Welcome to our February edition of In Focus magazine. Discover a curated selection of style and design inspiration from industry-leading experts and explore a handpicked collection of beautiful homes across Melbourne, central Victoria, and the coast. Find your dream home with Jellis Craig. 04 08 12
The New Interior Language for 2025
est
and design.
Business of design: Sorrento Contemporary
My Neighbourhood with Jerome Ferry
In this
and
Located on Victoria’s scenic Mornington Peninsula, this gallery offers an impressive permanent collection that champions Indigenous artists from across Australia.
living Editor Sophie Lewis reflects on the themes set to shape the year ahead in high-end residential architecture
article, Jerome shares his passion for living
working in Ascot Vale and his love for architectural design.
THE NEW INTERIOR LANGUAGE for 2025
At the helm of one of Australia's foremost design publications, est magazine and estliving.com editor Sophie Lewis shares her global perspective on the themes shaping high-end residential interiors in 2025.
In 2025, residential interiors are embracing vibrant accents and nostalgic hues. Orange, red, and brown—often paired together—have emerged as recurring themes in furniture and rug design, alongside a spectrum of purples, from deep eggplant to lilac, plum, and rhubarb. Leather furniture brand Baxter has leaned into these tones for their latest collection, as seen in their bed and armchair designs launched at Milan Design Week 2024. Meanwhile, outdoor furniture is evolving to mirror the quality and sophistication of interiors, with terracotta and olive green anchoring modular sofa designs and plush sun loungers. Silver, aluminium, mirror, and stainless steel continue to gain momentum as key materials and finishes. We see this on different scales in the home, from sculptural stainless steel kitchens to accent
aluminium table lamps. Travertine remains a popular choice, though the trend has shifted from warmer tones to cooler silver-hued variations, particularly in bathrooms and other functional spaces. Coloured glass has made a striking comeback, with smoky glass lighting and pastel blue and yellow glass furniture, such as shelving. Lacquer and gloss finishes are also re-emerging, enhancing curved forms in coffee table and cabinet design. Distinctive timber grains, including burl and zebra-like Ettore Sottsass veneers, are being employed to create evocative joinery, while gesso, plaster, and limewash continue to frame interiors with textural warmth and atmospheric calm.
Paris Apartment by Thiste | Photography by Thomas de Bruyne. Ettore Sottsass Veneer | Image Courtesy of Elton Group
Sophie Lewis est living Editor
The pursuit of comfort at home has inspired new sofa shapes, from the pillowy, low daybed designs by UK designer Faye Toogood for Italian brand Tacchini to the resurgence of backless sofas positioned as sculptural centrepieces in living rooms. Bespoke storage solutions are equally pivotal, particularly in smaller-scale homes and apartments, allowing kitchens, at-home bars, and other high-clutter spaces to disappear behind wall-flush doors.
Custom furniture and hand-crafted details are also taking the spotlight, fostering a dialogue between contemporary interiors and a home’s original features, such as those from the Arts and Crafts movement. Built-in elements like sunken lounges and dining banquettes are
becoming entertaining staples, while local artisans' custom lighting, including Melbourne’s Volker Haug, is being used to further personalise interiors.
Post-pandemic, the well-being of homeowners is at the forefront of residential architecture and design. Access to natural light, ventilation, and garden spaces has never been more important, alongside the integration of private wellness spaces. Saunas, steam rooms, indoor cold plunge pools, and home gyms underscore how our homes are increasingly being designed to serve as sanctuaries for the body and mind in 2025 and beyond.
Baxter So Soft bed by Studiopepe, launched at Milan Design Week 2024 | Photography courtesy of Baxter
Me and You lighting designed by Volker Haug in collaboration with Flack Studio | Photography by Pier Carthew
Business of DESIGN
Sorrento Contemporary and the legacy of Indigenous creativity
Australian Indigenous art captivates audiences with its beauty and storytelling, weaving heritage, landscapes, and ancestral wisdom into each brushstroke and pattern. In this article, we talk to Adam Knight, a distinguished Australian art curator, whose career has been instrumental in bringing Indigenous art to the forefront. As the visionary behind seven art galleries, including Mitchelton, Gallery of Aboriginal Art, and the recently opened Sorrento Contemporary, Knight is committed to showcasing the richness and diversity of Aboriginal Art to both local and international audiences.
What inspired you to open Sorrento Contemporary, and how does it reflect your vision for showcasing Indigenous art in Australia?
Our family were regular visitors to Sorrento and surrounds for many years. I love the feel of the area and the Peninsula in general.
We purchased a home in Blairgowrie 2 years ago and I was keeping a constant eye out for vacant suitable spaces. I was delighted when our current location became available as the space offers great presentation to the street and allows us to present a large number of works to the public even if they choose not to physically enter the gallery.
How would you describe the role of Sorrento Contemporary compared to your other galleries and the broader Victorian art scene?
Most galleries are destination galleries with established clientele however Sorrento Contemporary, like our other galleries, are all located in tourist orientated locations as we have found this to be an exceptional way of introducing Indigenous art to a broader market. Based on the locations we exist, we have created many passionate collectors who may never have started collecting through traditional approaches.
Sorrento Contemporary located on Victoria’s scenic Mornington Peninsula, offers an impressive permanent collection that champions both emerging talents and acclaimed Indigenous artists from across Australia.
You have dedicated your career to Indigenous art. What considerations go into selecting the works and the artists represented in your galleries?
As we have been in the industry for over 30 years, most of the artists we deal directly with, we have been dealing with either themselves or their family members for 20-30 years. This is a privileged position and one we take very seriously. We also work with 15 - 20 Government Art Centres, some of which support 100’s of artists. These relationships with art centres are long standing and highly valued.
Selecting works is complicated as there are several considerations in doing so. Like many things in life, the longer you do something - the better you get. My eye for art has matured over my career and seems to serve me well.
How does Sorrento Contemporary connect with the local community and engage visitors from the Peninsula and beyond?
As we are a relatively new space we are continuing to engage with the local community and the region. We recently donated a painting to the Sorrento Sailing Couta Boat Club 2024/25 Fundraising Campaign and we are also an enthusiastic partner of the newly formed Sorrento Galleries Campaign, whereby the 9 galleries intend to work together to promote Sorrento as an art precinct. We will continue to forge new relationships and support local causes when opportunities present.
What’s on the horizon for Sorrento Contemporary?
We intend on conducting specific exhibitions representing high profile artists who we feel suit the gallery and location. One such artist is Kate Constantine, whose works have been very popular at Sorrento Contemporary since our opening. Kate is a proud Gadigal woman of the Eora nation and a neo-contemporary Indigenous artist. She is re-imagining the traditions of her peoples’ dot painters and providing a modern narrative for all Australians to better understand First Nations People as part of the fabric of Australia.
Can you share a memorable experience that’s reinforced your passion for the art business?
In general, the genuine enthusiasm received from the constant gallery visitors is a highlight. Visitors often comment that they didn't realise Aboriginal artwork was so beautiful and contemporary. Many people had the view that Aboriginal artwork was just dots or earthy colours, with many purchasers often saying they never thought they would have bought a piece of Indigenous art for that reason. Our gallery changes views and starts conversations, and that is a wonderful outcome for all Australians.
Your gallery has gained a reputation for promoting Australian Indigenous artists and voices from the across the country. How do you see the role of these artists evolving in the global art market?
We have been fortunate enough to have worked with the identified founding artists of our movement. Artists such as Emily Kame Kngwarreye, Clifford Possum Tjapaltjarri, and Rover Thomas; their individual styles have been elevated to a serious level internationally, and deservedly so.
Artists who essentially came slightly later but exercised a style in the most artistically gifted and beautiful way such as Sally Gabori, Warlimpirrnga Tjapaltjarri, Yukultji Napangati, Daniel Walbidi, and Vincent Namatjira have also risen to international acclaim.
With the recent exhibitions and promotions by the likes of Steve Martin, and with support by industry leaders such as Larry Gagosian, the market appears very potent. The late Emily Kame Kngwarreye has a solo exhibition at the Tate Modern next year.
Are there any emerging trends or movements within Indigenous art that you’re particularly excited about or believe will shape the future of the industry?
As art movements go, Aboriginal Art could be considered still in its infancy as it has been running for a relatively short period of time.
It is the only art movement in our history to completely evolve out of itself, i.e. most other art movements are an evolution or adaption of a previous movement. Whilst the works are generated with cultural knowledge and wisdom, their outstanding visual cannot be ignored.
The number of Aboriginal artists creating new, inventive, beautiful yet contemporary works derived from their cultural knowledge and ancestors is extraordinary, with new stars arising all the time.
The second or third generation of artists is a very exciting progression to observe, with the collision of cultures from all over the world having an impact on Aboriginal Art. Aboriginal artists are now being considered amongst the most important contemporary artistsnot just protectors and promoters of cultural knowledge.
With over 16 years of experience living and working in the area, Jerome Ferry offers a unique perspective on Ascot Vale’s charm, its evolving property market, and the close-knit community that makes it a standout choice for families. From his favourite local spots to expert advice for sellers and buyers, Jerome shares his passion for real estate, his love for architectural design, and his personal journey as a renovator and father of three.
Talk to us about the Ascot Vale area and why it makes such a great location for young families like your own?
I'm a proud dad to three young kids, and I absolutely love raising my family in the heart of Ascot Vale. To me, it's the perfect place for families – quiet, leafy streets, friendly neighbours, and so much to do. Weekends are all about family adventures, whether it’s a walk along the Maribyrnong River, out for breakfast on Union Road or taking the kids for a play at one of the many local parks. With excellent schools nearby, and a strong community vibe, I honestly couldn't imagine a better place to call home.
After living and working in Ascot Vale for 16 years, what changes have you seen in the property market over this time?
It’s been incredible to see the positive changes that have shaped the area and its property market. The suburb has grown into one of Melbourne’s most sought-after locations, with its mix of heritage charm and modern conveniences attracting families, professionals, and investors alike.
What initially drew you to real estate, what do you love about it and how has your career evolved over time?
I’ve always had an interest in architectural properties, even from a young age. At 20, I approached about 6 offices before landing my first job alongside Simon Mason—someone I’m proud to still work with to this day.
In the beginning, it was tough. We had little recognition in the marketplace, and at the time, we were a new brand in the area. Through determination and perseverance, we gradually built our reputation and established ourselves in the community.
Today, I work within a fantastic team of five, and I feel incredibly fortunate to be surrounded by truly exceptional colleagues. What I love most about this job is that no two days are ever the same—we’re always learning, growing, and improving.
Ascot Vale
What do you think is the key to developing genuine rapport with sellers and buyers?
It is about listening and understanding a clients needs. Everyone’s situation is different, and taking the time to hear their story, their goals, and their concerns makes all the difference. It’s about being approachable, honest, and keeping communication open—whether that’s answering a quick question or providing regular updates, so they always feel informed and supported.
Tell us about your most memorable sale, and what made it so special?
My most memorable sale was a property at 26 The Parade, Ascot Vale.
This sale was particularly special because, initially, I missed the opportunity to list the property. It was sold to my clients in its original condition, and they then undertook a massive renovation project. Later, I was fortunate enough to represent them when it came time to sell.
We achieved a record-breaking result for the area at the time, which significantly bolstered my credibility in the premium marketplace. The attention to detail in the renovation was exceptional, making the home a standout and a joy to present.
Focus on creating anunforgettable firstimpression.
What advice would you give to a seller looking to make their property stand out in a competitive market?
My advice is to really focus on creating an unforgettable first impression. Start by ensuring the basics are spot on—declutter, deep clean, and make the space feels light, fresh, and welcoming. A coat of paint in a neutral colour can work wonders to brighten up a room, and don’t overlook curb appeal—tidying up the garden, adding some greenery, or even sprucing up the front door can set the tone before buyers even step inside.
Staging can also be a game-changer, helping buyers picture themselves living in the space. A few stylish furnishings, thoughtful decor, and a warm, inviting atmosphere can create that emotional connection buyers are looking for.
Lastly, don’t underestimate the impact of a high-quality marketing campaign. Professional photography, engaging property videos, and creative marketing strategies ensure your home reaches the right audience and leaves a lasting impression. With the right preparation, presentation, and team by your side, you’ll have buyers falling in love with your property before they’ve even stepped through the door.
What trends in architecture or interior design have caught your attention recently, and how do they align with what buyers are looking for?
The Art Deco era is one of my favourite periods to work with. We sell many properties in Travancore, which showcase this beautiful early 1900s architecture. The curved features, intricate brickwork, and ornate plastering of this era are increasingly being incorporated into modern builds, which is fantastic to see.
What is the best piece of advice you've received?
All things take time. Some of the properties I am selling at present have taken years of communication. Another great piece of advice is to remain both hungry and humble.
What is a must-read book or podcast you recommend?
I’m a big fan of “The Imperfects” Podcast and listen to it most mornings while out running.
Book recommendation: The 5AM Club.
Whether you are thinking of the next move or just want to consider your options, a property appraisal is the first step towards your future. Request an appraisal from Jerome Feery today.
Nestled in vibrant Northcote, this reimagined California bungalow – affectionately nicknamed “Magic” – offers a masterclass in transformation.
Expressions of Interest
Closing Tuesday 25th February at 3:00pm
51 Sussex Street, Brighton
Expressions of Interest
Closing Wednesday 19th February at 5:30pm
$2,950,000 - $3,245,000
Jellis Craig Fitzroy
Auction
Saturday 22nd February at 11:00am
63 Malin Street, Kew
Price
$3,100,000 - $3,300,000
Jellis
2 Jacka Street, Essendon
Architecture Architecture has transformed late modernist foundations into a captivating contemporary oasis.
Magnificent contemporary masterpiece
Auction
Thursday 20th February at 5:30pm
1 Thanet Street, Malvern
3 beds, 2 baths, 334.0sqm approx
Price Contact Agent
Jellis Craig Armadale
Carla Fetter 0423 738 644
Ashley Maikousis 0428 541 735
David Sciola 0408 598 242
Richmond Square marks the next chapter in Richmond’s renaissance with its final residential release: a boutique collection of 2–3 bedroom residences starting from $1.59m. Set to become a vibrant precinct, it features serene, high-end apartments, design-led strata suites, and a curated selection of specialty retail, hospitality, and wellness experiences at ground level—all just moments from the iconic corner of Swan and Church Streets.
Developed by Fortis and designed by award-winning studios, SJB and Hecker Guthrie, these residences combine luxurious finishes, seamless functionality, and a contemporary aesthetic to create private retreats of unparalleled sophistication. With never-to-built-out views of Melbourne’s CBD, the exceptional rooftop amenities— including private dining rooms, BBQ facilities, a pizza oven, and a terraced picnic lawn— offer the ideal backdrop for relaxation and refined entertaining.
With construction now underway by Hacer, and due for completion in Q4 2026, Richmond Square embodies Fortis’ dedication to crafting aspirational, timeless precincts that honour and celebrate the rich cultural fabric of their communities.
Contact Stephen Bowtell 0455 038 022
Developer Fortis
Landscape designer & architect Acre
Residences from $1,590, 000 2-3 beds, 2-4 baths, 1-4 cars.
Builder Hacer
richmondsquare.com.au All images are artistic impressions
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neighbourhood. Suburb Reports
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Head to jelliscraig.com.au/suburb-reports to download your report today.
