Jagmeet (jay) Pabila ARCHITECTURE PORTFOLIO_2014 M.ARCH 1 - 100818021 jaypabila@hotmail.com
cirriculum vitae i
statement of intent ii - iii
threefold st. pauls church studio 1-4
incurvation CP bridge studio 5-6
St. Rafael PAvilion Hospital De SanT pau studio 7-8
DSA Barcelona St. Rafael PAvilion DSA 9-10
STATEMENT OF INTENT
UHA LONDON HALL ADDITION ST. CLEMENTS PARISH STUDIO 11-12
(IM)PERMANENCY RETHINKING VICTORIA ISLAND STUDIO 13-14
CONTENTS
YUSUHARA WOODEN BRIDGE MUSEUM TECH 1 15
LIGHTBOX COMPUTER MODELLING 16
MAGNETIC FIELDS PROBLEMS IN COMPUTING 17
RR13/14 RAVENS RACING FSAE 18
UHA LONDON RENDERS 19-20
Jagmeet Pabila mobile: +1-416-618-7446 email: jaypabila@hotmail.com home address: 3165 Oakview Road, Mississuaga, Ontario, Canada L5N 7N8
SKILLS
EDUCATION
WORK EXPERIENCE UHA-London
Carleton Univserity
2010-2014
Ottawa,,Ontario Bachelors in Architectural Studies
Adobe Photoshop Adobe Illustrator Adobe Premier Pro
2013
Ottawa,Ontario
Adobe InDesign
Heritage and Technology; Rethinking Victoria Island Chaudiere Falls
Rhinoceros 5.0 v-ray for Rhino
Machlachlan College 2006-2010 Born in London, England, raised in Toronto. I come from a family of builders that stretch back to the 1960s. Having both the perspective of the builder and designer I am able to visualize in my head how things will be built and therefore can design accordingly and decide the best way to design it. I majored in Conservation and Sustainability. My primary focus for the past 3 years has been rehabilitation and conservation of old buildings, as well as looking at green technology in construction techniques, materials and practises for a sustainable future.
2014
Architectural Assistant •
Conservation and Sustainability
Heritage Charrette
SOFTWARE
Oakville,Ontario
AutoDesk Revit
Grades 9-12
AutoCAD
Honour role
Projects worked on: - Guggenheim Helsinki Competition - Retail mall + Business Centre (Shymkent,Kazakhstan) - 2018 FIFA World Cup Residential Towers (Saransk,Russia)
Lodha Group 2013
Construction Management Intern rotated through different disiplines (mep, structure, etc...) - Daily site visits for progress checks and reports -
Microsoft suite
Global Tech Bldg. Solutions Agisoft PhotoScan
RECOGNITION Teron Scholarship Nomination
2011-2013
General Construction Labourer 2014
MANUEL
Heritage Charrette: Heritage and Technology; Rethinking Victoria Island
Model Making
Third Place
2013
Entrance Scholarship
2010
- painting - electrical - plumbing - framing and drywall
Photography
Interconnected Communications
Painting
General assistant
Hand and Total Station Surveying
INTERESTS
Laser Scanner
Travel Photography Technology Fitness Automobiles
GigaPan
2010-now - phone systems - cable running - security camera systems - network solutions
Pabasco Canada Inc. 2008-now
General Construction Labourer -small/general building maintenance
Sign Specialist Inc. 2006-now
General assistant manufacturing/maintenance of signs - printing - design -
CURRICULUM VITAE
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ruins of industry: adaptive reuse of manufacturing, trade, and enterprise 1. STATEMENT OF INTENT The subject of my thesis will observe the transformation of industrial architecture (factories, warehouses, docks; anywhere where manufacturing, distribution, processing has taken place) into adaptive reuse projects. I wish to look at how they affect their immediate areas, their cities as to which they are located. Another topic I would like to explore is the idea of the ruin and the interaction between the new and old; materiality, styles, environment/locations and purposes. I believe that the two topics can be brought together to explore how ruined industrial architecture can be “saved” in a sense that they have been abandoned, neglected, dismantled, and partially destroyed, and then brought back to life through repurposing for new use of the site, the building, and even the materials. Throughout my undergraduate studies I have been interested in the adaptive reuse of old industrial architecture. I enjoy the aesthetics of worn materials as well as roughness of brick and metal work that time and nature inflicts. The idea of the ruin fits well with this because if one is to save a ruin, they wish to preserve whatever is left from history and add modern touches to show juxtaposition between the destructive nature of time and modern day materials (that will be just as devastated as the ruins over their own life time).
2. DEFINITIONS INDUSTRIAL ARCHITECTURE: Buildings for exchange, transportation, communication, manufacturing, and power production meet the principal needs of commerce and industry. RUIN: Ruins are the remains of human-made architecture: structures that were once complete, as time went by, have fallen into a state of partial or complete disrepair, due to lack of maintenance or deliberate acts of destruction. ADAPTIVE REUSE: process of reusing an old site or building for a purpose other than which it was originally built or designed for; it deals with conservation and heritage. With urban sprawl, comes the need for more space and sites to build upon, adaptive reuse comes in as a sustainable option for that reclamation of land.
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3. EXAMPLES/CASE STUDIES LANDSCHAFTSPARK_DUISBURG - NORD, GERMANY 1901 Meiderich, Germany; August Thyssen had his ironworks company start work on the construction of a blast furnace complex, immediately adjacent to the coal fields, thus creating the basics for the necessary link between coal and iron, until the closure of the works in 1985 due to the overcapacity in the European steel market. The end of iron production left an industrial wasteland of more than 200 hectares waiting for a new use. The commitment of the local peoples made it possible to stop the demolition and a new type of park was created between the city districts of Meiderich and Hamborn. The site has been converted into a public park. Designed in 1991 by Latz + Partner (Peter Latz), with the intention that it would work to rebuild and understand the industrial past, rather than trying to reject it. The park closely associates itself with the past use of the site: a coal and steel production plant (which left the area significantly polluted) and the agricultural land it had been prior to the industrialization of the area. My interest of the site is in the way that the architects completed the project. They wanted to preserve as much of the existing site as possible. They also recognized the value of the site’s current condition, the polluted soils was allowed to remain in place and be remediated through phytoremediation, and sequestered soils with high toxicity in the existing bunkers. New uses for many of the old structures were found; turned the former sewage canal was transformed into a method of cleansing the site. The design was guided by the importance of memory, with the idea that a grandfather, who might have worked at the plant, could walk with his grandchildren, explaining what he used to do and what the machinery had been used for.
GASOMETERS _ VIENNA, AUSTRIA The Gasometers in Vienna are an excellent example of adaptive reuse, they are the most dramatic, elaborate and successful adaptation of an industrial structure in Vienna and perhaps in Austria; they are a stunning mix of the old and the new. Their original purpose was to house the coal gas supply for the city’s street lamps, stoves and furnaces. Today, the 4-tank-complex of gasometers is home to residences, offices, and entertainment and shopping facilities. Each gasometer is divided into several zones for living (apartments in the top), working (offices in the middle floors) and entertainment and shopping (shopping malls in the ground floors). The shopping mall levels in each gasometer are connected to the others by sky bridges. The Gasometers have developed a village character all their own and are a city within a city. A true sense of community has developed, and both a large physical housing community (of tenants) as well as an active virtual internet community (Gasometer Community) have formed. Much like the Landschaftspark Duisburg-Nord in Germany, the Gasometer’s of Vienna adaptive reuse was conducted much in the same way, in that the original structures were kept intact. This method keeps the basic memories of the place in one piece as what is most associated to the building/site is preserved. I wish to do projects like this as I feel it adds another dynamic as well as a sense of timelessness and time travel to a project, but have modern interiors that are contemporary to the present day.
STATEMENT OF INTENT
3.1. OTHER PROJECTS Tate Modern _ London, England Formally the Bankside Power station on the south side of the River Thames in London, this stone building now houses contemporary art installations and galleries. The large central turbine hall is now a large open space that is used to house massive works of art that float in mid-air with help from the original rolling crane system. Similar to Bankside is Battersea Power station located further down the Thames. Battersea is currently going redevelopment, but similar to Bankside, all that remains is the exterior skin of the power station.
The Kolumba _ Cologne, Germany A former church that was destroyed by the last world war, The Kolumba is an art museum that sits on ruins of St. Columba Church. The new museum sits on the ruins of the old church, blends and intertwines with the fabric of the ruins, incorporating the remaining pieces of the Gothic church, stone ruins from the Roman and medieval periods, and German architect Gottfried bohm’s 1950 chapel for the “Madonna of the Ruins.”
Convent de Sant Francesc _ Santpedor, Spain. Ca L’Aranyo, Communication Campus, Pompeu Fabra University _ Barcelona, Spain Pratt Street Power Plant, Pier 4 Power Plant _ Baltimore, Maryland FORMER FORD ASSEMBLY PLANT _ Richmond, California
4. GOALS My professional goals of accomplishing projects like these would be to gain experience in architecture practices that design and build in the modern way. Through working at a “typical” firm I will gain experience on architectural design as well as understanding the processes and procedures of the start to finish process of a project. I have been working at a small practice that has projects and clients all over the world. Their primary building type has been residential and office towers. The practice I am currently working for is of international caliber and has projects in London, India, Russia, Mexico, Qatar, and Colombia. After this practice, I wish to join one that specializes in conservation and restoration work so I can gain experience in how restoration projects are conducted; in terms of scope, different building types and therefore different approaches to each restoration, and actual construction/execution.
5. WHY CARLETON I want to join the M.Arch 1 program at Carleton University because over the past 4 years CArleton has become my home away from home. My classmates and professors have become my second family and I wish to continue my education with my family. As a previous student at Carleton I understand how the school runs and how the professors operate, work load that is expected, and the high standards. I am an active member in the schools, helping set up for events, helping professors, and helping AASA as many members are close friends. Having completed the undergraduate program in the Conservation and Sustainability stream I look forward to continuing my architectural education with the design studios as there were not many offered in the undergraduate stream. Having worked in a design I am looking to strengthen my foundation and design skills in terms of architectural thinking, conceptualizing, and development. I am also interested in expanded my knowledge of technology and how I can use it in the design process. To become a professional licensed Architect you must have a master’s degree in Architecture and Carleton University is the only place I want to go to obtain my Master’s degree. I have many things to learn still and I feel that continuing my education where I left it, academically and geographically, would be the best way. I feel that my thesis topic will become of great interest in the future, and already is now with more and more buildings becoming of “historical” significance.
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THREEFOLD S T. PA U L S A N G L I C A N C H U R C H I N A L M O N T E , O N TA R I O I S I N N E E D O F A N A D D I T I O N O F A HOSPICE AND AFFORDABLE HOUSING. T H E C H U R C H ( 1 8 6 3 ) A N D T H E R E CTO R Y ( 1 8 7 8 ) F O R M A U N I F I E D A N D I M P R E S S I V E G OT H I C R E V I VA L C O M P L E X W H I C H I S I N T I M AT E L Y T I E D TO T H E H I S TO R Y A N D D E V E LO P M E N T O F T H E TO W N O F A L M O N T E . T H E A D J AC E N T PA R I S H HOUSE (1830S) IS OF VERY CANADIAN V E R N A C U L A R C O N S T R U CT I O N B U T C LO S E L Y R E L AT E D I N AG E A N D A R C H I T E CT U R A L Q U A L I T I E S . T H E T H R E E B U I L D I N G S TO G E T H E R W I T H T H E I R A S S O C I AT E D L A N D S C A P E A R E I M P O R TA N T I N E S TA B L I S H I N G T H E R I C H H I S TO R I C A L C H A R ACT E R I S T I C S O F T H E PA S T OF ALMONTE.
K E Y P R O J E CT A S P E CT S : > U S E T H E PA R I S H A S T H E H O S P I C E V I A A N A D D I T I O N I N T H E S A M E A R C H I T E CT U R A L L A N G U AG E > AFFORDABLE HOUSING IS SAME SHAPE AS CHURCH ROOF AND IN ESSENCE ONLY APPEAR AS ROOFS ON THE LANDSCAPE > MINIMAL INTERVENTION IN TERMS OF VISUAL P R E S E N C E O N S I T E . K E E P I N G TO S A M E L A N G U AG E A S T H E C H U R C H > KEEPING RIVER VIEWS FOR RESIDENCES AND H O S P I C E PAT I E N T S A N D F R A M I N G PAT H TO R I V E R B Y WA L K WA Y B E T W E E N H O S P I C E A N D CHURCH
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ST PAULS CHURCH ALMONTE ONTARIO. .
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DESIGN THREEFOLD STEMS FROM THE D E M A N D O F S T. PA U L S A N G L I C A N C H U R C H F O R A WA Y TO H E L P S U S TA I N T H E S I T E A N D THE CHURCH. THE FIRST POINT OF THREEFOLD IS THE CHURCH AND R E C TO R Y, T WO O F T H E O R I G I NAL 3 BUILDINGS ON THE S I T E . A LO N G W I T H T H E O L D PA R I S H , T H E Y A R E T H E A R C H E TYPES OF THE SITE AND ALL S U B S E Q U E N T WO R K I S M O L D E D BY THEM. SOUTHERN ELEVATION THE SECOND POINT OF THREEFOLD IS THE NEW AFFORDA B L E H O U S I N G . D E S I G N E D TO M I M I C T H E L A N G U AG E O F T H E N E O G OT H I C C H U R C H , T H E AFFORDABLE HOUSING IS A I M E D TO M E M B E R S O F T H E COMMUNITY WHO CAN’T A F F O R D TO O W N A P L AC E O F THEIR OWN. THE THIRD POINT OF THREEF O L D I S T H E E X I S T I N G PA R I S H HALL AND NEW HOSPICE. AN E X T E N S I O N TO T H E PA R I S H HALL HAS PROVIDED DOUBLE T H E A M O U N T O F S PAC E F O R THE HOSPICE.
NORTHERN ELEVATION
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LONGITUDINAL SECTION
VERTICAL CIRCULATION DIAGRAM
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COURTYARD VIEW
CHURCH
VIEW TO RIVER
PARISH
RECTORY
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INCURVATION
ACTIVE
(RETRO) (PRO)
INTERFERENCE THEORY (REGARDING HUMAN MEMORY) “OCCURS
IN LEARNING WHEN THERE IS AN
INTERACTION BETWEEN THE NEW MATERIAL AND TRANSFER EFFECTS OF PAST LEARNED BEHAVIOR, MEMORIES OR THOUGHTS THAT HAVE A NEGATIVE INFLUENCE IN COMPREHENDING THE NEW MATERIAL”
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CP BRIDGE ALMONTE ONTARIO.
INCURVATION: TO CAUSE TO BEND INTO AN INWARD CURVE; CURVED INWARD. THE PLATFORMS ARE ALWAYS DIRECTING PEOPLE BACK TOWARDS THE BRIDGE IN AN ATTEMPT TO EMPHASIZE THE HISTORY OF THE ORIGINAL BRIDGE.
DESIGN WITH MINIMAL INTERVENTION IN MIND, THE THEORY OF INTERFERENCE IS THE CONCEPT THAT FORGETTING OCCURS WHEN ONE MEMORY REPLACES OR BECOMES ENTANGLED WITH ANOTHER. INTERFERENCE THEORY CAN BE BROKEN DOWN TO 2 PARTS: RETROACTIVE: WHEN NEW MEMORIES INTERFERE AND IMPEDE WITH THE RECALL OF THE OLD PROACTIVE: WHEN OLD MEMORIES INTERFERE WITH THE RETENTION OF NEW MEMORIES THE MEMORIES ASSOCIATED WITH THE OLD BRIDGE WILL BE BROUGHT BACK TO LIFE THROUGH DIFFERENT DETAILS. EACH ELEMENT BRINGS BACK SOMETHING OF THE PAST THAT THE LOCALS WILL BE ABLE TO RECALL AND RELATE TO. NEW MEMORIES AND ASSOCIATIONS WILL HOPEFULLY BE BROUGHT TO LIFE WITH THE ADDITION OF VIEWING PLATFORMS. THE HOPE IS THAT THE MEMORIES WILL MESH TOGETHER AND THE OLD ONES ARE NOT LOST BY THE NEW.
WITH THE TEXTILE INDUSTRY BEING SUCH A BIG PART TO ALMONTE’S HISTORY, THE POWER SYSTEM FOR THE LIGHTING WILL HARVEST ENERGY FROM THE RIVER TO GENERATE ELECTRICITY; THIS TRANSLATES TO MINIMAL INTERFERENCE ON THE ENVIRONMENT.
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St. rafael Pavilion Sports psychology research For the adaptive reuse of the St. Rafael Pavilion in the Hospital de Sant Pau, it is recommended that the building be converted to a sport psychology research lab. This lab is aimed to help the students at the Universitat Autonoma de Barcelona. The goal of the research centre is to promote personal excellence and healthy active living through sports. The pavilions structural elements will help the lab to promote healthy living through the buildings cross ventilation and natural air circulation properties.
the focus of the project is on healthy active living and improving psychological factors while exercising. the notion of the cycle is the primary concept of the centre. visitors circulate the centre based on a cycle that is created for sport psychology assessment. the cycle is present throughout the entire experience a user is in the centre. gallery - circuit of exercises library - central bookshelf system
A gallery, library, offices, and labs are all part of the building. The gallery will be that of fitness, a testing/exercise gallery. The library where students will be able to research anything sports/fitness related is nestled under a yoga mezzanine. In the basement are a series of labs where patients go through different stages of assessment and testing. The existing tunnel systems will serve as a running track. The tunnel will be lined with ventilation shafts and solar tubes which run up to the surface to further promote natural ventilation of air and light.
yoga mezzanine - circular in shape labs - based on the sport psychology cycle from the cycling through the rooms on the path of well being, the user themselves are experiencing a cycle through psychological and physical testing.
DIAGNOSTICS
review
feedback
practice
performance improvement plan sport psychology sessions
BASEMENT LABS
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HOSPITAL DE SANT PAU
SPORT PSYCHOLOGY CYCLE
YOGA MEZZANINE
GROUND FOOR
BASEMENT LABS LONGITUDINAL SECTION
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RECORDING HISTORY AS A CLASS WE TRAVELLED TO BARCELONA, SPAIN WHERE WE HAND MEASURED AND RECORDED THE ST. RAFAEL PAVILION AT HOSPITAL DE SANT PAU. IN 1401, SIX HOSPITALS IN THE CITY OF BARCELONA MERGED TO FORM THE HOSPITAL DE LA SANTA CREU, A FINE EXAMPLE OF CIVILIAN GOTHIC ARCHITECTURE. WITH THE GROWTH OF THE CITY AND THE ADVANCES IN MEDICINE IN THE 19TH CENTURY, THE CENTRE WAS UNABLE TO MEET THE DEMANDS OF THE TIME AND CONSTRUCTION OF A NEW BUILDING WAS PROPOSED.
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DESIGNATED STUDY ABROAD BARCELONA
THE ARCHITECTURAL COMPLEX OF HOSPITAL DE LA SANTA CREU I SANT PAU IS AN UNMISTAKABLE LANDMARK IN THE CULTURE AND HERITAGE OF BARCELONA CITY IN PARTICULAR AND IN CATALONIA IN GENERAL. ITS ARCHITECTURAL AND PATRIMONIAL VALUE EXTENDS BEYOND ITS URBAN LOCATION AND THE SITE HAS WON EUROPEAN AND INTERNATIONAL ACCLAIM. IN 1997, TOGETHER WITH THE PALAU DE LA MUSICA CATALANA, THE HOSPITAL WAS DECLARED A WORLD HERITAGE SITE BY UNESCO FOR ITS SINGULAR ARCHITECTURAL AND ARTISTIC BEAUTY.
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AIM The Parishioners of St. Clement were in need of new facilities in order to function better and service it’s people better. The priest of the church requested that there be a meeting room, assembly space, kitchen, storage, washrooms, and offices added to the church. This could be done be an addition to the church or priest residence building. A new structure was chosen to meet the new needs of the church, as the rest of the site already functions to maximum capacity and effectively. The project needed to address comment on these requirements: Heritage awareness, universal design, safety and security, location and daylight and adaptability.
HISTORY The St. Anne Church first began construction in May of 1873 with the first corner stone being laid by Bishop Guigues. Designed by architect J.P. LeCourt it was built in the traditional Quebecois style. It is most notable because it is one of the few examples of its kind in Ontario. It is the home of St. Clement Parish, a bilingual parish community that celebrates the Mass and other sacraments according to the Extraordinary Form of the Roman Rite. In 1978, the exterior of St. Anne church was recognized by the City of Ottawa under Part IV of the Ontario Heritage Act
The horizontal grid started with the centres of the windows (red) then a “frame” pair of grid lines (green) was projected out 1.5m away from the centre of the windows and the frame lines dictate the placement and size of the observation decks. The angle of the front facade (purple) is based on the angle the when someone is approaching the church from the east they will be able to see the first window of the church and the pathway between the two buildings.
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The new addition is situated next to the church on the east side. A two level addition would pose a challenge for light to enter the stained glass windows, therefore the roof is sloped at 25 degrees. This angle (yellow) was determined by stretching a line from the bottom of the window sills on the church to the top of an 8m tall wall on the other side of the addition.
ST CLEMENT PARISH HALL ADDITION
The observation decks are used to allow for more use of space on the 2nd floor as the slope of the roof cuts the percentage of usable space in half. There are 3 observation decks that face the 3 central windows on the east facade of the church. The observation deck windows are glass boxes with the intention of trying to allow as much light into the space as possible. The northernmost(green) is a private chapel space for people to sit down and reflect on their own.
The central deck(blue) is open to the lower level to allow for more light into the ground level. The southernmost (red) deck is a private office for the priest. A physical connection to the church would be too intrusive, so a figurative connection barely touches the church. This is accomplished by the extension of the structural beams that help to frame the observation decks and windows of the church. The beams stretch to a distance of 1.5m away from the church, creating a small alley between buildings as it would almost appear in a gothic city with tall buildings and small, narrow streets. In the summer months a type of screening or fabric could be stretched across the beams to make shaded areas for people to sit.
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proposed intervention offer a tangible and intangible arts/cultural centre on the east side of the island. The goal is to offer indoor and outdoor studio spaces for Aboriginal and non-aboriginal artists.
RETHINKING VICTORIA ISLAND, Chaudiere Falls
1. Wilson Carbide mill - repair with sympathetic and durable materials. Will be used to house large gathering space for public events or even private.
BRIEF to propose and examine/rethink viable solutions for the revitalization of a site that is both very significant and very complex – Victoria Island on the Ottawa River. Participants were asked to preserve, reinterpret and reuse the emblematic site as a public space. Solutions are encouraged to explore the issues of access and to create a center of attention in Ottawa, the relationship between preservation and design (both architectural and cultural landscape), land use, water management, habitat protection and respect for the Algonquin community. Solutions should explore the place in order to propose initiatives that are coherent with the past and consistent with the aspirations for the future of all stakeholders of this place, including the Algonquin Anishinabeg peoples. AIM - consider the significance and complexity of the site and find ways to revitalize the site while conserving and enhancing the different sets of values associated with the place
2. Amenity Pavilion - circular pavilion with reciprocal roofing to provide indoor amenities for studios and visitors 3. modules - flexible indoor spaces for studios. Can be moved, put together and stored when not in use
victoria island 1965
4. gree space - multi-user green space for projects, teaching and special events
victoria island 2011
- create an urban park - ways to attract people to the site, both tourists and residents while maintaining a respectful attitude towards the island all Project submissions were conducted in teams of 5. I was in team 7 which was made up of myself (jay pabila), jesslyn granda, patrick bustin, chris fogarty, and chris uchiyama
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existing buildings on site
HERITAGE AND TECHNOLOGY CHARRETTE THIRD PLACE
water purification feature - utilizing the original timber shoots from the old saw mills, a water purification system will be constructed to clean the water that is affected by the power generation stations. the system will run on natural plant and soil filtration. Adaptive outdoor/indoor studio modules
wilson carbide mills apative reuse
broad context + viewscapes
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PART OF THE TECH 1 CLASS WAS TO BUILD A SCALE MODEL OF A STURCTURE OR DETAIL. MY GROUP CHOSE THE YUSUHARA WOODEN BRIDGE MUSEUM BY KENGO KUMA. WE BUILT IT AT 1:40 OUT OF WOOD AND METAL. THE ROOF IS REMOVABLE TO SHOW THE TRUSS SYSTEM.
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YUSUHARA WOODEN BRIDGE MUSEUM
LIGHTBOX
Modelled, cut and assembled a lightbox that was held together with compression pegs. the inner shape is an automotive crankshaft and the large openings are piston heads.
COMPUTER MODELLING
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MAGNETIC FIELDS with the help of grasshopper our group was able to replicate magnetic field lines between points
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PROBLEMS IN COMPUTING
RR13/14 A BIG DREAM OF MINE IS TO DESIGN AND BUILD MY OWN CAR. I WAS ABLE TO DO THIS WHEN THE CARLETON UNIVERSITY FSAE RACE TEAM ASKED ME TO DESIGN THE SHELL FOR THEIR 2011/2012 RACE CAR. THE TEAM WANTED A CAR THAT WAS MODERN IN DESIGN, YET STILL WANTING A CROSSBETWEEN MODERN DAY FORMULA 1 CAR AND FIGHTER JET (F-22 RAPTOR)
CARLETON UNIVERSITY FSAE RACE CAR
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UHA LONDON
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