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JANUARY 2016 / V. 36 NO. 6 / www.allaboutbeer.com

YOUR BEST YEAR IN BEER 64 CAN’T-MISS FESTIVALS AND RELEASES PAGE 22

PLUS

Gifts for Beer Lovers Great Skiing and Beer Towns

THE LEGACY OF

Anchor Steam PAGE 76


?

FAULT OR

FEATURE

By KEN WEAVER

C

HASE HEALEY, founder and brewmaster of Prairie Artisan Ales in Oklahoma, is in his office staring up at a shelf lined with emptied Belgian beer bottles. The top row: all from Brasserie Fantôme, all (give or take) rustic saisons—and, all of them, points of inspiration for Prairie.

“Every one of them is in a green bottle,” says Healey. Around the start of 2015, following in the footsteps of brewers like Bob Sylvester of Florida’s Saint Somewhere Brewing Co., Healey started to package one of his beers into green bottles instead of brown, the latter generally considered the industry standard for its ability to keep most light from intruding. Healey picked Prairie-Vous Francais for the experiment: a small, 4% saison of a relatively simple nature, seasoned by Saaz hops. (Prairie also once did a green-bottle collab with Omnipollo from Sweden called Potlatch—though those were wrapped in paper.) “We know what’s going on chemically as far as beer being light-struck and the hops kicking out a sulfur compound that creates what people call a skunky flavor,” Healey says. “It’s just a chemical reaction with the sunlight and the compounds in the hops.” The actual compound generated is 3-methyl-2-butene-1-thiol, similar to the sulfur-containing thiols in skunk scent. Like most things, though, not everyone interprets the chemical the same way. Healey describes it as faint sulfur, pencil eraser or “like that underlying hint of Heineken.” A healthy dose of skepticism is probably a fair reaction. But one could point to the presence of common lambic descriptors like funk, goatiness and of course “horse blanket”—all typi-

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cally questionable in most other contexts but ultimately a key part of lambic’s nuance and appeal. “It’s a reaction that’s creating a level of complexity,” Healey suggests. “When we think about these beers that are relatively simple in their composition, being able to layer in complexity is what it’s all about: the subtleness that slight change can add to the overall flavor of the beer. “For me, my desire to do it was to capture that one element of flavor that I felt like in regular bottles we weren’t able to capture. Some people may not like it. Many brewers just think it’s completely a crime. But, for me, it was more about trying to create something that reflected the beers I was trying, and [using green bottles] was the one element that we weren’t doing.” All signs suggested a well-known fault was the feature he was looking for.

Differences of Opinion Chris Swersey serves as the Brewers Association’s technical brewing projects manager and has been competition manager of the Great American Beer Festival for the past 15 years. Swersey points to similarities in discussions about legitimacy in sour beers—particularly as brewers explore an increasing number of methods to create these types of beers. “Within sours, there is this ongoing conversation at


PHOTO BY MICHAEL DONK - BREWBOKEH.COM

Brewers Taking on Green Bottles and Conventional Wisdom

Chase Healey

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The conversation is a good thing. “We went for an awfully long time in this country without thinking very much about our beer,” Swersey says. The fact that vibrant, nuanced beer discussions exist now is highly encouraging. “You can decide for yourself what you like.” “I like to think back to conversations that I remember with Michael Jackson,” Swersey adds, referring to the late famous beer writer. “He was always very quick to point out that one of his absolute favorite British milds […] occasionally came with a little bit of diacetyl—just a little. And that was just fine by him.”

Green Mad Meg and More

Jeffrey Stuffings

many different levels. What’s legitimate as far as how you refer to the beer? What’s legitimate as far as how you make the beer?” By the same token, consumers are increasingly willing to follow brewers onto unfamiliar turf. “We have a modern and incredibly educated beer-consumer base now that expects so much but also accepts so much,” Swersey says. “They’re willing to try anything at least once. And they expect that it’s going to be something that they really like—and they’ll try it again—or they’ll move on.” It’s particularly dicey for elements like skunkiness. It is one of the core sensory components one is often trained to look for (and avoid) as flaws in different types of beer. Green apple character generally constitutes a flaw, indicative of acetaldehyde and questionable yeast management. Ditto for the buttered popcorn of diacetyl. Or the cooked cabbage of dimethyl sulfide (DMS). But it can also, ultimately, depend on context. For some styles, one could make an argument for small amounts of DMS or diacetyl being acceptable, or even a possible feature in certain limited cases. Sourness, now found presented as a feature in nearly every hybrid style imaginable, was, is and probably always will be a point of contention. Also: Societal acceptance of these things is also certainly subject to change over time.

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Prairie isn’t the only brewery going green. “This came really from our biggest inspirations for Jester King,” notes founder Jeffrey Stuffings of his Austin, Texas, brewery’s decision to begin testing the limited use of green bottles. “For instance, Brasserie Thiriez in Esquelbecq, France: Their Thiriez Extra is just one of the formative beers for our brewery, as well as Dupont Avril, the table beer from Brasserie Dupont.” Jester King was built around a desire to create beers in a similar vein to the above, “using as many ingredients from around our brewery as we could.” Other green-bottled inspiration: Cantillon, Blaugies, Fantôme, Cuvée des Jonquilles. … Stuffings had recently been chatting with the folks at Prairie. “They made Prairie-Vous Francais, which I thought was just amazing. And they seemed, at least maybe I didn’t see all the reception, but it seemed like they got zero shit whatsoever about that beer. Whereas we got hammered for putting Petit Prince in green bottles,” Stuffings reflects, laughing about the experience. “I think somehow Prairie flew under the radar with that one.” Starting with a February 2015 batch of Le Petit Prince, its 2.9% table beer, Jester King has been experimenting with green-bottling its own beer. Thus far the brewery has packaged Mad Meg (“farmhouse provisions ale”) and Noble King (“hoppy farmhouse ale”) in green bottles, too. “We started with beers that are very, very simple—not in their fermentations, which are very complex—but in their hop bill and grain bill and water profile.” Twenty percent wheat. Unfiltered well water. (The brewery’s also packaged a collaboration beer with Live Oak, Kollaborationsbier, in green bottles.) Jester King’s green bottles have mostly been sold on-site at the brewery, though the plan is to get some out into distribution and into accounts the brewers know can represent the beer well. Contrary to how some have interpreted the news,


Tasting Notes

they haven’t turned their entire production over to green bottles. Currently they’re working with quarter batches, bottling a four-pallet batch and making one pallet green. The brewers regularly check on the conditioning beer. “We’re getting chances now to do side-by-sides every week with green and brown bottles.” There’s a noticeable difference between the bottlings, PRAIRIE-VOUS FRANCAIS UNIBROUE ÉPHÉMÈRE SAINT SOMEWHERE with the sensory qualities of APPLE SAISON ATHENE Prairie Artisan Ales the green showing noticeable Tulsa, Oklahoma Unibroue Saint Somewhere Brewing Co. light-struck character, despite 4% | Saison Chambly, Quebec, Canada Tarpon Springs, Florida 5.5% | White Ale w/ Apple Must 7.5% | Saison getting relatively minimal Hazy golden straw with a dense The good kind of green apA luscious aroma that blends exposure to light during the head that laces the glass. The lightple. Before it’s even poured fruits like apricot, santol and struck aroma is unmistakable, but packaging process. Stuffings into a glass, roasted caramel tangerine. On the palate, there knowing that it was coming made finds the effect appealing in are tart lemon and the slight it almost welcoming. This is lemony apple envelops the room. It’s these particular types of beers: hard not to be reminded of hint of light-struck character tart on the palate, with a soft body interpreting it more as musty, a green apple Jolly Rancher and watered-down orange and creamy mouthfeel that gets a candy, but the coriander juice, and aggressive carbonearthy funk than skunk, comboost from moderate carbonation. adds a bit of a pielike eleation. Murky golden yellow Delicate earthy hops with some paring it to certain types of ment into the mix, creating a with a mousselike head that age are present and add yet anBrettanomyces character. He dissipates quickly. Grab a few other level of intrigue. A beer suited warming sensation that will wonders aloud if there might make this one a fall favorite, bottles, call some friends and to be shared with friends and not be something more to it especially for those who pair with a low-country boil paired with interesting, thoughtful enjoy apple picking. with some gulf shrimp. than just the standard skunkconversation. ing effect—particularly for the —These beers were tasted by John Holl mixed-culture beers under discussion. “Regardless: It’s just something that we love and at sour beer—at least in the United States—and say, don’t consider it an off-flavor.” ‘Oh, my god, what’s going on here? We can’t have this.’” Healey recalls the first time he was able to order one “Now it’s very much accepted as a good, enjoyable of his own green-bottled beers from a local bar, where trait in beer.” it had been stored in a lighted bottle case. It was only When Jester King made its initial green-bottle anthen that he realized he’d finally gotten the profile he’d nouncement, various brewers responded from their been aiming for. “It felt like we really nailed it.” experiences with skunked pale German- and CzechHe’s planning to package a lot of Prairie’s upcoming style lagers. “Maybe I agree with them,” Stuffings says. “I barrel-aged releases into green bottles. probably think that it is an off flavor in that context. But Of course, folks taking this approach have also had we’re specifically talking about mixed-culture fermentatheir fair share of negative responses. tion: funky, tart, Franco-Belgian-style farmhouse ales. “People that I don’t know at all have reacted nega“And I think,” he adds, “in that context, it’s a nice tively. People who I highly respect in the industry, part of the flavor profile.” professional brewers, have not cared for the character It’s very likely just a matter of opinion. The Jester that we get from the green bottles,” recalls Stuffings. King motto, written on every bottle: “We brew what “I would never say, ‘You’re wrong.’ It’s just a personal we like, drink what we want, and offer the rest to those preference thing.” (He does find it a bit troubling when who share our tastes.” people try to suggest his opinion is wrong.) Ken Weaver is the beer editor of All About Beer Magazine. He points to the increasing popularity of sourness Follow him (and his latest beer arrivals) on Twitter and as of late. “A decade ago, people would probably look Instagram @kenweaver.

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