Jiuru Hou Portfolio 18-23

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Portfolio. Selected Works 2018-2023 Jiuru Hou Msc, KTH Ryoal Institute of Technology HouJiuru@outlook.com +46 764335221
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[Old Factory New Life] 1-7 8-12 13-19 20-25 26-30 31 32 33 34 [Fairness in The Vessel] [Nomadic Bubbles] [More than just Housing] [Zero Carbon Port City] Ⅰ. Academic Works Ⅱ. Other Works b. GREEN-U a. Pixel Spaces c. Twinkling Stars d. Solve Standing Water Reconstruction and Activation of City Junction Area Urban Experiments : A Discussion of Social Quilty Reinventing the Social Space by Building Together Home to Artists, Students and Local Residents Climate Neutral Gävle 2050 Grading Design of a Given Master Plan Building Design and Construction Competition Design and Modelling of Flats Urban Design for Riverfront Spaces What is Urbanism for:? —People
[INDEX]

Old Factory New Life

Reconstruction and Activation of City Junction Area 01

Academic Studio

Location: Harbin, Heilongjiang Province, China

Individual work

Time: September - October, 2021

School of Architecture, HIT Instructor: Congxia Zhao (congxiazhao@163.com)

This project seeks to explore the preservation and regeneration of industrial sites in a post-industrial era. The project site is located at the junction of the old and new city of Harbin, where the original industrial base has been lost. The site itself is an important transport node in Harbin with high footfall, but it is currently derelict and isolated from the city due to the fences surrounding it.

I wanted to activate the site by removing the wall and creating an aerial corridor connecting the isolated sites and buildings, leading people to explore the whole area. The materials and structures are purposefully preserved, outlining the industrial silhouettes of the houses and steel frames that tower over them, evoking the memory of this heroic period. At the same time I am activating and transforming the whole block by building new parts of it, making the site available for reuse.

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ACTIVATION REVITALIZATION INTEGRATION

Take advantage of the special location

Remove the walls, update the wellpreserved factory buildings, and endow them with new cultural functions, so that they can play new values.

Combining the old and new functional areas, design the streamlines in different areas to ease the crowd and enhance the possibility of communication.

3 Site
Design
Design
Background Research Classification Internal Condition Periphery Condition Phenonmena Problems Key Elements & Solutions Key Issue Public Space Transportation Comercial Historical Crowded Metro Station Vibrant Venders Abandoned Factories Tree-Lined Area Dilemma Metro Station Interior Plaza Old Bulidings Retail Business Vitality Openness Metros Intersection Good Accessibility Roadside Is Crowded Lack of Open Space Retail Is Common Small Business Booms Old Industrial Base Carry The Memories Fenced Barriers Poor Connectivity Overflowing Cars Bad Exploitation Product Is Boring Weak Attraction Urban Culture Fades No Inheritance There is a large amount of public space inside the site that is not being used, while the edge of the site is crowded. Use subway interchange stations to bring foot traffic to the site. Connect the open spaces within the site to existing communities and green spaces. Introduce a modern retail business model to integrate small business with modern commerce. Repair and transform well-preserved buildings to preserve the city's memory while unlocking its potential value. SITE OLD FACTORY UNIVERSITY COMMUNITY Old City Development Zone Urban Village City Junction Area Commercial and Mordern Culture and History
Analysis
Strategy
Concept
Introduce the commercial elements of the new city and combine the cultural atmosphere of the old city.
IKEA Supermarket Shopping Mall Auditorium Axis Square Historic Buliding STEP1 STEP2 STEP3 Use Platforms to Connect Relocate the Transport Station Demolition and Preservation Preserve Demolish Utlise POST INDUSTRIAL URBANISM

Work and Life

Young office workers in the development zone need to commute to work for a long time, while the elderly often look after their children alone in their small homes.

Traditional craftsmen live in urban villages are facing the problem of losing their skills , while a large number of young people living next door cannot find jobs

Inheritor of Traditional Culture Office Workers

Living and Home Office

The flow of visitors brought by the transport are always rushing through the deserted area, while the vendors are eagerly expecting them to stop and buy something

The few shops in the old city force college students to shop online , and many accompany escorts in the hospital nearby cannot buy satisfactory supplies Build

Residence Popularization of Education Light Office Outdoor Recreation Visiting Tour Retail Business Folklore and Workshop Creative and City Memory Commerical and Portal

Community Center Folk Museum Factory Museum Merch Shop

Experience Workshop Creative Studio Commercial Street Folk Products Shop Memorial Square Entrance Square SOHO & Library Leisure Square

*Low-to-Medium Density Development Pattern

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Analysis of People and Function Cultural Element Extraction Building Renewal and Material Use
Bricks
Metal Woods
Development Zone
Mobile
Shopping
Old
Mobile Vendors College Students Part-time Worker Old Man with Child Passing-by Visitors Accompany Escorts Cultural Heritage
Population
and Walking Urban Village City Junction Area
City
with Pillars Slope Roofs
and Down Subjoin Grey Space Protect a Wall POST INDUSTRIAL URBANISM
Up

The development zone where I live is boring and scary. People live in the same building and even do the same job! I need to experience different cultures in the city, but I don't want to go too far...

1. COMMUNITY

You can't find what you want in the old city.But I know there is a place suits you.Not only can feel the urban culture, but also can make friends, breathe fresh air, shop, study...

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AND PORTAL
2. LIVE AND WORK 3. CREATIVE AND ART 4. HISTORY AND MEMORY 5. COMMERCIAL
6. GREENLAND
Chess Room Tree Array Park Pocket Park Public Verandah SOHO Workshop Museum of Factories Art Gallery Memorial Tower Retail Business Landscape Bridge Entrance Park Urban Memory Park Merch Shop Cultural Creation Center Fountain Square Corner Park Library POST INDUSTRIAL URBANISM
6 Urban Design Activation of the Former Site of Xinhua Printing Factory 1 3 2 4 5 6 7 8 9 10 a Building: Venue : 1. Community Hub 2. Harbin SOHO 3. XinHua Library 4. Art Gallery 5. Fork-custom Workshop 6. Observation Water Tower 7. Museum of the Old Factory 8. Pop Culture Studio 9. Retail Business Lodge 10. Merch Shop a. Waiting Courtyard b. Outdoor Reading Area c. Tree Line Plaza d. Outer Hem Area e. Watertower Park f. Conversation Woods g. Cultural Display Labyrinth h. Metro Entrance Plaza i. Fountain & Ice Skating Plaza j. Landscape Bridge b c d e g h N 0 10m POST INDUSTRIAL URBANISM

System Organization Planning

The Aerial Platform

The aerial platform plays the role of connecting the factory art zone and the community inside the plot, so as to create a complete tourist flow. It has a narrowest width of 4m and a height of 4.5m from the ground, which can accommodate about 4 two-way streams of people.

Street level buildings:

Extracting elements from the local industrial culture, the newly bulit cultural buildings are mainly made of steel, brick and glass, and their height is in line with the city skyline.

Structures at the intersection :

A white metal grid is used to connect the landscape bridge and the entire plot, and the structure itself serves as a symbol of the entire park.

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Scene 1: On the Landscape Bridge. Scene 2: Activities on the main square. Scene 3: In the community library.
POST INDUSTRIAL URBANISM

Urban Experiments :A Discussion of Social Quilty 02 Fairness in The Vessel

Academic Studio

Location: Lower Manhattan, State of New York, USA

Individual work

Time: September - October, 2022

School of Architecture, HIT

Instructor: HaiXuan Zhu (zhuhx1979@hit.edu.cn)

This project falls within the typological urbanism category, titled "Fairness in the Vessel" . It explores societal issues using characters and storytelling. The same way movies or plays can reflect everyday life in new and unexpected ways back at the audience, this project aims to turn a park into a stage, reflecting the everyday urbanism and injustices of its context and in this way to try and begin to right some of those wrongs.

I used Grand Street Park in lower Manhattan as my site, this park is a gathering place for many different characters in the city, from soulless bosses to homeless dreamers, all with various problems that stem from the urban environment around the park. I aimed to reshape Grand Street Park’s physical structure to address these problems. Through literature review, I first analyzed that the problems encountered by the different groups were related to a lack of six basic needs; security, presence, trust, worth, intimacy, and identity. I used the six "Towers in Garden" , symbolizing the injustice sown by the planner Robert Moses, as prototypes to create specific buildings, infrastructure, and public spaces to satisfy those six needs, recharacterizing them into vessels of maintaining social justice. This project made me rethink the role of architecture and urban space, architecture is not only a part of the urban fabric but also a part of the urban socio-political structure.

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Urban Blocks Around the Site

Brooklyn

The Evolution of Urban Blocks

Knickerbocker Village 1934

A.E. Smith Houses 1950 LaGuardia Houses 1957

S. P. Housing Corporation 1959

Unfairness Caused by Urban Architecture

Gentrification

Landmarks Blocks Limited Space Exclusion of the Poor

Objectify Human Limited Choice Unfairness

How to solve this ?

The Relationship Between People and Blocks

We need to transform the old city by demolishing the densely built and low-rise old town. We can build blocks in the open space to address the problem of population expansion!

Lower Manhattan

Silver Towers 1967 Village View HVAC 1964

Robert Moses Jane Jacobs

Urban planners cannot plan cities from God's point of view, but should understand the existing urban fabric and retain the structures that people are used to.

Translation of the Blocks

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TYPOLOGICAL URBANISM
Re-translation BLOCKS VESSEL object of every people mechanized imposition

Causes Create Unfair and Conditions for Achieving Fair Cities In City and Iconic Figures

No Home to Return to

[1] Internship student

New to the area and facing competition from other job seekers

[2] Unknown Artist

She spent her life creating in solitude, no one understood her artwork

[3] Grumpy Drinker

Not accepted because of the colour of his skin, he has to drink every day

[4] The Ascetic unable to find a place where he could carry out his procession, and his faith would have to face the prospect of a successor

[5] Two-faced Councillor

Her usual speeches are well received by the people, but she is secretly trying to get benefits for herself

[6] Dragon Actor

She works early and late, playing multiple roles without being paid for them

[7] The Homeless

The dreamer who came to New York for the gold rush got a taste of failure and ended up losing his house

[8] Rookie Lawyer

Always be aware and take advantage of all possible opportunities for promotion

Unequal Distribution of Money

Pursuit of Resources

Unlawful

Overtime

Income does not Match Prices

Pursuit of Ideology

Discrimination by Colour

Prohibition of Different Thinking

Abuse of Privilege

Selling of Interests

Unjust Means of Promotion

Pursuit of Power

[9] Obbish Bosses

Treating your fellow countrymen who have fallen on hard times and trying to squeeze the last of their value

Exclusion of the Talented

Sense of Security (SS)

[10] Veterans

Received a decent pension but was marginalised for being straightforward

Intimacy (I)

Existence (E)

Sense of Trust (ST)

Sense of Identity (SI)

Sense of Value (SV)

Vessel for Resource Equity

Vessel for Ideology Equity

Vessel for Power Equity

In Lower Manhattan, there are ten cities within a city within a kilometre of the site, and they are very different in style. In each of these small towns a typical character is chosen. Their personalities, identities, occupations and presence in the city are all different, and heir story reveals the injustices in the city.

The tragedy that causes injustice is in fact the excessive pursuit of resources, power, and ideology. The essence of the pursuit of resources is the lack of security and trust, the essence of the pursuit of power is the lack of a sense of existence and value, the essence of the pursuit of ideology is the lack of a sense of intimacy and identity.

10 NOHO CHINA TOWN CIVIC CENTER SOHO LITTLE ITALY GREENWICH BOWERY EAST VILLAGE
LOWER EAST SIDE TWO BRIDGES
[6] [2] [7] [3] [4] [5] [9]
[8]
[1]
[10]
+ + TYPOLOGICAL URBANISM

Target People: The homeless; Stressed people; People who mess things up

Main Aim: Provide a landing place, Provides a sense of security

Target People: The Lonely One; Unsophisticated people

Main Aim: Let people learn how to raise their presence

Target People: The Overthinker; People who have lost hope in life

Main Aim:

Fostering a sense of intimacy between people

Target People: Paranoid People; Egoist Greedy people;

Main Aim:

Developing a sense of human trust through contact with pets

Target People: People seek personal gain

Main Aim: Learn to recognise the value of simple thing

Target People: Every people

Main Aim: Promoting the identity of minority

11 Security (SS) Security (SS) Security (SS) Security (SS) Security (SS) Security (SS) Providing Protection Increase Attention Enhanced Communication Cultivating Trust Respect for Choice Giving Value Trust (ST) Trust (ST) Trust (ST) Trust (ST) Trust (ST) Trust (ST) Intimacy (I) Intimacy (I) Intimacy (I) Intimacy (I) Intimacy (I) Intimacy (I) Value (SV) Value (SV) Value (SV) Value (SV) Value (SV) Value (SV) Existence (E) Existence (E) Existence (E) Existence (E) Existence (E) Existence (E) Identity (SI) The ultimate fair Unfairness Identity (SI) Identity (SI) Identity (SI) Identity (SI) Identity (SI) Vessel 1:Shelter Vessel 2:VR Centre Vessel 3: Bathhouse Vessel 4: Pet Rec Room Vessel 5: Flower Pavilion Vessel
6: Flag Shop
TYPOLOGICAL URBANISM
12 TYPOLOGICAL URBANISM

Nomadic Bubbles

Reinventing the Social Space by Building Together 03

Academic Studio

Location: Shenzhen, Guangdong Province, China

Individual Work Time: February - April 2022

School of Architecture, HIT Instructor: Peng Luo (lp-hit@163.com)

In this work I want to discuss the issue of people and groups using the city and socialize within urban space. The site of my research is an urban village in Shenzhen. Shenzhen is one of the fastest growing cities in China, and the city has been so aggressive in its 'grand planning' that its citizens are only concerned and exposed to the microcosm of the city. This has resulted in an urban public space that does not cater for under-represented groups such as migrant workers.

I want to build temporary bubbles in response to the complexity and diversity of the city, customising public spaces for these people and alleviating their isolation in an unfamiliar environment. I want to intervene on a small scale to stimulate urban dynamics with control and direction, and to actively engage local communities through sociological strategies.

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It is the most densely populated part of Shenzhen, with 160,000 residents living in a small space of 7.4 square kilometres, mostly migrant workers. With the rapid development of the surrounding area, there is no longer space around for these people to move around, and there is a lack of social space in the urban village itself

The government promotes New Year's Eve in a different place, but there are strangers all around.

It's so hard to get a ticket home !

Yup! The whole country advocates local festivals.

They say the new way to spend the holidays is to celebrate with your neighbours, how ridiculous !

Yeah, I don't even know you yet, and don't know anyone else here.

It's great to talk to you online, but everyone wants to celebrate the holidays with people they know, and besides, there's no place to in the village to meet everyone...

14 100M Aboriginal People Migrant Workers Traditional Festival Way
to the Hometown Family Reunion Away From Home Neighbourhood Celebration
Post-pandemic Festival
Back
Background Group behavior & Space analysis Design Concept The Plight of the Urban Village
Luxury Mall Resort Golf Course Residents Composition Migrant Workers (≈140,000) Aboriginal Inhabitants(≈20,000) 87.5%
Items Most Wanted Social Space Points of Improvement Add Event Space Meet New friends Add Chatting Space Create a Home Atmosphere Restaurant Gaming Room Tea Room Tea Room KTV KTV Gym Gym Gaming Room Restaurant 3 13 22 51 52 14 27 38 61 Older people resting Play board games Family hangout Go to a fair Children's dating Children's games Young people alone Friends meet Couples dating Workers' lunch break Crowd chat Space Requirements Typical Activities Emotions Alone Dating Leisure and Fun Rally Conversation Multiplayer Events Feel the love Fostering friendship Increased security Promoting sense of belonging Enjoy the privacy Properly closed Highly entertaining Completely private On the street sides Open space
Micro-interventions Existing Site Neighbourhood Spaces Emotional Connection Common Home
Bubble space 3. Reuniting
the environment of the village without destroying its original structure.
temporary spaces through bubbles that have a nomadic nature.
to know each other and eventually form a community to enjoy the festival together. Village of Baishizhou, Shenzhen. 54 SOCIAL URBANISM
1.
2.
Improving
Building
Get

The Proposal of the Co-construction Model

I have a monocoque but I can't build it by myself.

Scale System:

1. Haptic (1 psn.)

Personal bubble

2. Intimate (2-7 ppl.)

Family space

Let's build together, it can form a lot of space

A sense of belonging is formed during the construction process.

Everyone celebrates together in a built bubble.

3. Intermediate (8-51 ppl.) Share by a group

4. Collective (51-500 ppl.) A community space

5. marco (500+ ppl.) An urban setup

Monoblock Construction Instructions

NEW ARRIVAL EXPLORE GALLERY SEE MORE

PREPARATION

Introduce a Basic Bubble

What is this thing?Let me explore.

Nomadic Bubbles

Lightweight connecting rods

Recyclable surface

Temporary spaces for emotional expression

Pack your device and donot miss anything. This may allow you to reduce your chances of injury.

If you are afraid of getting infected, bring it.

You see, can do anything there...

RIBBONS

NETTING

Monoliths: The monoliths take various forms and consist mainly of the outer skin and inner skin of structural rods(carbon fiber) and connecting elements.

Isolation film:The isolation film can be pulled down at any time in case of an epidemic to meet the need for privacy

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SIZE SIZE SIZE QTY QTY QTY GLOVES FACE MASK
MEETING WATCHING PERFORM MUSIC
L BAG-PACK
EPITHELIUM ORIGINAL
SEMI-OPEN OPEN CLOSED
ITEMS FUNCTIONS RECYCLABLES
SIGN UP/LOG IN
SOCIAL URBANISM

Choose your bubble.cn

16 SOCIAL URBANISM
Number of users Use of functions Communication Festival Socal Meeting Recreation Choose the location Moonlight Space Chasing Space Exercise Space Moonlight Space Party Space Hide-and-seek Space Friendship Space Gossip Space Teaching Space Whispering Space Playing poker space Chess Space Display space Image Space Market Space Festive Space Family space Conference Space Lecture space Game Space Film Space Amusement Space Matchmaking Space Celebrating Space ert Space Party Space Hide-and-seek Space Yoga Space Enlightened Space Communal dining space Children's lay space Resting Space Music Space Talking Space Gathering Space Surrounding chat space Tea drinking space Dance Space Dating Space Moonlight Space Chasing Space Exercise Spac Exhibition Space Bazaar Space

Space Syntax Analysis

Where is the most crowded ?

1. Analysis of Footfall Density

Where it is easiest to get to?

2. Analysis of Visibility Graph

Where best to build?

3. Analysis of Depthvalue

This chart simulating the movement of people and analysing the hotness of vacant space in urban villages, with higher saturation in thegraph indicating greater demand for thepath to be used.

of Construction Location

This chart determines the probability of being noticed and the accessibility of a given neighbourhood, with low saturation areas being easily noticed and reached.

This chart shows the potential of a space to carry purposeful and through traffic at key nodes, taking into account integration, depth, choice and connectivity.

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Building Locations Type of space created Children's Play Space Square Dance Space Temporary Session Gathering Space Theatre Space Private conversation Space Neighbourhood Activity Space Chess Space Ground level Good accessibility, but limited ground space in urban villages Rooftops High utilization rate Low accessibility Ground level Limited floor space suitable for temporary occupation during large scale events
Buildings Narrow, but most common, with high availability
High unoccupancy rate and privacy
Spacious with
good view SOCIAL URBANISM
Diagram
* * * Recommended
Between
Rooftops
Rooftops
a

During the building phase of the bubble, people of different ages and identities are given the opportunity to interact as they learn from each other and find a common love for each other. The process of building structures also continues to engage other people , and eventually the strangeness will be broken down and familiarity will be established.

After the bubble is built, the group will use the bubble according to the common interests found during the building process, which will give meaning to the bubble, each bubble is unique and represents a group of people. Ultimately, through the Nomadic Bubble, permanent friendships are formed and people are not alone in a foreign land.

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Breaking the ice in the process of building together. Becoming close friends and enjoying time together. Scene1
SOCIAL URBANISM
Scene2
19
SOCIAL URBANISM
Phase Ⅰ: Meet on the Roof. Phase Ⅱ: Start Making Friends. Phase Ⅲ: Forming a Network. Phase Ⅳ: A Common Home.

04

More than just Housing

Home to Artists, Students and Local Residents

Academic Studio

Location: Harbin, Heilongjiang Province, China

Individual Work

Time: January - February, 2022

School of Architecture, HIT

Instructor: Fei Lian(LF@hit.edu.cn)

The project is located in the heart of the old city of Harbin, in a longabandoned public building at the base, but which was once a very famous theatre during the economic boom of about forty years ago, with many well-known foreign orchestras coming to perform. The reason for its decline is due to the changing economic, social and demographic patterns of the city of Harbin.

The aim of the renovation and redesign is to reuse this derelict urban space by creating a mixed-use approach, not only by implanting different functions in the space, but also on a more macroeconomic and sociological level, by building housing on the upper floors to accommodate different groups of people. The public space on the ground floor opens up to the city and continues into the residential space as a meeting space for different groups of people. All this making the building an Urban Artifact.

Within a unified framework, the project uses different ways of enclosing space, dividing it into different properties to meet people's needs. The result is a self-sufficient complex that addresses the dilemmas faced by the site and reactivates the urban centre of the whole area.

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The design site is located in the center of Harbin, originally an urban public space, but now a longabandoned vacant lot. The site is close to the railway station and subway station, adjacent to the city's main roads, with well-developed transportation. It is surrounded by shopping areas, residential areas, schools and art districts, with diverse crowds.

Use the housing above to feed the original public buildings. Creating

Citizens and visitors around the site.

Young people needing accommodation. Different family structures.

Painters, sculptors, and musicians.

Citizens and visitors around the site.

21 URBAN ARTIFACT
SITE
MetroLine2 MetroLine1
Abandoned Land In The Middle of The City Design Concept
College
Residents Artists
Division
The
Crowds Daily Activities Dynamics Public Spaces Social Interaction Funding Self-sufficiency and continuous operation
used to be a regional centre, a public space. It is now a deserted land waiting to be developed. Residential Areas Harbin Station Art District Shopping District School of Architecture Cultural District
A Hybrid The Public
Students
The Public
and Connection of Layers
Vertical System
It
Population Out-migration Housing Shortage Decaying Surrounding Areas Impact of The Site Crumbling Public Facilities Lack of Usability Lack of Funding REASONS ISSUES "THE ABANDONED LAND" Abandoned Urban Space
people, Rebuilding the community Reusing the abandoned infrastructure
funding
development Open to the City N 0 200m
Accommodating
Obtaining
for site

A Functional Composite of Residential and Public Space

The ground floor of the design utilizes the existing public spaces on the site to renovate and update, opening up to the city as an art gallery for the city; the home offices and commercial spaces for rent to the outside also fully integrate the building with the city. The upper part is residential and brings together a diverse group of people, including artists, local residents and university students from the surrounding area, and together with the implanted series of neighborhood public spaces becomes their new home.

Wall separation Crossbar semi-enclosures

Staggered Walls free flow

Columns and Curtains transparent and open

Unified Structural Framework, Different Structural Forms

The building uses a uniform and efficient structural system, in order to accommodate the different functions and lifestyles and the changes that the building may undergo over time. The structural system has a strategy that responds to different levels and functions. The student residences are small spaces separated by walls; the residences are fluid spaces formed by cross columns; the artist studios are large semi-open spaces; and the most open public spaces are a combination of columns and curtains.

22 URBAN ARTIFACT

The student flats on the other hand, minimise the living units and maximise the collective living space for the students. Four

The residential section uses a cross-grid that allows for flexible division of space.

23 URBAN ARTIFACT 01. City square 02. Open terrace 03. Art gallery 04. Library 05. Home office 06. Retail/ F&B 07. Entrance plaza 08. Residential vertical traffic 01. Art gallery 02. Big studio 03. Small studio 04. Media room 05. Workshop 01. Neighbourhood space 02. Residential unit A 03. Residential unit B 04. Residential unit C 05. Office 06. Study room 01. Collective space 02. Living cell A 03. Living cell B 04. Reading room 05. Garden 06. Salon 07. Event room 08. Fitness Student Community Residential Artist Village City Gallery
public space at the bottom is the City Art Gallery, fully open to the public for the display of artists' work it will become the new public cultural centre of the area. The continuous public space extends from the ground to the roof, connecting the building to the city and its different people.
floor
Marseille flat.
The
The artist's studio takes the form of a staggered
in Corbusier's
Vertical Circulation for the Residents
Public Space Open to the City 4. A Raised City Square 01 02 03 04 05 06 07 08 01 01 01 02 03 04 05 06 07 08 02 02 03 04 05 06 03 04 05
Neighbourhood Public Space
Types of People, Four Spatial Patterns 2.
3.
1.

13-17F: Student Community Living Cell + Collective Space

The student flats are divided by walls into small living units, distributed on the north and south sides, and the collective space is freely divided in the form of cross columns, distributed in the middle and vertically connected to the upper and lower floors.

8-12F: Residential Living Unit + Neighborhood Space

The living space is flexibly divided by cross columns to accommodate different spatial uses. The residential section maximises living space, minimises traffic space and provides public space.

5-7F: Artist Village Living

Space + Creative Space

The artists' flat combines the creative and living areas in the form of a Marseille flat, with a common corridor for the residents of the staggered floors and free internal partitions to accommodate different artistic needs and create a communal space for exchange and learning.

24 URBAN ARTIFACT
0 0 0 4 4 4 9 9 9 18m 18m 18m N N
N
03 04 05 06 07 08 09 01 01 01 02 03 04 05 06 07 08 02 03 04 05 06 07 02 01. Living cell A 02. Living cell B 03. Shared kitchen 04. Collective space 05. Event space 06. Salon 07. Fitness 08. Library 09. Public living room 01. House type A 02. House type B 03. House type C 04. House type D 05. Study room 06. Salon 07. Neighbourhood spaces 01. Workshop 02. Small studio A 03. Small studio B 04. Big studio A 05. Big studio B 06. Salon 07. Dance room 08. Gallery

original framework of the site has been retained to create a large permeable space, using curtains to divide the space, facilitating flexible separation of spaces and creating an interesting spatial experience.

25 URBAN ARTIFACT 05 Home Office 04 The City Gallery The Student Residence Location: 13-17F
bed, some privacy and a balcony to live on, just what I need in a hostel. Artists can choose from a variety of studio sizes to suit their working needs. Freely divided floor plans allow residents to freely allocate living space. Residential Location: 8-12F The City Gallery Location: 1-4F Column: open The Curtain Free and Flow Artist Studio Location: 5-7F 02 Residential 01 The Student Residence 03 Artist Studio The City Gallery. Living Space. The public space on the ground floor is a reuse of the abandoned public facilities on the site. It retains its public character and has been
new function as a space for civic activities such
art exhibitions,
cafes, education and libraries.
home
rent,
diverse
space.
01
'A
given a
as
businesses,
It also incorporates
offices for external
creating a vibrant and
urban
The

Zero Carbon Port City

Academic Studio

Location: Gävle, Sweden

Individual Work

Time: December, 2023

School of Architecture, KTH

Instructor: Daniel Koch, (daniel.koch@arch.kth.se)

Matilde Kautsky,Jaime Montes Bentura

Gävle is ambitiously planning to increase its population from 103,000 to 150,000 by 2050. The city has targeted nine key areas for development, with a focus on the Bomhus industrial region. However, this endeavor is challenged by Sweden's widespread housing shortage.

The timber industry, especially in the Bomhus area, plays a pivotal role in Gävle's industrial expansion. Major players, such as Billerud and the Setra Group, are crucial to this effort, focusing on timber harvesting and the production of essential materials like plywood and CLT. The Setra Group is notable for its sustainability initiatives, operating a pyrolysis oil plant that transforms sawdust into bio-oil for energy production. This demonstrates a sustainable cycle that bolsters the local economy and promotes environmental stewardship.

This project aims to explore how to address housing shortages through urban expansion and to harness the innovative capacities of local industries, thus shaping Gävle's integrated urban-industrial development while achieving the goal of carbon neutrality by 2050. This strategy encompasses tackling urban challenges and preparing for a resilient, climate-friendly future, positioning Gävle as a frontrunner in sustainable urban development.

Climate Neutral Gävle
05
2050
26

Global and National Connection

Source of raw material

80% Sweden

Regional and Local Industrial Structure

Exporting countries

15% Sweden

100% Sweden Shipped via truck, rail and boat Shipped via rail and trucks

31% Sweden

Billerud produces 200 million liquid cartons daily, signifying that one-fourth of the world's liquid cartons are manufactured in G ävle. Waste material from the production is used to produce energy in Bomhus Energy, owned by Billerud and Gävle municipality, and supplies the region of Gävle with electricity.

The industry in Bomhus primarily comprises two major companies: Billerud and Setra Group. Both companies engage in the extraction of wood from forests and manufacture various products distributed globally.

Setra Group focuses predominantly on the production of construction materials, specifically glulam and CLT. Additionally, they are co-owners of Pyrocell, alongside Preem, which operates a pyrolysis oil plant adjacent to Setra Group's industrial facilities in Gävle. At this plant, sawdust is processed into bio-oil, subsequently undergoing further refinement at Preem's Lysekil refinery.

Climate Neutral Trend Carbon Neutrality Methodology

Zero Carbon becomes the mainstream trend

The number of countries committing to net-zero emissions by 2050 at the 26th Conference of the Parties (COP26) has increased further compared to the Paris Agreement, but global greenhouse gas emissions are also on the rise at the same time.

The industrial systems that underpin our economies must be radically transformed if we are to have any chance of achieving net-zero emissions by 2050 and limiting global temperature rise to 1.5°C.

Climate Neutral Setra 2030

The climate crisis is one of humanity’s biggest challenges and we have a responsibility to contribute solutions and reduce our climate impact. Setra has therefore adopted a goal of becoming climate neutral by 2030.This company's main carbon emissions come from transport.

Scope 1: Direct emissions from the business (fuel combustion at own plants and in company vehicles)

Scope 2: Indirect emissions from purchased energy (electricity, district heating, district cooling)

Scope 3: Indirect emissions from other parts of the value chain, such as purchased transport, travel and the climate footprint of the raw materials

Source: Setra Group Sustainability Report 2022 available at setragroup.com.

Carbon Capture and Storage (CCS) :

This involves capturing carbon dioxide from plant emissions and transporting it to safe geological storage sites such as underground rock formations, abandoned oil and gas fields.CCS technologies are seen as one of the key means of reducing industrial emissions.

Carbon Utilisation (CCU):

Unlike CCS, CCU technology not only captures CO2 but also converts it into useful products such as synthetic fuels, plastics, fertilisers or other chemicals. This approach not only reduces emissions but also creates additional economic value.

Biological Carbon Sequestration:

Growing plants or creating green spaces near the plant absorbs carbon dioxide through photosynthesis of the plants. This not only helps in carbon fixation but also improves the environment and ecology around the plant.

27 STUDIO - TEXTURES
Bomhus Gävle, Sweden District from where Billerud extract their wood Setra Group’s Sawmills, from where they extract wood within a radius of 130km 19% Other nordic countries
All over the world
1%
Billerud Setra Group

Timber Industry's Evolution

Site Transformation

01 External relations

03 Urban void

05 City meets factory

07 Timber chain

The Bomhus area is primarily a timber processing and port area, with close links to the surrounding docks, recycling depots, freight centres and schools, and we need to maintain these links consistently.

02 Obstacles

The site is surrounded by mountains and the sea, and has good natural conditions in itself, but at this stage the whole site is occupied by a timber processing plant and is crossed by a number of railway lines.

The plan began with breaking up the factories occupying the waterfront, in this way an entire strip of public space along the water was created. In the area close to the southern forest, a green oxygen bar was also built to neutralise the carbon dioxide that the factory had to emit.

The transformation of Bomhus is based on a combination of unique landscapes, a flexible commercial programme and a variety of mixed-use housing types. The scheme transformed both the power station and timber cutting yard to make them more sustainable.

A main road connects the different functional clusters and creates a good transition space between land uses, and the public space along this road provides a suitable place for the industrial chain of wood processing, creation, sales and recycling.

04 Botanical road

Remove those unnecessary railways and enhance the connectivity of the whole site with five paths contains different plants from the woods to the water, plants that take a shorter time to grow have a considerable capacity to absorb carbon.

06 Co-operative community

08 Zero carbon node

The power station produces clean energy for use in the timber mill, the timber produced is sold and used in the community in a timely manner, the community uses the timber for furniture and handicrafts, and the different by-products can be recycled .

The use of plants to sequester carbon, carbon recycling, the use of clean energy to neutralise and eliminate carbon dioxide emissions, and the planning of zero-carbon nodes along the main roads will enable public carbon facilities to be utilised and accessed.

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Schools Freight centre Docks Recycling Reuse Sequestration Energy STUDIO - TEXTURES
Plantation Mixed Production Sports Education Clean power Recycle Port Making Business Exibitions Green Hub Workshop Retail Mixed

Architectural Typology

LINEAR PARALLEL BLOCK

Function: Multi-use

Characteristics: series of buildings or structures arranged in a straight line or parallel along a specific axis or direction

Height: 2-4 storeys

FAR:1.99

Used in: Habour downtown

ENCLOSED BLOCKS

Function: Housing

Characteristics: Housing within a confined area, sharing a yard/common space

Height: 2 storeys

FAR:0.94

Used in: City of Making

INDUSTRIAL BLOCKS

Function: Industry

Characteristics: Consumption of raw materials and energy and processing of various products

Height: 1-2 storeys FAR:0.24

Used in: Industrial mixed area

29 STUDIO - TEXTURES
1. Plantation mixed Shared planting for
sequestration 2. Workshop Creating eco-friendly crafts 3. Sports 4. Retail mixed Expand local market 5. Education 6. Making and Exibitions Enhance recycling value 7. Business mixed Promoting zero carbon trading 8. Setra group Enhance carbon capture efficiency 9. Green hub Carbon Sequestration 10. Gävle Power Produce clean energy 11. Recycle center Contains Carbon storage 12. New Yilport Satellite Picture Habour downtown City of Making Industrial mixed area Plan 1 2 3 4 5 6 7 8 9 10 11 12
MASTER PLAN 1:4000
carbon
30 STUDIO - TEXTURES DETAIL PLAN 1:500 Exhibition Area Capture carbon dioxide from exhaust gases along the street, work with rainwater harvesting systems, and process and create recycled products Making Area Business
Green hub Workshops Exhibition Plantation Waterfront
Climate Neutral Work Load

OTHER WORKS

Pixel Spaces

Design and Modelling of Flats Site: Instructor:

Ⅰ The building volumes enclose three open squares, leaving public space to the city.

Ⅱ Raising the entrance level and adding activity deck to create an open commercial street.

Ⅲ Calculation of daylight spacing based on orientation and determination of height variation.

Ⅳ Addition or reduction of balconies on the facade to create pixelated spaces.

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Time: Type: Main
March
Housing
Individual
Objectives: Southwest of Beixiu Plaza, Harbin Yanjun Han (wnsj@vip.sina.com)
- May , 2020
Design Studio
Work Conceptual design, Modelling

GREEN-U

Urban Design for Riverfront Spaces

Site: Instructor:

Time: Type: Left Bank of Majiagou River, Harbin

Jian Dai (daijianhit@hit.edu.cn)

November - December, 2021

Urban Design Studio

Individual Work

The Majiagou River on one side of the site has always been a green vein of sport for the entire watershed area. I therefore wanted to design the site to not only meet the desired goal of making it Commercial and Scientific Innovation Centre, but to attract many people from the neighbourhood . Therefore I introduced a green walkway along the riverbank and into the site, making the site a node of social life for all. also designed an elevated walkway above the commercial street , allowing the exerciser to selectively enter the ground level to shop or continue exercising.

Introduce a green walkway.

Identifying ecological nodes.

Zoning along the green corridor. Core space analysis. Analysis of the greenway interface.

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RESIDENTIAL COMMERCIAL OFFICE SPORTS City skyline. Elevated walkway. Ground floor business. Office and other
ancillary functions.

Twinkling Stars

Building Design and Construction Competition

Site: Instructor: Time: Type:

Responsibilities: Harbin Institute of Technology, Harbin Yang Liu (LDESIGN@LIVE.CN)

May - June, 2019

Architectural Design Basis Studio Teamwork (7 members)

Team leader, prototype designer, participate in the whole building process

The rules for this competition are to design your structure in advance and build it within 5 hours at the competition site, using only plastic sheets, nails and plastic pieces. We used two strips of plastic sheeting and one square plastic sheet to form a module. The two ends were connected with nails. The different modules were then connected with nails to form an arch-shaped structure.

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Completed work. Engaging children to explore. Building in the venue. Moving prefabricated parts. Testing light and shadow effects. Designing Prototype. (Repetition of monomers)

Solve Standing Water

Grading Design of a Given Master Plan

Site: Instructor: Time: Type: Harbin

Jun Xing (xingjun@hit.edu.cn)

March - April , 2021

Site Engineering Design Studio

Individual Work

During the rainy season, many older neighbourhoods in the city of Harbin have serious problems with waterlogging of roads and activity spaces, which affects the daily travel and activities of residents. The occupants of these communities want us to use our basic knowledge of outdoor engineering facility design to determine the contour design of buildings and roads within the site and organise site drainage based on the original topographical features of the residential community site.

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Earth
Design of contours and drainage directions.
balance measurement within the site.
Serious problems with waterlogging on the site. Filling and digging to allow water to flow out.

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