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InSide thiS iSSue we anSweR the queStiOn
on eveRyOne'S lipS. . .
and why you need to know TRAvEL: NEW
ZEALAND’S SOUTH ISLAND muSIC: DEADLY ARE THE NAKED
autumn chamber music festival 2009 The 2009 Autumn Chamber Music Festival, presented in collaboration with Past Echoes, showcases Australia’s finest musicians in a program of chamber music spanning the centuries. From solo recitals to theatre, chamber orchestras to opera, this festival is sure to inspire and entertain all who attend. We invite you to share with us the joy of chamber music in all its forms. Keep your eyes on www.pastechoes.com or call 0417 344 828 for more details. Festival tickets on sale 22 January 2009.
friday may 22 1 opening night taster
7:30pm
trinity college chapel
saturday may 23 2 bach masterclass 3 contrasts 4 gesualdo tenebrae 5 heavens above
11am 3pm 7:30pm 9:30pm
early music studio trinity college chapel newman college chapel trinity college chapel
sunday may 24 6 galileo's brother
3pm
dante's gallery fitzroy
tuesday may 26 7 lancaster on haydn
7:30pm
melbourne recital centre
wednesday may 27 8 la serva padrona 9 damage control & k
6pm 9pm
melbourne recital centre transit cocktail lounge
thursday may 28 10 winterreise
7:30pm
trinity college chapel
friday may 29 11 early music studio concert
7pm
trinity college chapel
saturday may 30 12 la serva padrona 13 beautiful rubble
3pm 7:30pm
tower theatre, cub malthouse tower theatre, cub malthouse
9am
st johns southgate
3pm
newman college chapel
sunday may 31 14 st john's cantata series 15 zelenka, the francis xavier mass
cOntentS
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Editorial
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In fact Read all about the latest in local news.
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What’s On Check out what’s been happening right here.
FeatuReS
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Feature Story Just who is Jason Jeffery and why do you need to know? Find out in this indepth interview.
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Travel Join us as our resident travel writer takes us on a journey around New Zealand’s South Island.
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Music Read about the latest news and reviews on all the recent releases this month in the world of music.
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editORial
The magazine for potential employers Editor Jason Jeffery Publisher J2 Design Art Director Jason Jeffery Designer Jason Jeffery Writer Jason Jeffery Photographer Jason Jeffery Advertising Jason Jeffery Contact 8/5 James Street Glen Huntly Victoria 3163 0419 131 855 CV is published just for you. Any suggestions, complaints or ideas would be appreciated and should be sent to jason.jeffery@optusnet.com.au. CV is published wherever necessary by J2 Design, 8/5 James Street, Glen Huntly, Victoria 3163. Printed by a printer that I am yet to determine at a yet to be sourced address. All rights reserved. Reproduction in whole or part without written permission is strictly prohibited.
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H
ello, and welcome to this season’s edition of CV – the magazine for potential employers. Are you on the lookout for a graphic designer to complement your organisation? Do you need that special someone to fill a creative void? Or do you require the services of someone who can take you to the next level? Well then, let me draw your attention to this issue’s feature story, where we take pleasure in introducing to you Jason Jeffery, a talented graphic designer who tells us who he is and why you should get to know him. Our travels take us over the Tasman where our resident travel writer explores New Zealand’s majestic South Island. We also get a sneak peak at the writer’s upcoming book on his expedition to the land of the long white cloud. A must-read for anyone looking to travel across the Tasman. In music, we look at releases from Louisa Hunter-Bradley, Past Echoes and Triptych Vocal and also review the new release from Melbourne outfit Deadly are the Naked. In addition, we also get a firsthand look at the artistic development of their debut EP, Live at the East. So, I leave you to enjoy this edition of CV, and I hope to hear from you soon.
In Fact
Years I’ve been Senior Art Director at Countrywide Media:
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Software Everything you need to fulfil any of your print production requirements as well as some nifty productivity scripting and programming thrown in for good measure.
Hot off the presses As Senior Art Director at Countrywide Media, Jason Jeffery oversees the production of all of the company’s publications. This includes everything from the company’s stationery and promotional material through to all the publications produced for a range of clients.
Journals and magazines make up the majority of material published, followed by educational handbooks, calendars and diaries. All up, Countrywide Media produces approximately 100 publications annually, with more on the way. That’s a lot of material!
Deck your halls Got a bare wall in your abode? Need a spiffy new tee to wear out on the town? Or are you just looking for the right gift for that someone special? Look no further, Red Bubble has what you are looking for and more. The Australian-based website features original artwork from around the world, including Melbourne’s very own Jason Jeffery. Through Red Bubble, Jason’s art has been featured on a variety of websites including The Age. You can view, review and purchase Jason’s works on a variety of mediums including greeting cards, t-shirts and mounted prints up to A0 in size. http://www.redbubble.com/people/jason http://blogs.theage.com.au/creativitycorner/archives/2007/08/face.html http://sirensgate.wordpress.com/category/wolf-hollow/
Adobe InDesign 6 Adobe Photoshop 11 Adobe Illustrator 14 Adobe Acrobat 9 Applescript 2 Mac OSX 10.5
Lessons learned
2008
Certificate IV in Business (Frontline Management) TSA – The Training Company
2002 Certificate IV in Computer Graphic Design Shillington College – Melbourne
2001 Graduate Diploma of Education (Secondary School) Monash University – Clayton
1997-2000 Honours Degree in Bachelor of Music Monash University – Clayton
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years studying music at Monash University.
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Number I wore in junior football:
5
and why you need to know
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weeks backpacking solo around Europe.
Graphic Designer, Illustrator, photographer, manager and more. CV gets to know one of the industry’s rising stars. Story and photos by CV
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ason, who g raduated f rom Shillington College in 2002, is best known for his work in the publishing industry. “I love working on magazines,” he says. “When I finished up at Shillington, I wanted to eventually find myself working in magazines and I was lucky enough to find a job working for a publishing company shortly after I graduated. “There’s a lot that goes into creating a magazine and I enjoy the challenge of creating a cohesive and fluent layout that is both functional and interesting to look at. I think my favourite element of magazine layout is the grid. It is the base that holds everything together but also allows you to experiment without losing sight of the overall structure.”
Number of years I have worked at Countrywide Media:
7
Magazine Layouts My primary role at Countrywide Media has been designing and laying out magazines and journals for our varied range of clients. Further to the layout, I am in constant contact with the editorial staff and I am also required to liaise with our printers and distributors in order to ensure that our publications are produced to a high standard and also delivered on time.
Sitting in his office, you instantly see the passion Jason has for magazines and the publishing industry with several magazine titles strewn somewhat haphazardly over the floor. “I’m a self confessed mag-nut. If I come across something that looks interesting I’ll pick it up and start dissecting it right there and then, checking out the different ideas and techniques used and thinking of ways to inject them into my own work. You’ll often find me scanning the shelves in either Borders or Mag Nation for hours at a time.” Since late 2002, Jason has applied his skills at Countrywide Media (CWM), a small publishing company working with not-for-profit and police-based organisations, producing journals for their members as well as educational handbooks
distributed to school leavers around the country and also New Zealand. Jason began life at CWM as a junior typesetter where he produced the majority of the advertising that appears in the journals. From that position he moved through the ranks to find himself as the Senior Art Director four years later. “I’ve been lucky at Countrywide Media because I’ve had the chance to progress and grow through the company, which has been a great privilege. Through that progression, not only have my design skills improved over time, but so have my communication and management skills, all due to the opportunities I’ve been given.” As part of his role as Senior Art Director, Jason liaises with CWM’s clients,
editors, printers, mailhouses and contractors to make sure all of their 100 plus publications are produced to the highest standard, delivered on time and also within budget. “One of the most satisfying parts of my job is hearing the feedback from our clients and when they let us know that we’ve done a good job. It’s those compliments that drive me to keep pushing myself to do the best I can.” While the design and layout of CWM’s publications is Jason’s primary role, he has also played a large part in streamlining the way the company produces their journals. Over the years he has modified and developed several scripts and applications that have saved the company both time and money. SPRING 2009
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is my lucky number.
One of the most satisfying parts of my job is hearing the feedback from our clients and when the let us know that we’ve done a good job. It’s those compliments that drive me to keep pushing myself to do the best I can. cv
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“I fell into the scripting environment purely because I was curious to know how it all worked. I started by opening up one of the files and trying to figure out how it all worked. Ever since then, I’ve always been keen to find ways to apply scripting to help us with the way we do business,” he explains. “The most satisfying thing about creating these scripts and applications is that it allows us to spend less time on the tedious and repetitive tasks and more time on making our publications look the best that they can. It’s a part of my job that I enjoy because it gives me a better understanding of how we run our department and it also gives me ideas on how to improve our workflow and become more efficient.”
Record number of potato cakes eaten in one sitting:
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Street SmartHandbooks I was commissioned to update the covers for Countrywide Media’s range of secondary school leaver handbooks. Market research had shown that readers thought the previous covers were dull and more colourful and up-to-date artwork would be more suitable for the target audience. I created a range of characters, shapes and a colour palette similar to what would usually be applied to concert posters found around clubs and universities. I believed more contemporary artwork would appeal to the readers and all feedback received has been positive.
One of Jason’s key achievements at the Adobe Creative Suite and also suitable Along with the identity, Jason also CWM has been developing rejuvenated design techniques for our type of work. designed several CD layouts for The designs and layouts in order for the com- It’s been a fantastic learning experience Music Source including Ephemera, Begli pany to obtain new clients. “On a few for me to be able to share my knowledge Occhi and Words of the Angel. “Through the contacts I made by studying music occasions I’ve been lucky enough to be with others.” able to create design ideas for proposals before moving into graphic design, I was that have helped us win contracts and Even though magazines are his first love able to find a bit of work producing gig gain new clients. But the work that I have and they take up the bulk of his workload, posters and CD layouts for various groups been most proud of has been the redesign Jason still manages to find time to work going around at the time. And recently of the Street SmartHandbooks. It was a on a range of different projects through I’ve been able to get back into that type of project that I handled from start to fin- his freelance company; J2 Design (pro- work again through a band named Deadly ish and I was really pleased with the end nounced “J Squared Design”), which has are the Naked which has been great.” (Ed. result and so were the clients and the tar- been running since 2001 and continues for more on Jason’s work with Deadly are the get audience.” to flourish. “One of my first jobs was a Naked, see page 19.) In recent times, Jason has con- corporate identity for a company called To complement his work in publish2 ducted training sessions for typesetters The Music Source, a client that I still work ing, J Design has allowed Jason to develop in the Philippines. “We outsource a fair with today after eight years. It’s also one his style over a range of work that includes bit of typesetting overseas and once a of the most satisfying identities I’ve cre- stationery, business cards, brochures, flyyear I go over to teach them how to use ated as well.” ers, postcards and posters. “The freelance SPRING 2009
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years working at Coles Chadstone.
Hunter Agencies This identity was developed for the (then) publishers of the Gold Book, a wine guide produced annually rating Australian wines released that year.
I really enjoy learning and exploring something and then applying what I’ve learnt into my designs.
work has been a great opportunity for me to explore other areas of design as well as try out a few new ideas and techniques. One area I’ve been able to revisit is illustration.” Jason cites several pieces where he has stepped away from the computer and hand drawn the elements of projects. “A couple of my favourite pieces have been the artwork for Les Arts Florissants and the Past Echoes Autumn Music Festival. In both works, I employed a flourishing style that worked quite effectively for each piece.” With a varied range of material, it is interesting to find out exactly what Jason sees as his strengths. “I would say my main strength is my thirst for knowledge,” he
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Number of countries I’ve travelled to:
1.
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Past Echoes Autumn Music Festival An illustrative type motif was used throughout the layout of this brochure, emphasising both the baroque and autumn aspects of the festival.
2.
3.
explains. “I really enjoy learning and best way to portray these stories is a chalexploring something and then applying lenge I enjoy and look forward to with what I’ve learnt into my designs. One of each magazine and journal I work on. the tools of design that I have a great deal “Even though I have spent a lot of of interest in and have spent a lot of time time working with magazines I still think studying is Adobe InDesign. I’ve been able I’ve got a lot of room for improvement.” to learn how to use InDesign extremely He continues, “I’d like to learn more about effectively when creating magazines.” the art direction side of things. I’ve learnt So what does the future hold for a lot about managing people and schedJason and where does he see himself head- ules as well as liaising and communicating? He has all the attributes required to ing with clients and printers but I’d like succeed in the industry but ultimately to spend more time developing my craft where would he like to be and what would as an art director and work with other he like to achieve from here on in? creative minds such as designers, editors, “I’d really like to continue work- photographers and illustrators.” ing with magazines. There’s something about magazines that will always appeal With an impressive folio of work to to me. Each issue is unique with a differ- his name already, we’re sure Jason ent story to tell each time and finding the would be an asset to any company. His
1. The Music Source 2. Electric Edge Touring 3. Protek Group
organisational skills and eye for detail combined with his extensive experience in the field and knowledge of the industry standard software stand him in good stead for any obstacle thrown his way. He has a proven track record yet continues to push himself to learn and improve his skills wherever and whenever he can. We wish him the best of luck in the future, although we’re sure he wont be needing it.
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TRavel
Early in 2009, I embarked on a journey in New Zealand to retrace the steps of my ancestors who explored the region in the early ‘80s. Story and photos by Jason Jeffery
The Church of the Good Shepherd, Lake Tekapo.
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Age at which I started playing guitar:
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years old when I won the leading player award in junior table tennis.
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n my youth, I had heard much of their travels from those heady days and decided it was now my turn to head abroad and explore New Zealand’s majestic South Island. I began by picking the minds of my predecessors, asking them the best route around the untamed island and what provisions I would require to make for a safe journey. Their almost unanimous response was “don’t go, you’ll never be the same again.” I was undeterred. It was a risk I was willing to take. There were a handful of places I was determined to see, Fox Glacier and Milford Sound were the two most important on my list, but the question was, what route should I take to get to each location safely?
1.
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It was then that I created the New Zealand South Island Historic Trail. It was a map that I had made up in my own time (opposite page) and it would provide me with safe passage around the South Island. I departed for New Zealand in early January with my first port of call being Christchurch. It would be from there I would begin my journey around New Zealand’s South Island. From Christchurch I picked up my trusty steed, a 2000 model Mazda Familia. I had faith that my little vehicle would take my up through the mountainous and rugged west coast. I departed Christchurch before sunrise and headed towards Fox Glacier. My route would take me through Arthur’s
I had faith that my little vehicle would take my up through the mountainous and rugged west coast.
1. Atop Mount Summit looking across to Lyttleton. 2. The New Zealand South Island Historic Trail. 3. A collapsed section of Fox Glacier. 4. Sumner Beach’s iconic Shag Rock.
Number of different magazine/journal titles published at CWM:
15
Pass where I had planned a stop to see Devil’s Punchbowl Falls. It was later that evening that I arrived in Fox Glacier. After a long drive and an early start, I needed the rest so I retired to my bed and breakfast on Pekanga Lane. The next morning I headed into town to register for a glacier walk. I was shocked on arrival to learn that a part of the glacier had collapsed and killed two tourists the day before. The news gave me a nervous feeling in my stomach but my group was instructed that the glacier was safe to walk on and we proceeded with the tour. As we approached the glacier we could still see rescue personnel clearing the rubble away from the site. A shiver ran up my spine and the closer we got to
3.
2.
4.
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16
years old when I played my first gig in a bar.
Remarkables, Queenstown.
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Age I began my music degree:
the mouth of the glacier, the smaller and smaller I began to feel. It pelted down with rain as our troupe climbed the steep and narrow ascent to the safest part of the glacier. It was icy cold, which was to be expected as we were after all walking on a 50ft tall slab of ice, but we made it. The view was spectacular and the moment was breathtaking. Soaked to the bone, we began the slow and slippery trek down the glacier and back into town. Many scheduled glacier walks had been cancelled or delayed due to the tragedy the day before and there was a sombre feel around the town. The heavy rain and dark clouds made the day a sobering one. As the weather had turned a darker shade of grey, I spent the afternoon reading to the sound of the rain hitting the car roof. The mountains had become lost in the clouds and the rain. As yet, I still had not caught a glimpse of Mt Cook, the largest of the mountains on the South Island. It should have been the biggest object along the skyline but it remained hidden. That evening, I stopped off at the Fox Hotel for dinner and a few beers . A note to all who read this journal: if you are ever at the Fox Hotel, stay damn well clear of the chicken parma. I left early the next morning and headed towards Queenstown. It would be a long journey but I had planned a few rest stops along the way. The fog was heavy and driving along the winding mountainside was
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quite a challenge. It would be at least two hours before I would see either the sky or another vehicle. Halfway to Wanaka, I stopped at both Thunder Creek Falls and Blue Pools. These were two isolated sites a short and peaceful walk from the main highway. The sun had managed to break through the fog and it had turned into a pleasant day, a polar opposite to the weather the day before. Even though it was the middle of summer holidays, I had hardly seen another vehicle going in the same direction for the bulk of my drive that morning. I really did feel quite small and lonely weaving my rental around the mountains of the South Island. However, I began grow accustomed to the freedom. Before arriving in Queenstown I managed a brief stop at Wanaka, a quiet lakeside town with a lot of character. It was good to stop and have a coffee and stretch the legs. Wanaka feels like the perfect holiday town – especially if you have yourself a nice ski boat to speed across the vast blue lake. When I first think of Queenstown, I think action, adventure and snow. The Queenstown I found was one of sun and relaxation. I had no idea that a city known more for its adventure could also be a fantastic place to put your feet up and unwind. I felt very comfortable in the serene surroundings of Queenstown.
To read more, pick up Jason’s New Zealand travel diary, at all nonexistent book stores now.
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Live at the East Deadly are the Naked ★ ★ ★ ★ ★
T
he inspiration for Live at the East was the pin-up girls of the 1950s that adorned many of the army aircraft of that period. Deadly are the Naked wanted a sexy and seductive look reminiscent of that period but with the added touch of deadliness and mystique. Artist Jason Jeffery drew upon not only the artists of that period but also many contemporary comic book artists such as J Scott Campbell and Joe Madureira (see following page for a detailed description of the creative process).
The final artwork was a mixture of freehand sketches converted to vector artwork as well as overlaying various textures in Photoshop to achieve a darker mood and to also add contrast to the otherwise clean smooth lines of the feminine figures. Tight cropping was also an integral element of the final design as it added just the right amount of mystique necessary to make the characters not only sexy but also dangerous and, more importantly, deadly. Several of the characters developed were also used for the band’s
other promotional material including gig posters, flyers and t-shirts, which were important in giving the band its unique identity. To finish it off, custom lettering was incorporated into the band’s name to provide the 1950s touch that the band had been looking for.
Triptych
louisa hunter-bradley
V O C A L
Begli Occhi
of the
ephemera and other works by
robin bradley
Begli Occhi
Words of the Angel
Ephemera
Past Echoes
Triptych Vocal
Louisa Hunter-Bradley
★ ★ ★ ★
★ ★ ★ ★
★ ★ ★
Words of the Angel, the debut recording by Melbourne ensemble Triptych Vocal, is a collection of religious vocal works by composers from the medieval and renaissance periods through to contemporary composers from the 20th and 21st centuries. The ensemble wanted to highlight the triple nature of the group through the artwork for the CD as well as the religious nature of the works contained on the CD. As a result, a simple three box pattern was used on the cover and throughout the booklet to convey this theme with different images used for each page.
Layer upon layer upon layer of various images and textures were used to portray the fleeting moments of Ephemera, the debut album from Louisa Hunter-Bradley. The CD contains several pieces for recorder by renowned Melbourne composer Robin Bradley, with each one lasting no more than a few minutes. The artwork was to reflect the brief nature of the music and in order to do so, several techniques were used including overlaying images as well as transparent text to give the illusion of the artwork weaving in and out from one piece to the next – like the music itself.
The english translation for Begli Occhi is “beautiful eye” and this would be the predominant focus for the artwork of the CD. The image chosen was that of the Great Eye of the Pantheon in Rome. With the largely italian-based repertoire of the CD, this was a fitting image for the cover. To further the italian theme, Bodoni was chosen as the typeface throughout the CD artwork. As an added enhancement to the baroque period of the music, a classic maroon and gold edging was used, complete with a baroque flower pattern embedded within. J Jeffery cv
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JJ
Jase
Recorded my first EP at age
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t was early on in 2008 when Melbourne based funk/rock band, Deadly are the Naked, were preparing to release their debut EP, Live at the East. In a bid to find themselves new gigs, the band had decided on a name change and had set out to build on their new identity by way of their debut EP. In keeping with the new name, the band decided that the imagery that would adorn the EP, as well as all marketing material for their upcoming gigs, should be based on the pin-up girls of the ’50s and ’60s. After deciding on the band’s new identity and look, Deadly are the Naked consulted J2 Design, who would take the brief and develop the artwork for the EP and accompanying gig posters. Jason Jeffery, the lead designer on the job, began by researching the style and history of the pin-up girls. “I started off by doing a lot of research on the artists – Alberto Vargas, Gil Elvgren, George Petty, Peter Driben – just to get an understanding of the style and mood of the period,” says Jeffery. “I wanted to convey the same cheekiness that was in many of these images in the artwork, but at the same time I wanted there to be an element of the deadly aspect that was in the band’s name. For this I looked to film characters for inspiration – Kill Bill, Bond movies and the like.”
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Jeffery drew on his illustration skills to develop several characters to be used across the EP and gig posters and presented them to the band. “I was never much of a painter, but I had grown up on comic books and that’s really where I learnt how to draw. I drew inspiration from guys like Marc Silvestri, Joe Madureira, Alex Ross and especially J Scott Campbell.” The results were just what the boys at Deadly are the Naked were looking for and the posters gave instant recognition for the band whenever and wherever they played. “The designs were exactly what we wanted and really nailed the look we wanted to achieve,” says DATN frontman Adam Juricev. Since the initial brief was put forward, J2 Design has developed not only the EP artwork but also numerous gig posters and t-shirt designs for the band, and has formed a longstanding bond with the group. “We’re proud to work with the DATN guys. They’ve given us the chance to pull out the sketchbook again which is something I know Jason in particular looks forward to. It’s not often he gets the chance to illustrate but when the opportunity arises, he really sinks his teeth into it.”
http://www.myspace.com/deadlyarethenaked http://www.gigposters.com/designer/99793_Jason_Jeffery.html
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what's On
Want to know what’s been going on? Check out the details below.
Louisa HunterBradley
RED CAPE PRODUCTIONS
The Choir of Newman College
2002 CD artwork
2004 Flyers
The Music Source
Marmalade
2005-current Identity design Brochures Postcards Posters
2002-current Identity design Stationery CD Artwork
2004 Stationery
St Michael’s Grammar
2007-current Identity design Stationery
Past Echoes
2006 CD artwork
Red Bubble
Countrywide Media 2002-current Art direction Identity design Stationery Brochures Journals Posters Magazines Handbooks Calendars Diaries
GambIT Systems
2004-current Identity design Stationery Brochures Postcards Bookmarks
Hunter Agencies 2004-current Identity design Stationery
Triptych
2007-current Identity design Stationery
Electric Edge Touring
2007-current Artwork
Hypherion Corporation 2006 Identity design
Consort of Melbourne
Perpetual Ace
2008 Identity design
2006 Identity design
2005 CD artwork
MGM Business Machines
Woodbine Cottage
Freshwater Services
2007 Identity design Stationery Signage
2004 Brochures
2005 Identity design
well?
Asian Effects
2004 Posters
2005 Identity design
2004 Identity design
Protek Group
St Andrew’s Anglican Church 2008-current Brochures Signage
Mustang Owners Club of Victoria
Deadly are the Naked 2007-current CD artwork Posters T-shirts
2008-current Journal cover
Walter J Pratt 2009-current Brochures
diRectORy Inside front cover Past Echoes Autumn Chamber Music Festival 2009 promotional poster. Page 3 Hot off the presses 12 Month Publishing Cycle produced to illustrate production timeline. Deck your halls clockwise from top
right: She had me at hello; Why?; Mischief; Never Lasting. All available from Red Bubble. Page 6 Planning Ahead for the Next EB The Police Association of Victoria Journal. Page 8 Street SmartHandbook cover redesign. Page
10 Hunter Agencies business card. Page 11 Identity design The Music Source, Electric Edge Touring and Protek Design. Brochure illustrations images from Past Echoes Autumn Music Festival brochure. Page 12 Travel All photos
taken by Jason Jeffery. Page 15 New Zealand South Island Historic Trail map made for magazine purpose. Page 18 Live at the East artwork from EP cover and gig posters. CDs Begli Occhi, Words of the Angel and Ephemera. Page 19
Deadly Art image from gig poster. Inside back cover Choir of Newman College concert poster. Outside back cover Electric Edge Touring promotional piece.
cOlOphOn All material featured in this magazine including text, advertising and photography is taken from the portfolio of Jason Jeffery. Any enquiries should be directed to Jason Jeffery on 0419 131 855 or jason.jeffery@optusnet.com.au.
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http://www.members.optusnet.com.au/jason.jeffery/ http://www.redbubble.com/people/jason http://www.behance.net/JasonJ http://www.gigposters.com/designer/99793_Jason_Jeffery.html
F A T
, , :
Music for choir and baroque orchestra from the court of Louis XIV
The Choir of Newman College directed by Gary Ekkel
Newman College Chapel, 887 Swanston St, Parkville , (concession), (student) Bookings: ()