Jeannette Penniman - Architecture Portfolio by Jeannette Penniman

Jeannette Penniman, AIA Architecture Portfolio

Jeannette Penniman AIA, LEED AP BD+C

Education

jeannettepenniman@gmail.com | www.jeannettepenniman.com (860) 227-8851 | 859 N Ringgold St., Philadelphia, PA 19130

Yale School of Architecture (YSOA) | New Haven, CT | December 2015 Master of Architecture, John W. Storrs Scholar

Yale University | New Haven, CT | May 2012 BA, Cum laude, Environmental Studies with Distinction in the Major

Experience

KieranTimberlake | Architect | Philadelphia | 2016 - Present Serve as a core project team member for a 750,000 SF mixed-use university building, from design through construction. Primary responsibilities have included design and documentation of public spaces, consultant coordination, material tracking for interior environmental quality, and contract administration for steel structure and curtainwall. Led envelope development for a 50,000 SF university architecture center, from design through Construction Documentation. Performed visualization, analyses, coordination, and complex detailing for a wide range of exterior systems and assemblies.

Pickard Chilton Architects | Intern | New Haven | Summer 2015 Worked on small design teams for two early-stage projects: an urban mixed-use development and a corporate headquarters. Contributed through site analyses, massing and area studies, conceptual and graphic development of schemes, and model building.

Lake|Flato Architects | Intern | San Antonio | 2014 Served on the design team for a multifaceted ranch project, developing buildings from Schematic Design through Construction Documentation, as well as site planning and coordination. Developed graphics and energy modeling for additional ﬁrm projects.

Yale Building Project | Intern | New Haven | Summer 2013 Desi

Took part in a full range of construction tasks for a student-designed, ﬁnished home. Focused on design, detailing, documentation, and fabrication of envelope and exterior.

Leadership

KieranTimberlake | 2030 Commitment Coordinator | 2017 - Present Lead KieranTimberlake’s working group tasked with benchmarking & reporting, staff education, and project design process with regards to AIA 2030 Commitment goals.

YSOA | Teaching Fellow | 2013 - 2015 Organized and taught weekly review sessions for graduate architecture Structures I and II, corrected exams and problem sets, and tutored students individually.

Yale Building Project | Director of Fundraising | 2013 Researched vendors and coordinated procurement and delivery of a wide range of donated construction materials for design collaboration with a local housing agency.

Skills

Fabrication | Trained in metal machining (vertical mill, metal lathe) and welding, power and analog woodshop tools, CNC milling, 3-D printing. Worked for three years as YSOA Fabrication Lab Monitor (overseeing student use of YSOA fabrication shop)

Software | Revit, Rhinoceros, Grasshopper, 3DS Max, AutoCAD, Adobe Suite, Bluebeam, Microsoft Ofﬁce, ProCore Language | Proﬁcient in Spanish and French

Contents Professional

Design Studio

Yale Building Project Fabrication|Visualization

New York University Commons

Washington University Envelope

Hill Country Ranch Upgrade

Harlem MART 125

Reimagining Social Housing, Tijuana

110

CASIS Headquarters, NYC

126

Yale Building Project Construction Details

136

New Haven Courtyard House

146

Cross Chair

154

Hand Drawing

Penniman

New York University Commons 181 Mercer consolidates many academic and campus departments for New York University; the Commons serves as the building’s physical and programmatic center. A major design challenge was to develop a unique identity for the space that was both subtle and complex; that uniﬁed on a large scale and provided textural richness on a small scale. The solution is a continuous, doubly-curved wood screen with varying and lyrical porosity. Developed using digital design tools, physical rapid prototyping, and close work with fabricators, its detailing is systematic and designed for optimized fabrication as well as material delight.

KieranTimberlake Project team: Jeannette Penniman, Fátima Olivieri (Associate), Steven Johns (Associate), Jon McCandlish (Principal), James Timberlake (Partner), Matthew Krissel (Partner), Richard Maimon (Partner) | 2017 - 2018 Exterior Rendering by Studio AMD

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Design development of a large multi-use space. Many iterations of design for the Commons all aimed to give the vast space an identity and texture, while being able to serve as the backdrop for myriad programs and activities.

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Plans Floor 2 and Floor 3; ReďŹ&#x201A;ected Ceiling Plan Floor 3. Subtle, doublycurved walls on either side of the Commons help form the space. A continuous, ďŹ nned screen on the North uses a gradient of selective openness to modulate between public activity and back of house space.

Penniman

Rapid prototyping. In-house, rapid prototyping was used to test out strategies of form, spacing, and scale for the large feature screen.

Penniman 11

Digital development. A custom Grasshopper script helped optimize the screenâ&#x20AC;&#x2122;s patterning of porosity, to be both functional (reďŹ&#x201A;ecting the programmattic needs of space on either side), and delightful.

Penniman 13

Proof of concept. A full-scale wood mockup produced through partnership with a fabrication studio tested out actual fabrication strategies, material ďŹ nishes, and served as proof of concept to both design team and client.

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Wood screen details. Panel connection and anchoring details are designed to be sensitive to installation, movement, and the complexity introduced by curved geometry.

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Penniman 19

Washington University in St. Louis, Weil Hall The demands on the envelope of Weil Hall, a new architecture and design building for Washington University, were many: achieve high environmental performance, reďŹ&#x201A;ect the traditional campus context, make visible the activity of a design school, keep the interior dry despite many complex below-grade building transitions, and create a unique identity with some spunk and character. The many materials and systems forming the envelope of Weil Hall included glass curtainwall, limestone and red oak rainscreen, precast concrete, monolithic stainless steel entry portals, rooďŹ ng, and complex below-grade waterprooďŹ ng. Knitting them together to create a coherent and well-performing envelope required meticulous attention to detail.

KieranTimberlake Project team: Jeannette Penniman, Nicolas Sillies (Associate), Steven Johns (Associate), Marilia Rodrigues (Principal), James Timberlake (Partner), Richard Maimon (Partner) | 2016 - 2017

Penniman 21

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Weil Hall exterior elevations and sections. Diverse envelope material assemblies navigate subtle shifts in massing and below-grade transitions to other buildings.

Penniman 23

Exterior systems. Glass curtainwall and limestone rainscreen serve as the buildingâ&#x20AC;&#x2122;s primary exterior systems.

Penniman 25

Shading ďŹ ns. Shading ďŹ ns integrated into the curtainwall system are key in achieving high energy performance and giving the building exterior character.

Penniman 27

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Entry portals. Red oak rainscreen and break-bent stainless steel portals surround the buildingâ&#x20AC;&#x2122;s main entries.

Penniman 29

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Limestone. Limestone cladding over service zones speaks to the buildingâ&#x20AC;&#x2122;s more traditional academic context; a tall limestone bench modulates grade change and scales the building.

Penniman 31

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Penniman 33

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Penniman 35

Hill Country Ranch Upgrade A ranch property in Texas Hill Country contained various original buildings from an 1860’s German homestead; upgrading it required delicate architectural interventions as well as signiﬁcant infrastructural improvements. The Boathouse on the property’s lake enables a lifestyle spent largely outdoors and connected to the landscape. A new Barn replaces a dilapidated old one; retaining the footprint, character, and some materials from the 1860’s original while creating functional ofﬁce and social space. Renovation of another original building - the “Smokehouse” - creates space to house guests out of a quirky, cramped, utilitarian building. Both the Barn and Smokehouse required thorough documentation of the original buildings in order to facilitate the renovation and capture unique historical buildings. Extensive coordination of utilities and landscape helped stitch the disparate buildings back together.

Lake|Flato Architects Project team: Jeannette Penniman, Laura Kaupp (Associate), Ted Flato (Partner), Trey Rabke, Graham Beach | 2014

Penniman 37

Homestead, Smokehouse, Barn, Lake. Renovated and rebuilt structures take the place of the 1860â&#x20AC;&#x2122;s originals, matching the forms and layout of the old farm while providing new opportunities for use.

Penniman 39

A500

0" 3" / 1'-

BOAT HOUSE T.O.B. 9'-0"

9 A901

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2 A500

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2014-10-24 PROJ. ARCHITECT

SET DATE

BOAT HOUSE T.O.B. 9'-0"

ISSUE

A400 1

18'-0"

4'-5 1/4"

T H I O N I 3 3 3 l a k

4'-2"

4'-5 1/4"

A STEEL LADDER LOCATION

16'-0"

3 1 1 S A N A N T P 2 1 0. 2 2 7. w w w .

6 A901

3 A901 6'-0"

6'-0"

2 A901 TYPICAL FLOATING DOCK (PROVIDE 4)

4'-1 1/4"

4 A901

3'-10 3/4"

TYPICAL JON BOAT PROVIDED BY OWNER

3'-10 3/4"

16'-0" 1

2850 Ole Dutchman Rd. Canyon Lake, TX 78133

3'-0"

1 A901

4'-1 1/4"

PAA HAA! BOAT HOUSE

A500

4'-1 1/4"

3'-0" HOSE BIB

NOT FOR REGULATORY APPROVAL, PERMITTING OR CONSTRUCTION

DOCK TIE DOWN LINE OF ROOF OVERHANG

A500

R D S T R E E T O, T E X A S 7 8 2 0 5 5 F 2 1 0. 2 2 4. 9 5 1 5 e f l a t o . c o m

3 A500

STORAGE CHEST

4'-3" 16'-0"

A500

A400

2'-9"

A400

A500

5 A901

ICE

REF

A500

REF

4'-10 3/4"

2 A500

6 8'-1 1/2"

4'-11 1/4"

8 A901

8'-0"

3'-7"

4'-11 1/4" A500

2'-10"

3 A500 2 6 1/2"

A400

14'-0"

NE R LI WATE

2'-0"

2'-5 1/4"

2014-10-24

L|F PROJ. NO.

PROJ. ARCHITECT

13036

DRAWN BY:

7'-0"

1'-1"

1 1/2" DIA. STEEL PIPE RAILING

8'-0"

14'-0"

NE OD LI FLO

1'-7 1/2"

LK JP

SET ISSUE DATES DATE

ISSUE

Boathouse approach. The Boathouse sits low over the lake and in the landscape, as viewed through the property’s thicket of live oak trees. REVISIONS

NO.

DATE

DESCRIPTION

5/4 IPE DECKING 7 2'-2"

STONE PAVERS OVER MORTAR BED 18'-0"

BOAT HOUSE FLOOR PLAN SCALE: 1/4" = 1'-0"

2'-0"

Exterior elevations. A low-sloped roof extending over the dock edges provides protection from sun and rain, allowing the family to spend time close BOAT HOUSE PLANS to the water in all weather. Floor plan.

A200 10/24/2014 11:44:34 AM

Penniman 41

BRONZE INSECT SCREEN A CORRUGATED METAL ROOF, 7/8"

2X4 WOOD MULLION, FASTENED TO STEEL BEAM WITH SELFTAPPING SCREW

1/4" STEEL CENTER PLATE BEYOND, WELDED TO STEEL TRUSS

2X1 WOOD TRIM, NAILED THROUGH SCREEN TO MULLION

2 1/8" DOUBLE 2X8 WOOD PURLINS 32" O.C., WITH 1/4" SPACERS, BOLTED THROUGH CENTER PLATE

BOAT HOUSE T.O.B. 9'-0"

WOOD BLOCKING STEEL TRUSS W6X20 BEYOND

STEEL BEAM W5X19 2X1 WOOD TRIM, NAILED TO MULLION THROUGH SCREEN

BOAT HOUSE T.O.B. 9'-0"

2 X 3 X 1/4 STEEL ANGLE BARN DOOR HARDWARE

BRONZE INSECT SCREEN

STEEL COLUMN W5X16 BEYOND 1"

4 A900

2 X 3 X 1/4 STEEL ANGLE FRAME

1'-11 3/4"

P STEEL COLUMN W5X16 BEYOND

BRONZE INSECT SCREEN

5'-6 1/2"

PA BO 8

Sim

A901

BOAT HOUSE T.O.B. 9'-0"

BOAT HOUSE 0"

2X6 SLATTED WOOD PANEL, BOLTED TO STEEL FRAME

2X4 WOOD MULLION, BOLTED TO BEAM WITH SELF-TAPPING SCREW

2850 Cany

STEEL BEAM W5X19

5 1/4"

2 X 3 X 1/4 STEEL ANGLE FRAME

DOUBLE 2X6 WOOD BEAM, 1/2"SPACER

1 1/2"

2X4 WOOD MULLION, FASTENED TO BEAM WITH SELF-TAPPING SCREWS

WEST WALL SECTION THRU BOATHOUSE SCALE: 1/2" = 1'-0"

1/4 STEEL PLATE BACK SPLASH STAINLESS STEEL COUNTERTOP

STEEL TUBE FRAME, PLATE WELDS ON, MILLWORK & APPLIANCES FIT WITHIN

9'-0"

2'-10 3/4"

3/4"

TYP.

1X6 CEDAR WOOD SLAT

BRONZE INSECT SCREEN

BOAT HOUSE T.O.B. 9'-0"

2X4 WOOD MULLION, FASTENED TO DECKING

2X4 WOOD MULLION, FASTENED TO IPE DECKING

5/4 IPE DECKING

BOAT HOUSE 0"

3 A900

9 1/4"

5/4 IPE DECKING DOUBLE 2X10 WOOD JOISTS @ 1' 10-1/2" O.C. W/ 1/4" SPACERS

2014-10-2

STEEL COLUMN W5X16 BEYOND

PROJ. AR

STEEL BEAM W8X28 BEYOND

8 1/16"

DATE

BOAT HOUSE 0" T.O. PIER = -1'-6 5/16"

NO.

STEEL TUBE COLUMN BEYOND

CONCRETE PIER BEYOND

SOUTH WALL SECTION THRU BOATHOUSE SCALE: 1/2" = 1'-0"

B SECT

SECTION DETAIL AT WEST SCREENED WALL SCALE: 3" = 1'-0"

SECTION DETAIL AT SOUTH WOOD SLAT/SCREEN WALL SCALE: 3" = 1'-0"

Wall sections. The exposed steel and wood structure of the Boathouse is celebrated through simple detailing. View from the land.

Penniman 43

View from the lake.

Penniman 45

South facade. The Barnâ&#x20AC;&#x2122;s envelope retains the vertical wood board cladding and large openings of the original, while tightening it all up considerably. Existing conditions. The existing barn utilized drystack masonry, wood post and beam structure, board cladding, and corrugated metal roof.

Penniman 47

16'

ROOF RIDGE ROOF RIDGE 28' - 0" 28' - 0" CORRUGATED METAL ROOF CORRUGATED METAL ROOF

W.0

T.O.B. T.O.B. 14' - 0" 14' - 0" LOFT LOFT 11' - 0" 11' - 0" NEW WOOD SIDING NEW WOOD SIDING 101C 101C

101

W.01 W.01

DOUBLE BARN DOOR DOUBLE BARN DOOR

BARN FLOOR BARN FLOOR 0" 0"

EAST ELEVATION EAST ELEVATION

1/4" = 1'-0" 1SCALE: SCALE: 1/4" = 1'-0"

NORTH ELEVATION NORTH ELEVATION SCALE: 1/4" = 1'-0" SCALE: 1/4" = 1'-0"

ROOF RIDGE ROOF 28' RIDGE - 0" 28' - 0"

CORRUGATED METAL ROOF CORRUGATED METAL ROOF

W.03 W.03

T.O.B. 14' -T.O.B. 0" 14' - 0" LOFT 11' - LOFT 0" 11' - 0" DOUBLE BARN DOOR DOUBLE BARN DOOR 101A 101A 101B 101B

48 BARN FLOOR BARN FLOOR 0" 0"

ROOF RIDGE 28' - 0" CORRUGATED METAL ROOF

T.O.B. 14' - 0" LOFT 11' - 0" NEW WOOD SIDING 101C

W.01

DOUBLE BARN DOOR

BARN FLOOR 0"

SCALE: 1/4" = 1'-0"

SCA

24'

EAST ELEVATION

1 16'

ROOF RIDGE 28' - 0"

16'

ROOF RIDGE 28' - 0"

CORRUGATED METAL ROOF ALUMINUM WINDOW

NOT FOR REGULATORY APPROVAL, PERMITTING OR CONSTRUCTION

T.O.B. 14' - 0" LOFT 11' - 0" INSET METAL PANEL

T.O.B. 14' - 0" LOFT 11' - 0" DOUBLE BARN DOOR 101A

ALUMINUM SLIDING DOOR

PAA HAA! BARN

BARN FLOOR 0"

2850 Ole Dutchman Rd. Canyon Lake, TX 78133

C:\Revit Local Files\PaaHaa_BARN_CENTRAL_R14_lkaupp.rvt

103A

WOOD SWING DOOR

WEST ELEVATION

SCALE: 1/4" = 1'-0"

SCA

Elevations, existing and proposed. The new design retains the vertical wood cladding, drystack masonry base (navigating a sharply changing grade), and clear barn form of the original structure. Large aluminum windows and sliding doors open up the interior to the landscape.

ROOF RIDGE 28' - 0"

ALUMINUM WINDOW

VERTICAL SHIP LAP SIDING WITH 10 3/4" EXP.

T.O.B. 14' - 0" LOFT 11' - 0"

2014-11-07

L|F PROJ. NO.

PROJ. ARCHITECT

INSET METAL PANEL

13036

DRAWN BY:

LK JP

SET ISSUE DATES DATE

ISSUE

DOUBLE ALUMINUM SLIDING DOOR IN EXTERIOR MOUNTED STEEL FRAME

STEEL FRAME FOR SLIDING DOOR

Penniman 49 BARN FLOOR 0"

REVISIONS NO.

DATE

DESCRIPTION

Â© 201

A400 2

ALUMINUM SLIDING DOOR DOUBLE SWING WOOD DOOR 3 A500

NOT F REGULA APPRO PERMIT OR CONSTRU

103A A 101D 104A 2' - 0"

4' - 0" THE LOO 104

BOAT & FLOAT STORAGE

ALUMINUM WINDOW

BAR 102

103

A700

W.01 3

4 2 18' - 0"

A500 ADDITIONAL STORAGE

A500

A500 8

A700

PAA HAA BARN

105A STORAGE

CONDITIONED OFFICE AND CONFERENCE ROOM

STORAGE 105

2850 Ole Dutch Canyon Lake,

SLIDING ALUMINUM DOOR

12' - 4"

STEEL STAIR

A500

PARTY BARN 101 1

55' - 0"

A500

C 1

101A

A700

101C HEAVY TIMBER COLUMNS

A400

CUSTOM STEEL FIREPLACE

A400

12' - 4"

CONCRETE FLOOR

TRUSS ABOVE

DOUBLE BARN DOOR D INSECT SCREEN CURTAIN

A700

12' - 4"

HEAVY TIMBER DIAGONAL BRACING

STONE STEPS DOUBLE BARN DOOR

NEW VERTICAL WOOD SIDING OVER EXPOSED 2X6 FRAMING

101B E

12' - 4"

15' - 4"

3 3/4"

DOUBLE ALUMINUM SLIDING DOOR IN EXTERIOR MOUNTED STEEL FRAME

12' - 4"

40' - 0"

3 3/4"

3 4

2014-11-07

L|F

PROJ. ARCHITECT

SET ISSUE DATE

ISSUE

A500

A400

BARN GROUND FLOOR

REVISIO NO.

DATE

SCALE: 1/4" = 1'-0"

DESIGN DEVE

FLOOR P

A20 50

3 A500 1

HATCH FOR STORAGE ACCESS

ROOF RIDGE 28' - 0"

BEAMS ABOVE 22' - 0" ROOF: CORRUGATED METAL 7/8" ROOFING UNDERLAYMENT POLYISO RIGID INSUL 2" STAINED PLYWOOD 5/8" 1X6 WOOD RUNNERS 18" O.C. 4X8 WOOD RAFTERS 3'-1" O.C.

201A

ALUMINUM SLIDING DOOR

T.O.B. 14' - 0" LOFT 11' - 0" WOOD NICHE

101D

FLOATING STEEL STAIR

VERTICAL SHIPLAP SIDING 10 3/4" EXP.

BARN FLOOR 0" 3 A500

NS SECTION THRO

EW SECTION THROUGH CENTER BAY SCALE: 1/4" = 1'-0" A

A500

SCALE: 1/4" = 1'-0" C

CONDITIONED OFFICE AND CONFERENCE ROOM HATCH FOR STORAGE ACCESS

ROOF RIDGE 28' - 0"

WHITE BOARD

ROOF RIDGE 28' - 0" A500

ROOF RIDGE 28' - 0" BEAMS ABOVE 22' - 0"

EAMS ABOVE 22' - 0" ROOF: CORRUGATED METAL 7/8" ROOFING UNDERLAYMENT POLYISO RIGID INSUL 2" STAINED PLYWOOD 5/8" 1X6 WOOD RUNNERS 18" O.C. 4X8 WOOD RAFTERS 3'-1" O.C.

BEAMS ABOVE 22' - 0"

STEEL TENSION RODS

ALUMINUM SLIDING DOOR

ALUMINUM WINDOW

T.O.B. 14' - 0"

CONDITIONED OFFICE AND CONFERENCE ROOM

T.O.B. 14' - 0" LOFT 11' - 0"

LOFT 11' - 0"

T.O.B. 14' - 0"

WOOD NICHE

LOFT 11' - 0"

NOT FOR REGULATO APPROVAL PERMITTIN OR CONSTRUCT

PAA HAA! BARN

HEAVY TIMBER DIAGONAL BRACING

FLOATING STEEL STAIR

2850 Ole Dutchman Canyon Lake, TX 78

VERTICAL SHIPLAP SIDING 10 3/4" EXP.

BARN FLOOR 0"

A500

BARN FLOOR 0"

NS SECTION THROUGH RIDGE A500

SCALE: 1/4" = 1'-0"

EW SECTION THROUGH LOFT

ROOF RIDGE 28' - 0"

EAMS ABOVE 22' - 0"

ALUMINUM WINDOW CONDITIONED OFFICE AND CONFERENCE ROOM

C:\Revit Local Files\PaaHaa_BARN_CENTRAL_R14_lkaupp.rvt

SCALE: 1/4" = 1'-0"

Floor plan. The renovated Barn uses the structural bay layout of the original, expanding the central space to be more continuous with the exterior. Barn sections. The Barn’s interior takes its cues from the existing spaces: smaller storage areas set by the structural bays, and an expanded double-height central area with exposed roof structure.

T.O.B. 14' - 0" LOFT 11' - 0"

Penniman 51

2014-11-07

PROJ. ARCHITECT

L|F PROJ. N

DRAWN

Textures, new and old. The material ďŹ nishes of the new Barn pulled from the original, in some cases literally.

Penniman 53

Barn at night.

Penniman 55

A500

CORRUGATED METAL PANELS

2X4 STUD FRAME INFILL WALL, PLASTER FINISH MASONRY VENEER WALL STACKED LOG WALL

DIRT FLOOR

STACKED LOG WALL

A500

MASONRY HEARTH WOOD BOARD FLOOR

MASONRY VENEER WALL

STACKED LOG WALL

NOT FOR REGULATORY APPROVAL, PERMITTING OR CONSTRUCTION

GRAVEL PORCH FLOOR

CEDAR POSTS

A500 0

PAA HAA! SMOKEHOUSE

A500

2850 Ole Dutchman Rd. Canyon Lake, TX 78133

SMOKEHOUSE ROOF PLAN SCALE: 1/4" = 1'-0" A400 2 2X6 STUD FRAME WALL, PLASTER FINISH

DOUBLE 2X4 STUD FRAME WALL, MASONRY VENEER (REUSED) EXT. PLASTER INT. 2X6 STUD FRAME WALL, MASONRY VENEER (REUSED) EXT. PLASTER INT.

1 A500

ARDS

2X6 STUD FRAME WALL, VERT WOOD SIDING EXT. PLASTER INT.

3 A500

13' - 2 7/8"

0' - 7 3/8"

1' - 0 5/8"

16' - 2 3/4"

6 A400 8 A500 9

17' - 1 3/16"

A400

JOISTS

A500

A400

A500 2

A500

DAYBED WITH TRUNDLE

DOUBLE 2X4 STUD FRAME WALL, MASONRY VENEER (REUSED) EXT.

1' - 7 1/2"

DOUBLE 2X4 STUD FRAME WALL, MASONRY VENEER (REUSED) EXT. PLASTER INT.

MASONRY HEARTH: DISASSEMBLED AND REBUILT TO EXACT ORIGINAL DIMENSIONS 2X6 STUD FRAME WALL, STUCCO EXT. PLASTER INT. STACKED LOG WALL (USE EXISTING MATERIAL)

6' - 2 3/4"

EW WOOD BOARDS

MASONRY VENEER WALL

A500

GRAVEL FILL 2" CONCRETE BEAM 3 1/2" X 6"

2014-10-29

L|F PROJ. NO.

PROJ. ARCHITECT

13036

DRAWN BY:

NEW 4X4 CEDAR POSTS

FUTURE DRYSTACK RETAINING WALL

A500 3' - 10"

SET ISSUE DATES DATE

A500 5' - 5"

9' - 8"

8' - 9 1/2"

STONE STEPS 1'-8" X 10'-6" X 6" 1' - 8" COURTYARD BETWEEN SMOKEHOUSE AND HOMESTEAD ("GRADE")

28' - 0"

18' - 0"

A400

0' - 5"

ISSUE

Smokehouse existing conditions. The historic Smokehouse building was a hodge-podge of materials: heavy masonry, v-cut stacked log and plaster walls, corrugated metal cladding, asymmetrical roof. REVISIONS

NO.

DATE

DESCRIPTION

EXISTING STONE STEPS TO HOMESTEAD

EXISTING HOMESTEAD

SMOKEHOUSE FLOOR PLAN

DESIGN DEVELOPMENT Smokehouse ﬂoor plans, existing and proposed. The proposed SMOKEHOUSE PLANS Smokehouse renovation maintains the heavy masonry walls, hearth, and layout.

SCALE: 1/4" = 1'-0"

A200 11/4/2014 4:33:03 PM

Penniman 57

MASONRY HEARTH

CORRUGATED METAL ROOF (TWO PROFILES)

MASONRY INFILL WALL STACKED LOG WALL

CORRUGATED METAL PANELS

MASONRY VENEER WALL

ROOF RIDGE 15' - 6"

SMOKEHOUSE T.O.B. 10' - 0"

STONE HEARTH: DISASSEMBLED AND REBUILT TO EXACT ORIGINAL DIMENSIONS 6 A400

VERTICAL WOOD SIDING TO MATCH BARN

1' - 9"

6' - 6"

VERTICAL WOOD SIDING TO MATCH BARN STONE HEARTH: DISASSEMBLED AND REBUILT TO EXACT ORIGINAL DIMENSIONS

REPLACE FLAGSTONE WITH BETTER STONE

SMOKEHOUSE FLOOR 0' - 0"

EAST ELEVATION

SCALE: 1/4" = 1'-0"

ROOF RIDGE 15' - 6"

SMOKEHOUSE FLOOR 0' - 0"

NORTH ELEVATION SCALE: 1/4" = 1'-0"

ROOF RIDGE 15' - 6"

SALVAGED WOOD SET IN MASONRY VENEER

SMOKEHOUSE ROOF RIDGE T.O.B. 15' - 6" 10' - 0"

SMOKEHOUSE

A400

VERTICAL WOOD SIDING TO MATCH BARN T.O.B.

1' - 9"

VERTICAL WOOD SIDING TO MATCH BARN

10' - 0" 6' - 6"

SMOKEHOUSE ROOF RIDGE 15' -T.O.B. 6" 10' - 0"

STONE HEARTH: DISASSEMBLED AND REBUILT TO EXACT ORIGINAL DIMENSIONS

1' - 9"

STONE HEARTH: DISASSEMBLED AND REBUILT TO EXACT ORIGINAL DIMENSIONS

SMOKEHOUSE T.O.B. 10' - 0" REPLACE FLAGSTONE WITH BETTER STONE

6' - 8 3/4" 6' - 6"

SMOKEHOUSE FLOOR 0' - 0"

CORRUGATED METAL ROOF (TWO PROFILES)

FUTURE DRYSTACK RETAINING WALL

5' - 0"

STACKED LOG WALL

MASONRY VENEER WALL

SMOKEHOUSE FLOOR 0' - 0"

SMOKEHOUSE FLOOR 0' - 0" MASONRY VENEER WALL

EAST ELEVATION

NORTH ELEVATION

SCALE: 1/4" = 1'-0"

WEST ELEVATION

SOUTH ELEVATION

SCALE: 1/4" = 1'-0"

SALVAGED WOOD SET IN MASONRY VENEER

ROOF RIDGE 15' - 6"

SMOKEHOUSE T.O.B. 10' - 0"

SMOKEHOUSE T.O.B. 10' - 0" 1' - 9"

CORRUGATED METAL ROOF 7/8" 6' - 8 3/4"

MOISTURE BARRIER PLYWOOD 3/4"

6' - 6"

SPRAY FOAM INSULATION 5" FUTURE DRYSTACK RETAINING WALL DISCONTINUOUS WOOD BLOCKING

2X8 FRAMING (N ROOF SECTION ONLY)

5' - 0"

SMOKEHOUSE FLOOR 0' - 0"

WOOD DECKING 3/4"

TRIPLE 2X6 HEADER, BOLTED THROUGH 1/2" PLYWOOD 1" WOOD FRAME WOOD STOP FIXED INSULATED GLASS

WEST ELEVATION

SCALE: 1/4" = 1'-0" A400

0' - 1 1/8"

SOUTH ELEVATION SCALE: 1/4" = 1'-0" 0' - 1"

0' - 6 7/8"

0' - 1 1/2"

0' - 0 7/8"

0' - 0 3/4" CORRUGATED METAL ROOF 7/8" VERTICAL WOOD SIDING 3/4" MOISTURE BARRIER MOISTURE BARRIER PLYWOOD 3/4" PLYWOOD 1/2" SPRAY FOAM INSULATION 5" 2X6 STUD FRAMED WALL 5/8" PLASTER DISCONTINUOUS WOOD BLOCKING FRAMELESS MIRROR HARDIE BOARD 1/2" 2X8 FRAMING (N ROOF SECTION ONLY) 2X6 WOOD STUD COMPOSITE COLUMN

WOOD DECKING 3/4"

WP PLASTER 5/8"

WOOD SIDING 3/4"

1" WOOD FRAME

DOUBLE 2X6 COLUMN

WOOD STOP

PLYWOOD 1/2"

FIXED INSULATED GLASS

HARDIE BOARD 1/2"

TRIPLE 2X6 HEADER, BOLTED THROUGH 1/2" PLYWOOD

BATHROOM WINDOW (SECTION)

1" WOOD FRAME

BATHROOM WINDOW (PLAN)

SCALE: 3" = 1'-0"

WOOD STOP

SCALE: 3" = 1'-0"

FIXED INSULATED GLASS

A400 0' - 1 1/8"

0' - 1"

0' - 6 7/8"

0' - 1 1/2"

0' - 0 7/8"

0' - 0 3/4"

VERTICAL WOOD SIDING 3/4" MOISTURE BARRIER PLYWOOD 1/2"

2X6 STUD FRAMED WALL 5/8" PLASTER FRAMELESS MIRROR HARDIE BOARD 1/2"

2X6 WOOD STUD COMPOSITE COLUMN

WP PLASTER 5/8"

WOOD SIDING 3/4"

1" WOOD FRAME

DOUBLE 2X6 COLUMN

WOOD STOP

PLYWOOD 1/2"

FIXED INSULATED GLASS

HARDIE BOARD 1/2"

Elevations, existing and proposed. The proposed renovation of the Smokehouse maintains the material character, massing, and facade composition of the original building. Existing material and construction methods.

Penniman 59

Contents Professional

Design Studio

Yale Building Project Fabrication|Visualization

New York University Commons

Washington University Envelope

Hill Country Ranch Upgrade

Harlem MART 125

Reimagining Social Housing, Tijuana

110

CASIS Headquarters, NYC

126

Yale Building Project Construction Details

136

New Haven Courtyard House

146

Cross Chair

154

Hand Drawing

Penniman 61

Harlem MART 125 The Upper Manhattan Empowerment Zone’s redevelopment of a through-block lot across from Harlem’s famous Apollo Theater positions itself in a rapidly changing social and architectural context. One half of the lot, fronting 125th Street, offers a series of office spaces for media non-profits and other cultural tenants, as well as a public screening room and a large restaurant. The other half, fronting 124th Street, offers 34 much needed affordable housing units, designed for aging jazz musicians. Both sides of the site are designed around spaces meant to promote socialization and cross-pollination of ideas: communal living rooms and a generous fitness center in the affordable housing, and a series of shared meeting and production spaces on the cultural side. A public sequence pulls individuals—whether residents, commercial tenants, or the general public—into a central elevated courtyard, using daylighting and a strong organizing diagonal. This central courtyard, along with the smaller communal spaces on both sides, is meant to foster social interactions between otherwise distinct groups, capitalizing on the striking demographic change playing out in Central Harlem.

Critics Sara Caples, Everardo Jefferson, Jonathan Rose | Fall 2015

Penniman 63

Site model. Formal diagrams. A diagonal bisects the ďŹ rst two public levels, generating a public sequence that moves from 124th and 125th Streets up into the elevated courtyard. This main shared space is echoed by smaller communal spaces in both the affordable housing and cultural buildings.

Penniman 65

125th Street (left) and 124th Street (right) facades. While facades share material (dark brick) and publiclevel transparency, the 125th Street facade emphasizes structure and large institutional spaces, while the 124th Street facade is more domestic.

Penniman 67

Plans of public levels (Floors 1 and 2). The public is drawn up from both 124th and 125th Streets through monumental stairs that lead to the project’s central courtyard. The spaces directly off of the courtyard—ﬁtness center on the housing side and screening room/performance space on the cultural side—are meant to extend the publicness of courtyard.

Penniman 69

Site section. The project ﬁts into a tight zoning envelope, based on a new special zoning district meant to develop 125th Street in Harlem as a cultural arts district. The second ﬂoor’s semi-public screening room opens onto 125th Street, with a large variable shade responding to the marquee of the Apollo Theater directly across the street.

Penniman 71

Restaurant. A large restaurant, with doors directly across from the Apollo Theater, brings the energy of 125th Street into a lively street-front bar. A glazed diagonal wall (shared with the public lobby) and sunken, light-ďŹ lled courtyard pull the visitor back into a more intimate seating area deep in the restaurant.

Penniman 73

Public lobby entry. The public is drawn through the public lobby off of 125th Street and up into the central courtyard by a diagonal glazed wall shared with the restaurant. Monumental stairs rise from a sunken, light-ďŹ lled courtyard on the other side of the lobby.

Penniman 75

Elevated central courtyard, view from screening room entry. A high degree of transparency between the central courtyard and the spaces on either side (screening room and ďŹ tness center) pulls a range of individuals into the courtyard for formal and informal activity.

Penniman 77

+46’ +66’ || +42’ +70’ RES LEVEL RES LEVEL 57 | COMMUNAL LIVING LEVEL 6 | FUTURO LEVEL 4 | FIRELIGHT

+36’ +56’ | +56’ RES LEVEL 46 LEVEL 5 | FUTURO, SHARED STUDIO

+26’ +46’ || +28’ +42’ LEVEL 3 | FIRELIGHT RES LEVEL 5| COMMUNAL LIVING LEVEL 4 | FIRELIGHT

+106’ | +113 +96’ | +99’ RES RES LEVEL LEVEL 11 10 LEVEL 9 | SPEC LEVEL 8 | SPEC

+96’ + 86’||+99’ +84’ RES LEVEL RES LEVEL 10 9 LEVEL 8 | SPEC LEVEL 7 | COMMUNITY MEETING SPACE

+ 86’ | +84’

Cultural building, +76’typical and atypical lowerRES plans.LEVEL Lower fl9 RES LEVEL 8oors |offiofce the cultural building contain open LEVEL 7 | COMMUNITY COMMUNAL LIVING plans for Futuro and Firelight Media. MEETING The two non-profi ts share a SPACE production studio, promoting cross-pollination of ideas as well as shared resources. Cultural building, upper plans. The cultural building includes three floors of speculative open office plans, as well as a large semi-public meeting space on the level of the setback terrace. Penniman 79

1’ 6’ | +127’ OF TERRACE ROOF TERRACE | MMUNAL LIVING EL 10 | SPEC

6’ | +113 | +99’ LEVEL 11 LEVEL 10 EL 9 | SPEC EL 8 | SPEC

Residential building, typical and atypical lower plans. Lower ďŹ&#x201A;oors contain four studios and one 1-BR apartment, grouped around a central core and wet walls. A communal living room replaces a studio on one ďŹ&#x201A;oor, pairing shared living space with laundry. Residential building, upper plans. Typical upper ďŹ&#x201A;oors contain one studio, one 1-BR, and one 2-BR. A communal living room and kitchen replace a 2-BR adjacent to the setback terrace. Penniman 81

Communal living room. Several communal living rooms are programmed throughout the residential building, pairing functional amenities with gracious unprogrammed spaces meant to connect residents to the outdoors and promote interaction and community.

Penniman 83

Facade flexibility, 125th Street. Metal profiles are incorporated into the window frames and mullions of the cultural building. These hold flexible shades meant to control for privacy and sunlight, as well as serve as a billboard for sharing activites within. Facade flexibility, 124th Street. Curved metal profiles incorporated into the residential window frames host shades that provide sun control, and give the facade variation and character. Penniman 85

Detail model. A large model captures the continuous and folded nature of the projectâ&#x20AC;&#x2122;s ďŹ rst two, public levels.

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Detail model courtyard views.

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Public stair to elevated courtyard (view from restaurant). Visitors to the restaurant off of 125th Street have a front-row view of the monumental stair rising from the public lobby, up through a sunken courtyard, to the central elevated courtyard. The sunken courtyard also brings daylight down into the restaurant.

Penniman 91

Reimagining Social Housing, Tijuana The ten-thousand identical housing units of the Cañadas del Florido development contrast sharply with Tijuana’s vibrant culture of cross-border exchange: people, food, and notably, music. This project transforms Cañadas del Florido from an unrelenting monoculture of low-income housing to a music center for the city of Tijuana and neighboring areas. Municipal-scale intervention takes the form of three new public amphitheaters, which vary in size, play dual functions as performance spaces and needed public leisure space, and turn the site’s extreme topography into an asset. Connected by a central pedestrian way, the amphitheaters aim to give the neighborhood a sense of identity and draw people and business. Proposed public policy facilitates the purchase, consolidation, and transformation of abandoned housing units by existing residents, recognizing the creative and entrepreneurial spirit that already exists. Together, the three scales of intervention propose organic diversiﬁcation and formation of identity as a solution to Mexico’s epidemic of abandonment among social housing.

Critic Tatiana Bilbao | Spring 2015 Collaboration with John Keeley

Penniman 93

BAJA CALIFORNIA / TIJUANA

MEXICO / BAJA CALIFORNIA MEXICO / BAJA CALIFORNIA

BAJA CALIFORNIA / TIJUANA

TIJUANA MEXICALI TECATE

MUNICIPIO TIJUANA

JUAREZ

ROSARITO

ENSENADA

CHIHUAHUA

MONTERREY

DURANGO

CANCUN MERIDA

118

JALISCO

3.2 Million

BC Population

Million

Mexico population

MEXICO CITY

COLIMA

1.97

71.5 Thousand km2

BC Size

Million km2

OAXACA

Mexico size

25.9

1.3

Billion USD

BC GDP

Trilion USD

Mexico GDP

8.1

POPULATION

Thousand USD

GDP ($)

Thousand USD

Mexico GDP Per Capita

POPULATION 3%

SIZE (km2)

BC GDP Per Capita

3.5%

1.25%

4% 9%

STATE / MUNICIPALITY

49% 99%

COUNTRY / STATE 100%

91%

96%

Mexico: 1.296 trillion

Mexico: 118,395,054

Mexico: 1,972,550

Baja California: 25.9 Billion

Baja California: 3,155,070

Baja California: 71,450

CANADASDEL DEL FLORIDO CAÑADAS FLORIDO

Baja California: 3,155,070

Baja California: 71,460

Tijuana Municipality: 1,559,683

Tijuana Municipality: 879.2

DEL FLORIDO / HOUSING TYPOLOGY CAÑADAS CANADAS DEL FLORIDO / HOUSING TYPOLOGY

5.57

19 Thousand

6,400 Houses

Total Development

Population

280 - 370

0.9

Thousand Pesos

km2

3.5

6,400

per Dwelling Unit

Dwellings

Habitants

Canadas del Florido

52.8

71.1

Dwelling Unit Size

m2 5.9

Dwellings per Hectare

Density

7.8% of Dwellings

Vacancy

2.92

10.55

Resale Value

Size

9.24 20.5

- SAN DIEGO METRO / CANADAS DEL FLORIDO TIJUANA -TIJUANA SAN DIEGO METRO / CAÑADAS DEL FLORIDO

CANADAS FLORIDO / URBAN CONTEXT CAÑADAS DELDEL FLORIDO / URBAN CONTEXT

10 km

5.1

1.3

Million

Metro Population

Tijuana Population

16.2

0.64

Thousand km2

Metro size

Tijuana Size

200

Billion USD

CANADAS DEL FLORIDO

Metro GDP

Billion USD

Tijuana GDP POPULATION

SIZE (km2)

POPULATION 0.006%

0.4%

SIZE (km2) 0.14%

1.5%

MUNICIPALITY / SITE

CLOSEST METROPOLIS / SITE

Metro: 5,105,769

Metro: 16,194

Tijuana: 1,301,983

Tijuana: 637

Canadas del Florido: 19,172

Canadas del Florido: 0.9

Canadas del Florido: 19,172

Canadas del Florido: 0.9

LEVITTOWN/ BLOCK SCALE LEVITTOWN BLOCK SCALE

CANADAS FLORIDO BLOCK SCALE SCALE CAÑADAS DELDEL FLORIDO / BLOCK

100 M TYP 1 Level Detached BLOCK : Varies; average width 60 m

50 M EXAMPLE BLOCK : 60m x 250m

100 M

50 M

TYP 1 Level BLOCK : “Varies” 85m x 20m / 135m x 20m

Research grid. Tijuana’s position as the dominant center for economy, population, and culture in northwestern Mexico, and its close relationship to San Diego, create opportunities for Cañadas del Florido to harness the city’s ﬂuidity and energy. First, however, the neighborhood must overcome its relentless and cramped housing stock, which appears to be designed more at the scale of the automobile than an urban, human scale. Penniman 95

Existing conditions and opportunities in CaĂąadas del Florido. Evident in a site visit to CaĂąadas del Florido is the disjunction between the impoverished and disconnected design of public space, and the energy of the residents and their existing interventions.

Penniman 97

AMPHITHEATERS MAIN PEDESTRIAN ROUTE IMPROVED PEDESTRIAN PATHS RESIDENT IMPROVEMENTS

Masterplan. Three proposed amphitheaters are linked by a main pedestrian route, forming a spine of commercial and cultural activity through the center of CaĂąadas del Florido. These top-down improvements spur private resident improvements throughout the neighborhood, diversifying the site.

Penniman 99

TYPOLOGY PROGRAM TRANSFORMATIONS & INCENTIVES

BASE CONDITION _Attached units provide a unique opportunity for consolidation of housing units into larger, more diversely programmed spaces

up to 4 stories

100

COMMERCIAL

CHILD CARE

_Any resident may purchase abandoned units for half market rate if turned into ground ﬂoor commercial _INFONAVIT will provide renovation plans for aggregation and transformation

_Any resident may purchase abandoned units for half market rate value if turned into child care facilities _INFONAVIT will provide renovation plans and subsidize materials and construction costs

HIGH DENSITY RESIDENTIAL

TECH TRAINING / LIGHT INDUSTRIAL

_Any resident may purchase abandoned adjacent property for half market rate value if turned into rental housing units _INFONAVIT will provide materials and construction costs for expansion of aggregated units

_Any resident or educational entity (e.g. secondary school, university) may purchase 2-10 adjacent abandoned units _Mortgage payments will be decreased by half for duration of payment period as long as used for light industry _Hours of operation within space will be limited to standard daytime hours (9am - 6pm); not permitted for industrial uses that provide signiﬁcant pollution or noise _INFONAVIT will provide sample renovation plans for tranformation of units into open plan industrial facilities

Typology transformations. Adjusted policy would incentivize existing residents and institutions in Cañadas del Florido to purchase, renovate, and transform vacant units into spaces that might support more diverse programming. This includes commercial, high-density rental housing, daycare facilities, and light industrial.

Penniman 101

102

Plan of central amphitheater. A central, underutilized open space is transformed into an amphitheater that can be used alternately as public leisure space and concert venue. Working with top-down improvements to pedestrian ways, this amphitheater is meant to spur bottom-up transformation of surrounding units into mixed use amenities that might support, and be fueled by, new neighborhood identity as a center for music. Penniman 103

104

Section of central amphitheater and resulting neighborhood transformations. Amphitheaters take advantage of the siteâ&#x20AC;&#x2122;s extreme topography, both providing formal seating, and encouraging informal seating on surrounding unit rooftops. Conceptual model of central amphitheater and resulting neighborhood transformations.

Penniman 105

106

Central amphitheater during day and night. New amphitheaters would fulďŹ ll alternate functions at different times of the day and year: vibrant public spaces as well as venues for crowd-drawing performances.

Penniman 107

108

Conceptual model of central amphitheater and resulting neighborhood transformations. Top-down interventions (in basswood: amphitheater, supporting buildings, and improved pedestrian walkways) work in concert with bottom-up transformation of units (in teal) to redesign the neighborhood as a mixed-use urban area with a strong identity.

Penniman 109

110

CASIS Headquarters, NYC This design for New York headquarters for the Center for Advancement of Science in Space sees diverse program as an opportunity for CASIS to display its people, operations, and products, and increase corporate transparency to the public. A large wall, containing service and structure, bisects the site, consolidating private program to the south, and public program to the north, oriented towards a large public park. A series of continuous projections push through this wall, carrying public program into the private zone, and private program into the public. Linked by a continuous circulation system of public ramps, culminating in a conference center and auditorium at the top, visitors are given constant opportunities to interact with the private workings of CASIS. A uniďŹ ed exterior shell encases the building, creating tension where projections break through to offer further transparency to the public.

Critic Joel Sanders | Fall 2013

Penniman 111

112

Exterior rendering. Building as viewed from public park.

Penniman 113

114

UNIFIED ENVELOPE ENCASES PROJECTIONS & CIRCULATION

CIRCULATION SEQUENCE WEAVES THROUGH PROJECTIONS

PROJECTIONS PUSH PUBLIC & PRIVATE SPACE THROUGH ORGANIZING CENTRAL WALL

Site model. Building viewed from river. Site plan. Public and private urban forces enter building from different sides, but mix through internal circulation. Formal diagram.

Penniman 115

116

Floor plans. Lower Level: Exhibition; education. Ground Level: Public and private entrance; classrooms; meeting space. Level 2: CASIS open ofďŹ ce; payload control center and support; lounge. Level 3: CASIS private ofďŹ ce; exhibition. Level 4: Conference center and auditorium; exhibition. Site model, aerial view.

Penniman 117

118

Site section. Building opens to river park.

Penniman 119

120

Transverse section. Cross section shows interplay between public and private spaces across the central wall. Detail model.

Penniman 121

122

Interior rendering. Public circulation wraps through projections.

Penniman 123

124

Contents Professional

Design Studio

Yale Building Project Fabrication|Visualization

New York University Commons

Washington University Envelope

Hill Country Ranch Upgrade

Harlem MART 125

Reimagining Social Housing, Tijuana

110

CASIS Headquarters, NYC

126

Yale Building Project Construction Details

136

New Haven Courtyard House

146

Cross Chair

154

Hand Drawing

Penniman 125

126

Yale Building Project Construction Details Annually, students collaborate with a local housing agency to design and construct a single-family home through the Vlock Building Project. In addition to taking part in a full range of construction tasks at 118 Greenwood Street, my work focused on technical detailing of the building envelope, as well as design and fabrication of exterior elements and site. A visually porous envelope was a key part of making the compact, 1500 SF house feel gracious and spatially continuous with its exterior spaces, particularly those deﬁned by decks. These decks were designed and detailed as ﬂoating continuations of the interior, spilling down to meet the ground as waterfall steps, and delineated by cable railings that carry through the shadow lines of the house’s shiplap siding.

Critic Adam Hopfner | Spring/Summer 2013 Collaboration with Raven Hardison, John Keeley Photo credits: Neil Alexander

Penniman 127

128

Construction.

Penniman 129

STL CHANNEL EMBEDDED IN WALL RECEIVES TENSION CABLES

1” OVERLAP OF SIDING TO FOUNDATION

SEE DETAIL FOR COMPLETE STAIR CONSTRUCTION

FRONT DECK STAIR SECTION

FLAT STOCK POST BOLTED INTO DOUBLE STRINGER WITH 3/8” LAG SCREWS

SHIM SPACE BETWEEN STAIR RISER DECKING AND PARALLEL FACE OF ANGLED POST ANGLED POST BOLTED INTO RISER SUPPORT (SHAPED 2X8) WITH 1/8” LAG SCREWS METAL HANGERS BOLTED INTO 2X10 FRAME SUPPORTS STRINGER

STRINGER CUT FROM 2X12

FRONT DECK STAIR DETAIL

130

Front deck and stair details. Front deck and railings.

Penniman 131

VSS CO6 VSS CO6 SKYLIGHT WIDTH: 22 22 5/16” SKYLIGHT WIDTH: 5/16” FRAME WIDTH: 13/32” FRAME WIDTH: 19 19 13/32”

SOLARPANEL PANELAND AND SOLAR RAINSENSOR: SENSOR: RAIN 1/2” 551/2”

VSS CO6

SKYLIGHT WIDTH: 22 5/16” SKYLIGHT WIDTH: 22 5/16” FRAME WIDTH: 19 13/32” FRAME WIDTH: 19 13/32”

TYP. ASSEMBLY TYP.ROOF ROOF ASSEMBLY

STANDINGSEAM SEAMMETAL METAL ROOF STANDING ROOF ROOFINGMEMBRANE MEMBRANE ROOFING 3/8” PLYWOOD SHEATHING 3/8” PLYWOOD SHEATHING 2X10 LVL RAFTER w/ SPRAY-IN FOAM 2X10 LVL RAFTER W/ SPRAY-IN INSULATION FOAM INSULATION 1/2”GYP BD. 1/2” GYP. BOARD

STANDINGSEAM SEAMMETAL METALROOF ROOF STANDING ROOFINGMEMBRANE MEMBRANE ROOFING 3/8” PLYWOOD SHEATHING 3/8” PLYWOOD SHEATHING 2X10 LVL RAFTER w/ SPRAY-IN FOAM 2X10 LVL RAFTER W/ SPRAY-IN INSULATION FOAM INSULATION 1/2”GYP BD. 1/2” GYP. BOARD

DETAIL: CUT DETAIL:SKYLIGHT SKYLIGHTSECTION SECTION CUT

132

DETAIL: DETAIL: SKYLIGHT SKYLIGHTPLAN PLANCUT CUT

FS FSSO6 S06 SKYLIGHTWIDTH: WIDTH:45459/16” 9/16” SKYLIGHT FRAMEWIDTH: WIDTH:44 443/4” 3/4” FRAME

A702

Skylight technical details. Hearth/skylight. The house’s central space is deﬁned by a large wall of cabinets, and by overhead skylights.

Penniman 133

134

EXT. WALL ASSEMBLY EXT. WALL ASSEMBLY

3/4” HORIZ. SHIPLAP SIDING 3/4” HORIZ. SHIPLAP SIDING BUILDING WRAP BUILDING WRAP 3/8” PLYWOOD SHEATHING 3/8” PLYWOOD SHEATHING 1” INSULATION 1” INSULATION 2X6 STRUCT. FRAMING W/ 2X6 STRUCT. FRAMING AY-IN FOAMFOAM INSULATION SPRAY-IN INSULATION VAPOR BARRIER VAPOR BARRIER 1/2” PAINTED GYP. BD

WINDOW

SECOND FLOORFLOOR ASSEMBLY SECOND ASSEMB

WINDOW

1/2” FINISH BAMBOO FLOORING 1/2” FINISH BAMBOO FLOOR 3/4” PLY SUBFLOOR 3/4” PLY SUBFLOOR 2X10 TJI 2X101” TJIINSULATION 1” INSULATION 1/2” GYP. BOARD 1/2” GYP. BOARD

1/2” PAINTED GYP. BOARD

DOOR DOOR

FIRST FLOOR ASSEMBLY FIR ST FLOOR ASSEMB

FOUNDATION WALL

1/2” FINISH BAMBOO FLOORING 1/2” FINISH BAMBOO FLOOR 3/4” PLY SUBFLOOR 3/4” PLY SUBFLOOR 2X10 TJI 2X101/2” TJI GYP BOARD 1/2” GYP. BOARD

FOUNDATION WALL

R5 SUPERIOR WALL

1 3/4” PRECAST R5 SUPERIOR WALL 1 3/4” PRECAST CONCRETE FACE 8”CONCRETE CONCRETE FACE STUD 8” CONCRETE STUD 1/2” WOOD FURRING 1/2”WOOD FURRING

Side deck. Decks serve as continuations of interior kitchen and living spaces to expand the small house. Kitchen. Envelope details at cantilever.

SECTION: SIDE CANTILEVER SECTION: SIDE CANTILEVER FRENCH DOORSDOORS FRENCH

Penniman 135

136

New Haven Coutyard House This prototypical design provides a unique solution for difďŹ cult-to-develop sliver lots that proliferate throughout New Haven and other urban areas. Extending the full buildable length of the lot, the house is organized around a series of courtyards that integrate narrow side yards fully into the homeâ&#x20AC;&#x2122;s interior. Rooms, containing the main living spaces, alternate with joints, containing service space, and are paired with a small private courtyard. Glazing occurs only around these courtyards, and through the sides of bay windows that push out where courtyards push in. The interior is thus both visually continuous with the exterior, and buffered from adjacent lots.

Critics Alan Organschi, Trattie Davies, Peter de Bretteville, Herb Clark Spring 2013 Collaboration with Leah Abrams, Michael Miller, Boris Morin-Defoy, Nicholas Muraglia, Lauren Raab, Jonathan Sun

Penniman 137

138

Floor plan. The house acts as a series of programmed rooms and joints, each associated with an outdoor courtyard. Site section perspective.

Penniman 139

140

Street elevation. Exterior rendering. A series of outdoor courtyards offer complementary programming to adjacent interior spaces. Interior rendering. Courtyards allow for more porous, yet still private, interior spaces.

Penniman 141

142

Side elevation of house.

Penniman 143

144

Contents Professional

Design Studio

Yale Building Project Fabrication|Visualization

New York University Commons

Washington University Envelope

Hill Country Ranch Upgrade

Harlem MART 125

Reimagining Social Housing, Tijuana

110

CASIS Headquarters, NYC

126

Yale Building Project Construction Details

136

New Haven Courtyard House

146

Cross Chair

154

Hand Drawing

Penniman 145

146

Cross Chair Cross Chair exploits the dual nature of steel sheet: 1/8th-inch thin when viewed from one angle, and a wide, almost graphic profile when viewed from another. Two plasma-cut steel profile pieces intersect and weld together at the chair’s center to create a rigid structure, with mahogany infill pieces floating in between as surfaces for seat and back. Steel bar stock is welded between the two profiles, to provide additional rigidity and allow for the mahogany pieces to notch in, using friction rather than any mechanical or chemical fasteners to hold the chair together.

Critic Timothy Newton, Evan Sabatelli | Spring 2015

Penniman 147

148

Chair back details. Wood back and seat pieces notch into steel cross bars, without any mechanical or chemical fasteners. Process photos. Steel frame after welding and painting. Cross bars between main steel proďŹ les provide connection detail for seat and back.

Penniman 149

150

Chair from front.

Penniman 151

152

Chair seat. Chair from back.

Penniman 153

154

Hand Drawing Hand drawing used as a tool to investigate architectural details, volume, sequence, and human occupation of space.

Penniman 155

156

Passage.

Penniman 157

158

Romeâ&#x20AC;&#x2122;s coffers, column bases, ornament, light, shadow.

Penniman 159

160

Seats, occupied and vacant.

Penniman 161