Woolley & Wallis Auctioneers by Jamm Design Ltd

FURNITURE, WORKS OF ART & CLOCKS Wednesday 2nd October 2019

Specialist Departments Please dial +44 (0)1722 followed by the number listed below 20TH CENTURY DESIGN Michael Jeffery Zoe Smith ASIAN ART John Axford MRICS ASFAV Jeremy Morgan Amber Lees Sarah Lopez-Ferreiro

424505 446955

424506 +44 (0)7812 601098 424571 424591

CHINESE PAINTINGS & CALLIGRAPHY Freya Yuan-Richards Amber Lees

424589 424571

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham Hollie Morrison

424507 446964

FURNITURE, WORKS OF ART & CLOCKS Mark Yuan-Richards Jim Gale Suzy Becsy

411854 339161 446974

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA Amanda Lawrence (PA)

424509 424598 424509

MARKETING Sally Trench Megan Corbett

446959 446960

ACCOUNTS Janice Clift (Office Manager)

424500

GENERAL OFFICE Sharon Ringwood Pauline Jones Nicola Young Ruth Pike Sarah Bennie

424500

SALEROOM MANAGER Matt Hill CASTLE GATE MANAGER David Jordan

JAPANESE ART Alexandra Aguilar Sarah Lopez-Ferreiro

424583 424591

JEWELLERY Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Charlotte Glyde FGA

424595 424504 424586

MEDALS & COINS, ARMS & ARMOUR Ned Cowell Zoe Cordey

341469 446980

PAINTINGS Victor Fauvelle Ed Beer Hannah Vernon

446961 446962 446970

SILVER Rupert Slingsby Lucy Chalmers

424501 424594

TRIBAL ART & ANTIQUITIES Will Hobbs Zoe Cordey

339752 446980

424500

CASTLE GATE RECEPTION Sally Litherland BOARD OF DIRECTORS John Axford Chairman

MRICS ASFAV

Clive Stewart-Lockhart Deputy Chairman

FRICS FRSA

Natalie Milsted FCCA Managing Director Paul Viney ASFAV Non-Executive Director ASSOCIATE DIRECTORS Janice Clift Clare Durham Victor Fauvelle Will Hobbs Michael Jeffery Mark Yuan-Richards Rupert Slingsby Marielle Whiting FGA

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 • Fax: 01722 424508 • www.woolleyandwallis.co.uk SOCIETY OF FINE ART AUCTIONEERS AND VALUERS

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FURNITURE, WORKS OF ART & CLOCKS Wednesday 2nd October 2019 at 10.00am at our Castle Street Salerooms, SP1 3SU VIEWING TIMES Saturday 28th September Monday 30th September Tuesday 1st October Wednesday 2nd October

10.00am – 1.00pm 10.00am – 4.30pm 10.00am – 4.30pm 8.30am – 9.45am

ENQUIRIES

Mark Yuan-Richards 01722 411854 myr@woolleyandwallis.co.uk LIVE BIDDING PLEASE NOTE, WE NOW OFFER OUR OWN LIVE ONLINE BIDDING SERVICE, FREE OF CHARGE.

Jim Gale 01722 339161 jg@woolleyandwallis.co.uk

LIVE bid.woolleyandwallis.co.uk Please register by 5pm on Tuesday 1st October. BUYER’S PREMIUM

Suzy Becsy 01722 446974 sb@woolleyandwallis.co.uk

Each lot is subject to a Buyer’s Premium of 25% plus VAT TELEPHONE BIDDING Please note that requests for telephone bids cannot be accepted after 5pm on Tuesday 1st October. CONDITION OF LOTS Please note that the condition of lots is not stated in the catalogue descriptions. Reports on condition may be available on request. The absence of condition reports in the catalogue does not imply that the lot is free from imperfections or faults. COLLECTION OF LOTS

ILLUSTRATIONS Front cover: Lot 275 detail Back cover: Lot 355 detail Catalogue £10.00 (£15.00 by post)

No collection available from the 3rd October to the 5th October due to lots being in transit. From Monday 7th October collection is from our warehouse, Unit 1B, Castle Gate Business Park, Old Sarum, Salisbury, SP4 6QX, please instruct carriers accordingly and note, the warehouse is closed over weekends. Please call 01722 446950 or 01722 424500 prior to collection to ensure the items are ready. All accounts to be settled prior to collection. Payment is still made at Castle Street.

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OAK & COUNTRY

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1. A Charles I oak joint stool, the seat with a triple moulded edge, above moulded and twin bicuspid rails, on slender ring turned legs united by moulded peripheral stretchers, 53.5cm high, 48.7cm wide, 29.5cm deep. £400-600 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

2. A mid-17th century oak joint stool, the seat with a moulded edge, above moulded bicuspid rails, on slender turned sausage legs united by peripheral stretchers, 57.3cm high, 45.4cm wide, 26.6cm deep. £300-400 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

3. A mid-17th century oak joint stool, the seat with a moulded edge, the frieze branded with owner’s initials ‘W R’, on turned sausage legs united by peripheral stretchers, 54.4cm high, 45.4cm wide, 29.5cm deep. £300-500 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

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4. A Charles II upholstered oak stool, the seat with a later fabric cover, on turned legs united by peripheral stretchers, 42.5cm high, 38cm wide. £200-300 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

5. An oak joint stool, the seat with a moulded edge above bicuspid rails, on turned sausage legs united by peripheral stretchers, 17th century elements, 56.7cm high, 46.5cm wide, 27cm deep. £300-500

6. A Charles II upholstered oak stool, later covered with 19th century needlework depicting a horse and rider, on turned legs united by peripheral stretchers, 47.7cm high, 38cm wide, 37.5cm deep. £200-300 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

7. A rare James I oak caqueteuse armchair attributed to Salisbury, with a foliate lunette crest above a characteristic Salisbury ‘S’ chain carving and a leaf carved panel back, with moulded borders, the trapezoidal seat with conforming arms with turned column supports, with a leaf carved lunette frieze on turned column legs united by peripheral stretchers, 110.2cm high, 60.8cm wide, 39cm deep. £2,000-3,000 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman. The term caqueteuse derives from the French caqueter or ‘to chatter’ and this ‘conversation’ chair was first introduced into Britain from France in the 16th century. It is distinguished from other armchairs by a trapezoidal seat and with horizontal canted arms. The caqueteuse was thought to be a more-or-less exclusive product of Scotland with its close artistic and political links to France. However, English caqueteuse chairs, although less common, are often known as Salisbury chairs with many made in the workshop of Humphrey Beckham. For discussions of caqueteuse chairs including Salisbury examples, see Victor Chinnery, Early Oak Furniture of Salisbury and South Wiltshire and Oak Furniture, The British Tradition, pp.448-454 also Tobias Jellinek, Early British Chairs and Seats 1500-1700, pp104-115.

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8. A William and Mary elm slat-back side chair, the arched and scroll top rail above triple moulded vertical splats, with baluster turned supports and a panelled seat, together with a similar oak side chair, with a scroll carved top rail and a solid splat back. (2) £150-250

9. An oak side chair, the panelled back carved with leaves, above a solid seat and an arcaded thumbnail frieze, on turned legs, united by peripheral stretchers, with 17th century elements. £200-300

Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

10. A pair of William and Mary walnut high back side chairs, each with a scroll carved surmount above a cane back and seat, with turned baluster supports, on scroll carved front legs united by a conforming stretcher. (2) £200-300

11. A William and Mary upholstered oak side chair, the padded back and seat with later damask fabric, above turned and block front legs united by a scroll front stretcher. £150-250 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

12. A Welsh Borders oak ‘clamp front’ chest, the hinged lid revealing a vacant interior, with four applied moulded legs with scroll feet, late 16th / early 17th century, Radnorshire or Breconshire, 77.3cm high, 120.5cm wide, 47cm deep. £1,000-1,500 For a discussion on this type of Welsh chest, see Richard Bebb, Welsh Furniture 1250-1950, Vol 1, pp146-147. Also see an article by Luke Millar in the Regional Furniture Society’s Newsletter No.18 (Winter 1992).

13. An Elizabethan oak boarded coffer, the lid with a moulded edge, with later hinges, the front carved with a central lozenge flanked by lunettes decorated with leaves, flower heads and crosses, on solid ends, 56.5cm high, 116cm wide, 38.5cm deep. £500-800 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

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14. An early 17th century oak boarded coffer, the lid with crimped edges and incised zigzag decoration, with later iron hinges, on cut-out ends, with an incised figure of eight motif, 49.4cm high, 93cm wide, 33.3cm deep. £200-300 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

15. An early 18th century Welsh oak mule chest, the top with a moulded edge above a leaf and scroll carved frieze and with a triple panelled front carved with coats of arms, above two drawers, with panelled sides, 80.7cm high, 135.5cm wide, 55.7cm deep. £200-300

16. A small early 17th century oak boarded coffer, the lid with a moulded edge and branded with initials ‘I C’, with later hinges, on ogee cut-out ends, 50cm high, 75.5cm wide, 29.5cm deep. £300-500 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

17. A 17th century oak boarded coffer, the lid with crimped sides and incised zigzag decoration, with later hinges, the interior originally with a till, the front carved with a guilloche panel, on cut-out ends, 52.7cm high, 107.5cm wide, 34.5cm deep. £400-600 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

18. An oak box, the elm lid with a moulded edge, on turned feet, 17th century and later, 25cm high, 44.7cm wide, 31.3cm deep. £100-150 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

19. A small Charles I oak coffer, the lid with a moulded edge, the interior originally with a till, the twin panelled front with an arcaded frieze and stop fluted panels, branded ‘T F’, 50cm high, 82.7cm wide, 41.5cm deep. £300-500 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

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20. A William and Mary and later walnut chest, the top with a moulded edge, above four long geometric long drawers with yew panels and a plinth base, 92.8cm high, 97.2cm wide, 56cm deep. £500-700

21. A small Queen Anne oak gateleg table, the oval drop-leaf table above a frieze drawer and on ring turned baluster legs united by peripheral stretchers, 70.2cm high, 83 x 99.2cm (open). £200-300 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

22. A William and Mary oak side table, the top with a moulded edge, above a twin panelled front frieze drawer, one side rail with a branded mark ‘I BRATT’, on bobbin turned legs united by peripheral stretchers, 73.7cm high, 77.8cm wide, 54cm deep. £200-300

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

23. A William and Mary oak chest, the boarded top with a moulded edge above four long graduated geometric panelled front drawers, 81.3cm high, 90.8cm wide, 53cm deep. £300-500 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

24. An 18th century Spanish walnut centre table, the boarded top on open scroll supports, the back with a later ‘X’ stretcher, 77.4cm high, 90.2cm wide, 65.5cm deep. £200-300

25. An early 18th century oak side table, the top with a moulded edge above a frieze drawer, on turned column legs united by peripheral stretchers, 70.7cm high, 88.3 cm wide, 65cm deep. £200-300

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26. A small Charles II oak box, the hinged lid with a moulded front and back edge and crimped sides, the front carved with arches, 25.5cm high, 57.3cm wide, 30.5cm deep. £150-200 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

27. A Charles II oak desk box, the hinged fall front with crimped edges and incised zigzag decoration, the front and sides with leaf decoration, 17.8cm high, 48.2cm wide, 32.8cm deep. £150-250 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman. 28. A 17th century elm lace bobbin box, the hinged lid decorated with an incised whorl rondel, with wire hinges, containing a number of bobbins, 11.5cm high, 21cm wide, 11.5cm deep. £100-150 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman. 29. A small 17th century oak boarded box, with a shaped iron escutcheon and hinges, the hinged lid revealing a vacant interior with ratchet ridges to the side, 27.5cm wide. £100-150 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

30. A 17th century oak bedstead, the headboard with a moulded dentil cornice above a pair of panels carved with leaf scrolls and with initials ‘AW’ and ‘MW’, possibly commemorating a marriage, above four conforming panels, the footboard with a lunette frieze and quadruple panels, with a later base, West Country, 181cm high, 208.5cm long, 147.8cm wide. £800-1,200 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

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31. A 19th century treen sailor’s valentine snuff shoe, with brass tack inlay, the hinged lid with an inset pewter panel decorated with a love heart, the body with ships, fish and an anchor, the sole with a Cupid’s arrow through a heart, 13.7cm long. £100-150 32. An early 19th century mahogany church warden’s pipe stand, with three apertures above a baluster turned stem, the circular dished base with a brass liner together with a pipe, 58.7cm high. £300-400 33. A George III turned treen cat, with three revolving ribbed spokes on a tripod base, 35cm high, 33.2cm wide. £100-150 34. A mid-19th century continental miniature chest, the hinged top revealing a vacant lined interior, with four false front drawers and one real drawer, with turned bone handles, on bun feet, 34.5cm high, 31.3cm wide, 20.8cm deep, together with a treen lignum vitae oval coaster / vessel, late 18th / early 19th century and a treen bottle coaster. (3) £100-200

33 34

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

35. A mid-17th century treen lignum vitae wassail bowl, the everted rim above a single reeded girdle moulding, on a reeded circular foot, 16.3cm high, 16cm diameter. £800-1,200

36. An 18th century oak and pine sandglass, with stick supports and double blown hourglass bulbs, 15cm high. £100-150 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

37. A rare 17th century Italian treen walnut mortar grater, in two parts, with a pestle handle, with turned and reeded decoration and with cable mouldings, 23.3cm high. £500-800 Provenance: Purchased from A and E. Foster, Oxfordshire. ‘A Lifetime of Collecting’ - The property of a gentleman. For similar mortars see Owen Evan-Thomas, Domestic Utensils of Wood, p.76, pl.28.

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38.

A 19th century treen dairy bowl, 58.7cm diameter. £200-300

39. A 19th century oak spirit barrel, bound with willow and with a brass locking hasp and glass ends, together with a treen keg flask, 30cm (max). (2) £100-150 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman. 40. A section of burr oak, possibly 17th / 18th century, 27.5cm high, 23.3cm wide, together with a smaller burr specimen. (2) £100-150

Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman. The large specimen reputedly is from a church.

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

41. Four treen sycamore platters, including: a George III example with a raised rim, the base with initials ‘O E’ and a warped example with reeded bands to the outside of the rim and two larger examples, 26.5cm diameter (max). (4) £300-400 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

42. Nine treen feeding bowls, in sycamore, beech and other woods, with reeded and incised bands, one with initials to base ‘B R’, 19th century and later, 16.8cm diameter (max). (9) £200-300 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman. 43. Four Welsh treen sycamore footed bowls, early 19th century and later, 21.8cm diameter (max). (4) £200-300 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

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44 44. An 18th century Dutch brass six-light chandelier, the ring top above a turned and ball stem, with dot numbered detachable scroll branches and urn shaped nozzles, drilled for electricity, 47cm high, 52cm wide. £500-800 45. An 18th century wrought iron rushnip and candle holder on a tripod base, together with a similar larger example and a pair of steel sugar cutters, stamped ‘J. NIBB’, 27.4cm high (max). (3) £100-150 46. Two sheet brass wall sconces, one with an oblong pierced back, with a stamped back and a single candle holder, possibly 18th century, together with a repoussé decorated example, the back with a coat of arms for Bristol, with the motto ‘VIRTUTE ET INDUSTRIAL’, above a sailing ship and a castle, 25.4cm high (max). (2) £100-150 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

47. A pair of George III brass candlesticks, each with an urn shape nozzle above a knopped stem and a swirl dome base, 23.3cm high. (2) £200-300

48. A pair of George III brass candlesticks, with urn nozzles and knopped stems, originally with ejector mechanisms, together with a single brass candlestick, with a ribbed nozzle and an acorn turned stem, on a domed foot, possibly late 17th / early 18th century, together with a patinated bronze hanging oil lamp, with an upper reservoir, with four spouts and with a dished lower pan, 20.4cm high. (4) £150-200

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

49. A rare oak and polychrome decorated panel fragment, carved with leaves and a stop fluted column arch, late 16th / early 17th century, 39.6 x 18cm. £100-150 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

50. A 17th century carved oak panel, depicting Saint Peter, holding a key and a book, in an arched niche with a shell surmount, 48.7 x 20.7cm. £100-150 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

51. A small collection of carved oak panels and caryatids, comprising: two similar terms, each with a saint below a shell with a winged angel mask; a panel carved with Gothic tracery; a furniture mount in the form of a bearded man with his arms crossed and a panel decorated with scrolling leaves, a flower and two birds, 16th / 17th century, 105.5cm (max). (5) £200-300

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52. A 19th century carved sandstone gargoyle keystone in Gothic style, carved with a grotesque mask, 34.5cm high. £500-700

53. A German stained glass panel in 16th century style, the top panels depicting a man and a woman in a bedchamber and then a murder, above two well dressed figures flanking a column and with a coat of arms with a motto ‘Better Rutarda, 19th century, 34.2 x 24.6cm. £200-300

54. A Scottish stained glass armorial panel, of shield shape and decorated with the arms of the town of Forfar, with a stag and bull head flanking a tree above the old Castle of Forfar with triple towers, 18th / 19th century, 24.2 x 21cm. £200-300

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

55 55. An 18th century sandstone heraldic crest fragment, carved with the body of a centaur standing on a torse, 45.5 x 51.7cm, mounted on a later stone plinth. £800-1,200

56. A German stained glass panel in 16th century style, decorated with a pair of armour clad knights flanking a double headed eagle armorial, the top with battle scenes and with panels of Bishops, with the date ‘1557’, 46.5 x 33cm. £300-500

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57. A late 17th century brass warming pan, with an iron handle, the lid pierced and engraved with the Mercer’s Company coat of arms, inscribed ‘THE MERCERS ARMS’, 96.8cm long. £200-300 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman. 58. A late 17th century brass warming pan, with a pierced iron handle, the hinged lid pierced and punch decorated with a flower head, 100.5cm long. £100-150 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

59 59. An early George III brass warming pan, with a turned fruitwood handle, the top of the hinged lid engraved with initials and date ‘H T 1765’, the lid pierced and decorated with a bird and flowers, together with a similar warming pan, the interior with a paper label, inscribed ‘This warming pan made around the early 1800, came from a cottage in an Oxfordshire village near Woodstock’, 107cm long (max). (2) £200-300 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

60. A mid-17th century velvet and embroidered silver metal thread purse, decorated with scrolls and leaves, with a leather lined interior, with three flap compartments, 9.5 x 6.5cm. £300-400 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman. See Bonham’s, The Oak Interior, 21st January 2014, lot 417 for a similar example.

61. A George III seashell and seed diorama, with a bearded sailor seated in a grotto reading a book before a skull and a cross, in a glazed ebonised pear wood box frame, the verso with a printed label ‘I11. Country Life, Vol.CLIV. No.3898, page 1930, 6 December 1973’, 13 x 12.5cm. £100-150

62. A mid-18th century carved oak panel, depicting a young man caught short, squatting by a tree, with spiral twist and leaf carved applied split columns, 127cm high, 93.2cm wide. £100-150

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63. A late George III Welsh oak dresser, with a raised plate rack, with reeded decoration and three shelves, the base with three frieze drawers and a pair of panelled cupboard drawers flanking three false front drawers, 201.5cm high, 162.8cm wide, 47.2cm deep. £400-600

64. A George III oak hanging cutlery box, the pierced back above a hinged lid, the front inlaid with fruitwood with a knife and fork, together with another oak hanging box, possibly for candles, 44.4cm high (max). (2) £150-250

65. An elm dough bin, with a lift-off top, on tapering legs, late 18th / early 19th century, 86cm high, 107cm wide, 46.7cm deep. £200-300

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

66. A George III Welsh oak press cupboard, the mahogany frieze above a pair of arc d’arbelète panelled doors, enclosing a vacant interior, the base with two short and one long drawer, with fluted angles and bone escutcheons, 193.3cm high, 137.4cm wide, 59cm deep. £400-600

67. An oak hanging spice cupboard, the raised pierced back with carved and stamped decoration, above a moulded edge and a panelled door, enclosing a drawer and a shelf, late 17th / early 18th century, 49.6cm high, 36.5cm wide, 18.5cm deep. £100-150

68. A George III elm lowboy, the boarded top above a frieze drawer and a scroll shaped apron, on moulded front legs, 74.6cm high, 83.4cm wide, 44cm deep. £300-500

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69. A Victorian naive painting of a bulldog, inscribed ‘A Sad Dog Out All Night & No Key’, oil on canvas, 33 x 27.2cm, in a glazed maple frame. £100-200 70. A Victorian felt picture of a spaniel, seated on a tasselled cushion, the verso with a hand-written paper label, inscribed ‘Picture of their dog made by one of the miss Hadfields who lived at Lees Hall, Glossop, Derbyshire. She did the one of the shepherd boy too, about the middle of 19th century.’, 33.4 x 42cm, in a glazed gilt and ebonised wood frame. £150-250 71. A Victorian folk art mahogany box, the hinged lid with a carved maple model of a spaniel, with a vacant interior, the front with a relief carved panel of a recumbent lion, 22.3cm high, 24.2cm wide, 17.8cm deep. £100-200

72. Two similar Victorian painted cast iron chimney ornaments, or doorstops in the form on lions, 15.7cm high, 24.5cm wide (max). (2) £100-150

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

73. A George III Welsh oak dresser, the raised plate rack with three shelves and with brass hooks, the base with three frieze drawers, two with later baize lining and divisions for cutlery, above an ogee decorated apron and a pot-board base, with turned column legs, South Wales, 219.2cm high, 160cm wide, 41cm deep. £500-800 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

74 74. A late George III oak standing corner cupboard, with reeded mouldings, the swan neck cornice above an astragal glazed door enclosing three shaped shelves, the base with a panelled door enclosing two further shelves, 223.2cm high, 81.2cm wide, 37cm deep. £400-600 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

75. An early 19th century elm stool, the rectangular seat pierced with a handgrip, 50.4cm high, 39.7cm wide, 33.2cm deep. £100-150 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

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76. A ship in a bottle, depicting a three-masted boat with a lighthouse and a fishing village, together with another ship in a bottle, with a twinmasted boat named ‘MABLE’, with a lighthouse, church and buildings, 30.1cm (max). (2) £100-200

77. After Samuel de Wilde. A naive folk art oil on board portrait painting of Nancy Dawson, standing holding a flower, 52.9 x 38.3cm, in an ebonised moulded frame. £100-150 Nancy Dawson was the stage name of Ann Newton (1728-1767). A London actress and dancer, she rose to fame performing a solo rendition of a hornpipe between acts in The Beggar’s Opera at Covent Garden Theatre in 1769. 78. A George III creamware bowl, titled ‘THE FARMERS ARMS’, with various printed scenes and date ‘1796’, containing: five polychrome decorated pottery models of fruit, 28.5cm diameter (max). (6) £100-150 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman. 79. A late 19th century American hooked rug, the ivory field worked with strawberry plants, 60.5 x 101.3cm. £100-150

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

80. A German painted pine Noah’s ark, the hinged roof painted with a bird, containing two pairs of Noah and his wife with polychrome decorated animals and birds, late 19th / early 20th century, 45cm wide. (81) £300-400

81. A pair of early 20th century carved wood and painted hunting bookends attributed to Frank Whittington, of Forest toys, each made of walnut and applied with a huntsman on horseback accompanied by a fox hound, 20cm high. (2) £200-300 Frank Whittington (1876-1973) established a toy making firm at the end of World War I in the New Forest, making carved animals and people, inspired by his surroundings and from regular trips to London Zoo and the Natural History Museum. Originally making the toys from home the demand became such that in 1922 he built a factory on the edge of the New Forest (Brockenhurst). The popularity of the figures rose when Queen Mary ordered two dozen Noah`s Arks after seeing them at the British Industries Fairs during the inter war period. For a similar pair of bookends see Janet Gent, ‘The Forest Toys of Brockenhurst’, p.13.

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82. Two carved and painted pine decoy pigeons, each with glass eyes, mounted on a later wood stand, 33.5cm high. (2) £200-300

83. A large 19th century Scandinavian bentwood pine food / storage box and cover, with punched decoration, the lid with a handle and a locking end, 34.7cm high, 50cm wide, 32.8cm deep. £100-150

84. A Norwegian folk art painted pine trunk, decorated all over with panels of flowers, the domed lid with an iron handle, revealing a lidded till, the back with an inscription, on bracket feet, late 19th / early 20th century, 29.7cm high, 49.3cm wide, 27.1cm deep. £150-250

84 detail

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

85. A George III Welsh ash stick-back Windsor style armchair, the bow back above a shaped elm bell-shaped seat, on turned legs united by a crinoline stretcher, with traces of red painted decoration. £300-500

86. A George III elm box stool, the hinged seat above a handgrip pierced to each side, on moulded and chamfered legs, 49.4cm high, 37.3cm wide, 33.5cm deep. £200-300 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

87. A George III oak standing corner cupboard, with a mahogany frieze, above a pair of arc d’arbelète panelled doors enclosing a green painted interior with three shelves, above three drawers with bone escutcheons and a pair of cupboard doors enclosing a shelf, on bracket feet, 204.2cm high, 119.2cm wide, 57.7cm deep. £400-700

88. A small George III oak side chair, the vase shape splat-back above a solid seat, on stretchered supports, possibly a child’s correction chair, together with a velvet and metal thread squab cushion. (2) £150-250 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

89. A George II oak lamp stand, the fruitwood dished circular fixed top, on a vase turned stem, on tripod supports and pad feet, 68.3cm high, 46cm wide. £150-250 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

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NEEDLEWORK & SAMPLERS

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90. A 17th century needlework fragment panel, worked with gros and petit point with an elephant and a porcupine flanking a tree bearing fruit, 14.1 x 23.7cm, in a later glazed Hogarth type frame. £100-150 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

91 91. A late 18th century German silkwork memorial picture, depicting a classical temple with a tomb and inscribed ‘Zum Andenke von L. R.’ which roughly translates as ‘In memory of L. R.’, in a later glazed oak frame, together with an 18th century needlework picture, worked in gros and petit point with two figures accompanied by a dog, with flowers and trees, in a later glazed frame, 29.5 x 18.2cm (max). (2) £100-150 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

92. A George II needlework panel by Ann Walker, worked with gros and petit point with an urn of flowers, signed in two places ‘WALKER BORN SEPTEMBER 22 1702’ and ‘ANN WALKER BORN AUGUST 1742’, 62.6 x 50cm, in a later glazed ebonised wood frame. £200-300 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

93. An early 18th century embroidered silkwork picture, worked with Adam and Eve flanking a serpent wrapped tree, within scrolling leaves and flowers, 39.8 x 33.8cm, in a glazed gilt frame. £200-300 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

94. An early 18th century embroidered silkwork picture, worked with the Holy family, Joseph and Mary accompanying young Jesus who is holding a staff, with a dove of peace and a pair of angels in clouds playing horns flanking the sun, within a border of scrolling flowers and leaves, 50.3 x 47.7cm, in a later glazed ebonised frame. £400-600 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

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95. A George III silk and woolwork oval picture, depicting a shepherdess with three sheep, 22 x 16.1cm, in a glazed gilt pressed brass frame, together with a pair of George III oval silkwork pictures of children playing instruments, in verre églomisé and giltwood frames. (3) £100-150 Provenance: The shepherdess was purchased from Edward A. Nowall, Wells, Somerset for £460. ‘A Lifetime of Collecting’ - The property of a gentleman.

96. Three George III oval silkwork pictures, depicting ladies, one depicted next to a tree inscribed ‘EMMA’, the other two picking flowers, together with a wool and felt picture of a seated sorrowful lady accompanied by her spaniel, 24 x 18.5cm (max), in glazed giltwood frames, one indistinctly inscribed in pen to verso. (4) £100-150 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

97. Four George III silkwork pictures, two similar depicting a lady seated with her faithful dog and playing the flute, one with woolwork details and a painted background, one of a lady with a basket, feeding her chickens and one of a pensive man, two with paper labels to the reverse, described ‘Smith College Museum of Art’, 24 x 18cm (max), all in glazed gilt frames. (4) £200-400

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

98. An 18th century silk and ‘hair’ needlework picture, depicting Nunney Castle, Somerset probably after the engraving by Samuel and Nathaniel Buck of 1733, titled ‘A VIEW OF NUNNEY CASTLE’, 12.5 x 13.5cm, in a verre églomisé and ebonised frame. £100-150 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

99. A pair of Regency silk and ‘hair’ needlework pictures, depicting rural scenes with figures, buildings and windmills, 15.3 x 19cm in glazed giltwood frames. (2) £100-150 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

100. Four Regency silk and ‘hair’ needlework pictures, depicting country scenes with figures, including: a farmer and a hay cart, a shepherd and shepherdess, buildings, cattle and trees, 20.2 x 24.5cm. (4) £100-150 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

100

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101. A George II needlework sampler by Sarah Sheldon, worked with the Lord’s Prayer, numbers, crowns one, with initials ‘GR’ and a heart and signed ‘SARAH SHELDON IN THE 13 YEAR OF HER AGE JANUARY 28 1731’, 28.2 x 21.3cm, in a later bird’s eye maple frame. £150-250

102. A George III needlework sampler by Sarah Marshall, worked with alphabets, birds and a pair of trees flanking two figures, one a blackamoor, signed and dated ‘1783’, 23.2 x 18cm, in a later glazed and bird’s eye maple frame. £100-150 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

103. An 18th century needlework sampler, worked with trees, seven stars, crowns and seven candlesticks around the Christogram ‘IHS’ above ‘Revelations. Chapter 1st’, and excerpts from John’s Vision on Patmos ‘And in the midst of the seven candlesticks, -one like unto the Son of man, &c. And he had in his right hand seven stars: &c. The seven- stars are the angels of the seven churches: and the seven candlesticks are the seven churches.’, possibly Quaker, 18 x 20.5cm, in a glazed ebonised frame. £150-200 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

104. A George III needlework map sampler by M. Brooks, worked with the counties of England and Wales, with a compass and titled ‘A MAP OF ENGLAND & WALES By M. Brooks’, within a ribbon tied floral wreath border, 51.8 x 46.2cm, in a later glazed gilt frame. £100-150

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

105. A rare George III lace map sampler of England and Wales by Ann Mulliner, depicting the counties of England and regions of Wales with numbered and lettered keys, worked with various designs on a gauze ground, inscribed to the lower edge ‘ENGLISH CHANALL’ and signed and dated ‘ANN MULLINER 1775’, 46.5 x 38cm, in a glazed giltwood frame. £300-500 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

105 106. Two rare lace Victorian armorials , one with the arms of Drury, possibly of Norfolk, Suffolk or Huntingdonshire, with the motto ‘Non Sine Causa’, the other with the arms of Sterne, with the motto ,Virtus Omni Obice Major’, 25.7 x 17.5cm, each in a glazed ebonised wood frame. (2) £100-150 Provenance: Purchased from Heirloom & Howard Limited, 1, Hay Hill, Berkeley Square, London, W.1. ‘A Lifetime of Collecting’ - The property of a gentleman.

106

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107. A George II memorial needlework sampler, worked with ‘THE LORD’S PRAYER’ and ‘THE BELIEVE’, inscribed ‘MARY DIED AGED 7 JANUARY 12 1727’ and ‘THE RESURRECTION OF THE BODY & THE LIFE EVERLASTING AMEN’, within a border of scrolling leaves and flowers, 30.8 x 19cm, in a glazed ebonised frame. £100-150

108. A George III needlework sampler by Elizabeth Manley, worked with flowers and a basket of fruit, with a poem ‘A WINTER PIECE’, signed ‘ELIZAth MANLEY finished this sampler Nover 29 Aged 11 years 180...’ within a border of scrolling leaves and flowers, 31.2 x 27cm, in a bird’s eye maple frame. £100-150

Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

109. A George III needlework sampler by Paulina Brigg, worked with alphabets, numbers and two poems, one by James Thomson, ‘FATHER of light and life, thou GOOD SUPREME...’, the other by Nicholas Rowe, ‘The bliss of Friendship Vice can never know’, signed ‘Paulina BRIGG. Guard House. June the 9th 1802’, 31.8 x 27.7cm, in a glazed giltwood frame. £150-200

110. A George III needlework sampler by Maria Harding, worked with urns of flowers, lions and crowns and with a hymn ‘Love God with all thy Heart: thy Soul and Mind...’, within a running band of flowers, signed and dated ‘Maria Harding in the year 1801’ possibly Brethren Church, 30.8 x 24cm, in a glazed ebonised frame. £100-150

Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman. Guard House is in New Skipton, North Yorkshire. James Thomson (1700-1748) was a Scottish poet and playwright. His most famous works are The Castle of Indolence and The Seasons.

Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

111. A Regency Scottish needlework sampler by Mary Hay, worked with a large house, birds, urns, deer, a peacock and a proverb from the King James bible, chapter 31, verse 30, ‘FAVOUR IS DECEITFUL AND BEAUTY IS VAIN...’, with bands of scrolling flowers and inscribed ‘JOHN HAY, AGNES GALLOWAY, MRS BARR. AB. CB.’ and signed and dated ‘MAR HAY SOWED THIS SAMPLER AUGUST 11th 1813’, 50.7 x 33.8cm, in a glazed giltwood frame. £400-600 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

111

112 112. An early 19th century needlework sampler, worked with a cat seated on a cushion, with a band of leaves and a Greek key design, inscribed ‘BRIDPORT AGED 13 YEARS’, 32.7 x 31.5cm, in a later glazed and ebonised frame, the verso with an original handwritten label, inscribed ‘I give this Picture to my niece Lucy Edith for her life and to her children, after her never to be sold or given out of the family, Louise Budden’. £150-250 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

113. A William IV needlework sampler by Caroline Jones, worked with a church and a house with two religious verses ‘O glad are we to see the place, Where God in mercy shews his face, Where faithful ministers are found, The holy Gospel to expound..’ with a band of leaves, signed and dated ‘CAROLINE JONES AGED 14 YEARS 8th OF OCTOBER 1834’, 40 x 53.6cm, in a later glazed oak frame. £150-250 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

113

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114. A George IV needlework sampler by Elizabeth Singer, worked with butterflies and flowers, inscribed ‘VALUE OF THE BIBLE’ and with the hymn ‘HOLY BIBLE, Book divine’, signed and dated ‘ELIZABETH SINGER AGED 9 YEARS 1828’, 45.1 x 29cm, in later glazed ebonised wood frame. £100-150 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman. 115. A George IV needlework sampler by Rachel Holmes, worked with alphabets and numbers and with a religious poem ‘Let gratitude in acts of goodness flow, Our love to God, in love to man below...’, signed and dated ‘Rachel Holmes, Alton, Hants, 1823, possibly Quaker, 36 x 30.1cm, in glazed ebonised frame. £150-200

114

115

Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman. 116. An early 19th century needlework sampler, worked with bands of alphabets, with five crowns and coronets with family initials ‘JB DB GB PB JB’, signed ‘J. BALLINGALL 7’, possibly Scottish, 33 x 18.2cm, in a later glazed oak frame, together with a late Victorian Dorset needlework sampler by Bessie Sprackling of Lyme Regis, dated ‘1890’. (2) £100-150 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman. 117. An early Victorian needlework sampler by Mary Ann Atkinson, worked with an alphabet, a crown, a love heart and urns, inscribed ‘These are the sons and daughters of Robert and Elizabeth Atkinson who were Married January 19 1809, Elizabeth Atkinson Born April 11 1811, George Atkinson Born Nove 28 1812, John? Atkinson Born July 19 1813, Margaret Atkinson Born Nov 10 1817, Robert Atkinson Born June 27 1820, Thomas Atkinson Born Oct 20 1822, Mary Ann Atkinson Born June 9 1826, signed and dated ‘MARY ANN ATKINSON AGED 12 1839’, 33.2 x 27.2cm, in a later glazed and ebonised frame. £100-150

116

Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman. 118. A late Victorian needlework sampler by Minnie Greenaway, worked with alphabets, numbers, Roman numerals and the first verse of ‘Little Things’ by the American poet and educator Julia Carney, with a floral border and signed and dated ‘Minnie Greenaway. Aged 12. 1889’, 26.5 x 21.2cm, in a glazed bird’s eye maple frame. £100-150 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

117

118

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

119. An early Victorian needlework sampler by Sarah Harwood, worked with alphabets, birds, urns of flowers, roses and floral sprays, with a religious verse ‘Whose adorning let it not be outward adorning of plaiting the hair, and of wearing of gold, or of putting on of apparel...’ from the King James Bible, Peter 3:3-4, with a running band of flowers, signed and dated ‘Sarah Harwood Eastwood School 1845’, 35.3 x 39.2cm, in a glazed bird’s eye maple frame. £150-200 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

119

120. A rare William IV ‘Cottayam’ needlework sampler, worked with an alphabet, a crown and Psalm 41:1, signed and dated ‘Cottayam Decr: 1835’, 17.8 x 15cm, in a later glazed frame. £150-200 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman. Cottayam, now Kottayam, is a city in South West India in the state of Kerala. It is known as the city of letters. During British rule it was a missionary post and many schools and educational institutions were founded.

120

121. An early Victorian needlework sampler by Phillis Francis, worked with birds in trees, urns of flowers, a pair of dogs, a pair of men with shovels flanking a house, inscribed with a hymn ‘When all Gods saints are gathered home...’ and signed ‘Phillis Francis Aged 11 years 1841’, 31.3 x 31.3cm, in a glazed mahogany frame. £100-150 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

121

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ENGLISH & IRISH FURNITURE, WORKS OF ART & CLOCKS

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

122. An early 18th century walnut chest on stand, the moulded cornice above a cushion drawer and two short and three long feather banded drawers, the stand fitted with three drawers, on cabriole legs and pointed pad feet, 166.5cm high, 104.5cm wide, 61.7cm deep. £600-1,000

122

123. An early 18th century walnut candlestand, the dished circular top above a spiral twist stem and on tripod supports and ball feet, 74cm high, 38cm wide. £200-300

123

124. A William and Mary laburnum lace box, the oyster veneered hinged lid inlaid with holy banding and marquetry, revealing a paper lined vacant interior, 12.7cm high, 48.3cm wide, 36.5cm deep. £150-200

Provenance: The estate of the late John F. Braund.

124

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125. A George II walnut bureau, with cross and feather banding and burr panels, the hinged fall revealing an arrangement of pigeonholes and drawers, above two short and three long graduated drawers and bracket feet, 103.5cm high, 79.8cm wide, 46.8cm deep. £600-800

125

126

126. An early 18th century walnut cushion frame wall mirror, the later bevelled rectangular plate within a moulded slip, 44.5 x 39.2cm. £200-300

127. A black japanned dressing table mirror in Queen Anne style, decorated in gilt with chinoiserie with birds, flowers and oriental figures on a lattice ground, the arched plate within a moulded frame with a shaped surmount, the hinged fall revealing a red painted interior with drawers and pigeonholes, above a ripple moulded front drawer, with a conforming interior with four lidded lift-out boxes, a pin cushion and divisions, 98.4cm high, 47.4cm wide, 29.5cm deep. £800-1,200

127

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

128. A black japanned pier mirror in Queen Anne style, with two bevelled plates, within a moulded frame decorated in gilt with chinoiserie, with birds, buildings, flowers and foliage, the back with a printed paper label inscribed ‘SIR E.S.W.’, late 19th / early 20th century, 192 x 77.5cm. £1,500-2,500 Provenance: Sir Ernest Salter Wills, Third Baronet of Hazelwood and Clapton in Gordano, Sotheby’s, Littlecote House, Hungerford, 20th-22nd November 1985 when purchased by the present vendor.

128

129. A George I walnut fret-frame wall mirror, with two bevelled plates, within a moulded arched frame and a fret carved surmount, the mirror plate possibly original, 109.5 x 45.2cm. £500-800

129

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130. A small George II walnut bureau, the feather banded hinged fall revealing an interior fitted with six drawers above a mirrored cupboard door, enclosing a further drawer, above four long graduated drawers, on bracket feet, with brass side carrying handles, 94cm high, 62.8cm wide, 45.2cm deep. £1,000-1,500

130

131

131. A George II walnut lowboy, cross and feather banded, the quarter veneered top with a caddy moulded edge, above three drawers, on cabriole legs and pad feet, 72cm high, 73cm wide, 45.3cm deep. £1,000-1,500

132. A George I walnut side chair, with a vase shaped splat, above a bell shaped needlework drop-in seat, on cabriole legs with frilled ears, with pad feet. £500-800

132

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

133. A George II walnut bureau, cross and feather banded, the hinged fall revealing an interior fitted with pigeonholes, drawers and a central cupboard, above a sliding well cover, with two short and two long drawers on bracket feet, 99.8cm high, 85.8cm wide, 49.3cm deep. £800-1,200

133

134

134. A George II walnut lowboy, cross and feather banded, the quarter veneered top with a full caddy moulded edge and with reentrant front corners, above three frieze drawers, on cabriole legs and pointed pad feet, 70.8cm high, 76cm wide, 44.8cm deep. £1,000-1,500

135. A George II walnut stool, the stuffed-over needlework seat worked with gros and petit point with scrolling leaves and flowers, on hocked cabriole legs and pad feet, 42.5cm high, 51.5cm wide, 43.8cm deep. £1,000-1,500

135

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136

136. A pair of George II red walnut side chairs, each with a vase shaped splat, above a later tapestry drop-in seat, on cabriole front legs united by baluster and block stretchers. (2) £500-700

137 137. A George II red walnut fret-frame wall mirror, the later rectangular plate within a moulded frame, the fret carved surmount inlaid with a parquetry star, 117.3 x 56cm. £200-300

138. A George II red walnut lowboy, the rectangular top with a full caddy moulded edge, above a frieze drawer, on square section cabriole legs and pad feet, 70cm high, 75.5cm wide, 49.2cm deep. £300-400

138

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

139. A George II mahogany architect’s table, the hinged top on a ratchet, with a caddy moulded edge and cusped corners, inset with an integral rest and hinged candle stands (one off), the pull-out front revealing a leather lined sliding writing surface, revealing divisions, on column legs and roller castors, 78.8cm high, 80.7cm wide, 55.2cm deep. £2,000-3,000

139

139 open

140

140. A George II red walnut side chair, the vase shaped solid splat above a later drop-in seat, on hocked cabriole front legs united by turned stretchers and pad feet. £150-250 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman. 141. A pair of mahogany candlestands in George II style, each with a dished top with a pie-crust style edge, above a faceted twin-baluster stem, on scroll tripod supports, 94.5cm high, 45cm wide. (2) £1,500-2,000 Provenance: The estate of the late William ‘Bill’ Tillman.

141

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142. A George II yew drop-leaf dining table, on twin-gate turned club legs and pad feet, 70.7cm high, 107.5 x 137.7cm (open). £200-300

142

143. A mid-18th century giltwood wall mirror, the arched bevelled plate within a carved slip and a moulded frame, 82 x 51cm. £100-150 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

143

144. A George II mahogany dining table, the oval dropleaf top on turned club legs and pad feet. £400-600

144

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

145. A set of four George II and later walnut side chairs in the manner of William Hallett, each with an arched padded back and seat, on four shell, husk and ribbon carved cabriole legs and claw and ball feet. (4) ÂŁ8,000-12,000 Provenance: Purchased from Willy Clegg.

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146. A George II mahogany combined tea, card and games table, the eared triple hinged top revealing a baize lined playing surface with candlestands, counter wells and inlaid chequer and backgammon boards and a further hinged cover revealing a vacant interior, the left side with a swivel pen and ink compartment, on later carved club legs and pad feet, 74.7cm high, 83.7cm wide, 41.7cm deep. £800-1,200

146

147. A 19th century Irish mahogany armchair in George II style, with a padded back and seat, on flower cartouche capped and frill carved front cabriole legs and hairy lion’s paw feet. £800-1,200

147

148. An early George III Irish ‘Chippendale’ mahogany side chair, the scroll carved top rail above a ribbon, husk and leaf carved vase shaped splat, with a floral needlework drop-in seat, on flower capped cabriole front legs and claw and ball feet, together with a George III walnut open armchair, on shell capped cabriole legs. (2) £300-400 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

149. An Irish mahogany centre table in George II style, the top with a moulded edge above a profusely decorated apron carved with baskets of flowers, eagle’s heads, scrolling leaves and rocaille, on leaf capped legs with a grapevine, terminating in hairy lion’s paw feet, probably 19th century, 69.5cm high, 105.5cm wide, 65.5cm deep. £2,000-3,000

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150. A George III mahogany lowboy, the rectangular top with a moulded edge, above three drawers and an arc d’arbelète apron, on moulded and chamfered legs, 71cm high, 78.5cm wide, 49cm deep. £500-700

150

151. A George III mahogany tripod table, the circular tilt-top on a ring turned stem and cabriole legs, 67.7cm high, 60.5cm diameter. £200-300

151

152. A George III mahogany open armchair, the serpentine top rail with carved floret ears and a pierced interlaced splat, above a needlework drop-in seat, on moulded front legs. £100-150

152 153. A George III mahogany tea table, fitted with a frieze drawer, on moulded and chamfered legs, 75.2cm high, 82cm wide, 40.6cm deep. £200-300

153

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

154. A George II mahogany chamber table, the rectangular top with a full caddy moulded edge, above a divided frieze drawer with a pen tray, on lappet carved club legs and pad feet, 73.7cm high, 91.5cm wide, 58.8cm deep. £500-700

154

155

155. A George II mahogany dining table, the rectangular drop-leaf top on club legs and pad feet, 71.7cm high, 99.5 x 130cm (open). £200-300 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

156. A George II mahogany sgabello hall chair, with a curved back and dished seat. £400-600 Provenance: By repute Beaumont House, Ottery St. Mary, Devon.

156

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157. A George III mahogany bureau, the hinged fall revealing an arrangement of pigeonholes, drawers and a central cupboard, above four long graduated drawers and bracket feet, 105.3cm high, 96cm wide, 53.3cm deep. £400-600

157

158. A George III mahogany tray-top bedside commode, inlaid with later stringing, the gallery pierced with diamonds and three hand grips, above a cupboard and a converted base, now with a drawer, 80cm high, 56cm wide, 47.7cm deep. £200-300

158

159. A George III mahogany side table, the serpentine top above a frieze drawer, fitted with a later baize lined divided lift-out cutlery tray, on square tapering legs, 71.8cm high, 83cm wide, 45.8cm deep. £300-400

159

160. A George III oak chest, with walnut crossbanding, the moulded edge top above two short and three long drawers, one with a printed paper label ‘SAMUEL PEARSON & COMPANY, on bracket feet, 91.3cm high, 95cm wide, 50.5cm deep. £200-300 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

160

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161. A George II style painted wood mirror in the manner of Thomas Johnson, the shaped plates within a pierced and carved frame decorated with scrolling leaves, rocaille branches, urns, figures, an owl, dogs and a wolf with its prey, 19th century and later, the back with a printed label, inscribed ‘IRWIN UNTERMYER’, 180 x 92cm. £5,000-7,000 Provenance: Irwin Untermyer. Gifted to the Metropolitan Museum of Art in 1964. Christie’s, New York, 14th - 15th December 2015, lot 137. Literature: Highlights of the Untermeyer Collection of English and Continental Decorative Arts, New York, 1977, no.160, p.89.

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162. A pair of George III mahogany side chairs, each with a padded back and seat, on moulded and chamfered front legs. (2) £600-800

162

163. A George III mahogany lowboy, the top with a moulded edge above three drawers, on moulded and chamfered legs, 73.3cm high, 74cm wide, 44.5cm deep. £300-400

163

164. A George III mahogany and brass bound wine cooler on stand, of staved construction, the top inlaid with ebonised stringing, with a pair of brass handles, on moulded legs and brass roller castors, 64.7cm high, 69cm wide, 47.5cm deep. £800-1,200

164

165. A George III mahogany tray-top bedside commode, with a tambour shutter, the converted base with a drawer, the sides pierced with handgrips, 78.4cm high, 53.2cm wide, 45cm deep. £200-300

165

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

166. A small George III mahogany serpentine chest, the top with a moulded edge, above a baize lined brushing slide and four long graduated drawers, with gilt brass Rococo handles and escutcheons, flanked by Gothic blind fret angles, on ogee bracket feet, 76cm high, 82.7cm wide, 52cm deep. ÂŁ3,000-5,000

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167. A George III mahogany chest, the moulded edge top above two short and three long graduated drawers, on shaped bracket feet, 101.4cm high, 111cm wide, 57.2cm deep. £500-700

167

168. A mahogany Gainsborough armchair, with an upholstered back, seat and armrest, with later downswept arms, on square section legs united by an ‘H’ stretcher, on leather roller castors, 18th century and later. £500-700

168

169. An Anglo-Chinese padouk chest, the oak top above two short and three long drawers, on stained bracket feet, George II and associated, 93.9cm high, 81.8cm wide, 50.5cm deep. £200-300 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

169

170. A George III mahogany bedside commode, inlaid with stringing, the crossbanded top above a frieze drawer, above a tambour shutter and a converted base now with a drawer, with brass side carrying handles, 81.5cm high, 54.4cm wide, 50.7cm deep. £500-700

170

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171

171. An early George III mahogany kneehole desk, the moulded edge top with part crossbanding and inlaid with ebonised stringing, above an arrangement of nine drawers, the central one with a baize lined sliding writing surface, above a fielded panelled cupboard door enclosing a shelf, with foliate carved brackets and flanked by ‘Chinese Chippendale’ blind fret canted angles, on bracket feet, 74.9cm high, 131cm wide, 55.6cm deep. £1,500-2,500

172 172. An early 19th century mahogany tub desk chair, covered with later brass studded red leather, on panelled front legs and block feet, originally on castors. £400-600

173

173. A George III tripod table, the circular fixed top with a pie-crust moulded edge above a turned part baluster and column stem with a fluted bowl, on moulded legs and pointed pad feet, top and base possibly associated, 72.4cm high, 50.4cm wide. £400-600

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174. A George III mahogany concertina-action card table, the rectangular hinged top with a moulded edge, above a plain frieze, on chamfered square section legs, 73.5cm high, 91.3cm wide, 45.3cm deep. £400-600 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

174

175. A George III mahogany square washstand, the twin hinged top revealing three bowl apertures, with a drawer and square supports united by a shaped ‘X’ stretcher, 86.4cm high, 40.5cm wide, 40.6cm deep. £100-150 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

175

176. A George III mahogany tripod table, the circular tilt-top above a ring turned baluster stem with a fluted bowl, on cabriole legs and pad feet, 70.2cm high, 75.8cm diameter. £200-300 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

176 177. A George III mahogany tray-top bedside commode, with a tambour shutter, with a converted pull-out base with a baize lined surface, 78.9cm high, 51cm wide, 43.8cm deep. £200-300

177

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178. A George III mahogany tripod table, the octagonal tilt-top revolving on a birdcage, the gallery inlaid with stringing, on a fluted stem and bowl and faceted cabriole legs and pointed pad feet, 73cm high, 71.5cm wide. ÂŁ800-1,200

178

179. A George III urn stand, the undulating gallery above a pull-out slide and on stop fluted square tapering legs, on unusual waisted block feet, 71.2cm high, 38.6cm wide, 30.8cm deep. ÂŁ800-1,200

179

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180. A George III and later mahogany cylinder bureau bookcase, inlaid with stringing and satinwood banding, with a pair of lancet astragal glazed doors enclosing two adjustable shelves, the interior fitted with an arrangement of cedar lined drawers and pigeonholes with turned bone handles, the hinged writing surface on a ratchet and lined with gilt tooled leather, above two frieze drawers, on square tapering legs and brass castors, with branded marks to the underside ‘H. W. C.’ and to the back on the top ‘F. C’, top and base probably associated, 187.4cm high, 77.2cm wide, 51.5cm deep. £600-1,000

180

181

λ 181. A George III satinwood wine table, inlaid with stringing and rosewood banding, the octagonal top on a faceted baluster stem, on scroll legs inlaid with tear drop motifs, 71.5cm high, 36.8cm wide. £1,200-1,800 Provenance: The estate of the late William ‘Bill’ Tillman.

182. A George III mahogany open armchair, the shield shape back with a central splat with Prince of Wales plumes of feathers, above a stuffed-over seat, on panelled square tapering front legs, together with another George III mahogany open armchair. (2) £200-300 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

182

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183. A George III ‘Sheraton’ satinwood breakfront bookcase, inlaid with stringing and kingwood banding, the moulded detachable cornice with later glazed doors, enclosing adjustable plush lined shelves, the base fitted with a pull-out baize lined book slide, hinged and on a ratchet, above a pair of cupboard doors decorated with lozenge panels enclosing two adjustable shelves, flanked by banks of four graduated drawers, two with brass locks stamped ‘DOWNER’, fitted with later gilt brass Gillows style handles, on square tapering legs, 208cm high, 152.2cm wide, 61.3cm deep. £3,000-5,000

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184

184. A pair of George III mahogany side chairs, each with an arched back, with a pierced splat carved with a palmette and husks, above a dished stuffed-over seat, on stop fluted tapering front legs and block feet. (2) £400-600

185

185. An early 19th century walnut corner armchair, with a stuffedover seat, on chamfered and moulded legs united by an ‘X’ stretcher. £150-200

186

186. A George III white painted open armchair, with a moulded frame and a cane back and seat, with a squab cushion, above a fluted frieze and tapering legs, with traces of gilding. £400-600

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

λ 187. A George III and later mahogany triple pillar dining table, the reeded edge top with later rosewood and parquetry crossbanding, above turned stems, reeded scroll legs and brass lion’s paw sabot and castors, comprising: a pair of ‘D’ ends and four leaves supported by a concertina action, 69.5cm high, 351.5cm long, 136.7cm deep. £3,000-5,000

188. A set of four painted open armchairs in George III style, decorated with bands of flowers, husks and an urn, each with an oval back, with a pierced splat, above a serpentine front stuffed-over seat, on tapering front legs and spade feet. (4) £600-1,000

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189. A pair of portraits of a British army officer and a lady in 18th century style, each standing on a balcony at sunset before a landscape setting, he wearing military uniform with epaulettes and a gilt gorget, oil on canvas, 95 x 73cm, each in a moulded giltwood frame. (2) £400-600 190. A rare George III engraved oval portrait print of William III by A. R. Forester, titled ‘CENTENARY JUBILEE OF THE GLORIOUS REVOLUTION GULIELMUS 1688 TERTIUS.R’, the back with the cut

190

printed dedication ‘Legislative Guardians of the Constitution of Great Britain as settled on the Revolution: the Centenary of which victorious Epoch was universally commemorated on the 4th Nov 1788. This Print is most humbly presented by A. R. Forester’, with further ink text to verso, 9.7 x 7.4cm, in a glazed ebonised pearwood moulded frame. £150-200

191. A George III reverse glass mezzotint of William Pitt the Elder, by William Hoare, signed ‘Willm. Hoare Pinxt.’, 35.5 x 25cm, in a giltwood frame. £100-150 William Pitt ‘The Elder’, 1st Earl of Chatham (1708-1778), dominated politics in the mid-18th century although was only prime minister for two years.

Provenance: ‘A Lifetime of Collecting’ The property of a gentleman. See the Royal Collection, RCIN 603064 for another example with a different dedication.

λ 192. English School (late 18th century). An oval portrait miniature on ivory, of a gentleman wearing a brown coat, 8 x 6cm, in a verre églomisé and ebonised pearwood moulded frame. £150-250

192

Provenance: ‘A Lifetime of Collecting’ The property of a gentleman.

191

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

193. A pair of George III mahogany candlesticks, each with a vase shape nozzle and a detachable drip-pan, above a turned tapering stem and a reeded circular foot, 35.7cm high. (2) £100-150 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

193

194. A George III mahogany cutlery tray or wine bottle holder, of arc d’arbelète outline with two divisions, with a brass handle and strapwork corner mounts, 19cm high, 38.2cm wide, 24.2cm deep. £400-600

194

195. A late George III mahogany knife box, inlaid with ebonised and boxwood stringing, the hinged sloping lid inlaid with a parquetry star to the underside and revealing a matrix with seventy-eight apertures, with a serpentine front with an unmarked silver handle and escutcheon, 39.1cm high, 28,7cm wide, 35cm deep. £200-300

195

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CLOCKS, BAROMETERS & GLOBES

196

197

198

199

196. A George III green japanned longcase clock by Thomas Watts of Hadleigh, the eight day brass movement with an anchor escapement and striking on a bell, with an arched twelve inch dial with a silvered chapter ring with Roman and Arabic numerals, with subsidiary seconds dial and date aperture, signed ‘Thos: Watts, HADLEIGH’, with bird and urn spandrels, the arch painted with buildings and a cross, possibly originally with an automaton, the case decorated in gilt with chinoiserie with figures, buildings and birds, the sides with leaves and flowers, 207.2cm high. £800-1,200 197. An oak longcase clock by Rowe of Norwich, the eight day brass movement with an anchor escapement striking on a bell, the arched twelve inch brass dial with a silvered chapter ring with Roman and Arabic numerals, with a subsidiary seconds dial, the floral engraved centre signed ‘Rowe Norwich’, with crown and boys spandrels and a ‘TEMPUS FUGIT’ rondel to the arch, the case with a bell shaped hood, an arched trunk door and outline mouldings to the plinth base, 232.4cm high. £300-500 198. A George III oak longcase clock with automaton by George Hewett of Marlborough, the eight day brass movement with four turned pillars, with an anchor escapement striking on a bell, the arched twelve inch dial with a silvered chapter ring and centre, with Roman and Arabic numerals, the centre with subsidiary seconds dial and date aperture and engraved with a church, figures, trees and buildings, signed ‘George Hewett MARLBORO’, the arch with a ‘TEMPUS FUGIT’ automaton figure with a painted landscape, with a gilt dolphin and shell Rococo spandrels, the arched hood with brass ball and eagle finials, on bracket feet, 227cm high. £300-500 Provenance: The estate of the late Professor Rodney Fitch CBE. Items removed from Court House, Aldbourne, Wiltshire, the interior designed by Robert Kime. 199. An early 19th century mahogany stick barometer by Watkins and Hill, the arched silvered dial with a Vernier slide and signed ‘WATKINS £500-700

& HILL, 5 Charing Cross LONDON’, with a moulded case and a turned domed cistern cover, 94.3cm long.

The partnership between Francis Watkins and William Hill began in 1819 at premises in the Charing Cross until 1856 when the business was acquired by Elliott Brothers.

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

200. A George III mahogany repeating bracket clock by John Taylor of London, the eight day brass movement with a verge escapement and striking on a bell, with a pull-repeat, the backplate engraved with Rococo scrolls and leaves, the arched brass dial with a silvered chapter ring with Roman and Arabic numerals and with an inner date ring, with a matted centre and a recessed panel, inscribed ‘John Taylor London’, with Rococo spandrels and a conforming strike / silent dial, the bell top case with brass handles and cone finials, the sides with pierced gilt brass panels decorated with terms, cherubs and foliage, 47cm high. £2,000-3,000

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

201. A Regency mahogany chiming bracket clock, the eight day brass three train movement with an anchor escapement and a two inch cylinder striking on eight bells, the re-painted dial with Roman numerals and signed ‘J. Sharp Fish Street Hill London’, the arched case inlaid with brass with a cone finial, fish scale panel sides and brass carrying handles, on ball feet, 58.9cm high £600-1,000

202. A brass lantern clock, the eight day brass twin fusee movement with an anchor escapement and striking on a bell, with a circular dial with Roman numerals and an engraved centre, signed ‘Smorthwaite Colchester’, the case with urn finials and pierced fret panels, the front engraved with dolphins, on ball feet, early 18th century and later, 37.2cm high. £200-300

203. A George VI post office wall clock, with an eight day brass single fusee movement, with an eleven inch circular dial with Roman numerals, with crowned initials ‘GR VI’, in a mahogany case, the back £200-300 stamped ‘GR VI F. W. ELLIOTT LTD 1938’, 40cm diameter

204. Literature. George White, English Lantern Clocks, published by The Antique Collectors’ Club, 1989. £200-300

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205. A late 19th century French gilt brass and porcelain mounted carriage clock, the eight day brass repeating movement with a platform lever escapement striking on a gong, with a circular dial with Roman numerals and inscribed with the retailer’s name ‘WEST & SON DUBLIN’, painted with birds, flowers and a landscape vignette in the Japonism style, with similar panels to the sides and to the back door, in a corniche case, 16.4cm high. £800-1,200

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206 206. A modern French brass repeating carriage clock by L’Epée, with a platform lever escapement striking on a gong, the backplate stamped ‘Made in France’, the white enamel dial with Roman and Arabic numerals, with a subsidiary alarm dial, signed ‘L’Epée, Fondée en 1839 Saint Suzanne France’, in a corniche case with Corinthian capital columns, 16.5cm high. (2) £150-250

λ 207. A late 19th century French boulle marquetry mantel clock in Louis XV style, the eight day brass drum movement striking on a gong, stamped ‘47704 A & N PARIS’ and with a pastille stamped ‘A. D. MOUGIN’, the enamel dial with Roman and Arabic numerals, the Rococo tortoiseshell and brass marquetry case with a dragon finial, 31cm high. £250-350

207

208 λ 208. A late 19th century French tortoiseshell mantel clock, the eight day brass movement stamped ‘A&N MADE IN FRANCE 56980’, with a circular enamel dial with Arabic numerals and painted with ribbon tied flowers, the case with a bell top and with gilt brass mounts, 19.4cm high. £300-500 209. An ormolu mantel clock in Louis XV style, the eight day brass movement by Dent, the backplate stamped ‘Dent LONDON 1169’, the circular painted dial with Roman numerals, in a Rococo style case, with scrolls, leaves and rocaille and with two cherub’s heads, 48.2cm high. £400-600

209

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

210 210. A late 19th century French pink marble and ormolu clock garniture in Louis XVI style, the lyre shape clock with an eight day brass movement striking on a bell, the backplate stamped ‘MADE IN FRANCE 31911’, with a painted enamel dial with Roman and Arabic numerals and swags of flowers, the case with a Sun God mask surmount, above a paste jewel ring pendulum, together with a pair of naturalistic fourlight candelabra with satyr masks, 46.7cm high (max). (3) £1,200-1,800 211. A late 19th century French boulle marquetry mantel clock in Louis XIV style, the eight day brass movement striking on a bell, the backplate stamped ‘A1’ and ‘9348 48’, the circular brass dial with Roman enamel numerals, the arched ebonised case with a cherub finial and cut-brass panels, 39.5cm high. £200-300 212. A late 19th century French white marble and ormolu clock garniture in Louis XVI style, the lyre shape clock with an eight day brass movement striking on a bell, the backplate stamped ‘FRANCE 43423’, with a painted enamel dial with Arabic numerals, the case with a Sun God mask surmount, above a paste jewel ring pendulum, together with a pair of naturalistic three-light candelabra with satyr masks, 36cm high (max). (3) £500-800

211

212

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213 214 213. An early 20th century Philip’s six inch terrestrial table globe, made of twenty-four printed and coloured gores, with an oval title panel inscribed ‘PHILIP’S 6 inch TERRESTRIAL GLOBE LONDON GEOGRAPHICAL INSTITUTE GEORGE PHILIP & SON LTD 32 FLEET STREET PRINTED IN GREAT BRITTAIN’, mounted on a brass meridian and an ebonised stand, 28.4cm high. £400-600

λ 214. A Victorian miniature terrestrial table globe by Wrench, the three inch globe made of twelve hand-coloured gores, inscribed ‘WRENCH’S NEW TERRESTRIAL GLOBE LONDON’, mounted on a brass meridian, on a rosewood and simulated base, 16.2cm high. £800-1,200 λ 215. An early 20th century Philip’s three inch terrestrial table globe, the twenty-four printed and coloured gores inscribed ‘PHILIP’S 3 inch TERRESTRIAL GLOBE GEORGE PHILIP & SON LTD London, Geog. Inst. PRINTED IN GREAT BRITAIN’, on an ebonised stand, inscribed in pencil to underside ‘TO VERA FROM PERCY CHRISTMAS 1927’, 16.1cm high. £400-600 216. An early 19th century mahogany watch stand, inlaid with stringing and brass mounts, the triple arched top above baluster ring turned supports, later mounted with a 1920’s car clock by Watford, inscribed ‘NORTH & SONS LTD. WATFORD & LONDON’, 20.9cm high. 20cm wide. £100-150 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

215

216

λ 217. A Victorian brass pocket clinometer compass by L. Casella, the back engraved ‘N. E. CO.’, in a leather case, together with two other clinometer compasses, one by ‘J. WARDALE & CO LONDON’ and an ivory compass and thermometer (tube lacking) in a leather case, 9.7cm (max). (4) £200-300

217

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218. A maritime style brass cased ‘world time’ table clock, the circular ten inch dial with Roman numerals and seven subsidiary dials for Hong Kong, New York, Moscow, Sydney, Tokyo and Paris, the centre with naval standard flags, the back with a faux dial and inscribed ‘ENGINE ROOM TELEGRAPH’, late 20th century, 39.8cm high, 30.7cm wide. £500-700

218

219

219. A Victorian gilt and patinated brass desk combination clock and barometer, the brass movement with a platform lever escapement, the oval dial with Roman numerals, with an aneroid barometer and a thermometer, mounted on a slate base, 15.9cm high. £100-200

220. A late 19th century French brass musical automaton group, of two feathered birds in a bird cage, one perched on a pole, with a giltwood flower and leaf decorated base, 50.2cm high. £1,500-2,000

220

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FIREPLACE FURNITURE

222

221

221. A cast iron fire grate in William IV style by Acquisitions Fireplaces Ltd, with scroll and leaf decoration, the arched back above a railed front with a grotesque mask, the back inscribed ‘ACQUISITIONS FIREPLACES LTD OF LONDON ENGLAND MILDMAY AMB4 REG DESIGN’, 66cm high, 56.5cm wide, 30.5cm deep. £200-300 222. A late 19th century Dutch copper planter, on cast brass lion’s paw feet, together with a small copper coal scuttle with a brass swing handle, 32cm (max). (2) £100-150 223. A Victorian japanned tôle purdonium, of shell shape and with painted decoration, the hinged lid decorated with a desert scene with camels, with a bronze and ceramic handle and ball castors, 43.3cm high, 34cm wide, 46.5cm deep. £100-150 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman. 224. A pair of Arts and Crafts style brass and steel andirons, each with a pierced rondel decorated with an urn of flowers, on scroll supports, one stamped ‘48’, late 19th / early 20th century, 42.3cm high, 25.5cm wide, 25cm deep. (2) £100-150 Provenance: The estate of the late Professor Rodney Fitch CBE. Items removed from Court House, Aldbourne, Wiltshire, the interior designed by Robert Kime. 225. A 19th century Dutch brass and copper logbin, with a riveted body and with a pair of handles, 41.7cm high, 48.9cm wide. £80-120

223

224

225

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

226

227

226. A rare 18th century polished steel folding fender, with engraved decoration, the front with a pierced surmount with a pair of squirrels and rosettes, above leaves and flowers flanking a crowned crest with four dragon supporters, with turned finials and conforming sides, 17.1cm high, 147.5cm wide (extended). £1,000-1,500 See Ralph Edwards, The Dictionary of English Furniture, vol.2, p.62, fig.27 for a similar fender, also Christie’s London, Masters and Makers, 21st September 2010, lot 295.

227. A George III steel and brass serpentine fender, pierced and engraved with scrolls, dragons and lattice panels, 23.4cm high, 143.3cm wide, 33.8cm deep, together with a set of three steel fire irons with brass urn handles and a fan shape spark guard. (5) £300-500

228. A rare Regency tôle fire screen, of curved shape and decorated in gilt with an outer chain border and with chinoiserie scenes of figures and pagodas, on cast iron scroll and lion’s paw feet, 130.3cm high, 60cm wide. £400-600

228

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229. A pair of late Victorian brass andirons, decorated with poppy heads, together with three steel and brass handled fire irons, 75.6cm (max). (5) £100-200

229

230 230. A late 19th century Dutch logbin, with a riveted body, a pair of handles and on cast lion’s paw feet, 34.8cm high, 54cm wide. £100-150 231. A pair of George III mahogany and elm bellows, with a brass spout and studded decoration, together with a similar smaller pair, 53cm long (max). (2) £150-250

231

232. A late 19th century copper logbin, the riveted body with applied embossed brass decoration of a lion and serpents, leaves and stars, with lion’s mask ring handles, 30.3cm high. £100-150

232

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233. A rare pair of Italian walnut bellows, one side carved with a pair of cherubs holding floral swags flanking a mask above a central term and flanked by winged sphinx-like caryatid figures, with scroll and leaf borders, above a grotesque mask issuing a bronze nozzle in the form of a couchant mythical beast, the reverse relief carved with scrolls and leaf borders, the fine leather work is early 18th century but probably applied in the 19th century, probably Florence or Venice, late 16th century, 84cm high, 30.5cm wide. ÂŁ3,000-5,000 A set of bellows, along with fire-dogs and irons, was essential equipment for a fireplace in early Italy. Just as chimney pieces varied in quality and decoration, so did bellows and this present lot would have been made for a grand house, especially with its expensive bronze nozzle. For a similar pair of bellows, see Sothebyâ&#x20AC;&#x2122;s, Haute Epoque, 31st October 2007, lot 119.

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234. A late Victorian serpentine brass fender in Adam style, with beaded and pierced decoration and with engraved paterae, 17.2cm high, 151cm wide, 33cm deep, together with a brass coal box, the lid with a knob finial and with lion’s mask ring handles. (2) £150-200

234

235

236

235. A 19th century brass serpentine fender, with a railed top with turned finials and supports, above a pierced lattice front with beaded bands, 22.3cm high, 125.4cm wide, 35cm deep. £100-150

236. An early Victorian brass fender, the moulded front with two pierced bands of scrolling leaves and flowers, on cast lion’s paw feet, 23.2cm high, 123.2cm wide, 26cm deep. £100-150

237. Seven 19th century steel fire irons, with similar ball handles and knopped stems, comprising: three pans, two pierced, together with two pokers and tongs, 68.5cm long (max). (7) £200-300

237

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238. A set of three steel fire irons, each with a brass Rococo style handle, with knopped stems and a pierced pan, 73.6cm long (max). (3) £300-400

239. A wicker log basket, with a pair of handles, 78.2cm high, 71.4cm wide. £100-150

240. A wicker log basket, 68.2cm high, 78cm wide, 74cm deep. £100-150

241. A pair of 18th century wrought iron fire dogs, each with a bottle holder top, with faceted stems, 65.4cm high, 41.5cm deep, together with a steel poker and a pair of tongs. (4) £200-300

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243

242. A 19th century brass doorstop, in the form of a sphinx, with a turned stem and loop handle, on a polished cast iron plinth, 39.4cm high. £150-250

242

243. Two Victorian cast iron doorstops, one in the form of a seated spaniel, the other a bunny rabbit, 20cm high (max). (2) £100-150 244. A Victorian serpentine doorstop, with a brass ring handle, probably Cornish, 23cm high. £100-150 245. A Victorian brass bell shaped doorstop, 45.4cm high.

£100-150

246. A Victorian cast iron boot scraper, painted black, with leaf and scroll decoration, 26.6cm high, 31.5cm wide, 26cm deep. £100-150

244

245

246

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CONTINENTAL FURNITURE & LIGHTING

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247 247. A French Louis Philippe mahogany three seater canapé, later upholstered in blue silk, with lappet carved scroll arms and front legs, with three squab cushions, 92.6cm high, 175.7cm wide, 65.5cm deep. £300-500 248. A 19th century French ‘Empire’ mahogany bergère armchair, the flame veneered frieze applied with a bronze flowerhead and palmettes, above an upholstered back and seat with a loose cushion, with dolphin arm supports, on sabre front legs. £150-250 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman. 249. A French Directoire mahogany and brass mounted semainier chest, inlaid with ebony banding, the white marble top with a pierced gallery, above seven long drawers, flanked by fluted columns, on toupie feet, 165.7cm high, 95.5cm wide, 44.8cm deep. £300-500 Provenance: The estate of the late Professor Rodney Fitch CBE. Items removed from Court House, Aldbourne, Wiltshire, the interior designed by Robert Kime.

248

250. A late 19th century walnut window seat in Louis XVI style, with a leaf and ribbon carved moulded frame with fluted column supports and an upholstered seat. £400-600

249

250

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251. A Napoleon III ebony and ormolu mounted bureau plat in Louis XIV style, the top inset with a tooled brown leather writing surface, the frieze decorated with panels of pewter boulle marquetry and with female masks and with a drawer, on satyr mask headed cabriole legs, 80.8cm high, 93cm wide, 66cm deep. £3,000-4,000

λ 252. An 18th century French boulle marquetry bureau Mazarin, decorated with red tortoiseshell and cut-brass with panels of scrolling foliage strapwork, banded with prince’s wood, the top with a brass moulded edge with applied leaf corners, above an arrangement of seven drawers around a central cupboard, on ebonised cabriole legs, 81cm high, 117.8cm wide, 70.2cm deep. £8,000-12,000

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253. A French giltwood and gesso wall mirror in Régence style, with an arched and bevelled central plate, with a beaded inner moulding and outer marginal plates, within a stylised egg and dart frame and a leaf and flower crest, late 19th century, 154 x 105cm. £300-500

253

254. A late 19th century French giltwood bergère in Louis XVI style, the moulded frame carved with ribbons and leaves, upholstered with damask fabric and on fluted legs. £200-300

255. A set of four 19th century French white painted fauteuils in Louis XVI style, the moulded and fluted frame carved with leaves and with a ribbon tied surmount, with a padded back, seat and armrests, on fluted legs. (4) £400-600

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256. An 18th century style painted wood and parcel gilt side table, the breakfront red marble top with a moulded edge, the carved guilloche frieze centred with a ribbon tied tablet with a portrait medallion, on acanthus carved scroll legs united by a conforming stretcher, 95.5cm high, 135.6cm wide, 59.3cm deep. £4,000-6,000

257. A set of five 19th century French giltwood fauteuils, each with a moulded frame carved with leaves and flowers, with an arched padded back and seat covered in silk fabric, on fluted front supports, one back rail stamped ‘C D 415’. (5) £1,000-1,500

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258. A Limoges enamel dish, decorated in gilt on a fond écaille (faux tortoiseshell) ground, with an outer band of grapevine, the centre with a Bacchanalian Silenus, probably late 18th / early 19th century, 19.5cm diameter, with an ebonised circular frame. £150-250 Provenance: The collection of William George Mackay Thomas and by descent. William Thomas was a collector and writer. He wrote ‘English Candlesticks before 1600’ which was published in 1954 and also wrote articles for The Burlington Magazine Apollo and Country Life. He donated his collection of candlesticks to the V&A Museum.

259. An ormolu and porcelain mounted encrier in Louis XV style, with an oriental lacquered base, with a pair of candlesticks with lids supported by flower encrusted branches with an 18th century porcelain figure, with an urn shaped inkwell and sander, on stylised paw feet, 18th century elements and later, 18.7cm high, 26.8cm wide, 22cm deep. £200-300

260. A continental painted and gilt fan, the leaf decorated with a woodland scene of figures dancing and playing music before a lake, with gilt and mother of pearl sticks, the guard stick carved with flowers, drapes and trophies, possibly French or Italian, late 18th century, 50.5cm wide, in a later glazed gilt fan shape display case. £100-150 261. An early 19th century French Palais-Royal mother of pearl and gilt brass scent and ring stand, the back painted with a battle scene, with four ring hooks and a removable cut-glass scent bottle and stopper, above a drawer, together with a shagreen obelisk watch stand, 22.7cm high (max). (2) £100-150 262. A 19th century French Palais-Royal cut-glass casket, of sarcophagus shape, with gilt brass mounts, on lion’s paw feet, c.1840, 9.6cm high, 14cm wide, 9cm deep. £200-300

260

261

262

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263. A French Restoration Palais-Royal ormolu and engraved mother of pearl nĂŠcessaire, decorated with cherubs, flowers and masks, the hinged lid with a foliate pierced gallery and centred with a glazed panel containing cut card or paper flowers and leaves, the interior with a mirror to the underside of the lid and with a lift-out tray, containing: a pair of mother of pearl handled scissors, a thimble and a needle case, 8cm high, 16cm wide, 10.6cm deep. ÂŁ1,500-2,000

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264. An 18th century continental walnut serpentine commode, the later top above three crossbanded long drawers with book matched veneers and quarter veneered sides, on bracket feet, probably Italian, 88cm high, 121.5cm wide, 61cm deep. £300-400

264

265. An 18th century stained fruitwood wall mirror, the later oval plate within a leaf, scroll and flower carved frame, with a shell and leaf surmount, possibly Irish, 55 x 39.3cm. £100-200

266. A 19th century French brass wall mirror, the later rectangular plate within a reeded frame and rosette corners, 106 x 79.3cm. £500-700

λ 267. A 19th century rosewood chest, with a Siena marble moulded edge top, probably associated, above five graduated drawers, on wooden castors, 78cm high, 51.8cm wide, 32.7cm deep. £100-150 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

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268 λ 268. A mid-19th century French burr walnut and rosewood bureau, the raised top with a bank of six drawers, one with a brass escutcheon, inscribed ‘D’INVENTION GTTE DUGT’, with a single key locking mechanism that locks all the drawers and the writing compartment, above a hinged pull-out secrétaire inlaid with brass, with kingwood banding and a gilt tooled leather writing surface, with pigeonholes, above three drawers, the right drawer with a sliding cover, divisions and a lift-out tray and with a later ‘S. MORDAN & CO’ lock, on faceted baluster legs united by a shaped ‘X’ stretcher with a lobed finial, 122.4cm high, 140cm wide, 72cm deep. £1,500-2,500

269. A late 19th century French kingwood teapoy in Louis XV style, with gilt brass mounts and three Sèvres style porcelain panels, painted with figures, the serpentine hinged lid revealing a pair of canisters flanking a glass sugar bowl, on cabriole legs united by an undertier, 70.9cm high, 38cm wide, 25cm deep. £400-600

269

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270

271

270. An early 19th century French Napoleonic bone prisoner of war games box, in the form of a bed, the lid pierced with holes for cribbage, revealing thirty-three dominoes, 14cm wide. (34) £100-150 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman. 271. An early 19th century French Napoleonic bone prisoner of war games box, with traces of polychrome decoration, the sliding lid with love hearts and diamonds and with holes for score keeping, the interior containing sixteen miniature dominoes, together with a collection of nine associated dice and four markers, three in the form of clenched fists, 14.5cm wide. (30) £100-150

λ 272. A Victorian carved bone model of a lighthouse, the screwoff base with an inner thread originally for a corkscrew, together with an ivory sugar shovel / cutter, 23.9cm (max). (2) £40-60

272

273. A Napoleonic prisoner of war straw-work jewellery / sewing box, the hinged lid inlaid with a harbour scene with buildings and a sailing ship, the interior with a mirror to the underside of the lid, with three lidded compartments, each inlaid with flowers and with a pair of pin cushions, 6cm high, 21.3cm wide, 14.5cm deep, together with a straw-work panel inlaid with a village scene, 16.5cm wide. (2) £40-60

274. A Napoleonic prisoner of war straw-work vanity box in the form of a book, with parquetry decoration, the hinged lid originally with a mirror to the underside, now with a later print of a dog, with three hinged lidded compartments and a vacant division, 6.4cm high, 29.8cm wide, 23cm deep. £200-300

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275. A pair of French stained beech ‘Japonism’ display cabinets attributed to Gabriel Viardot, with gilt bronze mounts, each with a Chinese style pagoda top centred with an emerging dragon, with oriental incised decoration and panels, with a glazed door enclosing a plush lined interior with shelves and a drawer, decorated with reticulated brackets, on scroll feet and later Shepherd castors, late 19th / early 20th century, 195cm high, 98.3cm wide, 47cm deep. (2) £1,000-1,500 Gabriel Viardot (1830-1906) was a famous Parisian cabinetmaker and designer making furniture in the Chinese and Japanese styles. He mixed many East Asian decorative elements and his ideas were fuelled by French Colonial trading links with the Far East. In 1889 he won a gold medal at the Paris International Exhibition.

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276. An 18th century Spanish giltwood wall mirror, the later plate within a moulded frame engraved with flowers, the back with the remains of handwritten paper trade label inscribed ‘....Ripoll calle al Sa....Palma’, 127 x 105cm. £400-600

276 277. A 19th century German mahogany and giltwood wall mirror, the rectangular plate within a beaded slip surmounted by an ebonised panel, applied with a basket of fruit, possibly German, 155.7 x 75cm. £80-120 Provenance: The estate of the late Professor Rodney Fitch CBE. Items removed from Court House, Aldbourne, Wiltshire, the interior designed by Robert Kime.

277

278 λ 278. A 19th century Portuguese rosewood low table, with gadrooned and ripple mouldings, with a cushion front frieze drawer, on spiral twist legs united by peripheral stretchers, 56.7cm high, 65.2cm wide, 45cm deep. £400-600 279. A 19th century Ottoman painted and giltwood turban stand or Kavukluk, carved with leaves, flowers and scrolls, Turkey, 97 x 38cm. £400-600

279

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280. An 18th century and later Danish painted oak Rococo bureau bookcase, the swan neck cornice above a pair of panelled doors, enclosing two shelves and a bank of eight drawers, above a hinged fall revealing six stepped drawers, flanking a cupboard fitted with further six small drawers, above four long drawers and cabriole front legs, 245.6cm high, 122cm wide, 58.5cm deep. £600-800

280 281 281. Gibraltar interest. An early Victorian onyx model of the Europa Lighthouse in Gibraltar, with an unmarked silver lantern and a pierced gallery, the tapering stem applied with a plaque, inscribed ‘Placed By ADELAIDE QUEEN DOWAGER of GREAT BRITAIN and IRELAND 17th Octr 1838’, on a stepped base and gilt brass feet, 56cm high, 20.7cm wide. £1,500-2,000 The Europa Point Lighthouse was built by Trinity House at the southernmost point of Gibraltar. The building was commenced in 1838 and Queen Adelaide (1792-1849) stopped off in Gibraltar in October of that year on her way to Malta. She was hosted by the Governor Sir Alexander George Woodford and on the 17th October she is known to have attended the consecration of The Holy Trinity Church and may well have conducted other official visits. The lighthouse was inaugurated on the 1st August 1841 in a ceremony attended by over 10,000 people.

282. An 18th century continental walnut and fruitwood bureau, crossbanded and inlaid with cedar cartouches, the hinged fall revealing six drawers and a sliding well cover, above three long graduated drawers with bone escutcheons, probably Italian or South German, 104.3cm high, 108.4cm wide, 55cm deep. £500-800

282

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283. A Dutch ebonised and floral marquetry wall mirror in late 17th century style, the rectangular plate within a cushion frame, inlaid with bands of flowers, 19th century, 74.3 x 65.2cm. £400-600

284. A Dutch walnut planter in 18th century style, with a lift-out metal liner, the fluted body carved with stiff leaves on lion’s paw feet, late 19th century, 29.7cm high, 99.3cm wide, 38.5cm deep. £500-700

283

284

285. A Dutch mahogany and marquetry chest, inlaid with urns, scrolling leaves and flowers, the dentil frieze above four long graduated drawers, with fluted angles and square tapering front feet, late 18th / early 19th century, 80.7cm high, 90.3cm wide, 47cm deep. £200-300

100

286. An early 18th century Dutch ebonised pine and reverse painted wall mirror, with a rectangular plate, within a frame with a green ground and lozenge mirror panels, with a shaped surmount, 42.2 x 29cm. £200-300

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287. An Italian scagliola coffee table, the rectangular top decorated with a central scene of a shepherd and three rams, with an outer border of scrolling leaves and urns, on an ebonised carved wood base with a painted wrought metal stretcher, early 19th century and later, 52.3cm high, 103cm wide, 53cm deep. £200-300

288. A 19th century kingwood guéridon, with ormolu mounts, the circular top inset with an Italian black marble and micromosaic panel, decorated with roses and convolvulus, on tripod cabriole legs, 74.5cm high, 41cm diameter. £2,000-3,000 289. An Italian giltwood wall mirror, the rectangular plate within a moulded frame and verre églomisé marginal plates, decorated with leaf and bead chains, the corners with applied flowerheads, late 18th / early 20th century, 72 x 55.8cm. £500-800

289

101

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290. An 18th century Italian silvered wood wall mirror, the later rectangular plate within a moulded slip and a leaf carved frame, probably originally a picture frame, 151.6 x 120.5cm. £800-1,200

290

291 291. An Italian Florentine giltwood wall mirror, the later oval plate within a leaf, scroll and fruit carved and pierced frame, late 18th / early 19th century, 70 x 55cm. £200-400

292. A 19th century Italian ebonised wood wall mirror, the later rectangular plate within a reeded gilt slip and a reticulated scroll and leaf frame, 138.3 x 119.5cm. £500-700

292

102

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293. An Italian giltwood centre table in Louis XIV style, the inset marble top with a moulded edge above a leaf carved moulding and a shell decorated frieze and a scroll and leaf pireced apron centred with a female mask, on square tapering legs with bearded male masks, united by a leaf and scroll ‘H’ stretcher, late 19th / early 20th century, 78.5cm high, 170.5cm wide, 85.5cm deep. £6,000-8,000

103

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295

294 294. A near pair of late 19th century Black Forest carved wood epergnes, each with a glass vase, inset into a naturalistic base carved with a tree trunk, leaves and a recumbent fox, one with the remains of a printed paper trade label ‘A.M.....FABRIC. Grand-...’, 37.7cm high (max). (2) £200-300 295. A late 19th century Black Forest hanging pipe rack, carved with the heads of five animals: a poodle, a monkey, a fox, a bulldog and a bear, all with glass eyes, 30.5cm wide. £300-400 296. A late 19th century German painted terracotta model of a recumbent stag, 25.5cm wide. £150-200 297. A pair of late 19th century Black Forest carved and painted wood roe deer trophy mounts, with glass eyes, mounted on a naturalistic branch plaque, 50.2cm high. (2) £800-1,200

296

298. A late 19th century Black Forest carved wood box, of naturalistic form decorated with two rats with a bird nest and leaves and flowers, the hinged lid revealing a baize lined vacant interior, 15.3cm high, 32.3cm wide, 19.7cm deep. £200-300

297

104

298

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299. A late 19th century Black Forest carved wood table wine coaster, the centre with three frolicking Bacchanalian cherubs, with twin bottle holders, with pierced grapevine galleries, on serpent spoke wheels and bone castors, 23.3cm high, 46.7cm wide. £2,000-3,000

299

300

300. A late 19th century Black Forest table gong, in the form of a standing bear, with a brass gong and a beater, on a naturalistic base, 31.8cm high. £150-250

301. A late 19th century Black Forest wall mirror, the shaped plate within a naturalistic frame carved with a deer pursued by a hunting dog, a squirrel, a bird, oak leaves and acorns and with an eagle surmount, 59.5 x 42cm. £400-600

301

105

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302. A late 19th century cut-glass and gilt brass Corinthian column table lamp, with a faceted stem and a stepped base, 69.7cm high (overall). £800-1,200

302

303. A pair of Victorian gilt brass wall lights, each with a ribbon tied backplate with an oval Wedgwood jasperware green and white panel of a classical lady, with an urn and husk pendant base and twin lights, 36.6cm high, 31cm wide. (2) £500-700

304. A Victorian Corinthian column table lamp, the fluted stem above laurel wreaths and a beaded stepped base, fitted for electricity, with shade, 80.8cm high (overall). £150-250 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

106

305. A pair of 19th century giltwood and composition three-light wall sconces in Adam style, each with an urn of flowers surmount, with ram’s masks issuing beads above scrolling leaves, with three leaf decorated branches, 54cm high, 37cm wide. (2) £200-300

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306. A pair of painted wood table lamps, each with a knopped stem and a weighted oval base, 20th century, 43.6cm high. (2) £150-250 Provenance: By repute, purchased by the current vendor from Colefax and Fowler.

306

307. A glass and gilt brass hall lantern, with a leaf corona above three lights, the bulbous body applied with repoussé decorated bands of leaves and flowers, with serpent hooks, (chains lacking), 25.5cm high, 29.5cm wide. £150-200 Provenance: By repute, bought by the current vendor from Mallett Antiques at Bourdon House, in the 1960s / 70s.

308. A pair of large pottery crackle glaze table lamps in Chinese style, each with twin lights and with lion’s mask ring handles, fitted for electricity, 80.2cm high. (2) £150-200

309

309. A continental blue and white porcelain hexagonal hall lantern, with arched glass panels (one missing) and with six lights, probably Swedish, 64.8cm high, 45cm wide. £150-250

107

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310. A brass and cut-glass eight-light chandelier in Empire style, the leaf decorated corona applied with palmettes and hung with faceted beads, the conforming basket base issuing scroll branches hung with swags of beads and drops, probably late 19th / early 20th century, 81.9cm high, 60cm wide. £400-600

311. A pair of French alabaster and ormolu cassolettes in Louis XVI style, each in the form of an athénienne, with reversible tops with a bud finial and a candle sconce, the bodies decorated with swags of flowers and with ram’s head monopodia supports, late 19th / early 20th century, 30.8cm high. (2) £500-700

312. A silvered brass twin-light wall sconce in George III style, the mirrored cut-glass backplate above a ram’s head issuing leaf scroll branches and urn candle holders with petal drip-pans, later fitted for electricity and with a pair of shades, 43.5cm high, 20.2cm wide. £200-300

313. A cut-glass and gilt brass twin-light wall sconce in George III style attributed to Wilkinsons, the oval fan patera backplate with a central obelisk and crescent finial and a pair of faceted scroll arms and Van Dyke style holders, hung with swags of drops, 49cm high, 45cm wide. £150-200

Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

108

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314. A pair of Regency gilt bronze and lustre candlesticks, each with a bird and flower corona hung with cut-glass drops, with a tree stem with Cupid figures, on a white marble base, 28.8cm high. (2) £100-150

315. A late Regency gilt and patinated bronze colza chandelier, decorated with scrolling leaves, palmettes and Bacchanalian satyr masks, with a leaf corona and hung with chains with scrolling serpent hooks, above a bud pendant, later adapted for electricity with four lights and colza cover and fittings now lacking, stamped ‘No. 112 ct & ...’ 82.8cm high, 47cm wide. £400-600

316. A pair of Regency gilt and patinated bronze storm lanterns, the bell shaped glass shades above a leaf collar and an urn and fir cone snuffer, with tripod eagle’s monopodia supports, 45.7cm high. (2) £600-800

317. A pair of Regency gilt and patinated bronze lustre candlesticks, each with a ribbed nozzle with a detachable drip-pan, above a band of flower heads suspended with faceted drops, on column stems, with scrolling foliage, 26.3cm high. (2) £300-500

109

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318

318. A pair of Regency gilt and patinated bronze figural candlesticks, each with a classical maiden stem supporting scrolling branches with three urn shape sconces with machine turned decoration and detachable drippans, 25.8cm high, 26cm wide. (2) £500-700

319

319. A pair of brass column table lamps, each with a palmette decorated capital, above a grapevine wrapped faux marble stem, on a stepped base, decorated with stiff leaves, 67.8cm high. (2) £600-800

320

320. A pair of late 19th century French ormolu and white marble twin-light candelabra in Louis XVI style, each with urn shape nozzles supported by scroll and hoof branches, centred with a flaming torch, above a beaded circular stepped base, stamped to the underside ‘440 EP’, 27.7cm high. (2) £400-600 321. A late 19th century French porcelain table lamp in Sèvres style, gilt decorated on a bleu de roi ground, the urn shape body painted with a panel with a country scene with a mother and her children, on a brass base, fitted for electricity, 59.2cm high. £200-300 322. A wrought iron hall lantern, decorated with scrolling leaves and flowers, with four leaded stained glass panels, 65.6cm high, 34cm wide. £300-400

321

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323. A pair of Louis Philippe patinated bronze and Siena marble candelabra, with a central urn issuing leaf scroll branches and with four ribbed nozzles, above a stiff leaf and acanthus wrapped stem, with a triform base and lion’s paw feet, 48.7cm high. (2) £400-600

323

324. A pair of Victorian gilt brass and opaline five light candelabra, each with an urn issuing lilies and with a grapevine, drilled for electricity, 77.2cm high. (2) £200-300

324

325. A pair of late 19th century French gilt and patinated bronze figural candelabra, each with a cherub holding a basket issuing leaf scroll branches and with five lights, on a stepped white marble base, 56.2cm high, 37cm wide. (2) £500-800

326. A pair of French ormolu twin-light wall appliques in Régence style, each with a classical figure backplate, with scrolling leaves and flowers, supporting twin branches and with urn shape nozzles, decorated with leaves and a Vitruvian band, 19th century, 49cm high. (2) £800-1,200

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327. A pair of Italian Venetian giltwood lanterns, with ebonised decoration, each with a shell carved domed top, above a hexagonal body, inset with later glass panels, flanked by semi naked female caryatids, on a leaf carved fluted stem inset with glass panels and hung with laurel swags, on tapering feet, late 18th / early 19th century but later adapted, 91.7cm high, 29.5cm wide. (2) ÂŁ1,000-1,500 Provenance: Sir John Everett Millais, 1st Baronet PRA (1829-1896) and by descent. Sir John Everett Millais was an English painter and illustrator who was one of the founders of the Pre-Raphaelite Brotherhood. In 1855 Millais married Effie Gray, the former wife of the art critic John Ruskin. It is intriguing to think these lanterns were possibly acquired by Effie in Venice whilst on honeymoon with her former husband.

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THE GRAND TOUR & SCULPTURE

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328. After the antique. A late 19th century Italian Neapolitan bronze of Spinario, with a weathered finish, 37.8cm high, on a white and Siena marble column, 106.7cm high. (2) ÂŁ2,000-3,000

328

329. A pair of Siena marble columns, each with a later painted wood top, on a red marble plinth base, 142cm high. (2) ÂŁ800-1,200

329 part

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330. After the antique. A large late 19th century Italian Neapolitan bronze Grand Tour figure of Mercury, seated at rest on a grey marble rocky outcrop, signed ‘G. Varlese Napoli 1894’, 42.7cm high, 42.5cm long. £600-800

330

332. After the antique. An Italian Neapolitan bronze Grand Tour figure of Mercury, seated at rest on a marble rocky outcrop, by the Chiurrazzi foundry, with a pastille and inscribed ‘CHIURAZZI NAPOLI LISIPPO’, on a stepped green marble base, late 19th / early 20th century, 24.7cm high. £200-300

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331. After the antique. An Italian 19th century bronze Grand Tour model of Mercury, seated at rest on a rocky outcrop, mounted on a later plinth base, 23.1cm high. £200-300

333. After the antique. A late 19th century Italian alabaster Grand Tour figure of Spinario, on a turned socle, 14.3cm high, together with a bronze figure of Mercury, seated at rest, 12cm high. (2) £100-150

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334. After the antique. A 19th century bronze Grand Tour figure of the Dancing Faun, the oval base inscribed ‘Musée du Vatican’, 57.5cm high. £2,000-3,000

334

335. Three 19th century Neo-classical biscuit porcelain figures, two Danish by Copenhagen of Bertel Thorwaldsen with the statue of Hope, the other after Bertel Thorwaldsen of Vulcan, both with impressed marks ‘ENERET’, together with a Grand Tour figure of Mercury at rest, 34cm high (max). (3) £200-300

336. After Antonio Canova (Italian 1757-1822). A 19th century Italian marble figure of Venus Italica, on a turned flattened marble socle, 74cm high. £1,500-2,000

336

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337. A pair of mid-19th century bronze athéniennes in classical style, with a verdigris weathered finish, each with a pierced bowl, with a Greek key band, with triple lion monopodia supports, with laurel leaf handles, on a triform base, 41.3cm high, 31.5cm wide. (2) £2,000-3,000

339. An 18th century Italian serpentine Grand Tour model of a column, 30.7cm high, together with an Italian carved marble bust of a Greek lady. (2) £150-200

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338. After the antique. A 19th century Italian bronze Grand Tour model of an Etruscan ewer, the handle in the form of a man flanked by a pair of recumbent lions, with a lobed body, 16.3cm high. £100-150 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

340. A pair of late 19th century simulated porphyry and marble obelisks, with stepped bases and slate plinths, 38cm high. (2) £300-500

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341. A late 19th century Italian Roman micromosaic Grand Tour plaque, the oval panel depicting the Roman Forum, with a pair of figures walking amongst the three columns of the Temple of Castor and Pollux, the remains of Temple of Vespasian, the Temple of Saturn and to the left the Arch of Septimus Severus and in the distance the Arch of Titus and the Column of Phocas, set in a black marble and malachite bordered outer frame, 25.5 x 36cm. ÂŁ4,000-6,000

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342

343 342. After the antique. A late 18th century Italian carved marble Grand Tour bust of Lysimachus, on later marble plinth, 62cm high (overall). £2,000-3,000 Lysimachus (c.360 BC -281 BC) was a Macedonian officer and successor to Alexander the Great. He became a King in 306 BC, ruling Thrace, Asia Minor and Macedonia.

343. A 19th century Italian bronze group of a faun, carrying a goat on his shoulders, 69.8cm high. £2,000-3,000

344. After the antique. A 19th century French bronze Grand Tour figure of Diana of Gabii, the rectangular base inscribed ‘Musée du Louvre’, 36.2cm high. £200-300

344

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345. A 19th century Italian Roman micromosaic Grand Tour circular table top, the black marble centred with a micromosaic rondel depicting the Colosseum, within a malachite border and an outer band of specimen hardstones, including: porphyry, lapis lazuli and various marbles, 51cm diameter, on an ebonised wood and parcel gilt base with triple column supports and scroll legs, 73.9cm high (overall). ÂŁ5,000-7,000

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346. A late 19th century Italian Roman micromosaic Grand Tour paperweight, of serpentine outline, inlaid with the Doves of Pliny on a rosso antico marble base, 11.6 x 16.5cm. £250-350

346

347. An early 19th century Italian bronze Grand Tour inkstand in the form of a Roman bath, with a pair of glass inkwells flanking a lift-out tray and with four pen apertures, the body with ring handles and on lion’s paw feet, 6cm high, 22cm wide. £500-800

347

348. An early 19th century Italian giallo antico marble Grand Tour animalier group, with a hound dog with its hare prey, on a naturalistic base and a black marble plinth, 21.2cm wide. £400-600

348

349. An early 19th century Italian giallo antico marble Grand Tour bust of a young man, mounted on a black marble plinth, 18.2cm high. £200-300

349

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350. An early 19th century Italian rosso antico marble Grand Tour Campana urn fragment in the manner of Boschetti, carved overall with Bacchanalian cherubs, with fruit, leaves and grotesque masks, the lid (broken in three pieces) above an ovolo rim and a band of grapevine, base lacking, 40cm high, 34.5cm wide. ÂŁ300-500

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351. A 17th century Italian ebony and silver mounted crucifix base, applied with a skull and crossbones, a gilt brass angel’s head and wings and floral mounts, the interior with gilt filigree decoration with seed pearls and faux gemstones, 13.3cm high. £150-250

351

352. A 19th century continental painted and giltwood devotional altar piece / reliquary, in the form of an apse, centred with a figure of the Virgin Mary, flanked by angels and with altar candlesticks, with simulated marble columns, titled ‘STE MARIE’, 65.3cm high, 47cm wide, 26.8cm deep. £200-300

352

353. After Guillaume Dupré (French 1574-1642). A gilt bronze commemorative medal of Cosimo II de’ Medici (1590-1621), the fourth duke of Etruria, wearing a large ruff and armour, inscribed ‘COSMUS. II. MAGN DVX ETRURIAE. IIII’, 8.9cm diameter. £200-300

353

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354. A Napoleon III mahogany guĂŠridon, ormolu mounted, the circular inset specimen marble top inlaid with a chequer board with various marbles, with a geometric outer band with a laurel band, above a triform stem decorated with rosettes, anthemion motifs and dolphins, on tripod paw sabots, 77.2cm high, 52cm diameter. ÂŁ3,000-4,000

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λ 355. A Flemish ebony cabinet on chest, decorated with ripple mouldings and raised panels, the hinged lid revealing an Italian reverse glass painting of the Nativity above a vacant interior, above a pair of panelled doors, the insides with ivory stringing and formerly inset with paintings, enclosing an arrangement of sixteen ripple moulded rosewood lined drawers inset with hardstone panels, comprising: six 17th century Italian Florentine pietra dura panels, probably from the Opifico delle pietra dure, inlaid with various stones with birds and flowers, with eight pietra paesina ‘landscape’ panels and six further paesina panels with fossilised plants, two heightened with hardstones and the natural details marquetry inlaid to form leopards, all flanking a central pedimented pull-out section with two drawers and tortoiseshell Solomonic columns, with gilt bronze capitals, and applied with six further pietra paesina panels and faceted lapis lazuli cabochons, the hinged door with five further landscape panels to the back, revealing a mirrored interior with an ebony and ivory parquet floor, with two further drawers, the whole section pulls out to reveal a bank of six rosewood secret drawers above a slide, the bottom right drawer with a printed description of the cabinet, possibly from an early 20th century auction sale or dealer’s catalogue, inscribed ‘A HANDSOME FLEMISH CABINET, of ebony, with folding doors above, each painted with classical subjects in oils inside and enclosing numerous drawers, inlaid with landscape marble and Florentine mosaic, twisted columns in the centre, and folding doors enclosing drawers below. Formerly in the possession of Napoleon I.’, the later conforming base with a pair of doors enclosing twelve panelled drawers, on a plinth base, with substantial gilt bronze side carrying handles to the top, 17th century and later, 180cm high, 122cm wide, 59.7cm deep. £15,000-20,000 Provenance: From the collection of Sir Thomas Jackson, 1st Baronet (1841-1915), Gilford Castle, County Armagh, N. Ireland. Sir Thomas was involved in the creation of HSBC and was appointed third Chief Manager of the bank in 1876. He lived in Shanghai and Yokohama in the late 19th century and his statue still stands today in Statue Square, Hong Kong, in front of HSBC's headquarters. This fine cabinet with its decorative hardstone inlays includes an unusual material called pietra paesina or ‘ruin marble’ which is a sedimentary rock comprising of mainly compacted limestone and clay. It is almost exclusively found in Tuscany where the Medici Opificio delle Pietre Dure of Florence has used the stone since 1588. In Renaissance Europe it was highly regarded and in much demand from the Royal courts. In 17th century France it was prized by Cardinals Richelieu and Mazarin. It has an almost painterly quality and the designs created by the natural veins of impurities within the rock give the impression of crumbling cities, landscapes, mountains and seascapes.

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356. After Andrea del Verrocchio (Italian 1435-1488). A 19th century bronze Grand Tour equestrian group of Bartolomeo Colleoni, 37.2cm high, 35.8cm wide. £2,000-3,000

356

357. A 19th century Italian bronze bust of a bearded man, the top of his head previously with a lid, probably originally an inkwell, together with a bronze flask in Renaissance style and a Southern Italian Byzantine style terracotta plaquette, depicting God creating birds and fish, 9cm (max). (3) £100-150

357

358. After Guillaume Coustou (French 1677-1746). A pair of bronze Marly horse groups, the naturalistic bases signed ‘Coustou’, late 19th / early 20th century, 28.2cm high. (2) £200-300

358

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359. In the manner of Simone Bianco (Italian active 1512-1553). A Venetian carved marble relief portrait bust of a Greek lady, 23.5 x 15cm, mounted on a later marble plaque, probably 16th century, 32 x 21.5cm. £2,000-3,000 Simone Bianco (active 1512-1553) was a follower of Tullio and Antonio Lombardo and was a practitioner of all’antica portraiture. This fashion for portraiture emulating the Greeks and Romans flourished in the Veneto in the first half of the 16th century. For a similar marble relief of Faustina the Elder attributed to Simone Bianco, see Sotheby’s, Old Master Sculpture & Works of Art, 9th July 2015, lot 73.

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360. In the manner of Niccolo Roccatagliata (Italian 1593-1636). A 17th century Venetian gilt bronze / copper figure of Minerva, reclining, her elbow resting on two books, previously mounted, 21.3cm wide. £500-800

360

361

361. Two similar Italian gilt bronze finials, each in the form of a bust of a bearded male, sporting an unusual hat and wearing a frilled collar, possibly Venetian, late 17th / early 18th century, 7.2cm (max). (2) £150-250

362. After Francesco Fanelli (Italian 1590-1653). A 17th century painted lead group of a young man with his dog, mounted on a later marble plinth, 29.5cm high. £400-600 For a similar group by Fanelli in bronze of Venus and Adonis, see the V&A Museum, A.58-1956.

362

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363. In the manner of Massimiliano Soldani Benzi (Italian 1656-1740). An 18th century bronze figure of Mars after Francois Duquesnoy (Flemish 15971643), the Roman god holding an oval shield and a sword, standing on a naturalistic base, 29.7cm high. ÂŁ1,000-1,500 A cast of this present figure by Soldani can be found in the Bargello Museum in Florence.

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364. A bronze group of Venus and Cupid, reclining on a draped tasselled cushion, previously mounted, probably French or Italian, 18th century, 16.2cm wide. £100-150

364

365. A late 19th century French gilt bronze figure of Minerva, the goddess of war kneeling on a capital, holding a shield and a sword, mounted on a marble base, 28cm high. £200-300

365 366. An early 19th century Italian gilt bronze tazza base, modelled with three Atlas figures, with applied rosettes, on a green serpentine and Siena marble plinth, 17.2cm high. £200-300

366

367. A 19th century Italian bronze figure of Venus, seated on a tree stump, at her bath, on a circular base, 20cm high. £150-250 This model in plaster can be found at Kedleston Hall, Derbyshire.

367

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368. An early 19th century Italian bronze Grand Tour grotto desk stand, in the form of a grotesque beast made of various shells, in the manner of Giuseppe Arcimboldo, supporting a shell, on paw front feet, 15.1cm high. £200-300

368

369. An Italian bronze Grand Tour figure of a sphinx, in Roman style, on an alabaster plinth, late 18th / early 19th century, 18.6cm high. £200-300

369

370. An early 19th century French bronze model of a lady, kneeling and wearing a veiled cloak, 16.4cm high. £300-400

370

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371. An 18th century gilt bronze / copper bust of Christ, previously mounted, 7.2cm high, £100-150

371

372. A bronzed metal alloy Corpus Christi, 29.5cm high. £100-150

372

λ 373. A continental carved ivory Corpus Christi, mounted on an ebony cross with a banner ‘INRI’, probably Italian or French, late 18th / early 19th century, 41cm high (overall). £400-600

373

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374. A gilt bronze Corpus Christi, his feet resting on a corbel, mounted on an iron cross, the base with two kneeling angels, probably French or German, 17th / 18th century, 24.6cm high (overall), together with a primitive carved bone example on an ebonised wooden cross, 24.7cm (overall). (2) £300-500 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

375. A cast patinated bronze Corpus Christi, possibly Flemish or German, 17th / 18th century, 22.3cm high. £100-150

375

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376. A German bronze model of the medieval Brunswick lion, mounted on a black marble plinth, early 20th century, 18cm long. £100-150

376

377. After Antonio Canova (Italian 1757-1822). A bronze Grand Tour model of a recumbent lion, on a stepped bronze base, late 19th / early 20th century, 21.5cm wide. £200-300

377

378

378. After Antonio Canova (Italian 1757-1822). A small 19th century bronze Grand Tour model of a recumbent lion, possibly a paperweight, 9.3cm long. £100-150

379. An 18th century gilt bronze lion’s head handle, possibly the hilt of a sword, 12.7cm high. £100-150

379

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380. After Georg Schweigger (German 1613-1680). A German bronze model of a hound dog, seated, scratching his ear, possibly Nuremberg, previously mounted, 8.2cm wide, on an associated marble socle, 13.8cm high. £300-500

380

381. A 19th century Italian bronze portrait bust of Dante Alighieri, stamped with initials ‘L. M.’, on a giallo antico marble socle, 13.3cm high. £100-150 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman. 382. An early 19th century French bronze sleeping Cupid paperweight, the god of love sleeps on a lit en bateau, together with a similar example in alabaster, 15cm wide (max). (2) £150-200

381

Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

382

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383

384

385

383. A 19th century bronze bust of George Gordon, 2nd Marquess of Huntly, on a waisted socle, inscribed ‘HUNTLEY’, 17.9cm high. £150-250

384. An early 19th century portrait bust of a gentleman, 22cm high. £150-200

385. An early 19th century gilt bronze portrait bust of a gentleman, wearing the Star of the Garter, on a gilt and patinated bronze socle and a slate base, 11.9cm high. £100-150

‡ 386. Raoul Bernard (French 1881-1961). An early 20th century bronze portrait bust of Napoleon Bonaparte, the leaf socle inscribed ‘N’, signed ‘R. Bernard’, mounted on a Siena marble plinth, 24.3cm high. £200-300

387. A 19th century bronze portrait bust of a pope or cardinal, indistinctly signed and inscribed, 25cm high. £200-300

386

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388

389

388. After John Michael Rysbrack (Flemish 1694-1770). A patinated plaster portrait bust of Michelangelo, titled ‘MICHELANGELO BUONARRUOTI’, on an integral socle, 70.3cm high, 51cm wide. £500-800 Rysbrack was one of the leading sculptors of the 18th century and produced many portrait busts of artist and architects including Rubens, Inigo Jones and Palladio. These were very much in demand from British collectors, patrons and connoisseurs who decorated their libraries with them. There is a similar plaster cast on display in the Central Hall of the Royal Academy in London.

389. After Francis Legatt Chantrey (1781-1841). A patinated plaster portrait bust of Mary Somerville, signed in the cast ‘SIR F. CHANTRY SC: 1840’, 76.5cm high, 54cm wide. £300-500 Mary Somerville (1780-1872) was a British polymath and academic writer, famous for her English translation of Laplace’s Mécanique céleste, under the title The Mechanism of the Heavens.

390. After Jacques Saly (French 1717-1776). A large patinated plaster portrait bust of Frederick V of Denmark, signed in the cast ‘I. SALY F. 1754’, on an integral turned socle, 100.5cm high, 68cm wide. £500-800 There are terracotta versions of this bust in the National Museum of Denmark and the David Collection in Copenhagen.

390

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391 391. Six Victorian wax relief portrait busts, including: a pair of Plato and Aristotle, Abraham Lincoln and Benjamin Disraeli, 17.5 x 13cm (max), in glazed bird’s eye maple frames. (6) £200-300 392. After Peter Scheemakers (1691-1781). A wax portrait bust of Sir William Shakespeare, polychrome decorated, late 18th / early 19th century, indistinctly inscribed to verso, 9.2 x 7.5cm, in a glazed ebonised box frame, together with a 19th century wax portrait relief bust of Napoleon Bonaparte and an Italian Florentine wax bust of a young man, both in glazed frames. (3) £200-300 393. Two Italian wax profile relief busts in Renaissance style, depicting a man, possibly a Duke, wearing a red cap and a Comtesse wearing a headdress and a necklace with a seed pearl, each mounted on slate and in a glazed ebonised moulded frame, each with a paper label indistinctly titled in pen, 12cm diameter (max). (2) £80-120 Provenance: The Countess of Midleton, Eastwell Park Estate, Kent, thence by descent Captain and Mrs Brodrick of Dunley Manor, Hampshire.

392

393

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394. After Gaspar van der Hagen (Flemish d.1769). A plaster relief portrait bust of Oliver Cromwell, inscribed in gilt ‘OLIVER CROMWELL *AN:D: 1658*’, 11 x 6.5cm, in a glazed 18th century ebonised pearwood octagonal frame. £200-300

394

395. An early 19th century carved wood mask in the manner of Thomas Hope, of an Assyrian priest, 19.5cm high. £200-300

395

396. A 19th century French bronze Apollo sunburst relief, in Louis XIV style, mounted on a later wooden plaque, 39 x 39cm. £150-250

396

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397. A late 19th century continental bronze triptych, relief decorated with a multitude of figures fighting in a city, with a carriage and a man being assassinated, with other figures pleading for his life, with initials ‘EP’, 28.2 x 26.7cm. £200-300

397 398. After Pierre-Jean David, also known as David D’Angers (French 1788-1856). A late 19th century bronze figure of Liberty, by Barbedienne, the base inscribed ‘LIBERT… LIBER…E CH…RIE COMBATS AVEC TES D…FENSEURS’, signed ‘P.J. David 1849’ and ‘F. BARBEDIENNE FONDEUR’, mounted on a slate plinth, 24cm high. £150-250

398

399. A pair of late 19th century French Renaissance revival candlesticks, the stems with three Bacchanalian cherubs holding a grapevine, on a leaf moulded circular domed foot, 23.5cm high. (2) £200-300

399

400. A 19th century bronze figure of Saint Catherine of Alexandria, wearing a veiled cloak and holding a sword, on a marble plinth, 18.8cm high. £150-250

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401. A French bronze model of a seated cherub, holding a bird, mounted on a black marble base, probably late 18th / early 19th century, 20cm high. £300-400

401

402. After Auguste Moreau (French 1834-1917). ‘L’espiègle’, a bronze group of a young boy with a duck, seated on a rocky mound, signed ‘Aug Moreau’ with an applied brass plaque, inscribed ‘L’ESPIEGLE Salon des Beaux Arts Par Aug. Moreau (Medaille d’Or)’, 40.7cm high. £400-600

402

403. After Claude Michel called Clodion (French 1738-1814). A 19th century Bacchanalian bronze group of a semi-naked lady, holding a tambourine, with a cherub, on a marble base, 21.4cm high. £100-150

403

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404

405 404. A 19th century French gilt and patinated bronze figure of a lady in the manner of Pradier, possibly of Erato, the muse of love and poetry, she reclines on a chaise-longue and holds a book in her left hand and a pen in her right, mounted on a green marble base, 29cm high, 35cm wide. £300-500

λ 405. A 19th century French Dieppe ivory group, carved with a family of beggars, the father playing a violin, accompanied by a son and daughter, mounted on an ebonised plinth, 16.3cm high. £150-250 406. A 19th century bronze bust of a maiden, mounted on a later walnut socle, 19.5cm high.

£100-150

407. A bronze bust of Sir Winston Churchill, the bronze base inscribed ‘LET US GO FORWARD TOGETHER’, mounted on a wooden plinth, 20th century, 36cm high (overall). £200-300 408. A 19th century French bronze figure of a classical lady, seated on a stool, holding a letter and with a posy of flowers, signed ‘Duchoiselle’, mounted on a marble plinth, 25.4cm high. £150-250 Little is known about the sculptor Duchoiselle, except that he supplied ceiling reliefs for the Louvre and Garnier’s Opera in 1882.

406

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407

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409. Jean-Baptiste Carpeaux (French 1827-1875). A 19th century bronze chef-model of a Neapolitan fisher boy, with his nets, listening to a seashell, mounted on an ebonised plinth, 34.3cm high. £400-600

409

410

410. Emmanuel Villanis (French 1858-1914). An Art Nouveau bronze bust of a lady titled ‘GALATEE’, signed ‘Villanis’ and stamped ‘B L’, 14.5cm high. £150-200

‡ 411. Siegfried Rudolph Puchta (German 1933-2015). A bronze figure of a North American Indian chief, signed ‘S. PUCHTA’, on a black marble base, 12.8cm high. £80-120

411

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412. A Regency gilt bronze model of a recumbent greyhound, mounted on an alabaster plinth, 10.5cm high, 18cm long. £300-400

412

‡ 413. Marius Joseph Sain (French 1877-1961). A bronze model of a wolf, standing on a rocky outcrop, cast by Susse Frères, signed ‘M. SAIN’ and with foundry signature, 12.8cm high. £150-200

413

414. A late 19th century bronze animalier model of an elephant, 20.5cm long, £150-200

414

415. A late 19th century bronze animalier model of an elephant, standing on an ebonised wood base, 25cm wide. £150-200

415

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416. After Antoine-Louis Barye (French 1795-1875). A late 19th century animalier bronze model of a reclining panther or ‘Panthère Couchée’, cast by Barbedienne, signed ‘BARYE’ and ‘F. BARBEDIENNE’, 20cm long. £400-600

416

417

417. After Pierre-Jules Mêne (French 1810-1879). A pair of late 19th century bronze animalier models of a billy and a nanny goat, cast by Coalbrookdale, each standing on a naturalistic base, stamped ‘BRONZE COALBROOKDALE’, 24.8cm long (max). (2) £500-800

418. Ferdinand Paultrot (French 1832-1874). A 19th century animalier bronze of a partridge chick, standing on a mound, signed £100-150 ‘F. PAULTROT’, 12.4cm high.

418

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419. An Austrian cold painted bronze model of a tiger, in the manner of Bergman, late 19th / early 20th century, 18.5cm long. £300-500

419

420. An Austrian cold painted bronze group of a sow with two piglets, late 19th / early 20th century, 10cm long. £300-500

420

421

421. An Austrian cold painted bronze model of a crouching lion, in the manner of Bergman, late 19th / early 20th century, 19.5cm long. £300-500

422. An Austrian cold painted bronze model of a parakeet, perched on a brass hoop, early 20th century, 14.5cm high. £300-500

422

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423. An Austrian cold painted bronze model of a woodcock by Bergman, stamped with a ‘B in a vase’, ‘GESCHÜTZT’ and numbered ‘5468’, late 19th / early 20th century, 16.5cm high, 22cm long, mounted on an ebonised wood base. £1,000-1,500

424. An Austrian cold painted bronze and onyx vide poche, modelled with an Arabian stallion, the underside inscribed in pencil ‘MIRACLE’, 19.3cm high, 26.5cm wide. £400-600

423

424

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FURNITURE & WORKS OF ART

150

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425. A Regency mahogany library table, inlaid with ebonised stringing, the crossbanded top with a single drop-leaf, above a frieze drawer to either end and with outline mouldings and two false fronts, on waisted panelled trestle ends united by an arched stretcher, on scroll legs and with brass sabot and castors, 73cm high, 133 x 90cm (open). £600-800

425

426. An unusual Regency mahogany Pembroke table, inlaid with ebonised stringing, the drop-leaf top with a hinged reading or music stand on a ratchet, revealing a vacant compartment, with three false front drawers and one real drawer, on turned legs and brass castors, 72.7cm high, 50 x 72.6cm. £300-500

426

427. A pair of Regency mahogany hall chairs, each with a reeded gorget back centred with a rondel painted with a rampant lion crest, the solid seat with canted front corners above carved flowerheads and sabre legs, one back rail stamped ‘F S’. (2) £600-800

427

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λ 428. A Regency rosewood and brass mounted sofa table in the manner of Gillows, the drop-leaf top above four frieze drawers with corner tablets, on scroll legs and brass caps and castors, 72.5cm high, 76 x 159.5cm (open). £600-800

428

429. A Regency mahogany and brass inlaid writing table, decorated with a stylised Greek key, leaves, stars and owner’s initials, the top with a hinged and lift-out glass inkwell and pen compartment, the further hinged writing surface inset with later gilt tooled leather revealing an interior with a drawer, above a frieze drawer, on trestle ends and leaf cast brass sabot and castors, 79cm high, 76.7cm wide, 61.2cm deep. £500-800 Provenance: Purchased by the current vendor from Christie’s South Kensington, Christie’s Interiors, 16th December 2008, lot 611.

429

430. A George III mahogany Pembroke table, inlaid with stringing, the oval drop-leaf top above a frieze drawer, on square tapering legs and brass caps and castors, 74.3cm high, 89.6 x 106cm (open). £100-150 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

430

431. A pair of William IV mahogany and gilt metal mounted side chairs by J. Kendell & Co., later upholstered, on sabre front legs and Cope’s Patent brass caps and castors, each with a printed paper trade label ‘J. KENDELL & CO. No.’ and inscribed in pen ‘86881 workman’s name Fletcher’. (2) £400-600

431

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λ 432. A Regency rosewood breakfast table, the circular crossbanded tilt-top inlaid with burr oak banding, on a simulated baluster stem and swept legs inlaid with burr panels, with brass caps and castors, 71.3cm high, 122.5cm diameter. £2,000-3,000

432

433. A Regency mahogany folio stand in the manner of Gillows, the slatted supports with baluster lifts, each on a ratchet, on brass caps and castors, 96.5cm high, 68cm wide, 71cm deep. £500-800

433

434. A George IV mahogany chamber table in the manner of Gillows, the top with a reeded edge and rounded corners and with a hinged panel revealing divisions for pens and inkwells, above a frieze drawer stamped ‘M. WILLSON 68 GREAT QUEEN STREET’, on reeded tapering legs and later brass castors, 72.3cm high, 63.3cm wide, 47.5cm deep. £2,000-3,000

434

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435. A Regency mahogany washstand, inlaid with ebonised stringing, the top with a three quarter gallery and pierced with five pierced bowl apertures and a dished tray, above a drawer, on ring turned supports united by an ‘X’ stretcher, 92cm high, 48.9cm wide, 43.4cm deep. £150-200 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman. 436. A Regency mahogany bedside cupboard, the top with a three quarter gallery, above a pair of cupboard doors enclosing a shelf, 72.8cm high, 39.2cm wide, 34cm deep. £200-300

436

437. An early 19th century mahogany dressing table mirror, inlaid with boxwood stringing and a later marquetry conch shell, the oval plate above a box base fitted with two short and one long drawers, on cast brass lion’s paw feet, 65.5cm high, 42.5cm wide, 20.8cm deep. £100-150

435

Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman. 438. A 19th century giltwood pier mirror, the rectangular bevelled plate flanked by cluster columns and a verre églomisé frieze with a figure before a cottage, 63.4 x 38.5cm. £100-150 439. A Regency mahogany Canterbury, with three dipped divisions and turned supports, with a drawer and on brass castors, 48.3cm high, 47.7cm wide, 33cm deep. £300-500 440. A Regency mahogany Canterbury, with four dipped divisions above a drawer, on ring turned legs and brass caps and castors, 59cm high, 56.2cm wide, 36.8cm deep. £500-700

437 438

154

439

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441

λ 441. A Regency rosewood and brass mounted centre table, the tilt-top inlaid with a band of marquetry with scrolling leaves and palmettes, on a concave stem applied with bands of laurel leaves, with a platform base and gilt bronze scrolled and winged lion’s paw feet and castors, 77.8cm high, 116 x 148cm. £3,000-5,000

442. A Regency mahogany hall chair in the manner of Gillows, the gorget back centred with a stylised shell above scrolls, the bell shaped seat on turned front legs. £200-300

443. A William IV mahogany architectural pedestal cupboard, the top with a moulded edge above a leaf carved and baton frieze drawer fitted with a substantial brass handle, above a panelled door enclosing a shelf, flanked by leaf and scroll carved corbels, on a conforming plinth base, 96.8cm high, 787.9cm wide, 41.9cm deep. £600-800

443

155

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λ 444. A George IV rosewood and brass inlaid side cabinet, with simulated sides, the raised back with turned column supports, above a pair of panelled frieze drawers with gilt brass lattice grille cupboard doors, enclosing a shelf, flanked by ribbed and acanthus carved columns, on hairy paw front feet, possibly Irish, 134.6cm high, 103cm wide, 46cm deep. £500-800

444 445. A Regency mahogany bowfront chest, the crossbanded top with a reeded edge, above two short and two long drawers, 89cm high, 89cm wide, 48.5cm deep. £200-300

446. A Regency mahogany bergère, the frame with reeded decoration, with a cane seat and back, on ribbed tapering front legs, the back rail stamped ‘R’. £200-300

λ 447. A George IV rosewood duet music stand, with brass mounts and with lyre shape rests on an adjustable stem, the faceted column on a triform base and scroll feet, 148.7cm high (extended), 44cm wide. £300-400

156

447

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448. A George IV mahogany open waterfall bookcase, with three reeded shelves and spiral twist columns, the base with a pair of gilt brass lattice grille cupboard doors enclosing a shelf, on conforming legs, with brass side carrying handles, possibly Irish or Scottish, 131cm high, 91.3cm wide, 31.2cm deep. £500-800

449. A Regency mahogany bowfront chest, of two short and two long drawers, with oval brass handles decorated with a hunting scene, on French bracket feet, 89.3cm high, 88.2cm wide, 49cm deep. £300-400

448

Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

450. A Regency mahogany bergère, with a cane back, seat and sides, on turned supports and brass castors, with two later cushions. £500-800

451

451. A George IV mahogany duet music stand, the hinged lattice rests on an adjustable stem (now fixed), on a ring turned baluster stem and hipped tripod supports, on foliate cast brass sabot and castors, 107.5cm high, 43.5cm wide. £200-300

157

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452

452. Two 19th century mahogany shaving mirrors, one with a concave plate in a moulded frame, on a baluster stem and circular base, together with a similar shaving mirror with a standard plate, 42.5cm high (max). (2) £100-150 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman. 453. An early 19th century mahogany table reading stand, the hinged adjustable rest on an adjustable turned stem, 40cm high (max), 33cm wide. £100-150 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

453

454. A Victorian mahogany gallery glass, with a moulded bezel, 36.5cm long, 23.2cm diameter. £300-400 455. A 19th century mahogany cutlery tray, with three divisions and a brass handle, 15cm high, 38cm wide, 25.7cm deep. £100-150

454

455

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456

456. A Regency Scottish mahogany wine decanter coaster attributed to James Mein of Kelso, the dished top with a gadrooned edge, on three leather and brass roller castors, 23.8cm diameter. £600-800 457. Three pairs of early 19th century papier-mâché wine coasters, two pairs decorated with leaves, the other with gilt bands, 14.5cm diameter (max). (6) £200-300 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman. 458. Six papier-mâché wine coasters, including: a red lacquer example, one painted with Prince of Wales plumes of feathers on a vermiculated ground and two decorated with palmettes on a gilt ground, early 19th century and later, 16.6cm diameter (max). (6) £150-200

457

Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman. 459. A George IV oak watch stand, with nulled decoration and fitted with a base drawer, 35.9cm high, 21.3cm wide, 12.5cm deep. £200-300

458

459

159

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λ 460. A Regency rosewood occasional table, with gilt brass mounts, the rectangular top on turned column supports and arched feet, united by a conforming stretcher, 74cm high, 61.2cm wide, 40.3cm deep. £100-150

460

461. A Regency mahogany work table, inlaid with ebonised stringing, the octagonal crossbanded top above a frieze drawer, on swept legs united by an ‘X’ stretcher, 72.8cm high, 70cm wide, 44.2cm deep. £150-250 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

461

462. A Regency mahogany bedside cupboard, the three quarter gallery pierced with two handgrips, above a tambour shutter, on turned tapering legs united by an ‘X’ stretcher, 84.3cm high, 35.4cm wide, 35.5cm deep. £200-300

462 463. A George III mahogany Pembroke table, inlaid with stringing, the oval drop-leaf top with kingwood banding, above a bowfront frieze drawer flanked by marquetry oval paterae, on square tapering legs and brass roller castors, 72.3cm high, 76 x 96.2cm (open). £100-150 Provenance: The estate of the late John F. Braund.

160

463

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464. A Regency mahogany daybed, with a panelled scroll frame later upholstered with floral cotton, with a cane seat and a squab cushion, a bolster and two smaller cushions, 71cm high, 185cm long, 61.5cm deep. £800-1,200 Provenance: The Niall Hobhouse Collection Purchased from Christie’s, West-East - The Niall Hobhouse Collection, 22nd May 2008, lot 352.

464

465

465. A Regency black lacquer and papier-mâché tray, the gallery decorated with leaves and flowers, on a later ebonised and gilt stand, 47.8cm high, 81cm wide, 59.7cm deep. £200-300

λ 466. A Regency rosewood and parcel gilt work table, the octagonal hinged top painted en grisaille with a classical lady and two cherubs with a mermaid and coat of arms outer border, under glass, on part ribbed and ring turned legs united by a stretcher, 77.4cm high, 47cm wide, 35cm deep. £400-600

466

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λ 467. A Regency rosewood and inlaid sofa table, the drop-leaf top with satinwood banding, above a pair of cedar lined frieze drawers, one containing a printed card inscribed ‘Captain Stewart-Liberty, The Lee Manor Bucks’, the reverse with false fronts, on scroll legs and lion’s paw brass sabot and castors, 72cm high, 149.2cm wide, 66.3cm deep (open). £200-300

467

λ 468. A George III mahogany and satinwood ‘D’ shape tea table, inlaid with stringing, the hinged top with rosewood banding, the frieze with a central lozenge tablet, on square tapering legs with applied ankles, possibly Scottish, 73cm high, 90.8cm wide, 44.7cm deep. £300-400

468

469

162

469. A Regency mahogany Pembroke table, the crossbanded drop-leaf top above a frieze drawer with a false front to the reverse, on four ribbed and part ebonised columns and scroll legs terminating in brass lion’s paw sabot and castors, 70.2cm high, 91 x 105.5cm (open). £500-800

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λ 470. A 19th century satinwood and painted secrétaire bookcase, decorated with bands of flowers and inlaid with stringing and rosewood banding, the shaped cornice with three urn finials decorated with leaves and classical portrait busts, above a pair of Chinese lantern astragal glazed doors enclosing a silk lined interior with three adjustable shelves, the secrétaire fitted with pigeonholes and drawers with bone handles and a later writing surface, above three long drawers fitted with silver plated navette shape handles, on bracket feet, 249 high, 117.5cm wide, 53cm deep. £5,000-7,000

163

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471

471. A Regency mahogany dining table, with a plain frieze and reeded tablet headed turned and tapering legs, comprising: a pair of ‘D’ ends and a drop-leaf central section, 74.6cm high, 270.5cm long, 111.5cm deep. £500-800

472 472. A Regency mahogany cellaret, with boxwood edging, the domed hinged lid revealing a later silk bag, with Gillows style gilt brass faceted handles, on square tapering legs and brass castors, 68.2cm high, 37cm wide, 25.5cm deep. £300-400 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

473. A Regency mahogany bowfront sideboard, inlaid with ebonised stringing, with a central frieze drawer flanked by two deep drawers, one with divisions for wine bottles, on square tapering legs and block feet, 87.3cm high, 117.7cm wide, 62.7cm deep. £500-700

473

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474. A 19th century satinwood and marquetry open side cabinet in George III style, with tulipwood banding and inlaid with urns, swags and paterae, the raised back above a pair of frieze drawers, on square tapering legs united by a galleried undertier, 112cn high, 144.6cm wide, 43.3cm deep. £3,000-4,000

474

475 475. An early 19th century mahogany butler’s tray on stand, with four hinged sides, each pierced with a handgrip, the folding stand with ring turned baluster supports, 76.2cm high, 73 x 87.8cm (open). £600-800 476. A George IV goncalo alves occasional table in the manner of Gillows, the circular fixed top with an egg and dart moulded edge, above a faceted stem and a dished well, the quatreform base with scroll carved lion’s paw feet and sunken brass castors, 66.4cm high, 60cm diameter. £200-300

476

165

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478 477

477. A George III harewood octagonal box, the hinged lid with barber’s pole stringing, with a probably later fitted interior of nine turned wood jars and covers, some with paper labels, inscribed ‘SANDALWOOD’, ‘SHOCKING’ and ‘ATTAR OF ROSES’, 13.5cm wide. £80-120 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman. 478. A Regency partridgewood tea caddy, of sarcophagus shape, with a twin lidded interior with bone handles, with brass ring handles, together with two other mahogany sarcophagus shape caddies, 20.2cm wide (max). (3) £100-150 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

λ 479. A 19th century amboyna box, the rectangular shape with canted corners, inlaid with ivory and ebony edging, the hinged lid revealing a vacant interior, with sunken brass military style handles, 25.5cm high, 32.7cm wide, 23cm deep. £400-600 480. A William IV mahogany tea chest, of sarcophagus shape, the interior with a pair of lift-out lidded canisters flanking a leaf engraved glass sugar bowl, on scroll feet, 21cm high, 38cm wide,18.1cm deep. £250-350

479

481. Two George III burr yew rectangular tea caddies, the interiors both with twin divisions, one with lids, together with a mahogany tea caddy of canted form, with a navette shape handle, the interior with a lid, 19cm (max). (3) £100-150 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

480

481

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482

483 482. A Regency sarcophagus shape workbox, decorated with transfer printed scenes with buildings and battles, the hinged lid with a country scene of figures in a wood, with a vacant interior, together with an early Victorian chinoiserie decorated octagonal box, 28.2cm wide (max). (2) £80-120 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

λ 483. A George III rolled paper tea caddy, of navette shape, inlaid with barber’s pole stringing and decorated with scrolling leaves and flowers on a green foil ground, the hinged lid with a green stained ivory finial in the form of a pineapple, revealing a lidded compartment inlaid with a burr panel, 19.4cm wide. £100-150 484. An early 19th century mahogany paint box by Hailes, the hinged lid with boxwood edging, revealing a printed trade label, inscribed ‘J. C. HAILES’S Fancy Repository 104, Leadenhall Street, OPPOSITE BILLITER ST. ...’, fitted with a lift-out tray with paint blocks, with divisions, brushes and ceramic palettes and with a base drawer, 7.8cm high, 22.2cm wide, 17.7cm deep. £100-150

484

Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

λ 485. A Regency penwork sarcophagus shape work box, the hinged lid decorated with an oriental scene of figures beside a river, the body with leaves and flowers, the interior with a lift-out tray, with a pink cushion and on ivory feet (one replaced), together with another penwork box, a Tunbridge ware specimen wood cue parquetry example, a Sorrento marquetry pen box and a Victorian rosewood sewing box, 27.4cm (max). (5) £100-150 486. A Regency stained harewood miniature bowfront chest, with satinwood banding, the hinged lid inlaid with a lozenge with nine specimen woods, revealing a vacant cedarwood interior, above a false front drawer and two real drawers, the lower one with divisions, with a veneered back, possibly an apprentice piece, 25.7cm high, 26cm wide, 19.7cm deep. £150-200

485

486

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487. A George IV kingwood sewing box, of stepped sarcophagus form, with nulled mouldings, the hinged lid inset with brass marquetry, the yellow damask silk lined interior with a letter pouch to the underside of the lid and with a lift-out tray fitted with lidded compartments, needle cases, reels and utensils, including a Tunbridge white ware tape measure, 24.5cm wide. £200-300 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

487

λ 488. A William IV rosewood and brass marquetry sewing box, with egg and dart borders and inlaid with scrolling leaves, the hinged lid with a gilt tooled leather letter pouch to the underside, with a paper lined interior and a lift-out tray with divisions and lidded compartments containing various utensils, including: thimbles, reel holders, a shuttle, buttons, boxes etc, with gilt brass cornucopia handles, on flattened bun feet, 15.9cm high, 29.8cm wide, 21.3cm deep. £150-250 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

488

λ 489. A George IV rosewood and brass mounted writing slope, the hinged lid with a vacant plaque, revealing a later baize lined writing surface, with a pair of glass inkwells with brass lids, stamped with a ‘crown William Mitchell’, with a lift-out pen tray and two lidded compartments, above a sprung secret panel revealing drawers, with sunken brass military style carrying handles, with a brass Brahma lock and two keys, 16cm high, 45.5cm wide, 27.3cm deep. £400-600

489

λ 490. A William IV rosewood sewing box, of sarcophagus shape, inlaid with brass stringing and with egg and dart mouldings, the hinged lid with a shaped plaque with engraved initials, revealing a silk lined interior, with a letter pouch to the underside of the lid, with a liftout tray with lidded compartments, utensils, reels, a thimble and assorted related items, with a printed paper trade label ‘Sold at MANSFIELDS LONDON FANCY WAREHOUSE 15, GRAFTON STRT Work Boxes, Dressing Cases, Jewellery, Combs, Toys & C. & C.’, 30cm wide. £150-250 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

490

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491 491. Two Regency red leather sewing boxes, of sarcophagus form, one with a printed silk panel of a tomb to the underside of the lid, the interior with divisions and with a base drawer, on lion’s paw feet, the other fitted with a leather letter pouch, with steel utensils, a silver thimble, a needle case and other items, 19.5cm wide (max). (2) £200-300 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

λ 492. A Regency rosewood sewing box, of sarcophagus shape, with boxwood edging, the hinged lid inset with a coloured engraved print of figures on a mountain landscape, the paper lined interior with a divided lift-out tray, with a pink cushion, a needle case and with other related items, together with a Regency rosewood souvenir box, the domed lid with an engraved view of the Pump Room at Bath titled to the interior and a smaller similar box, the hinged lid with an engraved view of the Menai Suspension Bridge, with a paper lined interior, inscribed in pen ‘This belonged to dear Lucy, Mother to W. H. T., 28th Sept 1840’, containing ivory counters, 21.5cm wide (max). (3) £200-300

492

Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

493. Two Regency red leather boxes, one of sarcophagus shape, the inside of the lid with a printed silk panel of a lady on a chariot drawn by two deer, the other with a marbled paper lining, 16.4cm wide (max). (2) £80-120 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

493

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494. Six George III reverse glass mezzotints, comprising: a rare print of Autumn and Winter, three similar prints, two of the ‘THE FLIGHT INTO EGYPT’ and one ‘RETURN from EGYPT’, one by ‘Stampa & Steffenoni, 74 Leather Lane, Holborn, London’, together with a pair ‘CONNUBIAL HAPPINESS’ and ‘THE PLEASURES of LOVE and RETIREMENT’ published by ‘Stampa & Sons November 1806, London, 74 Leather Lane, London’, late 18th century / early 19th century, 25.3 x 35.3cm (max), in moulded frames. (6) £200-300

495. A matched set of four reverse glass prints of the Evangelists, Matthew, Mark, Luke and John, each in an interior scene, holding a book and accompanied by their attributes, late 18th / early 19th century, 34.5 x 24.5cm (max), each in a glazed moulded frame. (4) £150-250

Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

496. A pair of George IV hand-coloured engraved prints, of the ‘FLIGHT into EGYPT’ and the ‘RETURN from EGYPT’, printed and sold by P. & P. Gally, 15.4 x 20.5cm, in glazed ebonised reeded frames, together with ‘PLENTY’ a hand-coloured engraved print also by P. & P. Gally. (3) £100-150

497. A pair of 19th century hand-coloured engraved prints, ‘HARVEST HOME’ and ‘FARM YARD’, by J. Fairburn, 10 Minories, London, 20.7 x 31.3cm, each in a glazed fruitwood frame, together with a pair of early 19th century engravings ‘THE AFFECTIONATE DEPARTURE’ and ‘THE HAPPY RETURN’, in glazed ebonised frames. (4) £50-80

Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

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498. A rare pair of Regency cut-paper and watercolour Christmas stars by Henry Maynard, the centres painted with religious scenes and decorated with birds, angels and figures holding crosses, with foil initials ‘M W M’, signed ‘By Hy. Maynard, Kingston’ and dated ‘1811’, 19.6 x 19.8cm, in a glazed giltwood frame. (2) £200-300 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman. These cut-paper pictures were probably made by Henry Maynard, 3rd Viscount Maynard (1788-1865).

499

500 499. Queen Caroline interest. A pair of early 19th century hand-coloured engravings, ‘The Funeral Procession of her most Lamented Majesty QUEEN CAROLINE entering the City at Temple Bar, Aug 14.1821. Being the general Wishes of the PEOPLE’ and ‘BRITANNIA Weeping at the Monument of our Beloved and Universally Regretted QUEEN CAROLINE, The Wife of his Majesty GEORGE IV’, printed and sold by P. and P. Gally, 15.3 x 20cm, in glazed ebonised and reeded frames, together with another print of the procession. (3) £100-150 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman. 500. After Abraham Wivell (1786-1849). ‘FIELD MARSHAL HIS ROYAL HIGHNESS THE DUKE OF YORK’, a seated portrait, the Duke wearing military uniform and the Star of the Garter, with a dedication to George IV, engraved by Thomas Goff Lupton and published by William Sams, 32.5 x 24.7cm, in a glazed gilt and composition frame with a crown and cushion surmount. £150-200 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman. 501. A pair of early 19th century hand-coloured engraved Royal portrait penny prints, of ‘KING WILLIAM the FOURTH’ and ‘QUEEN ADELAIDE’, 9.1 x 6.9cm, together with a pair of similar Royal portrait bust prints, titled ‘PRINCE COBOURG’ and ‘PRINCESS OF WALES’, all in glazed, reeded ebonised frames. (4) £80-120 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

501

The Princess of Wales was George IV’s daughter, Charlotte Augusta (17961817). She married Leopold I, King of the Belgians (1790-1865) on 2nd May 1816. After only a year of and a half of marriage Charlotte tragically died after delivering a still-born son.

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502. A pair of William IV handcoloured and embellished marine engravings, ‘THE LAUNCH of the THUNDERER MAN OF WAR in the presence of King Wm 4th & Queen Adelaide, at Woolwich, Sepr 22, 1831’ and ‘KING WILLM 4th & QUEEN ADELAIDE, landing at Greenwich Augt 5th 1830’, printed and sold by William Belch, 258 Borough, London, both with sequin / foil rondel decoration, 19.2 x 29.2cm and a similar engraving ‘OUTWARDBOUND INDIAMAN’, by J. Fairburn, all in glazed ebonised frames. (3) £100-150 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

503 503. An early 19th century tinsel print picture of Madame Auriol as Columbine, cut-felt, foil and glitter with hand-coloured etching, published by J. Redington, 73 Hoxton Street, London, Formerly called 208, Hoxton Old Town, 20.8 x 15.7cm, in a glazed bird’s eye maple frame, together with another tinsel print depicting ‘THE SAILOR’S FAREWELL’ and a hand-coloured etching of the ‘THE SAILOR’S FAREWELL’. (3) £100-150 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

502

Tinsel prints were created from etched portraits of theatrical stars in popular roles they played on the London stage. They were hand-coloured and decorated with scraps of material and tinsel additions. They were popular during the first half of the 19th century and were considered an adult, rather than a child’s hobby. By the 1830s it was possible to buy the tinsel, leather and feather ornaments to go with each image. 504. An early 19th century theatrical tinsel print picture, depicting a seated lady holding a lyre, mixed media with silk, tinsel foil and hand-coloured print, 22.5 x 18.9cm, in a glazed wood frame. £100-150 505. A pair of early 19th century ornithological and botanical paintings, one inscribed ‘Chinese Doves’ and ‘Trepalus’, 14.7 x 16.2cm, both later glazed and framed. (2) £100-150 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

504

505

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506. A rare 18th century pin-prick and watercolour picture, depicting a well dressed cunning money lender, holding a bag of money, inscribed ‘£20,000’, 22 x 16cm, mounted in a glazed Hogarth type frame. £200-300 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

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507. Four Regency faux-bamboo side chairs, each with a cane seat, comprising: a pair of chairs with interlaced backs and two single chairs decorated with cannonballs. (4) £100-200 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

507

508. A Regency mahogany chest, the rectangular top with an applied reeded edge above four long graduated drawers and bracket feet, 96cm high, 93cm wide, 47cm deep. £200-300 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

508

509. A George IV mahogany chest, inlaid with stringing and satinwood banding, with four long graduated drawers, on bracket feet, 95.3cm high, 67.5cm wide, 37cm deep. £100-200

509

510. A mahogany drum table in Regency style, the circular fixed top inset with a leather writing surface, above four frieze drawers with four false fronts, on four reeded scroll legs, on brass sabot and castors, 19th century, 73.2cm high, 76.3cm diameter. £300-400

174

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511. A pair of Regency mahogany hanging wall display cabinets, each with a geometric astragal glazed door, enclosing three adjustable shelves, 81cm high, 50cm wide, 21.5cm deep. (2) £800-1,200 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

511

512. A George IV goncalo alves jardinière table in the manner of Gillows, the top with a nulled edge and with a green leather lined cover, revealing a lift-out painted metal liner with a mesh cover, the ends with turned triple columns united by turned stretchers, on brass sabot and castors, 75.8cm high, 61.8cm wide, 41.5cm deep. £400-600

512

513. A George IV mahogany dressing table, the top with a beaded three quarter gallery, above three frieze drawers around an arched kneehole and with four part spiral twist and ribbed tapering legs, probably Scottish, 76.5cm high, 95.4cm wide, 47.7cm deep. £150-250

513

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514. A set of four George III ‘Sheraton’ painted country chairs, decorated with draped urns and ribbon tied laurel leaves, each with a rush seat, comprising: an open armchair and three side chairs (one reduced). (4) £400-600

514

λ 515. A Regency rosewood and brass mounted side cabinet, with a lappet and floret moulding, the raised back with two shelves, with turned column supports, above a frieze drawer inlaid with fleur-de-lis and with a pair of gilt brass lattice grille doors with pleated silk panels enclosing a shelves, on cast brass lion’s paw front feet and brass castors, 135.5cm high, 77.5cm wide, 35.8cm deep. £1,500-2,000

515

516. A Regency ‘D’ shaped tea table, inlaid with ebonised stringing, the hinged fold-over top on twin gate supports, on ring turned and baluster ribbed legs, 74cm high, 91.6cm wide, 45.2cm deep. £300-500 517. A pair of Regency mahogany side chairs, each with a curved tablet back above a drop-in seat and sabre legs, together with a simulated rosewood side chair with a ribbed back and a brass marquetry panel and a mahogany side chair with ebonised Greek key decoration. (4) £100-200 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

176

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518. A William IV painted bird’s eye maple marriage table in the manner of Holland & Sons, the rectangular fixed top with rounded corners and decorated with fan motifs and centred with an oval panel with a greyhound with two stars, two crosses and a coronet, and titled ‘CLINTON’ surrounded by painted scenes of a young man and woman and with them embracing and dancing, with an outer band of scrolling leaves, with twin frieze drawers to either side, the base with parcel gilt decoration and a lappet carved stem, on four splay legs with scroll feet and castors, 71.7cm high, 90 x 137.2cm. £6,000-8,000 The centre of this table is painted with heraldic symbols which probably relate to Henry Pelham-Clinton, 5th Duke of Newcastle-under-Lyne, KG, PC (1811-1864). He married Lady Susan Hamilton (1814-1889) on the 27th November 1832 and this table might have been made to commemorate their wedding.

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519. A Regency mahogany extending Pembroke dining table, inlaid with ebonised stringing, the dropleaf top with a reeded edge, on a telescopic frame, with two additional later leaves, on four turned column supports, reeded legs and brass lion’s paw sabot and castors, 72.7cm high, 214cm long (extended) 109.7cm wide. £2,000-3,000

519

519 open 520. A George IV simulated rosewood four-tier whatnot, the top with a hinged reading / music rest on a ratchet, with turned supports, with a base drawer and on brass caps and castors, 138cm high, 48.2cm wide, 37.4cm deep. £400-600

λ 521. A Regency rosewood Canterbury, with four dipped divisions and a central handle, with turned supports and carved mushroom finials, with a base drawer and on brass caps and castors, 51.4cm high, 50cm wide, 36cm deep. £1,000-1,500

520

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522. A rare Regency mahogany oval three-tier whatnot, with turned column supports, on brass caps and castors, 73.2cm high, 61.3cm wide, 42cm deep. £800-1,200

522

523

523. A Regency ebonised faux-bamboo child’s correction chair, with a cane seat and a needlework cushion. £100-150 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

524. A Regency mahogany lamp stand, the top with a moulded edge on a ring turned column stem and four scroll legs, 70.7cm high, 41.6cm wide. £150-250 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

524

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525

526 525. An early 19th century Channel Islands mahogany bowfront chest, with four long flame veneered drawers, with flowerhead handles and flanked by fluted and flower carved pilasters, on carved claw and ball front feet, 104.5cm high, 108cm width, 54.5cm deep £600-800 526. A Regency mahogany corner washstand, inlaid with ebonised stringing and with reeded mouldings, the twin hinged top and front revealing a mahogany cover above three bowl apertures, above a drawer flanked by false fronts and with a cupboard below, 91.7cm high, 50.7cm wide, 72cm wide. £200-300 527. A George IV bird’s eye maple work table, inlaid with ebonised stringing, fitted with a frieze drawer above a pull-out bag, on ring turned supports, 74.4cm high, 51cm wide, 34.3cm deep. £500-700 528. A 19th century oak child’s correction chair.

£100-150

Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

527

529. An early 19th century giltwood and gesso overmantel mirror, with three rectangular plates, flanked by cluster columns with leaf capitals, with beaded and lappet mouldings, 53.6 x 129.4cm. £150-250 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

528

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530. A rare Regency giltwood girandole wall mirror attributed to Thomas Fentham, with a Chinese reverse glass plate, the circular mirror plate painted with a charming lake scene with figures and deer before a bridge leading to a pagoda, with boats and a country house in the distance, within a reeded ebonised slip and a leaf moulded and wrapped frame, with an ebonised eagle and rockwork surmount above a pair of quiver and scrolling leaf arms with brass urn sconces, the scrolling leaf base with a lion’s mask and a bud pendant, 94 x 78cm. £4,000-6,000 This fine Anglo-Chinese girandole mirror has a carved giltwood frame attributable to Thomas Fentham who was a leading Regency carver, looking glass and picture frame maker based in the Strand in London. His notable clients included: the 3rd Earl of Egremont, Charles Townley and the Yorke family of Erdigg Hall, Wrexham. It is highly unusual for a convex style girandole mirror to have a Chinese reverse glass painted plate. The fashion for Chinese interiors was popularised at this period by the Prince Regent, later George IV, initially with his Chinese drawing Room at Carlton House and later at the remarkable Royal Pavilion in Brighton. For a similar pair of Regency convex mirrors with Chinese reverse glass mirror plates see Bearne’s, Hampton and Littlewood, Exeter, 23rd October 2013, lot 1150, which sold for £17,500.

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531 531. A pair of 19th century Chinese hardwood throne chairs, the frames extensively carved with a scholar with his pupils, pine trees, squirrels, dragon’s heads, happy Buddhas and scrolling leaves and flowers, with a later fabric padded oval back, seat and armrests. (2) £400-600 532. A 19th century Chinese carved hardwood throne chair, extensively carved with scaly dragons, leaves and fruit, with a dished seat, on claw and ball feet. £1,500-2,000

532

533

533. A quartetto nest of Chinese hardwood occasional tables, each carved with scaly dragons and with pierced friezes and stretchered supports, late 19th / early 20th century, 71.7cm high, 50.6cm wide, 36.7cm deep (max). (4) £800-1,200

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534. A Chinese elm jardinière stand, with scroll decoration and a lattice base, Qing dynasty, 74.7cm high, 43.2cm wide, 26.5cm deep. £150-200

535. Two Chinese embroidered silk panels, one depicting two figures within a landscape setting, the other with an immortal figure, with urns of flowers and auspicious objects, in floral borders, 68 x 28 (max), each in a glazed ebonised and gilt frame, late 19th / early 20th century. (2) £200-300

536. A set of six Chinese gouache rice paper paintings, depicting various scenes of figures, including: ladies at a scholar’s table taking tea and a caparisoned elephant with attendant figures, late 19th / early 20th century, 44.4 x 58.3cm, in glazed moulded gilt frames. (6) £150-250

534

537. A pair of horn rimmed folding spectacles, possibly Chinese late 18th / early 19th century, 10cm wide. £40-60

537

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538. A pair of mid-19th century Chinese carved mother of pearl shells, finely relief decorated with pagodas, birds, peacocks, deer and buffalos, with scrolling leaves and flowers, each on a naturalistic carved hardwood stand, 32.5cm high (overall). (4) £150-250

538 539. A Chinese black lacquer cabinet, polychrome decorated with scaly dragons chasing pearls, with two pairs of cupboard doors, the lower enclosing a shelf, each with a bronze locking bar padlock the ends decorated with figures, early 20th century, 113.7cm high, 66.1cm wide, 35.2cm deep. £300-400

539

540. A late 19th century camphorwood campaign secrétaire chest, in two halves, with a frieze drawer above a central secrétaire drawer with a hinged baize lined writing slope and a pen and ink drawer, flanked by four short drawers and three further long drawers, with military style sunken brass handles, on turned feet and with side carrying handles, 125.4cm high, 113.7cm wide, 53.3cm deep. £1,000-1,500

541. A late 19th century Chinese camphorwood trunk, the hinged lid revealing a vacant interior, with brass side carrying handles, 52.2cm high, 106.5cm wide, 56.5cm deep. £300-500

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542. A pair of Japanese cloisonné ovoid vases, each decorated with lilies, chrysanthemums and butterflies on a navy blue ground, Meiji 1868-1912, 37.5cm high. (2) £400-600

543 542 543. Three Japanese bronze censers, one with a lid with a seated sage figure and with panels of birds, another with a lid decorated with a frog and the underside decorated with a four-character seal mark, late 19th / early 20th century, 23.8cm high (max). (3) £150-250

544 λ 544. A Japanese ivory okimono, carved with a monkey holding a gourd aloft supporting five toads whilst standing on a large toad, Meiji 1868-1912, 18.7cm high. £200-300

545. A Japanese bronze model of a crane, 88.9cm high. £300-500

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546. A large Japanese bronze model of a roaring tiger, the body patinated to imitate stripes, Meiji 1868-1912, 72.5cm long, on a carved elm stand. (2) ÂŁ4,000-6,000

546 detail

547. A Japanese bronze model of a snarling tiger, with glass eyes, the body patinated to imitate stripes, the belly with a signature panel to the underside, Meiji 1868-1912, 26.5cm long. ÂŁ150-250

548. A Japanese bronze group of an elephant attacked by two tigers, with bone tusks, the underside with a signature plaque, Meiji 1868-1912, 18cm high, 27cm long, on a naturalistic carved wood base. ÂŁ800-1,200

548

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550

549. A 19th century Burmese hardwood occasional table, the circular tilt-top carved with birds, animals and buildings, with a pierced foliate freeze, on a snake entwined base, 72cm high, 68cm diameter. £150-250

549

λ 550. A late 19th century Ceylonese ebony inkstand, with ivory and bone dot inlay and decorated with five elephants, the raised back with a watch holder with a quill rack, above a lidded compartment, flanked by two lidded inkwells and with a pen tray, 26.7cm wide, 18.3cm deep, together with two separate carved ebony elephants. (3) £100-150 551. A pair of Anglo-Ceylonese ebony armchairs in 19th century style, each with a triple splat-back above a cane seat, with a squab cushion with a printed vermiculated design, on square tapering legs, modern. (2) £300-500

551

552

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λ 552. A late 19th century Ceylonese ebony and porcupine quill writing slope, with ivory and bone dot inlay, the hinged top revealing a panel decorated with a pair of lions and scrolling foliage with lac decoration, inscribed ‘No. 1 MATARA 1876’, above a pair of inkwells and a lidded pen compartment and with a ruler in a lidded compartment, above a baize lined writing surface, with two drawers, 13.2cm high, 38cm wide, 27.2cm deep. £150-250

552 open

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Îť 553. A pair of mid-19th century Ceylonese ebony occasional tables, each with a hexagonal top inlaid with pewter and coloured stringing, with a central whorl of exotic specimen woods, including: palmwood, calamander and macassar ebony, around an ivory rondel, with a frieze drawer, on lappet and scroll carved legs and a platform base with scroll feet, 71.5cm high, 53.5cm wide. (2) ÂŁ7,000-9,000 See Amin Jaffer, Furniture from British India and Ceylon, pp.372-373, fig.141 for a similar table attributed to the Galle District.

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554

λ 554. A 19th century Anglo-Indian rosewood centre table, the circular top with an egg and dart moulded edge and a leaf and rosette frieze, on a bulbous leaf carved stem and quatreform base, 76.3cm high, 121cm diameter. £500-800

555

λ 555. A 19th century Anglo-Indian rosewood Davenport, all over relief carved with scrolling leaves and flowers, with birds and beasts, the pierced and shaped raised back fitted with four drawers flanking a pigeonhole, above a hinged sloping writing surface enclosing two drawers, the right side with a pen and ink compartment, above a hinged door enclosing four drawers with sunken brass handles, with bird front supports and elephant head feet, Bombay, c.1870-80, 124cm high, 75cm wide, 69.5cm deep. £300-500

556. An Anglo-Indian hardwood occasional table, all over carved with scrolling leaves and flowers, the octagonal lift-off top above a folding base with conforming pierced panels, 64cm high, 63.8cm wide, together with a smaller similar Anglo-Indian hardwood octagonal occasional table, 48.3cm high, 48.2cm wide. (2) £300-500

556 part

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λ 557. An Anglo-Indian hardwood occasional table by Bru Lal Mangat Ram Jain, inlaid with ivory, bone and ebony, the octagonal top with a polychrome decorated landscape scene with two pairs of peacocks, a pair of parrots on a branch and a swan, on a baluster stem and a cruciform base, the underside with printed paper labels, one inscribed ‘Dabbi Bazar HOSHIARPUR Punjab India’, late 19th / early 20th century, 54.5cm high, 54.8cm wide. £300-400

557

558. An Anglo-Indian hardwood occasional table by Kanhaya Lal Brij Lal Jain, inlaid with brass and ebony stringing, the octagonal liftoff top decorated with a fan design, above a folding base with mihrab arches, with a printed paper trade label, Hoshiarpur, late 19th / early 20th century, 53cm high, 54.2cm wide. £250-350

558

λ 559. An Anglo-Indian hardwood occasional table, inlaid with ivory, bone and ebony with scrolling leaves and flowers, the octagonal top with a chevron edge, on a folding base with mihrab arches, Hoshiarpur, late 19th / early 20th century, 46cm high, 49.8cm wide. £250-350

559

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560

561

λ 560. An Anglo-Indian hardwood tea caddy, inlaid with bone and ivory with urns of flowers and leaves, with brass mounts, the sloping lid revealing a single lidded interior, Hoshiarpur, late 19th / early 20th century, 15.7cm high, 15cm wide, 12.4cm deep. £150-200

λ 561. An Anglo-Indian sadeli tea chest, of sarcophagus shape, inlaid with ebony and ivory stringing and with bands of panels of parquetry mosaic, the hinged lid decorated to the underside, revealing a pair of rosewood and sadeli tea canisters with hinged lids and with an aperture for a sugar bowl, with lion’s mask ring handles and cast iron lion’s paw feet, Western India, Bombay, first half 19th century, 18.2cm high, 30.2cm wide, 15.4cm deep. £100-200 λ 562. A mid-19th century Anglo-Indian ivory and sadeli writing slope, inlaid with ebony banding and mosaic rondels and triangular motifs, the hinged lid revealing a sandalwood interior with lidded compartments, divisions and a pen tray, the hinged front revealing a plush lined writing surface and two drawers, Western India, Bombay, 15.4cm high, 37.3cm wide, 26.6cm deep. £100-200 λ 563. A mid-19th century Anglo-Indian sandalwood and ivory card box, decorated with bands of ebony and sadeli, the interior with a red leather lined lift-out tray with four divisions, above four further divisions to the base, with white metal side carrying handles, Bombay, 7.1cm high, 30cm wide, 22.6cm deep, together with a carved sandalwood and ebony glove box. (2) £150-250

562

563

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Îť 564. A Mughal Indian ebony and ivory cabinet on stand, inlaid with scrolling leaf and flower borders and with repeating patterns of flowers on a rosewood ground, with a pair of hinged doors revealing a divided interior with a pair of mahogany drawers, the sides inlaid, on a later, probably 18th century English, ebonised stand, the cabinet Gujarat or Sindh, late 17th / early 18th century but later adapted and lacking its original interior, the cabinet: 51.5cm high, 97.5cm wide, 45.3cm deep, overall: 130.7cm high, 98.8cm wide, 46.3cm deep. ÂŁ3,000-5,000 This present lot with its beautiful inlay of flowers reflects the high Mughal style of setting rows of flowering plants in alternating patterns on a plain ground. This enchanting device is characteristic of the reign of Shah Jahan and can be found decorating buildings erected by the Emperor. For a very similar example see the V&A Museum, South Asia, Room 41, case 16, which is on loan from Dr. and Mrs A. Poteliakhoff.

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λ 565. A Mughal Indian rosewood and ivory casket, with brass mounts, inlaid with panels of flowers and borders of scrolling leaves and flowerheads, the domed hinged lid with a handle revealing a vacant interior, originally with divisions, late 17th / early 18th century, 11.3cm high, 33cm wide, 16cm deep, on a later ebonised stand. (2) £800-1,200 See Christie’s, Indian and Islamic Works of Art and Textiles, 11th April 2008, lot 418, for a similar example.

λ 566. An Anglo-Indian ebony and ivory writing box, inlaid with lac heightened leaves and flowers, the lift-off lid revealing a divided interior with a sliding cover, above a base drawer, Vizagapatam, c.1740-50, 16.4cm high, 41.7cm wide, 32.2cm deep. £800-1,200

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λ 567. An 18th century Anglo-Indian ebony and ivory document box, inlaid with scrolling leaves and flowers with incised lac decorated details, the hinged lid with a moulded ivory edge revealing further decoration to the underside of the lid and with a divided interior fitted with three drawers, with brass side carrying handles, Vizagapatam, c.1720-30, 11.8cm high, 47.5cm wide, 32.7cm deep. £4,000-6,000 For a similar box in the V& A Museum, see Amin Jaffer, Furniture from British India and Ceylon, p.186, pl.37.

λ 568. An 18th century Anglo-Indian tortoiseshell and ivory box, decorated all over with scrolling leaves and flowers highlighted with incised lac, with circular and one oblong tortoiseshell rondels, the hinged lid revealing a sandalwood interior with one compartment, with silver side carrying handles, hinges and escutcheon, Vizagapatam c.1740-50, 10.1cm high, 28.3cm wide, 20.5cm deep. £2,000-3,000 For a similar box in the Clive Collection, see Treasures from India, The Clive Collection at Powis Castle, pp.82-83, pl.104.

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569

λ 569. A mid-18th century Indo-Portuguese sandalwood and ebony document box, inlaid with ivory and ebony scrolling leaves and flowers, the hinged lid with a central medallion and applied with giltbrass flowerheads, the later plush lined interior with a lift-out tray with divisions, with Chinese style brass carrying handles, Vizagapatam, 13.2cm high, 48cm wide, 32.3cm deep. £2,500-3,500 λ 570. An early 19th century Anglo-Indian ivory and tortoiseshell tea caddy, lac decorated with guilloche bands, the hinged lid revealing a sandalwood lined interior with twin divisions, Vizagapatam, 10.8cm high, 17.4cm wide, 12.6cm deep. £200-300

570

λ 571. An early 19th century ivory ornamentally turned urn and cover, with ribbed and fluted decoration, with a slender stem and square base, 19.5cm high. £300-400

196

λ 572. A 19th century Indian carved ivory figure, of a voluptuous semi-naked lady or goddess, 18.5cm high. £250-350

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573. A mid-19th century Anglo-Indian iron and koftgari octagonal box, with gilt damascened decoration of differing panels of scrolling leaves and foliage, the domed hinged lid revealing a later velvet lined interior, probably Punjabi, Sialkot, 11.5cm wide. ÂŁ200-300

573

574. A mid-19th century Anglo-Indian iron and koftgari oval box, with gilt damascened decoration of bands of scrolling leaves and foliage, the domed hinged lid with a scalloped rim, with ring carrying handles (one missing), on bun feet, probably Punjabi, Sialkot, 18cm wide. ÂŁ200-300

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575. A Mamluk brass bowl, with a plain rim, above an engraved band with thuluth prayer inscriptions, interspersed with floral rondels, above a band of floral pendants, with a fish bowl interior, with traces of silver inlay, late 13th / early 14th century, Syria or Egypt, 23cm diameter. ÂŁ1,000-1,500

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576. A 14th century Fars brass bowl, with interlaced decoration to the rim, the body engraved with oval cartouches with thuluth prayer inscriptions interspersed with rondels containing a figure, above bands of trefoil palmettes, originally inlaid with gold and silver, with traces of silver visible, West Iran, Ilkhanid period, 23cm diameter. ÂŁ1,000-1,500 See The Arts of Islam, Hayward Gallery, 8th April-4th July 1976, Exhibition Catalogue, p.184, pl. 205 for a similar example at the British Museum. Also Christieâ&#x20AC;&#x2122;s Art of the Islamic and Indian World, 5th October 2010, lot 173 for a similar example.

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577. An Islamic brass and silver inlaid bowl or basin, the body engraved with alternating panels of flowerheads, with smaller reserves with thuluth script and with hatched decoration, with a band of pendants and leaves and turning lines to base, old Danish lot label to interior, provincial probably 15th / 16th century, 14cm high, 35.5cm wide. ÂŁ400-600

578. A late 19th century Mamluk revival brass bowl, inlaid with copper and silver, with scrolling decoration and with panels of Islamic script, together with a similar copper example, 14.4cm high. (2) ÂŁ200-300

200

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579. A fine Afshar rug, decorated with a trellis pattern of flowers on a dark blue ground, South East Persia, mid-19th century, 207 x 170cm. ÂŁ1,500-2,500 Provenance: Purchased from Lefevre & Partners, London, Rare Persian Carpets and Artefacts, 7th October 1977, lot 33.

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580. An Erivan rug, Armenia, Central Caucasus, 185 x 102.5cm, together with a North West Persian rug, 183 x 119.5cm, both early 20th century. (2) £100-150

580

581. A Kuba long rug, 228 x 107cm, together with a Shirvan rug, North East Caucasus, 171 x 103.3cm. (2) £100-150

581

582. A Kazak prayer rug, South West Caucasus, early 20th century, 142 x 82.5cm. £80-120

583. A Karabakh Chelaberd rug, South West Caucasus, first half 20th century, 196 x 151cm. £300-500

202

582

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584. A fine Qashqai Shekarlu carpet, worked with a multitude of colours with geometric designs, with an ‘S’ outer border and with tasselled ends, Fars, South West Persia, 2nd half 19th century, 257 x 202.5cm. £3,000-5,000 Provenance: Purchased from Lefevre & Partners, London, Rare Persian Carpets and Artefacts, 26th May 1978, lot 31 for £5,800.

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585

586

585. A Tekke Turkmen small carpet, Turkmenistan, early 20th century, 244 x 154.5cm. £100-200

586. A Tekke Turkmen carpet, Turkmenistan, early 20th century, 297 x 216cm. £150-200 Provenance: The Countess of Midleton, Eastwell Park Estate, Kent, thence by descent Captain and Mrs Brodrick of Dunley Manor, Hampshire.

587. A Tekke Turkmen carpet, Turkmenistan, early 20th century, 363 x 207.5cm. £200-300

587

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588. A Lilihan rug, worked with a central medallion, with an array of animals, including: monkeys, dogs, leopards, peacocks and grotesque beasts, with urns of flowers, Hamadan region, North West Persia, early 20th century, 348 x 187cm. ÂŁ150-250

588

589. A Kurdish runner, North West Persia, dated 1880, 455 x 110cm. ÂŁ300-400

589

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590. A rare South West Persian dated tribal carpet, with an all over boteh field and with an unusual ‘morgh’ or chicken border, dated in one corner with the Islamic year ‘1240’ for AD. 1824 but possibly later, 277 x 161cm. £1,500-2,500 Provenance: Purchased from Lefevre & Partners, London, Rare Persian Carpets and Artefacts, 9th February 1979, lot 17 for £5,800. By repute from the vendor, a similar carpet can be found in the Topkapi Palace Museum, Istanbul.

206

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591

591. A Khotan rug, Sinkiang, East Turkestan, 19th century, 203.5 x 143.5cm. £300-400

592. A North West Persian runner, c.1920, 431 x 105.5cm. £150-250

592

593. A Malayer rug, North West Persia, 160.5 x 134cm. £100-150

594. A Turkish runner, early 20th century, 373 x 93.5cm. £100-150

593

594

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595. A Turkish Ushak carpet, with an ivory field, West Anatolia, missing outer guard border, early 20th century, 510 x 404.5cm. ÂŁ3,000-5,000

596. No lot

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597

598

599

597. An Indian walking cane, the silver shepherd’s crook handle decorated with figures, trees and buildings, engraved with a monogram ‘ R I’, late 19th / early 20th century, with a palmwood stem and a brass terminal, 96.5cm long. £300-400

λ 598. A late 19th century Chinese buffalo horn and ivory walking cane, the handle carved with a dragon’s head with bulbous eyes, with a sectional shaft, 85.2cm long. £200-300 599. A walking cane, the calamander handle carved in the form of a parrot, with glass eyes, above a ribbed brass ferrule and a palmwood shaft, with a brass terminal, late 19th / early 20th century, 82cm long. £100-150

λ 600. A late Victorian walking cane, the ivory handle carved in the form of a snarling dog’s head, with glass eyes, with a gilt foliate collar ferrule, above a bamboo shaft, with a brass terminal, 89.4cm long. £150-200 λ 601. A late Victorian walking cane, the ivory handle carved with a hound’s head, its hair tied with a ribbon, with glass eyes, above a white metal ferrule and an ebony shaft with a brass terminal, 85.9cm long. £200-300 602. A George V walking cane, the silver handle in the form of a duck’s head, with glass eyes, hallmarked London 1911, with a part palmwood shaft, 94.6cm long. £200-300

600 601

603. A late Victorian walking cane, the silver handle in the form of a horse’s head, hallmarked for London 1888, with a Malacca shaft and a brass terminal, 89.6cm long. £200-300

602

603

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604

605

606

604. A late 19th century folk art carved wood walking cane, decorated with grotesque masks, the underside of £200-300 the cane stamped ‘F. W. EVISON’, with a brass terminal, 94.6cm long. 605. A 19th century folk art carved wood walking cane, with a naive dog’s head handle, the stem scrimshaw decorated with bird and animals, together with a walking cane with a carved clenched fist handle engraved with a monogram, with a white metal ferrule and an ebony shaft and a briar stick, faux tortoiseshell decorated, the handle with a bone panel and carved with mice eating fruit, 87.3cm long (max). (3) £150-250 606. A Victorian folk art briar walking cane, carved in the form of an umbrella, 76.7cm long.

£40-60

607. A 19th century walking cane, the handle carved with the bust of a judge, with a brass terminal, 79.3cm long. £100-150 608. A late Victorian walking cane, the boxwood handle carved in the form of a Turk’s head, with glass eyes, with a brass ferrule and a Malacca shaft, 92.2cm long. £150-250 609. Three Malacca walking canes, each with a carved bone handle, one in the form of a boot, with a silver ferrule inscribed ‘T. W. Marchant’, one as a horse’s head, with glass eyes, the other as a satirical portrait of a Jewish man, with a silver ferrule hallmarked for Birmingham 1923, early 20th century, 89.3cm long (max). (3) £150-250

λ 610. A George V ‘system’ vesta walking cane, the brass handle in the form of a devil’s head with ivory horns and collar, which unscrews to reveal a compartment for matchsticks, the back of the handle with a strike, with a silver ferrule hallmarked for London 1911 and a rosewood shaft, together with a French Pyrenees Basque makhila walking cane, with a medlar shaft decorated with snakes, the pull-off horn and leather handle revealing a spike, the £100-150 brass terminal inscribed ‘AINCIART LARRESSORE 1915’, 96.2cm long (max). (2)

607

210

608

609

610

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611

612

613

611. Hunting interest. A pair of walking canes, the handles carved and painted with foxhound heads, with glass eyes, with a bamboo shaft, together with a similar riding crop, the handle with a fox’s head, late 19th / early 20th century, 89.5cm high (max). (3) £150-250 612. A late 19th century glove holder walking cane, the carved wood handle in the form of a French bulldog’s head, with glass eyes and an articulated mouth, with a leather collar and Malacca shaft, together with a similar smaller example, 84.2cm long (max). (2) £150-200 613. A late 19th century glove holder walking cane, the carved wood handle in the form of a French bulldog’s head, with glass eyes and an articulated mouth and ears, above a leather collar and a hardwood tapering shaft, 88.2cm long. £400-600

λ 614. Three shepherd’s crook walking canes, one in palmwood with a carved ivory dog’s head handle terminal, with glass eyes (one missing), with 8ct gold ferrules, together with two lady’s canes, one with a silver bird’s head handle terminal, the other decorated with scrolls and stamped ‘NICKEL SILVER’, late 19th / early 20th century, 90.3cm long (max). (3) £150-250 615. Three walking canes, each with a white metal handle, two similarly decorated with scrolling leaves and with Malacca shafts, possibly Indian or Burmese, the third decorated with animals and with an ebonised shaft, late 19th / early 20th century, 91.9cm long (max). (3) £100-150 616. A ‘system’ barrel measuring cane, with a brass ball handle which unscrews to reveal a wooden measure inscribed ‘WINE GALLONS’ and ‘BEER GALLONS’, with a carved simulated bamboo shaft and a brass terminal, 94.3cm long. £100-150 617. A late 19th century walking cane, the unmarked silver handle in the form of a gauntlet inset with a carnelian seal, the matrix engraved with initials ‘A G G’ and with a flaming crest and motto ‘STA BIT’, with a part reeded teak shaft, with a brass terminal, 95cm long. £200-300

614 616

617

615

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618. A late Victorian novelty painted cast iron umbrella stand by Coalbrookdale, in the form of a chihuahua holding a riding whip in its mouth, the liftout leaf shaped drip-pan stamped ‘35’ and with a Victorian registration lozenge, 61.7cm high, 60.7cm wide, 32cm deep. £300-500

618

619

619. A late Victorian brass and cast iron stickstand, with claw and ball finials and eight divisions, the base with two liftout trays, 64.8cm high, 43.5cm wide, 25.3cm deep. £200-300

620. A blue leather artillery shell stickstand, with a swing handle, the body emblazoned with a printed Royal Coat of Arms, 52.7cm high. £80-120

621. A brass twelve-division stickstand, with a black painted cast iron base, 65.7cm high, 64cm wide, 21.5cm deep. £200-300

620

622. A late Victorian cast iron umbrella stand, decorated with scrolling leaves and flowerhead rondels, with a brass spiral twist rail, with a lift-out tray, marked ‘960 No.16 960’, 81.5cm high, 52cm wide, together with a William IV cast iron bootscraper modelled with two storks dipping their beaks into a vase after Aesop’s fables and a cast iron doorstop decorated with cherubs. (3) £200-300

621

623. A Victorian cast iron stickstand, modelled with a seated dog below a tree, on a naturalistic base, with two divisions and a detachable tray, 69.7cm high, 41.2cm wide. £100-150

622

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624. A 19th century sailor’s whale bone and marine ivory walking cane, with a gilt brass ferrule, inscribed ‘J. B-S PYT HOUSE’, with a further band with a coat of arms with three rampant lions and initials ‘G A’, above a hatched and ribbed stem, 86cm long. £400-600 The initials on this cane relate to John Montague Benett-Stanford (1870-1947) who was a cinematographer and landowner. He was born and died at Pythouse, West Tisbury, Wiltshire. He served as a young officer in the Royal Dragoons until 1892 and later became a war correspondent and cinematographer in the Sudan campaign and the South African war. Nicknamed ‘Mad Jack’, his many appearances in court as the plaintiff or defendant, rather than the magistrate, highlighted his eccentricity and passion for practical jokes. 625. A 19th century sailor’s whale bone walking cane, with a ball handle and a part ribbed spiral twist and fluted stem, 93.8cm long. £300-500

624

625 627

626 626. A folk art carved wood naive walking cane, the handle in the form of a native with a sliding cover revealing a snuff compartment, the stem carved in high relief with a snake, figures smoking and drinking around a tripod table, with a stag hunt with dogs and riders on horseback, with a brass terminal, probably early 19th century, 88.6cm long, together with half of a carved coconut bugbear flask. (2) £400-600

λ 627. A late 19th century swagger stick, the Chinese ivory handle carved with scaly dragons and with a monogram ‘RSI’, with an ebony slender stem and a brass terminal, 99.3cm long. £150-200

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628. An Art Nouveau walking cane, the unmarked silver handle in the form of a young lady, possibly Flora, with her hands aloft and bound by flowers, with a briar shaft, 92.1cm long. £200-300

629. A Victorian walking cane, the gilt bronze handle with the City of London coat of arms, with dragons, the centre inscribed ‘GUILDHALL 1868’, the brass ferrule inscribed ‘LORD MAYOR SHERIFFS’ COMITTEE 1868 R. PALLETT. ESQ’, with a palmwood shaft, 88.4cm long, £200-300

629

628 λ 630. A late Victorian walking cane, the ivory handle carved with a seated jockey, above a vacant cartouche, with a white metal ferrule and a hardwood shaft, together with a novelty cane, the mammoth ivory handle carved in the form of a tooth, with an ebonised shaft, 93.3cm long (max). (2) £200-300

631. Two late Victorian swordsticks, each with a horn handle and a bamboo shaft, one with scroll decorated silver mounts, hallmarked for Birmingham 1898, revealing a triform 69.5cm long steel blade, the other with a 31.8cm long blade, 95.8cm long (max). (2) £150-200

630

632

λ 632. Three novelty ‘system’ walking canes, comprising: a sectional cane with brass mounts, which unscrews to reveal a nib, a pencil and inkwell, together with a Malacca dice shaker cane, the ivory handle carved with playing card symbols and with a glass top containing three dice and an ebony cane, the ivory fluted handle inset with a compass, 92.7cm long (max). (3) £100-150

633. Three walking canes, comprising: a late Victorian briar cane with a horn handle and a gilt metal ferrule, a Victorian silver handled palmwood cane, hallmarked for London 1887, a horn handled cane and a parasol handle with a white metal rat handle, 91cm long (max). (4) £150-250

214

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634. A late 19th century Dutch brass grape carrier stickstand, repoussé decorated with figures smoking pipes, windmills, cornucopiae and a milkmaid with a cow, base possibly later, 80cm high. £200-300

635. A George IV mahogany and brass mounted boot jack, 79.5cm high, 53cm long. £600-800

λ 636. A Victorian rosewood boot-pull case, in the form of a boot, hinged revealing a pair of steel boot-pulls, the foot base can be used as a shoe horn, 30cm long. £200-300

λ 637. A late 19th century rhinoceros horn riding whip, with a Chinese silver handle, repoussé decorated with figures and buildings, 71cm long, 59g. £300-500

635 634

637

636

636 open

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638 638. Taxidermy. An Edwardian preserved group of two trout in the manner of Cooper, mounted in a naturalistic setting, in a glazed ebonised bowfront case, with gilt lettering ‘Blagdon.June.1906.’, 46.5cm high, 84.7cm wide, 18cm deep. £200-300

639

639. Fishing interest. A leather rod case or tube by Hugh Grieve Originals, with a leather strap, 146.8cm long. £100-150

640

640. Fishing interest. A landing net in the manner of Gillies, with a turned ash handle and with brass mounts, 192cm long. £200-300 641. A painted plaster half-block model of an Atlantic salmon, mounted on a mahogany plaque and inscribed in gilt ‘ATLANTIC SALMON (SALMO SALAR) WGT 28LBS’, 40.7 x 116.8cm. £500-700

641

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642 642. A George V painted wood half-block model of a sea trout by P. D. Malloch, mounted on a painted backboard, signed ‘P. D. MALLOCH. PERTH’, and titled ‘SEA TROUT LOCH LANISH, 7 lbs., 30th August 1932’, in a giltwood moulded frame, 35 x 83.2cm. £3,000-4,000 643. Taxidermy. A George VI preserved perch by J. Cooper & Sons, the fish with painted scales and mounted in a naturalistic setting, with a printed paper trade label, inscribed ‘Preserved by J. COOPER & SONS 78 BATH ROAD, HOUNSLOW, MIDDX.’, within a glazed gilt and ebonised bowfront case, inscribed in gilt ‘PERCH 1 lb 1ozs, Caught by Baxendale, 8th July 1948 Aughenreoch Loch’, 26.7cm high, 45.7cm wide. £800-1,200 644. Taxidermy. An Edwardian preserved trout by P. D. Malloch, with a painted backboard, with a trade label inscribed ‘P. D. MALLOCH, NATURALIST, PERTH’ and with a further printed paper label ‘Killed on Loch Rannoch, 20th June 1904. Weight, 9 1/2 Lbs.’, mounted in a glazed ebonised and gilt picture frame case, 35.3 x 88.6cm. £500-700

643

644

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645. Taxidermy. A pair of preserved still life game birds, a teal duck and a grey English partridge, mounted on a felt board, in a glazed domed and carved wood oval frame, late 19th / early 20th century, 56 x 49cm. (2) £600-800

645

646. Taxidermy. A pair of George VI preserved jackal trophy head mounts by Peter Spicer, each mounted on an oak shield with an applied ivorine plaque inscribed ‘R.E.H. DAURAH 14.2.37’ and ‘R.E.H. ARMOURED CAR MESS 1.1.37.’, the backs stamped ‘P.SPICER & SONS TAXIDERMISTS LEAMINGTON’, 27.5cm high. (2) £150-250

646

647 λ 647. A George V silver mounted hippopotamus ivory tusk table gong, the bronze gong stamped ‘BURMESE’, mounted on an oak plinth, with a beater, the silver hallmarked for Sheffield 1914, 43.3cm high, 52cm wide, 21.3cm deep. £300-400 648. A Victorian fruitwood travelling canary box, the top with a brass handle and with sliding covers to either end, one with a glazed panel revealing a metal feeding compartment, with four air vents with sliding covers, 16.3cm high, 23cm wide, 14.5cm deep. £200-300

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649. A Coco de Mer (Lodoicea Maldivica), 31 x 30.5cm. £200-300

649

650. A Coco de Mer (Lodoicea Maldivica) basket, with a central handle, 31 x 25cm. £100-200

650

underside

651. A fossilised mammoth tooth (Mammuthus primigenius), in three sections, 30.5cm (max). (3)

£100-200

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653

652

652. Three Victorian cast iron and wood saddle racks by Musgrave, each marked ‘MUSGRAVE’S PATENT BELFAST’, together with an iron rein rack, 29.5cm (max). (4) £300-500 653. A late 19th century Black Forest hanging rootwood hat and coat rack, in the form of two faux walking canes, applied with eight hooks, 21 x 81.5cm. £200-300 654. Archery interest. A Victorian oak and brass mounted bow rack, with hooks to support eight bows, together with five archery bows by various makers, including: Ayres, Allred and Preston of Leamington, the rack: 91.7 x 85.8cm. (6) £600-800 655. A croquet set, on a green painted wood stand, comprising: four mallets, balls, clips, iron hoops and a marker post, with an applied plaque inscribed ‘GRENVILLES LTD, SPORTS OUTFITTERS, CHERRY ST., BIRMINGHAM’. £100-200 656. An Edwardian silver plated horseshoe inkwell, the glass well with a jockey’s cap hinged lid, stamped ‘DANIEL & ARTER R.53832’, mounted on an oak plinth, together with a George V commemorative horseshoe plaque, inscribed ‘RESTAURANT, JEWELLERY, COMMEMORATION OF THE OPENING

654

OF THE NEW PREMISES IN ALBION STREET LEEDS, OCTOBER 17TH 1925 LHS LTD’, 15cm wide (max). (2) £100-150

655

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λ 657. An early Victorian rosewood library table in the manner of Richard Bridgens, the rectangular top with a moulded edge above a carved scroll, baton and disc frieze and a pierced rondel apron, on fluted baluster supports united by a turned stretcher and scroll feet and brass castors, 76.9cm high, 128cm wide, 69.2cm deep. £800-1,200

657

658. An early Victorian mahogany trolley in the manner of Gillows, with three tiers, each with a moulded edge and a three quarter gallery, on panelled ends with carved scrolls and leaves, on conforming feet and brass castors, 108cm high, 114cm wide, 52.5cm deep. £500-800

658

659. An early Victorian mahogany tea table, the hinged and swivel top above a scroll carved frieze, on a faceted baluster stem and castors, 76cm high, 92cm wide, 46cm deep. £500-700

659

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660 660. An early 19th century mahogany bowfront serving table, with a moulded edge, on turned tapering legs, 71.6cm high, 178.5cm wide, 61cm deep. £300-500 661. An early Victorian pollarded oak serpentine tea table, the hinged and swivel quarter veneered top on a faceted baluster stem, the base applied with carved oak leaves and acorns, on scroll feet and ceramic castors, 74.8cm high, 92cm wide, 46.5cm deep. £600-800 662. A Victorian mahogany captain’s chair by Bartholomew, with a curved top rail and a dished seat, on turned front legs united by a crinoline stretcher, with brass caps and ceramic castors, the underside with remains of printed paper trade label, inscribed ‘MANUFAC... BARTHO... Co.’. £400-600 663. An early Victorian mahogany drum table, the octagonal fixed top inset with later gilt tooled leather, above four frieze drawers, with four false fronts, on scroll feet and castors, 74.7cm high, 73.3cm wide. £800-1,200

661

662

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664. An early Victorian oak hall bench, the back centred with a vacant oval cartouche, with turned column supports and lifts, on octagonal tapering legs, 88cm high, 124.5cm wide, 44.4cm deep. £800-1,200

665

λ 665. An early Victorian rosewood stool, with a later silk-covered drop-in seat, on spiral twist legs and sunken brass castors, stamped ‘ROACH & CLARKE PATENT’, 47.3cm high, 82.2cm wide, 58cm deep. £400-600 666. A set of six early Victorian mahogany buckle back dining chairs, each with a lappet carved horizontal splat, above a stuffedover seat, on turned lappet tapering front legs. (6) £400-600 667. No lot

666

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668. A mahogany bergère armchair in Regency style, with a reeded frame and a cane back, seat and sides, with faux-leather cushions and armrests, on reeded front legs and brass castors, late 19th / early 20th century. £500-800

668

669. A mahogany bookcase cabinet in Regency style, with a pair of lancet astragal glazed doors, enclosing three adjustable shelves, the base with a pair of cupboard doors enclosing a shelf, 213cm high, 96.5cm wide, 39cm deep. £200-300

λ 670. An early Victorian rosewood Canterbury, with four dipped divisions, on turned supports and scroll decoration, the base with a drawer, on brass castors, 53cm high, 49cm wide, 38.2cm deep. £300-400

669

670

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λ 671. An early Victorian rosewood cheval mirror, the rectangular plate within a moulded adjustable frame, on scroll supports united by turned twin baluster stretchers, on flattened bun feet and sunken brass castors, the frame stamped ‘C A’, the brass locking hinges stamped ‘COPE & AUSTIN PATENT’, the castors also stamped, 182.3cm high, 91.5cm wide, 64.5cm deep. £600-800

671 672

λ 672. A large Victorian rosewood stool, the seat covered with plush fabric and tapestry, the frame carved with leaves and scrolls, on scroll feet, originally on castors, 31.5cm high, 125cm wide, 71.5cm deep. £400-600

λ 673. An early Victorian rosewood armchair, the scroll ‘X’ frame carved with leaves and applied with rondels, with a later upholstered back, seat and armrests, on brass castors, with a later brass and oak reading lectern / stand, with an applied brass plaque by ‘J. CARTER PATENT 64 NEW CAVENDISH ST, GT. PORTLAND ST, LONDON W.’, the arm stamped ‘NORTH PATENT BIRMINGHAM’. £400-600

673

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674. A mahogany library bookcase, inlaid with satinwood banding, the moulded cornice above a frieze decorated with applied rondels, above a pair of astragal glazed doors enclosing three adjustable shelves, the base with a pair of panelled cupboard doors, enclosing an adjustable shelf, flanked by fluted columns, 19th century and later, probably the central section of a larger bookcase, 264.3cm high, 153cm wide, 37cm deep. £800-1,200

675. A mahogany and giltwood wall mirror in George II style, the arched rectangular plate within a moulded slip, the sides with leaves and flowers, the swan neck cornice centred with a ho-ho bird, 19th century, 132.3 x 65cm. £300-500

676. A small early 19th century gilt overmantel mirror, the later rectangular plate within a reeded and ribbon frame, with corner rosettes, with an applied brass plaque, inscribed ‘PURCHASED AT WALMER CASTLE JULY 1905’, 32.2 x 78.7cm. £100-150 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

226

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677

677. A George IV pollarded oak pedestal bookcase, the inverted breakfront with open shelves flanked by a pair of pedestals, each with a sliding panel revealing a vacant interior, above an arched brass trellis grille door, revealing shelves, one with a bank of pigeonholes, 158.7cm high, 236.5cm wide, 42.7cm deep. £600-800

678. An early Victorian simulated rosewood child’s correction chair, with a cane seat. £80-120

λ 679. A Victorian satinwood and rosewood centre table, the circular tilt-top with a moulded edge, the rosewood tripod base carved with leaves, scrolls and applied with prunts, on ceramic castors, the block and underside of the top numbered ‘3796’, 72cm high, 122cm diameter. £600-800

679

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680

681 λ 680. A hand-coloured lithographic print, titled ‘THE DEFENDER OF THE PORTE A BRITISH LION ON THE LOOKOUT FOR A RUSSIAN BEAR’ and inscribed ‘Drawn from Life by R. Evan Sly Lower Charlton. Kent.’ and ‘Printed by C. Moody 257 Holborn’, depicting a British sailor on watch, his head of sculpted paste or bread, with a grotesque expression and bulging glass eyes, holding a sword and a pistol, in a glazed rosewood box with a gilt £200-300 slip, inscribed ‘CRIMEA. 1854.’, 33.6 x 28.8cm.

681. A naive South American painting, decorated with a central bishop figure, with further country figures, animals and a building, oil on gesso and material, possibly Peru or Chile, 38 x 65.8cm, in a glazed wood frame. £100-150

682

682. A Victorian cork picture of Windsor Castle, together with a pair of smaller German cork pictures depicting Schloss Heidelberg and the historic mill at Von Sans Souci, Potsdam, mounted as one and a continental oval cork picture of a church, 18.2 x 22.3cm, all framed and glazed. (3) £100-150 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman. 683. Three 19th century German cork pictures, one depicting the Schloss Heidelberg, one of the historic mill at Von Sans Souci, Potsdam and the third of a castle and village beside a river, 16.5 x 21cm, all framed and glazed. (3) £100-150 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

683

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684. A mid-19th century watercolour naive portrait of a lady, seated beside a table, together with a similar portrait of a lady with her baby, 16 x 12.4cm (max) each in a glazed wood frame. (2) £100-150

684

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685 685. John Speed (1552-1629). ‘A NEW AND ACCURAT MAP OF THE WORLD Drawne according to ye truest Descriptions latest Discoveries & best observations ty have beene made by English or Strangers 1626’, a handcoloured twin-hemisphere engraved map, with astrological and astronomical diagrams, with allegorical figures representing the four elements, with portraits of famous explorers, inscribed ‘Are to be sold Pops-Head Alle by Geor. Humble’, California represented as an island, with English text to verso, 39 x 51cm, unframed. £400-600

686

686. An early Victorian watercolour and silhouette style portrait painting of Matthew Harrison, in the manner of Richard Dighton, wearing a frock coat and a top hat, standing beside the sea with two sailing ships in the distance, the back with a paper label inscribed in pen ‘Matthew Harrison, brother of Jane Harrison, m. Stonehouse, b. 1800 d. 1896...’, 30.1 x 20.3cm, in a glazed gilt frame. £100-150

687

687. An early Victorian watercolour and silhouette style portrait of a gentleman, in the manner of Richard Dighton, standing in profile in a landscape wearing a top hat and a frock coat, 26.3 x 19.2cm, in a glazed bird’s eye maple frame. £100-150 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

λ 688. A Victorian watercolour and silhouette style picture of a lady, signed ‘HUSTON 1853’, 22.8 x 17.3cm, in a glazed rosewood frame. £100-150

688

689. An early Victorian naive oil on board painting of a young boy, wearing a red dress and holding his black hat before a park, 19 x 15cm, in a glazed bird’s eye maple frame. £100-150

689

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691

λ 690. A George IV rosewood and brass mounted box, the hinged lid with a shaped plaque, engraved with initials ‘B B S’, with a gilt tooled red leather letter pouch to the underside of the lid and a later lined interior with a lift-out tray, together with a Victorian simulated walnut writing slope, with engraved brass strapwork hinges and mounts, 30cm wide (max). (2) £100-150

690

Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman. 691. A William IV maroon leather writing box attributed to Bramah & Prestage, with a sunken brass handle, the mahogany flame veneered interior with a gilt tooled leather writing surface and a twin lidded compartment, the underside with pen loops and a letter pouch, flanked by a lift-out tray and an inkwell compartment, fitted with a leather inkwell, inscribed ‘H. WEBSTER PATENT LONDON’, 10.7cm high, 38cm wide, 28cm deep. £200-300 A similar box was sold in these rooms, Furniture & Works of Art, 1st April 2014.

692

λ 692. A Victorian burr walnut dressing case, with brass and white metal stringing and edging, the hinged lid inset with a gilt tooled leather mirror and a letter pouch, above a twin hinged lift-out tray fitted with silver topped glass boxes and jars hallmarked for London 1858 and fitted with ivory handled utensils, including: a corkscrew, glove stretchers and a nail file, with further divisions and a lidded compartment, the brass locks stamped ‘W.T. & S IMPROVED’, 13.7cm high, 28.2cm wide. £200-300 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman. 693. A Victorian walnut decanter box, the hinged lid revealing a lined interior fitted with a pair of cut-glass decanters, with etched labels, inscribed ‘BRANDY’ and ‘GIN’, together with another decanter, with three glasses, the hinged fall-front revealing two satinwood veneered drawers, 28.3cm high, 30.7cm wide, 21.3cm deep. £150-250 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

λ 694. A 19th century French rosewood and ivory mounted tantalus, with a hinged lid and sides, applied with a decanter and four glasses and the front with a pair of tables with decanters and glasses, the interior fitted with a pair of cut-glass decanters, a leather and plated spirit flask, two glasses and with apertures for cigars, 22.6cm high, 22.5cm wide, 19.5cm deep. £200-300 Provenance: Woolley & Wallis, The Dr Lawrie Webster Collection of Boxes, 6th April 2016, lot 343.

693

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λ 695. An early 19th century rosewood seamstress’ bobbin stand, the top with a pin cushion, above six turned finials and a dished base, on flattened bun feet, 32.9cm high. £150-200

695

696

696. Sewing interest. An early 20th century demi-lune thimble stand, with an ebonised and glazed cover, with a mirrored back, revealing four plush lined stepped tiers of ebony holders for thirty-two thimbles, 21.5cm high, 22cm wide. £150-200

λ 697. A large early Victorian rosewood seamstress’ bobbin stand, with an acorn finial above a pin cushion, the baluster turned stem with two revolving tiers with reel holders, the box base with further cushions and holdersand fitted with a drawer, 39.4cm high. £200-300

697

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698

699

698. A pair of Victorian bois durci portrait relief rondels, of Queen Victoria and Napoleon III, both titled, in gilt brass frames, inscribed £100-150 ‘BOIS DURCI’ to the verso, 12cm diameter. (2) 699. Two Victorian bois durci portrait relief rondels, of Wolfgang Amadeus Mozart, the other of Giuseppe Garibaldi, each titled and inscribed ‘Bois Durci’ to the verso, 11.5cm diameter. (2) £50-80 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

λ 700. A Victorian machine turned ivory disc box, with a rose turned lid, together with a seal with an ebonised handle, the brass matrix engraved with a rampant lion crest above a motto ‘Labor omnia vincit’, together with a small carved coconut flask with a turned bone stopper, 9cm (max). (3) £100-150

700

Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

701

701. Two 19th century French gilt metal oval boxes, the lid of one decorated with a chariot drawn by two lions, with a padded silk interior, the other with a jasperware rondel with a portrait relief bust of a philosopher, 9.8cm wide (max). (2) £100-150

702

232

702. A gilt brass and patinated metal table bell push, modelled with an oriental seated figure, with an articulated left arm holding a hammer and with a parrot perched on her left shoulder, mounted on a slate base, late 19th / early 20th century, 16.8cm high. £100-150

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703

703. A collection of Victorian cut-glass and painted prismatic obelisk ornaments, decorated with flowers, leaves, stags and buildings, some cut to give the impression of urns, 16.8cm high. (17) £300-500 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

704 704. An early 19th century tôle bread basket, decorated in gilt with a band of leaves, together with a similar basket painted with flowers and leaves and a table crumb pan, 34.5cm wide (max). (3) £150-250 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

705. A pair of early Victorian painted wax dioramas, of realistic models of fruit, with leaves and flowers, each with mirrored side panels and in a glazed gilt box frame, 23.6 x 23.3cm. (2) £100-150 Provenance: ‘A Lifetime of Collecting’ The property of a gentleman.

705

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706

λ 706. An early Victorian tortoiseshell tea caddy, inlaid with pewter stringing, the hinged lid with a vacant plaque, the interior with ivory edging and with a twin lidded interior, on ball feet, 13.2cm high, 18.8cm wide, 12.3cm deep. £200-300

707

λ 707. A 19th century ivory oval tea caddy / canister, with engraved brass mounts and a brass lined interior, with a rosewood lid, 12.8cm high. £300-400 λ 708. Three Victorian rosewood and bird’s eye maple marquetry boxes, decorated with leaves and flowers, each with a mother of pearl vacant plaque, one a writing slope, another a work box fitted with a lift-out tray with divisions and lidded compartments with various sewing contents, the other vacant, 35.5cm wide (max). (3) £150-250 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

λ 709. A Victorian silver plated and ivory tea caddy, with egg and dart mounts, the hinged lid above a lattice carved body, with a shield engraved with a crest, a monogram and ‘EMILY’, the base with faux £200-300 hallmarks and stamped ‘HW&Co’, 12.3cm high.

708

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710 711 710. A Victorian Tunbridge ware and ebony tea caddy by Thomas Barton, decorated with floral mosaic bands, the hinged lid decorated with a specimen wood cube parquetry panel, the interior with a single lidded compartment, the base with a worn paper trade label, 10cm high, 15.5cm wide. £200-300 711. A Regency treen fruitwood and scrollwork cribbage board, inlaid with barber’s pole stringing, the centre decorated with coloured paper scrolls with a flowers and rondels, the underside with a peg holder with a screw-off lid, on turned feet, 19.5cm wide. £300-500 712. A 19th century Tunbridge ware cottage money box, of painted white wood, the screw-off lid with a single slot, the base painted with leaded windows and a figure standing at a door, 12.4cm high. £200-300

λ 713. A Victorian Tunbridge ware and rosewood sewing box, of sarcophagus shape, inlaid with mosaic floral and parquetry bands, the hinged domed lid with a floral panel revealing a paper lined interior, previously with divisions, 11.5cm high, 18.4cm wide. £150-200 λ 714. A mixed lot of treen and Tunbridge ware, comprising: a Tunbridge ware disc box by T. Barton, with a printed paper trade label, inscribed ‘T. BARTON late NYE, Manufacturer MOUNT EPHRAIM AND PARADE Tunbridge Wells’, a ring holder, a napkin ring and two rosewood trays; three Tartan ware and one Mauchline ware napkin rings; a turned lignum vitae dice shaker; two snuff boxes; a boxwood and mother of pearl disc box and a lignum vitae wax seal box; early 19th century and later, 10.3cm (max). (14) £200-300

712

714 713

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716

715 715. A Victorian cast iron table safe, painted to simulate walnut, the hinged door revealing a faux bird’s eye maple interior and with a drawer, with a key, 25cm high, 16cm wide, 17.2cm deep. £150-200 716. A late 19th century French steel dog collar, applied with a brass name tag ‘Lehner Riedau, with an alphabet padlock, 14.3cm. £100-150 717. A late Victorian pen holder / desk ornament, with a silvered skeleton on a brass pole, the top with a pulley probably originally with a chain to attach to a pen, 30.7cm high. £100-150 718. An early 18th century Scottish green vellum leather bound notebook, with a brass hasp engraved with tulips, the first page inscribed ‘Berwick Supra Tweed 18th Febry 1712’, above a hand-coloured engraved coat of arms for the Robertson of Pitmillan and Foveran family, inscribed in ink with births, deaths and marriages dating from 1725 until 1895, some inscribed by John Robertson, Provost of Aberdeen (1736-1737), together with an 18th century gilt tooled red leather notebook ‘Rider 1781’, with common notes and moveable feasts, rider’s fairs, 15.3cm (max). (2) £100-200 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman. 719. An early Victorian painted wood policeman’s truncheon, polychrome decorated with a crescent and star coat of arms for the city of Portsmouth, inscribed ‘V R’ and the date ‘1838’, with a ribbed ebonised handle, 32.5cm long. £100-150

717

719 718

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720. A rare Victorian Cornish serpentine casket, applied with engraved gilt brass strap work mounts and agate cabochons, the hinged lid revealing a later lined interior, 13.4cm high, 14.9cm wide. £800-1,200

720

721

721. Twelve hardstone models of eggs, including: lapis, onyx and alabastro fiorito examples, together with two agate shallow bowls, 14.3cm (max). (14) £150-250

722. Two Victorian Cornish serpentine eggs, together with an 18th century glass dump weight and a carpet bowl and jack, 13cm (max). (5) £80-120 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

722

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723. A Victorian walnut and parquetry breakfront credenza, with gilt brass mounts and tulipwood banding, with a panelled door enclosing a shelf, flanked by a pair of serpentine glazed doors enclosing two plush lined shelves, with faux maple flutes, 106cm high, 177.4cm wide, 40.1cm deep. £300-500

724. An unusual Victorian walnut whip and boot hall table, with a leaf and flower carved top rail above a shelf and with divisions for six boots, 100.8cm high, 80.8cm wide, 39.5cm deep. £300-500

724

725. A set of Victorian walnut hanging wall shelves, with four graduated tiers and pierced scroll ends, 83.9cm high, 91.5cm wide, 20cm deep. £200-300

238

725

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726. A mid-Victorian kingwood and marquetry bureau de dame in Louis XV style in the manner of Holland & Sons, of bombe form, with ormolu mounts and inlaid with scrolling flowers, the hinged fall inset with a gilt tooled green leather writing surface, revealing a tulipwood and kingwood interior with stepped pigeonholes and three drawers above two sliding well covers, with a brass Bramah lock, on cabriole legs, 99.9cm high, 97.8cm wide. 53cm wide. ÂŁ3,000-4,000

239

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727. A Victorian walnut and marquetry card table in Louis XV style, with gilt bronze mounts, the hinged and swivel top with kingwood banding and inlaid with flowers, leaves and a bird, 78cm high, 92.8cm wide, 46cm deep. £500-800

727

728. Two Victorian bedside cupboards, one in bird’s eye maple, the other in walnut, each with a three quarter gallery above a drawer and an arched cupboard door, enclosing a shelf, 80cm high, 38.3cm wide, 34.2cm deep. (max). (2) £200-300

728

729. An Edwardian Scottish walnut folio stand by Wylie & Lochhead, with brass strapwork hinges and ‘X’ frame supports, on ceramic castors, with an applied brass trade label, inscribed ‘BY SPECIAL APPOINTMENT TO THE KING WYLIE & LOCHHEAD LTD 45 BUCHANAN STREET GLASGOW’, 108.8cm high, 109.5cm wide, 78cm deep. £600-800

729

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730. A Victorian papier-mâché tripod table, inlaid with mother of pearl and with parcel gilt decoration, the oval tilt-top painted with a still-life scene of an urn with flowers, on scroll supports, 76.5cm high, 90.5cm wide. £500-700

730

731. A black japanned bureau in 18th century style, polychrome and gilt decorated with chinoiserie scenes, the hinged fall revealing a stepped interior of drawers and pigeonholes around a central cupboard, with two short and three long drawers, on bracket feet, 20th century, 102.6cm high, 99.6cm wide, 52.4cm deep. £400-600

731

732. A 19th century red japanned hanging wall cabinet, decorated in gilt with chinoiserie scenes of figures, pagodas, trees and flowers, with a pair of hinged framed doors, revealing a velvet lined interior, 30.5cm high, 51.1cm wide, 12.8cm deep. £400-600

732

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733

733. A pair of painted pine faux bamboo planters in Regency style, the bodies painted with panels of flowers, 23.8cm high, 62cm wide, 21.3cm deep. (2) £300-400 734. An ebonised and gilt painted pine hanging obelisk, painted with Egyptian hieroglyphics, probably 19th century, 150.2 x 30.5cm. £300-500

734

735. A pine ladder by Hattersley & Davidson, with nine treads, the base with iron mounts and spikes, stamped ‘HATTERSLEY & DAVIDSON Co. MAKERS SHEFFIELD PATENT No. 28377’, possibly an engineer’s or coaching ladder, late 19th / early 20th century, 234cm high. £100-200

736. Two early 19th century brass and bamboo library book arms / grabs, each shaft with a simulated tortoiseshell finish, 205cm long (max). (2) £300-400

735

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736

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737. An early 20th century white painted low chair designed by Syrie Maugham, the padded back and seat and squab cushion upholstered in pink fabric, on moulded legs, the back seat rail stamped ‘J S’, together with a matching modern example, 64.7cm high, 71.5cm wide, 48.5cm deep. (2) £300-500 Syrie Maugham was one of the most celebrated female decorators of the 20th century and a chair of this type features in a room designed by her illustrated in P. C. Metcalf ‘ Syrie Maugham: Staging the glamor’, New York, 2010, pp. 57.

738. A pair of teak open armchairs in 19th century style, each with a curved solid splat back, above a seat upholstered with striped fabric, on sabre legs, modern. (2) £300-500

738

739. A pair of satinwood and gilt brass mounted bedside tables, each decorated with lattice parquetry panels, with a raised back with a baluster three quarter gallery on ‘X’ frame supports, fitted with a drawer, on square tapering legs, mid-20th century, 70cm high, 52cm wide, 51.8cm deep. (2) £300-500

739

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740

740. A walnut bergère sofa in Queen Anne style, with a cane back and double cane sides, the moulded frame carved with leaves and flowers, with four cushions, on shell capped cabriole legs, early 20th century, 79cm high, 180cm wide, 81cm deep. £300-500

741. An Edwardian P&O liner saloon chair, the splat-back carved with initials ‘P&O’, with a swivel seat and a painted cast iron base, with lion’s head feet. £200-300

742. A Victorian mahogany adjustable piano stool, with ring turned legs and gilt bronze dolphin head feet, 68.8cm high (max). £100-150

741

743. A Victorian oak Gothic revival armchair, the arched panelled back carved with leaves, flowerheads and strapwork, the seat and armrest upholstered in brown leatherette, with arched column supports, on chamfered legs with crenellated brass caps and castors. £200-300

742

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743

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744. A large mahogany and parcel gilt centre table, the circular top in two halves, inset with gilt tooled leather decorated with bands of Greek key design, on six reeded column legs and a spoke platform base stamped ‘40014 4685 T’, probably mid-20th century, 77.2cm high, 259.3cm diameter. £2,000-3,000 Provenance: Trinity Bank, London.

745. A late Victorian oak bookcase, the detachable moulded cornice above three brass lattice grille doors, each enclosing four adjustable shelves, above three pairs of panelled cupboard doors, each enclosing a shelf, on a plinth base, 226.5cm high, 260cm wide, 45.8cm deep. £500-800

245

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746

746. Coaching interest. A Victorian oil on board coaching panel, painted with the Royal Coat of Arms, signed ‘C H C Walter 1858’, 45 x 55.8cm, together with a Victorian coaching whip by Chawley & Sons, stamped ‘TRADE MARK’ with crossed keys and ‘CHAWLEY & SON PETERBOROUGH’, the base of the handle inset with a token or coin dated ‘1849’, 178cm long. (2) £200-300

747

Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman. 747. A pair of early 19th century bronze coach door handles, each centred with a crown and flanked by cornucopiae and scrolling lappets, 13.5cm wide, 20cm deep. (2) £100-150 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman. 748. A George III sharpening steel, with a turned ebony handle and a an engine turned ferrule, the faceted steel engraved with two crowns and two rampant lion crests and with floral decoration and hunting scenes, possibly Scottish, 44cm long. £100-150

748

749. A graduated set of eight Victorian copper haystack measures, each inscribed with a measurement: 4 gallon, 2 gallon, 1 gallon, half gallon, quart, 1 pint, half pint, gill, with marks to the inside of the rims with coats of arms and initials ‘V R’ and ‘H R’, 41.3cm high (max). (8) £500-700 750. A set of fourteen Victorian cast iron garden border railings, decorated with scrolls and fleur-de-lis motifs, 35.2 x 81.9cm each. (14) £300-400

749

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751. A large Edwardian lead figure of a flower girl in 18th century style, standing on a naturalistic base, 135cm high. £3,000-5,000

752. A pair of terracotta planters by Philip Thomason, the lattice bodies with rope twist handles, late 20th century, 39.3cm high, 47.5cm diameter. (2) £800-1,200

751

753. A pair of Edwardian lead garden urns in 18th century style, each with a pair of lion monopodia handles, the campana shape bodies decorated with cherubs and flowers, 57cm high, 80cm wide. (2) £2,000-3,000

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754. A Victorian oak letterbox, with a brass slot stamped ‘LETTERS’, above a hinged door with two glazed panels, with a self-locking Brahma brass lock, with key, 29.2cm high, 22.4cm wide, 18cm deep. £400-600

755. A Victorian tôle peinte hanging post / stationery rack, with two grille divisions, above a base drawer, inscribed ‘POST DELIVERY WAFERS STAMPS’, 28.5cm high, 25cm wide, 12.8cm deep. £300-400

756. An early 19th century mahogany cutlery tray, with two divisions, each with a sliding cover and with a brass handle, 24.5cm high, 36cm wide, 28.5cm deep. £150-200

757. Three Victorian travelling inkwells, comprising: a novelty brown leather and brass example in the form of a Gladstone bag, a green leather example, the hinged lid inscribed ‘INK’ revealing a glass well and a treen barrel shaped inkwell, the inside with a sprung glass well, 5.5cm (max). (3) £40-60

758. A George V crocodile leather desk stand by Asprey, with a pair of glass and silver mounted inkwells hallmarked London 1935, flanking a pen recess, the base marked ‘ASPREY LONDON’, 8.4cm high, 38.5cm wide, 9.5cm deep. £200-300

λ 759. An early 20th century shagreen and ivory desk blotter, applied with a silver coloured metal shield shape plaque, with a silk lined interior and green leather back, 30.7 x 23.5cm. £200-300

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

760. An arched painted wood advertising sign, applied with a carved steam engine, inscribed ‘UNION PACIFIC RAILWAY FOUNDER: JOSEPH G. MCCOY EASTERN DIVISION REGULAR CATTLE CARS FROM ABILENE TEXAS CHICAGO ILLINOIS’, 107.6 x 79.3cm. £100-200

760 761. An octagonal painted wood advertising sign, with a carved figure of a musician playing the saxophone and inscribed ‘HOT JAZZ Playing Here TONITE’, 84.4 x 83.6cm. £100-200

761

762. Law interest. A wig by Ede & Ravenscroft, in an ebonised and gilt tôle box, with a brass handle and inscribed with the owner’s name ‘KAMAL HOSEIN Esq.’, the inside of the lid inscribed ‘EDE & RAVENSCROFT LAW WIG & ROBE MAKERS 93/4 CHANCERY LANE LONDON’, together with a hand-coloured print after Cecil Aldin (Bardel v Pickwick). (2)£250-350

762 763. Law interest. A wig by Ede & Ravenscroft, in an ebonised and gilt tôle box, inscribed with the owner’s name ‘FRANCIS BENNION ESQ.’, the inside of the lid inscribed ‘EDE & RAVENSCROFT LAW WIG & ROBE MAKERS 93/4 CHANCERY LANE LONDON’, together with a pouch containing cotton bands and a leather document bag, inscribed £250-350 ‘COUNCELLOR JOHN BENNION’. (3)

763

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764

λ 764. Two similar Edwardian mahogany and marquetry small settees, inlaid with ivory and boxwood with urns of scrolling leaves and flowers, each with a shell back, on front cabriole legs, 83.2cm high, 139cm wide, 61cm deep and 85.2cm high, 117cm wide, 58cm deep, together with a similar ‘X’ frame stool or window seat. (3) £500-800

765. A late Victorian satinwood cabinet on stand in Sheraton revival style, painted with classical figures and flowers, with a pair of panelled doors enclosing a vacant interior, the base with a frieze drawer, 153cm high, 63cm wide, 35.2cm deep. £400-600

765 766. A late Victorian mahogany and marquetry dressing table mirror, the bevelled shield shape plate above a serpentine box base inlaid with an urn of flowers, with three drawers and on bracket feet, 69.8cm high, 62.5cm wide, 23.4cm deep. £100-150

767. A late Victorian mahogany and marquetry demi-lune side table, the crossbanded top inlaid with an urn of flowers and scrolling leaves, the frieze inlaid with ribbon tied drapes and with a drawer, on square tapering legs united by an undertier, 76.5cm high, 58.5cm wide, 30.5cm deep. £300-400

767

250

766

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

768. A Victorian mahogany hall bench in George III style by H. Samuel, with bolster lifts, the frieze with flowerhead tablets, above fluted square tapering legs and spade feet, one leg stamped ‘H. SAMUEL 34 OXFORD ST’, the underside inscribed ‘L. C. C. 284’, 50.8cm high, 101.2cm wide, 26.5cm deep. £600-800 Provenance: Liverpool City Council.

768

769. An unusual Victorian cast brass overmantel mirror, the arched bevelled plate within a moulded frame, 90.8 x 111.5cm. £200-300

769

770. A set of six mahogany dining chairs in George III style, each with an oval back with a stylised cobweb splat, centred with an oval leaf patera, above a leather stuffed-over seat on panelled square tapering legs, late 19th / early 20th century. (6) £400-600

770

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771. A walnut and giltwood wall mirror in George II style, the bevelled plate within a gilt slip, the frame hung with drapes, the swan neck cornice centred with an eagle, late 19th century, 136 x 69cm. £300-500

771

772. A mahogany spider leg whatnot in Regency style, the middle tier with a division for books, with ring turned supports and pad feet, 85.4cm high, 48cm wide, 26cm deep. £100-150 Provenance: ‘A Lifetime of Collecting’ - The property of a gentleman.

773. A walnut and parcel gilt silver table in George II style, the rectangular top with a raised moulded edge, on leaf capped cabriole legs united by an undertier and on claw and ball feet, late 19th / early 20th century, 61.3cm high, 75.3cm wide, 44.3cm deep. £100-150 774. A giltwood and gesso wall mirror in George II style, the shaped bevelled plate within a naturalistic frame, carved with leaves, scrolls and rocaille, on a hatched diaper ground, with a swan neck cornice and a floral surmount, 19th century, 133.2 x 81cm. £300-500

252

774

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

775. A mahogany tripod table in George II style, the tilt-top with a pie-crust edge carved with scallop shells and leaves, on an acanthus carved stem and claw and ball feet, 19th century, 74.2cm high, 88.5cm diameter. £300-500

775

776. A mahogany candlestand after a design by Thomas Chippendale, the hexagonal top above a leaf carved open triform stem and on scroll legs, late 19th century, 120cm high, 56.5cm wide. £300-500

776

777. A mahogany urn stand in mid-18th century style, with a pierced fret gallery, above a pull-out slide, with a fluted and acanthus carved stem, on a tripod base, 20th century, 67.2cm high, 50.9cm wide. £100-150

END OF SALE

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FURNITURE, WORKS OF ART & CLOCKS Wednesday 8th January 2020

A fine early Victorian chronometer carriage timepiece by James McCabe, numbered 2903 and with its original case, 19.5cm high. Estimate Â£8,000-12,000*

ENQUIRIES Mark Yuan-Richards | Tel: +44 (0)1722 411854 | myr@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

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FINE CHINESE WORKS OF ART Tuesday 12th & Wednesday 13th November 2019

A set of four Chinese reverse glass paintings 18th century Estimate Â£3,000-5,000*

ENQUIRIES Amber Lees | Tel: +44 (0)1722 424571 | aml@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

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Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays. VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered. REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. To register, you will need to provide two forms of identification:

LIVE ONLINE BIDDING Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens. CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate. The colours printed in the catalogue are not necessarily true. SALE RESULTS These will be posted on our website shortly after the sale. PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping

01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

Kimdan Ltd.

07973 389436 andy@kimdan.co.uk

Mailboxes

01962 622 133 mbewinchester@btconnect.com www.mbe.co.uk/winchester

Pack & Send

0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies. PLEASE NOTE: Registering with our website, or any third party website, does not automatically register you to bid with us. COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids. TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office. BUYER’S PREMIUM The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released. The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €10,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present. Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction. Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

LOT SYMBOLS VAT Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price. CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/ ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a ‡ symbol are potentially subject to a levy. Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000 FIREARMS Lots marked Ƒ in the catalogue are subject to the UK firearms/shotgun licencing regime, and may only be viewed and/or purchased by individuals with appropriate licences. Such lots are offered on an auctioneer’s permit, and must be collected prior to the expiry thereof. For further information, please contact Ned Cowell.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter. 5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The omega symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. 6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale). 7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. 8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7. 7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. . Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense. 9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request. 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it. 11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is

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unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque 5 weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter. 5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with a † or Ω. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position). 6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for. 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below. Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

21. English law applies to the interpretation of these Conditions.

Lots marked with a ‡ symbol are potentially subject to the levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000

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PRIVACY NOTICE FOR CUSTOMERS WHAT THIS PRIVACY NOTICE DOES This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you. This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you. DATA CONTROLLER AND CONTACT DETAILS Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 1998 (DPA) and, once in force, the General Data Protection Regulation (GDPR). If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details: • By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51-61 Castle Street, Salisbury, SP1 3SU. • By email – privacyofficer@woolleyandwallis.co.uk • By telephone – +44 (0)1722 424599 HOW WE COLLECT YOUR PERSONAL DATA We collect your personal data from the following sources: From you when you: • interact with us before entering into a contract with us, for example when you express your interest in our Services; • instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions; • communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account; • in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below. From third parties such as: • other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you; • the-saleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on the-saleroom.com) of individuals who register for one of our auctions (please see thesaleroom.com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (the-saleroom.com’s payment provider); • sage pay who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided); • shipping companies whom you hire to collect items you purchased from us. THE CATEGORIES OF PERSONAL DATA WE COLLECT

THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following: • to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services); • once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents. In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies. LEGITIMATE INTERESTS We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following: • to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance; • to deal with any concerns or feedback you may have in the performance of the Services; • for our internal business record keeping and processes; • to seek advice on our rights and obligations, including obtaining legal advice; • to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes; • to customise our website and marketing communications in line with your particular interests or preferences; • to collect money owed to us or our consignors; • to carry out background and credit checks in relation to bidders and buyers.

We may collect the following personal data about you:

In this respect we will provide your data to the following:

• your name and contact details including address, telephone and email address; • your image, as captured by CCTV, if you attend our premises; • personal identification documents, including copies of government-issued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details); • account details and other information relating to your transactions/dealings with us and your use of our Services; • payment details such as credit card and bank account details; • credit and payment history (where you open an account with us as a buyer or bidder); • information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and • other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.

• our professional advisors; • the-saleroom.com; • debt collection agencies; • third parties who assist us with our marketing; • our website and email management software provider.

We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

LEGAL OBLIGATIONS We may also process your Personal Data for our compliance with our legal obligations. In this respect, we may use your Personal Data for the following: • to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks; • in order to assist with investigations (including criminal investigations) carried out by competent authorities; In this respect we will provide your data to the following: • external auditors; • the police and other competent authorities, including HMRC;

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CONSENT

HOW LONG YOUR INFORMATION IS KEPT

We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services. SPECIAL CATEGORIES OF PERSONAL DATA We process special categories of personal data for the following reasons: • if it is necessary to protect your or another person’s vital interests (for example, where you have a life-threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention); • if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers); We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events). INTERNATIONAL TRANSFERS OF DATA We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company. We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey. PROFILING We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

In particular: • in relation to CCTV images taken when you attend our premises, we will retain these for a few months; • in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services; • we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive; • in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market. YOUR LEGAL RIGHTS Under the DPA you have the following rights: • to obtain access to, and copies of, the personal data that we hold about you; • to require that we cease processing your personal data if the processing is causing you damage or distress; • to require us not to send you marketing communications. • to require us to correct the personal data we hold about you if it is incorrect; • to require us to erase your personal data; • to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal); • to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller; • to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights. Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply. If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available

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WILTON & WARMINSTER

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INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

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PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

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Valuations

LONDON, ANDOVER & WINCHESTER

CASTLE RD A345

Old Sarum

17 (2nd floor) Clifford Street, London W1S 3RQ (open by appointment only)

Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough.

Woolley & Wallis Salisbury Salerooms Ltd. 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Registered in England No. 2998482 VAT No: 631 9832 29

Design & Production by Jamm Design Ltd. 020 7424 7830 jammdesign.co.uk

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Absentee Bid Form Furniture, Works of Art & Clocks Wednesday 2nd October 2019

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Brief Decription

Price Excluding buyer’s premium & VAT

Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. Billing Name (please print) Address

Postcode Daytime telephone Email All accounts must be settled within 21 days. ID is required for all first time bidders.

Signature

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508

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AUCtion CAlendAr FREE VALUATION MORNINGS SePtember 17th 18th & 19th

the Warner Collection of british delftware tribal Art & Antiquities

oCtober 2nd 15th 16th 29th 30th

First Friday of the month 10am-1pm. No appointment necessary.

NEXT VALUATION DATES 4th October, 1st November & 6th December (No valuation day in January)

Furniture, Works of Art & Clocks english & european Ceramics & Glass design Fine Silver & objects of Vertu Fine Jewellery

noVember 12th & 13th 20th 27th

Asian Art, Chinese Paintings & Japanese Works of Art medals & Coins, Arms & Armour british Art Pottery

deCember 11th

modern british & 20th Century Art

JAnUArY 8th 21st & 22nd 23rd

Furniture, Works of Art & Clocks Silver & objects of Vertu Jewellery

dates may be subject to change.

+44 (0) 1722 424500 enquiries@woolleyandwallis.co.uk 51-61 Castle Street, Salisbury, SP1 3SU www.woolleyandwallis.co.uk *Price includes buyer’s premium.

After the antique. An Italian marble Grand Tour figure of Apollo Sold for £18,750*