Jacob Dugopolski, Portfolio by Jacob Dugopolski

INTERFACE MOVEMENT+ INTERACTIVITY

SYSTEM CRAFT+ TECHNOLOGY

INFRASTRUCTURE URBANISM+ CULTURE

JACOB DUGOPOLSKI Professional Portfolio February 2010

chair component/room small building large building city blocks urban design 1 2 TYPE

3 4 5 6+ no. of people involved

1 2 SCALE

3 4 5 6+ size category of project

1 2 LENGTH

3 4 5 6+ no. of months

c:0 m:15 y:100 k:15

INTERFACE MOVEMENT+ INTERACTIVITY

PERCOLATE PROLIFERATE

02 03 04 05

DUALITY+ DISTRACTION

06 07 08 09

c:0 m:40 y:100 k:10

SYSTEM CRAFT+ TECHNOLOGY

URBAN CATALOGING

THICK THIN

13 14 15

ADAPTIVE PREFAB

16 17 18 19

RE CONFIGURE

20 21 22 23 24 25

c:50 m:25 y:100 k:0

INFRASTRUCTURE

URBANISM+ CULTURE

EXPOSING PROCESS

26 27 28 29 30 31

ISEEE

MORSE+STILES

33 35

TEMPORAL TYPOLOGY

36 37 38 39

er Riv st

PERCOLATE PROLIFERATE

Broadw ay

Ve rn o

Bl vd

84th Street 83rd Street

kayaks fro m the East Riv er

1 (individual studio project) 150,000 sf (landscape-building) 3 COURSE Arch 501a, Arch Design I Project 1: Skins and Skulls INSTRUCTOR Ben Pell SITE Socrates Sculpture Park, Long Island City, NY PROGRAM boathouse, educational space, offices, community meeting space, bicycle rental

CIRCULAT ION

EVENT

BATHRM SEATING

PREP

RENTAL

STORAGE

REPAIR

OFFICE

STORAGE

PROGRAM B

REAKDOW N

OPEN HOUSE EXHIBIT 09.2008 RETROSPECTA 05.2009

people fro m park, riverfront path

1 INTERFACE

Making use of the visual and experiential effects of the moiré pattern, this project uses shifted programmatic grids to filter and connect Socrates Sculpture Park, the Long Island City Boathouse, and the greater Long Island City community. Maintaining the outer path following the edge of the East River and creating an urban street edge along Vernon Boulevard, the intervention connects both edges through a network of paths around the overlaps of three misaligned striations. These overlaps are composed according to external influences and become pavilions or enclosed spaces which at the speed of movement across the site create moirés intensified according to a catalog of speeds.

FLOA VIEW TIN [-8’] ING

plan catalog PARALLEL TO GRAIN

OPEN

CLOSED

PERPENDICULAR TO GRAIN

OPEN

VARIES

moire pattern

12"

typical solid wall width blending width

bike storage

18"

kayak storage large wall width

24"

movie screen building entrance

VARIES

PROGRAM (varies)

VARIES

CLOSED

APPROX 6'

4'0"

LG PASSAGE SM PATH LG DOOR

SM DOOR

1'0"

FILTERED WALL SOLID WALL

section catalog

THICK

THIN moiré wall

20'0"

moiré wall

8'0"

1'-4" 4'0"

DISPLAY WALL: 24" flat display front, back combined with cafe

POSTING: 12"

SEATING: 12"

SCREENING: 12"

CHANNEL: 12"

interlocking pieces, tilting towards viewer

separation of paths, program zone filters

sporadic seating around the park

BIKE RACK: 9" alternating cuts up and down

18" KAYAKS: sloped rack with protective higher strip

AREA (ABOVE): 12" SEATING larger seating plateaus SEATING AREA (BELOW): 12"

CAFE: 12"

simple storage and counter area locked storage adjacent

EVENT: 12"

simple enclosure with varying profiles furniture formed through system, allowing for light entrance correlated

depressed group seating areas

thin water element connection to water

elevation catalog

OPEN

SEATING: 12"

random placement in cafe and relaxation zones

CLOSED

KAYAKS: 18"

sloped rack with protective higher strip

BIKE RACK: 9" alternating cuts up and down

MOIRE WALLS

vertical or near vertical walls visual effect along pathways

POSTING WALLS

near entrances and key points for park and community postings

WINDOW OPENINGS in solid program walls allowing for specific light entry

DISPLAY WALL

bicycles fro m North Ver non

community acc from Vernon ess Rd

SITE FLOW S/

PROGRAM ZONES

DISTRIBU TION

bicycles fro m South Ver non Rd

people fro m park, secondary entrance

EAST RIVER [-8’]

G VIEWIN RM PLATFO

[WATER -2’]

SEASO

NAL K AYAK RAC

SEATING AR EA KAYAK REPA IR/ NATURE CE NTER

CAFE

BATH ROO

LONG

NG C L G TE ASSRO O RRA CE A M/ BOV E

SEATING AR EA

STEP PE

SEAS ONA STO RAG L E

ATIN G STAG E

[- 4’]

[0’] / CAF E

AYAK RAC

CAFE/P

HOTO

SEATING AR EA

KAYAK

BAC K SUP STAGE/ POR T

[WATE R -2’]

DISP L AND AY SCR E THE OPEN A EN ATER IR

OFFIC

POSTIN G WA LL

BIKE RACK/RENTAL

[- 4’] [0’]

CITY

BIKE R OFF ENTAL ICE

SEATING AR EA

[WAT ER -2 ’]

[WATER -2 ’]

[SEAT ING -2 ’]

INFO

COM MEE MUNITY TING

EVEN SPAC T E

BIKE RACK/RENTAL

RENTA L

[SEAT ING -2 ’]

[WATER -2 ’]

D SE

INDO VIEW OR SEA TING ING

TERM K

DES

4 5

top view of interlocking systems

section A: slow path

section B: fast path

view of corridor, entry posting wall and bike rack

DUALITY+ DISTRACTION 1 (individual studio project) 150,000 sf (building) 4 wks (11-12.2008)

6 7

COURSE Arch 501a, Arch Design I Project 3: BAM West INSTRUCTOR Ben Pell SITE Brooklyn Bridge Park, Brooklyn, NY PROGRAM extension of BAMâ&#x20AC;&#x2122;s (Brooklyn Academy of Musicâ&#x20AC;&#x2122;s) current facilities offering theaters, office space, public amenities Emphasizing the myriad of performance types that BAM supports and is trying to grow, the proposal works on the line of intersection between these venues, offering combinations of viewing experiences and an engagement with a larger set of culture while offering a connections to the neighborhood and Manhattan skyline. Adapting the warehouse typology of the DUMBO neighborhood (Down under the Manhattan and Brooklyn Bridge overpasses) and framing venues within the existing Tobacco Warehouse Building, these are shifted within the modified grid and tied together in access by an upper street. The public access the building from either end and pass on the seam of performance venues finding different widths of this street that offer food, businesses, and social areas along the length. Ticket holders can proceed up to prefunction areas on the roof terrace for each venue or down to the performance space. They also have the option of sitting in the center zone focused on one performance or on the seam between both offering new combinations of visual and audial experiences. warehouse/theater push toward skyline backdrop

OUTDOOR PERFORMANCE

CINEMA

connection to exterior seating

AUD

connection to street, visual link through exterior display

urban street+branches

OUTDOOR PERFORMANCE DANCE THEATER backdrop on entrance

move back to ease compression, hide visual enhance audio

theater shifts+stages

+75'

DANCE THEATER

+15' +0'

5' WING: BAR/VIE

A-L

+32.5'

20' RANT: RESTAU

CIRCULATION/ RESTAURANT

CINEMA SCREENING/ PREFUNCTION

REHEARSAL ROOM/ FLY LOFT PREFUNCTION

20%

+32'-6"

KITCHEN

VIEWLIGHT +32'-6"

FLY LOFT roof access

100 0%

+35'

+35' roof access

+35'

BAM OFFICES

20%

+35'

VIEWLIGHT 100 0%

roof access +30'

roof access

FLY LOFT

roof access

+35'

REHEARSAL ROOM/ PREFUNCTION

+35'

20%

UPPER GALLERY

FLY LOFT 20% roof access

+32'-6"

+30'

BAM OFFICES

A-L

LEVEL 3: ROOFSCAPE

1/16” = 1’-0”

100 100

100 0%

A-L

CLASSROOM/ +20' STUDIO 3

25% 25%

25% 25% +24'-6"

-5' DN

+20'

FLY LOFT UP

+20'

+0'

BATHROOM

+20'

FE: CA

R: 5' BA

100 0%

50% 0%

KITCHEN

100 0%%%

SERVING/ BAR

+10'

+20'

+22.5' ' : 25 LERY GAL

75% 75% A/V SUPPORT

+0'

' 10

50% 0%

+20' BATHROOM

BATHROOM

SERVING/ BAR

+20'

+20' DN

25% 25%

FLY LOFT

50% 50%

R: 5' BA

+20'

FE: CA

G: WIN VIE BAR/

50% 50%

100 0%

A/V SUPPORT

75% 75%

' 10

BAM OFFICES

+20'

+24'-6" +20'

BAM OFFICES

open to below

25% 25%

+0'

LEVEL 2: URBAN STREET 1/16” = 1’-0”

A-L

OUTDOOR GALLERY

OUTDOOR SEATING

OUTDOOR PERFORMANCE

+0'

-5'

CLASSROOM/ STUDIO 2+10'

A-L

+12'-6"

OUTDOOR PERFORMANCE

+12'-6"

+10'

PROJECTION BOOTH

-5'

-3'

DANCE/ MUSIC

-5'

ENTRANCE 2 UP

TICKETING

+10'

RETAIL

OUTDOOR CAFE

COAT CHECK

+2'-6"

AUD

+0'

DANCE/ MUSIC -3'

CINEMA

+0' UP

+0'

-5'

COAT CHECK

+0'

CROSS PATH 3

OUTDOOR CAFE

TICKETING

+12'-6" DN

CROSS PATH 4

CROSS PATH 2

+0'

CROSS PATH 1

E46 ZON

ENTRANCE 1

A-L

LEVEL 1: ENTRY/SEATING 1/16” = 1’-0”

+0'

KL YN BR

flat, open

viewing, performance

6 +2'-6"

flat, playground

-2'-6"

beach extension

2 +0'

6 +0'

5 +2'-6"

+2'-6" +10'

+0' 1 +0'

+0"

+0' 0' 1 +0

+2'-6"

-2 --2'-6 2 6" -2'-6"

+2'-6"

-2'-6" -2' 2'--6"

viewing, performance 5 1

1 1

+5' +

flat, open

r+50'

-5'

2 -5'

+2'-6"

r+45'

+0'

r+40'

+0'

1 2 3 4 5 6 7

CONCRETE GRASS LOOSE GRAVEL BOULDERS WOOD SLAT WOODCHIPS COR-TEN STEEL

ZONE 2 115'

r+45'

+35'

r+50'

ZONE 3 150'

+35'

r+40'

r+45'

+2'-6"

r+45' r+60'

r+45'

r+60' r+50'

CROSS PATH

CROSS PATH 4

CROSS PATH CROSS PATH

3 2

ZONE 1 90'

OUTDOOR PERFORMANCE

CINEMA SCREENING/ PREFUNCTION

LEVEL 3 +35' RESTAURANT WEST

TO URBAN STREET

100 0%

VIEW OF LOWER MANHATTAN

TO CINEMA

LEVEL 2 +20'

+12'-6"

LEVEL 1 +0'

TOP OF TOWERS +60'

TO STREET

8 CINEMA SCREENING/ PREFUNCTION

100 0%

LEVEL 3 +35' 100 0%

PARK ENTRY LOBBY

URBAN STREET WEST END

TO PRE

PROJECTION BOOTH

TO LOWER GALLERY

50% 0%

LEVEL 2 +20'

TO UPPER GALLERY

VIEW / SKYLIGHT

100 0%

TO LOWER GALLERY

OUTDOOR CAFE

TO PRE

TO OUTDOOR PERF

OPEN WALL TO OUTDOOR PERFORMANCE AREA

LOADING/ STORAGE

LEVEL 1 +0' LEVEL 0 -5'

PARK ENTRANCE PROJECTION BOOTH

S UPPER GALLERY

100 0%

TO URBAN STREET

LEVEL 3 +35'

LOWER GALLERY TO URBAN STREET

TO URBAN STREET

+22'-6'

LEVEL 2 +20' TO OUTDOOR PERF

CINEMA CROSS PATH 4

LEVEL 1 +0'

-3'

DANCE/ MUSIC

N 100 0%

REHEARSAL ROOM/ PREFUNCTION

-5'

TO URBAN STREET

TO THEATER

75% 75%

TO PRE

CIRCULATION/ RESTAURANT

VIEW / SKYLIGHT

TO URBAN STREET

CLASSROOM/ STUDIO 3

TO PRE

50% 0%

CLASSROOM/ STUDIO 2 TO AUD

TO AUD

CLASSROOM/ STUDIO 1 TO PRE

TO OUTDOOR PERF TO PRE

TO PRE

75% 75% S

REHEARSAL ROOM/ PREFUNCTION

100 0%

LEVEL 3 +35'

TO URBAN STREET

LEVEL 2 +20' TO THEATER

AUD

TO THEATER

-5' +0' LEVEL 1 +0'

DANCE/ MUSIC -3'

DUMBO ENTRANCE

URBAN CATALOGING 1 (individual studio project) 150,000 sf (landscape-building) 3 wks (10.2008) COURSE Independent Study, 745b Extended Site Project for compilation work INSTRUCTOR Pedro Azara, ESTAB (Barcelona) Liza Fior, muf architects (London, Yale seminar) SITE Various public spaces in Barcelona The political shift of Spain in the mid-1970s resulted in a commitment of the new administration to encourage and affirm the reconstruction and harmonization of the city’s public space. It was a key moment that freed designers of the urban realm to engage with the culture 10 and society in a new, open way. This project analyzed 11 a series of fourteen contemporary public spaces in Barcelona through creating a catalog of details of how the edges between the architecture and urban realm were treated ultimately deciphering the cultural effects toward a construction of context. Within the last thirty years there have been four general attitudes which are largely distinguished by the city’s hosting of the 1992 Summer Olympics. Prior to the Olympics spaces were framed by creating a variation of

2 Sant Andreu: Clot Park

Daniel Freixes, Vicente Miranda 1982-1986 3.3km, 41min

the edge conditions and voiding the center, allowing for clear open spaces. For the event and in rebranding the city were complex programmed facilities. The following development was large scale and sensitively shaped new micro-cities and contextual redevelopment. The most contemporary interventions are of a new variety, complex and layered, struggling to find the same vitality as their predecessors. By experiencing and absorbing the journey to every one of these spaces, I have created a combined analysis and experiential postings on my blog under the heading contemporary place (www.jdugo.com/blog). In response to the static judgments portrayed on other sites, I look to provide this information and experiences in an open context to develop and understand how these contemporary spaces evolve.

4 Sant Martí: Olympic Village Housing-Beachfront Apartment Blocks: Elías Torres, José Antonio Martínex Lapeña Weather Center: Alvaro Siza Viera 1989-1992 3.4km, 40min

1980

1985

1990

1995

2000

2005

1 2 3 4 5 6 7 8 9 10 11 12 13 14

10 Ciutat Vella: MACBA/CCCB MACBA: Richard Meier + Partners, CCCB:Helio Piñón, Alber Viaplana 1990-1995 0.7km, 7min

14 Besos Mar: Fórum 2004 Esplanade José Martínez Lapeña, Elías Torres 2000-2004 5.3km, 65min

2 SYSTEM

THICK THIN 1 (individual studio project) 300 sf (building) 2 wks (01.2009)

CHARACTERISTICS 69M

41F

male

female

Widower retired archivist lifelong g bibliophile p and collector obsessive compulsive (mild) visuallyy impared p and sensitive to high contrast light

COURSE Arch 502b, Arch Design II Project 1: Cohabitation INSTRUCTOR Peter de Bretteville SITE n/a PROGRAM two apartment units fit into specified volume

Divorced former dancer maintains web-based practive in yoga instruction

In an elevated cube of space opening only to above and below two users cohabit, negotiating sectionally and addressing the main structure in opposite ways. The overall duality is a lightening of structure as the elevation increases from 12” concrete to 1 ½” honeycomb plastic sheeting, while the steel structure grows from four points in a single line at the foundation to the full width of the cube at the top. Both users ascend toward the North to the first level and pass along the Northern edge, entering their apartments at the far corner. This triangular space is determined by the maximum sun angle setting the 72 degree structure to provide only indirect light to the high-contrast light sensitive user with the lower apartment.

fastidious p promotes and maintains “healthy lifestyle”

POLARITIES 69M small grain indeterminate blurred wrapping reflected depth quantity extended + age THICK SPACE

41F large grain determinate clear core direct thinness quality compressed - age THIN SPACE

The 69 year old widower/bibliophile engages the structure in his apartment, hanging the floor panels as well as the shelving which lines and shapes the space to the comfortable human reach, even containing his bed. The 49 year old divorced yoga instructor climbs further toward the south and sunlight up to her main space stacked above in the center, wrapping and concealing the structure. On the south edge both uses mix sectionally, bathrooms notching in the center and utilizing opposite spaces of respite with a terrace opening up and cave-like study below.

21 JUN 1 Y2 MA

AP AR

M 20

FE B2 0

JAN 2 DEC 1 21

stacked

interlocked

shared

bathroom+ kitchen water (filtered)

adjacent water channeled to irrigate garden below

sun angles + structure

program adjacencies

water collection

14 15

desk

PLASTIC

20' TERRACE

plywood stringer

STUDIO

18' STUDIO

BATHROOM

bed (61M)

SHARED COORIDOR

concrete stringer

LIBRARY

STUDY 7' STUDY

PRIMARY SUPPORT FROM BELOW

10' LIBRARY

outdoor garden/ vertical

PRECAST

steel stringer

CONCRETE

GROUND ZONE

outdoor reading nook

2'-8" STAIR LANDING

PRIMARY SUPPORT FROM ABOVE

timber stringer

PLYWOOD

14' LANDING

TIMBERS

BUILDING ZONE

bed (49F)

ADAPTIVE PREFAB 1 (individual studio project) 50,000 sf (building) 3 wks (02.2009) COURSE Arch 502b, Arch Design II INSTRUCTOR Peter de Bretteville SITE 8-10 West Street, New Haven, CT PROGRAM ten units of affordable housing and communal areas YALE STUDENT EXHIBITION 05.2009 RETROSPECTA 05.2009 In relation to the constantly changing family size of the immigrants entering the neighborhood and church, this assemblage of units needed to address flexibility and community integration as its core. Through a similar operation of stacking and shifting the main living spaces along the south facade as well as interlocking the utility functions on the north, the units formed a network easily adaptable for hundreds of combinations. Working the assembly at both the urban and unit scale bringing unique intersection into the site and connecting across lots to the sponsoring church. 16 17

P5 P4

P1 P2

+40

U2 dn +36

units/sta

irs morp

hology

+36

vertica 12 stacl entry system ked un betwee its n

+32

+28

up +28

U1 +28

+28

COMMON

300 sf

informal/ living room

+24

section betwee al shift for gre n units, a possibleter adaptabil ity subdivis ions

patio 150 sf

+24

+20

+20 U2

+20

compa stairs, bcting plan th ro ecome internaugh staggere d l to unit s

+20

+16 +16

+16 up +12

-4

+12

bridge

+12 U1 +12

COMMUNITY MEETING / DINING open

450 sf

+12

optimiz variableing per flat g rou unit size s on eitnd condition her end

A +12

+12

common internal space, /views +8

shapin captureg massing to addr sunlight toward ess street, back of site common street fr space, ontage

+8 dn +4

up +4

node

optimiz spaces, ing per site, add carving passag ing common e throu gh

+4 to church

-4

up STUDY

-4

-2

100 sf

-4

LOBBY

(bridge)

100 sf

-4

+4 +0

-8 MECH

-4

+12

-4

LAUN

ramp dn

bike rack

-4 +3.25

ADMIN/INFORMAL GATHERING 450 sf

up +2.0

church laundry connection, room, circulat ion

-4 up

+1.0

solor ho panel, t water heate no doorSouth elevatio r n if to terra ce

47x

internal with fra stair assem additio me attachembly nal unit en above ts for and be

low

F3A/B/C

division point: 180 door

RELAX

WORK

F1A

division point: 180 door

F1A F1B

F1A/B

U1/U2 division point: 90 door

ZONE 2: 4" WOOD

ZONE 1: 8" CONC

entry/e storagexit unit divisio stair up , bed slot, n, South to North entry/e storagexit unit divisio , stair up bed slot, n, North to South

F1B

F1A

ZONE 2: 4" WOOD

S1/S2

ZONE 3: 2" WOOD

0-12x

F1A

F1B

F1A

F2A

F2A F2B

(up)

F1B

S1/S2

F3A

bath

ZONE 3: 2" WOOD

(up)

12-0x

F3B

translucent wall (nanogel)

kitchen/ 4 struc bathroom as access tural bays wid sembly from th e, ree units possible kitchen/ 3 struc bathroom as tu access ral bays wid sembly from tw e, o units possible

F2A/B TERRACE (+0)

SLEEP

kit

dark floor surface as infill and absorber

possible division point

-4

solar hot water heater on non-operable stair unit

(dn)

F3C

mid-uni storage t division, open be, workspace tween ha , lves mid-uni storage t division, closed , workspace , betwee n halves

entry/e 7.5 o ro xit unit divisio stair up tation, storagen South to , North entry/e 7.5 o ro xit unit divisio stair up tation, storagen North to , South entry/e no rota xit unit divisio no stair,tion, storage n glass be , hind

F2A

F3A

F3B

F3A

F3B

F3A

F3C F3B F3C F3A

F3A

F3B

20 21

RE CONFIGURE 10 (group project) 2,000 sf (building) 2 mo (03-04.2009) COURSE Arch 503b, Arch Design III Project 5: Building Project Competition Phase INSTRUCTOR Alan Organschi, Coordinator Adam Hopfner, Building Project Director SITE 10 King Place, New Haven, CT PROGRAM two family house - accessible ground floor unit with three bedrooms, rentable tenant unit with one bedroom PROJECT MANAGER (1 OF 2) 02-09.2009 WINNING BUILDING PROJECT TEAM 04.2009 BUILDING PROJECT INTERN 06-08.2009 In our proposal, we developed a coupling mechanism that allows for dynamic cohabitation between the owner and the tenant. The tenant is treated as part of the utility of the house, along with the mechanical systems of the house. The two main construction systems are the SIP panels for the exterior envelope and conventional balloon framing for the inside structure. The SIP panels make up a neutral and systematic enclosure that is efficient in terms of thermal performance, construction labor management, and sequence/ease of assembly. The internal armature is a result of both the needs of the owner and the tenant, shaping spaces as a result of the clustering of program. In this framework, plug-in furniture allows for labor to be distributed across the team of interns for greater detailing through the span of construction. The shell or container system is more static and systematic; it responds to the local context and allows for the house to participate in the local condition or urban fabric. The internal system of construction on the other hand is active, made of multiple layers, adaptable and flexible per site condition and needs of the occupant. Both systems are replicable and have possibilities beyond this site while also interacting on the human scale to sponsor dynamic cohabitation. 4 3

1 2 3 4 5 6

owner porch bedroom window bath skylight kitchen skylight living room window tenant balcony

CONSTRUCTION SITE

SITEWORK

excavation, foundation, slab

millwork/casework revision

millwork/casework design millwork & casework testing and fabrication - YSOA shop

SIPs order placed

sills, beam, 1st floor deck and framing

landscape formwork pouring begins for ramp

2nd floor deck

2nd floor framing

ridge, SIPs

JUNE

insulation, windows, stair, exterior drs

metal roofing, exterior cladding

waterproofing

MEP

sheetrock

sitework remainder (decks & porches, walls, etc)

6 5

9 22 23

1 2 3 4 5 6 7 8 9

section A

section B

CASEWORK/MILLWORK DRAWINGS DUE

SIPS SHOP DRAWINGS DUE

SIPs revision

SIPS PANELS ARRIVE

design documentation

MAY

CD SET DUE

DESIGN PRODUCTION SUPPLY CHAIN & OFF-SITE FABRICATION

owner porch kitchen eating living room master bedroom bathroom bedroom washer/dryer owner back porch

section C

millwork and casework fabrication begins 21 (Breakfast Woodworks Inc.)

JULY

CASEWORK/MILLWORK READY TO INSTALL

TERM ENDS INTERNS CONTINUE

RE-ORGANIZATION INTO 3 TEAMS INTERIOR TEAM 1 doors

tiling

SITEWORK TEAM walls

AUG 2

painting

millwork/casework installation

kitchen

INTERIOR TEAM 2 flooring

punch list (all teams)

interior detail fencing, paving, lawn

storage

Final MEP

tenant living room/eating/kitchen

6 1 2 3 4 5 6

bedroom bathroom eating kitchen living tenant balcony

owner living room/eating/kitchen

king street elevation

building project 2008

24 25

cedar siding pattern (personal design) N5a

13 '-8 9/ 16 "

S4a

N4a

" 16 5/ '-2 20

S6a S7a

20 '-2 5/ 16 "

N6a N3a

N7 F.C. @ SECOND FLR = +20'-11"

N2a 8'-8 1/4" RO WINDOW

28'-0"

TOP OF EXT. WALL = +18'-3-3/4"

S1a

E6a

E10a

E11

FACTORY INSTALLED WIRE CHASE ATTIC

N3b

N 5'-6 1/2" RO

S5 " 16 5/ '-2 20

6'-55 8"

2ND FLOOR WIRECHASE

16'-0"

E3a 4'-11 5/8" RO

9'-13 8"

20'-3 7/8"

4'-0" RO

E3b

4'-0" RO

E6b

F.F. @ FIRST FLR = +1'-9" 6 1/2"

32'-0" 33'-1"

SIP shop drawings (coordinator)

6 1/2"

COLUMN BEYOND (3) 2x6

44'-0"

E10b

N4b 16'-0" 16'-6 1/2"

10'-2"

8'-0" RO WINDOW

S7b

16'-7 1/2"

S6b

4'-0" RO

8'-0" RO

5'-7 3/4"

N6b

BEAM NOTCH

F.F. @ SECOND FLR = +11'-11"

S4b

8'-0" RO WINDOW

N5b

T.O. 2ND FLOOR

4'-11 5/8" RO

S1b

9'-9 1/4" RO

16'-7 1/2"

18'-2 1/8"

N2b

FACTORY INSTALLED CONTINUOUS WIRE CHASE

6 1/2"

16'-0" 16'-6 1/2"

FACTORY INSTALLED WIRE CHASE

33'-1"

FACTORY IN WIRE CHAS

METROPOLIS MAGAZINE BLOG POST, WEEK 11: A TAXONOMY OF DECISIONS ... To me, the most interesting parts of the Yale Vlock Building Project are the interpersonal dynamics and the group process of determination. As one of two project managers, my role is to be a peer-organizing element and a conduit to Adam, our project coordinator. Conflict is inevitable when the varying passions and perspectives of 49 classmates intersect. Keeping a hand on the pulse of the class is essential to maintaining a positive and cohesive flow forward. ... Collaboration in this context isn’t cut-and-dry. An evolving part of the Building Project course is learning about team dynamics and project delivery. In my mind, this is crucial and a much under-engaged part of architecture: how the many parts of the process work together to achieve the best possible result. Compared to the typical scenario, the building project throws 90 percent out the window, because we all have to agree on what that window is—type, size, exterior color, and interior finish (and then agree on how to install it correctly). ... Since the beginning of the project, people have been asking me, What makes your house unique? I struggle to answer them in one sentence, because it is both the concept and the people—and both are constantly evolving. It is the SIPs, the interior/exterior “Jimmy” concept, and the site responses from solar to programmatic organization. But more importantly it is the people and the process; that is what really makes this house unique. Decades of team training and group analysis could not solve the intricacies of this dynamic, but that is the fun of it. Collaborative design is an uneven process of decision making and discovery.

N8 44'-0"

W6a

W9a

W10a

W11

2ND FLOOR FACTORY INSTALLED WIRE CHASE

8'-0" RO WINDOW

4'-0" RO

BEAM BEYOND

COLUMN BEYOND

7'-8 1/2" RO WINDOW

6 1/2"

7'-8 1/2" RO WINDOW

NSTALLED SE

W6b

W9b FACTORY INSTALLED WIRE CHASE

12'-0"

32'-0" 44'-0"

W10b

15'-11 9/16"

6'-5 1/2"

INFRASTRUCTURE

EXPOSING PROCESS

LSF SF

LIBRARY S STORAGE FACILITY Y

DELIVERY 00:07 8 miles

1 (individual studio project) 150,000 sf (building) 4 mo (09-12.2009)

RETURN 00:07

COURSE Arch 1021a, Arch Design III Project: Exquisite Archive INSTRUCTOR Joel Sanders SITE Corner of Trumbull Street and Hillhouse Ave, New Haven, CT PROGRAM extension of Bieneke Libraryâ&#x20AC;&#x2122;s current facility, vault, archivist process spaces, offices, reading room, group meeting, classrooms, theater My main idea is to express the circulation and processing of visual materials, exposed through circulation routes that allow visitors to selectively navigate through these normally off-limit zones. The proposal also incorporates a connection to the Farmington canal greenway, facilitating a connection to temple street and sponsoring a new bike path to the center of the green. In massing, I used two rows of compact storage modules and a central access path stacking these to the six stories to continue the urban edge. Inserting a loading dock along the back edge to sponsor a processing/admin bar to frame a front lawn and respecting the suburban scale. The entry sequence for the public first involves the underground digital interface, a basement level connection with digital display screening the digital storage modules behind. The tunnel and street level paths parallel the processing facilities to the right and converge at the lobby, lodged in plain view of the loading dock. From this point, event and researcher paths break encountering a myriad of connections to the material of the archive and between users.

PEOPLE

HILLHOUSE STREET looking north away from campus

FARMINGTON CANAL PATH looking toward Hamden

STREET PARKING

TO W

HIT

REE

FROM

I-91

LINK

OUT

WA TE

E EK EN BI

TO GREEN

TRUCK completes service drive loop staying off of Hillhouse Ave

CAR reading room as beacon from I-91 Trumbull Street off ramp, campus gateway

BIKE pathway connection through sponsors bike lane connection into the heart of the New Haven Green

PEDESTRIAN Farmington Canal Greenway bike and walking levels, pedestrian corner shortcut to Whitney Square Green

SECTION A1

SECTION A2

1. DIGITAL GALLERY 2. UNDERGROUND BIKE PATH CONNECTION 3. ENTRY FROM GRADE 4. LOBBY / FRONT DESK 5. THEATER / PROJECTION 6. CLASSROOMS 7. GALLERY 8. GROUP COLLABORATION 9. OPEN GREEN ROOF

1. START OF RESEARCHER LOOP 2. UNDERGROUND BIKE PATH CONNECTION 3. RECIEVING / LOADING DOCK (2/2) 4. SHIPPING / LOADING DOCK (1/2) 5. WAITING CAFE 6. VAULT

+75

6 +63

6 +51

+39

7 +27

5 6

MATERIALS M I +15 +12

1 3

+3 +0

-12 -15

5 6 -27

COLLABORATION

CIRCULATION

RESEARCH

ARCHIVING

OPEN GALLERY SECURE GALLERY

PHYSICAL STORAGE

ADMINISTRATION

ARCHIVING

READING ROOM

RESEARCH

CLASSROOMS

CIRCULATION

MATERIALS

PEOPLE DIGITAL STORAGE

RECIEVING LOADING DELIVERY PROCESSING PROCESSING

PREFUNCTION

THEATER

massing study models, post-midterm

28 29

bike path, from Temple Street

view over intersection of Temple Street and Hillhouse Ave

service drive, mid-block

6 1

level 4 detail UP

1 2 3 4 5 6

vault individual research reading room archivist area researcher area group collaboration

section B 1 2 3 4 5 6 7 8 9

prefunction ramp to prefunction theater vault secondary circulation reading/archivist station behind main circulation path digital research room individual pods

30 31 5

3 4

ISEEE 7 (work team) 650,000 sf (building) 4 mo (11-02.2007) FIRM KieranTimberlake Associates LLP PROJECT PRINCIPAL James Timberlake SITE University of Calgary, Alberta, Canada PROGRAM Institute for Sustainable Energy, Environment, and Economy, LEED Platinum proposed building with wet and dry lab space, classrooms, offices, campus links PERSONAL ROLE study of massing and contextual strategy, imaging and production of various site proposals, help with physical model and coordination of detail model METROPOLIS MAGAZINE 08-09.2007, ISEEE rendering created personally on p111 A major competition win for the firm, this massive building required a rigorous study involving the program, site, and sustainability. The floor area of four standard big box stores, the building has potential to redefine the University of Calgary campus. The main design concept was to use the building as landscape in shaping new interdisciplinary connections and a strong campus grain. I was an integral part of shaping the contextual strategy and building massing working directly with James Timberlake to create massing proposals, reshaping, refining, and re-rendering in a continuous iterative process. The site that I studied had two main proposals, the early version bridging across 32nd Avenue toward the research campus, and a later version defining a new edge along the road and connections into campus.

programmatic mixing

5 6 7

2 8 9 10

University of Calgary campus with summer solstice shadows and site numbers

32 33

massing progression for bridge scheme

(personal role in imaging for all, led site 3-4-5 design)

site 1

site 3-4-5

site 11

site 7-9

site 4 bridge scheme across 32nd Avenue (personal role in design and imaging)

MORSE+ STILES 7 (work team) 200,000 sf (building) 9 mo (08-10.2006+06-11.2007) FIRM KieranTimberlake Associates LLP PROJECT PRINCIPAL Stephen Kieran SITE Yale University, Morse and Stiles Colleges designed by Eero Saarinen, New Haven, CT PROGRAM complete renovation of 180,000 sf and underground addition of 20,000 sf including a new auditorium and social/recreational spaces. PERSONAL ROLE focus on entrance lobbies and stairs down to addition, help with design and detailing of underground addition, physical model, presentation images

existing building

One of the last works designed by Eero Saarinen and completed in 1962, these two residential colleges have a rich history and architectural prominence. Built in the style of pre-Gothic Tuscan towers, the rubble masonry and lack of right angles form an amazing shell but with time the inside has worn and become outdated. Program for the renovation includes an expanded servery, new kitchen, and a considerable amount of additional social and recreational space, now housed in the dark concrete quarters of the basement. As part of this intervention we sought to re-define the identity of the colleges especially in relation to each other. This was achieved in part through establishing a material language for layering new texture and linking to the addition. Part of the challenge was working a new cohesive flow into a very rigid existing structure. For the subterranean addition, we established battered walls and edge skylights within structural boxes aligned to the curving geometry of the two colleges.

view of lower court from central passage stairs to addition on Morse side (personal role - design and detailing)

34 35

underground addition model (personal role - coordination and creation)

TEMPORAL TYPOLOGY 1 (individual studio project) 15 blocks (urban design) 4 mo (01-04.2006)

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COURSE Arch 442, Arch Design IV (4th/Final studio) INSTRUCTOR John Comazzi SITE Dequindre Cut, Detroit, MI PROGRAM headquarters, nursery, and education space for the Greening of Detroit, public space for recreation areas, paths, relaxation DIMENSIONS 20 02.2007 Univ of Michigan student-run yearly book of top final semester studio projects

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The Dequindre Cut is an abandoned rail line that was constructed below street level, becoming overgrown and derelict since its last train run in 1960. Running from the Eastern Market to the Detroit River, this one mile stretch is a neglected but vital space to the City of Detroit and has the potential to initiate and merge with a larger system of greenways. This project addresses how architecture can engage and compose the temporal; how it can become a scape in itself, an experiential progression that links the city and the cut. It addresses the blurring distinction between nature and artifice, especially how human and artificial cycles interact, converge, and conflate natural cycles for a better understanding of the other. Working in a cross-grain motion to connect the current figures and voids, the project became a projective urbanism. It is a context sensitive yet flexible typology that can continue beyond the limits of the site, accommodating the growth and needs of the Greening of Detroit. Three main building/bridges and three land transformations were defined. This typology mixes and changes size to fit the context, growing and reshaping with time, developing and integrating across, along, and around.

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ana

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Brid

ger/

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butm

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existing longitudinal path

Nur

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/Pro

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ive L and

scap

36 37

Rec r

eat

existing cross path

ion

/Le

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cap

#URRENT

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APPLES PEARS WATERMELON

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SWIMMING VOLLEYBALL ROCK CLIMBING

PEACHES RASBERRIES STRAWBERRIES CHERRIES

TENNIS BASKETBALL RACQUETBALL

BEANS PUMPKINS SQUASH TOMATOES

HERBS GREENS BROCCOLI CABBAGE PEAS

PICNIC PLAYGROUND

HERBS GREENS BROCCOLI CABBAGE PEAS

"RANCHES

FT X FT "RONZE FT YR YR TRANS v BALL

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WATCHING

RELAXING GARDENING

EDUCATION CORE EVENTS RECREATION DISK GOLF

EDUCATION

WALKING INTERIOR SERVICE RUNNING

RECREATION

WATCHING RELAXING

RELAXING

RELAXING GARDENING

RELAXING

EDUCATION

RECREATION

WATCHING RELAXING

RELAXING GARDENING

RELAXING 2'-71/4" 2'-213/16"

1'-101/2" 1'-913/16"

WATCHING WATCHING RELAXING

EDUCATION RECREATION

RELAXING GARDENING

"ENCHES ALONG PATH VIEWS FROM DECENT .ICHES ALONG PATH FOR PERSONAL AREAS

RELAXING

4OP OF BRIDGE ABUTMENTS MIXED IN WITH PATH MATERIAL TREATMENT .ODE BUILDING SPACES INTERIOR AND EXTERIOR

EDUCATION RECREATION

%VENT SPACES PERFORMANCES LARGE MEETING AREA

CORE EVENTS CORE EVENTS RECREATION

,ARGE DEDICATED EXPANSIONS ALONG PATH

RECREATION

.INE STATIONS PLACED THROUGHOUT CONTINUOUS $IRT 7OOD SLOWER PATH

SERVICE

0ARKING AND SLOW MOVING SWITCHING ZONES

SERVICE

&ASTER PATH CONCRETE WITH LESS BENDS 7INTER USE QUICK PASSAGE THROUGH

CROSS COUNTRY SKIING CYCLING VEHICLE INFORMATION

#ONCRETE PATH THE LENGTH

VEHICLE

3LOWED AT CERTAIN POINTS TO CREATE BETTER RECOGNITION

0’-0” EDUCATION

SLOW experiencing, learning winding path

WOOD tactile primary system, railings and rainscreen

FAST direct access down service, maintenance

METAL hard and sleek surface structure, bracing

MIXED ces ess ramp access to offices quick path to nursery

CONCRETE primary building wrap walls, stairs, ramps

-25’-0”

0’-0” GREENHOUSE/SUPPORT

-25’-0”

0’-0” PROJECT BRANCH

top perspective of one bridge combination, physical model

38 39

-25’-0”

0’-0” branch pair from St. Aubin Road, top of abutment

-12’-6” mid-level view, greenhouse branch

JACOB DUGOPOLSKI

371 Crown Street New Haven, CT 06511 jacob.dugopolski@yale.edu www.jdugo.com