Architecture + Visual Communication Portfolio : Jay Prajapati

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Visual communiation SELECTED WORKS 2015-2021

JAY PRAJAPATI


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UN SDG 13

ARCHITECTURE AS A NARRATIVE TOOL : CASE OF RISING SEA LEVELS

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THESIS SEMESTER 10 Guide : Ar. Sandeep Paul, M.Arch Co-guide: Ar. Dhaval Raval, M.Arch UN SDG 15

THE WILD CITY : URBAN WILDLIFE PARK

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URBAN INSERT SEMESTER 9 Faculty : Ar. Sandeep Paul, M.Arch

BIG X SP

A JOURNEY TO SAN PELLEGRINO : COMMUNICATION PROJECT FOR BJARKE INGLES GROUP & SAN PELLEGRINO

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YACADEMY : Marketing & Communication for Architecture WORKSHOP Guide: Flavia Fossa Margutti Head of Editorial Projects, Activities and Web press, Fondazione La Biennale di Venezia FILM MAKING & PHOTOGRAPHY

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WORKSHOPS & ART NARRATIVES

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ARCHITECTURE AS A NARRATIVE TOOL: CASE OF RISING SEA LEVELS

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20th century – the era of great discovery & innovation has led mankind to grow in every dimension of life. But the downside of this development is the extreme effect that our actions have brought to the planet. Climate change is the reprisal of these action, posing numerous threats to mankind and the case of rising sea levels is no different. It is something which is in constant effect & will reveal itself to be even more critical in near future.

Source of conflict

Today we are saturated regarding the information about climate change, its effects & our required response to it, yet there is lack of impactful action against the same from the masses. Hence, the aim of this thesis is to identify & explore how architecture can bridge the gap from information to action.

Today we are saturated regarding the information about climate change, its effects & our required response to it, yet there is lack of impactful action.

Response to the conflict

Conflict in effect

CONSUMPTION

EMISSION

MELTING OF ICE

WARMING

vs

Response to the conflict

It’s evident that our lifestyle takes a toll over the health of our planet. Hence, to make things better it is equally necessary to makes changes at the base of the problem i.e. our lifestyle.

And to trigger action, we need experiences that stimulate the people and not mere information which only feeds awareness.


SITE

MUMBAI, INDIA – CASE OF A SILENTLY SINKING CITY

A SITE COHERING CENTRAL PARK & WATERFRONT The proposed masterplan of Mumbai Port Complex incorporates the transformation of current Cotton Green area into ‘Hi-tech city’ which will house commercial & residential establishments along with a public central park. The particular site selected within Hitech city is an area specifically reserved for buildings of public use. Considering the provision & the surrounding tourists experiences, it is an ideal place to propose another experiential programme for people. Mumbai originally being an archipelago of 7 islands was coalesced into a single land mass in 1784 by land reclamation from sea which shaped the map of today’s city. But due sea level rise, the city is predicted to experience min. 2 feet of flooding into 80% of the city, dissevering the city again and making it impossible to function. India being a peninsula has a lengthy coastline which houses many major cities of the country making them vulnerable to the threat posed by rising sea levels. Hence, more people are at risk in case of India compared to many other countries across the world.

Third most populated coastal city of the world Financial capital of India. Threat to 46% of city’s dwelling. BUILT SPACES 88 Ha : 35% PUBLIC / GREEN SPACES 164 Ha : 65 %

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FREYTAG’s PYRAMID THEORY

NARRARTIVE THEORY EXPERIENCING SEA LEVEL RISE THROUGH SPATIAL NARRATIVES

A THEORY TO CRAFT ANY NARRATIVE

In 1863, German novelist Gustav Freytag modified Aristotle’s theory about narrative i.e. Beginning - middle - end.

Understanding the case of architecture used as a narrative tool & exploring how to achieve the same for rising sea levels.

INTERPRETING THE EVENTS OF THE PAST BY USING ARCHITECTURE AS A NARRATIVE TOOL

BUT IF THE EVENT IS YET TO HAPPEN, IS IT STILL POSSIBLE TO INTERPRET IT THROUGH ARCHITECTURE ?

EXPOSITION RISING ACTION CLIMAX

The greatest point in conflict or uncertainty. Peak of audience involvement.

FALLING ACTION

Forced by the events of climax or by other stimulation, the action taken by the characters.

RESOLUTION

Things falling into places as a result of that action and tension normalizes.

DENOUEMENT

Closure with a lesson or moral learned as per the resolution.

INTERPRETING SEA LEVEL RISE INTO CORRESPONDING IDEAS

NATURE’S FURY OVER MAN The conflict is an irreversible calamity posed by nature over mankind. Though a problem slow in its effect but is in turn unsolvable.

THREAT TO THE BALANCE

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ALERTING WARNING Unlike other natural disasters, sea level rise can be predicted with respect to time & its consequences. Making it one of a kind conflict which comes with a warning.

UNCERTAIN FUTURE

PERMANENT LOSS The biggest threat posed by sea level rise is submergence of land which consist of habitats & infrastructure of the cities. Once submerged, it will be lost forever making the loss incurred by the calamity a permanent one.

MEMORY

REFLECTION OF REPRISAL The sense that these rising of sea levels is due to global warming conditions, which in turn are a result of our own irresponsible action, it presents us with a mirror to our wrong-doings to the planet.

REFLECTION OF OUR DAMAGE

Consists of material providing the theme, establishing the setting or hint about what is coming Introduction of conflicts, increase in tension & uncertainty.

DERIVING A NARRATIVE FOR SEA LEVEL RISE

The idea is to interpret “sea level rise” and different aspects related to it and structure them into a “narrative/story”. Henceforth, creating spatial experiences guided by the same.


ALERTING WARNING

NATURE’S FURY OVER MAN

PERMANENT LOSS

REFLECTION OF REPRISAL

EXPRESSIONS UNCERTAINTY THREAT FEAR ALARMING

EXPRESSIONS IMBALANCE INFERIORITY CHAOS THREAT

EXPRESSIONS MEMORY ENGULFED SUBMERGED UNDERNEATH

EXPRESSIONS MEMORY ENGULFED SUBMERGED UNDERNEATH

EXPRESSIONS REFLECTION OVER WRONG DOING

EXPRESSIONS SENSE OF RELEASE PAUSE SILENT REFLECTIVE

The foremost experience escorts user into a tapering & towering volume. The idea here is to give an immediate impression to the user that the coming calamity is alarming & one beyond his control.

The following experience is where the idea of sinking is introduced. A tunnel with a water tank which shows the increase in water levels with respect to time, gyrates incessantly allowing the gravity to increase the water level naturally.

The next spatial experience informs users about the reasons, effects & intensity of the conflict.

Until now, the user experiences sea level rise as he transitions into his way forward. The succeeding space reveals how climate change is not about a single issue but a multitude of interconnected conflicts.

The phenomenon of sea level rise is validated through complex data reading, processing & evaluation, which can be too technical for a layman to understand the severity of the problem.

In the last stage of this spatialnarrative experience, the user for a first is exposed to natural light & air with a striking view of sea framed by the liberating volume.

Being divided into three floors each level is dedicated for the respective themes. TOP FLOOR MIDDLE FLOOR

YEAR 2060

The floor follows a slope due to which the user encounters increasing water at his feet with every step. This gives the insight that coming conflict is related to water. Along with the aggressively increasing claustrophobia & increasing water level, the space also experiences darkness successively giving one a sense of being engulfed.

BOTTOM FLOOR

CONTEMPLATION

MELTING OF POLAR ICE SINKING CONSEQUENCES RESULTANT LOSS

YEAR 2080

YEAR 2100

The swivelling floor & walls give vigorous sense of imbalance and in the last few steps, the user feels completely inferior to this force.

CORRECTION

Except the basement, the floors are made up of glass, which casts long shadows of people above into the space. This shadows signify the predicted loss of lives due to climate change.

A dead plant in the centre signifies the idea of climate change & the jumbling pathways denote the conjunction of other conflicts.

Hence, the idea is to use the data stored by World Bank regarding sea level rise and convert it into a data which can be defined by units used in architecture ( Square Meter, Cubic Meter) so that a volumetric space can be achieved through which the user can perceive the intensity of the effects of his actions in the most effective manner.

It allows one a moment of pause, a moment of silence to retrospect over the experience and moral of this spatial-narrative.

A space whose volume is equivalent to the amount of ice melted by an average person, every year.

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FORM EVOLUTION PROGRAM INTEGRATION Typical process showing how the spatial-narrative zones are integrated with other programmatic functions henceforth evolving the form as required. 13.

5.

4. b.

PROGRAM GROUND LEVEL

7.

3.

e. a. 10. 8. d.

2.

c. 9.

6.

1. Main entry plaza 2. Sunken entry plaza 3. Courtyard 4. Lobby 5. Auditorium 6. Control room 7. Workshop area 8. Permanent exhibition space 9. Meter Room 10.Store room 11. Toilets 12.Service duct 13.Exit NARRATIVE ZONES a. Alerting warning b. Nature’s fury over man c. Permanent loss d. Root of the conflict e. Reflection of reprisal

1.

GROUND FLOOR PLAN Disconnect between non-consecutive spaces.

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Maintains a better connectivity among all the spaces.


SECTION BB’ PUBLIC LIBRARY

OBSERVATORY

AUDITORIUM GALLERY CAFETERIA

. ADMINISTRATION

GALLERY WORKSHOP

EXHIBITION SPACE

AFFEXING A STEEL SKELETON

PROGRAMATIC ARRANGEMENT

PROGRAM FIRST FLOOR LEVEL

14. Workshop Library 15. Storage area

FIRST FLOOR PLAN EXHIBITION GALLERY

MAIN ENTRY PLAZA

WATERBODY

SUNKEN ENTRY PLAZA

ALERTING WARNING

OBSERVATORY

COURTYARD

CORRECTION

DEFINING FUNCTIONAL SPATIAL ARRANGEMENTS

STAIRWAY

WASHROOM

LIBRARY

AUDITORIUM

ENVELOPING WITH A GFRC SKIN

SECTION AA’

CONTEMPLATION

PUBLIC PARK

PROMANADE

SEA FLOOR

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THE BEHEMOTH

FORM EVOLUTION & BUILDING CHARACTERISTICS VIEW FROM ENTRANCE

The resultant form gives a striking impression of “SINKING” from the orchestration of the masses. The monolithic GFRC surface denotes that this threat would not spare even our mightiest of creations. Moreover, its tumultuous presence keeps citizens reminding about the urgency of action.

VIEW FROM SEA ENTRANCE PLAZA

AERIAL VIEW

MAKING OF BEHEMOTH The concluding form is the culmination of these four expressions explored throughout the process of evolving the form. These expressions are interpretations of the surrounding context, metaphorical addresses to the conflict and potential ideas or feelings intended to be conveyed. COLLAPSED ORCHESTRATION

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SIGNALLING/ALERTING

CAPSIZING MONOLITH

FENESTRATION SUBSTRACTIONS


USER JOURNEY

THROUGH THE SPATIAL-NARRATIVE ZONES What is this place ?! I have never felt so impotent & uncomfortable. These surroundings only make we worry about what’s coming next ! ALERTING WARNING

With every step this floor totters & I can see my reflection submerged in water ! Is this the fate of us & our future ? PERMANENT LOSS

NATURE’S FURY OVER MAN

CONTEMPLATION

These A well consequences highlighting the are unimaginable ! Looking threat posed by things from this perspective climate changes & shakes consciousness also my other conflicts & mytethered approachwith towards climate the each change. other. REFLECTION OF REPRISAL

The behemoth to overcome from, isn’t climate change. It’s me, all along ! I am standing right in front of my wrong doings. CORRECTION

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the wild city

vs The purpose of animal captivity have transformed throughout centuries. From being a symbol of power to entertainment of the masses. But centuries later, now this truth shall be faced by advocating for these life forms before they perish. To do what we should have done a long ago- COEXIST! It is time that to redefine the equation of the “wild in the city”. With advancements in scientific research & growing respect for animals, the attempt here is to explore new ways to expose ourselves towards these beings that can develop a sense of emotional responsibility within us towards their conservation. This project is an attempt to imagine a future which seems promising as well as exciting taking in account the UN’s SDG targets i.e. to integrate ecosystem and biodiversity values into national & local planning, development processes, poverty reduction strategies and accounts. It is an attempt to create a reality for the young generation where all living forms are equal .

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THREAT TO BIODIVERSITY As a civilization we have erected our worlds by wiping out the worlds of other beings. Even today, our expansions raise a question of survival lurking over these species which if not answered at the soonest, it might be too late. . Even today, our expansions raise a question of survival lurking over these species which if not answered at the.


SITE

URBAN BIODIVERSITY PARK, SURAT, INDIA

PANDESERA, SURAT

The site is located in Surat near the important creek of the city. As a part of Urban ResilienceSMC has taken steps in creating Biodiversity parks along the creek. This park consists of Urban Forests, an interpretation centre, Aviary and insect conservatory, and Sensory centres.

SITE

In this proposed program, there can be a potential addition of “FAUNA” – Wild life, which will complete the program in a holistic sense. The ideas of conservation & engagement, will be reinforced in the overall context of ‘biodiversity’. Moreover, with the help of an architectural interpretation, it can instil an iconic sense of symbol to the ideas of ‘wildlife conservation’, making it more accessible to the masses. The current site condition is at compromise with regular dumping from surrounding illegal settlements, which can also be bettered by awareness of such intervention. It will enhance the core value of humannature relationship as well as help the people & climate of the surroundings.

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CONTEXT

ACTIVITY MAPPING

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2.

1.

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TROICAL

STREETS OPEN TO BACKYARD

As this needs dense & rich vegetation, it will also help in creating a buffer for the site, from back side too.

STREETS LEADS TO DEAD ENDS

GRASSLAND

EXISTING WATERBODIES ON SITE

Need for plain lands is necessary here, hence the peninsular portion is used as grasslands

DEAD WALLS OF HOUSES

WETLAND Need for water & swamps in this habitat is primary, hence wetland is located at the largest pond of site

PUBLIC TRANSPORT MAIN ROAD EDGE

PROGRAM FORMULATION

VISUAL IMAGINATION THROUGH SECTIONS

VISITOR

STAFF

WILDLIFE

EDUCATION

CONSERVATION

COMMERCE

Infotainment Exhibitions Public lectures Supervised engagement with wildlife

Health supervision of animals Special urgent treatments

Merchandise sale Book stores Pet care products

WETLANDS

GRASSLAND

TROPICAL

Hippopotamus

Indian deer

Sloth Bear

Otter

Chinkara

Mangoose

Emu

Indian Civet

Breeding RESEARCH

RECREATION

Public workshops

Thematic parks

Local species study

Thematic cafes

Flagshell turtle

Freshwater fishes

Library

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Exhibition Galleries

Wildlife found within 80km radius from the site

Healthcare Facility

Research Facility

Visitor centre

Animal Habitats

Shops

The idea is to create a model where people can experience the local species with a recognition that they are equal residents of the place as much as humans. Also it becomes more easy for the animals to adapt to the habitats.

PILOTI STRUCTURE


PERIPHERAL ROAD

SERVICES

PERCOLATION WELL

PROGRAM FIRST LEVEL

1. 2. 3. 4. 5. 6. 7. 8.

CIRCULATION

BUILT PROGRAM

NATURAL HABITATS

Main entry plaza Bus Stand Tree house park Public courtyard Public Library Washroom 1 & 2 Administration Permanent Exhibition Space 9. Washroom 3 10.Workshop Area 11. Research Lab 12.Food & Medicine Storage 13.Healthcare staff area 14.Auditorium 15.Tropical Habitat 16.Grassland Habitat 17. Wetland Habitat 18.Service Entry 19.Future Expansion

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F U T U R E

E X P A N S I O N

15.

16.

14.

17.

11.

TROICAL 5000 SQ.M.

13.

10.

18. 12.

GRASSLAND 15000 SQ.M.

6. 5.

9.

WETLAND 8000 SQ.M.

3. 3.

OUTSIDE

CORTEN STEEL

4. 7.

FACADE DESIGN EVOLUTION

TREE BARK INSPIRATION

6.

8.

ADDING MICRO FINS

FENESTRATION PATTERN

1.

SERIVCE ROAD

2.

NATURAL HABITAT

PUBLIC TRANSPORT

PERIPHERAL ROAD SCHEMATIC SECTION

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USER JOURNEY

THROUGH THE SPATIAL-NARRATIVE ZONES

Tunnel

Foot Over bridge

Walking Over Water

Every time I pass through this campus, I can’t leave without spending some time in its lush & lively surroundings !

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This is a place is almost like a funnel, which draws you towards itself. Especially to nature ! Thanks to it, sitting under a tree is no longer only a memory of my childhood but also a part of my present !


I never realised that these wild beings are very much like us! Which also means that their presence on this planet is as important as ours.

Foot over bridge

Walking over water

Tunnel

Only when one experiences to observe these animals in their natural surroundings, one can develop a sense of connection with them ! I am glad my city provides this to me !

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JOURNEY TO SAN PELLEGRINO : COMMUNICATION STRATEGIES FOR NEW SAN PELLEGGRINO HEADQUARTERS

CONTRIBUTION : CONCEPTUALISATION OF CORE IDEA : JOURNEY OF WATER, THROUGH THE ROCKS, DESIGNING INDEX & GRAPHICS FOR THROUGH THE ROCKS, CAMPAIGN IDEA FOR BOTTLE LABEL DESIGN, POSTCARD & STICKERS.

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San Pellegrino is one of the most renowned and appreciated food & beverage brands and it is currently the protagonist of a large architectural operation, bound to enter in the top ranking of iconic headquarters developed for some of the most popular brands in the world. BIG’s project for the new San Pellegrino headquarters takes into consideration the roots of Italian culture, providing a contemporary reinterpretation which is reflected in an elegant and deeply innovative architectural project. This communication project aims to convey the same values through a set of communication strategies.


The water

The mountain

The arches

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THROUGH THE ROCKS It takes a 30 year long journey for the water to reach the San Pellegrino Terme. It starts with the rain in the Alps and then the water seeps through the different rock layers absorbing the rich nutrients & minerals for which it is famous for.

CARTOGRAPHICAL ILLUSTRATIONS

THE ALPS

ITALY

LOMBARDIA

BREMBANA VALLEY

SAN PELLEGRINO TERME

TACTILE STORYTELLING EXPERIENCE FOR THE JOURNEY OF WATER THROUGH TEXTURED Alps

Alps : SILVER VELVET PAPER

REPRESENTATION

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Claystone :DUPLEX PAPER

Dolostone : Grey sand paper

Chalk : White recycled paper

Sandstone: Beige sand paper


CAMPAIGNS & EXHIBITONS Apart from the Artist’s Book the communication strategy also focuses to resonate with the global presence & impact of the brand & channels the same through following ideas.

POSTCARD & STICKERS AS SOUVENIR FROM THE BOOK

LABEL DESIGN PROCLAIMING NEW IDENITY

TEMPORARY INSTALLATION/EXHIBITONS ACROSS THE WORLD

USING ICONIC MONUMENTS AS COMMUNICATION VEHICLES

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THE LEGACY : A SHORT FILM ABOUT ONE OF THE MOST LOUDEST CONFLICTS OF OUR TIME We often think highly of leaving our mark behind and romanticize with the idea of being remembered after we'll be gone. Hence, considering this idea of leaving behind 'a legacy' - a noble pursuit. But what if we realized, that we already are on one such pursuit whose consequences are not only unpleasant but petrifying. Then, the question will not be about 'what to leave', It'll be about - 'to leave or not to leave'. But what kind of legacy is this really? And what will you choose? THE LEGACY - a short film, is a attempt to highlights the alarming issue of plastic pollution in a poetic yet impactful manner.

FRAMING THE NARRTIVES AMIDST BUILT FORMS

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https://www.youtube.com/watch?v=wGt3PHsqOIA&ab_channel=JayPrajapati

watch at link above or @ijayprajapati on INSTAGRAM


STILLS FROM ‘EARTH & BAMBOO CONSTRUCTION WORKSHOP’ BY AUROVILLE GREEN PRACTICES AT AUROVILLE, INDIA

EXPRESSIONS & STORIES

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photo.jayp@gmail.com | +919824090120


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