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CATALOGUE 2016
NAVIGATE About Jane
Page 7
Hebrides
Pages 8 - 25
North West Highlands
Pages 26 - 47
Fort William & Lochaber
Pages 48 - 63
Perthshire
Pages 64 - 73
Trossachs
Pages 74 - 77
Ayrshire & Arran
Pages 78 - 93
Wholesale T&Cs
Page 94
Contact Jane
Page 95
FINE ART PRINTS
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Detail shot of original artwork Geology Skye, Central Complex
There is a long history of common ground between mapmaking and landscape art. Both represent and communicate the space around us. The fluid contour lines skimming the curves of the mountains, gradually bringing you up to the summits. The complex colours and shapes of geological maps, revealing the often hidden stories of the structures of the earth beneath our feet. I am compelled to tell these stories and communicate these vast and complicated landscapes through my work.
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jane hunter SCOTLAND
Time spent exploring the hills sparked a new interest for me; following a map, walking through glens, up steep slopes, and made me wonder how was this landscape formed? The more I thought about this question, the more it overwhelmed me, I needed a deeper understanding. I began reading about geology, studying topographical and geological maps, becoming even more overwhelmed by the enormity of it all. How tectonic plate movement, igneous intrusions, sedimentary layers and glacial erosion shaped the landscape I see before me is fascinating. The techniques used to create my textile maps combine free motion embroidery and applique with materials of thread and Harris Tweed. The delicately balanced mix of colour and shades in the cloth, taken directly from nature and flecked through the wool, provides me the perfect palette to represent the land. Working with cloth and thread to create my work gives the pieces texture, depth and life. Free motion embroidery is a manual technique: using the sewing machine in this way allows me to draw freely with thread, moving the cloth around to create similar organic shapes to those studied in person, in maps and in books.
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LIMITED EDITION 75
CONTOURS, BLACK CUILLIN, SKYE Image Size 33.5 cm x 28.5 cm
Limited Edition Giclee Print Printed on Hahnem端hle Museum Etching 300gsm acid-free fine art paper using the finest archival inks Signed and hand numbered by Jane Hunter.
Contour lines on my MapWorks illustrate the elevation and shapes of the landscape. This piece depicts the Isle of Skye’s famous Black Cuillin. Loch Coruisk sits just SE of the centre and is a popular destination from which to view the spectacular Cuillin ridge.
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LIMITED EDITION 75
GEOLOGY, SKYE ‘CENTRAL COMPLEX’ Image Size 66 cm x 54.5 cm
Limited Edition Giclee Print Printed on Hahnemühle Museum Etching 300gsm acid-free fine art paper using the finest archival inks Signed and hand numbered by Jane Hunter.
The geology of the Isle of Skye is quite varied. The area I’ve focused on in this piece is known as the ‘Central Complex’ and is home to the world-famous Cuillin mountains which are formed from two very different igneous units. The Black Cuillin are predominantly made from gabbro and peridotite whereas the Red Cuillin are mainly granite. The bright colours of the geological map have been used here to highlight this area of huge geological interest and immense natural beauty.
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LIMITED EDITION 75
SKYE, OLD MAN OF STORR Image Size 30cm h x 27cm w
Limited Edition Giclee Print Printed on Hahnem端hle Museum Etching 300gsm acid-free fine art paper using the finest archival inks Signed and hand numbered by Jane Hunter.
This piece illustrates the Isle of Skye and a representation of the Old Man of Storr, the famous rocky summit overlooking the Sound of Raasay.
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BLACK CUILLIN, SKYE
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LIMITED EDITION 75
OUTER HEBRIDES, MACHAIR Image Size 58cm h x 42cm w
Limited Edition Giclee Print Printed on Hahnem端hle Museum Etching 300gsm acid-free fine art paper using the finest archival inks Signed and hand numbered by Jane Hunter.
This piece illustrates the islands of the Outer Hebrides, where this magical cloth is woven by hand. Strands and fibres of the tweed have been pulled and stitched to represent the flora of the Machair.
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EOROPIE, ISLE OF LEWIS
LIMITED EDITION 75
ISLAY, PEAT Image Size 30cm h x 27cm w
Limited Edition Giclee Print Printed on Hahnem端hle Museum Etching 300gsm acid-free fine art paper using the finest archival inks Signed and hand numbered by Jane Hunter.
This piece illustrates the island of Islay and a representation of the peat that famously adds character to the island’s many malt whiskies.
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LIMITED EDITION 75
BEDROCK GEOLOGY, RUM Image Size 30cm h x 27cm w
Limited Edition Giclee Print Printed on Hahnem端hle Museum Etching 300gsm acid-free fine art paper using the finest archival inks Signed and hand numbered by Jane Hunter.
This piece illustrates the underlying geology of the Isle of Rum. each colour representing a different rock type. A small ‘key’ has been created using deconstructed tweed.
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LIMITED EDITION 75
BEDROCK GEOLOGY, LEWIS & HARRIS Image Size 30cm h x 27cm w
Limited Edition Giclee Print Printed on Hahnem端hle Museum Etching 300gsm acid-free fine art paper using the finest archival inks Signed and hand numbered by Jane Hunter.
This piece illustrates the underlying geology of the islands of Lewis & Harris, each colour representing a different rock type. A small ‘key’ has been created using deconstructed tweed.
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MESSRS PEACH & HORNE, KNOCKAN CRAG contents
This area of Assynt has long been referred to, in geological terms, as ‘The Zone of Complication’. Geologists studying the area became confused when they found metamorphosed rocks at the top of the sequence, appearing to be the youngest. But they had been metamorphosed, implying they had once been buried deep in the Earth’s crust. This was further complicated by the fact that the underlying rocks did not appear to have suffered this same treatment. It was here in the late 1800s that Ben Peach and John Horne solved the great puzzle of the geology of the North West Highlands. They proved that the ‘Moine’ metamorphosed rocks had formed many kilometres to the east and had been pushed westwards, thrusting above younger sedimentary rocks as a consequence of continental collision. In this piece you can see the light coloured thrust sheet of Moine rock pushing in from the east over the younger quartzites and limestone. Also depicted to the west of centre are the isolated Old Red Sandstone mountains of Cul Mor, Suilven, Canisp and Quinag.
LIMITED EDITION 50
GEOLOGY, ASSYNT ‘ZONE OF COMPLICATION’ Image Size 63.5 cm x 46 cm
Limited Edition Giclee Print Printed on Hahnemühle Museum Etching 300gsm acid-free fine art paper using the finest archival inks Signed and hand numbered by Jane Hunter.
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LIMITED EDITION 50
GEOLOGY, MOINE THRUST BELT DURNESS TO ULLAPOOL Image Size 31 cm x 26.5 cm
Limited Edition Giclee Print Printed on Hahnem端hle Museum Etching 300gsm acid-free fine art paper using the finest archival inks Signed and hand numbered by Jane Hunter.
Stand-alone section of a triptych which shows the full Moine Thrust Belt, running south west from the far north coast of Scotland to the Sleat peninsula on the Isle of Skye. This is the northern section of the Moine, from Durness to Ullapool.
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LIMITED EDITION 50
GEOLOGY, MOINE THRUST BELT ULLAPOOL TO TORRIDON Image Size 24.5 cm x 26.5 cm
Limited Edition Giclee Print Printed on Hahnem端hle Museum Etching 300gsm acid-free fine art paper using the finest archival inks Signed and hand numbered by Jane Hunter.
Stand-alone section of a triptych which shows the full Moine Thrust Belt, running south west from the far north coast of Scotland to the Sleat peninsula on the Isle of Skye. This is the mid-section of the Moine, from Ullapool to Torridon.
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LIMITED EDITION 50
GEOLOGY, MOINE THRUST BELT TORRIDON TO SLEAT Image Size 24.5 cm x 26.5 cm
Limited Edition Giclee Print Printed on Hahnem端hle Museum Etching 300gsm acid-free fine art paper using the finest archival inks Signed and hand numbered by Jane Hunter.
Stand-alone section of a triptych which shows the full Moine Thrust Belt, running south west from the far north coast of Scotland to the Sleat peninsula on the Isle of Skye. This is the southern section of the Moine, from Torridon to Sleat.
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Contour lines on my MapWorks illustrate the elevation and shapes of the landscape. This piece depicts the shapely Torridionian mountain of Slioch. Rising from the south-east end of Loch Maree with Loch Fada to the North you can also see the complex slopes of Beinn a’Mhuinidh divided from Slioch by Gleann Biannasdail.
LIMITED EDITION 75
CONTOURS, SLIOCH Image Size 26.5 cm x 35.5 cm
Limited Edition Giclee Print Printed on Hahnem端hle Museum Etching 300gsm acid-free fine art paper using the finest archival inks Signed and hand numbered by Jane Hunter.
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This cross section illustrates the structure of the Moine Thrust in Assynt. The rocks have been folded and lifted by heat and pressure, resulting in them lying unconformably with older metamorphosed moine rocks being thrust westwards on top of younger rocks.
SECTION, MOINE THRUST Image Size 45 cm x 100 cm
LIMIT EDIT
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Limited Edition Giclee Print Printed on Hahnem端hle Museum Etching 300gsm acid-free fine art paper using the finest archival inks Signed and hand numbered by Jane Hunter.
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This cross section illustrates the structure of the Moine Thrust in Assynt. The rocks ha unconformably with older metamorphosed moine rocks being thrust westwards on t
SECTION, MOINE THRUST ZONE Image Size 15 cm x 39 cm
LIMIT EDIT
50
ave been folded and lifted by heat and pressure, resulting in them lying top of younger rocks.
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Limited Edition Giclee Print Printed on Hahnem端hle Museum Etching 300gsm acid-free fine art paper using the finest archival inks Signed and hand numbered by Jane Hunter.
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This cross section illustrates the structure of the Ben More and Moine Thrusts throug pressure, resulting in them lying unconformably with older metamorphosed moine ro
SECTION, BEN MORE & MOINE THRUST Image Size 20 cm x 42 cm
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gh the Southern Assynt window. The rocks have been folded and lifted by heat and rocks being thrust westwards on top of younger rocks.
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Limited Edition Giclee Print Printed on Hahnem端hle Museum Etching 300gsm acid-free fine art paper using the finest archival inks Signed and hand numbered by Jane Hunter.
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This cross section illustrates the view across Loch Maree to the Torridonian m Beinn a’Mhuinidh. Slioch has foundations of Lewisian Gneiss overlain by Torri with older rocks being thrust up over the younger sandstone.
SECTION, SLIOCH Image Size 15 cm x 42 cm
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mountain of Slioch, the fault line of Gleann Bianasdail and thrusted slopes of idonian Sandstone, while Beinn a’Mhuinidh shows the effects of the fault
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Limited Edition Giclee Print Printed on HahnemĂźhle Museum Etching 300gsm acid-free fine art paper using the finest archival inks Signed and hand numbered by Jane Hunter.
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BEN NEVIS contents
Contour lines used on my MapWorks illustrate the elevation and shapes of the landscape. This piece depicts the highest mountain on the British Isles, Ben Nevis. As well as the Ben Nevis massif, you can also see Lochan Meall An T-suidhe (known as the ‘Half Way Lochan’), the Leanachan Forest to the north and Glen Nevis to the south-west.
LIMITED EDITION 75
CONTOURS, BEN NEVIS Image Size 35.5 cm x 27.5 cm
Limited Edition Giclee Print Printed on Hahnemühle Museum Etching 300gsm acid-free fine art paper using the finest archival inks Signed and hand numbered by Jane Hunter.
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Ben Nevis was formed by a ‘Caldera Volcano’ (Caldera being the Spanish word for Cauldron). Calderas form when the upper part of a volcano subsides, along a roughly circular fault, into a subterranean magma chamber. The landscape you see now has been sculpted by glaciers, as recently as 11,000 years ago.
LIMITED EDITION 75
GEOLOGY, BEN NEVIS Image Size 40 cm x 30.5 cm
Limited Edition Giclee Print Printed on Hahnemühle Museum Etching 300gsm acid-free fine art paper using the finest archival inks Signed and hand numbered by Jane Hunter.
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Similar to Ben Nevis, Glencoe was formed by a ‘Caldera Volcano’. (Caldera being the Spanish word for Cauldron). Calderas form when the upper part of a volcano subsides, along a roughly circular fault, into a subterranean magma chamber. The landscape you see now has been sculpted by glaciers, as recently as 11,000 years ago.
GEOLOGY, GLENCOE Image Size 40 cm x 30.5 cm
LIMIT EDIT
75
TED TION
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Limited Edition Giclee Print Printed on Hahnem端hle Museum Etching 300gsm acid-free fine art paper using the finest archival inks Signed and hand numbered by Jane Hunter.
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Contour lines on my MapWorks illustrate the elevation and shapes of the landscape. This piece depict of Buachaille Etive Mor & Beag, the three sisters, the sweeping Glen Etive and the knife edge ridge of t
LIMITED EDITION 75
CONTOURS, GLENCOE Image Size 26.5 cm x 35.5 cm
Limited Edition Giclee Print Printed on Hahnem端hle Museum Etching 300gsm acid-free fine art paper using the finest archival inks Signed and hand numbered by Jane Hunter.
ts the iconic area of Glencoe - the peaks the Aonach Eagach.
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GLACIATED LANDSCAPE
jane hunter SCOTLAND
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This cross section illustrates the geological structure of Buachaille Etive Mor an sideways between the layers of sediment, and crystallised to form horizontal sh
SECTION, BUACHAILLE ETIVE MOR & BEAG Image Size 15 cm x 41 cm
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nd Buachaille Etive Beag in Glencoe. Magma from the caldera volcano injected heets called sills.
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Limited Edition Giclee Print Printed on Hahnem端hle Museum Etching 300gsm acid-free fine art paper using the finest archival inks Signed and hand numbered by Jane Hunter.
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LOCH RANNOCH TO GLENCOE
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CONTOURS, QUEEN’S VIEW LIMITED EDITION
Image Size 70cm d x 47.5cm w
75
Limited Edition Giclee Print. Printed on Hahnem archival inks. Signed and hand numbered by Jan
This piece illustrates the stunning natural landscape of the celebrated Queen’s View in Perthshire. Featuring Loch Tummel, Dunalastair Water, Loch Rannoch and Loch Errochty, skirted by forests and mountains. Free machine embroidery represents the contour lines of the iconic Schiehallion and the surrounding hills.
mĂźhle Museum Etching 300gsm acid-free fine art paper using the finest ne Hunter. contents
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LIMITED EDITION 75
CONTOURS, LOCH RANNOCH Image Size 27cm h x 30cm w
Limited Edition Giclee Print Printed on Hahnem端hle Museum Etching 300gsm acid-free fine art paper using the finest archival inks Signed and hand numbered by Jane Hunter.
This piece illustrates the natural landscape of Loch Rannoch, with free machine embroidery representing the contour lines of Meall Garbh and surrounding hills.
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This piece illustrates the natural landscape of Loch Tay with the contour lines of Ben Lawers to the north and Tulloch Hill in the south.
LIMITED EDITION 75
CONTOURS, LOCH TAY Image Size 27cm h x 30cm w
Limited Edition Giclee Print Printed on Hahnem端hle Museum Etching 300gsm acid-free fine art paper using the finest archival inks Signed and hand numbered by Jane Hunter.
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LOCH LOMOND & BEN LOMOND
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LIMITED EDITION 75
CONTOURS, LOCH LOMOND Image Size 30cm h x 27cm w
Limited Edition Giclee Print Printed on Hahnem端hle Museum Etching 300gsm acid-free fine art paper using the finest archival inks Signed and hand numbered by Jane Hunter.
This piece illustrates the natural landscape of Loch Lomond and the Trossachs, including Loch Chon and Loch Ard, with the contour lines of Ben Lomond and Glen Luss.
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MIST OVER THE CLYDE & ARRAN
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LIMITED EDITION 75
CONTOURS, NORTH ARRAN Image Size 31.5 x 32 cm
Limited Edition Giclee Print Printed on Hahnem端hle Museum Etching 300gsm acid-free fine art paper using the finest archival inks Signed and hand numbered by Jane Hunter.
Based on the contour lines used on maps to illustrate the elevation and shapes of the landscape, this piece depicts the rugged peaks on the north of the Isle of Arran. I have chosen a grey tweed for this piece to represent the granite rock that dominates this landscape, and also the mist that often swirls around the peaks.
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This piece illustrates the Island of Arran. It also features strands and fibres of Harris Tweed pulled and stitched to create an impression of Hutton’s Unconformity, a geological formation evident just outside of Lochranza.
LIMITED EDITION 75
ARRAN, UNCONFORMITY Image Size 30cm h x 27cm w
Limited Edition Giclee Print Printed on Hahnem端hle Museum Etching 300gsm acid-free fine art paper using the finest archival inks Signed and hand numbered by Jane Hunter.
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LIMITED EDITION 75
BEDROCK GEOLOGY, ARRAN Image Size 30cm h x 27cm w
Limited Edition Giclee Print Printed on Hahnem端hle Museum Etching 300gsm acid-free fine art paper using the finest archival inks Signed and hand numbered by Jane Hunter.
This piece illustrates the underlying geology of the Isle of Arran, each colour representing a different rock type. A small ‘key’ has been created using deconstructed tweed.
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This piece was inspired by the view I see every day on the way to my studio. The hills of Arran, when not obscured by the weather, leap up from the waters of the Clyde. Layers of Harris Tweed have been built up to show the relief of Isle of Arran’s highest peaks.
LIMITED EDITION 75
CONTOURS, ARRAN Image Size 46cm h x 34cm w
Limited Edition Giclee Print Printed on Hahnemühle Museum Etching 300gsm acid-free fine art paper using the finest archival inks Signed and hand numbered by Jane Hunter.
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Based on the contour lines used on maps to illustrate the elevation and shapes of the landscape, this piece depicts the topography of the Firth of Clyde area. From the Largs hills to the east to Skipness on the western peninsula of Kintyre, taking in the islands of Bute, the Cumbraes and Arran, and the Cowal peninsula to the north.
ABOVE THE FIRTH OF CLYDE Image Size 38.5 x 56 cm
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Limited Edition Giclee Print Printed on Hahnem端hle Museum Etching 300gsm acid-free fine art paper using the finest archival inks Signed and hand numbered by Jane Hunter.
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The geology of this part of the west coast mainly consists of Old Red Sandstone, with the mainland dotted with pyroclastic rocks ejected from volcanoes over 300 million years ago. To the North West of the piece lies the island of Little Cumbrae. The geology of this island indicates that a series of volcanic lava flows have cooled, leaving an amazing stepped landscape of basalt terraces. The colours of tweed I have chosen to use in this mapwork each represent a different type of rock evident in the landscape.
GEOLOGY, NORTH AYRSHIRE COAST & LITTLE CUMBRAE Image Size 35 x 55.5 cm
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Limited Edition Giclee Print Printed on Hahnem端hle Museum Etching 300gsm acid-free fine art paper using the finest archival inks Signed and hand numbered by Jane Hunter.
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LITTLE CUMBRAE FROM PORTENCROSS
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CONTACT DETAILS Jane Hunter Studio 117 Main Street West Kilbride Ayrshire KA23 9AR Studio:01294 821 853 Mobile: 07796 692437 hello@janehunterart.com janehunterart.com
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Š Jane Hunter 2013 - 2016
Artwork Photography by Jon Paul Davis Landscape and Portrait Photography by Jane Hunter and Sam Kilday
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