J. J

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portfolio jennifer jiang


Portfolio cover: Independent Work 2014 A personal motto an anchor to be mindful and receptive to the surrounding environment, and what both living and non-living can foster to each other.


01 Solar Decathlon 2018 02 Soft Densification 03 Irish Memorial Museum 04 Pop-Up Shelter 05 Sylvestre 06 Tessellating Skin 07 Morphospace

5 13 21 33 37 39 45

08 miscellaneous work

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model I 1:20


01 SOLAR DECATHLON 2018 McGill University international architectural competition http://teammtl.ca/ fall 2016 - present, extracurricular faculty lead: Michael Jemtrud architectural lead: Benjamin Wareing architecture team partners: Zhong Cai, Marine de Carbonnières, Kurin Wang locations: Montreal & Dezhou, China I 125 m2 The International Solar Decathlon China 2018 will take place in Dezhou, China next summer. More than 20 university teams will compete under the mandate to design and construct a fully functional and permanent passive house. The deep-performance dwelling is a unique synthesis of two housing typologies: Montreal’s urban rowhouse typology and China’s traditional Siheyuan courtyard house. The results offer a dense residential prototype dealing with emergent and contemporary concerns in sustainability, affordability, and social adaptability.

conceptual isometric I volumetry

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I

The design considers the ongoing transformation in the social dynamics and variability of the contemporary family unit as a primary driver for innovation toward urban sustainability. The need for flexibility and adaptability over time for diverse living configurations is an inspiration for the articulation of the deep-performance dwelling. This hybrid programmatic intention, intertwined with high-performance building aspirations, is the heart of the the design philosophy.

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possible configurations

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IV

hybrid program I flexiblity, adaptability

I. single family dwelling (ex: parents with children) II. extended family dwelling (ex: parents with grown up child) III. multi-family dwelling (ex: parents with tenant) IV. intergenerational dwelling (ex: young couple with elderly couple)


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I

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II row houses typology

The deep-performance dwelling is an innovative exemplar that represents a possible future of affordable urban housing. It includes different layers of private/shared public spaces intented to answer pressing gobal challenges of urban density, affordable housing, and environmental and cultural sustainability.

urban context I affordable housing

I. couryard is shared between all the units II. courtyard is shared between all the houses. A common garden space is located on the ruelle/rear side of the houses. There is a shared universal accessible ramp. infill typology III. enclosed backyard and universal accessible ramp IV. parking lot and universal accessible ramp V. front and back garden and universal accessible ramp

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isometric collage I neighborhood


isometric collage I central courtyard

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renders I fall (infill front facade), winter (in a row front facades), summer (in a row ruelle/rear facade)


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model I 1:500


02 SOFT DENSIFICATION Brussels

Université catholique de Louvain winter 2016, exchange semester instructors: Philippe Honhon, Ariane Van Craen partner: Laly Dhainaut location: Beersel, Belgium I territory 85 000 m2 proposed unit: 70 m2

hypothèse: ce tissu urbain peu dense est soumise à une pression foncière. Nous proposons de renforcer les qualités intimes du tissu résidentiel tout en créant un milieu de vie accueillant et ouvert à la nature et à ses habitants. Deux logiques s’opposent en apparence: l’augmentation de la densité d’une part; et le maintien d’une qualité de vie individuelle existante de l’autre.

Beersel

hydrography I Senne river from Brussels to Beersel

1. 70 m2, 3 niveaux maximum: une nouvelle forme d’habitation qui s’harmonise et s’adapte à la population actuelle. La morphologie résidentielle est principalement composée de villas à 4 facades occupant chacune une généreuse parcelle et de maisons en rangée. 2. 4 m setbacks, juxtaposition d’espaces privés et d’espaces collectifs/communs. L’introduction de terrasses/balcons privés et de potagers collectifs et jardins communs. 3. un lien social, visuel et écologique entre les habitans à l’aide de corridors et de jardins communs. 13


Ruisbroek

Drogenbos

Beersel

gravel_dryscape

Irish Memorial Stone

villa house

wall w/ openings

grand territory plan I 1:10 000

row house wall w/ access

grass_sunken courtyard drainage sytem

corten steel_follies

concrete_path + parking glass roof_atrium

corten steel roofing

commercial/industrial opaque wall

concrete_urban furniture

implementation

green space

community garden


current situation: 97 units (individual houses) concrete_path + parking concrete_urban furniture gravel _dryscape grass_sunken courtyard corten steel_follies villa house row house commercial/industrial implementation proposed implementation: 309 units (individual houses, shared properties/condominums Irish Memorial Stone

wall w/ openings

implementation plan I 1:2 500

wall w/ access

drainage sytem

corten steel roofing

opaque wall

glass roof_atrium

green space

community garden

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photographs, collage I adjacent page: densification catalogue, diagrams


opaque wall

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

wall w/ access 1

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wall w/ openings existing

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opaque wall wall w/ openings and/or access

PRODUCED BY AN AUTODESK PRODUCED EDUCATIONAL BY ANPRODUCT AUTODESK EDUCATIONAL PRODUCT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRODUCED BYPRODUCED AN AUTODESK EDUCATIONAL PRODUCT EDUCATIONAL BY AN AUTODESK PRODUCT PRODUCT PRODUCED BY ANEDUCATIONAL AUTODESK

option b 70-100 % built 4 front porch

green space

pedestrian path

implementation 1

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option c 70-50 % built 3 in between

option d 50-30 % built 4 in between front porch

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PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

option g 0 % built

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PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

option f 30-0 % built 3 in between front porch

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PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

100 % mitoyenneté

X % mitoyenneté

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

option e 50-30 % built in between

0 % mitoyenneté

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PRODUCED BY EDUCATIONAL AN AUTODESK EDUCATIONAL PRODUCT PRODUCEDPRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT PRODUCT BY AN AUTODESK

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community garden

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PRODUCED BY AN AUTODESK PRODUCT EDUCATIONAL PRODUCED BYPRODUCED ANEDUCATIONAL AUTODESK EDUCATIONAL PRODUCT BY AN AUTODESK PRODUCT

option a 100 % built

PRODUCED BY EDUCATIONAL AN AUTODESK EDUCATIONAL PRODUCT PRODUCT PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCED BY AN AUTODESK PRODUCT

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typology I

a1 a2 a3 options

typology II

typology I

L0

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b1 b2 b3 b4 options

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duplex simplex

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multifonctional space simplex simplex

duplex simplex

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c1 d3 e2 f2 options

c3 d4 e3 f3 options

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simplex simplex simplex

L2

1 1/2 1 1/2

densification plans I flexibility of typology, of inhabitation, of program I 1:500

simplex duplex


typology II

typology I

typology II

L0

L1

c1 d1 d2 e1 f1 options

L2

multifonctional space simplex simplex

simplex duplex

simplex simplex simplex

simplex simplex simplex

multifonctional space duplex

L0

L1

L2 g1 g2 g3 options

multifonctional space duplex

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bird’s-eye view render


03 IRISH MEMORIAL MUSEUM McGill University fall 2016, construction & design III instructor: Howard Davies partner: Maha Benhachmi annual walk to the memorial stone from St Gabriel’s Church

main & secondary paths

subterranean path

concept diagram I translating procession & fragmentation of programs

location: Griffintown, Montreal I 46 360 m2 2 footprint 3 750 m Pilgrimages to the Irish Black Stone take place annually to commemorate the 6 000 immigrants who died of typhus around 1847. Our proposal translates this annual walk to our site by moving the Stone onto the memorial landscape. Simple and strong Corten steel formations set the voids between the elements and frame the freer procession to the stone and/or the museum entrance. ground level I the dryscape: the open-ended setting blends buildings from follies and urban furniture, offering temporary exhibitions and installations in and around the follies. The events taking place speak of contemporary issues of trauma and immigration. subterranean level I the exhibition: accessible from both (north & south) entrances of the site, the Irish museum, the administrative center, the library & research center, and auditorium, all are acessible from the lower level. 21


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2. gravel_dryscape

Irish Memorial Stone

gravel_dryscape

1 A100

Irish Memorial Stone

grass_sunken courtyard drainage sytem

grass_sunken courtyard drainage sytem

site plan I roof & drainage system 1:2 500

corten steel_follies corten steel roofing

corten steel_follies corten steel roofing

concrete_path + parking

concrete_urban furniture

glass roof_atrium

concrete_path + parking glass roof_atrium

concrete_urban furniture


accessible from ground level 1. parking lot 2. estrades 3. Irish soccer field 4. Irish sports & community center 5. public & administrative center (south access to museum)

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75

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A300

accessible from underground level 6. auditorium space 7. library & reserach center 8. temporary exhibition rooms (Irish related content) 9. permanent exhibition room (Irish history) 10. atrium space (resting area,ticket reception ) 11. north access to museum

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gravel_dryscape

gravel_dryscape

grass_sunken courtyard

grass_sunken courtyard Irish Memorial Stone

Irish Memorial Stone

1 A102

drainage sytem

constructionplan I subterranean path 1:2 500

corten steel_follies

corten steel_follies

drainage sytem

corten steel roofing

corten steel roofing

concrete_path + parking

_urban furniture concrete_path +concrete parking concrete_urban furniture

glass roof_atrium

glass roof_atrium

23


An passive approach The aim is not to direct one’s experience of and in the memorial, which relates to the understanding of the ungraspable nature of trauma. The previous idea can also relate to the lack of interest in the symbolism and signification in this space is to allow for multiple understanding and paths.

1.

2.

1. public & administrative center 2. Irish Commemorative Stone 3. sunken courtyard

timeline renders I memorial landscape

3.


An active approach The museum is composed of different rooms linked by an subterranean path. Accessible from the north and south entrances of the site. A controlled setting is used for a better content curation, and choregraphed object-subject experience throughout the underground space.

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4. atrium space 5. exhibition path 6. temporary exhibition room

timeline renders I exhibition path

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01

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ground level I public & administrative center (access to museum) 1:500

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1 A100

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glass

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10 11 015: office 016: Office space 017: Loading room 018: Satellite mechanical room 019: Staircase 020: Outdoor courtyard

rnitu

08 05 06 07 09 008: Children’s storage space 009: Girl’s washrooms (children’s gallery space) 010: Boy’s washrooms (children’s gallery space) 011: Women’s lockers & washrooms (office space) 012: Men’s lockers & washrooms (office space) 013: Kitchenette 014: Office

an fu _urb

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01 02 03 001: Vestibule 002: Event space (0 level) 003: Ticket and information desk A First-aid area 004: 005: Cloakroom 006: Storage 007: Children’s gallery space

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subterranean level I public & administrative center (access to museum) 1:500

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027: Women’s lockers & washrooms (public) 028: Men’s lockers & washrooms (public) 029: Kitchen 030: Café stand 031: Café

conc

021: Event space (-1 level) 022: Boutique area 023: Collective storage 024: Boutique storage 025: Main mechanical & air condenser room 026: Waste, recycle & maintenance room

rnitu

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F


PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRODUCED BY AN AUTODESK EDUCATIONAL PROD

1 A400

long section I subterranean path 1:500


DUCT

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PRO


R1(R-43) 40mm concrete finish 350mm concrete hollow core slab with foam insulation 80mm concrete topping with steel mesh air barrier 152mm polyurethane foam insulation 25mm cement board roof membrane 90mm gap 10mm corten-steel sheet welded to HSS and steel angle frame

rubber roof support supporting frame corten steel sheet

1100mm high perforated corten-steel guard

P1 air barrier 25mm cement board 51mm polyisocyanurate rigid insulation air barrier 200mm reinforced concrete structural wall air barrier 152mm polyurethane foam insulation 25mm cement board 50mm gap 10mm perforated corten-steel sheet

reinforce concrete beam

2 A400

F1(R-36) 102mm polyisocyanurate rigid insulation air barrier 200mm reinforced concrete slab 80mm radiant floor with heating mesh

The use of opaque & perforated corten steel claddings reflect Griffintown’s industrial past into present days echoes. The perforated sheets mask the openings when illumination is higher outdoor than indoor (integrating programed masses with follies/ urban furniture.) 1 A400

1 A400

WALL SECTION 1:10

wall section I public & administrative center 1:50

100x100 HSS argon triple pane glazing

3 A400


MAHA BENHACHMI I JENNIFER JIANG

heat sink housing

ARCH 405 I DESIGN AND CONSTRUCTION III MCGILL UNIVERSITY

electric box CONSULTANTS

ground floor ARCHITECTURE STRUCTURE LIGHTHING MEP

HOWARD DAVIES AMIR MOFIDI CONOR SAMPSON LAURENT LAFRAMBOISE

2 A402

SPREDLITE CLP PV/9 cove mounted LED grazing luminaire 2 A402

Fixture 1 detail I detail lighting fixture E602 1:5 1:20

supporting frame welded to corten-steel screen supporting frame welded to corten-steel screen 100x100 HSS welded to a steel angle 100x100 HSS welded to a steel angle

R2(R-26)

92mm false concrete ceiling 400mm MEP space 350mm concrete hollow core slab 80mm concrete topping with steel mesh vapor barrier 50mm polyisocyanurate rigid insulation water retention mat 38mm coarse gravel permeable mat 127mm soil MAHA BENHACHMI I JENNIFER JIANG 100mm gravel

MAJJ MAJJ

MAHA I JENNIFER JIANG III ARCH 405BENHACHMI I DESIGN AND CONSTRUCTION MCGILL UNIVERSITY F1(R-36) ARCH 405 I DESIGN AND CONSTRUCTION III 102mm polyisocyanurate rigid insulation MCGILL UNIVERSITY CONSULTANTS CONSULTANTS ARCHITECTURE STRUCTURE ARCHITECTURE LIGHTHING STRUCTURE MEP LIGHTHING MEP

f support support gf frame g elframe sheet el sheet

2 A400

oncrete beam oncrete beam

2 A400 2 A400

air barrier 200mm reinforced concrete slab 80mm radiant floor with heating mesh

W2 (R-42)

HOWARD DAVIES 200mm reinforced concrete structural wall AMIRair MOFIDI HOWARD DAVIES barrier CONOR SAMPSON 152mm AMIR MOFIDIpolyurethane foam insulation LAURENT LAFRAMBOISE 25mm cement board CONOR SAMPSON LAURENT LAFRAMBOISE

underground floor

reinforced concrete beam concrete beam recessed reinforced curtain system recessed curtain system

CURTAIN WALL TO CEILING CONNECTION DETAIL 1:2 CURTAIN WALL TO CEILING CONNECTION DETAIL 1:2

detail I curtain wall to ceiling connection 1:10 perforated corten-steel screen perforated corten-steel screen

R1(R-43) 40mm concrete finish R1(R-43)

angle frame

P1 air barrier P1

10mm perforated sheet Wall section 1 corten-steel

F1(R-36) E100 1:10 102mm F1(R-36)polyisocyanurate rigid insulation air barrier 102mm polyisocyanurate rigid insulation 200mm reinforced concrete slab air barrier 80mm floorconcrete with heating 200mmradiant reinforced slab mesh 80mm radiant floor with heating mesh

3 A400

1 A402

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CURTAIN WALL TO FOOTING CONNECTION DETAIL

detail I1:2 curtain wall to CONNECTION footing DETAIL connection A400 CURTAIN WALL TO FOOTING 3 A400 1:2 1:10

wall section I subterranean path 1:50

MONTREAL IRISH MONUMENT PARK FOUNDATION MAJJ architecture

DRAWN BY APPROVED BY

25mm cement board air barrier 51mm rigid insulation 25mm polyisocyanurate cement board air barrier 51mm polyisocyanurate rigid insulation 200mm reinforced concrete structural wall air barrier air barrier 200mm reinforced concrete structural wall 152mm polyurethane foam insulation air barrier 25mm board foam insulation 152mmcement polyurethane 50mm gap 25mm cement board 10mm gap perforated corten-steel sheet 50mm

S eSpane glazing e pane glazing

footing

IRISH base MEMORIUM MUSEUM

350mm concretefinish hollow core slab with foam insulation 40mm concrete 80mm steelwith mesh 350mmconcrete concretetopping hollow with core slab foam insulation air barrier 80mm concrete topping with steel mesh 152mm polyurethane foam insulation air barrier 25mm cement board foam insulation 152mm polyurethane roof membrane 25mm cement board 90mm gap roof membrane 10mm gap corten-steel sheet welded to HSS andCLIENT steel 90mm angle frame 10mm corten-steel sheet welded to HSS and steel

IRISH MEMORIUM IRISHMUSEUM MEMORIUM MUSEUM

E600

R2 (R-26)

LIGHTING DETAIL

92mm concrete ceiling 400mm MEP space 350mm concrete hollow core slab 80mm concrete topping with steel mesh vapor barrier 50mm polyisocyanurate rigid insulation water retention mat 38mm coarse gravel permeable mat 127mm soil 100mm gravel

F1 (R-36) 102mm polyisocyanurate rigid insulation air barrier 200mm reinforced concrete slab 80mm radiant floor with heating mesh W2 (R-42) 200mm reinforced concrete structural wall air barrier 152mm polyurethane foam insulation 25mm cement board

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perspective render


04 POP-UP SHELTER second prize, construction competition Tongji University International Construction summer 2015, extracurricular mentor: Howard Davies partner: Ariela Lenetsky, Camille Charest, Merit Shokry, Sara D’Amato location: Shanghai, China The Shelter is meant as a widespread solution to homelessness. Until society works out a larger solution, widespread homelessness is not going away anytime soon. Inspired by Tokyo’s homeless people who reside in regrigerator boxes, our vision is to bridge the gap between design and humanity by raising awareness of the homeless issue, and inspiring collaboration toward the cause of alleviating this issue. It is designed to serve as a transitional shelter that provides a private, comfortable and inspiring structure for the people in the street until a permanent home is found. It is constructed using simple carboard and steel connectors that allow for being lightweight and portable while being economical and recyclable. In addition to the material qualities, the structure and the mechanics of design is an adaptation of the ancient Japanese art of paper folding called origami in combination with Chinese hand-held fan mechanics. folded mechanism diagram I portability

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exploded construction isometric I transition frames of full size model


The advantage of implementing the Pop-Up Shelter as a solution to homelessness is that the units fold open while in use and fold down to a fraction of its size for ease of transport. Each Pop-Up Shelter can house one or two people and its folds are erected in a few seconds, no assembly required. Once the shelter is damaged beyond use, its materials can be entirely recycled.

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05 SYLVESTRE CABANES temporal design et architecture event organised by Odace Événements summer 2017, extracurricular partner: Pascale Bornais-Lamothe (ADHOC architectes) and other volunteers location: Mont-Royal street, Montreal

L’archétype de la cabane comme mini-maison est porteur de tout un univers ludique. La forme du toit à deux pentes renforce la typologie traditionnelle de la cabane. Ce dernier résonne avec les souvenirs d’enfance de la cabane en hauteur, d’un refuge dans la forêt. L’accumulation des tubes en carton renforce la verticalité et la densité d’une forêt. Matériau récyclé fourni par Cascades, les tubes créent une canopée filtrant la lumière comme les rayons de soleil à travers le feuillage des arbres, créant un jeu de lumière au sol.

temporal installation on Mont-Royal street I full scale

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3dprint photographs


06 TESSELLATING SKIN McGill University fall 2015, digital representation instructor: Clothilde CaillÊ-LÊvesque partner: Sarah Beauchamp Evdokias 123D Catch, rhinoceros, grasshopper, 3dsmax, 3dprinting What originally interested us the most in the meshes created from the scanned bench at Bonaventure station is the micro rippled pattern evident on the bricks, rather than the shape of the bench itself. We set out to explore the singular condition of this three dimensional pattern, being that it is curved organically on the one side while it is more angular and geometric on the other side. This informed our design up to this point, as can be seen in the replicated arch pattern we have created. The top of this topography-like grid is smooth, occluding the sharp extrusions of the arches’ legs, which in itself is reminescent of the verticality of a forest. The result is a tesselating pattern deeply aware of its origin, allowing for variations and complexity, always retaining its structural identiy. mesh analysis of object I bench in bonaventure station

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compact object, convex shape

compact object, concave arch shape

outward-reaching, convex arch shape

outward-reaching, concave arch shape

base geometry construction


hex grid hex grid rotation (90 deg.)

lines in z-direction from center/vertice of hexagon (arches construction lines)

arc traced from vertice of hexagon to raised centerpoint (the grid point found with evaluate command)

arc mirrored along axis of hexagon surface created from two intersecting curves (edgesurface command)

polar array of arc element (rotation by 120 deg.) Grasshopper script: Pattern iteration created by the variation of an individual element over an hexagonal grid. Variation of the grid-based pattern. The object is varied on a set of specific variables with an attractor point grid pattern construction

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min - max

max - max min - min

height of centerpoint

height of arch opening

max - min

perspective render

iterations I 2 parameters

top & bottom axonometric view 8 x 8 grid

This is a selected iteration of the grid according to an attractor point, along the two variables outlined on the right side, height of centerpoint, and height of arch opening


perspective render

top view of 8 x 8 grid with attractor point

side elevation of 8 x 8 grid

The attractor point induces variations in both of the highlighted variables, namely the centerpoint height and the arch opening selected iteration

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07 MORPHOSPACE McGill University winter 2017, digital modelling instructor: Francois Leblanc 1.

rhinoceros, grasshopper, cnc-milling

2.

3.

1. initial iteration 2. hyperbolic paraboloid 3. array of module 4. modified array

A concrete module by Erwin Hauer from his series Continua served as a jumpstart for the design. The interest came from the hyperbolic paraboloid shape of the module and its capacity to form a fluid tessellation; experiments with the cnc milling machine are interpretations of these guiding principles. Using this technology led to a series of experiments with curved topography of varying depths. It was interesting to learn that the toolpath step-over parameter allowed to create various geometries with a single base model. The resulted toolpath added another layer of complexity to the design that needed to be choreographed with the initial model. The result is a bysymmetric module just like Hauer’s grid system.

4.

extraction & optimization I initial element from Erwin Hauer’s Design 3

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5 x 5 grid

conceptual schematics

4 x 4 grid

3 x 3 grid


5x5

reshaped patch

3x3

3x 3

rebuild 1 direction

exploded patch

scaled

scaled

reshaped patch

6.3 mm

1.9 mm

3.2 mm

3.2 mm

3.2 mm

1.9 mm

toolpath step-over

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prototype 1

prototype 2

prototype 3


9.5 mm

6.4 mm

3.2 mm

1.9 mm

toolpath step-over

final geometry

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08 MISCELLANEOUS WORK The following pages show a series of work reaching outside the architecture studios & workshops of my undergraduate studies at the School of Architecture of McGill.

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digital & physical experience: transgresses the boundaries of mental and physical space imbues a form of estrangement known as uncanny

simultaneity of spaces I performative architecture


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system of fear segregation of profiling

conceptual diagram I topical issue regarding immigration and border control


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social profiling begins at the bottom of the 2 elevator shafts the lines represent circulation within the system, whether controlled or freer

architecture speculations I distopia exploration on human fear through profiling


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independent work prior to architecture

“I wonder how I would feel if I was in that glass sculpture. Will the walls be able to support my body and embrace me with light? Or just like my roots, will I be trapped and corrupted with pollution. If only I were that plant.�


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watercolor sketches I Sketching School, Saint-John, New Brunswick


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merci jenniferjiang620@gmail.com +1 514 805 4168


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