Woolley & Wallis by Jamm Design Ltd

WOO L LE Y & WA L LI S SA L I S B U R Y SA L E R O O M S

Fine Silver & Objects of Vertu Wednesday 28th October 2015

Specialist Departments Please dial +44 (0)1722 followed by the number listed below

20TH CENTURY DESIGN Michael Jeffery

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424505

ASIAN ART John Axford MRICS ASFAV Sophie Lister Alex Aguilar Doméracki Freya Yuan

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ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham — 424507 FURNITURE, WORKS OF ART & CLOCKS Mark Richards — Jim Gale — Anna Brown —

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JEWELLERY Jonathan Edwards FGAA Marielle Whiting FGA

424504 424595

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PAINTINGS Victor Fauvelle Jo Butler

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SILVER Rupert Slingsby Lucy Chalmers

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TRIBAL ART & ANTIQUITIES ARMS & ARMOUR Will Hobbs Ellie Osmond

Members of The Society

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV — 424509 Clive Stewart-Lockhart FRICS FRSA 424598 ACCOUNTS Janice Clift (Office Manager) — Ruth Pike

424500 424599

MARKETING Tamzin Corbett

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424590

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424500

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424500

GENERAL OFFICE Sharon Ringwood Pauline Jones Nicola Young Amanda Lawrence SALEROOM MANAGER David Jordan BOARD OF DIRECTORS Paul Viney ASFAV Chairman John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart Managing Director

FRICS FRSA

COMPANY SECRETARY Jim Macarthur CA — —

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ASSOCIATE DIRECTORS Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby Jonathan Edwards FGAA Janice Clift Clare Durham

of Fine Art Auctioneers

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 Fax: 01722 424508

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FINE SILVER & OBJECTS OF VERTU Wednesday 28th October 2015 at 10.00am Viewing Times Saturday 24th October 2015 Monday 26th October 2015 Tuesday 27th October 2015 Wednesday 28th October 2015

10.00am – 1.00pm 10.00am – 4.00pm 10.00am – 4.00pm 8.30am – 9.45am

ENQUIRIES

Rupert Slingsby 01722 424501 rupertslingsby@woolleyandwallis.co.uk

Lucy Chalmers 01722 424594 lucychalmers@woolleyandwallis.co.uk

LIVE BIDDING

Please register by 4pm on Tuesday 27th October. Please note there is a 3% + VAT surcharge for using this service.

Front cover: Lot 628 Above: Lot 551 Back cover: Lot 646 Catalogue £12.00 (£15.00 by post) Images and a catalogue word search facility are available at www.woolleyandwallis.co.uk Silver weights are in Troy ounces.

Please note that requests for telephone bids cannot be accepted after 5pm on 27th October.

CITES REGULATIONS Please note that lots marked may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

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THE DUGALD HENDERSON SILVER REFERENCE LIBRARY

1. Bøje, Chr. A., Danske sølv Maerker, Polotokens Forlag, 1979, three volumes, hard bound with dust wrappers; and Borg, T., Guild-och Silversmeder I Finland 1373-1873, second print, hard bound. (4) £100-150

2. Bennett, D., Collecting Irish Silver, 1637-1900, Souvenir Press, 1984, hard bound with dust wrapper. £100-150

3. Rosenberg, M., Der Goldschmiede Merkzeichen, 1922, in four volumes, hard bound with dust wrappers. (4) £100-150

4. A collection of reference books relating to Heraldry, including two copies of Fox-Davies, A. C., The Art of Heraldry, 1986, hard bound with dust wrappers; Hasler, C., The Royal Arms, 1980; von Volborth, C-A., Heraldry: Customs, Rules and Styles, and various other publications. (qty) £150-200

5. Five volumes relating to French silver, including Helft, J., Le Poincon des Provinces Francaise, 1985, hard bound; Godefroy, G., Les Orfèvres de Lyon (13061791) et de Trévoux (1700-1786), 1965, soft bound; Carré, L., L’Amateur D’Ofrfèvrerie Française, 1974, and two other volumes. (5) £150-200

6. A collection of assorted silver and jewellery reference books, including: Booth, J., The Art of Fabergé, 1990; Hartop, C., East Anglian Silver 1550-1750, 2004; Crisp-Jones, K., The Silversmiths of Birmingham and their Marks: 1750-1980, and various other publications including Silver Society Journals. (qty) £150-200

7. A collection of reference books on silver, including Clayton, M., The Collectors Dictionary of the Silver and Gold of Great Britain and North America, Antique Collectors Club, 1985; two copies of Jackson, Sir C. J., English Goldsmiths and their Marks, Dover Publications 1964, hard bound, one with dust wrapper; Delieb, E., Silver Boxes, Ferndale Editions, 1979, and various other publications. (qty) £150-200

8. A quantity of reference books relating to Scotland and Scottish silver, including Guthrie, W., Dundee Silver 17501850, soft bound (2 copies); Wilson, J., The Gazetteer of Scotland, W & A K Johnston, 1882, hard bound; Finaly, I., Scottish Gold & Silver Work, Chatto & Windus, 1956, hard bound, and various other titles. (qty) £100-150

9. A quantity of reference books relating to continental silver, including two copies of Carpenter, C. H and M G., Tiffany Silver, 1978, hard bound with dust wrappers; two copies of Kovel, R. M and T. H., A Directory of American Silver, Pewter and Silver Plate, 1979; two copies of Emery, J., European Spoons before 1700, and various other publications. (qty) £150-200

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10. Jewitt, L and Hope, St J., The Corporation Plate and Insignia of Office of the Cities and Corporate Towns of England and Wales, Bemrose & Son, 1895, volumes 1 and 2, hard bound. (2) £100-150

11. Culme, J., The Dictionary of Gold & Silversmiths, Jewellers and Allied Traders, 1838-1914, The Antique Collectors Club, 1987, hard bound, one with dust wrapper, two volumes. (2) £150-200

12. Six volumes relating to silver, including: Howard, M., Old London Silver, 1903, hard bound; Cripps, W. J., Old English Plate, 1881, hard bound; R. and M. Norton, A History of Gold Snuff Boxes, 1938, leather bound, and three other volumes. (6) £100-150

OTHER PROPERTIES

13. Five volumes on European silver, including: Lösel, E-M., Zürcher Goldschmiedekunst, 1983, hard bound with dust wrapper; Gonçalves Vidal, M., Marcas Decontrastes e Ourives Portugueses, 1974, volumes 1 and 2, soft bound; Fernandez, A., Munoa, R., Rabasco J., Enciclopedia de la Plata Espanola y Virreind Americana, 1984, hard bound and E and C Catello, Agenti Napoletani dal XVI al XIX secolo, hard bound,1973. (5) £150-200

14. Bennett, D., Collecting Irish Silver 1637-1900, Sovenir Press, 1984, hard bound with dust wrapper, and an exhibition catalogue Irish Silver from the Seventeenth to the Nineteenth Century, from the collections of the National Museum of Ireland, Smithsonian Institute Travelling Exhibition Service, 1982, soft bound. (2) £100-150

15. A quantity of silver-related reference books, including Kent, T. A., West Country Silver Spoons and Their Makers 1550-1750, 1992, hard bound with dust wrapper, and three other publications by the same author; Hartop, C., The Huguenot Legacy: English Silver 16801760, and by the same author Geometry and the Silversmith: The Domcha Collection, 2008, and four other publications. (10) £60-80

16. Phillips, P. A. S., Paul de Lamerie His Life & Works, The Holland Press, 1968, hard bound with dust wrapper; Paul de Lamerie: The Work of England’s Master Silversmith (1688-1751), Goldsmiths’ Hall Exhibition, 1990, soft bound; Penzer, N. M., Paul Storr 1771-1844 Silversmith and Goldsmith, 1954, hard bound with dust wrapper. (3) £250-300

17. Schroder, T., British and Continental Gold and Silver in the Ashmolean Museum, 2009, hard bound with dust wrapper, three volumes. (3) £100-150

18. A modern Italian electroplated novelty wild boar wine cooler, signed Franco Lafini, modelled in a seated position, the hinged head with glass eyes, height 40cm. £400-600

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19. A Victorian novelty electroplated desk stand, by Hukin and Heath, rectangular form, the inkwell modelled as a pen nib, with a glass liner, a stamp box, the hinged cover inscribed ‘Stamps’, a vesta holder, a desk seal and a taper stick, on a rectangular base, with a curled page motif, on four bun feet, length 18.5cm. £100-150

20. A rare 18th century French silvered brass two-handled lemon strainer, circular form, pierced decoration, with two pierced scroll handles, the underside scratch initialled ‘H’ over ‘TM’, length 15.4cm. £500-600

22. An Ottoman electroplated ewer and basin, marked A. Ekmekdjian, baluster form, scroll handle, domed cover, elongated spot, the circular bowl with a strainer, diameter of bowl 40.5cm, height of ewer 37.5cm. (2) £150-200

23. A Victorian electroplated decanter wagon, shaped oval form, pierced scroll gallery, beaded borders, foliate scroll pulling handle, on four wheels, length 47cm. £200-300

24. An electroplated mounted claret jug, by Mappin and Webb, baluster form, the glass body with hobnail cut and foliate decoration, the mount with foliate decoration, the hinged cover with a pierced thumb-piece, leaf capped scroll handle, height 26.5cm. £100-150

25. An 18th century silvered brass coffee pot, with unidentified marks, circa 1770, baluster form, scroll handle, domed hinged cover with a knop finial, shell and scroll capped spout, on a circular foot, height 26cm. £200-300

26. A pair of early 19th century old Sheffield plated entree dishes and covers, circa 1820, oval form, gadroon and shell borders, the part-fluted domed covers with foliate handles and engraved with an armorial, length 36cm. (2) £300-400

27. A set of four George III old Sheffield plated candlesticks, unmarked circa 1790, tapering rectangular form with canted corners, on raised rectangular bases with canted corners and leaf motifs, height 29.4cm. (4) £200-300

Provenance: The James Walker Collection, Christie’s South Kensington, 13 July 2006, lot 65.

21. A novelty electroplated playing card holder, trump marker and cribbage board, unmarked, circa 1920, modelled as a biplane, the wings with recesses for two packs of playing cards, the top of the wing with a cribbage board, the propeller enamelled with the four playing card suits, wing span 27cm. £300-400

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28. The Palmer Coaching set, a fine Victorian electroplated coaching set, by The Mappin Brothers, with an engine-turned pattern of crossed motifs, engraved with a crest, comprising: a large jug, a pair of smaller jugs, a large biscuit barrel, a pair of smaller biscuit barrels, a set of twelve larger beakers and eight smaller beakers, in a fitted wooden case, height of larger jug, 30.5cm, £1,000-1,500 height of larger biscuit box 27.5cm, height of taller beaker 10cm. (24) This set was made for Sir Charles Mark Palmer Bart, of Grinkle Park, North Yorkshire for use on coaching outings with the Coaching Club. Sir Charles Mark Palmer, 1st Baronet, (3 November 1822- 4 June 1907), was a ship builder and Liberal politician. In 1874 he was elected M.P for North Durham, and at the 1885 election he was elected MP for the new constituency of Jarrow. A seat that he held until his death in 1907.

29. A collection of ten silver mounted photograph frames, various makers and dates, mainly modern, some with foliate decoration, with easel backs. (10) £150-200

30. A French silver-gilt travelling dressing table mirror, by Aucoc, retailed by Leuchars and Sons, Paris, circa 1900, arched upright rectangular form, engineturned decoration, ribbon and reed border, hinged hanging loop, leather clad easel back, height 35cm. £200-300

31. A collection of nine silver mounted photograph frames, various makers and dates, mainly modern, some with foliate decoration, eight with velvet easel backs. (9) £250-300

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32. A small collection of three silver vinaigrettes, comprising: a George III silver-gilt vinaigrette, by J. Allen and J. Butler, London 1803, shaped rectangular form, engraved wriggle work decoration, length 3.2cm, a George IV silver-gilt vinaigrette, by Thomas Newbold, Birmingham 1823, rectangular form, engraved foliate and engine-turned decoration, pierced foliate grille, initialled, length 3.7cm, plus a William IV vinaigrette, by Edwin Jones, Birmingham 1835. (3) £300-400

33. A late 19th century AustroHungarian miniature silver-gilt and enamel tankard, maker’s mark of S.G, Vienna, tapering circular form, with enamelled figural decoration, domed cover, scroll handle, height 2.5cm. £100-150

34. A George III silver vinaigrette, by Cocks and Bettridge, Birmingham 1807, shaped rectangular form, canted corners, the hinged cover with engraved decoration, length 2.8cm, plus a William IV silver vinaigrette, by Ledsam, Vale and Wheeler, Birmingham 1830, rectangular form, engine-turned decoration, length 2.8cm, approx. total weight 0.8oz. (2) £150-200

35. A 19th century continental silver vinaigrette, unidentified marks, possibly Scandinavian, rectangular form, the hinged cover engraved with a heart, engraved borders, the interior with a silver-gilt grille pierced with a building and foliate decoration, length 3.5cm, approx. weight 0.6oz. £100-150

36. A George III provincial silvermounted stag antler snuff box, by Joseph Rodgers and Son, Sheffield 1812, plain mounts and plain hinged cover, gilded interior, length 7.2cm. £300-350

37. A silver Art Nouveau box, by William Hutton and Sons, Birmingham 1913, rectangular form, with Art Nouveau decoration, hinged cover, length 8.8cm, approx. weight 4.2oz. £150-200

38. A late-Victorian silver dressing table mirror, by William Comyns, London 1893, shaped upright form, heart shaped bevelled glass mirror, pierced and embossed with cherubs and foliate scroll decoration, central vacant cartouche, wooden easel back, height 28cm. £200-300

39. A Victorian silver thimble measure, by Henry Dee, London 1871, tapering circular form, modelled as a thimble, height 7.5cm, approx. weight 2.4oz. £120-150

40. A modern silver statue of a paratrooper, by Garrard and Co, London 1968, modelled in a standing position, on a wooden plinth, height on plinth 13.7cm, approx. weight 2oz. £150-200

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41. A late-Victorian novelty silver pepper pot, maker’s mark of A and B, Birmingham 1900, modelled as a railway lamp, pull-off cover, height 4.5cm, approx. weight 1oz. £120-150

42. A Victorian silver horn vinaigrette / scent flask, by S. Mordan, London 1872, plain horn form, the hinged cover opens to reveal a pierced foliate grille with a basket of flowers, screw-off mouth-piece, with a chain, length 11cm, approx. weight 2.3oz. £200-300

43. A Victorian novelty ‘bullseye’ lantern retractable pencil, by S. Mordan and Co, circa 1873, the hinged cover opens to reveal lead holders, mechanism a.f, height closed 5cm. £400-450

44. A novelty silver ‘Johnnie Walker’ whisky decanter, marked ‘SILVER’ to base, engraved labels, screw-off cover, height 23.5cm, approx. weight 15oz. £300-400

45. An Edwardian silver patent tea pot sleeve, by William Comyns, London 1905, also stamped Wright’s Patent 28295, circular form, pierced and embossed with oriental scenes and foliate scroll decoration, hinged body, diameter 13cm, approx. weight 3.8oz. £100-150

46. A Victorian silver opium / spice jar and cover, by Child and Child, London 1889, modelled as a standing woman in medieval dress, the hinged head with a ruff, on a circular base, the hinged cover opens to reveal an unmarked spoon, the underside of the base with a monogram, height 12.5cm, approx. weight 3oz. £500-700

This lot is sold with a photocopy of the patent application, dated the 22nd December 1902.

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47. A small Edwardian novelty silver swan pin cushion, by Edward Braham, Birmingham 1907, modelled in a swimming position, replacement cushion, length 2.5cm. £100-150

48. An Edwardian novelty silver camel pin cushion, by Adie and Lovekin Limited, Birmingham 1906, modelled in a standing position, replacement velvet cushion, height 5cm. £250-300

49. An Edwardian novelty silver tortoise pin cushion, by Saunders and Shepherd, Birmingham 1906, modelled in a walking position, length 4.8cm. £250-300

50. An Edwardian novelty silver shoe pin cushion, by Adie and Lovekin Limited, Birmingham 1903, modelled as a shoe with a ribbon lace and set with three coloured hard stones, replacement cushion, length 6.4cm. £120-150

51. A Victorian novelty silver owl pin cushion, by S. Mordan and Co, London 1894, modelled as an owl’s head, set with glass eyes, textured feathers with a ring attachment, length 3.5cm. £300-400

52. An Edwardian novelty silver camel pin cushion, by Levi and Salaman, Birmingham 1903, modelled in a lying position, replacement velvet cushion, length 10cm. £600-800

53. An Edwardian novelty silver elephant pin cushion, possibly by Adie and Lovekin Limited, Birmingham 1909, modelled in a standing position, replacement cushion, length 6.8cm. £200-300

54. An Edwardian novelty silver frog pin cushion, by Adie and Lovekin Limited, Birmingham 1907, modelled in a seated position, replacement cushion, length 5.8cm. £300-400

55. An Edwardian novelty silver rabbit pin cushion, maker’s mark lost in a repair, Birmingham 1908, modelled in a lying position, length 5.5cm. £300-350

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56. A large Edwardian novelty silver pin cushion, with import marks for Chester 1901, importer’s mark of S. Landeck, modelled as a sitting hen, later velvet cushion, length 11.2cm. £150-180

57. A novelty silver ring tree, pin cushion and hat pin stand, by Spurrier and Co, Birmingham 1911, modelled as a golf bag with club, on a raised circular base, replacement cushion, height 11.8cm. £150-200

58. An Edwardian novelty silver lion pin cushion, by Spurrier and Co, Birmingham 1909, modelled in a standing position, replacement velvet cushion, length 8.5cm. £400-600

59. An Edwardian novelty silver frog pin cushion, maker’s mark worn, Birmingham 1907, modelled in a sitting position, length 6cm. £150-200

60. An Edwardian novelty silver and hard stone pin cushion, unmarked, except for a registration number Rd190006, hoof form, engraved borders and set with vari-coloured hard stones, length 4.8cm. £250-300

61. A silver-mounted mother-of-pearl and tortoiseshell snuff box, unmarked, oval form, the hinged cover inlaid with foliate decoration, length 7.8cm. £100-150

62. A novelty silver squirrel baby’s teether, by Arthur Smith, Birmingham 1922, modelled in a seated position eating a nut, coral teether, with a ring attachment, total length 6.8cm. £100-150

63. A novelty silver owl page marker, by W. Collins, Glasgow 1928, the terminal modelled as a standing owl, length 8.3cm, plus a novelty silver desk seal, modelled as a standing owl, Birmingham 1909, height 3.8cm. (2) £100-150

64. A novelty silver owl baby’s rattle and whistle, by Crisford and Norris, Birmingham 1911, modelled as a standing owl, textured feathers, with two bells and a teething ring, total length 11.7cm. £150-200

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65. A Victorian silver miniature chamber stick, by Henry Wilkinson and Co, London 1891, shaped oval form, with a conical snuffer, length 8.5cm, plus an Edwardian miniature silver chamber stick, by Nathan and Hayes, Chester 1902, rectangular form, with a conical snuffer, length 9.7cm, and a lateVictorian miniature chamber stick, London 1897, circular form with a conical snuffer, approx. total weight 7.6oz. (3) £150-200

66. An early-Victorian miniature silver chamber stick, by Joseph Willmore, Birmingham 1839, circular leaf form, simulated twig scroll handle, with a conical snuffer, diameter 8.5cm, approx. weight 2.2oz. £150-200

67. A George III silver miniature chamber stick, by Robert Hennell, London 1788, plain circular form, urn shaped capital with a conical snuffer, diameter of base 8.5cm, plus a George III miniature silver chamber stick, by Thomas Blagdin and Co, Sheffield 1814, rectangular form, with a conical snuffer, length 9.3cm, approx. weight 6.2oz. (2) £200-300

68. An American miniature silver chamber stick, by Tiffany and Co, Edward Moore period, 1873-1891, circular form, ring handle, chased foliate decoration, urn shaped capital, diameter 7.5cm, approx. weight 1.5oz. £150-200

69. A George IV miniature silver naturalistic chamber stick, by Joseph Willmore, Birmingham 1829, leaf form, wirework handle, with a conical snuffer, length 8.5cm, approx. weight 1.8oz. £150-200

70. A 19th century continental silver miniature salt cellar, triangular form, with three column supports, on three gnarl feet, height 4.2cm, approx. weight 0.8oz. £100-150

71. An Edwardian miniature silver model of a deer, with import marks for London 1907, modelled in a standing position, plus a miniature silver model of a poodle, with Chester import marks, approx. total weight 2.1oz. (2) £150-200

72. An Italian silver and enamel circus horse, retailed by Tiffany, modelled in a rearing position, with blue reigns and harness, height 12cm, approx. weight 8.2oz. £300-400

73. A late 19th century continental silver miniature, probably Dutch or German, modelled as a monkey and a playful dog, on a rectangular base, length 5.5cm, approx. weight 1.6oz. £80-120

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74. A continental silver miniature wall sconce, unmarked, possibly Dutch, the back plate of shaped oval form, pierced and embossed decoration, with two armorial, also with two double scroll branches, each with a capital, the back with a ring attachment, length 10.2cm, approx. weight 2.5oz. £200-300

75. A pair of 18th century Dutch miniature silver spittoons, maker’s mark VS, probably for by Jan Valentijn Schmidt, Amsterdam 1788, circular bellied form, flared rims, plus an unmarked bottle, an unmarked tea bowl, an unmarked tankard, with scratch initials ‘E.B’, and a 19th century wine cistern, height of spittoon 2.8cm, approx. total weight 2.8oz. (6) £350-500

76. A 19th century carved ivory desk seal, carved as two holding hands with sleeves, the mounts with foliate scroll decoration, the matrix engraved with an armorial, length 10.6cm, plus a silver-mounted pipe tamper, plain mounts, the terminal with a carved ebony head of a blackamoor, with paste eyes, length 10cm. (2) £150-200

77. A George III silver apple corer, by Peter and Ann Bateman, London 1793, plain form, green-stained ivory handle, length 16cm. £100-150

79. An 18th century silver-mounted ivory snuff mull, unmarked, oval baluster form, plain mounts and with a vacant shield cartouche, height 6cm. £150-200

80. A 19th century carved ivory box, tapering rectangular form, carved as a basket containing fruit, pull-off cover, length 9.2cm. £80-120

78. An early 19th century desk seal, tapering ivory handle, fluted gold mount with a carved armorial hard stone matrix, length 7.8cm. £150-200 The arms are those of Byng impaling Paget for the 1829 marriage of George Stevens Byng (1806-1886) to Lady Agnes Paget (1804-1845) daughter of the 1st Marquess of Anglesey. In 1860 George Byng succeeded his Father to become 2nd Earl of Stratford.

81. A Victorian gold thimble, unmarked, retailed by Matherston and Son, tapering form, set with two rows of turquoise, in a fitted case, height 2.4cm, approx. weight 5g. £100-150

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A PRIVATE COLLECTION OF NUTMEG GRATERS

82. A 19th century nutmeg grater, unmarked and untested, cylindrical form, engraved foliate decoration, ring handle, cylindrical grater, length 11cm. £100-150 82

83. A George III silver nutmeg grater, by Samuel Pemberton, Birmingham 1792, cylindrical form, pull-off domed cover, initialled, pull-off base, height 3,2cm, approx. weight 0.4oz. £150-200 83

84. A George III silver nutmeg grater, maker’s mark I.P, possibly for James Phipps, circa 1780, cylindrical form, hinged cover and side opening to reveal the grater, the cover with a monogram, length 6.8cm, approx. weight 1.5oz. £400-600 84

85. A George III silver nutmeg grater, by Thomas Willmore, Birmingham 1797, barrel form, reeded borders, height 4.2cm, approx. weight 0.5oz. £300-400 85

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86. A mid-18th century silver nutmeg grater, unmarked, circa 1760, acorn form, screw-off cover and base, fluted finial and border, length 4.5cm, approx. weight 0.6oz. £150-200 86

87. A George III silver nutmeg grater, by Thomas Phipps, Edward Robinson and James Phipps, London 1812, rectangular form, canted corners, the hinged cover with a later applied cartouche, hinged base, length 4.8cm, approx. weight 1.6oz. £300-400 87

88. A William IV silver nutmeg grater, by Joseph Willmore, Birmingham 1832, cylindrical form, hinged cover and side opening to reveal the grater, length 7.5cm, approx. weight 2.2oz. £400-600 88

89. A George III silver nutmeg grater, by Joseph Taylor, Birmingham 1818, egg form, screw-off cover, length 4.8cm, approx. weight 0.6oz. £200-300 89

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90. A William IV silver nutmeg grater, by Reily and Storer, London 1832, oval cylindrical form, engine turned decoration, hinged cover and side opening to reveal the grater, engraved with a crest, length 6.5cm, approx. weight 1.5oz. £400-600 The crest is that of Shafto of Whitworth Park, Cumberland. 90

91. A George III silver nutmeg grater, by Matthew Linwood, Birmingham 1812, barrel form, reeded borders, height 4.3cm, £300-400 approx. weight 0.8oz. 91

92. A George IV silver nutmeg grater, by John Reily, London 1823, rectangular form, engine-turned decoration, the hinged cover with a plain thumb-piece, engraved with a monogram, length 3.8cm, approx. weight 1.2oz. £300-400 92

93. A George III silver nutmeg grater, by Samuel Meriton, circa 1790-1800, egg form, screw-off cover, length 3.8cm, approx. weight 0.3oz. £150-250 93

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94. A George III silver nutmeg grater, by Hester Bateman, London 1784, oval form, hinged cover and base, the hinged cover with an engraved border and central oval cartouche, length 4.5cm, approx. weight 0.9oz. £700-900 Provenance: A Private Collection of Nutmeg Graters, Part I, Woolley and Wallis Salisbury Salerooms, April 20th 2005, lot 22. 94

95. A George IV silver nutmeg grater, by John Shaw, London 1821, rectangular form, reeded decoration, the hinged cover with a plain thumb-piece, and central cartouche, engraved with a monogram, length 3.8cm, approx. weight 1.1oz. £300-400 95

96. A George III silver nutmeg grater, by Hester Bateman, London 1787, oval cylindrical form, hinged cover and side opening to reveal the grater, engraved with a monogram, length 6.8cm, approx. weight 1.2oz. £700-900 96

97. A George III silver nutmeg grater, no apparent maker’s mark, Birmingham 1799, egg form, screw-off cover, length 4.8cm, approx. weight 0.4oz. £150-250 97

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98. A George III silver nutmeg grater, by Phipps and Robinson, London 1796, oblong form, hinged cover and base, the cover with initials, length 4.7cm, approx. weight 1.1oz. £250-300 98

99. A large George IV silver nutmeg grater, by John Reily, London 1824, plain rectangular form, the hinged cover with a plain thumb-piece and crest, length 6.5cm, approx. weight 2.6oz. £400-600 99

100. A George III silver nutmeg grater, by William Price, London 1814, cylindrical form, hinged cover and side opening to reveal a replacement grater, the cover with a monogram, length 7cm, approx. weight 1.2oz. £300-400 100

101. A George III silver nutmeg grater, by Joseph Willmore, Birmingham circa 1800, oblong form, pull-off cover and base with engraved decoration, the cover with a Greek key border, length 3.3cm, approx. weight 0.5oz. £250-350 101

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102. A George III silver nutmeg grater, by Samuel Pemberton, Birmingham 1809, rectangular form, canted corners, engraved borders, the hinged cover and base with foliate decoration, length 3.7cm, approx. weight 0.8oz. £300-400 102

103. A George III silver nutmeg grater, by Samuel Meriton, London circa 1775, urn form, chased foliate decoration, the screw-off cover with an urn finial, on a raised circular foot, height 4.5cm, approx. weight 0.5oz. £300-400 103

104. A George III silver nutmeg grater, by Samuel Pemberton, Birmingham 1703, cylindrical form, pull-off domed cover, engraved decoration, pull-off base, height 3,3cm, approx. weight 0.4oz. £150-200 104

105. A George III silver nutmeg grater, by Thomas Willmore, Birmingham circa 1802, rectangular form, canted corners, pull-off cover and base with engraved decoration, length 3.3cm, approx. weight 0.5oz. £250-300

105

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106. A Victorian naturalistic silver nutmeg grater, by Yapp and Woodward, Birmingham 1847, ridged melon form, engraved decoration, the interior with a hinged grater, length 4cm, approx. weight 1oz. £700-900 106

107. A William and Mary silver nutmeg grater, maker’s mark of MC, unascribed, London circa 1690, tubular form, the pull-off cover engraved with a tulip, plain body, tubular grater, the base scratch initialled ‘LH’, length 6.3cm, approx. weight 0.6oz. £400-600 107

108. A George III silver nutmeg grater, by Samuel Pemberton, Birmingham 1801, oval form, bright-cut borders, the hinged cover with lattice decoration, the hinged base later inscribed ‘To Lady Tryon, Isabel Carden, 1964’, length 4.2cm, approx. weight 0.8oz. £300-400 108

109. A William and Mary silver nutmeg grater, maker’s mark TA below a pellet, unascribed, London circa 1690, tubular form, the pull-off cover engraved with a tulip, the body with pierced and engraved decoration, tubular grater, the base scratch initialled ‘S*M’, length 6.3cm, approx. weight 0.6oz. £600-800 Provenance: A Private Collection of Nutmeg Graters, Part I, Woolley and Wallis Salisbury Salerooms, April 20th 2005, lot 32.

109

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110. A William and Mary silver nutmeg grater, maker’s mark IA, for John Albright, London circa 1690, teardrop form, hinged cover and base, the cover engraved with a tulip, the base with a flower head, length 4.3cm, approx. weight 0.9oz. £1,000-1,500 Provenance: A Private Collection of Nutmeg Graters, Part I, Woolley and Wallis Salisbury Salerooms, April 20th 2005, lot 16. 110

111. A William and Mary silver nutmeg grater, maker’s mark ?P with two pellets above and one below, unascribed, London circa 1690, tubular form, the pull-off cover engraved with a tulip, the body with engraved decoration, tubular grater, the base scratch initialled ‘BH’, length 5.6cm, approx. weight 0.7oz. £400-600 Provenance: the interior with a tag form How of Edinburgh, ref 0845. 111

112. A Victorian naturalistic silver nutmeg grater, by Hilliard and Thomason, Birmingham 1863, shell form, with textured decoration, the interior with a hinged grater, length 4.3cm, approx. weight 0.7oz. £700-900

OTHER PROPERTIES

112

113. A George IV silver nutmeg grater, by John Reily, London 1823, rectangular form, hinged cover and base, reeded decoration, length 3.8cm, approx. weight 1.2oz. £300-400 113

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114. A George III silver nutmeg grater, by Samuel Pemberton, Birmingham 1792, cylindrical form, pull-off base and domed cover, with a grater, length 3cm, approx. weight 0.4oz. £150-200 114

115. A small George III silver nutmeg grater, by Samuel Pemberton, Birmingham 1798, egg form, pull-off domed cover, height 3.5cm, plus an early 19th century unmarked nutmeg grater, of cylindrical form, engraved with a shield, height 2.2cm, approx. total weight 0.5oz. (2) £300-400 115

116

116. A 19th century carved treen nutmeg grater, modelled as an acorn, screw-off cover, the interior grater with an ivory ring, length 8cm. £80-120

117. A Victorian treen nutmeg grater, modelled as a bottle, the screw-off cover reveals the grater, height 8.5cm, plus an electroplated kitchen nutmeg grater, gadroon and shell border, hinged base, length 10.3cm. (2) £100-150 117

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118. A William and Mary silver ‘squeezeaction’ spice / snuff box, maker’s mark W? with a fish above, possibly for William Pyke, London circa 1690, oval form, the hinged cover with an engraved border, the base and sides with engraved decoration, length 4.7cm, approx. weight 0.6oz. £300-400

119. An 18th century silver-gilt double snuff box, unmarked, circa 1730, shaped form, the slightly domed hinged cover engraved with a crest with foliate scroll mantling, the hinged base with a cipher, the interior with a hinged arm, length 8.5cm, approx. weight 4oz. £300-400

120. A William and Mary silver bodkin case, maker’s mark of I.A with a crown above, London circa 1690, cylindrical form, engraved foliate decoration, hinged cover, length 8cm, approx. weight 0.7oz. £300-400

121. A silver and amber scent flask, unmarked, possibly 17th century, circular form, the front and back carved with a Tudor rose, foliate mounts, on an oval foot, lacking a stopper, height 5.5cm. £200-300

122. A silver box, with maker’s mark only C.H, probably early 19th century, circular form, with cut-out foliate decoration, diameter 3cm, approx. weight 0.2oz. £100-150

123. A George III silver snuff box, by Samuel Pemberton, Birmingham 1807, shaped rectangular form, flush hinged cover, with engraved decoration in the Egyptian manner, Greek key borders, inscribed ‘Hannah Atkinson’ and ‘W. Atkinson’, gilded interior, length 6.5cm, approx. weight 1.3oz. £150-200

124. A George II / III silver snuff box, unregistered maker’s mark only, probably W.L with a fish above, London circa 1760, rectangular form, canted corners, the hinged cover with an engraved border, the base initialled ‘R.K’, length 7.2cm, approx. weight 2oz. £150-200

125. A 19th century Maltese silver filigree card case, unmarked, rectangular form, hinged cover, the front with a Maltese cross, the reverse with a shield cartouche, length 10cm. £100-150

The arms are those of Hale.

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126. A late 19th century Indian silver mustard pot, by Oomersi Mawji, Bhuj, circa 1890, baluster form, chased foliate decoration and animals on a matted background, snake scroll handle, domed hinged cover, height 10cm, approx. weight 4.2oz. £200-300

127. An Indian silver menu card holder, by Oomersi Mawji, Bhuj, circa 1890, modelled as a running wild boar, on a rounded rectangular base with chased foliate decoration, length 6cm, approx. weight 1oz. £100-150

128. A 19th century Indian silver beaker, by Grish C. Dutt, Calcutta, circa 1889, tapering circular form, embossed with figural scenes, gilded interior, inscribed ‘Presented to The Howrah Bowling Club June 1889 for the best player won by John Clarke’, height 13.3cm, approx. weight 7.8oz. £200-250

129. An Indian silver cream jug, maker’s mark of V.K, Bombay or Cutch, circa 1900, baluster form, foliate scroll decoration on a matted background, scroll handle, wavyedge border, engraved with a crest, height 8.2cm, approx. weight 3.9oz. £80-120

130. A late 19th century Indian silver bowl, probably Lucknow circa 1900, circular form, embossed with hunting scenes, on a raised circular foot, height 11.8cm, diameter 14.8cm, approx. weight 10.9oz. £150-200

131. A three-piece Indian silver tea set, unmarked, in the manner of Dass and Dutt, of Calcutta circa 1900, circular form, double skinned, embossed with gods and foliate decoration, on a matted background, the scroll handles modelled as elephants’ heads, the hinged cover with an elephant and god finial, on circular bases, with ivory insulators, length handle to spout 24.5cm, approx. weight 42.5oz. (3) £600-800

132. A 19th century Chinese Export silver mug, with pseudo marks, WE, WF, WC, circa 1830, tapering circular form, scroll handle, reeded upper and lower girdle, with a presentation inscription and dated ‘1869’, height 10.7cm, approx. weight 11.9oz. £300-400

133. A pair of 19th century Indian Colonial silver salt and pepper casters, by Hamilton and Co, Calcutta, circa 1850, also marked with a tally mark, circular form, part-fluted decoration, foliate borders, the pierced pull-off covers with a ball finial, inscribed ‘SALT’ and ‘PEPPER’, on a raised circular foot, height 7.2cm, approx. weight 9.5oz. (2) £150-200

134. A 19th century Indian colonial silver two-handled cup, by Arthur Pittar, Lattey and Company, Calcutta 1836-1840, campana form, foliate girdle, scroll handles, engraved with two crests and mottos, on a raised circular foot, height 12cm, approx. weight 7.8oz. £150-200

The crests are those of Haig.

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135. A Burmese silver bowl, circular form, embossed with figural scenes within foliate scroll decoration, height 14cm, approx. weight 36oz. £400-500

136. A Japanese silver bowl, circular form, embossed with lilies on a matted background, on a raised circular foot, diameter 16cm, approx. weight 24oz. £350-400

137. A Chinese silver-mounted motherof-pearl tazza, possibly by Wang Hing, the shell bowl supported by a dragon, on a raised circular textured base, on a wooden plinth, height 13.8cm. £300-500

138. An Indian silver presentation tray, Lucknow circa 1920, oval form, ‘Vignette pattern’, pierced border, the centre inscribed ‘Presented to Mr and Mrs R.B. Young by the Y.M.C.A. Naina-Tal October 1920’, length 40cm, approx. weight 16.7oz. £200-300

139. A set of four early 19th century Chinese Export silver Fiddle pattern tablespoons, by Cutshing, Canton circa 1830, the terminals with a crest, approx. weight 9.8oz. (4) £150-200

140. A three-piece Chinese silver tea set, by Leun Hing, Shanghai circa 1910, tapering circular form, applied with dragons, simulated bamboo scroll handles and spout, on a raised circular base, length handle to spout 24.5cm, approx. weight 30oz. (3) £300-400

142. A Chinese silver swing-handled basket, marked to the underside of the base with Chinese characters, circular form, with birds and bamboo decoration, on a matted background, pierced swing-handle, on a raised pierced circular foot, diameter 26.2cm, approx. weight 17.5oz. £250-300

143. A Chinese silver hot water pot, marked NM, and with Chinese characters, baluster form, applied blossom decoration, domed cover with a ball finial, scroll handle, on a raised circular foot, height 21.5cm, approx. weight 16oz. £150-200

Illustrated in Wilkinson, W, Indian Silver 1858-1947, privately published 1999, figure 213, page 129.

141. A Chinese silver jam pot and cover, by Luen Wo, Shanghai circa 1920, circular form, the body applied with a dragon, simulated bamboo swing-handle, the pull-off cover with a dragon head finial, diameter 10cm, approx. weight 15oz. £300-400

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144. A Japanese silver and enamel aide memoire, unmarked, rectangular form, enamelled with butterflies, lilies and flowers, with a ring attachment, the interior with two ivory sheets, length 5.5cm. £150-200

145. A Chinese silver parasol handle, by Woshing, Shanghai circa 1900, tapering circular form, embossed with a dragon on a matted background, the finial with Chinese letters, length 21cm, approx. £100-150 weight 2.5oz.

146. A Chinese silver cigarette case, maker’s mark of CL, also marked with Chinese characters, rectangular form, the front applied with a dragon, on a matted background, length 8.3cm, approx. weight 3oz. £80-120

147. A 19th century Chinese Export silver mug, by Leeching, Canton circa 1860, tapering circular form, with figural scenes within landscape settings, dragon scroll handle, the front with a vacant shield cartouche, height 10cm, approx. weight 5.5oz. £600-800 148. A 19th century Chinese Export silver table snuff box, by Wang Hing, rectangular form, cushioned sides with foliate decoration on a matted background, the hinged cover with a figural scene in a foliate background, with a shield cartouche, engraved with a crest, the base engraved with a bird, length 11.2cm, approx. weight 7oz. £500-700 The crest is that of O’Callaghan, Viscount Lismore, of Shanbally Castle, Clogheen, Co. Tipperary. 149. A 19th century Chinese Export silver snuff box, by Lynchong, Canton circa 1820, rectangular form, chased with figural and landscape scenes, the interior gilded and the inside of the hinged cover with an initial ‘R’, length 7cm, approx. weight 3.7oz. £500-700

147

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148

149

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150. A suite of three American casters, by Gorham and Co, plain baluster form, wavy-edge borders, pull-off covers, on three shell capped hoof feet, height 11.2cm, approx. weight 8oz. (3) £100-150

151. An early 19th century Portuguese silver waiter, maker’s mark partially worn, Oporto, circular form, beaded border, bifurcated scroll bracket feet, diameter 17.3cm, approx. weight 7.1oz. £200-250

152. A pair of early 19th century Italian silver salt cellars, Naples, circular gilded bowls with reeded borders, supported by three mythical dolphin supports, on a triangular base, height 7.4cm, approx. weight 9.7oz. £300-400

153. A pair of Swedish silver twohandled pots, by C. G. H. Stockholm 1927, tapering circular form, with bands of engraved decoration, leaf side handles, on three fluted ball feet, gilded interiors, height 12.3cm, approx. weight 19oz. (2) £300-400

154. A late 18th / early 19th century Danish silver wax-jack, by Mouritz Jensen Angel, Horsens circa 1800, tapering knopped stem, plain scissor action wax holders and cutters, with a crowned ‘B’ finial, circular beaded base on three baluster legs, height 17.5cm, approx. weight 4oz. £100-150

155. A silver Chrismatory container, unmarked, probably Spanish / Spanish Colonial, possibly 18th century, modelled as two joined cylindrical pots with hinged covers, one inscribed ‘S.C’, the other ‘Ol.Sal’ height 4.5cm, approx. weight 2.5oz. £250-300

Provenance: purchased from Fine Silver and Objects of Vertu, Bonhams London, 5 July 2006, lot 78.

156. A continental metalware trowel, marked ‘FS*85’, ‘AB’ and another unidentified mark, shaped blade initialled, faceted wooden handle, length 28.5cm. £100-150

157. A 19th century silver filigree box, unmarked possibly Batavian, rectangular form, filigree scroll decoration, hinged cover, tortoiseshell base, length 12.5cm. £200-300

158. A continental metalware twohandled tray, marked ‘AS80’, ‘SG’ and with another unidentified mark, rectangular form, beaded border, plain handles, length handle to handle 41cm. £200-300

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159. A late-19th century Danish silver ewer, by Michelsen, Copenhagen 1895, assay master S. Groth, baluster form, part-fluted decoration, angular scroll handle, hinged cover, fluted neck, on a raised circular foot, height 27cm, approx. weight 32oz. £400-600

160. An 18th century Italian silver vase / sanctuary lamp, maker’s mark ZC with a castle between, Venice, baluster form, embossed foliate decoration, with a later unmarked foot, height 18cm, approx. weight 10.5oz. £200-300

161. A continental silver-mounted cut glass claret jug, marked with a Russian silver import mark, tapering circular form, the heavy cut-glass body with hobnail cut decoration, the mounts with lattice and mullet decoration with foliate motifs and fluted and beaded borders, fluted domed cover, the lip with a Bacchus mask, height 36cm. £300-500

162. A good American silver coffee pot, by Howard and Co, New York, tapering circular form, scroll handle, the hinged cover with an acorn finial, engraved with an armorial, height 22cm, approx. weight 33oz. £600-800

163. A pair of continental silver vases, marked with a Russian import mark, circa 1900, tapering circular form, embossed with ears of wheat and foliate decoration, height 15.3cm, approx. weight 16.5oz. (2) £200-300

164. A continental silver chalice, unmarked, probably 18th century, urn shaped bowl, gilded rim and interior, knopped stem, on a raised circular foot, height 22cm, approx. weight 14oz. £120-180

The arms are the ancient arms of Seymour of Langley, Buckinghamshire.

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165. An 18th century French silver barber’s bowl, by Edme Pierre Balzac, Paris 1757-58, shaped oval form, moulded border, length 35.2cm, approx. weight 22.8oz. £600-800

166. A 19th century French silver chalice and paten, make’s mark worn ?N, circa 1900, knopped stem, spot-hammered decoration, with trailing flowers and bunches of grapes, with silver highlights, on a raised shaped circular stem with similar decoration and mounted with a cross, the circular paten with chased foliate decoration, with silver highlights and mounted with a circular plaque of Christ, in a fitted case, height 21.3cm, diameter of paten 14.5cm, approx. weight 26oz. (2) £300-400

167. A Turkish silver beaker, by Abdulhamid ii period, 1876-1909, tapering circular form, niello decoration with musical instruments and foliate decoration, on a circular foot, height 11.5cm, approx. weight 5.5oz. £400-450

168. A late 18th century American silver tea pot, marked JR twice to base for Joseph Richardson Jr., Philadelphia circa 1790/1800, plain oval form, scroll handle and tapering spout, the flush hinged domed cover with an elongated urn finial, beaded borders, the underside inscribed ‘I Pemberton to J Inskeep’, length 17.5cm, height 17.5cm, approx. weight 23.8oz. £600-800 J Inskeep could possibly be for John Inskeep (1757-1834), Mayor of Philadelphia, serving twice from 1800-1801 and 1805-1806.

169. West Indies interest, a rare mid-18th century Jamaican silver mote spoon, assay master Anthony Danvers, circa 1760, the oval bowl with pierced decoration, the reverse of the bowl scratch initialled ‘WM’, the tapering stem badly pinched, length 12.4cm, approx. weight 0.2oz. £200-300

170. West Indies interest, a rare mid-18th century Jamaican silver Hanoverian pattern basting spoon, by Gerardus Stoutenburgh, assay master Anthony Danvers, circa 1750, the oval bowl with a double heel, plain terminal, length 38cm, approx. weight 6.7oz. £1,000-1,500 Provenance: purchased from Brian Beet, June 1998.

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171. West Indies interest, a rare mid-18th century Jamaican silver coffee pot, by Geradus Stoutenburgh, assay master A. Danvers, circa 1760, tapering circular form, scroll handle, decorated in the Rococo manner with shells, scroll, maidens, and animals, above a castle and building scene with a fisherman in the foreground, domed hinged cover, leaf capped spout, the body with two cartouches, each engraved with a later crest, on a raised circular foot, height 27.5cm, approx. weight 40.7oz. ÂŁ6,000-8,000 Provenance: purchased from Koopman, Sept 1992, Although 18th century Jamaican silver is rare, it is thought that at least twenty-three goldsmiths were working there in the mid-18th century. By this time there was concern that substandard articles were being produced. An act was passed and there was the introduction of an assay master. The first master was Charles Wood, and he was replaced in 1749 by Anthony Danvers. Danvers is thought to have come from Liverpool, and it is thought he died in Kingston in 1772. The practice of assay marking appears to have stopped by about 1765. Geradus Stoutenburgh may have originally come from New York. Ref: Robert B. Barker, The Proceedings of the Silver Society, â&#x20AC;&#x2DC;Jamaican Goldsmiths, Assayers and their marks from 1665 to1775, Vo. 3, no.5, 1986.

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172. Two Russian silver-gilt and enamel napkin rings, various dates, circular form, with varied coloured foliate scroll enamel decoration on a matted background, blue beaded borders, diameters 4.8cm and 4.6cm, approx. weight 2.5oz. (2) £150-200

173. A Russian silver-gilt and enamel kovsch, post 1908, oblong shaped bowl, with foliate enamel decoration, on a yellow ground, turquoise enamel bead borders, length 7.5cm, approx. weight 1.2oz. £150-200

174. A silver-gilt table cigar lighter, with pseudo Fabergé and work master marks, modelled as a miniature samovar, carved ivory handles and fittings, with a presentation inscription, height 3.5cm. £400-600

175. A 19th century Russian silver swing-handled basket, Assay master unknown, Moscow 1889, maker’s mark possibly that of Agafon Fabergé, oval form, engraved foliate decoration and stylised borders, plain swing-handle, on four bracket feet, engraved with crowned initials for Olga Chigiani who married Hugh Adair, length 22cm, approx. weight 15oz. £300-400

176. A 19th century Russian silver bowl, marks worn, maker’s mark possibly BI, shallow circular form, on a circular foot, diameter 19.3cm, approx. weight 10.5oz. £200-300

177. A late 19th century silver-gilt and enamel spoon, marks partially worn, probably Moscow 1884, assay master Viktor Savinkov, oval bowl, the reverse with pink, blue and green flowers and foliage on a matted background, the tapering twisted handle with similar decoration and dark blue highlights, length 18.4cm, approx. weight 2.5oz. £300-400

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178. A 19th century Russian silver and niello work beaker, maker’s mark of A.J.S, assay master Nikolay Dubrovin, Moscow, probably 1839, tapering circular form, decorated with a scene of a ship with a town in the background, and St. George and the dragon, within foliate scroll decoration, traces of gilding to bowl, height 8.2cm, approx. weight 4oz. £600-800

179. A Russian silver-mounted glass warrior kovsch, maker’s mark NK, 1908-17, oblong form, cut decoration, the front mounted with the head of a warrior in traditional dress, scroll handle with classical decoration, on an oval foot, height 14cm, length 24.5cm. £1,000-1,500

180. A late 18th century Russian provincial silver beaker, maker’s mark partially worn, I?over R, Dorpat, circa 1780, tapering circular form, on a raised circular fluted foot, height 12cm, approx. weight 5.6oz. £500-700

181. A 19th century Russian silver five-bottle cruet frame, assay master M. Karpinskiy, St. Petersburg 1834, retailed by Henze, rectangular form, wire-work frame, hinged foliate carrying handle, wooden base, on four foliate bracket feet, with five cut-glass condiment bottles, length 17.8cm. £400-600

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182. A 19th century Russian silver snuff / vesta box, assay master Andrey Kovalskiy, maker’s mark F Verkhotsev, Moscow 1854, rectangular form, double hinged cover, both ends applied with a match striker, length 9.1cm, appox. weight 4.3oz. £150-200

183. A modern Scottish silver nurse’s buckle, maker’s mark SOG, Edinburgh 1988, pierced and engraved with a thistle and Celtic strap work, length 10.2cm, approx. weight 2.4oz. £80-120

184. An early 19th century Scottish silver vinaigrette, by Cross and Carruthers, Edinburgh circa 1830, plain rectangular book form, the interior with a gilded pierced and engraved grille, length 4.3cm, approx. weight 0.8oz. £150-200

185. A 19th century Scottish silvermounted snuff mull, unmarked, the hinged cover with embossed thistle decoration and set with a citrine, length 9.5cm. £200-250

186. A late-Victorian Scottish silver paper knife, by Hamilton and Inches, Edinburgh 1895, modelled as a basket hilted broadsword, length 16.2cm, approx. weight 0.8oz. £100-150

187. A George III Scottish silver-mounted snuff mull, unmarked, circa 1771, the hinged cover inscribed ‘J*C’ over ‘M.J.’ over ‘W*C’, and dated 1771, the mount later inscribed ‘Capt. W. Crawford, Scots Greys to his Nephew J. Milroy 1860’, length 10.2cm. £250-300

188. A Victorian Scottish silver mustard pot, by J. McKay, Edinburgh 1859, circular form, scroll handle, the hinged cover with a shell thumb-piece, with a blue glass liner, height 6.5cm, approx. weight 3.9oz. £100-150

189. A modern Scottish provincial silver paper knife, marked NI, SILVER, MG, MULL, dagger form, with intertwined Celtic decoration and with two mythical beasts, length 20.7cm, plus a Scottish paper knife, with Celtic design and a purple glass finial, length 15.8cm. (2) £100-150

190. A Victorian Scottish silver mug, by Millidge and Son, Edinburgh 1863, tapering circular form, chased decoration, scroll handle, initialled, in a fitted case, (case a.f), height 7.5cm, approx. weight 5oz. £100-150

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191. A set of six George III Scottish provincial silver Old English pattern tablespoons, by John Leslie, Aberdeen circa 1780, plain terminals, approx. weight 11oz. (6) £300-350

192. A 19th century Scottish provincial silver Fiddle pattern teaspoon, by James Sturrock, Montrose circa 1860, the terminal with initials, plus an early 19th century Scottish provincial silver Fiddle pattern teaspoon, incuse marked FH probably for J. Halliday, Dumfries, circa 1830, the terminal initialled, approx. weight 1oz. (2) £100-150

193. A set of six George III Scottish provincial silver Old English pattern tablespoons, by James Erskine, Aberdeen circa 1790, the terminals with a crest and motto, approx. weight 11.5oz. (6) £300-350

194. A George III Scottish silver Celtic Point pattern soup ladle, marks worn, Edinburgh 1782, circular bowl, the terminal with script initials, length 36cm, approx. weight 5.2oz. £150-200

195. A set of six early 19th century Scottish provincial silver Fiddle pattern tablespoons, by George Booth, Aberdeen circa 1820, the terminals initialled, approx. weight 17oz. (6) £300-350

196. An early 19th century Scottish provincial silver Old English pattern soup ladle, by William Jamieson and Co, Aberdeen circa 1806-9, circular bowl, the terminal with an initial, length 34.7cm, approx. weight 5.5oz. £200-300

197. A set of six early 19th century Scottish provincial silver Fiddle pattern dessert forks, by R and R Keay, Perth circa 1825, the terminals with script initials, approx. weight 8.9oz. (6) £120-150

198. A set of eighteen George III Scottish silver single struck Fiddle, Thread and Shell pattern dessert forks, by W and P Cunningham, Edinburgh 1812, the terminals with a crest and initial, approx. weight 27.5oz. (18) £250-300

199. A set of six George III Scottish silver Old English pattern table forks, by WM, Edinburgh 1802, the reverse of the terminals initialled, approx. weight 10.5oz. (6) £150-250

The crest is that of Falconer of Halkerton, Kincardineshire.

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200. A set of six early 19th century Scottish provincial silver Fiddle pattern tablespoons, by William Whitecross, Aberdeen circa 1820, the terminals initialled, approx. weight 14.4oz. (6) £300-350

201. A set of three Scottish silver singlestruck Queen’s pattern basting spoons, by William Shaw, Glasgow 1849, the terminals with initials, and numbered ‘2, 3 and 4’, approx. weight 17oz. (3) £300-400

202. A set of six early 19th century Scottish provincial silver Fiddle pattern teaspoons, by James Pirie, Aberdeen Circa 1820, the terminals with script initials, approx. weight 3oz. (6) £180-220

203. A George III Scottish silver Celtic Point pattern basting spoon, maker’s mark of RS, Edinburgh 1791, the terminal with a script initial, length 32.7cm, approx. weight 3oz. £100-150

204. A pair of George III Scottish provincial silver Old English pattern basting spoons, by Robert Keay, of Perth, with Edinburgh marks for 1805, the terminals with initials, length 34.2cm, approx. weight 4.8oz. (2) £250-300

205. A rare large George III Scottish provincial silver Hanoverian pattern basting spoon, by John Hogg, Perth circa 1810, the reverse of the bowl with a plain heel, the reverse of the terminal with script initials ‘J.B’, length 41cm, approx. weight 6.4oz. £800-1,200

206. A set of six Scottish provincial silver Fiddle pattern tablespoons, possibly by John Sturrock, (of Montrose) Dundee circa 1860, the terminals with a crest and motto, approx. weight 13oz. (6) £250-300

207. A pair of George III Scottish provincial silver Oar pattern toddy ladles, by William Ritchie, Perth circa 1800, the terminals with initials, length 14cm, approx. weight 1.9 (2) £150-180

208. A set of six George III Scottish silver Celtic Point tablespoons, maker’s mark IS, Edinburgh 1802, plain terminals, approx. weight 12.9oz. (6) £250-300

The crest and motto are those of Black.

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209. A George IV Scottish provincial silver Fiddle and Shell pattern toddy ladle, by William Ferguson, Elgin, also with Edinburgh marks for 1824, the terminal with initials, length 15cm, approx. weight 1oz. £100-150

210. An early 19th century Scottish provincial silver Fiddle pattern toddy ladle, by James Mackie, Ellon circa 1840, the terminal with script initials, length 15.7cm, approx. weight 0.9oz. £500-600

211. A rare early 19th century Scottish provincial silver Fiddle pattern toddy ladle, by William Innes, Tain circa 1840, the terminal with script initials, length 17cm, approx. weight 1oz. £800-1,200

212. A pair of George III Scottish provincial silver Hanoverian pattern tablespoons, by William Scott, Dundee circa 1780, the terminals with initials, approx. weight 4oz. (2) £150-200

213. A George III Scottish silver marrow spoon, by Milne and Campbell, Glasgow circa 1770, the reverse of the bowl with a plain heel, length 23.5cm, approx. weight 2oz. £150-200

214. A mid-18th century Scottish Hanoverian pattern tablespoon, by Milne and Campbell, Glasgow circa 1760, the reverse of the terminal with initials, plus a Hanoverian spoon, with unidentified marks, approx. total weight 4oz. (2) £100-150

215. A set of six George III Scottish provincial silver Celtic Point tablespoons, by Edward Livingstone, Dundee circa 1800, the terminals with initials, approx. weight 9.9oz. (6) £180-220

216. A pair of George III Scottish provincial silver Old English pattern toddy ladles, by John Leslie, Aberdeen circa 1800 the terminals with script initials, length 15.3cm, approx. weight 1.4oz. (2) £120-150

217. A set of six George III Scottish provincial silver Old English pattern tablespoons, by John Leslie, Aberdeen circa 1790, the terminals initialled, approx. weight 10oz. (6) £300-350

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218. A George III Scottish provincial silver Celtic Point pattern basting spoon, Greenock, circa 1800, plain terminal, length 31.7cm, approx. weight 3.6oz. £180-220

219. Two Scottish provincial silver caddy spoons, Iona, one by Highland Home Industries, with Edinburgh marks for 1943, the other by Ian McCormack, circa 1950, shovel bowls, both with Celtic motifs and one with a yellow glass terminal, the other with a long boat, length 9cm and 8.3cm, approx. weight 1oz. (2) £120-180

220. An early 19th century silver Fiddle pattern tablespoon, unidentified and unascribed marks, possibly Scottish provincial, length 23cm, approx. weight 2.3oz. £120-180

221. A George III Scottish silver Onslow pattern basting spoon, by William Davie, Edinburgh 1781, the reverse of the terminal with a crest and motto, length 31.5cm, approx. weight 3oz. £100-150

222. A pair of George III provincial Scottish silver sugar tongs, marked PL twice, probably for Peter Lambert, Aberdeen circa 1810, bright-cut decoration, the terminal with an initial, length 14.2cm, approx. weight 1.2oz. £80-120

223. An early 19th century Scottish provincial silver Fiddle pattern basting spoon, by George Booth, Aberdeen circa 1820, the terminal with a script initial, length 31cm, approx. weight 3.9oz. £150-180

224. An early 19th century Scottish provincial silver Fiddle pattern soup ladle, by Jamieson and Naughton, Inverness circa 1820, oval bowl, the terminal with script initials, length 34.5cm, approx. weight 6.9oz. £250-300

225. A set of twelve early 19th century Scottish provincial silver Oar pattern dessert spoons, by James Rettie and Son, Aberdeen circa 1820, the terminals with an initial, approx. weight 12.5oz. (12) £300-400

226. A set of four George III Scottish silver salt cellars, by Ker and Dempster, Edinburgh 1763, circular form, crimped border, on three hoof feet, diameter 6.3cm, approx. weight 8.5cm. (4) £200-300

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227. A large Scottish silver quaich, by JR and W Laing, Glasgow 1934, plain circular form, lug handles, on a circular foot, length handle to handle 29.8cm, approx. weight 16.5oz. £200-300

228. A four-piece George III Scottish silver tea set, by J. McKay, Edinburgh 1805, oval form, Greek key and engraved foliate borders, scroll handles, the domed cover with an ivory finial, the teapot stand on four bracket feet, engraved with a crest and motto, length handle to spout 28.5cm, approx. weight 38oz. (4) £800-1,200 The crest and motto are those of Scott of Sinton, Roxburghshire.

229. An 18th century Irish silver sauce boat, marks worn, Dublin, oval form, embossed and chased decoration, leaf capped scroll handle, on three lion mask scroll and paw feet, length 17cm, approx. weight 6.oz. £200-300

231. An 18th century Irish silver cream jug, maker’s mark probably SW, Dublin, helmet form, embossed decoration on a matted background, scroll handle, on three lion mask scroll and paw feet, height 12cm, approx. weight 6.1oz. £250-300

230. A rare mid-18th century Irish provincial silver sugar bowl, by Collins Brehon, Limerick circa 1760, circular fluted form, wavy-edge border, on three shell capped scroll feet, terminating in feather-edge pads, the underside scratch initialled ‘I : IA’ , and also with a monogram, splits, diameter 12cm, approx. weight 5.5oz. £600-800

232. An Irish silver dish ring, over-stamped with maker’s mark of Mappin and Webb, Dublin 1914, circular form, pierced and embossed with a windmill, figures, birds and buildings in foliate scrolls, diameter of base 19.5cm, approx. weight 9.3oz. £600-700

233. A George III Irish silver cream jug, maker’s mark I?, Dublin 1796, tapering panelled oval form, loop handle, bright-cut decoration, engraved with a crest, height 12.8cm, approx. weight 5.3oz. £150-250

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234. A set of six George IV Irish Fiddle pattern dessert spoons, by Richard Garde of Cork, with Dublin marks for 1824, the terminals with a crest and initial, approx. weight 7oz. (6) £120-150

235. A George III Irish silver Bright-cut Star soup ladle, marks worn, makers mark possibly IP, fluted circular bowl, the terminal with a monogram, length 35.5cm, approx. weight 6.5oz. £150-200

236. A set of four George IV Irish silver sauce / toddy ladles, by William Osbourne, Dublin 1826, rounded terminals, fluted shell bowls, length 13.5cm, approx. weight 5.8oz. (4) £150-200

237. A William IV silver Fiddle pattern fish slice, by William Cummins, Dublin, 1834, the blade engraved and pierced with three fish, the terminal with a crest, length 32.2cm, approx. weight 5.8oz. £120-150

238. Designed by Harald Nielsen for Georg Jensen, a matched pair of Danish silver Pyramid pattern salad servers, with import marks for London 1935 and 1946, importer’s mark of Georg Jensen Ltd, length of spoon 22.3cm, approx. weight 8.5oz. (2) £200-300

239. By Georg Jensen, eight Danish silver-gilt Christmas spoons, the terminals with enamelled flower heads, the reverses dated from 1972-1979, approx. weight 11.5oz. (8) £400-600

240. An Arts and Crafts silver figural spoon, by William Hutton and Son, Sheffield 1912, female figural terminal, spot-hammered decoration, length 15.7cm, plus a modern silver caddy spoon, by APN, Birmingham 2011, oval bowl simulated bamboo handle, length 9.5cm, approx. weight 2.4oz. (2) £100-150

241. By George Hart for The Guild of Handicraft, an Arts and Crafts silver spoon, London 1952, tapering fluted handle, length 14.5cm, plus another George Hart Arts and Crafts spoon, date letter lost in repair, circa 1953/4, and a late Victorian spoon, by Gibson and Langman, London 1898, the terminal with a heart shaped motif, approx. total weight 3.7oz. (3) £150-200

242. An Art Nouveau silver and enamel butter knife and spoon, by R. W. Hewett and Co, Birmingham 1905, the terminal with two colour blue enamel terminals, the bowl embossed with a mythical dolphin, length of spoon 13cm, approx. weight 1oz. (2) £150-200

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243. By A. E. Jones, an Arts and Crafts silver caddy spoon, Birmingham 1919, circular spot-hammered bowl, tapering wire-work handle with a scroll rat-tail and ball finial, length 8.3cm, approx. weight 0.7oz. £60-80

244. By Omar Ramsden and Alwyn Carr, an Edwardian Arts and Crafts silver and enamel caddy spoon, London 1907, spot-hammered fig-shaped bowl, the terminal with scroll decoration and a central blue/green enamel cartouche, length 8.3cm, approx. weight 1.2oz. £1,000-1,500

245. By the Artificer’s Guild, an Arts and Crafts silver caddy spoon, London 1934, with a pierced tree-of-life terminal with bunches of grapes, spot-hammered decoration, length 10.2cm, approx. weight 1oz. £150-250

246. By Omar Ramsden, an Arts and Crafts silver spoon, London 1923, tapering form, fluted and spot-hammered decoration, length 17.3cm, approx. weight 1.6oz. £150-200

247. By Omar Ramsden and Alwyn Carr, an Edwardian Arts and Crafts silver napkin ring, London 1909, tall waisted circular form, embossed with flower heads and engraved ‘A.D. VII. ID. FEB. A.S. MCMX’ above ‘SVI IVRIS. FACTAE’, and embossed ‘M.C.P’, height £200-300 5.6cm, approx. weight 0.9oz.

248. By The Guild of Handicraft Limited, an Edwardian silver napkin ring, London 1902, circular form, embossed with two frogs and a mother-of-pearl cartouche, diameter 4.5cm, approx. weight 0.6oz. £200-300

249. Designed by Archibald Knox for Liberty and Co, and Edwardian silver and enamel Art Nouveau match box cover, rectangular form, the top with an enamelled green and purple motif, length 5.8cm, approx. weight 1.1oz. £200-300

250. By George Hart for The Guild of Handicraft, an Arts and Crafts silver box, London 1936, circular form, spot-hammered decoration, rope-work border, central plain circular cartouche, diameter 5.3cm, approx. weight 2.2oz. £100-150

251. By Anthony Elson, a modern silver clockwork merry-go-round egg, London 1980, number 124 from an edition of 200, the oxidised egg cup, with an egg which pulls off to reveal a clockwork merry-go-round with a gilt canopy and a rotating cockerel and horses, height 11cm. £150-200

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252. By Omar Ramsden, a silver-mounted Arts and Crafts mazer bowl, London 1935, the underside engraved ‘OMAR RAMSDEN ME FECIT’, circular form, the spot-hammered mounts with a pierced and castellated border, the centre with a Tudor rose boss, the wooden body with two splits, on a raised circular spot-hammered base with a ropework border, inscribed ‘John Crispian Athorpe, Dinnington Yorkshire, 25th October 1935’, diameter 11.3cm, height 8cm. £500-700

253. An Edwardian silver Art Nouveau mug, by Mappin and Webb, London 1905, circular tapering form, cast elongated pierced stylised scroll handle with foliate mounts, textured decoration, on a spread circular foot, height 11.6cm, approx. weight 7.9oz. £300-400

254. By Stuart Devlin, a parcel-gilt silver goblet, London 1979, also numbered 111, tapering urn bowl, gilded interior on a gilded rose stem, on a circular foot, height 17.3cm, approx. weight 8oz. £300-400

255. By Stuart Devlin, a modern parcel-gilt silver goblet, London 1980, tapering circular bowl, gilded textured stem, on a raised circular foot, height 22.2cm, approx. weight 6.3oz. £200-300

256. By Liberty and Co, a silver-mounted tooled leather coaster, Birmingham 1900, circular form, the border set with alternate cabochons and stylised leaf motifs, the centre with a tooled and coloured leather scenes of a Japanese man with stylised decoration, on a circular foot, diameter 16cm, approx. weight 8oz. £500-700

257. An Edwardian silver and enamel bowl, by Joseph Round, London 1905, circular form, spot-hammered decoration, and embossed Art Nouveau motifs, with four later applied blue enamel circular motifs, diameter 13.5cm, approx. weight 7oz. £200-300

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258. By Roger Squires, a pair of modern silver casters, London 2002, tapering circular form, textured ‘fur’ decoration, scroll handles, pulloff pierced covers, gilded interiors, on circular bases, height 11.5cm, approx. weight 14.8oz. (2) £300-400

259. By Roger Squires, a modern silver salt cellar, London 1998, pentagon form, the body with five columns and five cast flying birds, on a pentagon foot, with a blue glass liner supported by five discs, height 7.3oz, approx. weight 12.5oz. £300-400

Roger J. Squires (b.1956) trained as a silversmith at St. John Cass College in London, under Jack Stapely. His career has included work for Asprey and Garrard, and his work has been exhibited at Goldsmiths Hall. One of his specialist areas is fine silver sculpture work. Other pieces by Roger Squires were sold in these rooms on 27 October 2010.

260. By Roger Squires, a modern parcel-gilt silver box, London 2001, rectangular form, the pull-off gilded cover with pierced and textured decoration and set with various stones, length 7.3cm, approx. weight 5.7oz. £150-200

261. By Roger Squires, a modern silver dish, London 2001, circular form, pierced and textured border, on a circular foot, diameter 22.5cm, approx. weight 15oz. £150-250

262. By Roger Squires, a modern silver box, London 1992, rectangular form, pull-off cover, gilded interior, engraved with a huntsman, a fox, a stag and two hounds, height 5cm, plus a modern silver cigarette case, London 1979, rectangular form, pull-off cover, wood lined, the front engraved with a peacock, height 9.4cm, approx. weight 6oz. (2) £150-200

263. By Roger Squires, a modern parcel-gilt silver box, London 2001, square form, the pull-off gilded cover with pierced and textured decoration and set with various stones, length 7cm, approx. weight 6.5oz. £200-250

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264. By Roger Squires, a pair of modern silver candlesticks, London 1999, also marked with the millennium mark, plain circular columns, on tapering circular filled bases, height 10cm. (2) £150-200

265. By Roger Squires, a modern silver chutney / sugar bowl, London 2002, circular form, pierced and textured decoration, with a blue glass liner, diameter 9cm, plus a pair of modern silver ashtrays / serving pots, of similar design, height 6cm, approx. weight 8.5oz. (3) £150-200

266. By Roger Squires, a pair of modern silver candlesticks, London 1998, plain circular capitals, knopped stems, on raised circular bases, height 9.4cm. (2) £150-200

267. By Roger Squires, a pair of modern silver candlesticks, London 1998, plain circular capitals, knopped stems, on raised circular bases, height 9.6cm. (2) £150-200

268. By Roger Squires, a modern silver tea strainer and stand, London 1999, also marked with the millennium mark, plain circular form, the handle fluted and with a pierced foliate motif, the stand of circular form, length 11.5cm, approx. weight 3.8cm. (2) £100-150

269. By Charles Boyton, an Art Deco silver dish, London 1935, also signed Charles Boyton, shallow circular form, with three geometric legs, diameter 11.5cm, approx. weight 6.3oz. £150-200

270. An Edwardian silver naturalistic sugar bowl, by Heath and Middleton, London 1902, circular form, leaf decoration, on a swirled wirework twig base, diameter 12.5cm, approx. weight 8.5oz. £200-300

271. A pair of Edwardian silver-mounted Doulton candlesticks, the mounts by Grey and Co, Birmingham 1903, tapering baluster form, with stylised Art Nouveau decoration on a dark green and blue ground, detachable drip pans, on spread circular bases with plain mounts, height 21.8cm. (2) £250-300

272. A cased set of four silver toast racks, by William Greenwood and Sons, Birmingham 1937, rectangular form, central carrying handle, on four bracket feet, length 7.8cm, approx. weight 11.5oz. (4) £150-200

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273. An Edwardian Arts and Crafts silver-mounted flambé glaze mazer bowl, the mounts by Millicent, Duchess of Sutherland, Birmingham 1907, also stamped D.S.C.G, for the Duchess of Sutherland Cripple Guild, bowl signed BM for Bernard Moore, circular red body, on a circular foot, the mounts with engraved decoration, beaded border, diameter 27.5cm, height 15.3cm. £600-800

275. By Liberty and Co, a silver and enamel photograph frame, Birmingham 1917, rectangular form, applied with blue/green enamel decoration, and foliate studs, wooden easel back, height 18.4cm. £700-900

274. By David Wynne for Mappin and Webb, a limited edition silver sculpture, ‘Boy with Dolphin’, London 1975, number 4 of an edition of 250, on a marble plinth, length 32cm. £3,000-4,000 David Wynne (1926-) began his professional career as a sculptor in 1950. His original ‘Boy with Dolphin’ stands in Cheyne Walk, London.

276. A pair of modern silver wine coasters, by John Driver, London 1972, circular form, pierced wire-work wavy decoration, rosewood bases, height 4.8cm, diameter 15.2cm. (2) £400-600 An Article 10 Transaction Specific Certificate has been obtained for this lot, due to the age of the rosewood. Certificate No. 536978/01.

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A PRIVATE COLLECTION OF SILVER MOUNTED CLARET JUGS

277. A late Victorian silver mounted glass claret jug, by James Deakin & Sons, Sheffield 1900, tapering cut glass body on a raised circular foot, plain mount with a leaf capped scroll handle, height 27cm. £250-300

278. A mid-Victorian silver mounted glass claret jug, by John Figg, London 1860, tapering and circular bellied form, the mounts with masks and fruiting decoration with bead borders, angular handle, the cover mounted with a rampant lion holding a shield, height 28cm. £500-700

279. A Victorian silver mounted glass claret jug, by Porter & Coulthard Ltd, Birmingham 1898, tapering circular body, with hob-nail cut decoration below swags, plain mount and handle with scroll thumbpiece, height 23.8cm. £250-300

280. A late Victorian silver mounted glass claret jug, by W & C Sissons, Sheffield 1900, tapering glass circular body with swirled cut glass banding, the mount with embossed foliate decoration and vacant cartouches, scroll handle, height 25.5cm. £300-400

281. A silver mounted glass claret jug, by Walker & Hall, Sheffield, date letter worn, tapering circular form, with hob-nail cut decoration, tapering mount with scroll border, sloping cover and spout, engraved handle, height 22cm. £300-400

282. A Victorian silver mounted glass claret jug, by Martin, Hall & Co, Sheffield 1892, tapering circular body, with etched decoration, on a circular foot, with a scrolling grape and vine handle, engraved mount and Bacchus spout, height 31.2cm. £400-600

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283. A modern silver mounted glass claret jug, by Roberts & Belk Ltd, Sheffield 1974, tapering circular form, with hob-nail cut body, the mount with floral, shell and grape decoration, angular handle with a dragon head thumb-piece, height 30.5cm. £200-300

284. An Edwardian silver mounted glass claret jug, by Horace Woodward & Co Ltd, London 1907, plain tapering and bellied form, the mounts decorated with scrolling vines and masks, scroll plain handle, the cover mounted with a rampant lion holding a shield, height 28.3cm. £400-600

285. A Victorian silver-gilt mounted cut glass claret jug, by Finley and Taylor for Horace Woodward & Co, London 1891, with a circular body and slender neck, the cut glass body with hob-nail decoration, on a circular silver-gilt foot with scrolling vine decoration, the mount and domed cover embossed with floral swags, reeded scroll handle, height 29.5cm. £400-600

286. A Victorian silver mounted glass claret jug, by E.C. Brown, London 1868, baluster form with etched decoration, engraved mounts with a leaf capped scroll handle, spring action cover, with a foliate scroll finial, height 27.5cm. £400-600

287. A silver mounted glass claret jug, by W H Leather & Son, Birmingham 1913, tapering circular form, with hob-nail cut decoration, plain mounts and scroll thumbpiece, height 24cm. £250-300

288. A late-Victorian silver mounted glass claret jug, by Fenton Brothers Ltd, Sheffield 1898, tapering circular body with hob-nail cut decoration, plain mounts with domed cover and Bacchus mounts, scroll handle, height 23cm. £300-400

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OTHER PROPERTIES

289. A Edwardian silver mounted glass claret jug, makers mark worn, Birmingham 1908, circular body with hob-nail cut body, engraved mounts with engraved angular handle, height 19.2cm. £250-300

290. A silver-gilt two-handled trophy cup and cover, by Ernest Lowe, London 1933, in the early 18th century manner, leaf capped scroll handle, domed cover with a knop finial, on a circular foot, on a wooden plinth with a silver plaque, in a fitted case, height 19cm, approx. weight 30oz. £150-200

291. A George III silver tankard, possibly by John Carter II, London 1775, baluster form, domed hinged cover with a pierced scroll thumb-piece, scroll handle, on a raised circular foot, the handle with a monogram, the underside scratch initialled ‘L’ over ‘I*A’, height 21.5cm, approx. weight 30oz. £800-1,200

292. A modern cast silver three-light candelabrum, by J. Chatterley and Sons, Birmingham 1972, knopped stems with shell shoulders, scroll arms, on square bases with shell corners, spool shaped capitals, removable drip pans, height 29.3cm, approx. weight 32.5oz. £300-400

293. An extraordinary Victorian silver candelabrum centrepiece, converted from an 18th century tankard, the main body with cancelled marks and London Assay Office marks for 2015, the candelabra branches by F. B. Thomas, London 1879, the base unmarked, the tapering circular body applied with a figural relief panel, and embossed with foliate scroll decoration, pull-off cover with a loose finial, the detachable scroll branches with leaf capitals, on a detachable spread circular foot, height 35cm, approx. weight 96oz. £400-600

294. A single silver five-light candelabrum, by Hawksworth, Eyre and Company, Sheffield 1912, knopped stem with shell shoulders, on a raised shaped square base with shell motifs, foliate capped scroll arms each supporting a spool shaped capital, and with a central light, detachable drip pans, height 59cm, approx. weight of branches 70oz. £500-700

Ref Antique Plate Committee Case No. 9078.

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295. A silver-mounted lockable decanter, by Hukin and Heath, Birmingham 1928, rectangular dimple form, etched foliate decoration, plain mounts with a lock and key, height 23cm. £300-350

296. A matched graduated suite of three late-Victorian novelty silver-mounted glass decanters, by John Grinsell and Sons, London 1894/5 and 1899, modelled as champagne bottles, hinged simulated cork covers, heights 32cm, £1,500-2,000 24.5cm and 21cm. (3)

297. A silver-mounted lockable decanter, by Hukin and Heath, Birmingham 1924, upright rectangular form, plain mount, hinged lock, with a key, height 25.5cm. £200-300

298. A George II silver two-bottle oil and vinegar stand, by John Tuite, London 1731, double circular form, wire-work frame with scroll supports, scroll handle, on four bun feet, scroll handle, with two unmarked mounted cut glass bottles, height 19cm, approx. weight 10.9oz. £600-800

299. A George IV silver chalice with an old Sheffield plated foot, by Robert Gainsford, Sheffield 1827, the screw-out silver bowl of circular form, gilded interior, on a knopped stem on a raised circular foot, re-plated, height 21cm, approx. weight of bowl 2.6oz. £300-400

300. A George III silver two-bottle oil and vinegar stand, by R. Piercy, London 1767, double circular form, gadroon wirework frame, leaf capped scroll handle, on four scroll legs terminating in shell pad feet, with two silver-mounted oil and vinegar bottles with scroll handles, fluted thumbpieces and engraved with a crest, height 23cm, approx. weight 16oz. £700-900 The crest is that of Knatchbull, created baronets of Mersham Hatch, Kent in 1641. Most likely for Sir Edward Knatchbull, (17041789) 7th Baronet, MP for Armagh.

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301. A Victorian silver mounted glass sugar bowl, by George Fox, London 1867, retailed by Ortner and Houle, circular form, the glass body with etched ribbon-tied garlands of flowers, the mounts with engraved foliate decoration and a beaded border, with a rope-tied monogram, (a.f), plus a continental spoon, in a fitted case, diameter 10.8cm. (2) £200-300

302. A Victorian silver cream jug, by J and A Savory, London 1851, circular bellied form, engraved foliate scroll decoration above a fluted girdle, scroll handle, height 10.8cm, approx. weight 6.6oz. £100-150

303. A Victorian silver mug, by the Lias Brothers, London 1874, circular form, chased scroll decoration, scroll handle, initialled, in a fitted case, (case a.f.), height 9cm, approx. weight 5.3oz. £100-150

304. A George IV silver cream jug, by John James Keith, London 1826, circular bellied form, embossed foliate decoration, leaf capped scroll handle, foliate border, on a raised circular foot, length 15.5cm, approx. weight 7.5oz. £100-150

305. A set of three Victorian cast silver salt cellars, by D and C Houle, London 1878, circular form, in the Edward Farrell manner, with tavern and landscape scenes, gilded bowls, on three figural mounted shell feet, height 3.8cm, approx. weight 5.9oz. (3) £150-200

306. A George IV silver cream jug, by John Bridge, London 1821, circular lobed form, embossed with grapes, vines and foliate scroll decoration, pierced border, simulated vine scroll handle, on four shell feet, height 9.8cm, approx. weight 9.1oz. £150-200

307. An Edwardian silver bowl, by R. Jays, Birmingham 1908, circular pierced form, leaf border, on three bifurcated scroll legs terminating in paw feet, diameter 19cm, approx. weight 12.5oz. £150-200

308. A Victorian silver cream jug, by John Tapley, retailed by Makepeace, London 1851, oval form, double snake scroll handle, engraved with a crest, height 9.8cm, approx. weight 8.3oz. £250-300

309. A Victorian silver bon bon basket, by William Comyns, London 1890, oval navette form, pierced and embossed decoration, pierced foliate scroll border, on a pierced oval foot, engraved with a crest, length 16.7cm, approx. weight 5.6oz. £100-150

The crest is that of Meeres of Houghton, Lincolnshire.

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310. A Victorian silver dish ring, by D and J Wellby, London 1893, waisted circular form, pierced and embossed with foliate scrolls, figures, birds and buildings, diameter 19cm, approx. weight 11.3oz. £400-600

311. An 18th century silver tumbler cup, maker’s mark only, possibly TT conjoined, possibly continental, circular form, diameter 7cm, approx. weight 2oz. £200-300

312. An Edwardian silver dish ring, by West and Sons, London 1905, waisted circular form, pierced and engraved trellis and foliate scroll decoration with figures, gadroon borders, blue glass liner damaged, diameter 20.8cm, approx. weight 15.5oz. £500-700

313. A Victorian silver teapot and cream jug, by The Barnards, London 1862 and 1863, swirl fluted pear form, domed cover with a fluted finial, carved ivory scroll handle, on a circular foot, length handle to spout 22cm, approx. weight 29.7oz. (2) £300-400

314. Hunt and Roskell interest, a Victorian presentation silver beaker, by Robert Hennell, London 1869, tapering circular form, engraved foliate decoration, with a monogram, and inscribed ‘To Mr William Stafford by his colleagues in the House of Messrs. Hunt and Roskell on his retirement from business, Dec. 31st, 1870’, in the original fitted case, height 14.5cm, approx. weight 6.7oz. £150-200

315. A Victorian silver mirror plateau, maker’s mark partially worn, London 1867, circular form, fluted decoration, ribbon and leaf border, on three wooden bun feet, diameter 30.5cm. £400-450

316. A George III silver snuffer’s stand, by John Carter, London 1772, shaped oblong form, beaded border, leaf capped scroll handle, on four claw and ball feet, length 19cm, approx. weight 5.9oz. £250-300

317. A pair of Edwardian silver candlesticks, by Walker and Hall, Sheffield 1903, tapering oval form, part fluted decoration, on a raised oval foot, reeded borders, height 22cm. (2) £250-300

318. A George III silver snuffer’s stand, by Parker and Wakelin, London 1766, shaped oval form, gadroon border, leaf capped scroll handle, on four hoof feet, engraved with a crest, the underside with a scratch weight ‘8”14’, length 20cm, approx. weight 8.3oz. £250-300 The crest is that of Bavent of Norfolk and other families.

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319. An Edwardian three-piece silver tea set, by S. Smith and Co, Birmingham 1908, oblong bellied form, gadroon border, scroll handles, on four ball feet, engraved with a crest, length handle to spout 26.5cm, approx. weight 41oz. (3) £250-300

320. A pair of George III silver salt cellars, by William Burwash, London 1819, circular form, chased foliate and shell decoration, gadroon and shell border, on three shell scroll feet, with blue glass liners, diameter 9.5cm, approx. weight 9oz. (2) £100-150

321. A four-piece silver tea set, by Roberts and Belk, Sheffield 1915, panelled tapering circular form, scroll handles, gadroon borders, on raised circular bases, length of teapot handle to spout 26cm, approx. weight 53oz. (4) £250-350

322. A pair of silver bonbon baskets, by Roberts and Dore Limited, Sheffield 1930, shaped oval form, pierced foliate scroll decoration, on raised shaped oval bases, length 25cm, approx. weight 26oz. (2) £300-400

323. A Victorian cast silver caster, by Thomas Smily, London 1864, ovoid form, with scroll and rocaille decoration, the pull-off cover with an urn finial, on a circular foot, height 9.5cm, £100-150 approx. weight 2.4oz.

324. A Victorian silver two bottle inkstand, by Thomas Bradbury, London1894, oval navette form, pierced gallery beaded borders, on four claw and ball feet, with two silver-mounted inkwells with hinged covers, length 27.8cm, approx. weight 8.9oz. £100-150

325. A composite George III and later tea set, various makers, London 1771, 1792, 1796, and 1907, comprising a teapot of circular form, partfluted decoration, scroll handle, a cream jug of helmet form, on a raised square base, a baluster hot water pot, later fluted, and an oval two handled sugar bowl, engraved with a monogram, and a pair of sugar tongs, in a fitted wooden case, approx. weight 46oz. (5) £400-600

326. A George III silver pepper pot, by Hester Bateman, London 1783, baluster form, pull-off cover with a flame finial, beaded borders, on a raised circular foot, height 14.5cm, approx. weight 2.7cm. £200-300

327. A modern six-piece silver cruet set, by Garrard and Co, London 1962, octagonal form, comprising a pair of salts, a pair of pepper pots and a pair of mustard pots, with blue glass liners, and with four condiment spoons, in a fitted case, approx. weight 29oz. £400-600

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328. A silver-gilt two-handled basket, by the Goldsmiths and Silversmiths Company, London 1912, oval form, pierced with foliate scroll decoration, with two ribbon-tied cartouches, bifurcated scroll handles, on a raised pierced oval foot, length handle to handle 25cm, height 12.8cm, approx. weight 19.5oz. £300-400

329. A Victorian silver-gilt cruet frame, The Worshipful Company of Mercers, by John Figg, London 1872, trefoil form, beaded wire-work frame, leaf capped scroll handle, foliate border, the front with a scroll cartouche engraved with the crest of the Company and the motto ‘HONOR DEO’, with a silver-gilt mounted glass mustard pot, pepper pot and cayenne pepper pot, and a spoon, height 11.5cm, approx. weighable 4oz. £300-400

330. A George III silver-gilt swinghandled sweetmeat basket, by Edward Aldridge, London 1764, oval form, pierced and beaded border, beaded ribs, pierced swing-handle, on a pierced oval base on four feet, length 16cm, approx. weight 6.3oz. £200-300

331. A Continental silver-gilt tea canister, with import marks for London 1905, importer’s mark of S. Landeck, tapering circular form, with rams’ heads and garlands of flowers, cone finial, beaded border, on a raised circular foot, height 13cm, approx. weight 6oz. £150-200

332. A set of four silver-gilt salt cellars, by Nathan and Hayes, Chester 1911-12, modelled as an early chalice, chased decoration, on a fluted stem on a raised circular foot, height 5.7cm, approx. weight 9.4oz. (4) £200-300

333. A matched set of four Victorian and Edwardian silver-gilt dwarf candlesticks, by Martin, Hall and Company, London 1885 and Sheffield 1906, fluted stems, acanthus leaf capitals, removable drip pans, on raised stepped bases with foliate borders, height 15cm. (4) £500-700

334. A George II cast silver cream jug, by Robert Innes, London date letter worn, possibly 1752, circular form, gadroon border, mythical snake handle, foliate scroll decoration, the front with a crest, on a raised circular foot, gadroon borders, height 10.5cm, approx. weight 5.7oz. £200-300

335. A George III silver swing-handled sugar basket, by Peter and Ann Bateman, London 1795, oval form, bright-cut decoration, reeded border and swing handle, on a raised oval foot, initialled, length 3.7cm, approx. weight 4.7oz. £150-250

336. A George II silver ‘sparrow beak’ cream jug, by Richard Gurney & Co, London 1729, baluster form, with a scrolling handle, on a raised circular foot, height 7.8cm, approx. weight 3oz. £200-300

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337. A collection of six pairs of silver knife rests, comprising: a pair by Atkin Brothers, Sheffield 1907, plain stem with ball finials, length 7.5cm, plus a pair by Atkin Brothers, Sheffield 1928, plain stem with Windsor pattern supports, length 8.3cm, a pair Chester 1912, length 8.5cm, a Victorian pair, London 1878, length 6.4cm, a pair Sheffield 1899, length 7.2cm, and a pair Chester 1890, length 8cm, approx. weight 13oz. (12) £200-250

340. A collection of four pairs of silver knife rests, comprising: a George III pair, probably by Rebecca Emes and Edward Barnard, London 1810, baluster form, plain ball finials, length 5.9cm, plus a pair of silver knife rests, by William Hutton & Sons Ltd, Sheffield 1923, baluster form with pierced terminals, length 7.5cm, plus a Victorian pair, with pierced scroll ends, London 1877, length 6.8cm, and a plain Victorian pair, Birmingham 1899, approx. weight 9.9oz. (8) £150-200

343. A collection of four pairs of silver knife rests, comprising: a late Victorian pair, by Henry Williamson Ltd, Birmingham 1900, twist stem, pierced foliate terminal, length 6.9cm, plus a pair of George III silver knife rests, London 1808, by Thomas Freeth, plain stem with ball finials, length 6.5cm, another Victorian pair by Jackson and Fullerton, London 1899, length 7.6cm, and a Victorian pair by J. Edwards, London 1852, length 6.5cm, approx. weight 7.5oz. (8) £150-200

338. Four cased pairs of silver knife rests, comprising: a pair by the Goldsmiths and Silversmiths Company, London 1923, pierced terminals, length 7.2cm, a pair by the Alexander Clark Manufacturing Company, Birmingham 1914, length 8.5cm, a pair by William Hutton and Sons, Sheffield 1921, and an Edwardian pair by Hilliard and Thomason, Birmingham 1907, approx. weight 9oz. (8) £150-200

341. A set of twelve French Art Deco electroplated knife rests, by Gallia, modelled as various animals, in a fitted green case. £150-200

344. A small collection of silver flatware, comprising: a set of four Irish Bright-cut Star pattern teaspoons, by William Ward, Dublin circa 1790, a single teaspoon and four dessert spoons, two York tablespoons, a York dessert fork, a Scottish tablespoon, another tablespoon and three dessert spoons and a pair of sugar tongs, approx. £200-300 weight 19.5oz. (17)

339. A collection of four pairs of silver knife rests, comprising: a Victorian pair, by William Hutton & Sons Ltd, London 1893, twist stem, ball finial, length 9.7cm, plus a pair of Victorian silver knife rests, by Levesley Brothers, Sheffield 1896, length 9.6cm, an Edwardian pair, by William Hutton and Sons, London 1905, length 7.8cm, plus another pair, Birmingham 1920, length 7.3cm, approx. weight 11.5oz. (8) £150-200

342. A collection of four pairs of silver knife rests, comprising: a George III pair, London 1795, with triangular terminals, length 8cm, plus a modern pair with twisted stems, Sheffield 1985, length 8.4cm, a Victorian pair by Reily and Storer, London 1844, length 7.3cm, and a George IV pair, London 1821, length 7cm, approx. weight 7.5oz. (8) £150-200

345. A collection of early 18th century Hanoverian pattern tablespoons, comprising: a set of three Scottish, by Lothian and Robertson, Edinburgh circa 1758, plus three others and an Old English pattern tablespoon, approx. weight 12oz. (7) £120-150

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346. A late-19th century silver cake knife, American or Canadian, the blade with foliate decoration, the tapering handle with a stylised border, length 26.8cm, approx. weight 2.6oz. £60-80

347. A pair of silver nut crackers, by John Round, Sheffield 1922, plain tapering form, length 14cm. £100-150

348. A Victorian provincial silver spoon, by Christian John Reid, Newcastle 1879, the gilded circular bowl with engraved decoration, the handle with pierced decoration, length 21cm, approx. weight 1.8oz. £80-120

349. A pair of George IV silver-gilt grape scissors, by Charles Rawlings, London 1827, with reeded and grape vine decoration, beaded ring handles, initialled, length 18.3cm, approx. weight 4.9oz. £200-300

350. A pair of Victorian electroplated fish servers, by Elkington and Co, 1861, the terminals modelled as the bust of Neptune, the tapering handles with a trident, a fish and anchor, the blade engraved with an anchor, and crossed trident and paddle, within bull rushes, rope-work borders, length of knife 34cm. (2) £100-150

351. A George IV silver Fiddle pattern fish slice, by J. Wintle, London 1823, the blade pierced and engraved with two fish and scroll decoration, length 27.5cm, approx. weight 4oz. £100-150

352. A 19th century Dutch silver fish slice, maker’s mark VV with a star below 1822, the large blade pierced with scroll decoration, reeded ebony handle, length 36cm. £100-150

353. A Victorian silver sugar sifting spoon, by George Adams, London 1848, the Onslow shaped terminal with foliate decoration, the oval bowl with pierced decoration, length 18.5cm, approx. weight 2.2oz. £60-80

354. A William IV silver Fiddle pattern fish slice, by Robert Hennell, London 1830, the blade pierced and engraved with roses, thistles and shamrock decoration, length 30.5cm, approx. weight 3.9oz. £100-150

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355. A set of twelve silver Picture-back teaspoons and tongs, by Thomas Bradbury and Sons, Sheffield 1906-10, shell terminals with a monogram, the reverse of the bowls with various scenes including a galleon, a fox mask and flowers, in a fitted case, approx. weight 5oz. (13) £100-150

356. A pair of Victorian silver Apostlehandled grape scissors, by Martin, Hall and Company, Sheffield 1873, plain form, with Apostle and ring handles, in a fitted case, length 18.5cm, approx. weight 3.9oz. £150-200

357. A matched set of six 18th century silver Hanoverian pattern table spoons with later berry decoration, various dates and makers, the gilded bowls with fruit and foliate decoration, in a fitted case, approx. weight 10oz. (6) £150-200

358. A pair of Victorian silver fruit serving spoons and a sifting spoon, by The Barnards, London 1868 and 1875, engraved decoration, gilded bowls, in a fitted case, approx. weight 6.3oz. (3) £100-150

359. A pair of George III silver Bright-cut pattern asparagus tongs, maker’s mark I.B, possibly for John Bucket, London circa 1770, the circular terminal with a crest, length 26.5cm, approx. weight 4.6oz. £150-200

360. A four-piece late-Victorian silvermounted ivory handled carving set, by William Beatson and Son, Sheffield, no date letter, circa 1890, comprising: two carving knives and two carving forks, the ivory handles carved as deer hooves, in a fitted velvet lined wooden case. (4) £100-150

361. A set of eleven Victorian silver agate handled fruit knives and forks, by Henry Wilkinson and Co, Sheffield 1868, tapering faceted rectangular handles, the ferrules with basket weave decoration, in a fitted case. (11) £300-400

362. A set of twelve Victorian silver fruit knives and forks, by George Adams, London 1860, beaded borders, engraved foliate decoration, in a case for a twenty-four setting. (12) £200-300

363. A set of eighteen William IV silver King’s Husk pattern fruit forks and seventeen fruit knives, by William Eaton, London 1835, plus one King’s pattern fruit knife, the handle by Francis Higgins, in a fitted case. (36) £180-220

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364. A three-piece Victorian silver-gilt Stag Hunt pattern christening set, by George Adams, London 1872, comprising: a knife, fork and spoon, in a fitted case, approx. weighable 4.5oz. £150-200

365. A three-piece Victorian silver pierced Vine pattern knife, fork and spoon, by George Adams, London 1857, the terminals with a monogram, approx. weighable 4.3oz. (3) £100-150

366. A George III silver-gilt and citrine handled three-piece christening set, maker’s mark ?S, London 1818, comprising a knife, fork and spoon, the mounts with foliate scroll decoration, tapering faceted citrine handle, in a fitted case retailed by Edward Tessier, length of spoon 17.8cm. £200-300

367. A George III silver serving slice, by Edward Aldridge, London 1767, the triangular blade with pierced scroll decoration, feather-edge border, turned ivory baluster handle, crested, with a scroll and shell joint, length 33.5cm, approx. weight 5.5oz. £300-400

368. A late 19th century Belgian silvermounted ivory ham bone holder, also marked with a Dutch mark, baluster form, with a fluted terminal, rope work borders and with a plain screw tightener, length 15.5cm. £200-300

369. A pair of Victorian ivory handled silver salad servers, by Wilson and Davis, London 1880, the bowls with engraved foliate and fern decoration, carved ivory handles, length 30.2cm. (2) £100-150

370. An Early 18th century silver poultry skewer, by William Fawdery, London circa 1700, tapering form, ring terminal, length 19.6cm, approx. weight 0.5oz. £100-150

371. A late-Victorian silver stilton scoop, by Roberts and Belk, Sheffield 1896, tapering rectangular carved ivory handle, plain bowl, length 25.3cm. £100-150

372. A good George III silver meat skewer, by Alexander Johnson, London 1762, tapering form, shell and ring terminal, length 38.5cm, approx. weight 7.4oz. £300-400

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373. A matched set of ten George III and Victorian silver Old English pattern tablespoons, seven by George Smith, London 1781, and three Edinburgh 1807 and 1843, the terminals with a crest and motto, approx. weight 20oz. (10) £150-200

374. A collection of Exeter silver flatware, comprising: a George IV set of six Fiddle pattern dessert spoons, by William Woodman, (of Bristol), Exeter 1827, a set of six Joseph Hicks teaspoons, two table spoons, a sugar sifting spoon, two table forks, eleven teaspoons, a dessert fork, two dessert spoons, plus other items including a Chinese Export fork, two York teaspoons, a Chester teaspoon, and a continental spoon, approx. weight 34oz. (qty) £200-250

375. A set of six George III silver Old English pattern dessert spoons, by George Smith, London 1778, the terminals with a crest, approx. weight 6.5oz. (6) £100-150

376. A 19th century Indian colonial silver Fiddle pattern basting spoon, by William Henry Twentyman, Calcutta, circa 1830, the terminal engraved ‘66’ below a crown, length 30.8cm, approx. weight 5.5oz. £100-150

377. A George III silver feather and serpent caddy spoon, by Matthew Linwood, Birmingham 1809, leaf shaped bowl with textured feather decoration, the handle modelled as a coiled snake, length 8.2cm, approx. weight 0.3oz. £200-300

378. A pair of George IV silver Fiddle and Shell pattern salad servers, by Eley and Fearn, London 1820, the terminals with a crest, approx. weight 10oz. (2) £150-200

380. A set of twelve Victorian silver Queen’s pattern fruit knives and forks, by John Gilbert, Birmingham 1867, the handles with a crest. (24) £300-400

381. A set of six George III provincial silver Feather-edge Onslow pattern teaspoons, by Richard Richardson, Chester circa 1775, fluted bowls, the reverse of the terminals with a monogram, approx. weight 2.4oz. (6) £200-300

Provenance: The Ticktum Collection, ref 154, page 431.

379. A set of six William IV provincial silver Fiddle pattern teaspoons, by Barber, Cattle and North, York 1832, the terminals with initials, plus a pair of York Fiddle pattern sugar tongs by Barber and Whitwell, and a pair of Old English pattern tongs by Cattle and Barber, approx. weight 6.5oz. (8) £150-200

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382. A set of six Victorian silver Quilted pattern table forks, by George Adams, London 1850, the reverse of the terminals with a crest, approx. weight 19.4oz. (6) £300-400

383. A set of six Victorian silver PrivateDie dessert forks, by George Adams, London 1862, the terminals with an axe and wreath within foliate decoration, the reverse with foliate decoration, approx. weight 13oz. (6) £150-200

384. A set of six Victorian silver Devonshire pattern table forks, by George Adams, London 1850, the terminals with a crest, approx. weight 19.5oz. (6) £300-400

385. A set of six Victorian silver Wellington pattern table forks, by George Adams, London 1856, the terminals with a crest, approx. weight 19.5oz. (6) £300-400

386. A Victorian silver Wellington pattern sauce ladle, by George Adams, London 1868, the terminal with a crest, the reverse with a monogram, length 18cm, approx. weight 2.5oz. £60-80

387. A small collection of George III silver Double Shell and Laurel pattern flatware, by Paul Storr, London 1812 and 1819, comprising: three dessert forks, and three teaspoons, plus a King’s Hourglass pattern table fork, by the same maker, London 1819, approx. weight 13oz. (7) £300-400

The crest and motto are those granted in 1763 to Archibald Coats of Glasgow and later used by Peter Coats, thread manufacturer of Paisley.

388. A set of six Victorian silver single struck Fiddle, Thread and Husk pattern dessert forks, by George Adams, London 1847, the terminals with a crest, approx. weight 10oz. (6) £100-150

389. A set of twelve George IV silver Kings Husk pattern teaspoons, by Eley and Fearn, London 1823 and 1924, the reverse of the terminals with a crest, approx. weight 13oz. (12) £150-200

390. A set of six George IV silver Fiddle, Thread and Shell pattern table forks, by Solomon Royes, London 1821, the terminals with a monogram, approx. weight 17oz. (6) £150-200

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391. A matched Victorian and Edwardian silver canteen of Fiddle and Thread pattern flatware, by William Eaton, London 1843, Thomas Wallis, London 1837, and Holland, Aldwinckle and Slater, London 1908, the terminals initialled, comprising: sixteen table forks, (six 1843, ten 1908), eight tablespoons, (1908), sixteen dessert forks, (eleven 1843, five 1908), and sixteen dessert spoons, (ten 1837, six 1908), approx. weight 138oz. (56) £1,200-1,500

392. A George III matched silver-gilt Feather-edge pattern dessert service for twelve, comprising: twelve dessert forks, (ten by Northcote and Bourne, London 1795, two by Smith and Fearn, London 1794), twelve dessert spoons, eleven London 1795, one London 1794), and twelve dessert knives, (nine by Messrs. Tatum, London 1795, three by Moses Brent, London 1794), engraved with a crest, plus six matched George III silver-gilt dessert spoons, in two associated cases, approx. weighable 39oz. (42) £700-900

393. A George IV silver King’s Husk pattern canteen for twelve, by Paul Storr, London 1820, the reverse of the terminals with a crest, comprising: twelve table forks, twelve dessert forks, twelve dessert spoons and six tablespoons, approx. weight 96oz. (42) £2,000-3,000 The crest is that of Hanbury of Hanbury, Worcs.

The crest is used by Byngley, Critchley, Derwell, Flanders, Hilliar, Manston and other families.

394. A late 19th century American matched silver Albert pattern canteen, by Rudd and Scudder, New York, and Howard and Co, the terminals with a monogram, comprising: twenty-one table forks, twentytwo tablespoons, eighteen dessert spoons, twenty-two dessert forks, seventeen teaspoons, twelve fruit knives, twenty four fish knives, twenty-two fish forks, fifteen butter knives, a large butter knife, eight fruit knives with English blades by Holland, Aldewinckle and Slater, London 1917, plus three plain serving pieces by Tiffany and Co, approx. weighable 300oz. (qty) £1,500-2,500

395. A late Victorian silver Old English pattern part canteen for twelve, by The Harrison Brothers, Sheffield 1897, the terminals with a monogram, comprising: twelve table forks, ten dessert forks, twelve tablespoons, eleven dessert spoons, a pair of sauce ladles, and a teaspoon, plus a pair of smaller London made sauce ladles, eleven table knives and twelve dessert knives and a sharpening steel, in a fitted wooden case, approx. weight 121oz. (qty) £600-800

396. A matched George IV, William IV and Victorian silver Fiddle and Thread pattern part canteen for eighteen, by William Chawner, London 1825, Mary Chawner, London 1834, and George Adams, London 1873, the terminals with a crest, comprising: eighteen table forks, eighteen tablespoons, seventeen dessert forks, twelve dessert spoons, seven teaspoons, four salt spoons, (one 1827), a pair of sauce ladles, four egg spoons and a sifting spoon, approx. weight 160oz. (qty) £1,000-1,500

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397

397. A Victorian silver-gilt and parcel-gilt composite Bacchanalian pattern dessert service for fourteen, the spoons by Henry Lias and James Wakely, London 1881, the knives and forks, by The Levesley Brothers, Sheffield 1881, the other pieces by various makers, including The Lias Brothers, comprising: fourteen dessert spoons, the bowls with engraved decoration, fourteen dessert knives and forks, the blades engraved with ferns and butterflies, carved mother-of-pearl handles, plus a cream ladle, a sifting spoon, two fruit serving spoons, a mother-of pearl handled serving knife and fork and another serving knife and fork, and two other fruit serving spoons, (loose), in a fitted wooden case, approx. weighable 44oz. £1,000-1,500

398. A silver Fiddle and Thread pattern canteen for twelve, by Charles Fletcher, London 1922, the terminals with a crest, comprising: twelve table forks, twelve tablespoons, twelve dessert spoons, eleven dessert forks, eleven teaspoons, and a pair of sauce ladles, in a fitted wooden case, approx. weighable 120oz. £1,000-1,500

399. A modern silver Rat-tail canteen for eight, by Joseph Sanderson and Son Ltd, Sheffield 1979, comprising: eight table forks, eight dessert forks, eight table knives, eight dessert knives, eight dessert spoons, eight soup spoons, eight teaspoons, eight coffee spoons, four tablespoons and eight electroplated fish knives and forks, in a fitted wooden case, approx. weighable 77.5oz. £1,000-1,500

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400. A George III silver ‘picture-back’ mote spoon, maker’s mark IR, London circa 1760, the reverse of the pierced bowl with a galleon, length 13.5cm, approx. weight 0.2oz. £150-200

401. An 18th century Channel Islands silver mote spoon, maker’s mark PA, probably for Pierre Amiraux, Jersey circa 1740, the pierced oval bowl with a shell heel, mullets and scroll decoration, the tapering stem scratch initialled S.L.C, length 15.7cm, approx. weight 0.3oz. £300-400 For an image of the maker’s mark see Mayne, R., Channel Islands Silver, Phillimore, 1985, figure 4, page 24.

402. A George III silver ‘picture-back’ mote spoon, marks obscured, London circa 1760, the reverse of the pierced bowl with a hen and chicks, length 13.5cm, approx. weight 0.3oz. £150-200

This mote spoon is also illustrated in Delieb, E., Investing in Silver, Barrie and Rockcliff, 1968, page 23. Delieb attributes this mote spoon as American and by Pygan Adams, New London Connecticut, circa 1740.

403. A set of three George IV silver-gilt wine labels, by Charles Rawlings or Charles Rich, London 1827, vine leaf form, pierced ‘PORT’, ‘SHERRY’ and ‘CLARET’, length 8.2cm, approx. weight 2.7oz. (3) £150-200

404. Two similar George III/IV Irish silver wine labels, one by Edward Crofton, Dublin circa 1827, the other with maker’s mark only, J.K, for James Keating, Dublin circa 1795, banner form, mounted with an urn pediment with pierced garlands of brightcut decoration, incised ‘TENERIFFE’ and ‘MADEIRA’, engraved with a crest, length 5.8cm and 5.5cm, approx. weight 0.7oz. (2) £300-500 The crest is that of Aylmer of Co. Meath.

405. A George IV silver-gilt wine label, by Thomas James, London 1826, shaped form, embossed with a central boar’s head and trailing vines, pierced ‘SHERRY’, length 6.3cm, approx. weight 1.1oz. £120-180

406. A pair of Victorian silver wine labels, by Hilliard and Thomason, Birmingham 1862, shaped form, pierced and engraved foliate scroll decoration, incised ‘PORT’ and ‘BRANDY’, length 6.3cm, approx. weight 0.8oz. (2) £100-150

407. A matched set of four William IV and Victorian silver ‘cut-out’ letter wine labels, two by Joseph Willmore, Birmingham 1831/32, two unmarked, foliate decoration with masks, comprising: ‘S’, ‘P’, ‘M’, and ‘C’. (4) £100-150

408. A matched set of three George III silver wine labels, by Paul Storr, London 1816 and 1817, shaped oval form, gadroon border with a foliate shell mount, incised ‘SHERRY’, ‘PORT ‘and ‘MADEIRA’, length 6.2cm, approx. weight 2.8oz. (3) £800-1,200

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A PRIVATE COLLECTION OF WINE LABELS

409. A pair of George IV silver wine labels, by John Bridge, London 1823, one overstruck, shaped oval form, gadroon border with a foliate shell mount, incised and with traces of blackening ‘SHERRY’ and ‘MADEIRA’, length 6.2cm, approx. weight 2.8oz. (2) £100-150

410. A George III provincial silver wine label, marked with a lion passant and duty mark, probably by Alexander Kelty, Newcastle circa 1803-1812, modelled as a Marquis’s coronet, bright-cut engraved decoration, and incised ‘BRANDY’, length 5.5cm, approx. weight 0.3oz. £150-200 For another example of this type of label see Salter, J., Wine Labels, 1730-2003, Antique Collectors’ Club in association with The Wine Label Circle, 2004, pages 225 and 226.

412. A George III silver armorial wine label, maker’s mark only JC or IC script, possibly for James Clark, London circa 1770, shaped form with Bacchanalian cherubs and with a bird issuing from a coronet, incised ‘CLARET’, length 6cm, approx. weight 0.7oz. £100-150

413. A George III silver wine label, by Edward Farrell, London 1817, shaped form, with an urn and a Bacchanalian cherub within grape vines, pierced ‘S. CHAMPAGNE’, length 6.2cm, approx. weight 0.6oz. £100-150

415. A George IV provincial silver wine label, by Barber and Whitwell, York circa 1820, oblong form, gadroon and foliate border, incised ‘SHERRY’, length 4.8cm, approx. weight 0.3oz. £100-150

416. An early Victorian silver wine label, maker’s mark partially lost in piercing S?, London 1837, shaped square form, pierced ‘P’, foliate scroll border, length 4cm, approx. weight 0.7oz. £100-150

411. A George II silver wine label, by William Cripps, London circa 1750, escutcheon form, incised ‘FRENCH WHITEWINE’, length 5.3cm, plus a George II silver wine label, by Sandilands Drinkwater, London circa 1750, escutcheon form, chased vine decoration, incised and blackened ‘WHITE-WINE’, length 5.3cm, approx. weight 0.7oz. (2) £100-150

414. An early 19th century silver ‘Anti Corn Law League’ wine label, by Mordan, shaped form, with sheaves of corn, a bale of wool and a cornucopia, embossed ‘FREE’, pierced ‘MADEIRA’, length 5.5cm, approx. weight 0.2oz. £100-150 For a similar example sold in these rooms see lot 725, Early Spoons, Silver and Collector’s items, 26th January 2005.

417. A George III provincial silver wine label, maker’s mark mis-struck, probably Exeter circa 1800, rectangular form, incised and blackened ‘HOLLAND’, length 4.3cm, approx. weight 0.2oz. £100-150

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418. A small mixed collection of antique provincial silver wine labels, comprising: a George III label, by Lea and Clark, Birmingham 1823, raised oblong form, reeded border, incised ‘GENEVA’, length 4.8cm, plus two other Birmingham labels, incised ‘SHERRY’ and ‘GIN’, and two Sheffield made labels, one incised and blackened ‘PORT’, and one incised ‘CLARET’, approx. weight 1.5oz. (5) £150-200

419. A George IV Irish silver wine label, by J. Fray, Dublin circa 1825, shaped oval form, fluted scroll and shell border, incised ‘SHERRY’, length 5.6cm, plus a George III Scottish silver wine label, by W and P Cunningham, Edinburgh circa 1800, rectangular form, canted corners, reeded border, incised ‘PORT’, length 4.6cm, plus a Scottish wine label , by J. Mckay, Edinburgh 1817, rectangular form, gadroon and shell border, incised ‘CLARET’, length 5cm, approx. total weight 1oz. (3) £150-200

420. A collection of antique silver wine labels, comprising: George III label, by Thomas Hyde, rectangular form, beaded border, incised ‘WHITE WINE’, length 5.3cm, plus a label, by Emes and Barnard, London 1827, pierced ‘MADEIRA’, one ‘WHISKEY’ one ‘PORT’ and one ‘MADEIRA’, approx. total weight 1.8oz. (5) £150-200

421. A collection of antique silver wine labels, comprising: one with Prince of Wales Feathers, by Peter and William Bateman, London 1806, bright cut borders, incised ‘HOLLANDS’ plus a crescent label, incised and blackened ‘TENERIFFE’, length 4.2cm, a crescent label ‘MADEIRA’, London 1794, plus an oblong label ‘PORT’ and ‘MADEIRA’, approx. total weight 1.7oz. (5) £150-200

422. A George III silver-gilt wine label, maker’s mark S.M, by Samuel Meriton, circa 1780, rectangular form, with a lower pediment, engraved with a crest, beaded borders, length 4.5cm, approx. weight 0.3oz. £100-150

423. A collection of antique silver wine labels, comprising: George III label, by Peter and Ann Bateman, London 1797, crescent form, incised ‘MADEIRA’, length 4.2cm, one of eye form, incised ‘PORT’, one with a beaded border and pierced ‘PORT’, one incised ‘LISBON, by Messrs. Phipps and Robinson, London 1812, and one of rectangular form, gadroon and shell border, pierced ‘MADEIRA’, London 1832, approx. total weight 1.9oz. (5) £150-200

424. A mixed lot of silver wine labels, comprising: a modern set of four, by Damar Silverware, London 1975, modelled as barrels, incised ‘PORT’, ‘RUM’, ‘WHISKY’ and ‘SHERRY’, plus a cut-out letter ‘G’, a hear shaped label, incised ‘BRANDY’ and another ‘GIN’ label, approx. total weight 3.8oz. (7) £100-150

425. A George III provincial silver wine label, by Thomas Watson, Newcastle 1801, rectangular form, gadroon borders, incised ‘BRANDY’, length 4.2cm, plus a George III wine label of crescent form, by Christian Reid, Newcastle circa 1800, incised ‘GIN’, length 3.8cm, approx. total weight 0.5oz. (2) £100-150

426. A Victorian silver wine label, by William Summers, London 1875, rectangular form, pierced pediment, beaded borders, pierced ‘ORANGE BRANDY’, length 4.9cm, plus a pair of Victorian wine labels, by The Barnards, London 1853, incised ‘CLARET’ and ‘MARSALA’, length 6.3cm, approx. weight 1.5oz. (3) £100-150

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OTHER PROPERTIES

427. A Victorian novelty ivory retractable pencil, by S. Mordan and Co, modelled as a gavel, length closed 9.2cm. £150-200

428. An Australian novelty silver paper knife, by Prouds of Sydney, modelled as a boomerang, with a foliate terminal and applied with a gilded map of Australia, length 10.7cm, approx. weight 0.3oz. £100-150

429. A late-Victorian novelty retractable silver pencil, by Arthur Downing, Birmingham 1896, modelled as a wood screw, with a ring attachment, also with registration lozenge, length 6cm, approx. weight 0.1oz. £100-150

430. A pair of early 19th century silver spectacles, mark partially worn, ? KIRK, in a wavy edge punch, circa 1800, conventional form, extending arms, length 11.5cm. £100-150

431. Royal interest, a presentation silver paper knife / ruler, by Asprey and Co, London 1935, rectangular and tapering form, engraved with 12 inches, the reverse with the badge of His Majesty’s Body Guards, and initialled ‘RHK’, total length 30.5cm, approx. weight 2.5oz. £250-300

432. A pair of Victorian silver-gilt braces clips, by E. H Stockwell, London 1889, shaped cartouche form, engraved foliate borders, with a monogram, length 2.9oz. (2) £60-80

433. A late-Victorian miniature silver travelling paint box, by J. Vickery circa 1900, rectangular form, hinged cover, ring attachment, the interior with seven paint compartments and a brush compartment and brush, length 7.5cm. £400-450

434. A late-Victorian silver candle douter and a retractable taper holder, by S. Mordan and Co, London 1897, the conical snuffer with a ball finial, the cylindrical handle with a slide-action taper holder, length 32.8cm. £130-180

435. A novelty silver bear baby’s rattle, by Vale and Son, Chester 1923, modelled as a seated bear, with two bells and a ring attachment, plus another silver baby’s rattle modelled as the head of a pixie, Birmingham 1936. (2) £200-300

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436. A pair of German silver models of a parrot and parakeet, with import marks for Chester 1905, importerâ&#x20AC;&#x2122;s mark of Samuel Landeck, both perched on a branch, with detachable heads and hinged wings, the bodies with simulated feathers, on green marble columns, with pierced garlands of flowers, on raised circular bases with acanthus leaf decoration, height 30.5cm, and 28.2cm, approx. total weight off plinths 35.5oz. (2) ÂŁ2,000-3,000

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437. A Victorian silver-gilt mounted travelling toilet set, by George Brace, London 1866, retailed by Howell, James and Co., Regent Street, with plain matted mounts, plain and faceted glass bodies, comprising: three scent bottles, four toilet jars and three toilet boxes, plus two pairs of scissors, and ten mother-of-pearl handled items including a pen knife, button hook and manicure pieces, and three other items, in a brass bound burr walnut case with pull-out concertina front, and with two inner pull-out drawers, the interior of the lid with a mirror and stationery wallet, with a leather storm jacket, length of case 30.8cm, approx. weighable 10oz. £500-700

438. A Victorian silver-gilt mounted travelling toilet set, by William Neal, London 1870, retailed by Toulmin and Cale, New Bond Street and Cheapside, the plain matted mounts with a monogram, the glass bodies with hobnail cut decoration, comprising: two scent bottles, four toilet jars and five toilet boxes, an unmarked hand mirror, and two dental mirrors, three ivory brushes, a tooth brush, a medicine spoon, by Henry Holland, two needle cases, a pen, a pencil, two corkscrews, a penknife, a button hook, four pairs of scissors, a desk seal, and five other items, with two pull-out trays, and with two drawers, and a pull-out jewellery box, in a fitted brass bound burr walnut case, the interior of the lid with a mirror and stationery wallet, with a key, the cover inscribed with a monogram, with a leather storm jacket, length of case 34cm, approx. weighable 11oz. £1,500-2,500

439. A Victorian silver-mounted travelling toilet set, by Thomas Whitehouse, London 1868, retailed by A. Simpson and Co., 154 Regent Street, the mounts with chased and engraved decoration, the glass bodies with hobnail cut decoration, comprising: three scent bottles, four toilet jars and four toilet boxes, plus a pair of scissors, and four mother-ofpearl handled items including a corkscrew, a button hook and manicure pieces, and two other items, and three ivory brushes, in a brass bound coromandel case with a pull-out drawer, with a writing slope cover, the interior of the lid with a mirror and stationery wallet, with a key, length of case 32.8cm, approx. weighable 7.2oz. £700-900

440. A Victorian silver-mounted travelling toilet set, by Thomas Johnson, London 1860, the mounts with chased and engraved foliate scroll and trellis decoration, initialled, the glass bodies with hobnail cut decoration, comprising: three scent bottles, four toilet jars and four toilet boxes, plus a steel corkscrew, two pairs of scissors, and five mother-ofpearl handled items including a pen knife, button hook and manicure pieces, in a brass bound coromandel case with two pullout drawers, one with a writing slope cover with tooled decoration, the interior of the lid with a mirror and stationery wallet, with a key, the cover inscribed ‘S. Greatorex’, with a leather storm jacket, length of case 33.3cm, approx. weighable 7.2oz. £800-1,200

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441. A large silver-mounted crocodile skin hip flask, by James Dixon and Sons, Sheffield 1930, rounded rectangular form, bayonet fitting cover, pull-off drinking cup, engraved with a crest, length 19.3cm, approx. weight 5.9oz. £300-400

442. A silver hip flask, by James Dixon and Sons, Sheffield 1918, rounded rectangular form, bayonet fitting hinged cover, length 14cm, approx. weight 5.9oz. £100-150

443. A Victorian silver hip flask, by Nathaniel Mills, Birmingham 1843, oval form, engraved foliate scroll decoration, screw-off cover, with a presentation inscription, (worn), ‘Mr Jas. Horrall, Notty Ash House, Nr Liverpool’, length 11.5cm, approx. weight 2.5oz. £100-150

444. A large Edwardian silver cigarette box, by William Comyns, London 1902, engine-turned decoration in the French manner, the solid hinged cover with a presentation inscription, plain thumb-piece, the interior base wood lined, length 22.8cm. £300-400

445. A silver-mounted tortoiseshell dressing table box, by William Comyns, London 1912, rectangular form, the hinged cover inlaid with decoration and applied with ribbontied borders, on four pierced bracket feet, length 10.5cm. £180-200

446. Yachting interest, a presentation silver cigarette box, by Page Keen and Page, (of Plymouth), Birmingham 1938, rectangular form, the hinged cover inscribed ‘BLOODHOUND’ ‘R.Y.S’ ‘MORGAN CUP 1939’, and ‘FASTNET 1939’, length 13.3cm. £150-200

447. A French silver cigarette case, retailed by Gustave Keller, Paris, rectangular form, reeded decoration, the hinged cover applied with a gold cipher below a crown, in a fitted case, length 8.9cm, plus a cased silver cigarette case, engine-turned decoration, engraved with a cipher, in a fitted case, length 11.5cm, with a business card written ‘with compliments from General His Highness Nawab Al Haj Sir Sadiq Mohammad Khan Allasi, The Ameer of Bahawalpur,’ approx. total weight 9oz. (2) £200-300

448. An Austrian silver and enamel cigarette case, by R.S, Vienna, rectangular form, white enamel body, the cover with a dark blue border and set with a small diamond spray, gilded interior, length 9cm. £200-300

The crest is that of Gallagher, Geekie, Hayton, Hore and other families.

Built in 1936, Bloodhound was one of the most successful racing yachts in her class, winning numerous races in the UK including the Fastnet on three occasions, and also competed in Bermuda. She was owned by The British Royal Family from 1962, and purchased by The Royal Yacht Britannia Trust.

449. A silver-gilt box, by J. W. Benson Ltd, London 1919, rectangular form, engine-turned decoration, Greek key border, length 10.8cm, approx. weight 6oz. £100-150

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450. A silver butt marker, by William Base and Sons, Birmingham 1930, rectangular form, engine-turned decoration, with a ring attachment, the interior fitted with ten numbered pegs, length 5.8cm, approx. weight 1oz. £300-400

451. A pair of Scottish novelty silver pepper pots, by Hamilton and Inches, Edinburgh 1911. modelled as shotgun cartridges, screw-off bases, length 6cm, approx. weight 1.9oz. (2) £200-250

452. An Edwardian silver butt marker, possibly by Wakely and Wheeler, London 1906, rectangular form, hinged cover, with a ring attachment, with ten numbered bone pegs, length 3.8cm, approx. weight 0.6oz. £300-400

open

453. A Victorian silver classical oil lamp / inkwell, by Charles and George Fox, London 1841, the lamp of oval form, with a winged sphinx head scroll handle, the front with a classical mask, engraved decoration, beaded border, the centre with a hinged cover with a cone finial, opening to reveal an inkwell, the front with a flame shaped capital for a taper wick, on two raised mythical dolphins on a rectangular base, height 13.2cm, approx. weight 12.9oz. £800-1,200

455. A set of five Victorian novelty silver bottle stoppers, over-stamped with maker’s mark of Adolph Posener, London 1898, modelled as Victorian characters, height 8.5cm. (5) £100-150

454. A silver-gilt travelling barometer, by J. Vickery, London 1919, circular form, engine-turned decoration, the hinged cover initialled, swag border, plain thumb-piece, diameter 6cm. £300-400

456. A modern silver cigarette box, by Garrard and Co, Birmingham 1958, rectangular form, engine-turned decoration, with applied gold borders, engraved decoration, on four bracket feet, length 17.5cm. £200-300

457. A pair of Victorian armorial bottle stoppers, by John Samuel Hunt, London 1847, modelled as coronets, length 9cm. (2) £100-150

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458. A German presentation silver bell, by Naik of Berlin, circa 1950, the tapering bell with classical figures and a chased inscription, and dated ‘Berlin 24-101950’, on a wooden base with a silver plaque and presentation inscription, dated May 1961, height of bell 12.5cm, approx. weight 10.5oz. £150-200

459. A modern silver whistle, by J. Gaunt and Son, Birmingham 1963, tapering form, in a case with three chains and a drop ring lion mask mount, with two badges of the The Band and Bugles of the Light Division, approx. weight 6oz. (3) £180-220

460. A Victorian silver box, maker’s mark T.D, London 1840, rectangular form, with two flush-hinged covers, length 10.5cm, approx. weight 4.4oz. £150-200

461. A George III travelling silver canister, possibly for sealing wax, possibly by Thomas Wade, London 1816, cylindrical form, the screw-off cover with a central hole, possibly for a wick, the interior with four circular compartments with pullup bases, and two further compartments, height 7.7cm, approx. weight 4.7oz. £150-200

462. A 19th century continental silver box, marked SLD twice to underside, circular form, embossed foliate scroll decoration, the domed pull-off cover with foliate decoration and set with a yellow glass cabochon, diameter 6.7cm, approx. weight 2.5oz. £100-150

463. A George IV silver snuff box, by Joseph Taylor, Birmingham 1826, rectangular form, engine-turned decoration, foliate borders, the hinged cover with a crest, the interior gilded and inscribed ‘This Box is a gift from the Travellers of Messrs. Fisher & Robinson to William Bayne, as a tribute of respect for the high opinion they entertain of him. 1st Jan 1834’, length 7.3cm, approx. weight 3oz. £100-150

464. A William IV silver table snuff box, by Nathaniel Mills, Birmingham 1830, rectangular form, cushion sides, chased foliate scroll decoration, engine-turned base, length 9.5cm, approx. weight 6.4oz. £300-400

465. A late-19th century French silver snuff box, rectangular form, engine-turned decoration, the hinged cover with a vacant scroll cartouche, length 5.5cm, approx. weight 0.9oz. £80-120

466. A late-Victorian silver ring box, by J.R Limited, Birmingham 1898, rectangular form, the hinged cover with embossed foliate scroll decoration, the velvet lined interior fitted for four rings, length 8.6cm. £80-100

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467. A 19th century continental silver snuff box, marked with French import marks, oval form, chased and engraved foliate decoration, gilded interior, the cover initialled, length 7cm, approx. weight 2.9oz. £100-150

468. A Victorian Gothic revival silver-gilt reliquary box, by J. Hardman and Co, Birmingham 1867, oval form, engraved and rope-work borders, glass front and back, with a ring attachment, length 7cm. £150-200

469. An early 19th century silver double snuff box, unmarked circa 1800, oval form, the flush hinged covers with radiating decoration and engraved borders, the sides and base with similar decoration, the ends inscribed ‘T. Richardson’ and ‘Salisbury’, length 8.8cm, approx. weight 3.8oz. £250-300

470. A William IV silver table snuff box, by Joseph Willmore, Birmingham 1835, rectangular form, reeded sides and engineturned decoration, the hinged cover with a foliate scroll border, traces of gilding and gilding to base, length 9.3cm, approx. weight 6.8oz. £250-300

471. A Continental silver and enamel patch box, unmarked, shell form, set with red glass cabochons, the hinged cover with a chased foliate border and the interior with a mirror, length 5.5cm. £150-200

472. An early Victorian silver table snuff box, by Nathaniel Mills, Birmingham 1837, rectangular form, embossed foliate and engine-turned decoration, the cover erased, length 9.5cm, approx. weight 6.5oz. £300-400

473. An Austrian silver-gilt box, circular form, the hinged cover with a micro-mosaic panel of flowers, the body with coloured stones and foliate decoration, the base initialled, plus a Portuguese silvergilt filigree box, of circular form, with green and white enamel decoration. (2) £150-200

474. A Victorian silver vesta case, by F. Marson, Birmingham 1883, rounded rectangular form, engraved foliate scroll decoration, plus an Austrian silvermounted tortoiseshell box, shaped rectangular form, engraved decoration. (2) £120-150

475. An Edwardian silver and green hard stone snuff box, by Joseph Cook and Sons, Birmingham 1904, oval form, the hinged cover inlaid with a harp and shamrock, within foliate scroll decoration, length 5.8cm, plus an Edwardian silver and green hard stone box, Chester 1902, cinquefoil form, approx. total weight 2.5oz. (2) £200-300

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476. A Victorian novelty silver owl pepper pot, by Charles and George Fox, London 1852, modelled in a standing position, the pull-off head with pierced decoration and set with glass eyes, with traces of gilding, height 8cm, approx. weight 2oz. £250-300

477. A pair of modern silver owl pepper pots, by P. J. H., Birmingham 1997, modelled in standing positions, the pull-off heads with pierced decoration and set with glass eyes, height 5.5cm, approx. weight 3.6oz. (2) £200-300

478. A Victorian novelty silver owl pepper pot, by Henry Wilkinson and Co, Sheffield 1851, the body unmarked, modelled in a standing position, silver-gilt highlights and feet, the pull-off head with pierced decoration and set with glass eyes, height 8cm, approx. weight 1.6oz. £300-400

479. A Victorian novelty silver cream jug, maker’s mark worn, possibly Charles Boyton, London 1883, modelled as a mythical fish, with open mouth, the tail forms the scroll handle, with two turtle supports, length 11cm, approx. weight 3oz. £400-450

480. A continental silver novelty pepper pot, with an Austro-Hungarian import mark, modelled as the torso of a female knight, holding a sword, bayonet fitting base, height 9.7cm, approx. weight 4.5oz. £200-250

481. An Edwardian novelty silver teddy bear pepper pot, by J. Gloster Limited, Birmingham 1909, modelled in a seating position, height 3.5cm, approx. weight 0.3oz. £150-200

482. A silver clock, by Charles Green and Co, Birmingham 1913, arched form, engine-turned decoration, on four bun feet, height 8.3cm. £100-150

483. A novelty silver trinket box, over-stamped with maker’s mark of Maple and Co, Sheffield 1911, modelled as a demi-lune side table, hinged cover, with swags and medallions, on four tapering legs, height 9.8cm. £100-150

484. A silver-mounted and tortoiseshell clock, by Walker and Hall, Birmingham 1920, arched rectangular form, plain mounts, enamelled dial, on a raised rectangular base, on four bun feet, height 11.4cm. £150-200

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485. A silver model of a race horse and jockey, by The Barnards, London 1913, flat form, on a raised stepped rectangular base, filled, height 11.5cm. £200-300

486. A William IV silver tap, the finial by G. R. Collins, Birmingham 1836, the body part marked only, by Henry Hyde, the spout modelled as a lion’s head, the handle modelled as a squirrel on foliate mounts, length 14.5cm, approx. weight 16oz. £400-600

487. An Edwardian silver-mounted tea caddy, by Martin, Hall and Company, Sheffield 1906, modelled as a knife box, the silver mounts pierced with foliate scroll decoration, the hinged cover with a hinged finial, the interior with a tortoiseshell lid, with a lock and key, height 9.8cm. £800-1,200

488. A German silver and orange enamel triple stamp box, possibly by Mayer, rectangular form, the hinged cover set with a marcasite spray, the gilded interior with three sections, mounted on a green hard stone base, length 8.2cm. £350-400

489. An Austro-Hungarian silver and enamel saucer, enamelled with classical figures and landscape scenes, the reverse with scroll decoration on a cream background, diameter 13.7cm. £180-220

490. An Austrian silver-gilt and enamel piano, apparently unmarked, the hinged cover and sides decorated with figural and landscape scenes, on three tapering fluted baluster legs, the interior of the piano also decorated, length 9cm. £600-800

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491. A George III silver teapot, maker’s mark worn, London 1819, circular form, part-fluted decoration, gadroon and scroll border, scroll handle, domed hinged cover, on four paw feet, length handle to spout 29.4cm, approx. weight 27oz. £250-300

492. A George III silver coffee / hot water jug, maker’s mark A.F, London 1768, baluster form, part-fluted decoration, wicker-bound scroll handle, domed cover with a fluted finial, engraved with a crest, height 25.8cm, approx. weight 17.5oz. £200-300

493. A George III silver teapot, by Emes and Barnard, London 1813, compressed circular form, scroll handle, flush-hinged cover with a knop finial, reeded girdle, engraved with a crest, length handle to spout 23.5cm, approx. weight 15oz. £150-200

494. A modern silver two-handled tray, by C.J. Vander, London 1977, in the George III manner, oval form, engraved decoration and central cartouche, beaded borders, length handle to handle 56cm, approx. weight 57oz. £500-700

495. A modern silver teapot, by C.J. Vander, London 1977, in the George III manner, oval form, engraved decoration and cartouches, beaded borders, flush hinged domed cover, scroll handle, length handle to spout 27.3cm, approx. weight 21oz. £100-150

496. An Edwardian silver two-handled tray, by Pearce and Sons, Sheffield 1906, oval form, gadroon and shell border, length handle to handle 63cm, approx. weight 76.5oz. £400-600

497. A large Edwardian presentation silver quaich, by Charles Stuart Harris, London 1905, circular form, with ribbed decoration, pierced side handles, on a circular foot, the underside inscribed, length handle to handle 38.3cm, approx. weight 27oz. £200-300

498. A George III silver dish cross, by William Plummer, London 1784, conventional form, beaded borders, pierced supports, on raised circular pierced feet, length 28.5cm, approx. weight 14oz. £400-600

499. A George III silver swing-handled basket, maker’s mark partially worn, possibly by Henry Chawner, London 1789, oval form, pierced with slats and with bright-cut decoration, reeded borders, on raised oval bases, engraved with a crest, length 38.4cm, approx. weight 20oz. £200-300

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500. A George III silver wine funnel, by John Emes, London 1898, circular form, with a side clip, pierced bowl, height 14cm, approx. weight 2.7oz. £200-300

501. A Victorian silver ‘castle-top’ swinghandled basket, St. Paul’s, by Yapp and Woodward, Birmingham 1847, circular form, the centre with a scene of the Cathedral, embossed foliate and fruit decoration, the swing-handle with scroll decoration, diameter 6.5cm, approx. weight 4.7oz. £200-300

502. A George III silver wine funnel, by Hester Bateman, London 1781, circular form, beaded borders, with a side clip engraved with a crest, height 12.5cm, approx. weight 2.7oz. £400-500

503. A pair of George III provincial silver salt cellars, by William Stalker and John Mitchison, Newcastle 1780, oval form, gadroon border, on four shell capped hoof feet, the underside scratch initialled ‘A’ over ‘I*E’ to ‘AR’, length 8.2cm, approx. weight 3.3oz. (2) £100-150

504. A George III silver snuffers tray and a pair of scissor snuffers, the tray by Charles Hougham, London 1790, the snuffers by Henry Chawner, London 1791, oval form, bright-cut decoration, reeded border, the centre with a crest, the scissors with pierced reeded handles, length of tray 24.7cm, approx. weight 7oz. (2) £250-300

505. A set of four George IV silver salt cellars, probably by John Wakefield, London 1825, circular lobed form, heavy shell and scroll border, gilded bowls, on three foliate scroll legs, engraved with a crest, diameter 7.8cm, approx. weight 19oz. (4) The crest is that of Acheson, Dewar, Perrin, Weston and other families. £300-400

506. A George II silver brandy pan, maker’s mark R.M, marked four times, for Ralph Maidman, circa 1740, tapering circular form, turned wooden baluster handle, on a circular foot, length 20.5cm, approx. weight 4.5oz. £200-300

507. A Victorian silver waiter, by John Samuel Hunt, London 1863, also stamped Hunt and Roskell, Late Storr and Mortimer, shaped circular form, fluted and engraved decoration, the centre with a crest on three bracket feet, diameter 20.2cm, approx. weight 10.5oz. £200-300

508. A silver asparagus dish, strainer and tongs, by the Goldsmiths and Silversmiths Company, London 1906 and Sheffield 1917, oval form, wavy-edge border with shell motifs, on four scroll feet, with a pull-out strainer and pair of serving tongs, length 34.7cm, approx. weight 28.9oz. (3) £300-400

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509. A George III silver coffee pot, tea pot and cream jug, by Solomon Hougham, London 1799 and 1801, fluted oval form, scroll handles, engraved foliate decoration, flush hinged domed covers with oval finials, the coffee pot on a raised oval foot, engraved with a crest, height of coffee pot 25.5cm, approx. weight 44.9oz. (3) £600-800

510. A late-Victorian silver inkstand, by Charles Stuart Harris, London 1898, rectangular form, shell and gadroon border, with two pen wells and two silver-mounted glass inkwells, on four pierced bracket feet, length 27.5cm, approx. weight 24oz. £250-300

The crest is that of Bateman of Hartington Hall and Breadsall Mount, Derbyshire

511. A three-piece Victorian silver tea set, by J and J Angell, London 1846, baluster form, scroll handles, engraved foliate scroll decoration, flush hinged cover with a strawberry finial, length handle to spout 22.5cm, approx. weight 37oz. (3) £500-700

512. A George III silver six egg cup cruet frame, by John Emes, London 1806, oval form, wire-work frame, fluted column supports, with a central oval salt cellar with a swing handle, on four fluted bracket feet, the egg cups with gilded bowls and reeded borders, with six Old English pattern egg spoons, by Thomas Barker, London 1806, length 16.4cm, approx. weight 22.9oz. £800-1,200

513. A pair of silver café au lait pots and sugar bowl, by Walker and Hall, Sheffield 1929-30, tapering octagonal baluster from, scroll handles, on raised octagonal bases, height 23cm, approx. weight 44oz. (3) £250-300

514. A pair of George III silver two-handled sauce tureen bases, by Carter, Smith and Sharp, London 1780, oval form, fluted scroll handles, engraved with an armorial within a husk wreath, on raised oval bases, beaded orders, length handle to handle 23.4cm, approx. weight 31oz. (2) £300-400

The crest is possibly that of Chapman.

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515. An Edwardian silver inkstand, by Sebastian Garrard, London 1908, rectangular form, raised border, with two inkwells with glass liners and a central table bell, baluster handle, the whole on four gnarl £700-900 feet, length 29.8cm, approx. weight 55oz.

516. A George III silver cheese warming dish, by William Burwash and Richard Sibley, London 1810, rectangular form, shell and gadroon border, the slightly domed hinged cover with a reeded handle and engraved with a crest, turned wooden baluster handle, length 24cm, approx. weight 45oz. £500-700 The crest is that of Henry Richard Fox, 3rd Baron Holland.

517. A late-Victorian silver bachelor’s coffee pot, by Charles Stuart Harris, London 1899, tapering circular form, scroll handle, domed cover with a knop finial, engraved with a crest, height 15cm, approx. weight 10.5oz. £100-150

518. A Victorian silver butter dish, by Martin, Hall and Company, Sheffield 1867, circular form, engraved decoration, gadroon border, later glass dish, the cover with a standing cow finial, diameter of base 18.4cm, approx. weight 11oz. £400-600

519. A four-piece silver tea set, by H. L Brown and Son, Sheffield 1935, panelled form, scroll handles, flush hinged cover with knop finials, on four scroll legs, height of hot water pot 19.5cm, approx. weight 63oz. (4) £400-600

520. A suite of three George III silver casters, by Samuel Wood, London 1761, fluted baluster form, the pull-off covers with foliate and pineapple finials, the bodies engraved with an armorial with a foliate scroll cartouche, on a raised circular foot, height 20.5cm, and 17.5cm, approx. weight 22oz. (3) £600-800 The arms are those of Deacon of Longcross House, Glamorgan

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521. An Edwardian silver and enamel vesta case, by Andrew Barrett and Sons, London 1901, rectangular form, hinged cover, enamelled with a grandstand and horse race, length 5.8cm, approx. weight 1.2oz. £300-400

522. A silver and enamel vesta case, by Henry Plant, Birmingham 1905, rectangular form, the front enamelled with a Morland’s England’s Glory matchbox, with a ring attachment, length 5.7cm, approx. weight 1.3oz. £150-200

523. A late-Victorian silver and enamel vesta case, by Wright and Davies, London 1896, rectangular form, the front enamelled with a jockey, hinged cover, the reverse with a monogram, length 5.6cm, approx. weight 1.8oz. £400-450

524. A late-Victorian silver vesta case, by A and J Zimmerman, Birmingham 1896, rectangular form, hinged cover, the front with a compass under glass, with a ring attachment, length 4.5cm, approx. weight 1oz. £100-150

525. A Victorian novelty silver vesta case, maker’s mark worn, Birmingham 1880, modelled as a padlock, length 3.3cm, approx. weight 0.3oz. £200-250

526. A Victorian silver and enamel vesta case, by Edmonds and Johnson, London 1890, rectangular form, hinged cover, enamelled with a huntsman on horseback, length 4.7cm. £400-500

527. A set of four Far Eastern silver-gilt and glass menu card holders, with import marks for London 1928, importer’s mark of Cohen and Charles, each modelled a sage, on rectangular bases, canted corners, height 3.8cm. (4) £100-150

528. A Victorian silver and enamel vesta case, by L. Emmanuel, Birmingham 1887, rectangular form, hinged cover, the side enamelled with a lady in a black dress in a landscape setting, length 4cm, approx. weight 0.6oz. £200-250

529. A matched set of four Edwardian novelty silver menu card holders, by Levi and Salaman, Birmingham 1905 and 1906, modelled as two owls on a perch, on raised circular bases, height 3.8cm. (4) £200-300

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530. A silver-mounted agate box, with import marks for Birmingham 1930, importer’s mark of Spurrier and Co, rectangular form, plain sides, agate cover and base, length 7.8cm. £120-150

531. Three 19th century gold and gold cased fob seals, comprising one with carved hard stone matrix of a gentleman’s bust, one with initials and one plain. (3) £100-150

532. A silver-gilt mounted lapis lazuli cigarette box, by George Betjemann and Sons, London 1929, rectangular form, plain mounts, the base wood lined, the hinged cover set with a turquoise, length 8.8cm. £200-300

533. An 18th century silver-mounted enamel snuff box, unmarked, rectangular form, the hinged cover set with an enamel scene of oriental figures in a landscape setting, with gilt mounts, mother-of-pearl base, length 7.8cm. £80-100

534. A silver-gilt and enamel box, with import marks for Birmingham 1911, oval form, decorated with flowers on a green ground with white borders, length 5.6cm, approx. weight 1.8oz. £100-150

535. An Edwardian silver and enamel box, by Levi and Salaman, Birmingham 1909, rectangular form, the hinged cover with green and white enamel decoration, length 4.5cm. £200-300

536. A gold mounted agate snuff box, retailed by Finnigan’s Ltd, New Bond Street, circular form, plain mounts diameter 4.8cm. £300-400

537. Judaica interest, a pair of George III silver dishes, by Thomas Shepherd, London 1789, plain circular form, scratch initialled and with Hebrew inscription, also inscribed ‘Presented to the Revd. G Franklin by his friend Mr B. W. Levi, 5th day of the Tamuz 5606’, (1846), diameter 7cm, approx. weight 1.4oz. (2) £200-300

538. A George III gold medal, unmarked, circa 1800, oval form, engraved foliate borders, one side with initials, the other inscribed ‘Le Merite Recomponse’, with a loop attachment, in a fitted case, length 5cm. £300-400

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539. A George IV silver dog collar, by Joseph Willmore, Birmingham 1821, inter-linked chain form, with a worn inscription, approx. weight 2.4oz. £150-200

540. A pair of 19th century continental silver ribbon threaders, with import marks for London 1896, importer’s mark of Edwin Bryant, modelled as a stork, ring handles, the interior with a baby, length 11.3cm, approx. weight 1.6oz. £100-150

541. A Victorian silver snuff box, by Thomas Edwards, London 1840, rectangular form, incurved corners, the hinged cover with a raised panel of two dogs chasing game birds within a landscape setting, engine-turned sides and base, length 10.2cm, approx. weight 6.9oz. £400-600

542. A silver triple stamp box, by Deakin and Francis, London 1910, rectangular form, with three hinged window covers, length 8.5cm, approx. weight 1.5oz. £300-350

543. A George III silver-gilt baby’s rattle and whistle, maker’s mark of Charles Hougham, London circa 1780, foliate baluster form, fluted decoration, hinged ring attachment, with a coral teether and six bells, (two missing), engraved with £300-400 initials, ‘E.H’, length 16.5cm.

544. An Edwardian silver triple stamp box, by Deakin and Francis, London 1902, rectangular form, sprung-hinged glass cover, the interior with three sections, length 8.3cm. £150-200

545. A Victorian gold-mounted clear glass scent bottle, retailed by Hunt and Roskell, Late Storr and Mortimer, plain mounts, inscribed, in a fitted case, length 7.8cm. £100-150

546. A small silver travelling chalice, by Greenwood and Watts, London 1936, circular bowl, spot-hammered decoration, gilded bowl, on a knopped tapering stem with a rope-work border, height 9cm, approx. weight 2.5oz. £80-100

547. A late-Victorian silver-mounted stone ware table vesta striker, by Finley and Taylor, London 1890, retailed by Thornhill and Co, the plain mounts with a wavy-edge border, height 6.4cm, plus a 19th century unmarked gold mounted scent bottle, screw-off cover, hobnail cut clear glass body. (2) £120-180

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548. A late-Victorian novelty silver-mounted owl smelling salts bottle, by William Hutton and Sons, London 1894, modelled in a standing position, the hinged head set with glass eyes, clear glass body, height 8.5cm. £300-400

549. A late-Victorian gold-mounted enamel scent bottle, by S. Mordan and Co, unmarked, the neck engraved 16, baluster form, the body with vari-coloured enamel decoration, push button hinged cover, on a circular foot, in a later green fitted case, height 7.8cm. £1,800-2,200

550. An Edwardian silver-gilt and enamel travelling scent bottle set, by William Hornby, London 1907, rectangular form, the hinged cover opens to reveal four silvermounted scent bottles, the covers enamelled with a ladybird, a pig, a shamrock, and an ivy leaf, height 7cm, approx. weighable 4.3oz. £400-600

551. A Victorian novelty silver dog atomiser, by Thomas Johnson, London 1876 modelled as a begging dog, set with glass eyes, the collar with two ring attachments, the mechanism not working, height 6.6cm, approx. weight 2.3oz. £1,000-1,500

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552. A fine Victorian silver-gilt travelling dressing table set, retailed by Asprey, the silver items by Abraham Brownett and John Rose, London 1863, the covers with engraved foliate scroll decoration and engraved with a cipher, comprising: a pair of scent bottles, eight various toilet jars and boxes, plus a blue glass scent bottle and a matched green glass scent bottle, London 1858, the hinged body opens to reveal a tray of accessories including a double-ended medicine spoon, by Thomas Johnson, London 1856, two corkscrews, plus mother of pearl handled items: a quill cutter and penknife, a mirror, a manicure set, a desk seal, a bodkin and two pairs of scissors, (one later), plus a pull-out jewellery tray, in a brass bound wooden case, the interior cover fitted with a mirror, with a crucifix shaped key, length 29.8cm, approx. weighable 10.4oz. £3,000-4,000 Provenance: purchased from Shrubsole, New York, 5 May 1964.

552

553. A George III silver corkscrew, unmarked, circa 1780-1800, fluted handle, tapering screw-off sheath, length 7.2cm. £150-200

554. A George III silver pocket corkscrew, by Joseph Willmore circa 1800-1810, the mother of pearl handle with reeded banding, the screw-off sheath with engraved decoration, length 8cm. £300-400

555. An 18th century Dutch silver pocket corkscrew, marked with a 19th century tax mark, the scroll handle with shell motifs, the tapering shaped baluster sheath with masks and scroll decoration, length 8.2cm. £300-400 556. A late 18th / early 19th century French gold mounted lacquered snuff box, marked with French control marks, circular form, the base and cover with gold mounts and reeded decoration on a brown ground, tortoiseshell lined, the pull-off cover with a painted scene under glass of a vase of flowers, with a later base rim, on four small ball feet, diameter 7.8cm £300-500

556

557

557. A late 18th century French gold mounted green lacquered portrait snuff box, Paris circa 1797, circular form, the base and cover with gold mounts, tortoiseshell lined, the pull-off cover with a painted scene under glass of figures in a classical landscape, in the manner of Antoine Taunay, diameter 7.9cm £1,000-1,500

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559 558

558. A 19th century carved ivory walking cane, the handle carved as the head of a mastiff dog, with a collar, bamboo shaft, height 108.8cm. £100-150

559. A fine 18th century gold filigree mounted swagger stick, unmarked circa 1770-80, tapering circular form, with scroll filigree decoration, the terminal with a monogram ‘R.C’, the malacca shaft with drilled hole with gold gadroon mounts, total length 135.7cm. £600-800

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560. A Victorian silver ‘castle-top’ card case, Windsor Castle, by Nathaniel Mills, Birmingham 1840, rectangular form, with scenes of Windsor Castle from the south front and north terrace, within foliate scroll decoration, hinged cover, length 9.2cm, approx. weight 2oz. £800-1,200 561. A Victorian silver ‘castle-top’ snuff box, by Nathaniel Mills, Birmingham 1840, rectangular form, the hinged cover with a scene of Durham Cathedral, foliate scroll borders, the underside with an erased rectangular cartouche with an engine-turned border, length 8.2cm, approx. weight 3.7oz. £600-800 562. A Victorian silver ‘castle-top’ card case, Osborne House, by George Unite, Birmingham 1871, rectangular form, with a scene of Osbourne house form the gardens, within foliate scroll decoration, the reverse with a plain shield cartouche, length 9.7cm, approx. weight 2oz. £400-600 563. A Victorian silver ‘castle-top’ vinaigrette, Kenilworth Castle, by Nathaniel Mills, Birmingham 1837, rectangular form, the cover with a scene of Kenilworth, foliate scroll border, the engine turned base with a vacant cartouche, the interior with a pierced foliate scroll grille, hinge pin a.f, length 3.7cm, approx. weight 0.8oz. £500-700 564. A George IV silver snuff box, by Charles Rawlings, London 1827, rectangular form, the hinged cover with a raised hunting scene, with a foliate scroll border, engine-turned sides and base, the gilded interior inscribed ‘J. Hornby to his friend H. Williams’, length 8.2cm, approx. weight 5.3oz. £300-400 Provenance: The Collection of the late Lavinia Baird. 565. A Victorian silver-gilt ‘castle-top’ vinaigrette, Kenilworth Castle, by Nathaniel Mills, Birmingham 1837, rectangular form, the engine-turned base with an initialled cartouche, foliate border and sides, the interior with a pierced foliate scroll grille, length 3.8cm, approx. weight 0.8oz. £700-900 566. A Victorian parcel-gilt electro-type card case, by Elkington and Co, designed by George Stanton circa 1852, rectangular form, with Renaissance figural and scroll decoration on a matted background, hinged cover, length 9.8cm £150-200 The original example of this card case was shown at the Exposition Universelle of 1855 in Paris and at the International Exhibition, London, in 1862. 567. A George IV silver-gilt snuff box, by Alexander Strahan, London 1824, rectangular form, the hinged cover with a relief of a huntsman with a shotgun and two gun dogs in a landscape setting, oak leaf border, engine-turned sides and base, the interior cover later inscribed ‘Frank Gates, Barton Hotel, Stapenhill 1833’ also numbered ‘173’, length 8cm, approx. weight 5.9oz. £300-400 568. A Victorian ‘castle-top’ card case, Windsor Castle, by Nathaniel Mills, Birmingham 1845, the front with a full scene of Windsor Castle within foliate scroll decoration, on a matted background, the reverse with a scroll cartouche, inscribed ‘To H. Arnot from her Sincere friend W.C. Smith, London, 3rd April 1846’, length 10cm, approx. weight 2.3oz. £600-800 569. A Victorian silver-gilt ‘castle-top’ vinaigrette, Kenilworth Castle, by Nathaniel Mills, Birmingham 1838, rectangular form, the engine-turned base with an initialled cartouche, foliate border and sides, the interior with a pierced foliate scroll grille, in a later fitted case, length 4.2cm, approx. weight 0.9oz. £900-1,500 570. A Victorian silver-gilt ‘castle-top’ vinaigrette, Abbotsford House, by Nathaniel Mills, Birmingham 1837, rectangular form, the engine-turned base with a vacant cartouche, foliate border and sides, the interior with a pierced foliate scroll grille, length 4.2cm, approx. weight 0.9oz. £700-900

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561

560 562

564

563

565

567

569

568

566 570

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571 571. A George III silver salver with a cast border, by Edward Edwards, London 1817, the border correctly part marked, circular form, the heavy border with masks and foliate scroll decoration, the centre with an armorial with scroll mantling, on four pierced scroll bracket feet, diameter 32cm, approx. weight 44oz. ÂŁ1,000-1,500 572. A George II silver coffee pot, by Thomas Whipham, London 1755, tapering circular form, embossed foliate and scroll decoration, domed cover, scroll handle, on a raised circular foot, engraved with an armorial and later crest, height 28cm, approx. weight 35.5oz. ÂŁ800-1,200

572

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573 dismantled

573 573. A rare and probably unique George III silver locking tap or cock, by Thomas Watson and Co. Sheffield 1806, with reeded decoration and with a fluted terminal, detachable turnkey, length 15.5cm, approx. weight 8oz. (2) ÂŁ1,500-2,000 Provenance: a private collection. Woolley and Wallis, Silver Sale, The Salisbury Salerooms, 20th June 1995, lot 377. The Sheffield Assay Office day book reveals that on August 28th 1806, Watson and Co sent in one cock, which weighed 7oz and 19dwts, for which they paid an assaying charge of 1/-. It is without doubt that this entry refers to the above tap. Only one silver tap of this style and size was made during this early 19th century period, and it is similar in style to the plated taps used exclusively for tea urns. In addition there is only one other silver tap known to have been assayed between 1795 and 1810, and this was a smaller variety weighing only 63/4 oz. It appears that the tap was slightly altered post assay to enable it to be hammered into a wooden barrel, possibly for a private function. 574. A George II silver coffee pot, by John Kincaid, London 1744, tapering circular form, chased foliate scroll decoration, scroll handle, the domed hinged cover with a cone finial, on a circular foot, height 21.5cm, approx. weight 20oz. ÂŁ500-700

574

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575

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575. A massive late-Victorian two-handled silver trophy cup and cover, by Elkington and Co, Birmingham 1894, circular form, foliate girdle with roses, above acanthus leaf decoration, scroll handles terminating in stags’ heads, the pull-off cover with a stylised border and with a detachable unmarked finial of a gentleman holding a gun, possibly electroplate, on a raised circular foot with foliate decoration, standing on a raised circular ebonised plinth applied with a silver plaque inscribed ‘Pigeon Shooting DEC 15th & 18th 1897 World Championship Cup and £100, at Hendon, Won by J. Blake, total height on plinth 100cm, approx. weighable 193oz. £5,000-7,000 This cup is sold with an original card inscribed ‘Pigeon Shooting Championship. This cup for the championship of the World for winged shooting with £100 added money be shot for at the Welsh Harp, Hendon on Wednesday and Thursday the 15th and 16th December. For full particulars see ‘Sportsman’ Public admitted to the ground on payment. Won by Mr. J. Blake, Park Villia, Tiverton.’ Mr Joe Blake of Tiverton beat 110 other competitors to win this £200 trophy cup and £100, by shooting fifteen pigeon in a row. The runner-up was Mr. F. Gibbs. Mr Blake won many competitions and became a local celebrity. His name was used in an advert in the Shooting Times and British Sportsman on 12 August 1899 by Charles Boswell practical Gunmaker. This lot is sold with some photocopies of contemporary newspaper articles about Joe Blake. Photograph (right), December 1920, the vendor’s father aged eight months sitting in the cup.

575

576. A Victorian presentation silver mug, by Charles Boyton, London 1898, tapering circular form, scroll handle, applied with a monogram of the National Gun Club, and inscribed ‘HENDON 1896’, ‘won by J. Blake’, on a raised circular foot, height 13.2cm, approx. weight 19.9oz. £150-200

577. A silver salver, by Walker and Hall, Sheffield 1949, circular form, moulded border, on three gnarl feet, diameter 26.3cm, approx. weight 16oz. £150-200

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578. A matched pair of Victorian silver three-light candelabra, the bases by Charles Frederick Hancock, London 1876, the branches by The Barnards, London 1857, tapering baluster columns, foliate capitals, on raised circular foliate bases, with traces of gilding, the branches with three scroll arms each supporting a foliate capital, central foliate motif, height 49.5cm, approx. weight 162oz. (2) ÂŁ3,200-3,500

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579. Bristol maritime interest, a George III silver presentation silver tea urn, by Lewis Herne and Francis Butty, London 1762, inverted pear form, side silver and turned baluster wooden handles, gadroon border, the pull-off cover with a flame finial, on a raised circular stem on a square base with fret-work and on four claw and ball feet, leaf capped spout, inscribed ‘The Gift of The Society of Merchants City of Bristol to Capt. Wm. Hamilton 1762’, the reverse with two armorials and with a large palm tree being cut by a saw and engraved ‘Through’, in the original fitted case, height 46cm, approx. weight 71.5oz. £1,500-2,500 Provenance: Bonhams, New Bond Street, Fine Silver and Vertu, 24 March 2005, lot 135. Bristol in the 18th century was a centre for the transportation of slaves from West Africa to the West Indies and North America where they were sold to work on plantations. The ships returned to Bristol with the fruits of their labours - tobacco, sugar and rum. These in turn provided new industries and markets for Bristol. The Merchants of Bristol organised into the Society of Merchant Venturers campaigned to remove the Royal African Company’s monopoly on trade with Africa. On the 19th April 1763, the Court of the Society of Merchant Adventurers passed a resolution to make presentations to three captains. William Hamilton was awarded 50 guineas to buy a piece of plate of his own choice in recognition of his service as regulating captain of the port of Bristol for a period of some years.

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580

581

580. A pair of George III silver waiters, by John Carter, London 1769, shaped circular form, gadroon borders, the centre engraved with an armorial, on three fluted bracket feet, diameter 19cm, approx. weight 23.5oz. (2) £500-700 582 581. A George III silver tankard, by John Robins, London 1801, tapering circular form, with an upper and lower reeded girdle, scroll handle, the domed cover with a ball finial and shell thumb-piece, the base with a glass bottom, the front with a crest and monogram, height 19cm. £700-900

582. A George III silver tea pot, by Hester Bateman, London 1788, oval form, bright-cut decoration, beaded borders, scroll handle, with two vacant oval cartouches, length handle to spout 24.5cm, approx. weight 11.5oz. £300-400

583. A George II silver waiter, by John Tuite, London 1729, square form, moulded border, chased lattice and scroll decoration, the centre with a cipher within foliate scroll mantling, on four bracket feet, length 15.9cm, approx. weight 8.7oz. £250-300

583

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585

584

584. A modern silver coffee pot, by the Nayler Brothers, London 1965, tapering circular form, domed hinged cover with a knop finial, scroll handle, on a raised circular foot, height 22.5cm, approx. weight 22.5oz. £150-200

586

585. A pair of George III silver waiters, by John Carter, London 1775, circular form, gadroon border, engraved with a crest, on three claw and ball feet, diameter 20.5cm, approx. weight 25oz. (2) £600-800 The crest is that of Annesley, Borthwick, Everard, Grantham, Holles and other families.

586. A George III silver teapot, by Thomas Graham and Jacob Willis, shaped oval form, engraved decoration, scroll handle, flush-hinged cover, engraved with an initial, length handle to spout 26cm, approx. weight 13oz. £200-300

587. A George II silver kettle stand, maker’s mark partially worn, ?S, London 1746, triangular form, shell and scroll border, the centre with chased foliate scroll decoration, and engraved with an armorial, on three shell and webbed feet, length 28cm, approx. weight 30oz. £400-600

587

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588

589 588. A George III silver two-handled cup and cover, by Thomas Heming, London 1770, vase form, part fluted decoration, applied drapes, husk mounted scroll handles, engraved with an armorial, a crest and initials, the pull-off cover, with an urn finial, on a raised circular base, leaf border, on a raised square foot with a Greek key border, gilded interior, height 37cm, approx. weight 76oz. £2,000-3,000 The arms are those of Flood. Provenance: purchased Christie’s New York, 21 October 1993, lot 490.

589. A George IV silver two-handled cup and cover, by William Eaton, London 1822, campana shaped body, part-fluted decoration, scroll handles with rosettes, part-fluted domed cover with a cauliflower finial, on a raised circular foot with a leaf border, engraved with an armorial within foliate scroll mantling, height 31cm, approx. weight 59.3oz. £1,500-2,000 Provenance: Phillips, New Bond Street, Fine Silver, 10 September 1982, lot 208. The arms are those of Dennis.

590. A pair of George III silver candlesticks, by John Hyatt, London 1762, knopped stems with shell shoulders, spool shaped capitals, detachable drip pans, on raised shaped square bases, height 20.2cm, approx. weight 32.5oz. (2) £2,000-3,000

590

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591

592

591. A George II silver coffee pot, by Charles Frederick Kandler, London 1728, ribbed and fluted baluster form, engraved with masks, strap work and trellis decoration and with a lion’s head, leaf capped scroll handle, the spout with scroll motifs, the domed cover with an acorn finial, on a circular foot, engraved with a widow’s lozenge, height 25cm, approx. weight 35.2oz. £3,000-4,000 Provenance: Sotheby’s, New Bond Street, Fine Silver, 24th October 1985, lot 392. The widow’s arms are those Strode, originally of Parham, Dorset impaling Belton.

592. A George II silver coffee pot, by John Swift, London 1733, tapering circular form, scroll handle, faceted spout, the slightly domed cover with a baluster finial, the side engraved with a cipher, the underside of the base scratch initialled ‘M*B’ over ‘R*M’, height £2,000-3,000 12.3cm, approx. weight 24oz. Provenance: Christie’s, King Street, Fine Silver, 7th March 1990, lot 161.

593. A pair of George II silver candlesticks, by John Cafe, London 1754, knopped stems with foliate capitals, spool shaped capitals with rope-work borders, on shaped square bases with anthemion motifs, later detachable drip pans, engraved with a crest, height 33.5cm, approx. weight 37oz. (2) £1,500-2,000

593

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594

595 594. Winston Churchill interest, a presentation silver salver, by Carrington and Co, London 1961, circular form, gadroon border, the centre inscribed ‘P. W. Cox from Winston Churchill, 1963’, on four claw and ball feet, diameter 31.5cm, approx. weight 28.5oz. £700-900 P. W. Cox, OBE was an estate manager and friend of Winston Churchill. This lot is sold with a photographic reproduction of the two of them and a copy of a note from Churchill.

596

595. A George II silver kettle on stand, by Edward Pocock, London 1730, circular form, flush-hinged cover with a knop finial, hinged wickerbound handle, engraved scroll decoration, the stand on three scroll legs terminating in oval pad feet, with a burner, and with a worn armorial, height 34.5cm, approx. weight 66oz. £600-800

596. An Edwardian presentation silver salver, by J. Round, Sheffield 1901, shaped circular form, the centre with engraved foliate scroll decoration and inscribed ‘Presented to W. Jenvey Esq. Asst. Traffic Manager Naauwpoort, by the Staff of the North Midland Section of the Midland System, Cape Government Railways on the occasion of his leaving for a visit to England after an absence of more than a quarter of a century, June 1905’, on three ball feet, diameter 37cm, approx. weight 42.5oz. £300-500

597. A silver salver, by Thomas Bradbury and Sons, Sheffield 1936, circular form, moulded border, on three bracket feet, diameter 34.5cm, approx. weight 35oz. £150-200

597

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599

598 598. A George IV silver two-handled cup and cover, by William Bateman, London 1821, urn form, scroll handle, pull-off cover with a knop finial, on a raised circular base, inscribed ‘March 1822, Presented by the Members of the Union Mill Society in Beverley to Mr John Stephenson their late president as a mark of their approbation of his services’, height 21.5cm, approx. weight 16.9oz. £250-300

599. A silver salver, by C. J. Vander Limited, London 1942, square form, moulded border, the centre engraved with figural scenes and ‘EUROPA’, with a ship and island and foliate decoration, engraved with a crest, on four bracket feet, length 30.3cm, approx. weight 38oz. £500-600

600

600. A George II silver salver, probably by Thomas Parr, London 1741, circular form, scroll and shell border, the centre with an armorial with scroll mantling, on three scroll and shell feet, diameter 31.4cm, approx. weight 37.5oz. £700-900

601. A late-Victorian silver salver, by E. Hutton, London 1892, circular form, fluted decoration, reeded border, the centre with a crest, on three fluted bracket feet, diameter 35cm, approx. weight 32.5oz. £300-400 The crest is that of Bagnall.

601

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602. A 19th century gold watch vinaigrette, unmarked, circular form, engine-turned decoration, foliate scroll border, the hinged cover opens to reveal a hinged pierced grille, the reverse opens to reveal a photograph frame, diameter 3cm, approx. weight 28.3g. £450-500 603. A Victorian silver and agate vinaigrette, by Nathaniel Mills, Birmingham 1850, oval form, the hinged cover set with an agate panel, the hinged cover opens to reveal a foliate scroll grille, the base with swirl engine-turned decoration, initialled length 4.5cm. £300-400 604. An 18th century gold-mounted overlay scent bottle, circa 1770, circular form, with pierced foliate scroll decoration, pierced stopper with a chain attachment, height 2.8cm. £100-150 605. An early 19th century silver-gilt toothpick case, unmarked, circa 1800, oblong form, engraved with flowers and foliate decoration, engraved borders, push button clasp, length 9.8cm, approx. weight 1.5oz. £120-150 606. An early 19th century gold mounted agate box, unmarked, circular form, plain hinged mounts, agate top and base, diameter 2.9cm.

£250-300

607. An Austrian silver and enamel box, maker possibly CK, rectangular form, the sprung hinged cover with a scene of Salome with the head of John the Baptist on a plate, green grey enamel sides and base, white enamel border, in a fitted case, length 7.8cm. £400-600 608. A 19th century gold vinaigrette, unmarked, circa 1820, circular form, engraved borders, the interior with a plain hinged and pierced grille, diameter 2.5cm, approx. weight 11.8g. £250-300 609. An early 19th century gold vinaigrette, unmarked circa 1820, oval form, engine-turned decoration, the hinged cover opens to reveal a pierced hinged grille, length 3.4cm, approx. weight 13g. £200-300 610. An early 19th century gold-mounted ivory tooth pick box, circa 1810, oblong form, the hinged cover with opalesque enamel decoration and with an oval cartouche of plaited hair under glass, the interior with a velvet lining and later mirror, length 9cm. £150-200 611. An early 19th century gold-mounted agate vinaigrette, unmarked, circa 1820, oval form, the hinged cover set with a polished agate, pierced hinged grille, length 3.3cm.

£300-400

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612. A 19th century gold-mounted bloodstone desk seal, unmarked, the tapering carved handle with classical figures and foliate scroll decoration and with a mask terminal, plain mount, fluted matrix mount, the matrix engraved with an armorial, length 10cm. £600-800 The arms are those of Rolls, 1st and 2nd Baron Llangattock of The Hendre, Monmouthshire, with the shield of Rolls quartering Allen and Barnett. 613. Dr. Johnson interest, a George II silver-mounted tortoiseshell tobacco box, circa 1742, oval form, fluted decoration, plain silver mounts, inscribed ‘This I give to my esteemed friend Dr. Samuel Johnson, H.H 1742’ and ‘When this you see, remember me’, length 8.9cm. £1,000-1,500 Dr Samuel Johnson was an 18th century essayist, lexicographer, biographer and poet. After nine year’s work, in 1755, his Dictionary of the English Language was published, and while not the first dictionary, it was the most widely used for over 150 years. H.H. almost certainly refers to Harry Hervey a friend of Johnson’s. James Boswell in his Life of Samuel Johnson (1791) records Johnson as saying “Hervey was a vicious man but very kind to me. If you called a dog Hervey I would love him.” 614. A Victorian silver-gilt mounted red glass scent bottle / vinaigrette, by S. Mordan, London 1873, rectangular form, canted corners, engraved foliate scroll decoration, the hinged cover with a push-button clasp, the hinged base opens to reveal a pierced foliate scroll grille, length 9.7cm. £250-300 615. An 18th century silver-mounted mother-of-pearl tobacco box, apparently unmarked except for an incuse ‘H’, circa 1750, oval form, the hinged cover with an engraved mother-of-pearl panel of seated gentleman drinking in a landscape setting, the inside of the cover set with a worn portrait miniature, mother-of-pearl base, length 10.8cm. £400-600 616. A gold mounted agate bonboniere, unmarked, egg form, the hinged cover with a red stone clasp, the interior mount inscribed ‘Mrs John F. Erdmann, 122 East 70th Street NY 1943’, length 4.5cm. £600-800 617. A Victorian novelty silver-gilt mounted glass scent bottle, by Henry Dee, London 1871, retailed by S. F. Schaffer, 27 Piccadilly, also with a registration lozenge, the glass body mounted with a silver-gilt and enamel horseshoe, the hinged cover modelled as a jockey’s cap with black, red and green enamel decoration, length 8cm. £800-1,200 618. A 19th century continental gold and enamel snuff box, shaped rectangular form, decorated with white enamel bunches of grapes and blue enamel vine leaves, also with engraved decoration, length 8.3cm, approx. weight 92.1g. £2,500-3,000 619. A 19th century gold desk seal, unmarked, tapering circular handle, applied with rope-work borders, the oval rock crystal matrix with scroll supports and engraved with an armorial, length 6.3cm. £400-600 620. A silver tobacco box, unmarked, probably 18th century, oval form, the pull-off cover, engraved with a man in a cellar sitting on a barrel drinking beer, with a rat looking on, and inscribed ‘MY LODGING’S IN THE CELLAR HERE’, length 9.3cm, approx. weight 3.5oz. £300-500 621. A 19th century lacquered snuff box, rectangular form, the hinged cover applied with a painted porcelain plaque of a horse, within brass stringing, wood lined, length 9cm. £300-400

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622. A George III silver-gilt bachelor’s teapot, by Charles Price, London 1818, fluted melon form, scroll handle with ivory insulators, the domed cover with a butterfly finial, engraved star and foliate decoration, length handle to spout 15.8cm, height 10.5cm, approx. weight 10.4oz. £800-1,200

623. A Victorian gem-set silver-gilt chalice, over-struck with maker’s mark of Thomas Pratt, London 1892, retailed by Pratt and Sons, tapering circular bowl, the knopped tapering stem set with garnets, on a raised hexafoil foot with a rope-work border, height 18.2cm, approx. weight 10.1oz. £400-600

624. A suite of three George III silver casters, by Robert Piercy, London 1767, fluted swirl baluster form, with swag decoration, the pull-off covers with flame finials, on a raised circular foot, height 17.4cm, and 14.5cm, approx. weight 13.9oz. (3) £400-600

625. An Edwardian silver-mounted Royal Worcester biscuit barrel, the mounts by James Deakin and Sons, Sheffield 1901, the body with painted flowers, plain mount and swing-handle, pulloff cover, height 21.5cm, approx. weighable 5.5oz. £300-350

626. A George III silver coffee pot, by William Cripps, London 1762, baluster form, scroll handle, scroll and shell capped spout, domed cover with a beaded finial, on a raised circular base, engraved with a monogram, height 17.5cm, approx. weight 27.5oz. £500-700

627. A George III silver plate, by Digby Scott and Benjamin Smith, London 1804 also stamped R.B & R, for Rundell, Bridge and Rundell, shape circular form, ribbon reed and vine and grape border, engraved with a crest, diameter 26.2cm, approx. weight 23.5oz. £400-500

100

The crest is that of William Lowther, 1st Earl of Lonsdale, Co. Westmorland.

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628 628. A Victorian novelty silver dog’s head box, by E. H Stockwell, London 1877, in the form of a stirrup cup, the hound with mouth open and tongue out and with a strap collar and flush hinged cover, engraved with a monogram, length 16cm, approx. weight 16.5oz. £1,500-2,000 See front cover illustration. 629. A George III silver ewer, by William Holmes, London 1787, fluted vase form, engraved decoration, scroll handle, beaded border, domed hinged cover with a ball finial, on a raised circular foot, with a beaded border, the front engraved with an armorial, height 31.8cm, approx. weight 28.2oz. £1,500-2,000 The arms are those of Macfarlane Provenance: Phillip’s, New Bond Street, Fine Silver, 29 January 1993, lot 230.

629

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630. A George IV provincial silver dish / liner, by Barber, Cattle and North, York 1829, also marked with the York town mark, plain rectangular form, length 22cm, approx. weight 8.8oz. £300-400

631. A George III silver lemon strainer, by William Plummer, London 1767, circular form, pierced decoration, gadroon border, scroll and shell handle, with a side clip, length 17.3cm, approx. weight 4oz. £200-300

632. A George III West country silver strainer, maker’s mark only, and partially worn, possibly that of R.B. Symons, Exeter circa 1770, oval form, ring scroll handle, pierced decoration, length 11.2cm, approx. weight 2.2oz. £200-300

633. A George III silver strawberry dish, by Thomas Heming, London 1774, circular fluted form, the underside with a crest, diameter 21.4cm, approx. weight 12.5oz. £400-600

634. A George II silver swing-handled sweetmeat basket, by Samuel Herbert and Co, London 1755, oval form, pierced decoration, foliate border, pierced swing-handle, on a pierced oval base on four scroll feet, length 14.9cm, approx. weight 7oz. £150-200

635. A pair of George III silver sauce boats, possibly by Charles Hougham, London 1762, oval form, wavy-edge border, leaf capped scroll handles, on three shell capped scroll legs on shell pad feet, length 18.5cm, approx. weight 22.5oz. (2) £800-1,200

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636. A William III silver two-handled porringer, by William Andrews, London 1698, circular form, part swirl-fluted decoration below a rope work girdle, punch borders and scroll handles, scratch initialled to base ‘DS’ ‘1702’, height 7cm, approx. weight 4oz. £300-400

637. A Charles II silver two-handled porringer and cover, by Francis Singleton, London 1683, plain circular form, scroll handles, the front inscribed ‘Henry Faulkner’, height 9cm, approx. weight 8oz. £1,000-1,500

638. An 18th century silver two-handled lemon strainer, marks worn and partially lost in piercing, maker’s mark ?L, 1st half of century, circular form, double scroll side handles, the centre with scroll piercing, engraved with a crest, length handle to handle 15cm, approx. weight 3.5oz. £300-400

639. A George III silver lemon strainer, maker’s mark possibly that of Alexander Johnstone, London 1763, oval form, pierced decoration, leaf capped double scroll handle, with a clip, length 13cm, approx. weight 2.2oz. £200-300

The crest is that Hartopp of Leicestershire.

640. An 18th century silver two-handled lemon strainer, marks worn and partially lost in piercing, 1st half of century, circular form, with two side handles with scroll edges, engraved with a crest, length 16.1cm, approx. weight 2.4oz. £300-400 The crest is that of Baldwin, Hazelwood and Holt.

641. A George I silver two-handled lemon strainer, by Francis Turner, London 1724, circular form, the bowl with pierced decoration, shaped side handles, length 17.2cm, approx. weight 3.2oz. £800-1,200

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642 642. A late 17th century silver-mounted velvet covered box, unmarked circa 1680, rectangular form, the hinged cover with pierced foliate scroll mounts and with a central hinged handle, the sides with similar mounts, later wood lined for cigarettes, later lock and key, wear to velvet, length 20.7cm. ÂŁ600-800

643. A matched pair of Queen Anne and George II silver candlesticks, one by William Twell, London 1712, the other by James Gould, London 1730, octagonal baluster columns with octagonal capitals, on raised octagonal bases engraved with an armorial, height 18.5cm, approx. weight 28oz. (2) ÂŁ4,000-6,000 The arms are those of Bowles or Bolles, originally of Lincolnshire impaling probably Hayes / de la Haye.

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644. A late 16th century silver-mounted tiger ware jug, unmarked, circa 1580, the baluster body with a scroll handle, the mounts with engraved foliate scroll decoration, pierced foliate thumb-piece with a mask, the slightly domed hinged cover mounted with a piece of circular agate, height 13.8cm. ÂŁ4,000-6,000

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645. A Charles II silver tankard, makers mark ID conjoined, London 1673, tapering circular form, the flat hinged cover with a scroll thumb-piece, the front engraved with an armorial within foliate scroll mantling, scroll handle, scratch initialled ‘E*B’, ‘14lb 1731’, height 17cm, approx. weight 30oz. £3,000-5,000 For makers mark see: Jackson’s, Ian Pickford Edition, The Antique Collector’s Club, 1989, page 492, where this mark is attributed to John Douthwaite of Newcastle.

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646. A Charles II silver Chinoiserie two-handled porringer and cover, by Benjamin Pyne, London 1683, circular form, scroll handles, the pull-off cover with a pierced foliate finial, the body and cover engraved with birds and foliate decoration in the Chinoiserie taste, height 19.5cm, approx. weight 28.5oz. ÂŁ5,000-7,000

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647. A William and Mary silver bleeding bowl, by John Jackson, London 1690, circular form, the tapering handle with pierced decoration and scratch initialled ‘A*S’, length 20.5cm, approx. weight 8oz. £1,000-1,500

648. A George I silver sugar bowl and cover, probably by William Fleming, London 1719, circular form, pull-off cover, the front and inside of cover engraved with a crowned monogram, on a circular foot, height 7.5cm, approx. weight 7.4oz. £700-900

649. A late 16th century silver paten / chalice cover, marked once, with an unidentified mark, circa 1575. circular form, on a raised circular foot, diameter 9cm, approx. weight 1.9oz. £300-400

650. A William III two-handled silver porringer, by Thomas Ley, London 1699, circular form, scroll handles, part-fluted decoration below a ropework border, with punched foliate motifs, scratch initialled to underside of base ‘R*W’, height 8cm, approx. weight 4.3oz. £300-400

651. A William III silver bleeding bowl, maker’s mark possibly IC or IS, with a device above, London 1698, circular form, the tapering handle with pierced decoration and scratch initialled ‘IK’, length 14.2cm, approx. weight 3oz. £800-1,200

652. A Queen Anne silver bowl, by Edmund Pearce, London 1710, plain circular form, on a raised circular base, the underside crudely engraved ‘186’, diameter 14.2cm, approx. weight 10.5oz. £3,000-4,000 Provenance: Christie’s, King Street, Fine Silver, 10th July 1991, lot 78.

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653. A set of six George I silver Dog-nose tablespoons, by William Toone, London 1725, the reverse of the bowls with a plain rat-tail, approx. weight 11.5oz. (6) £1,500-2,000

654. A Queen Anne West Country silver Trefid spoon, by Edward Richards, Exeter 1711, the reverse of the bowl with a plain rat-tail, the reverse of the terminal prick dot initialled ‘F.W’ over ‘I.W’, ‘1713’, length 20.1cm, approx. weight 1.2oz. £140-180

655. A set of five Queen Anne silver Dog-nose dessert forks, by Andrew Archer, London 1711, the reverse of the terminals scratch initialled, ‘W’ over ‘T.M’, approx. weight 7.5oz. (5) £1,000-1,500

656. A matched set of fourteen George II/III silver Hanoverian pattern small table forks / large dessert forks, various makers, London 1753-1780, three-pronged tines, approx. weight 21.5oz. (14) £300-400

657. A small collection of Hanoverian and Old English pattern flatware, comprising a set of three George I table forks, by William Petley, London 1717, three pronged tines, plus a set of three George III dessert forks, by Thomas and William Chawner, London 1763, three pronged tines, a single dessert spoon, plus a set of four dessert spoons, marks worn, approx. total weight 13.5oz. (11) £200-300

658. A set of six Queen Anne silver Dognose table forks, marks worn, London probably 1709-1710, three prongs, plain terminals, approx. weight 13oz. (6) £600-800

659. A late 17th century Dutch silver Trefid spoon, maker’s mark possibly that of a flower, Utrecht probably 1692, the reverse of the bowl with a rat-tail, length 17.5cm, approx. weight 0.9oz. £500-700

660. A pair of early 18th century Dutch silver tablespoons, by Nicolaes Verhaer, Utrecht 1717, the oval bowls with a plain rat-tail, the terminals with a compressed dog-nose shape, the reverse of the terminals initialled ‘IADL’ and one also has ‘MB’, length 20.4cm, approx. weight 3.4oz. (2) £200-300

661. A George II silver Hanoverian pattern tablespoon, by Richard Pargeter, London 1759, the oval bowl with a double heel, the reverse of the terminal engraved with arms of The City of Westminster and inscribed with the motto ‘DISCITE MONTI JUSTITIAM’, and ‘GUILDHALL WESTMINSTER’, later dated 1806 and inscribed Chas. Hatchett Esq, length 20.2cm, approx. weight 2.3oz. £200-300 Charles Hatchett Esq. (1765-1847) was a wealthy London coach builder, and amateur scientist, who became a Fellow of the Royal Society in 1797, and in 1801 he 109 discovered niobium.

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662. An eighteenth century Dutch silver figural spoon, maker’s mark worn, Amsterdam 1789, also marked with a tax mark, tapering faceted stem with a warrior finial, length 17.5cm, approx. weight 1.4oz.

£100-150

663. A Charles II silver Trefid spoon, by William Penstone, London 1683, the reverse of the bowl with a beaded rat-tail, the reverse of the terminal prick-dot initialled ‘M.G’ over ‘M.P’, length 18.8cm, approx. weight 1.4oz. £250-300

664. A Queen Anne silver Dognose spoon, by William Juson, London 1711, the oval bowl with a plain rat-tail, the reverse of the terminal scratch initialled ‘C’ over ‘R*V’, length 20.2cm, approx. weight 1.8oz. £100-150

665. A late-17th century Norwegian silver spoon, unmarked circa 1686 tapering stem, the reverse of the bowl scratch initialled ‘T.H.S, the reverse of the stem dated ‘1686’, the front of the stem with engraved decoration, length 16.3cm, approx. weight 1.1oz. £150-250 Provenance: The Ticktum Collection, ref 346, page 435.

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662

664

665

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666. A James II silver Trefid spoon, by Lawrence Coles, London 1685, the reverse of the bowl with a ribbed rat-tail, the reverse of the terminal with faded prick-dot initials, length 18.9cm, approx. weight 1.7oz. £200-300

667. A Charles II silver Trefid spoon, by Adam King, London 1674, the reverse of the bowl with a ribbed rat-tail, the front of the terminal later initialled ‘J.F’, length 19.9cm, approx. weight 1.9oz. £250-300

668. A Charles II silver Trefid spoon, by John King, London 1674, the reverse of the bowl with a worn rat-tail, the reverse of the terminal scratch initialled ‘B.B’, length 19.5cm, approx. weight 1.6oz. £200-300

669. A Charles II silver Trefid spoon, probably by Benedict Prosser, London 1669, the reverse of the bowl with a ribbed rat-tail, the reverse of the terminal scratch initialled ‘P’ over ‘R*M’, length 18.2cm, approx. weight 1.7oz. £250-300

670. A William and Mary silver Trefid spoon, by Thomas Allen, London 1690, the reverse of the bowl with a ribbed rat-tail, the reverse of the terminal scratch initialled ‘A*C’, length 19.8cm, approx. weight 1.7oz. £250-300

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666

667 668

669

670

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671. An early 18th century Channel Islands silver Trefid spoon, maker’s mark GS with a fleur de lys and crown above, unknown, Jersey circa 1720, the reverse of the oval bowl with a ribbed rat-tail, the reverse of the terminal scratch initialled ‘D’ over ‘SC’ with an armorial between, length 18.2cm, approx. weight 1.2oz. £200-300 The shield is possibly that for Tuckfield of Exeter.

672. An 18th century Channel Islands silver Trefid spoon, maker’s mark of Jacques Limbour over-striking another, Jersey circa 1770, the reverse of the oval bowl with a ribbed rat-tail, the reverse of the terminal scratch initialled ‘M.R.R’, length 19.4cm, approx. weight 1.2oz. £150-250

673. A Charles I provincial silver-gilt Seal-top spoon, maker’s mark R.C, possibly for Robert Clayton, York 1642, tapering stem, erased seal-top finial, length 16.2cm, approx. weight 1.2oz.

£1,000-1,500

674. A Charles I West Country silver Apostle spoon, St. James the Greater, by Edward Anthony, Exeter circa 1636, the reverse of the bowl prick dot initialled ‘M.V’ over ‘I.F’ ‘1636’, and later prick dot initialled ‘J.M.B’, tapering faceted stem, gilded finial, the stem later inscribed J. Pearse’, length 19.5cm, approx. weight 1.8oz. £1,000-1,500

675. A Charles II West Country silver Apostle spoon, no apparent maker’s mark, Exeter circa 1668, the reverse of the bowl prick dot initialled ‘1668’, ‘MG’ over ‘M.P’, tapering faceted stem, gilded finial, length 18.7cm, approx. weight 1.4oz. £1,000-1,500

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671

672

673

675 674

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A SMALL PRIVATE COLLECTION OF EARLY SPOONS

676. A pair of William and Mary silver Trefid spoons, by Stephen Coleman, London 1693, the oval bowls with beaded rat-tails, the reverse of the terminal scratch initialled ‘C’ over ‘CA’, length 19.5cm, approx. weight 3.3oz. (2) £600-800 Provenance: Woolley and Wallis, Silver Sale, 31 October 2007, lot 501.

677. A Queen Anne silver Trefid spoon, by John Cory, London 1704, the oval bowl with a beaded rat-tail, the reverse of the terminal prick dot initialled ‘E.B’ and dated ‘1705’, length 20cm, approx. weight 1.8oz. £300-400 Provenance: Woolley and Wallis, Silver Sale, 30 April 2008 lot 84.

678. A Charles I provincial silver Seal-top spoon, unascribed, circa 1632 faceted tapering stem, the gilded seal-top with prick-dot initials ‘R.P’, the reverse of the bowl prick dot £600-800 initialled ‘R.W’ ‘1632’, length 17.6cm, approx. weight 1.3oz. Provenance: Woolley and Wallis, How of Edinburgh sale, Tuesday 30th October 2007, lot 170. See Jacksons, Ian Pickford Edition, The Antique Collectors Club, 2002, page 521 for similar marks.

679. A Commonwealth silver Puritan spoon, by Stephen Venables, London 1652, slight tapering stem, length 17.8cm, approx. weight 1.4oz.

£2,500-3,000

Provenance: Bonhams, New Bond Street, Fine Silver, 21st November 2007, The Britton Smith Collection, lot 128.

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676 (2)

678

677

679

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680. A Charles II West Country silver Apostle spoon, St. Matthew, Exeter town mark, circa 1660, the tapering stem with a gilded Apostle finial, length 20.1cm, approx. weight 1.7oz.

£1,000-1,500

Provenance: Bonhams, Knightsbridge, Silver and Objects of Vertu, including Flatware, 9th April 2008, lot 154.

681. An Elizabeth I West Country silver Maidenhead spoon, by Laurence Stratford, Dorchester circa 1585. tapering faceted stem with a gilded Maidenhead finial, the reverse of the bowl scratch initialled ‘WG’, length 16.9cm, approx. weight 1.3oz. £3,000-4,000 Provenance: Woolley and Wallis, How of Edinburgh sale, Tuesday 30th October 2007, lot 300.

682. A Charles I West Country silver Apostle spoon, St. John, by Edward Anthony, Exeter circa 1630-40, the tapering faceted stem with a gilded apostle finial, length 19.2cm, approx. weight 2.1oz. £2,500-3,000 Provenance: Woolley and Wallis, Silver Sale, 29 October 2008, lot 1017.

683. A James I silver Apostle spoon, St. Matthias, by Daniel Cary, London 1622, faceted stem, the Apostle finial with traces of gilding, the reverse of the bowl prick-dot initialled ‘R.H’, length 18cm, approx. weight 1.9oz. £3,000-4,000 Provenance: Bonhams, New Bond Street, Fine Silver, 21st November 2007, The Britton Smith Collection, lot 97.

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681

680

682

683

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front

reverse

684. A rare Mary Tudor silver Slip-top spoon, maker’s mark of a crescent enclosing a mullet, London 1555, faceted stem, length 14.7cm, approx. weight 1oz.

£7,000-9,000

Provenance: Woolley and Wallis, Silver Sale, 31st October 2007, lot 628. purchased from Spink and Son Ltd, 8th November 1976 for £650. The invoice is included in this lot.

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OTHER PROPERTIES

685. A rare set of five Charles II silver sucket forks / spoons, attributed to John Smith, London circa 1680, the oval bowls with ribbed rat-tails, the plain central section with chamfered edges, tapering two-pronged tines, length 17.8cm, approx. weight 2.7oz. (5) £3,000-4,000 Provenance: The Arundel Collection. The Quernmore Collection, Bonhams, New Bond Street, Fine Silver Sale, 2 July 2008, lot 99. The Alexander James Collection, Phillips, New Bond Street, February 9 1979, lot 21. One purchased for Alexander James Collection, Sotheby’s, London 26 February 1976, lot 113. Four purchased from S.J. Shrubsole prior to 1974. Four sold at Sotheby’s 6 July 1933, lot 154. Exhibited: Cardiff Museum (#66), on loan from the Alexander James Collection. illustrated in Pickford, I, Silver Flatware, The Antique Collector’s Club, 1995, fig. 394, page 215.

END OF SALE

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Jewellery Thursday 29th October 2015

ENQUIRIES Jonathan Edwards FGAA Tel: +44 (0)1722 424504 jonathanedwards@woolleyandwallis.co.uk Marielle Whiting FGA Tel: +44 (0)1722 424595 mariellewhiting@woolleyandwallis.co.uk

Four desk seals from a collection of twenty six. A single owner collection. Estimates from £400 - £2,000

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Asian Art Tuesday 17th & Wednesday 18th November 2015

ENQUIRIES John Axford Tel: +44 (0)1722 424506 johnaxford@woolleyandwallis.co.uk

A pair of Chinese famille verte models of parrots, Kangxi 1662-1722, 25.5cm. Estimate: £4,000 - £6,000

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Silver, Vertu, Coins & Medals Tuesday 19th & Wednesday 20th January 2016 Entries are now being accepted for this sale

A Fine Boer War - Great War group of Decorations and Medals awarded to Major-General Harold Arthur Lewis Tagart, KCMG, CB, DSO, commander of the Legion of Honour, 15th Hussars. Sold for ÂŁ4,500

ENQUIRIES Rupert Slingsby Tel: +44 (0)1722 424501 rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers Tel: +44 (0)1722 424594 lucychalmers@woolleyandwallis.co.uk

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Fine Silver & Objects of Vertu Wednesday 27th April 2016 Entries are now being accepted for this sale

ENQUIRIES Rupert Slingsby Tel: +44 (0)1722 424501 rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers Tel: +44 (0)1722 424594 lucychalmers@woolleyandwallis.co.uk

A George II silver two-handled cup and cover, by Ayme Videau, London 1745. Estimate: £8,000 - £12,000

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Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays. VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered. REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies. PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us. COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids. TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

LIVE ONLINE BIDDING Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom.com, subject to approval. There is a 3% + VAT charge for this service. In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via thesaleroom.com, and 2. confirm that you are authorised to provide these credit card details to Woolley and Wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale. CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate. The colours printed in the catalogue are not necessarily true. SALE RESULTS These will be posted on our website shortly after the sale. BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 22% + VAT on the first £500,000 of the hammer price and 12% + VAT thereafter.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released. The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of 15,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present. Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction. Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office. Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid. VAT Lots marked with an asterisk (*) are subject to VAT on the hammer price. Lots marked with an omega ( ) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price. CITES REGULATIONS Please note that lots marked may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 12,500. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 12,500 Lots marked with a ‡ symbol are potentially subject to the levy. PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping

01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

APS

0800 118 5868 sales@apservices.info 07736 544 362 www.apservices.info

Mailboxes

01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover

Pack & Send

0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate. 5. VAT. (*) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. 6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale). 7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. 8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7. 7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. . Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense. 9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request. 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

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11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque four weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate. 5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position). 6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for. 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale. GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. 21. English law applies to the interpretation of these Conditions.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below. Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return. ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 12,500. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 12,500 Lots marked with a ‡ symbol are potentially subject to the levy.

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Valuations PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount. INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Contact Christine Johnson 01722 424509 FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

Woolley & Wallis valuations are accepted by all leading insurance companies.

DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO OLD SARUM

W MARLBOROUGH & SWINDON

CENTRAL CAR PARK

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WILTON & WARMINSTER

Sarum Business Park

A36(T) CH URC HIL L

S OUT H

Westover Garage

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Old Sarum Park

A 3 6(

MR HA ND WY

Woolley & Wallis 2 Danebury Court Old Sarum Park SP4 6EB

A36 C HUR CH ILL WA YN OR TH D

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LW AY W ES T IL

D SR SE VI DE WILTO NR DA

C UR

EET STR TLE CAS

A3 60

Old Sarum Kia Motors

D OA

WOOLLEY & WALLIS

Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU

AMESBURY & MARLBOROUGH

E LS

H AS

YR LE

CASTLE RD A345

LONDON, ANDOVER & WINCHESTER

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A345 Castle Rd

L CANA

SALISBURY A36

AMESBURY NEW STR EET

Old Sarum

Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough.

OA D

DIRECTIONS FROM WOOLLEY & WALLIS CASTLE TO SALT LANE TOSTREET CASTLE STREET & WALLIS WOOLLEY FROM DIRECTIONS PEDESTRIAN ROUTE DRIVING ROUTE TO SALT LANE DRIVING ROUTE TO CASTLE ST.

D A30

94 NEW H

D PAY AN Y DISPLA RK CAR PA

NT O

A33 8

ROLLES

WOOLLEY & WALLIS Salt Lane

Woolley & Wallis Carter House 6 – 10 Salt Lane SP1 1EE

EET

ENDLESS STR

Registered in England No. 2998482

Salisbury Salerooms

CHIPPE

WOOLLEY & WALLIS

SCOTS LANE

Woolley & Wallis Salisbury Salerooms Ltd. 51-61 Castle Street, Salisbury Wiltshire SP1 3SU

R LANE

R O AD

A354 DORCHESTER WEYMOUTH & BLANDFORD

A338 BOURNMOUTH & RINGWOOD

REET

TONE ST

Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU

ARN HAM

SALT LANE

LANE

SALT

RO A

( T)

EET

UT SO

Y A36

A36(T) SO UTHA MPT ON R

STR

HAR NH AM

W OOLLEY & W ALLIS S ALEROOMS

WIN

SOUTHAMPTON CATHEDRAL

BED

ST AN

N ST

Qudos CASTLE STREET

VAT No: 631 9832 29 TESCO

Design & Production by Jamm Design Ltd. Tel. 020 7424 7830 www.jammdesign.co.uk

Due to the one-way system of Salisbury please follow the red route when driving from Salt Lane to Castle Street.

Due to the one-way system of Salisbury, please follow the red route when driving from Salt Lane to Castle Street.

WW102-344 Part Two_Layout 1 24/09/2015 11:43 Page 132

WOO L LE Y & WA L LI S Absentee Bid Form Fine Silver & Objects of Vertu

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Brief Decription

Price Excluding buyer’s premium & VAT

Wednesday 28th October 2015 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. Billing Name (please print)

Address

Postcode Daytime telephone Email All accounts must be settled within 21 days. There is no surcharge for debit card payments, but for credit cards there will be a 2% (+VAT) surcharge. ID is required for all first time bidders.

Signature

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508

132

www.woolleyandwallis.co.uk

AUCTION CALENDAR FURNITURE, WORKS OF ART & CLOCKS 7th October 7th January 2016 Mark Richards +44 (0) 1722 411854 • markrichards@woolleyandwallis.co.uk 20TH CENTURY DESIGN 21st October – 20th Century Design 25th November – British Art Pottery Michael Jeffery +44 (0) 1722 424505 • michaeljeffery@woolleyandwallis.co.uk JEWELLERY 29th October 21st January 2016 Jonathan Edwards +44 (0) 1722 424504 • jonathanedwards@woolleyandwallis.co.uk Marielle Whiting +44 (0) 1722 424595 • mariellewhiting@woolleyandwallis.co.uk ASIAN ART 17th & 18th November John Axford +44 (0) 1722 424506 • johnaxford@woolleyandwallis.co.uk Sophie Lister +44 (0) 1722 424591 • sophielister@woolleyandwallis.co.uk ENGLISH & EUROPEAN CERAMICS & GLASS 24th November Clare Durham +44 (0) 1722 424507 • claredurham@woolleyandwallis.co.uk PAINTINGS 9th December –

Part I - Fine Old Masters & 19th Century Paintings Part II – 20th Century & Contemporary Art Victor Fauvelle +44 (0) 1722 424503 • victorfauvelle@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jobutler@woolleyandwallis.co.uk SILVER 19th & 20th January 2016 – Silver, Vertu, Coins & Medals Rupert Slingsby +44 (0) 1722 424501 • rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lucychalmers@woolleyandwallis.co.uk TRIBAL ART & ANTIQUITIES 9th February 2016 Will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk