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A MULTITUDE OF IDEAS AND CHARACTERS

Spotlighting a few shows out of 84 wonderful pitches is not an easy task, but we did our best to pick a few of the Cartoon Forum projects that looked quite promising this year:

A Day with the Dogs

This adaptation of the book by Dorothée de Monfreid (Les Toutous) is produced by French studio Dandelooo, which is best known for shows such as Billy the Cowboy Hamster, Stinky Dog and Mum Is Pouring Rain. The charming main character is a good-natured Saint Bernard whose peaceful life in the countryside is disturbed by eight rambunctious young cousins during the holidays. Director Cedric Guarneri and producers Jean-Baptiste Wery and Emmanuèle Petry-Sirvin are leading the charming 2D preschool show.

Gustave

Jeremy Barlozzo and Douglas Cavanna are the writer-directors of this offbeat show about an awkward and gullible duck whose life changes when he falls head over heels for the sassy rabbit Jessyfer. Too bad he often listens to the misguided advice of his housemate, Pedro the elephant! The 54 x 2’ show, which is intended for young adults and older audiences, is produced by Deadliners Production (Arthur Blanc-Anthonioz) and co-produced by Andarta Pictures (Sophie Saget) in France.

Next Level: Odyssey

You can always count on TeamTO to bring a cool show to the party, and this year is no exception. Targeting six- to 10-year-old audiences, Next Level: Odyssey mixes the world of gaming with mythology: It follows the adventures of Kiran, who falls through a portal into the world of classic Greek mythology while playing games at the Louvre Museum. Our hero is soon tasked with helping Odysseus get back to Ithaca with the help of a junior goddess, Leuki. Inspired by Panique dans la Mythologie by Fabien Clavel and produced by Corinne Kouper, this 26 x 22’ show is definitely one to keep an eye on!

Natu Natu

This hot new nature-themed show from the creative minds at Ireland’s Cartoon Saloon is definitely on the hot list. The beautifully crafted 2D series follows two of nature’s little helpers, Natumi and Natuko, who love to play and explore. When something seems out of balance in the Garden, they love to figure things out! The 52 x 7’ show is directed by Fran Bravo, written by Cian McGarrigle and produced by Jason Tammermagi. In addition to being the powerhouse studio behind five beloved, Oscar-nominated movies, Cartoon Saloon has also delivered several popular animated series through the years, including Skunk Fu!, Puffin Rock, Dorg Van Dango and Vikingskool.

Think of it as a little bitty Friends sitcom for young animal buddies (without the ridiculously affordable New York apartments). Created by artist Gediminas Skyrius, written by Marija Kavtaradzė & Titas Laucius and directed by Urtė Oettinger, the new Polish-Lithuanian series BFF is a charming comedy about a clumsy bear (Ben), an eager squirrel (Frida) and a cool cat (Freddie). We love Skyrius’ detailed illustrations and the show’s breezy sense of humor, which emphasizes the trio’s love for each other regardless of their social and familial differences. Produced by Lithuania’s Art Shot in collaboration with Poland’s GS Animation and Lithuania’s M-Films, the 2D-animated show targets kids five to seven and looks like the kind of show that can easily find its way into viewers’ hearts.

Shepherdess Warriors

Abrave 10-year-old girl named Molly from a small medieval seaside village begins her training as a fighter in Shepherdess Warriors (Bergerès Guerrières) the popular French comics series by Jonathan Garnier and Amélie Fléchais. The graphic novels are the inspiration behind a terrific looking 13 x 30’ show produced in France by Mathieu Courtois and Vivement Lundi! and co-produced by L’Incroyable Studio (Johan Chiron). The project’s tween audience should really enjoy the epic scope and entertaining adventures of this fierce little fighter. ◆

Good Friends with Appetite

Zephyr’s lovely Mogu & Perol series is ready to make a splash at Cartoon Forum.

Among the many charming animated shows debuting at Cartoon Forum this year is Mogu & Perol, a new project inspired by Domo-kun creator Tsuneo Goda’s award-winning 2018 stop-motion short about two friends enjoying delicious food and living in harmony on a lush island. The team at Zephyr Animation, the production arm of renowned distributor APC Kids, was so impressed by it that they decided to develop an animated show based on the property.

“We fell completely in love with the short and immediately saw the potential for a series,” says Zephyr producer David Sauerwein. “We then had numerous meetings with [Dwarf Animation Studio’s] producer, Yuriko Okada, and with creator/director Tsuneo Goda, during which we spoke at length about the characters and the underlying ideas of the original short film. Working together we built a foundation of trust and collaboration, and began to move forward on the development of the series.”

The producers then asked writer/story editor Marianne Barbier to come on board. “I’d worked with her during my years at Xilam, and she immediately understood what we were trying to achieve with this show,” says Sauerwein.

The project soon received support from France’s Centre National du Cinéma et de l’Image Animée (CNC), and shortly thereafter, France Télévisions offered a co-development deal. To shoot the stop-motion animation test, Zephyr went to Vivement Lundi!, the Oscar-nominated studio based in Rennes, France. “We’re in the midst of this development now, with brilliant animator and director Goulwen Merret on board and a cast of carefully selected writers who really get the essence of the show,” notes the producer. The show is expected to be ready by late 2024 (all fingers crossed).

Loveable Monsters

Among Mogu & Perol’s many attractive qualities are Goda’s eye-catching designs and the powerful draw of stop-motion animation for young viewers. “There’s something unexplainably magical about the physicality of stop-motion animation, and that is true for children just as much as for adults — you just can’t stop watching!” adds Sauerwein. The clearly defined, memorable central characters (a shy bigfoot and a more boisterous little creature) also bring a lot of appeal to this delightful world. As Saurwein points out, “The series is 100 percent character driven, with strong and

David Sauerwein Lionel Marty

clear emotional arcs in every episode, which allows the audience to identify with our protagonists. While Mogu and Perol’s polar opposite qualities make the show exciting and funny, there’s also something both delicate and deep that comes out of the world of Mori Mori island. This is a backdrop which showcases a very harmonious way of life that leaves space for indescribable joy and wonder in this natural world.” Mogu & Perol is only one of Zephyr’s hot properties. “We are completing the financing for our first 2D animated series, Lana Longbeard, a co-production with Canadian studio Copernicus. Production for this 52 x 11’ adventure comedy for kids six to 10, set in a fantasy world, will start before the end of 2022 with Super RTL, and we are currently finalizing initial broadcast deals for the series,” says the producer. “We have also signed a development deal on our series MiniTechs, a 3D animation for kids four to seven in co-production with Ferly, and we’re developing a 2D sitcom for kids with an international platform.”

As APC Kids’ managing director Lionel Marty explains, “About three years ago, we created our production arm Zephyr to develop our own projects as well as to co-develop and co-produce properties with partners from around the world. Both companies share the same boutique approach in our DNA: focused on building a limited number of selected IPs for international audiences, and offering an alternative to big distribution groups through carefully curated content and bespoke solutions.”

“We look for character-driven projects to cover all target groups from preschool to family, across all genres from action-adventure to comedy, and from animation to live action,” he points out. “Currently, APC Kids is looking forward to adding slapstick to our slate!”

When asked about the state of the global animation market, Marty responds, “While the market remains very interesting, we have realized the eight to 12 target requires particular attention, since within this age group animation has to compete with other media — notably video games. In order to do so, it has to play with similar tools and offer audiences engagement, graphic sophistication, strong characters, high stakes and an addictive, intricate plot. That’s the reasoning behind two new projects for eight- to 12-year olds we have coming up, both with APC Kids on the distribution side and in development with Zephyr.” ◆

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