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KITCHENS: MIXING METAL FINISHES
MIXING METAL FINISHES Yes, you can mix metal finishes in the kitchen — but there are some rules.
By ELIZABETH MAYHEW (c) 2020, Special to The Washington Post
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When Toby Young bought her one-bedroom apar tment in New York’s Gramercy Park neighbor hood, she knew she would have very little money to renovate the kitchen. She planned to simply paint the dark brown cabinets white, replace the ceiling light and update the cabinet hardware to chrome to match the ex isting faucet. It was this last item on her to-do list that confused her; her small kitchen opened directly onto her living/dining room, in which all the hardware - doorknobs, hinges and lighting - were brass. “I had al ways been taught that, like the color of my shoes, belt and handbag, the metal hardware in a room should match.” Lucky for Young, times have changed. Restrictive rules about matching fashion accessories are no more and, to a degree (a few guide lines do apply), the same can be said about mixing metal hardware finish es in homes. Mixing metal finishes is a con scious design choice for New York designer Thomas O’Brien, found er of Aero Studios, and one he even made for his own residence. When he renovated the kitchen in his Bell port, N.Y., home, he painted his cabinets a glossy white and installed satin brass handles, but he opted to use chrome for all the plumbing fixtures. He says that when mixing metals in a room, there should be logic behind each choice. “For example, I chose the brass handles because I wanted
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a softer and warmer feeling than chrome.” He considers kitchen cabinets to be like furniture, so in his mind, they can be treated differently.
Washington, D.C., interior designer Zoe Feld man is also in favor of mixing metal hardware finishes. “I feel it keeps a space from feeling too one-note, and it gives a more collected and layered look,” Feldman says. In general, she avoids using any kind of matching sets in her work, such as a dining or bedroom set, because she says sets are too predictable; she sees matching metal hardware the same way, and says it has a boring, uninspired effect on rooms.
But one can’t just go mixing any and all met al hardware finishes together. Both O’Brien and Feldman agree that there are some guidelines one should follow. O’Brien suggests mixing brass and dark bronze, brass and chrome, or brass and nickel, but never mix nickel and chrome. Also, he cautions that there is a limit to how many metal finishes you can mix together in one room. “There should be a main finish choice and maybe one ac cent,” he says. More than that, he says, can be too much. And for those who worry about how their stainless-steel appliances fit in with other metals, O’Brien says: “Chrome and stainless steel are real ly the same and can be used together.”
Feldman says she usually sticks to a maximum of three metals in a room. She also pays attention to the placement of each finish. “You want to make sure there is a certain cadence when mixing met al finishes,” she says. By cadence, Feldman means that you should consistently disperse the metal types throughout the room; all pulls and knobs should be one type, and all fixtures (such as sink and bathroom faucets) should be one type. Feld man says lighting is a good place to introduce yet another metal type, as are accessories such as pot racks in kitchens or door hooks in bathrooms.
Feldman also advises paying attention to fin ishes. She likes to mix metals of different colors that share a similar warmth, such as unlacquered brass, polished nickel and matte black, but she says to never mix the same metal in different fin ishes, such as polished nickel and satin nickel. Like O’Brien, she says to not mix metals that are closely related but just a bit off, such as nickel and chrome. “They are too similar to be interesting,” she says. “One is the cool version and the other is the warm version.”
When possible, Feldman likes to use what she calls “live metals,” which are metals that are unlac quered. “I love the idea of metals aging and getting a patina,” she says. “It gives a space depth and allows the fixtures to age gracefully.”
As for Young, she decided to leave the existing chrome fixtures, install antique brass cabinet pulls and hang an antique brass and dark bronze ceiling fixture that unites all the finishes. “The light fixture ties it all together,” Young says. “It’s just like jewelry. When you wear a stainless-steel and gold watch, you can wear silver or gold, or both.”
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