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MORPHOSIS
New York, NY 2011 212.675.1100 Intern Architect Assisted on design development and construction drawing sets, presentation drawings, and model building for Gates Hall at Cornell University.
CRAB STUDIO
London, England
0044.207.846972
M.ARCH
2013 Arizona State University Capstone Thesis Design Excellence Nomination Research: collaborator for the book ENRIC MIRALLES: CONTINUING CONVERSATIONS by Catherine Spellman [ Jan-Sept 2012 ]
2012
Intern Architect Designer for a master plan competition for Aalto University in Finland, furniture design/shop drawings for the interior of Vienna Law School.
ENRIC MIRALLES BENEDETTA TAGLIABUE EMBT Barcelona, Spain 2009 +34.93.412.53.42 Intern Architect Conceptual design for Ikoyi House through formal studies with models, shop drawing for facade panels for Spanish Pavilion [2010 Expo].
ARCHI-TECTONICS New York, NY 2011 212.226.0303 Intern Architect Schematic design, design development, and material research for Siki Im Pavillion, SD for Ports 1961 Paris.
PROFICIENCIES Advanced : Intermediate : Basic :
Rhinoceros, AutoCAD, Adobe Design Suite Grasshopper, V-Ray Bentley Microstation, Graphisoft ArchiCad
REFERENCES: Scott Lee Principal, Morphsosis Architects
Randy Brown, FAIA
212.675.1100
s.lee@morphosis.net
402.250.5292
randy@randybrownarchitects.com
646.496.2349
chris@arandalasch.com
Randy Brown Architects
Chris Lasch Principal, Aranda/Lasch
RANDY BROWN ARCHITECTS Omaha, NE 2010-2014 402.551.7097 Designer Tasks include managing construction drawing and design development drawing sets for commercial and office projects, schematic design for a single family residence, and schematic design for multiple international design competitions.
MARK RYAN STUDIO Phoenix, AZ [ freelance ] 2013-2014 212.226.0303 Freelance Designer Schematic design proposals for Sho-Pai Headquarters and MarketplaceONE through design drawings, modeling, and presentation design.
STARKJAMES
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Phoenix, AZ 2013-2014 480.994.7340 Architect-In-Training / Superintendent GC Worked as project designer and general contractor superintendent on Lisa Sette Gallery and a 5,000 sf modern home in Phoenix. Tasks included programming, schematic design, design development, construction drawing, construction administration, shop drawings, and sub-contractor management and supervision.
JEFF GILLWAY
01 . 520 . 827 . 0757
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99 Eldert Street, Unit 2 Brooklyn, NY 11207 hjgillway@hotmail.com
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cornell 02 ikoyi house 03 siki pavilion 04 ports 1961 paris 05 ellipse house 06 river labs 07 aalto university 08 sho-pai 09 casa nita 10 performance 11 aperture house 12 bishopsgate 13 lightworks 14 law and society 01
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morphosis embt archi-tectonics randy brown crab studio starkjames
gates hall cornell university Se
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Location: Ithaca, ny m0rphosis architects Gates Hall is the Computing and Information Sciences Building at Cornell University, in which five months of my internship were spent working on the design development phase. My responsibilities included preparing drawings for a DD drawing set, redlines, preparing presentation drawings, and building numerous models of varying scales. I worked with a small team to build a detailed section atrium model, which served as a tool for our client to wholistically understand all that the atrium entailed. project team: Thom Mayne, Scott Lee, Ted Kane, Alayne Kaethler, Go Woon-Seo, Debbie Chen, Matt Lake, Jeff Gillway, Pavlo Kryvozub
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Location: Nigeria EMBT Arquitectes project team: Benedetta Tagliabue [princpal in charge], Danny Rossello [project manager], Jeff Gillway
[conceptual]
In Nigeria, a symbol of status is the roof of one’s home. The client had us design a sculpture of a proposed roof structure. The poetry behind the form is a rooted in how the sensuality of the curves bond the fractured planar pieces, and how the geometries lead you through the home. As a part of the design team, I built a series of models from conceptual forms to structural manifestations. In the final model, we built all primary beams in basswood, designed/ detailed all secondary structural beams in cherry wood, and finished byy modeling surfaces in balsa g all curved and planar p wood.
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s i k i i m pavilion Location: Arnhem, NL Archi-Tectonics
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project team: Winka Dubbeldam [principal in charge], David Barr, Seong Mo, Jeff Gillway, Matt Choot
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Siki Im pavilion is a temporary installation at the Mode Fashion Biennale in Arnhem. The form was derived from the cut patterns of sleeves from the fashion designer’s new line. By taking the shapes and wrapping/manipulating them, a negative is sculpted that allows one to inhabit the inverse of fashion. My involvement in the project included schematic design, design development, material research, and presentation drawings.
To further relate the architecture to fashion, Concrete Canvas was the material used. The material allows free form complex geometries as a result of stitching planar sheets. After the canvas is draped, it is saturated for hardening before the final finish details are made. With assistance from the manufacturer, I worked to develop details and connections between the Concrete Canvas and steel frame structure.
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p o r t s 1 9 6 1 : paris Location: Paris Archi-Tectonics project team: Winka Dubbeldam [principal in charge], Jeff Gillway, David Barr, Matt Choot, Wil Rodriguez
[conceptual]
While at Archi-Tectonics, I worked with Winka Dubbeldam (principal in charge) on schematic design for the Ports 1961 Paris store. Design was inspired by the 20th century French art nouveau movement. From my research and observation of that outline, I conceived the ideology of using “stolen geometries�. This entailed sculpting asymmetrical forms, repeated curves, and common radaii that were mirrored across the space intuitively to create specifically programmed niches of retail experience. These niche zones gave groups of shoppers a properly dimensioned space for browsing and socialization, creating an intimate boutique atmosphere in a large flagship store.
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ellipse house Location: Omaha, Nebraska Randy Brown Architects project team: Randy Brown [principal in charge] and Jeff Gillway
published in GA Houses 125 Project 2012
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My involvement in the project ranged from schematic design to design development, and included process modeling, process drawing, and presentation drawing.
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Ellipse house is nestled in a large wooded lot, adjacent to a scenic meadow along Hidden Creek. Form and geometry of the house are experiments at sweeping circulation along engaging architectural forms, directing to and creating a dialogue with views and contextual pulls. Second floor gallery space houses client’s art collection, reaches an armature to landscape, and offers an interstitial space to social program below.
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r i v e r probes Location: Elkhorn, Nebraska Randy Brown Architects [built]
RBA was commissioned by the University of Nebraska at Omaha Aquatic Toxicology Laboratory to design a series of on-site labs on each of the seven major rivers in Nebraska. Structures include a program of specimen tanks, water testing equipment, computer workspace, satellite feed, video log space, and private living/sleeping area for short visits by the researchers. Conceptual design derived from the folding planar form of flat keel river boats, which were key tools in the settlement of early townships in Nebraska. My tasks for this project included physical modeling and various forms of presentation drawing.
sleeping loft
bath/kitchenette
project team: Randy Brown [principal in charge] Chris Turner, Meg )’Mara, Jon Olsen, and Jeff Gillway
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rba I Awards Nebraska AIA Merit Award 2011
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Publications GA Houses 120 Project 2011 Architectural Record, May 2012 Interior Design, December 2012
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Otaniemi Campus A a l t o University Location: Espooo, Finland CRAB Studio project team: Sir Peter Cook, Ting Na Chen, Laurene Faure, Jeff Gillway, Tim Tai, Garrett Santo, and Lorenzo Bertolotto
[competition]
Our submission for the masterplan competition of the Otaniemi Campus of Aalto Unversity was centered on the concept of animated coherence. The primary element of formal language is the connectivity created by the bicycle tracks, linking all department buildings together with gravity around a singular node- a cycling ring containing a circular pond. Each of the department buildings share a scaled formal language which are the “noses� of the architecture. Each building expresses a different formal nose, each with unique identity, which contains the vertical circulation. My involvement in this project entailed conceptual development, facade articulation, modeling (physical and digital), and presentation drawing.
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Sho-Pai Tribal Headquaters SHELTER - SINGLE SLOPE ROOF
Location: Elko County, Nevada Mark Ryan Studio project team: Mark Ryan, Jeff Gillway
LIGHT - VIEW TO SKY
ANCHOR - COUNCIL CHAMBERS
BASE - LOCAL STONE WALLS
The Sho-Pai Tribal Headquarters building is municipal and community building for the Shoshone Paiute Native American nation. Program includes tribal leader offices, council chambers, exhibit/event space, and various community personel offices. The base of the buidling is composed of local stone, and above that is a large clearstory volume that offers a connection to the sky. The council chambers becomes a unique architecture- a conical form, oriented on the spiritually significant east/west axis, and penetrating through a large single sloped roof.
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starkjames
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Location: Paradise Valley, AZ 5,000 sf residence budget: $1.1million Starkjames designed by Weddle Gilmore Architects project team: Wesley James, Chris Cordell, and Jeff Gillway
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Casa Nita is a single family residence designed by Weddle Gilmore Architects. With Starkjames, I served as the general contractor superintendent on the project. The architecture consists of an Integra block envolope, structural steel components, wood framing, and glazing set into custom steel buckets and frames. Tasks include management of sub contractors, shop drawings, construction site management, and location verification of all components from sub grade through rough-in.
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performance aperture bishopsgate lightworks law and society
The Arizona Center for Law and Society consists of rather unconventional program components. In addition to classroom, faculty, administration, and library spaces, there are program elements that mix students, faculty, and the legal community. They include the legal clinics, community legal services, and institutes. The a-typical has become the heart of the building. The legal institutes are proactive in dealing with progressive topics such as native american law and immigration reform. Yet, they are serving in one of the most reactive and conservative states. The a-typical program is housed by an a-typical architecture- structurally, materially, and experientially. The architecture reflects a living geometry, one that changes and evolvesyet is caged.
law and society Location: phoenix, arizona 300,000 sf law school and research institution M.Arch capstone thesis studio critic: Rick Labonte
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The “egg� is an indoor/outdoor membrane. It is composed of a tension system, suspended by vierendahl trusses above, and wrapped in a PTFE tenflon fabric. The apparatus within is a compostion of rotated boxes on legs, allowing rooftop access on top of the box below.
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SOUTH The buidling uses a fritted glass double facade system. Panels are fractured vertically, tapereing from 9’ wide to 3’, and rotate to the northallowing each office to have a view to unfiltered, northern sky.
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project team: Jeff Gillway, Stacey McClure, Alex Ruiz
Location: Fort Worth, Texas 250,000 sf performing arts center ADE 522 5th year studio critic: Tom Powers
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By extruding visual art aspect of the program away from the performing arts form, a void is carved and pedestrian path is engaged. The resultant void becomes the multipurpose and trans-programmable lobby space, while the solid is inversely the fixed, rigid program.
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Location: Boyce Thompsen Arboretum Superior, Arizona 500 sf [12 prototypical units] ADE 521 5th year studio
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Dwelling units are part of the masterplan for ASU LightWorks research retreat facility. Roof is used to choreograph light according to programmed area- energizing zones at differing times of day. Bedroom roof is angled with articulated apertures for morning sun, while living room/kitchen roof aligned for penetration of late afternoon sun.
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skip-stop elevators are used in the residential building to maximize east/west light, which is ideal in London- as north light is minimal and south light silhouettes urban views.
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Location: Shoreditch London, UK 3 million sf masterplan and adaptive reuse ADE 621 6th year studio critic: John Meunier
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The Bishopsgate masterplan is a mixed use development in Shoreditch, East London. Located on the derelict site of the old Bishopsgate Goods Yard, the new development includes office, residential, educational, small/creative business, and recreational page commercial. The adaptive reuse of the overgrown 41 Braitwaite Viaduct vaulted structure is the primary project component- appropriated as an elevated urban landscape engaged by new residential development.
engage landscape
lightworks The project is an architecture that works with natural systems of ecology, sun, geology, and water. Spanning a desert wash, the building offers a rare elevated experience of these systems. Located along a circulation path between living and working spaces within a masterplan, there is an inlet and outlet to the building [with all circulation between spaces being outdoors]. The inlet is accepting and receiving of the landscape and groundplane, while outlet reflectively is a dialogue in which the floorplate meets the natural in a delicate and humble way.
Location: Boyce Thompson Arboretum Superior, Arizona 11,000 sf research facility ADE 521 5th year studio critic: Chris Lasch
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JEFF GILLWAY
01 . 520 . 827 . 0757
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99 Eldert Street, Unit 2 Brooklyn, NY 11207 hjgillway@hotmail.com
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