Copyright 2020 E1 Magazine All rights reserved. The moral rights of the author have been asserted.
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WELCOME TO THE FIRST ISSUE OF E1
W E A R E O R I G I N A L TA S T E M A K E R S
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we know what we are but what in the fuck are you?
We are an arts and cultural publication that celebrates workingclass culture as well as provides a platform for young creatives from marginalised background to showcase their talents We aim to turn the negative image of the working-classes into a positive by showing off our talent, E1 is a platform and a collective for creatives to express themselves as well as celebrate their culture that has been demonised by the media in the past. E1 is named after the area I used to live in, my parents moved to England in 1988 from Algeria and I was born and raised in London. This magazine celebrates my upbringing and pays homage to where I grew up and my passion for the issues we are trying to change. We want to create a platform for young creatives, open a dialogue about classism and other social issues and most importantly celebrate the culture we grew up with. E1 magazine is for everyone who has been left out by the industry and media, It is time for them to look at our talent, look at our lives as we are important tastemakers too. So yeah, that’s our story, turn the page and start the journey into E1. Founder/Editor-in-Chief Jasmine Guioua 7
CONTENTS AND SHIT original tastemakers no.1 spring 2020
CONTRIBUTORS
C O N T E N T S
This is a massive shout out to all the gang who helped get this magazine off the fucking ground. It’s been an absolute dream but I wouldn’t have been able to do it on my own, as much as i would like to think I could, so yeah thank you to the lovely people who helped make it happen:
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Rosa Mamuzelos Samuel Rushton Sara Zourki Ben Strong Rose Fox Rahul Caines Megan Boister Molly Doherty Jed Willis Maria Monteiro Janek Kazmierczek Christian Murphy Eric Newman Jake Sheppard
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Samuel Lewis Christina C. Clucencu Amelia M. Ticehurst Holly-Rose Froggart Liv Roberts Maria Monteiro Rebecca Ross Charlie Forshaw Georgia Turnbull Dini Govender Maizie Wythe Natasha Wilson Shiona Mcmillan Max Dodsley
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Everyone is so fucking talented. This is such a stupid section. You are talented, they are talented, I am talented, my cat is talented. All talented at different things. So why is it called talent? Why is there a word for it if everyone is talented? Why specify it? My flatmate can juggle, now that is a talent, I can’t fucking juggle. Why isn’t he praised for his talent? Talent is subjective. With that being said, everyone in this magazine is the talent because they’re all fucking talented. Wow the word talent sounds weird now.
NAME
COUNTRY
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FUKIN TALENTED: REVELLERS
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MILLION NIGHTS
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FACELESS
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FUKIN TALENTED: BUM CHIN HEN
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YOU COME FROM GOOD STOCK 40 DISCO 2020
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BELOW DECKS
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FUKIN TALENTED: KEITH FLINT X SPEED 52 A BUNCH OF SHIT TO REMEMBER 58 FREEDOM 19 I
PROMISED
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FUKIN TALENTED: EAST BERLIN TINGS 70 THOUGHTS AND SHIT
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VOMIT TRASH: NOT UR AVERAGE
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WALLS
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ISOLATION VACATION
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END
NOTE
AND
SHIT
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IT’S TIME WE SHOWED THEM WHAT WE’RE REALLY MADE OF... 9
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NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO
ONE ONE ONE ONE ONE ONE ONE ONE ONE ONE ONE ONE ONE ONE ONE ONE ONE ONE ONE ONE ONE ONE ONE ONE ONE ONE ONE
IS IS IS IS IS IS IS IS IS IS IS IS IS IS IS IS IS IS IS IS IS IS IS IS IS IS IS
EVER EVER EVER EVER EVER EVER EVER EVER EVER EVER EVER EVER EVER EVER EVER EVER EVER EVER EVER EVER EVER EVER EVER EVER EVER EVER EVER
GONNA GONNA GONNA GONNA GONNA GONNA GONNA GONNA GONNA GONNA GONNA GONNA GONNA GONNA GONNA GONNA GONNA GONNA GONNA GONNA GONNA GONNA GONNA GONNA GONNA GONNA GONNA
GIVE GIVE GIVE GIVE GIVE GIVE GIVE GIVE GIVE GIVE GIVE GIVE GIVE GIVE GIVE GIVE GIVE GIVE GIVE GIVE GIVE GIVE GIVE GIVE GIVE GIVE GIVE
YOU YOU YOU YOU YOU YOU YOU YOU YOU YOU YOU YOU YOU YOU YOU YOU YOU YOU YOU YOU YOU YOU YOU YOU YOU YOU YOU
SOMETHING SOMETHING SOMETHING SOMETHING SOMETHING SOMETHING SOMETHING SOMETHING SOMETHING SOMETHING SOMETHING SOMETHING SOMETHING SOMETHING SOMETHING SOMETHING SOMETHING SOMETHING SOMETHING SOMETHING SOMETHING SOMETHING SOMETHING SOMETHING SOMETHING SOMETHING SOMETHING
FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR
FREE FREE FREE FREE FREE FREE FREE FREE FREE FREE FREE FREE FREE FREE FREE FREE FREE FREE FREE FREE FREE FREE FREE FREE FREE FREE FREE
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WRITTEN BY CHRISTINA C. CLUCENCU
I have always said that my hometown is the safest place on earth. Indeed, it is like an old myth that tries exuberantly to outlive many years of bad choices and indifference. Everybody knows everybody and that is a fact. My people live in a bubble that emerged from a once-known capital of culture. They killed the impressive amount of human bonds and good breeding because of the very poor political views, as they would be in Ancient Greek competition. This is the blood that flows into the veins of each, actual and up-coming, generation. Romania is a no-name country with no name citizens. It is like we were reborn at the beginning of the century with a disease of being dissatisfied by living on a land soiled by our ancestors’ wounds. That is the image that has been broadcasted by our publics’ faces. We promote nothing but commercial incomes. However, people are people. Beyond all these dark influences that can reach our beloved youths, there is still hope underneath the rocks. 13
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AMELIA M. TICEHURST
FUKIN TALENTED
revellers
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DOCUMENTING THE UK RAVE SCENE
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Amelia Mclauchlan Ticehurst is a photographer based in Southampton, her first photo book focuses on the UK and it’s ever growing rave scene, documenting a crucial part of working-class life. What is your background? tell us a bit about yourself. Ever since I was 14/15 I have been very into rave music and the rave lifestyle but was at that point living in a market town near Oxford which had nothing around at all, only one tiny skatty venue called Cellar that used to put on some good Jungle and DNB events. So, until the age of 18 I was stuck there really, which has made me all the more enthusiastic to go to new places now that I can! I love that my project allows me to go to brand new places and meet many other lovely people along the way who enjoy the same kind of thing as me! What was the inspiration behind exploring the UK Rave Scene? My inspiration behind this project came from researching lots into the 90s rave scene. I find it really interesting how mainstream clubs nowadays have taken such inspiration from the 90s rave period. When you think of Rave culture which cities and genres do you think of? When I think of the UK rave scene, I think of Bristol, Manchester, London and Liverpool for sure. There’s so many genres that come under rave music, but to list my favourites it would have to be DNB and Jungle - most of the photos I have taken are from these events.
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How has the scene inspired what you do? The scene has inspired what I do because it’s something I really enjoy doing, so what better than to base my project on it! Do you think rave culture has had a resurgence or has it always been there in the background? Rave culture during this decade has always been there, it’s just changed to be very commercial in my opinion. What message are you trying to send with your work? The message behind my work is just to really show an insider’s perspective of the rave scene. It can have a bad rep with drugs etc, but in reality, its happy place for all different kinds of people which I love. Is rave culture more than just about the music? I would personally say rave culture is more about just the music for sure! What are your hopes for this series in the future? The photos I’m taking are all going to be displayed in a book which will be called ‘Revellers’! (Sadly bloody corona virus is getting in the way of taking photos at venues now so might take longer for the book to come out).
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1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 157 158 159 160...A MILLION NIGHTS
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BBM ME BABES BBM ME BABES BBM ME BABES BBM ME BABES BBM ME BABES BBM ME BABES BBM ME BABES BBM ME BABES BBM ME BABES BBM ME BABES BBM ME BABES BBM ME BABES BBM ME BABES BBM ME BABES BBM ME BABES BBM ME BABES
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F F F F F
A A A A A
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H A
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OVER 50 STORES IN BOURNEMOUTH TOWN CENTRE REMAIN EMPTY AND FORGOTTON THANKS TO GENTRIFICATION AND BIG CORPORATIONS
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S A V E O U R L O C A L S T O R E S S A V E O U R F L A T S SAVE US 31
G E N T R I F I C AT I O N HAS TAKEN OUR I D E N T I T Y
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MARIA MONTEIRO
FUKIN TALENTED
bum chin hen bum chin hen
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Maria Monteiro is a 3rd Year student at Arts University Bournemouth studying Fashion Communication, her zine, Bum Chin Hen, focuses on the damaging stereotypes black woman deal with regarding their looks and background. How did the idea for your zine come about? Maria: My project idea came from all the things that inspire me, colour, shape, black culture and history. Also artists of all different forms such as musicians, painters, illustrators, photographers etc. In terms of colour and shapes, primary colours are my favourite things to work with and I have used it as a base for my project. What is your background? Tell us more about yourself. M: I was born in Portugal and moved to the UK when I was about 7. My parents are originally from Guinea-Bissau (West Africa). I’ve never really been in touch wih my African roots which is why I wanted to focus on black culture in my project. Surprisingly, whilst being African I’ve been more inspired by Carribean culture just because I love how fashion and music come together, two important things to me. However, I’m also interested in black hair so I like researching African hair styles in different tribes, what they mean and how to do it. What is the message behind your zine, what are you trying to challenge with it? M: The message behind my project is to embrace black stereotypes. Yes, most black people have bigger lips and a bigger nose, which in society can be seen as ugly features to have. This is completley wrong, especially for little black girls growing up in this society. I want little black girls to love their nose, love their skin complextion and their lips. What stereotypes/adversities do the black community face? M: A lot of stereotypes that I see are predominantly that black girls can be ‘loud’, ‘uneducated’, ‘ghetto’ and ‘ratchet’. I could go on, of course noth everyone thinks that but if you think it doesn’t happen you’re part of the problem as to why these stereotypes are still here and haven’t been eradicated.
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What
do
you
want
to
change
with
your
zine?
I’m hoping for black girls to see my work as art and see themselves as a work of art. We’re all beautiful in our own ways and we need to start owning our features whether it’s a big bum, big nose or big lips. OWN IT!! What message would you give to a young black person that may be feeling discrimination/adversity? The only advice I can really give to a young black person is just be yourself, everyone’s always going to find something wrong with you. Embrace what/who you are, your race, colour. All races need to come together to make sure that discrimination isn’t a thing that will still impact minorities, whether race, class, looks etc.
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BIG BUM BIG LIPS OR BIG NOSE OWN IT!!!!!
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TEN CRACK COMMANDMENTS TEN CRACK COMMANDMENTS TEN CRACK COMMANDMENTS A CHECKLIST OF WAYS TO PROTECT YOURSELF AS A HUMAN WHO IDENTIFIES AS WORKING-CLASS, WHILST NEGOTIATING ART FUCKERIES AND A SYSTEMATIC PRIVILEGE. BY MADANI YONIS
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RU M A PHOTOGRAPHY: S 42
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smoke some fags and smoke some some fags and pretend play some play pool pool. never pretendwent you never went to you to school school. but youíll still you’ll neverget get but still never it right. coscos when you’re laying it right when youíre there at night .watching laying there at roaches night climb the wall. if you climb called watching roaches yourwall dad. if heyou could stop your it all. the called dad he could stop it all
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BELOW DECKS BELOW DECKS BELOW DECKS BELOW DECKS BELOW DECKS BELOW DECKS BELOW DECKS BELOW DECKS BELOW DECKS BELOW DECKS BELOW DECKS BELOW DECKS BELOW DECKS
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HOLLY-ROSE FROGGART
FUKIN TALENTED
KEITH FLINT X SPEED 52
the beauty in music + psychedelic culture 53
Holly-Rose Froggart is a first year BA Fine Art student at Northampton University, her work focuses on exploring psychedelic drugs and the relationship it has with music, and how perception is altered when in different states of mind.
What drew you towards creating collages?
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I have always liked the connect of collages, and in previous work such as GCSE and A-Level, I wanted to experiment with collage making, however I never got round to doing so. Therefore starting fresh at university on a BA Fine Art course, I was able to try it out and start experimenting with different forms of collages. I was especially drawn to this way of working, as currently my subject focus is drugs and music and how one’s perception is altered. Collage making is a really easy way to create surreal images and bring in surreal elements by distorting and changing the way images are perceived.
Is there anything about society you’d like your work to document? I think my main objective currently is to document the beauty in music and psychedelic culture - the relationship between the two Where would you like your work to lead you? I have always been quite unsure on where I want my work to lead me, however I do know I have a passion for tattoos; Therefore, going down the path of becoming a tattoo artist would be ideal for me. However, this doesn’t relate to my current work. If I was to focus mainly on the kind of work I’m doing now, I could potentially try and sell my work and offer commissions, as well as maybe wok on collaborations with music events or other events/organisations I find interesting. What is the message behind your work? Originally my work was mostly looking at drug safety and drug awareness, however it’s moved more recently towards the visual perception side of drug use. Psychedelic visuals, distortion and trying to show energy’s and things that aren’t real is my main focus now. At the same time, I try and incorporate elements of music to show the most ‘harmonic’ relationship between drugs and music. Would you say music defines youth culture? I think music definitely has a large impact on youth culture in various ways. It’s quite common for music to glamourize and romanticize themes such as drug use and violence (especially towards women). Whether it’s directly defines youth culture, I’m not sure, but I do think it has an impact on how some young people act and behave. How does music and nightlife inspire your work? Two of my favorite things in life is music and the idea of psychedelics, being able to alter one’s mind and events that are linked to these situations such as raves and festivals. I chose to look more closely at these elements for my main projects at university, looking into things such as what music sounds better whilst on drugs. I’m also fascinated by the old rave culture and acid house. All of this ties into my work as I predominately look at visuals and how they can be changed. I also like to incorporate images or words linked with specific musicians and songs, again adding extra dimensions to my work.
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A WHOLE LOAD OF THINGS TO REMEMBER FOR SURVIVING LIFE IN A WORLD THAT'S SO FUvCKING FULL OF ITSELF AND SO WARPED ON WHAT'S IMPORTANT AND WHAT'S NOT 58
freedom 19 freedom 19
TAP INTO THE SOUND OF FREEDOM
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i got a lust for life 62
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won’t you take a ride on heavy metal it’s the only way you can travel down that road
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i had too much to d r e a m last night 65
when i die let it be known that i promised nothing and somehow delivered less just like expected and i fucking loved it 68
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DINI GOVENDER
east berlin tings 70
FUKIN TALENTED
East East East East East East East East East East East East East East East East East East
Berlin Berlin Berlin Berlin Berlin Berlin Berlin Berlin Berlin Berlin Berlin Berlin Berlin Berlin Berlin Berlin Berlin Berlin
and and and and and and and and and and and and and and and and and and
it’s it’s it’s it’s it’s it’s it’s it’s it’s it’s it’s it’s it’s it’s it’s it’s it’s it’s
political political political political political political political political political political political political political political political political political political
street street street street street street street street street street street street street street street street street street
art art art art art art art art art art art art art art art art art art 71
What is your background? Tell us more about yourself. Born in Durban, and raised by Mauritian and South African parents my culture and ethnicity have always been an integral part of who I am. Currently studying as a fashion communication pathway student on foundation; the notion of being able to communicate one’s ambition and personality through presentation and individual style is something fascinates me. To me our selfimage is a coded message in itself descriptive of our ambition and attitude. I identify with a bold, hybrid street style that is a synthesis of vintage and streetwear building on the current uprising of ‘90’s Heroin Chic’ revival. I continue to explore my identity, cultural and personal through clothes and accessories that have allowed me to project the optimised version of myself celebrating my heritage, a mix of East and West’. What inspired you to document the streets of Berlin? Something I pride myself in as an artist is my versatility, I have explored numerous avenues of styling, garment making, painting, illustration etc. However, photography and documentation of cultural microcosms and trends has always been something I have wished to do more of. Thus, I saw my trip to Berlin as the perfect opportunity to expand in this area and ameliorate my skills simultaneously. What is it about Berlin’s grunge aesthetic you find interesting? Berlins grunge aesthetic was so uniquely appealing to me as it was different to any other city I’d ever visited. Whilst London’s grunge scene translates to me as much more of a heritage aesthetic, Berlin is an amalgamation of all the different cultures and groups that find their home in the city. The landscape has a gritty realness to it that felt familiar to my role of the tourist and the street art culture one can find here is truly unparalleled, a form of art I’ve begun to appreciate a lot more after my trip. 72
Do you think street art culture is an important part of youth expression and does it send a message about society? Honestly, I’m not 100 percent educated on the involvement of the youth in Berlins thriving street art scene but I can confidently state that there is a message of rebellion coursing its way through the streets. Take the east side gallery for example, the graffiti displayed there expresses discontents and creates awareness of socio-political issues on a local and communal level, ultimately becoming an essential part of the global visual culture. Considering that graffiti is illegal in Berlin, but that it has still earned its title as ‘the graffiti mecca’ is a statement of revolution in itself. What are the messages behind your images, what are you trying to portray? I mainly just wanted to showcase the backdrop of the fascinating city that I was visiting; predominantly focusing on the grunge aesthetic prevalent in the East where I was staying. Using my friend Alex who was accompanying me as a primary model I just stopped to document the parts of street art that interested me and that I felt encapsulated the essence of the amazing city I was in. My documentation was rather personal and casual, I wasn’t too careful with staging my scenes and rather focused on capturing the moment and enjoying myself. 73
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VOMIT TRASH
NOT YOUR AVERAGE COLLECTIVE
In 2017, drunk as fuck sat at a friend’s house at 3am is where it all started. We’d all just come back from a night out, scraping the last of the dizz bag that all 6 of us chipped in for, and someone, I can’t remember who, got a guitar out and started shredding. Next thing we knew we’re all playing instruments and singing until at least 6am. In that moment, that we never knew would be so important, we thought “fuck, this is pretty cool, we should do this all the time.” We all met at college studying Film but those days were behind us now and we were craving the fun we had collaborating together. So, we thought fuck it, lets do this, let’s all get together with the little money we have and fucking make something. Alas, vomit trash was born.
who the fuck are we and where are we going
Vomit trash, birthed by six bored 20-something year olds with nothing to do and no resources, are a creative collective based in London/Bournemouth.
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Everyone always asks where the name vomit trash comes from, and it’s a fucking funny, yet stupid story. Thing is, we didn’t really care for having a name we were just a group of friends who knew what was up. Anyway, it’s Saturday night, we’re on our way out, Jake’s had too much to drink already and throws up all the over the bus and we were all like fuck this is so trashy, there’s vomit everywhere and we were like fuck trash vomit, no vomit trash, that’s so vomit trash and that’s how our name evolved.
MAX PAINTING AT 4AM IN OUR HOUSE, WE ALL LIVE TOGETHER NOW. AFTER A DRUNKEN NIGHT AT THE PUB WE DECIDED IT WAS TIME TO LEAVE OUR HOMETOWN. WE SCRAPED EVERYTHING WE HAD TO GET THIS SHITTY LITTLE FLAT IN BOURNEMOUTH, IT’S BEEN 3 YEARS NOW...
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BIRTH OF THE NAME, JAKE THROWING UP ON THE 427. WE NEVER MADE IT OUT THAT NIGHT, WE WERE HOME BY 12.
I DON’T EVEN FUCKING REMEMBER WHERE THIS WAS, BUT LET’S HOPE IT’S STILL THERE 81 REPPING THE CAUSE.
The thing is, it was never about money for us, it was about creating something we believed in. We didn’t have any money and in a way we like it that way because that’s what we’re used to, It keeps us grounded and keeps us conscious. Money never equals talent and we’ve always enjoyed being outside of society. We always made something out of nothing, and quite frankly that’s a talent in itself. We were never picky about what we did, we just let creativity take it’s course, whether painting, making films,creating games or playing music it didn’t matter as long as we were having a laugh.
THE BOYS. ERIC, JOHN, MAX AND JAKE GETTING DOWN TO BUSINESS ON A FRIDAY MORNING. WE MANAGED TO GET ERIC OUT OF HIS K HOLE IN TIME FOR SOME PAINTING.
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FOR US IT WAS NEVER ABOUT MONEY IT WAS ABOUT CREATING SOMETHING WE BELIEVED IN
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MEET VOM
JAKE SHEPPARD, 22 YEARS OLD. TALENT: PLAYING THE BASS AND GAME DESIGN. MOST LIKELY TO: THROW UP IN HIS OWN BED.
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JAZMINE GUIOUA, 23 YEARS OLD. TALENT: FASHION SHIT (AS THE BOYS SAY.) MOST LIKELY TO: KNOW WHERE ALL THE DEALERS ARE AND STEAL YOUR RED STRIPE.
ERIC NEWMAN, 22 YEARS OLD. TALENT:DIRECTING MOST LIKELY TO: GET STUCK IN A K HOLE.
MIT TRASH
CHRISTIAN MURPHY, 23 YEARS OLD. TALENT:FUCKING EVERYTHING AND ANYTHING TO DO WITH MUSIC. MOST LIKELY TO: IMPULSIVELY SKIP COUNTRY.
JANEK ‘JOHN’ KAZMIERCZAK, 22 YEARS OLD TALENT: CINEMATOGRAPHY MOST LIKELY TO:GET SERIOUSLY INJURED AND CHEAT DEATH.
MAX DODSLEY, 22 YEARS OLD. TALENT: ELECTRIC GUITAR AND DOING SCENES OTHER ACTORS WOULD BE UNCOMFORTABLE WITH. MOST LIKELY TO: SMOKE ALL YOUR WEED.
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VOMIT TRASH CORE FUNDAMENTALS 1. CREDIT SEEKING IS CANCER. 2. BE OUT OF YOUR COMFORT ZONE. 3. REGRET IS A FOOL’S GAME. 4. EMBRACE YOUR INNER TRASH. 5. IGNORE THE EXPECTATIONS OF OTHERS. 6. PISS ABOUT. 7. USE EXPERIENCES AS CREATIVE INFLUENCE. 8. DON’T BE TOXIC. 9. EXPLORE THE CREATIVE POSITIVES OF BEING TRASHY AS FUCK. 10. DON’T BE A FUCKING SQUARE.
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SHIT OR GET VOMIT
OFF THE POT TRASH
A L L S W A L A L L S W A L A L L S W A L A L L S W A L A L L S W A L A L L S W A L A L L S W A L A L L S W A L A L L S W A L A L L S W A L A L L S W A L A L L S W A L A L L S W A L A L L SW A L A L L SW A L
L L L L L L L L L L L L L L L
SW SW SW SW SW SW SW SW SW SW SW SW SW SW SW
A A A A A A A A A A A A A A A
L L L L L L L L L L L L L L L
L L L L L L L L L L L L L L L
L L L L L L L L L L L L L L L
S S S S S S S S S S S S S S S
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ISOLATION VAC A T I O N
WE’RE
FUCKING
STUCK
IN
HERE
THE COVID-19 PANDEMIC THAT HAS SWEPT UP THE WORLD IN A STORM HAS BEEN FUCKING INSANE, AND HAS LEFT A LOT OF YOUNG PEOPLE BROKE AND ALONE WONDERING WHAT THE FUTURE HOLDS. IT’S affected the working-classes in a different way to the rich as we duck and dive TO FEED OURSELVES AND BECOME INCREDIBLY BORED AND AGITATED. WE HAVEN’T EVEN GOT A FUCKING GARDEN TO SIT IN, SO WE’VE HAD TO ADAPT, LIKE SO MANY PEOPLE OUT THERE AND DO WHAT WE CAN TO KEEP SOME FORM OF LIVELYHOOD DURING THE UNCERTAIN TIMES. WE’RE OUT HERE DOING OUR BEST AND AS PRIMAL SCREAM ONCE SAID, WE WANNA BE FREE TO DO WHAT WE WANNA DO AND WE WANNA GET LOADED. EVERYONE IS DOING SUCH A FANTASTIC JOB AT KEEPING THE SENSE OF COMMUNITY TRULY ALIVE. PEOPLE SAY HELLO IN THE STREETS NOW, CLAP FOR THE NHS AND WAVE TO YOU AS YOU WALK ON BY. THIS VIRUS DOESN’T JUDGE YOU ON CLASS, RACE OR CREED SO WHY SHOULD WE JUDGE OTHERS, WE’RE ALL IN THE SAME BOAT FOR ONCE.
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JUST LIKE SEXISM AND RACISM, CLASSISM SHOULD BE ILLEGAL.
