Janet(WeiTung)_Yeh_Sophonior_2013
CrazySexyCool photography book of celebrity
we design Crazy Sexy Cool photography book in two ways- tabloid and woodtype. We try to find the vernacular of the design and find our voice to interpret the style of the books.
Woodtype
[ Woodtype]
ďŹ nd the vernacular in woodtype design and make CrazySexyCool photography book according to the style
Typography Design Instructor: Carin Glodberg
[ Woodtype]
ďŹ nd the vernacular in woodtype design and make CrazySexyCool photography book according to the style
Typography Design Instructor: Carin Glodberg Instructor: Carin Goldberg
[ Woodtype]
ďŹ nd the vernacular in woodtype design and make CrazySexyCool photography book according to the style
Typography Design Instructor: Carin Glodberg
[ Woodtype]
ďŹ nd the vernacular in woodtype design and make CrazySexyCool photography book according to the style
Typography Design Instructor: Carin Glodberg
[ Woodtype]
ďŹ nd the vernacular in woodtype design and make CrazySexyCool photography book according to the style
Typography Design Instructor: Carin Glodberg
TABLOID
[ Tabloid]
ďŹ nd the vernacular in tabloid design and make CrazySexyCool photography book according to the style
BY THE EDITORS OF US MAGAZINE
CRAZY SEXY COOL
Typography Design Instructor: Carin Glodberg
[ Tabloid]
find the vernacular in tabloid design and make CrazySexyCool photography book according to the style
e photojournalists, have turned a trick here. In g with their bets, they have manus something both liar about the lions and lionesses hey really, truly in a time when y beyond believing. rarely lie, and era does lie, it lies beautyfully. transitory pop hese Crazy Sexy John Keats was ing of beauty is a ”
BEAUTY IS TRUTY, TRUTY, TRUTH TRUTH BEAUTY. BEAUTY.
LADIES LADIESAND ANDGENTS, THE SORDID GENTS, THETRUTH SORDID TRUTHIS OF THE MATTER OF THE THAT THEMATTER PEOPLE IN IS THAT THE THIS BOOK ARE DIFPEOPLE IN THIS FERENT FROM YOU BOOK ARE DIFAND ME.
FERENT FROM YOU AND ME.
investigative photojournalists, behind the persona or you can if you will have turned a play off the persona and try to rather neat trick here. In do something totally different collaborating with their bewith it. We’re in a time in loved subjects, they have manportraiture when anything aged to show us something both goes.” Of course living in an new and familiar about the anything goes era of media these young lions and lionesses overload and rempant celebrity and of who they really, truly overexposure makes US’s mission are. We live in a time when to be a youthful, energetic, seeing is way beyond believing. vivd and insightful entertainOur cameras rarely lie, and ment magazine all the more when the camera does lie, it challenging. sure as hell lies beautyfully. “That’s our mandate,” says US “I think what we’re really Even in the transitory pop editor Barbara O’Dair. “We trying to show is the intimate And while hesitates to make any value judgments whatso-to behind the persona or rehash you can play culture off the persona try toCrazy Sexy of and these strive get beyond the side of one some very public Cool Keats was ofnewness career do and chronology ot people, “says Seliger in a the rare ever in this age of political correctness, visions of something totally different with it. We’retimes, in a time John in “A thing give our reader some in-goes.” Ofright: moment inbetween shoots. The contemporary collected this book clearly define“resonant portraiture whenreal anything course living in an of beauty is a joy forever.” sight intoanything these goes celebrated truth isforpeople more archetypes what we, become asthey a society of boyeuristic stargazers, era of media people.” For O’Dair, the sameoverload and rempant celebrity interesting when agree to now beautiful, and us appealing, In other overexposure makes US’s mission to be a youthful, energetic, rules apply to the magazine’s letconsider their most guard downaudacious and let words, theythem are crazy sexy cool. and insightful entertainment magazine all the more portraits vivd as its profiels. “We unveil a bit. Take the wantside toofgive our subjects texprocess aswe’re farreally as trying we possibly “I think what to show is the intimate challenging. ture and presence,” she says. “ editor Barbara O’Dair. “We can,very make anpeople, event ofSeliger it.”in And some public “says a rare between “That’s says US We’re looking toour bemandate,” surprised how exactly is that achieved as moment shoots. truthare is people more interesting they strive get beyond rehash of career and chronology ot bywhen images, the tokind thatthe jump US? ““ The There two become ways,” agree to let their guard down and let us unveil themout a bit.and Take grab give us our reader some real insight into these celebrated by the throat.” Seliger explains. “You can either show thecan, person the processtry as farto as we possibly make an event of it.” And people.” For O’Dair, the same rules apply to the magazine’s the trueas power of“We want to give our subjects texture vivd and isinsightful how exactly that achieved asentertainUS? “ There are twoFinally, ways,” portraits its profiels. Crazy Sexy Cool is that the ment magazine all the more Seliger explains. “You can either try to show the person vivd and and presence,” she says. “ We’re looking to be surprised by photographers-the artistically challenging. insightful entertainment magazine all the more challenging. images, the kind that jump out and grab us by the throat.” popular, sometimes overexposed photographers-the artistically investigative photojournalists, the true power of Crazy Sexy Cool is that the figuresif ofFinally, our time. And in photographers-the artistically fine postmodern form, these investigative you will have turned aphotojournalists, rather neat trick here. In collaborating photographers-the artistically popular, sometimes overeximages celebrate the starif you will have turned a managed to show with their beloved subjects, they have us both posed figures our time. making machinery andof shed a And in fine postmodern form, these rather neat trick here. In new, flattering but revealing collaborating with their beAnd while one hesitates to make any value judgments whatsoever in this age of political correctness, the visions of newness collected in this book clearly define resonant contemporary archetypes for what we, as a society of boyeuristic stargazers, now consider most beautiful, audacious and appealing, In other words, they are crazy sexy cool.
Gillian GillianAnderson Anderson
Typography Design Instructor: Carin Glodberg
[ Tabloid]
ďŹ nd the vernacular in tabloid design and make CrazySexyCool photography book according to the style
Michael Richards
I LIKE TO DO THINGS THAT ARE FUNNY
In our undying desire of the freshly iconic, we late-Twentieth Century humans are utterly and perhaps unhealthily insatiable. once upon a time
we hungered for a new Elvis, a new Brando, a new Kylan. These days, we cry out regularly for the next Kurt Cobain and a newly rising River Phoenix. Now more than ever, the savage beast that is our popular culture demands to be fed constantlly; thus a magazine like US is there to provide a tasty snack for both the eyes and the mind. Est there be any confusion, teh photos at the heart of this book are not just snapshots of today’s leading pieces of ass. These are provocative pieces of art that capture the attitude drenched, in-you-face spirit of the folks whol strike our collective fancy as being Crazy Sexy Cool in the 1990s. And, Finally, the true power of crazy sexy cool is that the photographers- the artistically investigative photojournalists, if you will have turned a rather neat trick here.
Typography Design Instructor: Carin Glodberg
[ Tabloid]
ďŹ nd the vernacular in tabloid design and make CrazySexyCool photography book according to the style
Sarah Jessica Parker
IT’S HARD TO DATE ACTORS, BUT AT LEAST THEY’RE AS TROUBLE AND NEUROTIC AS YOU ARE, SO YOU FEEL NORMAL. Typography Design Instructor: Carin Glodberg
Book Review
Typography Design Instructor: Carin Goldberg
Poster
Posters are designed to be both eye-catching and informative.
[ Poster ]
MOMA modern chair exhibition poster
MOMA
11 West 53rd Street, New York city, NY10019
Typography Design Instructor: Carin Glodberg
[ Poster ]
MOMA modern chair exhibition poster
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rn h
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MOMA
11 West 53rd Street, New York city, NY10019
aI r
Typography Design Instructor: Carin Glodberg
[ Poster]
We appropriate the idea of the poem and make the poster with any part of our body, but no hands
If any thing is sacred, the human body is sacred, 125 And the glory and sweet of a man, is the token of manhood untainted; And in man or woman, a clean, strong, firm-fibred body, is beautiful as the most beautiful face. Have you seen the fool that corrupted his own live body? or the fool that corrupted her own live body? For they do not conceal themselves, and cannot conceal themselves.
O my Body! I dare not desert the likes of you in other men and women, nor the likes of the parts of you; 130 I believe the likes of you are to stand or fall with the likes of the Soul, (and that they are the Soul;) I believe the likes of you shall stand or fall with my poems—and that they are poems, Man’s, woman’s, child’s, youth’s, wife’s, husband’s, mother’s, father’s, young man’s, young woman’s poems; Head, neck, hair, ears, drop and tympan of the ears, Eyes, eye-fringes, iris of the eye, eye-brows, and the waking or sleeping of the lids, 135 Mouth, tongue, lips, teeth, roof of the mouth, jaws, and the jaw-hinges, Nose, nostrils of the nose, and the partition, Cheeks, temples, forehead, chin, throat, back of the neck, neck-slue, Strong shoulders, manly beard, scapula, hind-shoulders, and the ample side-round of the chest. Upper-arm, arm-pit, elbow-socket, lower-arm, arm-sinews, arm-bones, 140 Wrist and wrist-joints, hand, palm, knuckles, thumb, fore-finger, finger-balls, finger-joints, finger-nails, Broad breast-front, curling hair of the breast, breast-bone, breast-side, Ribs, belly, back-bone, joints of the back-bone, Hips, hip-sockets, hip-strength, inward and outward round, man-balls, man-root, Strong set of thighs, well carrying the trunk above, 145 Leg-fibres, knee, knee-pan, upper-leg, under leg, Ankles, instep, foot-ball, toes, toe-joints, the heel; All attitudes, all the shapeliness, all the belongings of my or your body, or of any one’s body, male or female, The lung-sponges, the stomach-sac, the bowels sweet and clean, The brain in its folds inside the skull-frame, 150 Sympathies, heart-valves, palate-valves, sexuality, maternity, Womanhood, and all that is a woman—and the man that comes from woman, The womb, the teats, nipples, breast-milk, tears, laughter, weeping, love-looks, love-perturbations and risings, The voice, articulation, language, whispering, shouting aloud, Food, drink, pulse, digestion, sweat, sleep, walking, swimming, 155 Poise on the hips, leaping, reclining, embracing, arm-curving and tightening, The continual changes of the flex of the mouth, and around the eyes, The skin, the sun-burnt shade, freckles, hair, The curious sympathy one feels, when feeling with the hand the naked meat of the body, The circling rivers, the breath, and breathing it in and out, 160 The beauty of the waist, and thence of the hips, and thence downward toward the knees, The thin red jellies within you, or within me—the bones, and the marrow in the bones, The exquisite realization of health; O I say, these are not the parts and poems of the Body only, but of the Soul, O I say now these are the Soul!
Communication Graphic Design Instructor: Michael Walsh
[ Poster]
We appropriate the idea of the poem and make the poster with any part of our body, but no hands
Communication Graphic Design Instructor: Michael Walsh
[ poster]
movie: Battle Royal
Communication Graphic Design Instructor: Skip Sorvino
Brand Development
[ Campaign]
Develop the “Bold Idea� concept for SVA campaign in various methods
[App] get a random idea for inspiration
The messege is not just few words, sometimes can be a image or symbol. The idea may be simple, but it is unexpected for that moment and for your need.
Communication Graphic Design Instructor: Michael Walsh
[ Campaign]
Develop the “Bold Idea” concept for SVA campaign in various methods
Cooperate with OSTRICH Pillow
Sleeping enought gets us bold and fresh brain
SVA
Communication Graphic Design Instructor: Michael Walsh
[ Campaign]
Develop the “Bold Idea� concept for SVA campaign in various methods
Communication Graphic Design Instructor: Michael Walsh
[ Motion Graphic]
create an excution for McDonalds campaign
I’m lovin’ it!
Communication Graphic Design Instructor: Skip Sorvino
[ Motion Graphic]
create an excution for McDonalds campaign
Communication Graphic Design Instructor: Skip Sorvino