Lazie Indie Magazine - Edition 15

Lazie Indie Magazine Edition 15 July 2021

Jane Lee Hooker Kathryn Shipley Ryan Moonshine Samir Bodhi

Prana Songbird Tom Tikka Studeo

Rachel Mason Merv Pinny Melody Foxxglove

Cover Story Oliver Sean

Content

Editor's Corner

Featured Artists Jane Lee Hooker Melody Prana Songbird Merv Pinny Rachel Walker Mason Foxxglove Tom Tikka Katheryn Shipley Samir Bodhi Ryan Moonshine Studeo LIM Merchandizes Cover Story

Oliver Sean

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Editors Corner Information The magazine is published by Lazie J Print Edition 15 The month of publishing July - 2021

Editorial Team Editor: Jay Pillai Coordination and promotion: Manoj Verified by: Inge Zimmermann Probst

Guest Feature: Column and Review: Tomiko Dixon, Galaxy FMNewZealand, Darshan Shankar

Cover Photo: Oliver Sean Cover Photo Courtesy: Helen Sjöholm

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We are growing and we are learning too As we keep extending our reach adding more artists to our family, we also have tried to remind our readers about the Greats who paved way for many of us influencing our music in more ways than one. We have released a few exclusive tribute editions to honor those legendary artists. The last month we have released two such tributes. One on the great Neil Peart and the other on the one and only Willie Dixon.

Both are great reads and we would love you to have a look at the special editions. Earlier, we have also covered 'Queen of Scream' Darby Mills, the iconic Streetheart and the legendary axeman late: John Anthony. All the special editions are on our website www.lazieindiemagazine.com.

Coming to this edition, we have some fantastic musicians from different parts of the world. We are happy to have our first artist from Uganda and look to feature more artists from the African side of the world too. We are proud to say that the magazine is reaching out to musicians from East Asia, India, The Middle East, East and West Europe, USA, Canada, Africa and South America. This also gives a problem which we find navigating a tight rope walk. Given the capacity of the magazine, We can either choose to add more artists with lesser depth in coverage or have a steady number of artists without compromising on space allotted to each of them. We chose the latter as we believe that each artist deserves to be introduced in detail. But that means a few artists will have to be moved to the next editions of our magazine. We hope our artist friends will understand this and we will get back to you once we can schedule your feature. So friends, thank you for your support. Do not forget to check out our merchandise and if interested buy them. Enjoy the read... Thanks Jay Page 4

Born and raised in Goa, Singer-Songwriter Oliver Sean lived most of his adult life in Dubai and the UK. His musical style is a blend of Americana and acoustic rock and his eclectic global music style which is the trademark for his brand. It's attributed to his mixed Portuguese and Goan Lineage. As a composer, record producer and filmmaker Oliver Sean's productions have been broadcast on International channels including MTV and Vh1 and has had several No.1 chart listings and major top 10 chart rankings worldwide. He is a member of the Recording Academy and a voting member for the Grammy Awards.

Granddaughter of Blues Tomiko Dixon speaks to Oliver Sean to let us know more about his music, his career so far, his latest releases and his plans for immediate future ...let's check!

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Tomiko Dixon (Tomiko): Hey Oliver!

Welcome to Lazie Indie Magazine. Great to speak to you. You have had a very successful journey starting from India and reaching out to all over the world.

What do you feel about your journey so far?

Oliver Sean (Oliver): The journey has been great. Most often it feels like it's still just beginning. I've been influenced by so many cultures, with my mum being Portuguese and me growing up in Goa, which has both European and Indian influences, it's definitely played a part in my compositions and writing too. I guess I was reaching out to the world right from the start, because I was lucky enough not to be held back by any boundaries and I was introduced to so many different cultures as a child.

Tomiko: When did you decide that you are going to be a musician? Why did you pick this Genre of Music?

Oliver: I've been a musician all my life. It never was a conscious decision. My mum's family are all musicians (including my mom). It was like music was just a part of life, like going to school or learning to ride a bike - you just did it.

But if you turned out a little extra special then it was only fair to do more with it.

One couldn't possibly deny the world exceptional talent and become a banker instead. But on a serious note I didn't want to do anything else - music was just something I was going to do. I knew this since I was 4 years old. The genres I tapped into was not a conscious decision.

I've been dabbling in various genres at different stages of my life. I just write and compose whatever feels natural to me at the time. Of course being exposed to great music as a kid did play a big part in it.

Tomiko: You were born and brought up in Goa (India). How much of Goan music has influenced you. Who were your musical influences?

Oliver: Goa has a very special culture that blends Portuguese and traditional Goan.

My grandfather and great grandfather both of whom were in the portuguese army loved Goa, which is why they made LIM

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"Goa has a very special culture that blends Portuguese and traditional Goan. My grandfather and great grandfather both of whom were in the portuguese army loved Goa. The traditional Goan music that I loved was essentially portuguese folk music and various forms of it mixed with traditional Goan stories".

it their main home, but now the entire family has moved back to Europe as the 'Goa' we knew is slowly dying. My musical influences have been the greats - Elvis, ACDC, Michael Jackson, Prince, The Police, BB King, George Michael, John Mellencamp, the Stones. It's a varied mix of genres and artists and it all influenced my own music. My mom had a massive record collection of the hits of the day and I listened to and loved them all. The traditional Goan music that I loved was essentially portuguese folk music and various forms of it mixed with traditional Goan stories. It's beautiful and a lot of fun to listen and dance to.

Tomiko: When did you move into United Kingdom and how was your music received in the UK and did moving into UK help you scale newer heights in your career?

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Oliver: I've been in and out of the UK all my life, it's only in 2012 that we finally decided to move here proper with my dogs. For me my home is where my dogs are - so when my dogs were in Dubai, that was home, when they were in Goa, that was home and now they are in England so this is home. When I moved here my music was already playing on radio and TV in England so it wasn’t like moving to a new country where no one knew me. I guess it would have been the same if I moved to Africa or South America or the Caribbean Islands (ooh now there is a thought, maybe my next move should be to the Islands and write Island music). I suppose when you have had some international success, home can be anywhere. In my case it will always be where my mom and my dogs are. If they want to go to Texas next you never know, I might be doing the rounds down there Page10

with a Harley and my guitar. My mom and my fans - they are the ONLY people who have helped my career. I've been lucky to have amazing fans around the world and in the media, so no particular country gets credit for my success - the people who love my music and support it, they will always get that credit.

Tomiko: You have collaborated with many artists worldwide. The latest one being ‘RIP’ which I too happened to be a part. What made you bring in so many artists together and how was your experience working with them?

Oliver: I have always loved jamming with different musicians, especially inviting musicians to join me on stage, in recording studios, at my garage sessions etc. I believe music is an essentially positive energy and when you have like minded people around you, the music just sounds and feels better. This of course applies to fans and people around you while you perform. Every time you sing a LIM

song live on stage, to a live audience, it is a collaboration between you and the fans.

Similarly, having musicians on an album jamming with me on my music brings in their energy and makes everything more beautiful.

Tomiko: How do you go about writing your music? And how do you produce it?

Oliver: There is never a set format to writing a song (for me at least).

Sometimes I’m riding one of my motorbikes and something comes in my head that leads to a great song, sometimes I'm just messing around with my guitar and the next thing I know I'm writing a song for an album that I suddenly decided to do. My night walks with my dog are a great source of songwriting for me because I reflect on things or think about something that has left a mark on me, in a way Blue my dog is my co-songwriter. When I'm writing for a movie or TV show though it gets a little more conservative because I make myself Page11

sit in the studio and play around with the piano or guitar and actually immerse myself into the project. Essentially there is no set formula really - whatever brings out a good song is what I'm gonna do. I mostly produce my own material and bring in co producers to bounce ideas off of and I also do a lot of music production work for other musicians and record companies. Since I love working at nights and have a very unconventional way of working, I ended up setting up studios in my homes in various countries that I spend a lot of time in, so that the music never stops, however I have a great team that I work with at various stages of my music or productions, who make my vision a reality by working hard alongside me (I am a bit of a workaholic I must admit).

Tomiko: What brings out the best in you?

Songwriting, production or performing live? What gives you utmost satisfaction among them?

Oliver: For me performing live to a receptive crowd is the best feeling, however performing my own songs to a crowd that knows my songs and are singing along - now there is no better feeling than that! So I believe it's all 3 put LIM

together that gives me the most satisfaction - writing a good song, producing it and finally performing it for the fans.

Tomiko: Worldwide musicians are finding it difficult because of the restrictions and lockdowns due to Covid 19. How do you cope with these terrible times?

Oliver: It has not been easy. And no matter how important the governments tell you ‘music’ is, I know of several governments that have abandoned musicians. They fund the lighting companies and the sound companies and the live music venues, BUT they conveniently forget that without the musicians these businesses don't exist! So yeah, I am super pissed off with how the musicians have been abandoned. There have been instances where prime ministers and chancellors have officially told musicians to “re-train” in a different field - How DARE they say that! To every musician out there I say - be proud of who you are and what you do - WE ARE AN IMPORTANT PART OF SOCIETY. Screw the people who have forgotten you and never forget the governments and political parties that abandoned you - do not support them ever again. The world will get back to normal soon enough there is no doubt about that, but never forget that OUR music kept people going and kept them sane during these horrible times. The fans appreciate this and they love you and support you even more now.

Tomiko: What are your future plans and what are your new music releases?

Oliver: I am very excited to announce that my new album Garage Sessions Vol.1 is releasing in July. This is a full length album recorded with my band in England and the album features new and old songs that have been redone and rewritten with new 'garage sessions' arrangements. For those that have not heard of garage sessions - It started as a live streaming gig for my fans during the pandemic and has grown into a cult like following. We now have a monthly garage sessions gig, group experts, fans of the months and more Page13

"The best advice I received was to believe in myself and put everything I have into what I love the most" and I did that. It was my #1 fan who told me that - my Mom Wanda Alvares"

going on at the time. The entire movement of fans are called Garage Sessioners. They even decide what songs I sing at the Garage Session gigs, So we took the most requested songs and recorded them in a special Garage Sessions Acoustic Arrangement with my full band and a few complete solo performances to remember the really hard times when no one could meet and I was doing the live shows alone for the fans. It truly is one of my favourite projects and the album, which has already been recorded, is sounding amazing even if I say so myself.

Tomiko: What was the best advice you received and what would you tell an upcoming musician who is new to this field and is committed to work hard to pursue his musical dreams?

Oliver: "The best advice I received was to LIM

believe in myself and put everything I have into what I love the most" and I did that. It was my #1 fan who told me that my Mom Wanda Alvares, who later became my manager and has also now produced several of my albums and music videos that's played on MTV and Vh1".

- Thank you

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About the Columnist This column is contributed by Tomiko Dixon who is the granddaughter of the Great Willie Dixon and also the youngest inductee to the Blues Hall of Fame and an Ambassador of Blues. Lazie Indie Magazine is glad and honored to join her cause to keep the spirit of Blues alive.

Photos Courtesy : Wanda Alvares Helen Sjöholm, Linda Drisch, Helen Morgan and WOA International Team.

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Jane Lee Hooker is a Blues Rock Band from New York that has earned rave reviews across the US and European music circuit.

The band was formed when guitarists Tracy Hightop and Tina Gorin who discovered their love of blazing dual guitar leads when they played together in the New York City band Helldorado in the late 90’s met up again in 2010. The idea for Jane Lee Hooker began to take shape when the pair brought in bass player Mary Z, from NYC punk band the Wives and with singer Dana Athens joining the group in 2013, the band hit the road. Jane Lee Hooker has just released their single 'Drive' and the video is going great guns in YouTube. The band is live wire when it comes to live performances and their tours have earned them countless fans across the globe. Dana 'Danger' Athens of Jane Lee Hooker spoke to Jay from LIM...Check out!

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The five members of Jane Lee Hooker have decades of playing experience, tearing up stages both nationally and internationally with acts including Motörhead, MC5, Lynyrd Skynyrd, Deep Purple, Vanilla Fudge, the Allman Betts Band, Samantha Fish, the Hellacopters, the Melvins, Turbonegro, Ben Folds Five and They Might Be Giants.

Jay: First of all, let me congratulate you on your release “Drive”. It is a very cool tune and the video is simple and stylish, something you don’t easily find nowadays. How was the response from the music world so far?

Dana Athens (DA): Thanks so much, Jay! We had a great time filming the video.

Yes, I agree. The song and video are simple and relatable. But, most importantly, we wanted to be ourselves, have fun, and just let the song speak for itself. I’m not sure about the “music world’s” response, but it seems to be going over well with all different ages and types of musical preference.

Jay: How did the band come into being?

Who picked whom?

DA: We’ve been together for over eight years now. It all began with HighTop assembling the group. Having already played in other bands with Tina and LIM

Mary, they were a natural fit. When I got the call that they were looking for a singer, I immediately stepped in - and that was that.

We did have a change in drummers beginning of 2020 - welcoming Ron Salvo to the group (who has also played in previous bands with HighTop and Tina).

Jay: How do you go about writing your songs? Who writes? Why did you pick up this genre? How do you record and produce your music?

DA: We don’t have one set way of songwriting. Sometimes I bring in a tune, or another band-mate will share an idea or a cool riff. Other times, we just start playing and a whole new song comes out.

We really just let it happen and then hone it when it’s taken form. We just love playing together - that’s the good stuff.

Jay: You are a very tight band and that Page18

makes me ask you, do all of you follow the same genre of Blues Rock and have very similar influences in music?

DA: Definitely not. We all have such differing and eclectic musical preferences and influences. Of course, our tastes and likes have their crossovers and similarities (I would hope so if you’re a band). But that’s just it - put it all together and what you get is Jane Lee Hooker.

Jay: You have worked with some of the best in the music industry, tell us a few key things you learned from them that you implement in your band?

DA: I can only speak for myself on this one. From my experience playing solo, forming bands, session singing, touring as a "hired gun," and now being in Jane Lee Hooker for nearly a decade, what I have learned is that what is most important is to give 100% to each project to the best of your ability. Keep creating and moving forward - communicating your ideas and LIM

being open to others. Most importantly, do right by each song, each project.

Jay: Where do our readers find your music on the internet?

DA: We can be found on all music streaming platforms like Spotify and Apple Music through Symphonic Distribution. Also, you can visit our website, JaneLeeHooker.com for updates, tour schedule, merch and to join our newsletter for exclusive content.

Jay: What gives you the kick, writing, producing or playing live and why?

DA: I have to say - I love it all. They are all entirely different aspects of the whole experience of being a musician. However, I will say touring is one of the greatest joys of my life. The incredible opportunity to travel around the world making music is not lost on me. I am extremely grateful and cannot wait to get back out there fulltime.

Jay: How do you overcome the lock down on live music and is the internetPage20

based performance good enough to generate a livelihood for musicians?

DA: We spent lockdown socially distancing in my backyard, writing the bulk of the upcoming record. We were lucky to have this space since we couldn't meet up at our rehearsal studio. We have done a few live-stream shows but did not really focus on that avenue since we were busy writing and finishing the record. I know some folks generate an income from internet-based performance, but we just didn't move in that direction.

Jay: What are your immediate future plans? Have you ever toured India? India has a sizeable Blues and Rock following.

Will you be looking to tour India any time soon?

DA: Right now, we are putting the finishing touches on our upcoming record. We have a run of shows in July we've been long anticipating, and we are still mapping out the rest of the year in LIM

terms of touring. We are set for European tour April 2022, starting in Denmark. We can't wait to get back on the road and share the new tunes with everyone. And No! We haven't been to India yet, but we'd love to go!

Jay: What would you tell an upcoming musician to launch career in music?

DA: Just keep going and putting in the time to hone your craft. Once one project is done, celebrate, then start the next one.

The whole process of making music from start to finish is so rewarding and inspires me for the next thing, and the next, and the next. Also, I love my band so much.

To me, that's what is crucial - to enjoy the "Drive" with those you create with on your musical journey. -Thank you Dana “Danger” Athens.

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Geographical boundaries may become a barrier for the average but these boundaries vanish in front of exceptional talent. Lazie Indie Magazine got to know about SingerSongwriter Melody from Uganda through one of the top radios in New Zealand ie Galaxy FM. Melody's songs did breach the boundaries of Africa and reach every corner of the world through radios due to their vibes, energy and brilliance. Melody has been rated as one of the top draws by Radios worldwide especially countries like in Trinidad, UK, USA and New Zealand. Jay from LIM speaks to this upcoming superstar from the eastern part of Africa trying to learn more about his music and his journey so far as an artist and also to look into his future plans ...

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Jay: Hi Melody, this is Jay from Lazie Indie Magazine! Welcome and great to have you speaking to our readers. You have a rising career in music coming out of Uganda and reaching through top radios across the world. How do you feel was your journey so far?

Melody: Actually it wasn't easy as many may think, this took us a lot of sacrifice me and Marvin we had to put in time to stretch those links and connections.

Nobody knew us but as per now as I talk our music is played in Trinidad, UK, USA and guess what I always put on a smile seeing my music aired across the world.

Jay: Who/what were your musical influences and how did you arrive at this genre you play?

Melody: I may say this is in my blood line thou for me I ended up taking it to a commercial and turned it into business for now. My biological mum was a led singer at her school times before she passed on. Her elder sister is now a church lead singer, so I grew up admiring how my aunt used to raise up and down stretch her vocals up and down, however I took the same path from school to church and from church to secular music.

And for the genre I play now, I love being.

Jay: How do you go about writing your songs?

Melody: Inspiration by the society situations it could be of love disaster, but mostly that inner feeling or emotion drive me. With my music most songs are selfinner feelings cos I love bring out something from deep soul for that I be 100% sure that it'll touch onto the person listening to it.

Jay: How do you record and produce your songs?

Melody: I love writing from studio and record at the same time cos I love keeping that current vibe swinging however working in hand with the producer directing him what kind of instrument would suit my voice in a certain line is what am good at and the level of mixing my vocals. After that I've got other colleagues, who are good at mastering they always give a hand to that cos I can't LIM

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do everything alone, everyone is. Good in a different sector.

Jay: What gives you the kick, writing, producing or playing live and why?

Melody: Hehehehe, I love this whenever someone plays a keyboard, whenever sound from a keyboard lands into my ears, I kick start there and then I don't know, how I also ask myself, how did I come up with this song. I ask myself all the time.

Jay: What do you do to overcome the lockdown on live music? Did it impact your music career?

Melody: Things here are not like on your side, too different from what you may know Staging a live show in this lockdown hahahahaha anyways a lot needed on the stage lighting the team that's gonna play the backup artists all that facilitation may end up with a bigger expense, however we've tried me and my team reach all that at small costs and it made an impact, many didn't know, how crazy and vibrant we go, when it comes to live performances, but we made it out and more still to come.

Jay: Where do we find your music on the LIM

internet? Which is your latest release?

Melody: My music is on: Spotify https://open.spotify.com/artist/ 205vzW2ifv1Ng O9AQXgbhE?si=oO40ANGRRFySod5Mb md2jw &utm_source=copylink&dl_branch=1 Apple music https://music.apple.com/ug/artist/ melody -uganda/1561469075?ls Youtube https://youtube.com/c/MELODYUGA NDA Shazam https://www.shazam.com/ artist/212573024 /melody-uganda or by searching "MELODY UGANDA" and my latest release is ‘TUGABANE’ meaning let's share and ‘COCO’.

Jay: What are your immediate future plans?

Melody: Am glad you asked this. I am currently working on my album titled ‘MELODIES OF LOVE’ it consists of 20tracks, 5 of them are collaborations with artist within and outside my country and out of 15tracks, I've got 5 tracks in acoustic ... I am proud of it and I know by the time, it'll be ready many will enjoy it. Thank you - Thank you

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Prana Songbird is a multi award-winning Powerhouse vocalist who just released her New Single “Listen Like It’s Gospel” featuring Richie Sambora. She is easily one of the best vocalists of our generation, Prana has toured internationally to critical acclaim. The song is also featured in the movie, Love Song & Power. The movie features Prana as one of the lead characters, featuring Jason Menz and Tay Lindsey and many others… Prana has performed on international stages and worked with Grammy-winning musicians. Most recently, she toured with The Honey Creepers Band and performed with Spirit of The Gulf Chorus. She has also collaborated with Grammy nominated singer/songwriter Paul Miles (“The Blues Man”), with composer Brian Leedy, Bridget Kelly, Mike Thomas, Amber Williams and more. LIM Spoke to Prana Songbird...

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LIM: Hi Prana, you have a very promising career in music. How do you feel was your journey so far as a musician?

Prana: The journey has been a roller coaster. It’s been filled with anticipation, falls, quick turns that stop your heart and extreme highs and lows. But all in all I'm happy with the ride I'm on.

LIM: Who/what were your musical influences and how did you arrive at this genre you play?

Prana: I don't really think I'm in any one particular genre because my influences span so many eras, styles and genres.

Specifically, I feel connected to music by Stevie Wonder, Billie Holiday, Reba McEntire, Michael Jackson, Elton John, Billy Joel, Ray Charles and Randy Travis.

LIM: How do you go about writing your songs? How do you record and produce your music?

Prana: While I haven't recorded anything I've written, I continue to work at writing something I want to record. In the LIM

fashion of Elvis and Diana Ross I am blessed to have worked with some very talented people that have written songs for me to sing. Recently I have been working with writer/producers like Thomas Marolda and Randy Stephens.

For recording in the past, I have worked in some fabulous studios in Detroit with The International Blues Man, Paul Miles and Producer/Musician Nadir Omowale.

However, in Florida I have been fortunate enough to work regularly with Chad Zuchegno at The Dream Studios Complex on several projects and Anthony Iannucci from Unity Gain Studios for The Honey Creepers Band. Producers: I've worked with all sorts, but most recently I have been working with Thomas Marolda.

LIM: You have worked with some of the best in the music scene today. Tell us a few things you learned from them which you could use in your life/career?

Prana: Meeting Annette, from The Original Vandella's taught me a lot about Page28

taking the opportunities that come to you, being ready to step outside yourself and that no matter where the journey takes you, there is a joy you take with you in meeting lifelong friends along the way.

From Mr. Marolda, I've learned to take a page from his work ethic. From all of his success and status he is still just as dedicated to the artists he continues to work with.

LIM: Where do we find your music on the internet? Which is your latest release?

Prana: You can find me at pranasongbird.com with Sony Orchard and Indienink.com, on Spotify, Itunes, Apple Music, You Tube, IMDB ... All of the digital outlets for music and video.

Listen Like it's Gospel came out in March of this year 2021, and The River is on its way July 31st.

LIM: What gives you the kick, writing, producing or playing live and why?

Prana: Playing live definitely gives me the kick. I love to touch the audience with the storytelling in a song. When they start, singing along and dancing; when I feel them. I know that I'm doing what I was meant to be here and do.

LIM: How do you overcome the lockdown on live music and is the internet-based LIM

performance good enough to generate a livelihood for musicians?

Prana: "Good Enough" sure. We can generate a livelihood online if we embrace the internet traffic and engage online. But I'm not sure it's Good Enough for the art, the community, the soul of music and "the show".

LIM: What are your immediate future plans? As your name has an Indian-ness to it, and we being from India, just curious to know. Have you ever travelled to India to perform or otherwise before?

Will you be looking to tour India any time soon?

Prana: I have not yet had the privilege to travel to India and am hoping to be able to come experience the culture first hand and share my music. My immediate plans right now are just to keep recording the songs that are in this upcoming album "Love Like a Snowstorm" so it's ready to release in 2022, keep working on the movie, Love Song and Power as well as the 501C3, The Starfish Foundation, that helps to support families that have suffered from childhood trauma.

LIM: Being a successful musician/band yourself what would you tell an upcoming musician to keep in mind to launch a successful career in music?

Prana: As important as the music is, you have to build a support team you can trust to help with the business end of the art and you have to keep yourself attached to your audience. The music is for us but it is also from us for them.

-Thank you

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The Farmer turned Rock star Merv Pinny burst on to the international rock stage when his song “Ob can you hear the children cry” went viral on Facebook. His high energy Rock songs and helped him build a large following of young people across the world. Merv left school at 15 and worked on a dairy farm, playing in a band six nights a week; throughout his music career, this odd mix of farming and music became a unique icon of Merv as an artist. His songs and videos have hit millions of views and became number 1 on several internet radio charts across the world especially in USA. Merv Pinny has been awarded in the USA and New Zealand for his music. He is known for his high energy songs on social action and his emotional live performances. Merv Pinny spoke to Galaxy Fm in the column 'Around the Galaxy' ...Let us read...

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Galaxy FM: For the benefit of our readers can you kindly introduce yourself?

Merv: Hi, my name is Merv Pinny, I am an alternative Rock artist from New Zealand. I write and record songs, about people’s everyday lives.

Galaxy FM: Since when have you been into music?

Merv: I have been playing music since I was 10 years old and at 14 was in my first band. 4 years later I was playing 6 nights a week on a rock band circuit in New Zealand.

Galaxy FM: Who were your musical influences and how does it reflect in the genre of music do you create?

Merv: I have a love for all music. I grew up listening to ACDC and the Angels. The first bands I played in would play a lot of these covers. I have always love soul music and I would listen to James Brown, Aretha Franklin.

Galaxy FM: How do you go about writing your songs?

Merv: I pick a topic and start playing. I always write the lyrics and guitar lines at the same time. I think of it as a crafting process and sometimes will have 4 or 5 different versions of the same song. I sometimes step outside of my genre to best suit the song. It is always more about the song than me as a performer.

Galaxy FM: What do you look to convey to your listeners when you create music?

Do you look to set a lyrical theme first or you let the music dictate the lyrics?

Merv: I like to capture the feelings and emotions in the music and the lyrics so it is very important to be deeply invested in the topic. I try to imagine am in that situation myself. A song without emotion is no song at all.

Galaxy FM: How do you record and produce the songs?

Merv: I record at my own studio in the Bay of Islands. I record me singing the song live as a guide track and will play it over and over until I think I have captured the feeling and mood of the song that I was feeling when I wrote it. That is the most important part to get right for me. Then I start working on the other LIM

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"Stay true to yourself and never forget what you love about music and why you start playing it. Music is like an energy that connects millions of people and spreads love where ever it goes, there for a true gift to be shared. So start sharing yours".

parts, I will quite often play all the parts myself. I also bring other singers and musos in if I think it is needed. I have even had my daughter Zoe feature on my tracks. I grew up playing with my own brothers and think it is important to past on music and sharing it with family.

Galaxy FM: What are your immediate future plans? Tell us more about your latest release?

Merv: My new track is ‘When I see your face’. It is about reconnecting after the covid pandemic. It is going well and made it on the charts the first day which was a nice surprise. The next few months I am on a solo tour here in New Zealand and then plan to go to Australia and tour there.

Galaxy FM: What gives you the kick, writing, recording or playing live and why?

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Merv: I love it all, I love to play live, it is so much fun and you get to show the fans how you wrote the songs and in a lot of ways test the new songs in a live show and get feedback. In the studio, there are no limits or rules for me anything goes. I like writing, because that how you connect with people and hopeful make a difference in their lives as they connect with your song.

Galaxy FM: Where can we find your music on the internet?

Merv: https://www.youtube.com/ watch?v=zEM4OKvOkkA https://www.mervpinny.com https://www.facebook.com/ kiwihardrockers - Thank you

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About the columnist (Around the Galaxy is a column contributed by Galaxy FM 107, New Zealand, introducing artists from New Zealand and Australia. Galaxy FM is one of the top radio stations in New Zealand and is quickly expanding its listener base across the world. The authors of the column, Barbara Harkins and DJ Grant are well known radio hosts at Galaxy FM hosting the popular Breakfast Show. LIM thanks team Galaxy for their support.

Check out their websitewww.galaxyfm.co.nz)

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Rachel Walker Mason is a multi-award-winning musician, currently writing songs with Grammy winners, Billboard Hot 100 artists, alumni from The Voice UK and American Idol, Emmy winners and ICMA Awards winners. Named a Woman Of The Year 2020 and hailed “an inspiration” by Prince Harry, Rachel is the only musician to have been crowned Freelancer Of The Year and to be given a Lockdown Hero Award for her work creating the international arts festival Unlock Your Talent which garnered worldwide acclaim for its support and fundraising for mental health. A highly regarded songwriting and vocal judge, Rachel was a judge for NTA nominated Sereies - Sing: Ultimate A Cappella on Sky One and is a judge for the UK Songwriting Contest, Strive and the Intercontinental Music Awards. Lazie Indie Magazine spoke to Rachel Walker Mason...

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LIM: Hi Rachel, you have worn different hats in your career as a Songwriter, Author, Judge for Competitions, Mental health ambassador and much more.

When you look back what would be your take on your career so far?

Rachel: Looking back I can’t quite believe I’ve done all these things before I turned 40! It wasn’t always easy and there were times I was unsure about my abilities to do any of these things, but I try to take my goals one step at a time until I reach the finish line. I love working on lots of different projects as I have lots of different interests and ideas, so being a freelancer means I can move between projects as I feel inspired.

LIM: As a co-songwriter for many top artists, what made you take us this path of a co-songwriter or a collaborator?

Rachel: I love the energy you have when there are two or more musicians in the same room, creating something new together. Most songwriters have different strengths and weaknesses within their writing, for example one person might be really good at vocal lines and less good at production while another could make excellent tracks and be less confident with their lyrics. I have found throughout my songwriting career that when you write with someone else you tend to balance out each other’s strengths and weaknesses, creating music that plays to all your strengths.

LIM: How do you go about writing your songs? On collaborations how do you work on material from an artist whom you are just getting to know?

Rachel: I always have a list of song and lyrics ideas I can use when I start working on a song with a new artist. I make sure I’ve familiarized myself with as much of their music and style as possible, then we usually have a chat about what kind of song they’re looking to write. At the moment all of my songwriting sessions are on zoom, so it’s harder to get to know each other and chat freely about our experiences to inspire the songs, but we’ve still managed!

LIM: How do you record and produce LIM

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your own music?

Rachel: Before lockdown I would usually go to Bare Wall studios in Bristol to record my vocals, but during the pandemic I’ve set up a studio at home and recorded my vocals there. I work with different producers to creates the sound I want for each song.

LIM: You have been Songwriter who works with very successful artists and a judge in the famous a Capella based music show on Sky TV called Ultimate A Cappella, what do you think is important for an upcoming musician to make a mark in the music scene now a days?

Rachel: It’s difficult for musicians to make their mark in the industry as there are so many people wanting the same career. Some people go down the tv talent show route and that can work out but, in many cases, talented people can win a show and then be dropped by their label.

Social media is a good way of getting your music into the world and building a fan LIM

base, often a label won’t sign you unless they can see that you already have a following.

LIM: Where do we find your music/work on the internet? Which is your latest release?

Rachel: My latest release of my own music is ‘Little One’, which I wrote with Nina Sundstrom. The track features my 4 year old daughter singing and was written about her growing up. The latest release I’ve co-written is ‘Endless Summer’ that I wrote with Grammy winner Joanie Leeds.

The track has Joanie on vocals and is an upbeat pop song. My music and my cowrites can be found on Spotify, ITunes, Soundcloud etc. under Rachel Walker Mason.

LIM: What gives you the kick, writing, producing or playing live and what would be your take on internet live performances? Do they encourage enough to invest one's time and energies or it is just a stop-gap arrangement for now?

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Rachel: My absolute favourite thing to do is write songs with other writers. It’s so much fun and a challenge to find something new and creative for every new song. I think internet live performances were a great way of still getting “live” music into our lives during the misery of lockdown and helping struggling artists make some money, but it doesn’t compare to being in the room for a real live performance. I think people are craving live music, theatre, dance etc., so hopefully there will be a lot of support for the arts when we come out of lockdown.

LIM: You were awarded the Woman of the Year, Community Champion and was also hailed by Prince Harry as an “inspiration” for your effort to creating an International Arts Festival to raise money for mental health during the Covid Crisis.

What made you take up this task? And what is the future path?

Rachel: I love to try and support people who are going through difficult times. I have struggled with my own mental health so know how important it is to raise money for counselling for others who are also struggling. I created Unlock Your Talent international arts festival to raise money for a local charity to me, Vine LIM

Counselling Services who provide affordable counselling for those who need it. They saved my life 14 years ago when I went through a mental health crisis and during the pandemic they were struggling for funds to help provide counselling for the increasing numbers of people seeking it. I’ve since been made the patron of the charity so will continue raising funds for them in lots of creative ways.

LIM: Songwriting is quite subjective and interpreted differently by almost every listener. How do you evaluate a song as a judge for an international songwriting competition?

Rachel: In order to make the judging as fair as possible there is a scoring system I always use so each song is given a separate score for lyrics, production, creativity, originality etc. This way songs from different genres can be compared fairly.

LIM: What is your plan for the immediate future and what would you like to focus on and build from what you are as an already very successful artist and individual?

Rachel: I’m currently working on a new EP which will be released in the next few months and have many songs I’ve cowritten coming out with some major artists. I’ve also been made the first British musician to be inducted into the Indie Music Hall Of Fame which is very humbling. I’m focusing on supporting and mentoring young musicians and on making more music with other artists. - Thank you

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Foxxglove is an artist, hailing from Ferndale in South Wales, who has already got this impressive history to her work.

Described as taking inspiration from her own life experiences, films and art to tell a story that captures people’s hearts; her raw and open emotion seeps through every part of her music. This is something you experience with Foxxglove's new single 'Bad Timing'. Foxxglove began working alongside producer & artist Minas, part of the PRS Foundation backed artist development scheme: In 2020 Foxxglove received support from the BBC’s launchpad scheme for artists. She has also performed at Swn Festival and supported the fast-rising UK rockers Holding Absence. Lazie Indie Magazine spoke to Foxxglove to know more about her career so far and her future plans.

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LIM: You have a rising career in music, how do you feel was your journey so far?

Foxx: It’s been a wild one so far, I started it off halfway through 2019 and things were going very well I was gigging most weeks and making music, socializing with other creatives, so there was a lot happening and I was getting my name out there, then when the pandemic hit it was quite difficult, so I’m trying to get back into the swing of things now and I’m very excited to see what happens next.

LIM: What were your musical influences and how did you arrive at this genre you play?

Foxx: Miley Cyrus and Avril Lavigne were massive influences of mine when I was growing up, Halsey being the biggest influence for me right now and I’ve always been surrounded by all genres of music because both my parents liked an eclectic mix, my dad being into David Bowie, Led Zeppelin, The Smiths and my mum’s love for musical theatre made me love all kinds of music and I like to make whatever music feels right to me at the time.

LIM: How do you go about writing your songs?

Foxx: I first start with lyrics. It’s normally because I’m thinking about something personal that’s happening to me and I need to get my thoughts down on paper, I kind of just blurt everything out and then turn them into lyric. I use a lot of imagery and inspiration from films also to help paint the picture and the feeling I want the song to have. I then think what kind of sound I want that song to have, what instruments and melodies and sing them into my voice recordings on the phone.

LIM: How do you record and produce your music?

Foxx: I always make voice notes of any ideas that I have, when I have something worthwhile or that I want to expand on I show it to my guitarist Jed Robertson and we build it from there, I then send it to my producer James Minas, who produces all of my songs at the moment and I coproduce with him making sure he gets my vision and then brings it to life.

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"Stay true to yourself and don’t give up. Ask for help when you need it and accept it. I used to get so scared asking for help because I didn’t want thinking I was ‘less’ of a musician, but it's so beneficial and there are people out there who want to support you and see you succeed".

LIM: Where do we find your music on the internet? Which is your latest release?

Foxx: I have two singles out so far, ‘City’ being my first one and ‘Bad Timing’ is my latest release, they are out now on all good streaming platforms, and I have a music video for each of the singles which are available to view on Youtube. You can also find me on Facebook, Twitter, Instagram and TikTok to see behind the scenes, covers etc.

LIM: What gives you the kick, writing, producing or playing live and why?

Foxx: I’ve always had a love and passion for singing and performing and just music in general, I’ve always wanted to be a singer it's all I’ve ever wanted to do, it makes me happy and I feel fulfilled when I’m doing it, there’s no other feeling like being on stage and being able to sing your truth and show your art to other people, LIM

it’s a form of self-expression and it makes me feel so good.

LIM: What do you do to overcome the lockdown on live music?

Foxx: Listen and watch old performances and just hope that it’s coming back soon.

I've been trying to write more music and develop my live set so that when live music is back I can give it my best.

LIM: What are your immediate future plans?

Foxx: I have a few more single releases planned. I'd like to start working on an EP, making more music and grow my audience, work on my brand and connect with people through my music. - Thank you - Thank you

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Tom Tikka picked up the guitar at the tender age of six. He formed almost as many groups as he disbanded in his late teens and early twenties. He finally signed his first recording contract on his 21st birthday, a solo effort. After that Tikka withdrew from music for a few years but began writing songs again once his brother Lappe Holopainen suggested him to form Carmen Gray that got signed by Sony/BMG in 2005 during the next nine years, they recorded three albums and an EP.Carmen Gray disbanded in 2013, Tikka formed The Impersonators with poet Antti Autio. In 2017, The Impersonators signed with FBP Music Group, and in 2020, Tikka began working with MTS Records and released a solo EP titled "Working Class Voodoo" They are expecting their next release ‘Heart’s On Fire’ soon. LIM spoke to Tom Tikka check on his future plans and his career so far...

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LIM: Hi, welcome to Lazie Indie Magazine. Great to have you speaking to our readers. You have had a fabulous career in music so far creating a substantial fan base worldwide. When you look back, how do you feel your journey has been so far?

Tom Tikka( TT) : My journey’s been filled with ups and downs. I’ve been at this a long time and music business is a little bit like life. You have those moments that fill you with joy and wonder and then you have the types of moments that make you wish you could just teleport to a different universe that would suit you considerably better than the one you are inhabiting.

However, all in all, I’ve been very fortunate. I’ve gotten to work with some amazing people who’ve believed in me and my songs. Without those folks, you don’t really achieve anything. I still love it when my music is playing on the radio or when I read a thoughtfully written review of my latest release. That feeling never goes away. It’s a sign that I’ve been able to move someone with my craft, which has always been my number one goal.

LIM: Who/what were your musical influences and how did you arrive at this genre you play?

TT: I’ve always had a very strong own sound, or at least a vision of how I would like my music to sound. I always wrote my own songs and since I started writing tunes when I was just six, I’ve had a long time to ponder on what a typical Tom Tikka song is like. The irony of course is that they haven’t changed all that much.

My previous EP featured two songs that I wrote in my teens. They still worked great after all these years. So, I’m not sure I ever arrived at a certain genre. It’s like I was always there. My biggest musical influences are The Beatles, The Beach Boys, R.E.M, The Rolling Stones, The Go-Betweens and Tom Petty. In other words, the music my parents listened to when I was a very young kid.

LIM: How do you go about selecting your songs?

TT: I write one song per day.

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"You’ll find The Impersonators as well as Tom Tikka & The Missing Hubcaps on all streaming platforms. The best source for information about me is: www.tomtikka.com.

There’s a nice bio of me and also a separate tab for The Impersonators, who also have their own website: https://impersonatorsmusic.com".

of them and then go back to those recordings after a few months. If an acoustic demo that I recorded a while back still sounds good then, it’s a pretty good sign that that song is a keeper.

LIM: How do you record and produce your music? Do you have any special gear/recording system which you feel is important to bring out the kind of voice you want? if so why?

TT: Well, I have my own presets in Logic and Pro Tools obviously. This will make sense to the people who produce music.

Other than that, I use Rickenbacker and Fender Telecaster guitars, Ibanez bass and Pearl drums. These choices are based on how certain instruments or plug-ins sound. I’m very particular when it comes to vocal and guitar sounds especially.

LIM: What gives you the kick, writing, producing or playing live and why?

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TT: The fact that I love music. All I really ever wanted to do was to write and record, and to find an audience who nods their heads to what I’m doing. I’ve been very fortunate to achieve that. The idea that somewhere someone is listening and that I’m providing them with an occasional escape from their hectic lives, a place in time where they can relax, close their eyes and get swept away by my music keeps me going. I’ve gotten quite a few emails from folks around the world who enjoy my songs and that’s really the best reward.

LIM: Tell us about your new album, "This Is My Happy Face" and its singles!

TT: This Is My Happy Face is a bit of a concept album that deals with those few final moments before we pass away, when our lives flash before our eyes. It was inspired by the Netflix series Surviving Page48

Death and also my dad’s untimely passing a few years ago. The singles “Heart’s On Fire” and “Doormat”, which will both come out in the summer (I’m writing this in May) are two of those flashing moments from the life of the fictional protagonist of the album.

LIM: How are you coping with the new realities post the COVID scare, especially when the live music scene is hit hard?

TT: Well, Tom Tikka & The Missing Hubcaps is a make-believe band. In reality I play and I sing everything on those records. Hence the only live gigs I do are just me on an acoustic guitar somewhere and there aren’t that many of those. This is why COVID-19 hasn’t really had such a huge impact on my music career. I don’t really tour or perform live that much. Be that as it may, I would have wanted to go to both the ISSA and Josie Music Awards ceremonies this year, since I have multiple nominations in both, but this will most likely be impossible due to the restrictions.

LIM: What are your immediate future plans, say for 2021?

TT: My new solo single will come out on June 18. It’s going to be titled “Heart’s On Fire”. Another single, “Doormat”, will LIM

follow in August and then I’ll release an album in the fall. This will be a Tom Tikka & The Missing Hubcaps release and the album will be called This Is My Happy Face. Right now, I am very busy mixing the album with Janne Saksa, who has coproduced the album with me. The rest of the year will be spent promoting the new Hubcaps album as well as The Impersonators’ Life Of Grant that came out in late March.

LIM: Being a very successful musician yourself what would you tell an upcoming musician to keep in mind when a) he/she is struggling to get recognized and b) once he/she has just made a mark in the scene and needs to sustain here?

TT: Each career is different. There really is no roadmap for anyone. Everyone’s got to figure it out themselves. However, I’ll say this much. Achieving any kind of success in the music business is extremely hard. It’ll be a long road but good luck as you travel down it. And remember, you are the one who defines what success means. Nowadays, success to me is if I can move people with my music. If someone listens to one of my songs and it brings him or her joy, I’m on cloud nine.

When I was younger, I was aiming at becoming a star. In other words, my goals have changed drastically. And it’s great they have. These days, I’m so busy trying to impress my wife and kids that I have very limited time to impress anyone else!

My youngest son Henri is a hard one to impress though. He is four and told me after I had scolded him for throwing rocks the other day, “You are a bad daddy, Dad.” My eldest son started laughing and said that that’s not a bad name for a rap artist, Bad Daddy Dad. We all laughed but they’ve been calling me that ever since and it’s starting to weigh on me. I’m only kidding…I love it!

Thank you for your time and it was great speaking to you.

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Kathryn Washington Shipley has been a force to be reckoned with since she began pursuing the path of a recording artist in 2017.

"Kship" - as she is known to her friends and fans - crosses multiple genres with her vocal prowess and has amassed a great fan following.

Her songs are no doubt flavored with country, but her lyrics on her single ‘Your Love Is Enough’ proclaim her faith as a Christian Contemporary songwriter. Kathryn recently had double win at the 6th Annual Josie Music Awards in Pigeon Forge. She won for Music Video of the Year (female category) for her song ‘This Will Always Be My Town’ and Song of the Year with ‘Your Love is Enough’. Kathryn released a new Christmas song on November 2nd, 2020 titled, ‘Oh What A King’ as well as a music video with she also got a proclamation from her Hometown (Louisiana Missouri) last year honoring her music. Lazie Indie Magazine spoke to Kathryn Shipley...

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LIM: Welcome to Lazie Indie Magazine, great to have you speaking to our readers.

Kathryn: Thank you so much for having me, I love what your team is doing to help give indie artists like myself more exposure for our craft and give us another way to network! Much appreciated.

LIM: You have had a great career in music. When you look back, how do you feel was your journey so far as a musician?

Kathryn: It’s been pretty darn good honestly, in a short amount of time, the best thing that happened for me many months ago, was signing with Cavalla Records… only 2 artists signed so far and if it stays at 2 I am good with it. We are family and we are all learning more about the industry together. They have given me such huge support and guidance as I grow. I started very late in life, but music was not something that was in my mindset. I actually managed a few people a rapper and a DJ and then one day I knew I wanted to try and help people get to another level, because here in St Louis soo much talent. Then I started really learning about independent music artists… so then I decided, I want to do this and even starting out and all the doors that shut I had so many people encouraging me to just keep pushing through and then it happened. It wasn’t easy, it was not handed to me and I would not change any of it, because it was a huge learning process for me and I am still learning… a year and a half ago and I can’t remember if she followed me or I followed her on social media, but Rissi Palmer, is so amazing. She is just out here with no agenda just helping so many artists women of color, to just keep growing… keep thriving. We started connecting on media more, she interviewed me, on her show, THAT in itself was an honor since she had already interviewed Mickey Guyton and Darius Rucker, and soon after I became one of a few women of color named to the Color Me Country Class of 2021, and basically, this class was aligned for people, to be aware of women of color that are making LIM

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a name for themselves in the Country circuit. Soon after she teamed up with journalist and radio host Kelly McCartney and they established the Color Me Country Artist Fund. This movement has created funds as a source of sustainability for Black artists, Indigenous artists and other artists of color within the country music community. And I got my blessings and was one of the first recipients and the grant, was used to help pay for my music video, ‘You Above All’ and Rissi told me one day, in some shape or form pay it forward to another artist like yourself, and that’s my goal! Someone thought that much of me to help me on my journey, I started late in life but people keep pushing me, celebrating me, praying for me, and being such a huge support system in my career. I am currently raising my now 15 month old granddaughter and the task that God gave me in this part of life has really opened my eyes up to what “living” really is LIM

about. And I mean that in the most sincerest endearing way.

LIM: Who/what were your musical influences and how did you arrive at this genre you play?

Kathryn: I actually great up in a small town, Louisiana Mo and during the 80s in high school some bands like, Journey, Foreigner and others were my go to. But Journey and Steve Perry that was it for me! But we had a local radio station back then called, KPCR now called KJFM Eagle 102FM and they played country music and I swear that I thought Charley Pride could have been my real father as much as my mom always went on and on about him lol!!! But later in life early 40s I started getting into Christian Music and really loving it and to me Christian and Country go hand in hand a bit... telling a story… sharing a journey… so really no music influences... I just love Country Music really just hands down that’s my elixir in life for music.

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LIM: How do you go about writing your songs?

Kathryn: Although I do write songs, most of the time the blessings come from other people… amazing people I might add. But with that I have found I do need to get back into writing more and my next song actually is a co-write with a multi award winning songwriter in Nashville by the name of Corey Lee Barker. He is phenomenal!

LIM: How do you record and produce your music?

Kathryn: I always try to go to Nashville and record with my favorite producer Daniel Dennis at his studio called Prime Cut. If I have to stay remote then a good friend of mine Quentin Stephenson, another producer, whom I have worked with a few times and actually stepped in his booth the very first time to record a song back in 2012, I was then HOOKED! He has always been so quick to help me out and we just send the stems to Daniel and let him finish and tie up the production/mix/master.

LIM: Where do we find your music on the internet?

Kathryn: : Google KShip Music, we are on Spotify/Itunes/Amazon Music/ pretty LIM

much all major music outlets. Also try my website I try to keep updated as best I can with the latest stuff. https://www.kshipmusic.com/.

LIM: Which is your latest release?

Kathryn: I finished up a few months ago recording and doing a music video with 16year old singer/songwriter Ava Paige in Nashville called ‘You Above All’ we have gotten incredible feedback the video made its debut on TCN Network in Nashville its on the Heartland Network, Rebel TV, Nashville Country Television Network. We are still over the moon about this song and video, it has touched many hearts, especially mine. The song was written by Ava, Mary Haller, Riley Bria and Micheala Clarke. And it was sooo much fun to have the team from Cavalla Records in my video, along with Ava’s family and some of my indie music friends. It was a great day in Nashville shooting this one.

LIM: What gives you the kick, writing, producing or playing live and why?

Kathryn: In the beginning I had a passion for writing, as in writing for magazines and a friend of mine Orlando Watson, here in St louis gave me a break and let me write a few articles in his publication, called DELUX magazine. And I remember one time someone telling me you should write music, you are very passionate when you write your articles, made me think quite a bit about that, then music kind of grabbed through a series of life changing moments. I started out singing in church (St. Charles Christian Church).

Worship and to see how hearts were being moved just singing about Jesus, just has always been it for me. I don’t do a lot of gigs that’s something that stands out to people that I don’t, but when the time comes it happens and I love it. I had an amazing event several weeks ago, that was virtual that I was a part of called Ladies Who Rock 4 a Cause! I was able to do this cool amazing online set with several women from different states, different genres and different backgrounds in life and Sharon Lia, her husband Rick Jannotti and Darren Page54

Melchiorre, pulled off one heck of an event! I call them my “Big 3”. They had a silent auction online, and the most important part rocking it for a “cause” to help those in need. Please check them out and everything they do, I am hoping to get another call next year and we can do it all over again this time out at a venue https://www.ladieswhorock4acause.org/ LIM: How do you overcome the lockdown and is the internet-based performance good enough to earn a livelihood?

Kathryn: Since I really don’t do a lot of gigs, it didn’t really affect me as it did so many other wonderful people, during the beginning of the pandemic I heard so many tragic stories of artists that had to sell gear, take another mortgage out on their home, almost losing their home, just on and on… being online is okay it has helped many get the bills paid so to speak, but nothing more beautiful and authentic as “live” and in person. If we can all continue to be cautious and follow all the rules and guidelines it will be very exciting to see everything open back again and get back to engaging with each other again, in person!

LIM: What are your plans for near future?

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Kathryn: Just to keep trying to bring some great music. I definitely am going to start writing more and just encourage and help other indie artists that may need guidance or just an ear to talk to. And most of all continue to pay forward the blessings that others have given to me.

Another thing for me since many know me now for my music videos, really opening up that creative side of me. I have an incredible videography team at Peak Media that really helps bring my vision to life. We already have spoken about creating a documentary in 2022 and getting really deep on some topics that need to continue to be brought to the forefront. I really like creating cool storylines that tell a cool story and heartfelt depending on the song. I also just want to continue to make my children, family friends and my hometown proud (Louisiana, Missouri), they blessed me last year with a Proclamation certificate acknowledging my wins at the Josie Music Awards in 2020 and my music success, pretty darn good feeling!

LIM: Being a successful musician/band yourself, what would you tell an upcoming musician to keep in mind to launch a successful career in music?

Kathryn: I said this last week in an interview, if you don’t have patience, you are in the wrong industry. You may get a lot of no’s, but when you work hard, trust me, they will become Yes, and it is the most beautiful life/career changing moments you can ever imagine. Some people get that call right off the bat and it’s a yes, but hey I am not knocking it but what a sweet ride to go through a bit of a struggle share that story, inspire someone, lift them up, so they can do the same for another. And for me success is not about the money… never has been… never will be… it is about just that one person telling me I am really digging your music, or wow I loved your music video, it really touched me. With those type of comments… I am filthy rich!!! Gotta love it… Life is good.

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I just wanted to make mention a special shout out to the Josie music awards that really catapulted my career of where I am today and the career of the so many others! They have always created a family environment of a true music community.. it’s amazing! So hats off to Josie Passantino-Boone and her mom Tinamarie Passantino and the other two behind the scenes guys Vito Passantino and Matt Boone..

- Thank you

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A resident of Southern California for several decades, Indian born musical visionary and tenured professor Samir Bodhi’s multi-faceted life and career reflects the classic immigrant experience of thriving in the pursuit of his creative and academic dreams. While building his resume as an internationally recognized scientist and scholar under his real name Samir Chatterjee, he applied his virtuosic talents as a guitarist, composer, producer and recording engineer to a multitude of projects involving legendary Indian musicians – including several for his wife, Madhumita Chatterjee, a renowned Bollywood singer. In 2019, long before COVID-19 upended our world and sparked anxiety about the future like never before, Samir’s sorrow and concern for his adopted home LIM

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country inspired Samir to reach out to a cadre of top Indian based musicians and collaborators to realize his vision for Stairway To Nirvana, his debut album as a new age artist/producer under his own name. Fusing Eastern (Indian) Classical music and instruments with modern Western music, Bodhi and his ensemble create a melodically, rhythmically and harmonically transcendent album that offers a musical roadmap to peace in these troubled times. Lazie Indie Magazine(LIM) speaks to Samir Bodhi.

LIM: Hi Samir, welcome to Lazie Indie Magazine, great to have you speaking to our readers. You have had a multi-faceted life and career. How would you define your musical journey in particular so far?

Samir: I grew up in the city of Kolkata (Calcutta) India and I started learning the guitar when I entered high school. I trained under a great master who started taking me to studios. From a young age, I was exposed to recording and played on albums of some legendary Indian singers.

I was always interested in Western music, especially music by bands such as the Eagles, Pink Floyd, Beatles, Steely Dan and others. While my skills and interests as a musician were growing, I was also a very bright student. My mother insisted that I become an engineer when I got admission to one of the top Engineering universities in India. It was in college that I formed my own band and we played at various college festivals. It was there that I also met my (now) wife. But then a chance event changed the course of my life. I received a full ride to pursue a master’s degree in the USA. I immigrated in 1988, my wife joined me the next year and eventually I finished my PhD in computer science and became a Professor. While pursuing my academics, we remained active in music doing concerts and gigs. During that time, we mainly were performing Indian Classical and Bollywood songs. I was lucky to accompany several great artists who were touring the US. I slowly started building a network of collaborators both in India as well as here in southern California. I have LIM

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always been an avid listener of world and new age music. That interest eventually led me to produce Stairway to Nirvana, my debut new age album which got released in January of 2021. My musical journey has traversed many different genres. But Indian music is my root and will always remain a core foundation on which I will continue to experiment.

LIM: Who/what were your musical influences and how did you arrive at this genre you play? Why did you decide to create the project Stairway to Nirvana?

Samir: My own musical interests are rather eclectic. I have been inspired by several singers, musicians and bands both from the east and the west. In Indian Classical, I often listen to Pt. Ajoy Chakraborty and Ustad Rashid Khan. In Indian Classical instrument, I listen to Ustad Ali Akbar Khan and a big fan of Ustad Zakir Hussain who crossed over to the western world through his mindblowing rhythm playing. In popular LIM

Bollywood music, my greatest influence has been R.D. Burman followed by Salil Choudhury and Madan Mohan. When it comes to Western music, I love listening to all genres but growing up was glued to the Eagles, Pink Floyd, Bee Gees, Steely Dan, Led Zeppelin, Deep Purple, Lionel Ritchie and many others. Then there are times when I would listen to Frank Sinatra, Tony Bennet, Whitney Houston, Elvis Presley, Roger Whitaker and others.

I developed a deep appreciation for Jazz and spend nights listening to the great Jazz renditions by artists such as Louis Armstrong, Duke Ellington, Ella Fitzgerald, George Benson, John Coltrane and many others. It was always in the back of my mind to create music that could blend Indian raags and melodies with Western arrangements. In the last few years, I was not happy to see the rise of fascism and racism both in the USA and across the world. The desire to create music which would bring peace and Page60

harmony was the driving inspiration behind my new age album Stairway to Nirvana. The concept of Nirvana might simply be expressed as an idea of attaining peace, personal liberation found with following the practice of the noble path. I collaborated with some of my most talented musician friends to create a transcendent album that offers a musical roadmap to peace in these troubled times.

LIM: How do you go about writing your songs? How did you visualize Stairway to Nirvana and finalize on the musicians involved in this? And why them?

Samir: I have no fixed way of writing or composing songs. Quite often it comes out of the blue. When I am driving, it has often happened that I start to hum a tune, I find it catchy and then I immediately record it on my phone, so that I won’t forget. Later when I am in my home studio, I develop the melody even further.

Once I am happy with it, I will then reach out to my lyricist friends and tell them what theme I have in mind. They would work on actual lyrics. Sometimes, I might be watching a TV show, and some background music intrigues me. Later I would get inspired and start to write a song in which I develop what I heard.

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Nature inspires me a lot. If I am in a remote location, facing the ocean, I start to compose many different tunes. Some of them become songs while others just stay in my music bank. Stairway to Nirvana was one album that I did quite a bit of pre-planning. In fact, even before any single track was composed, I came down the names of the tracks. The names reflected what I wanted in them. I envisioned tracks that progressed in a sequence – tranquility, OM, harmony, peace, nirvana. I reached out to some very close musician friends in India with whom I had worked before and shared with them the entire project idea. I asked Sanjoy Das to arrange the tracks. He is a brilliant guitarist and arranger. All the musicians are highly accomplished in their own realms and it was an absolute pleasure to collaborate with them. While they hadn’t worked on a “New Age” genre before, I shared exemplar music with them, and they caught on to what I wanted very quickly. I have known and worked with almost all the musicians on the album for a very long time. So, it was an easy decision to choose them.

LIM: How do you record and produce your music?

Samir: I usually start doing the initial composition in my home studio. If lyrics is needed, I would reach out to someone I know who can do a good job. Then once I feel that the song has a structure, after that I would go into the studio where we record each song with live musicians.

Most of my albums have been recorded in India (Kolkata or Mumbai). Before I fly to India to record, there is a lot of back-andforth between me and my arranger using WhatsApp or other tools. It’s simply amazing how much we get done using social media tools. But the most fun happens when all the musicians are in the studio. Sometimes totally new ideas come to mind as we are recording. We try to incorporate them on the spur of the moment. I am lucky to work with very talented people.

LIM: Where do we find your music on the internet?

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Samir: My new age album Stairway to Nirvana can be found on Spotify, Apple Music, iTunes, Amazon, Pandora, Deezer and CD Baby. You can order the physical CD from Amazon. My album Tum Bin that I released featuring legendary Bollywood singer Kumar Sanu and my wife Madhumita Chatterjee can also be found on Spotify, iTunes, Amazon and YouTube. I have many other singles that can be found on Spotify.

LIM: Have you performed Stairway to Nirvana live? If not, will you be doing it anytime soon? What do you like the most writing, recording or playing live?

Samir: We have not yet performed Stairway to Nirvana live but are making plans to do it. As soon as the world comes back to normal from this pandemic, we will plan live concerts. I actually enjoy playing live a lot. There is no better instant gratification than live audience feedback and appreciation. But I also enjoy working in the studio with a bunch of talented musicians.

LIM: How did you overcome the lockdowns to record the album? Indian instruments are fundamentally acoustic by nature. How could you manage the flow of music and how could you arrive at LIM

the mix you desired, keeping in mind the situation and lack of mobility for the participants in this?

Samir: I was very fortunate that most of the recording for Stairway to Nirvana was completed in January of 2020, just before the lockdown. The only one thing we had to wait for was getting Raksesh Chaurasia on the flute which we recorded in Mumbai just before lockdown went into effect. Many original instruments such as sarod, sarangi, flute, table, khol, acoustic guitar were all recorded at Studio Vibrations in Kolkata India. It was a dream of mine to get this album mixed by Biswadeep Chatterjee of Mumbai (the most well-known mixing engineer of India). This was of course done during lockdown. Biswadeep and I would listen to his rough mixes over WhatsApp and I would provide him feedback. Of course, I missed the experience of being live in the room to listen to his mixes but this process worked as we all had to adapt to the pandemic. Finally I got the tracks mastered in Los Angeles by John Polito.

LIM: What are your immediate future plans? Are you working on any new musical projects?

Samir: My immediate future plan is to record some new songs which I would say falls in the fusion category. I enjoy fusing Indian Cassical with Western arrangements. The success and reviews of Stairway to Nirvana have encouraged me to pursue New Age music and most likely I will work on another album. At the present moment, I am producing music based on the work of Rabindranath Tagore, Nobel laureate poet of India, sung by my wife Madhumita and we are collaborating with a person back in India, who is well-known for poetry recitation.

LIM: Being a successful musician yourself, what would you tell an upcoming musician to keep in mind to launch a career in music?

Samir: I would say three things: 1. Follow your heart and passion in creating the best musical content you can.

It is important that the music reflects your passion.

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2. Music is a constantly changing business. Become savvy and make sure you take the right steps to get your music across all platforms. Marketing is key.

3. In my career, I have been blessed with some great consultants and coaches. If you can find a trusting consultant who can guide you, learn from them as much as possible. There is so much to learn in this highly competitive music industry.

- Thank you

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Moonshine are a Dubai based rock band made of experienced musicians. They have been playing all over the United Arab Emirates and released their debut EP titled 'Moonshine' in February 2010. Their songs have featured on compilations around the region such as Museland, Metal Asylum and have been played on local and international radio stations.

Moonshine have performed at concerts & festivals including the Mainstage Live, DREAM, Jash, Dubomedy Festival, Dubai Original Music Festival and many more. Darshan Shankar (Dats Column) spoke to Ryan Moonshine, the Singer Songwriter of the band, who is a veteran rocker himself with decades of performances behind him to know more about their journey so far and their future plans.

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Dats: Hi Ryan great to speak to you! For the benefit of our readers can you please introduce yourself and your band?

Ryan: My name is Ryan Moonshine, I am a singer-songwriter and founder of the Dubai based band Moonshine.

Dats: Since how long have you been into music and how did you come into music?

Ryan: I started playing music at the age of 16 after going to my first rock concert in Bombay at the legendary concert venue Rang Bhavan. The event was called 'Rock Yatra' the three bands that performed were Hammersmith, Bronze Axe and Sabre Tooth. All the bands were amazing, but the band Hammersmith blew me away. I got a guitar the next day and that is where my journey in live music started.

Dats: Who were your musical influences?

Ryan: Being from Bombay I loved watching Rock Machine now Indus Creed. I was always in to music so Classic Rock was my genre; bands like Deep Purple, Scorpions, Men at Work, Bryan IM

Adams, Bread and many more.

Dats: How do you go about writing your songs. In case of your band, who writes the songs?

Ryan: I write all the songs in the band.

Sometimes it is a beat that gets the process going or sometimes a melody.

That influences the mood of the song.

Most of the songs are written about experiences and people around me. Like the song 'Moonshine', it was written with the intent of being the opening song at all our concerts, the song 'Why' is about war and conflict in the region and similar.

Dats: How do you record and produce the songs?

Ryan: All the songs are recorded and produced in a home studio. For the first EP we had Kurt Rozario playing guitars with us and he was the producer as well.

So we recorded everything in his studio.

Our current drummer Vish is a producer so most of the recording and production is done with him.

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If you really want to make it in the music industry, open your mind to all genres of music, be ready to perform to any audience, respect all musicians and their forms of music, last but not the least practice and find a place for your music and look to promote your music for that audience. It's not important how many people you have following your music, it's what you do with them.

Dats: In your opinion, has the internet helped your musical pursuit and of other independent artists?

Ryan: The internet has been a great way for people to showcase talent and creativity. You can reach audiences you have never reached before if you have the dedication and a goal. There are many groups that showcase live music and plenty of opportunities. Being in the UAE I can showcase my music to anyone in any part of the world.

Dats: What are your plans for the year 2021 and the immediate future?

Ryan: Currently the plans are to play as many live gigs as possible, release some new music and showcase myself and my band.

Dats: What gives you the kick? Writing, recording or playing live and why?

Ryan: Playing live definitely. As a band LIM

we play a lot of our original music and to get a reaction from the audience is an amazing feeling. As a musician you practice all the time to showcase yourself, what better than to a live audience.

Dats: Where can we get your music on the net?

Ryan: You can find my music at www.reverbnation.com/ryanmoonshine, www.facebook.com/moonshineband, www.ryanmoonshine.bandcamp.com - Thank you

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About the columnist Darshan Shankar is a popular singer and has been the frontman for many top acts such as the legendary Indian Band 13 Ad . He runs a very successful event company in the Middle East. Darshan has also been a very active promoter of Independent Music and has conducted many festivals and other events promoting Independent Rock Bands in India and Middle East. Lazie Indie Magazine thanks Darshan for his column DATs Column which will from now on, introduce great musicians from across Middle East to LIM readers.

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When Jeremy and Christine Stork first joined forces (both in life and music) in the late '70s, they had no idea what the future would bring many years later, when they formed Studeo.

Bringing a wealth of talent and decades of experience, Studeo's songs are as refreshingly real as their love for the music and one another is enduring. Following 2017's release of three EPs, Studeo signed with Bongo Boy Records. Studeo’s first release through Bongo Boy Records was their song ‘Our Perfect Place to Be’ on the compilation CD, ‘Love Is’. In August of 2018, the label released the duo's first full-length album, ‘These Are Our Days’, and in 2019 the second album, ‘You’re The One’ was released.

Studeo released their next album, ‘Dancing On The Beach’ in April 2020 and then their next EP ‘The Storm’ was released in August of that year. The current album ‘Life’s A Journey’ was LIM

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released in May 2021. Awards • World Artist/Duo of the year 2017 in the Josie Awards in Nashville • Jazz/Blues Song of the Year honours at the 2018 Josie Awards • Duo of the Year in both the Josie Music Awards and the ISSA Music Awards in Atlanta • The Akademia’s (Los Angeles) premier award, the “Executive Award” in 2019 as well as the “Vision Award” in 2020 • The “Red Carpet Music Awards 2020” in the Jazz Category. • There were more awards honours for Studeo including the Global Music Awards and Clouzine International Music Awards up to November 2020. • In 2018, 2019 and 2020 Studeo was accepted by The Recording Academy for the first round voting ballot in the 61st, 62nd and 63rd Grammy Awards® FYC. Studeo continues to expand their musical and signwriting horizons, turning their life experiences and world travels into songs which take us to new heights and in exciting new directions, covering the best of contemporary musical spheres.

Lazie Indie Magazine spoke to Jeremy Stork to know more about Studeo and their journey so far. Let us read...

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LIM: You have had a rising career in music as a duo. When you look back, how do you feel was your journey so far?

Jeremy: Christine and I have had a long and interesting career in music starting in the late '70s as a cover band called Casablanca. We continuously worked for many years doing a variety of gigs from pubs to clubs to functions..., in 2015 we made the change to writing and recording our own music with the aim of achieving global distribution, radio airplay and recognition. We have been very prolific with our song writing and have written, recorded and released around 70 songs over the past 5 years. We have also built a support team including our producer Paul Rockwell, our graphics and video guy (Made from Bali), and also Ty who handles our website site, press releases and bios. The journey has been good for us as we have positioned ourselves within the independent music scene and have our music being played on many radio stations globally as well as streaming and sales outlets globally. We have really enjoyed travelling to the US to attend award shows, playing live when opportunities arise and developing relationships and friendships with our fellow musicians and industry peers. One of the highlights has been the recognition we have received through winning many awards from all over the globe. Awards • World Artist/Duo of the year 2017 in the Josie Awards in Nashville • Jazz/Blues Song of the Year honours at the 2018 Josie Awards • Duo of the Year in both the Josie Music Awards and the ISSA Music Awards in Atlanta • The Akademia’s (Los Angeles) premier award, the “Executive Award” in 2019 as well as the “Vision Award” in 2020 • The “Red Carpet Music Awards 2020” Holland, in the Jazz Category. • There were more awards honours for Studeo including the Global Music Awards and Clouzine International Music Awards, World Songwriting Awards. • In 2018, 2019 and 2020 Studeo was accepted by The Recording Academy for the first round voting ballot in the 61st, 62nd and 63rd Page71

Grammy Awards® FYC. LIM: Who were your musical influences and how did you arrive at this genre you play?

Jeremy: Our musical influences are many and varied and are the result of playing in a "covers band" for many years. The key influences for Christine are Linda Ronstadt, Blondie, Pretenders and Dusty Springfield. Jeremy's key influences are Carlos Santana, Eric Clapton, Peter Green, Doobie Brothers and as a band the key influences are Fleetwood Mac, Eagles, Beatles...

LIM: How do you go about creating your songs as a team? Who writes them?

Jeremy: We both are involved in writing our songs. We don't have a formula or strict process as such. Our songs are born from ideas that may come at any time and in different forms. We have learnt to use our smart phones to record ideas roughly, get down any lyric ideas and use them to develop ideas particularly when we are travelling.

Christine specialises in melodies as she can develop melodies in her head and transfer them to her phone, so we can work on them. I tend to build chord patterns, being a guitar player. Once we have captured an idea, we work on it together and develop our songs.

LIM: How do you record and produce your music?

Jeremy: We have a home studeo which I use to develop a song to the stage where we have completed the song idea and completed all vocals and harmonies. I play the guitar parts and bass. We then send the song to our producer, Paul Rockwell, who will add drums and percussion as well as keyboards, strings etc...

Once Paul has completed the song and has sent it to us for us to review, it then goes to our distributor or record company, Bongo Boy Records, in the US. LIM: Where do we find your music on the internet? Which is your latest release?

Jeremy: Apple Music, Amazon Music, Website: www.studeomusicaustralia.com

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Spotify https://open.spotify.com/artist/ 66MjLD5yNyvGCRAHLuNb1K? si=mOf3HvGxSduezPv2Z_7mpw&dl_bra nch=1. Our latest album release is ‘Life's A Journey’ and our latest singles are ‘Life's A Journey’ and ‘Secret Hideaway’ (both from ‘Life's A Journey’ album) ...

LIM: What gives you the kick, writing, producing or playing live and why?

Jeremy: This is a tough question for us as we get a kick out of doing it all! Writing is exciting as you are creating something out of a small idea usually... to see the idea grow is amazing… we have the added kick of waiting to see what Paul does with our songs! Playing live is always a buzz as well... nothing like the feedback from a crowd and the chance to let loose.

LIM: How do you overcome the lockdown on live music and is the internet-based performance good enough to generate a livelihood for musicians?

Jeremy: It has been very difficult in Australia as we have been locked down for a long time. Internet performance is not enough to generate a living, so we depend on our activities outside of music for our living... however, we have utilised the long lockdown period writing and

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recording and drawing on the experiences of life during this period.

LIM: What are your immediate future plans?

Jeremy: We have just finished a new album to be called ‘Silence’, which will be released later on in the year. We are also awaiting the results of several music awards. We are also working on new tracks to be included on Bongo Boy Record's Christmas album. We are hoping to be able to travel again next year to attend the awards in Tennessee, San Francisco and Holland...

LIM: Being a successful musician yourself, what would you tell an upcoming musician to keep in mind to launch a successful career in music?

Jeremy: Learn to do as much as you can for yourself. Home recording, photography, graphics etc..., the more you can do yourself, the better off you will be.

Take every opportunity as it comes... play live as much as you can and practice your instrument as much as you can. The more parts you can play yourself, the better off you will be. Thank you for your time and it was great speaking to you.

-Thank you

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