Mission Gothic Type Specimen

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MISSION GOTHIC ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghiklmnopqrstuvwxyz DESPITE THE EVER-CHANGING TECHNOLOGY AT OUR FINGERTIPS. WE STILL RELY ON THE SAME 26 LETTERS TO CRAFT OUR IDEAS.


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BRIEF HISTORY ABOUT THE DESIGNERS WHAT IS WEIGHT VARIOUS STYLES FROM EDMONDSON NUMERALS MISSION SCRIPT ROMAN VS ITALIC PUNCTUATION MARKS POINT SIZE DESIGNSPIRATION ANATOMY OF TYPE FOUNDRY COLOPHON


MISSION GOTHIC BEGAN AS A ONE WEIGHT, ALL CAPS TYPEFACE DURING A TRIP TO SAN FRANCISCO WITH THE LOST TYPE DESIGNERS. JAMES T. EDMONDSON AND TREVOR BAUM WERE INSPIRED BY THE TYPOGRAPHIC INFLUENCES THEY SAW IN THE MISSION DISTRICT.

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James T. Edmondson is an recent graduate from California College of the Arts is now an independent type designer and freelance lettering artist based in San Francisco, California. He has designed other typefaces such as Duke, Edmondsans, Mission Script, Wisdom Script, Lavanderia, and Mission Gothic.

Meet the Designers James T. Edmondson and Trevor Baum

Trevor Baum, born in Brooklyn and raised in upstate New York, is a self-taught designer who specializes in branding, typography, and communication design. He is currently the design director of Offline, a mobile magazine for iOS, and has also designed two typefaces: Mission Gothic and Haymaker.

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weight /WAT/ (noun)

FORMALLY, IT IS THE VARYING IN THICKNESS OF EACH LETTERFORM. IN OTHER WORDS, IT IS THE SOUND OF THE THUD YOUR TYPE WOULD MAKE IF YOUR WERE TO THROW IT AGAINST A WALL.


thin a b c d e f g h i j k l m n o p q r s t u v w x y z ab c d e f g h ij k l m no p q r s t u v w x y z light a b c d e fg h i j k l m n o p q r s t u v w x y z abcdefghijklmnopqrstuvwxyz regular abcdefghijklmnopqrstuvwxyz abcdefghijklmnopqrstuvwxyz bold abcdefghijklmnopqrstuvwxyz abcdefghijklmnopqrstuvwxyz black abcdefghijklmnopqrstuvwxyz abcdefghijklmnopqrstuvw x yz

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SEEING THE POTENTIAL OF THE FIRST FEW CHARACTERS WE DREW, WE DECIDED TO TURN THOSE LETTERS INTO A TYPEFACE, AND EVENTUALLY AN ENTIRE FAMILY. MANY MONTHS LATER, WE HAVE ARRIVED AT A COMPLETE MISSION GOTHIC. FIVE WEIGHTS WITH ITALICS.

Edmondson


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Mission Gothic was not the first typeface that came out of the Mission Collection...

It was Mission Script! a brush script style typeface with a friendly sign painter vibe.

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Edmondson and Trevor Baum wanted to find a way to best compliment a script typeface with a gothic. To keep both types similar, they put the Mission Gothic italics on the same twelve degree incline that Mission Script falls upon: italics vs. script.


THE TYPEFACE COMES EQUIPPED WITH STYLISTIC ALTERNATES FOR SOME LOWERCASE LETTERS IN BOTH ROMAN AND ITALIC.

kk

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! = @ ? } #* $ & %


36pt: Mission Gothic is a sans serif built for display settings. 24pt: The shapes evoke a sense of nostalgia from a time period point size SIZ/ where letters were painted on /POINT (noun) wood and glass. Formally, it has to do with the 18pt: Mission Gothic achieves this antiquity the designers were hoping for without being cartoony or stuck in the past.

size of each letterform. In other words, it determines whether you need a magnifying glass to read or not.

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AN IDEA IS FORMED IN OUR HEAD AND COMES FROM THE HEART AND IS CRAFTED THROUGH OUR HAND. WE ARE DESIGNERS. EACH OF US CAN MAKE A DIFFERENCE, AND TOGETHER WE CAN DO GREAT THINGS.

AIGA Manifesto


Type Matters 05

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X-Height

Cap Height

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Baseline

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ARM BAR BOWL CLOSED COUNTER CROSSBAR DESCENDER EAR OPEN COUNTER STEM TERMINAL SPINE

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Descender Line

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The Lost Type Co-op is a collaboration between Tyler Galpin and Riley Cran. It was founded with the intention of providing unique and quality fonts based on a pay-what-you-want model. All designers get 100% of the donations their font receives.

At the foundry... http://www.losttype.com

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CLASSIFICATION Sans Serif 1.0 SETS ABC UPPERCASE abc lowercase 123 Numerals !@# Punctuation LICENSING Under $150 allows for Personal, Student or Non-Profit use. Over $150 covers a commercial license for 1-5 CPUs.


© 2014

NAME SCHOOL COURSE PROFESSOR OPERATING SYSTEM VERSION SOFTWARE INSPIRATOIN MUSIC SELECTION CUPS OF COFFEE

JACQUELINE REILLY SYRACUSE UNIVERSITY GRA 437 CLAUDIA STRONG MAC OS X 10.6.8 INDESIGN CS6 PINTEREST & DESIGNSPIRATION 20 HOURS OF PANDORA LATER... I LOST COUNT.

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