluding buyer’s premium & VAT

auction calendar ASIAN ART 22nd & 23rd May John Axford +44 (0) 1722 424506 • johnaxford@woolleyandwallis.co.uk Sophie Lister +44 (0) 1722 424591 • sophielister@woolleyandwallis.co.uk PAINTINGS 5th June Victor Fauvelle +44 (0) 1722 424503 • victorfauvelle@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jobutler@woolleyandwallis.co.uk 20TH CENTURY DESIGN 19th June – Arts & Crafts Michael Jeffery +44 (0) 1722 424505 • michaeljeffery@woolleyandwallis.co.uk FURNITURE, WORKS OF ART & TRIBAL ART 2nd July Will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk Mark Richards +44 (0) 1722 411854 • markrichards@woolleyandwallis.co.uk SILVER 16th & 17th July Rupert Slingsby +44 (0) 1722 424501 • rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lucychalmers@woolleyandwallis.co.uk CLOCKS, WATCHES & SCIENTIFIC INSTRUMENTS 24th July Richard Price +44 (0) 7741 242421 • richardprice@woolleyandwallis.co.uk Will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk JEWELLERY 25th July Jonathan Edwards +44 (0) 1722 424504 • jonathanedwards@woolleyandwallis.co.uk Marielle Whiting +44 (0) 1722 424595 • mariellewhiting@woolleyandwallis.co.uk ENGLISH & EUROPEAN CERAMCIS & GLASS 8th October Clare Durham +44 (0) 1722 424507 • claredurham@woolleyandwallis.co.uk

• Entries can usually be accepted up to six weeks prior to auction • Illustrated catalogues are available about ten days before the sale • Viewing is normally two days prior to the auction and on Saturday mornings • Catalogue subscriptions are available for all sales • Fully illustrated catalogues can be viewed on our website www.woolleyandwallis.co.uk