Jennifer Cox - Part 2 Architectural Assistant Portfolio by Jenny Cox

2021 PORTFOLIO

JENNIFER COX

MASTER OF ARCHITECTURE LIVERPOOL SCHOOL OF ART AND DESIGN

ABOUT ME Thank you for taking the time out to look

and organisation and feel confident that I can

at my portfolio. My name is Jenny, I am 24

prioritise my workload to ensure deadlines are

years old and come from South Manchester;

always met.

I am currently living in Altrincham and have previously lived in Huddersfield.

Aside from my academic endeavors, music is close to my heart. I also enjoy travelling to

I am a hardworking person with a wide skill set

new places and I have been fortunate enough

who is able to adapt to different situations. My

to travel whilst on tour with various youth

creativity and passion for design have shone

orchestras.

through the range of projects I’ve worked on, and I enjoy taking a project from the initial

Having recently completed the Masters in

concept stage through to the technical design

Architecture at Liverpool John Moore’s, I am

both as part of a team and individually. I pride

now actively pursuing a career in the profession

myself on my excellent time management skills

that I love.

CONTACT EMAIL:

cox.m.jenny@gmail.com

PHONE:

07863942052

LinkedIn:

https://www.linkedin.com/in/jenny-cox-608a3714a/

Jennifer Cox 2021 Portfolio

CONTENTS THESIS PROJECT Plant to Plate: Park Hill Gardens & Kitchens

URBAN DESIGN PROJECT 2 Unlocking the Waterways: Regenerating Toxteth 38 LIVE PROJECT Sefton Homeless Provision: Management Practice & Law

HOUSING PROJECT Site Responsive Housing: A Duplex Apartment & Contemporary Townhouse Arrangement 62 SPECIALIST STUDY Ready, Set, Go: An exploration of Adolphe Appia’s architectural elements in relation to Theatre, Stage and Set Design 86 URBAN DESIGN PROJECT 1 Nothing for Everyone, Something for Everybody CURRICULUM VITAE

94 102

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iii

THESIS PROJECT Plant to Plate: Park Hill Gardens & Kitchens

Jennifer Cox 2021 Portfolio

INTRODUCTION

greater sense of community for residents of the Dingle and those living beyond. Visitors will be

Promoting the consumption of local ingredients

able to experience all stages of the growing

reduces the distance between producers

and production process - the landscaped

and consumers and thus, the environmental

gardens that allow visitors to explore a series of

damage caused by monoculture and the CO2

microclimates, including cultivation spaces and

emissions associated with the transportation

more contemplative gardens; both the plant to

of these products over long distances is

plate restaurant and bistro will showcase locally

reduced as well. Park Hill Gardens & Kitchens

sourced ingredients and thus encourage and

will highlight the benefits of this approach

inspire those eating to consider adopting this

by fostering a greater connection to, and

more sustainable approach; the cookery school

appreciation of, the produce through five

educates visitors on maintaining a healthy

key principles: cultivation, dining, education,

lifetyle; the kitchens and cidery demonstrate

production and retail.

how raw produce can be transformed; and the new high street of artisan retail units will

The project will provide a series of public

promote the sale of fresh produce and locally

attractions and thus help to encourage a

made products.

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SITE & CONTEXT

The site was previously populated by traditional rows of terraced housing, however these were

This project is located in the Dingle, an inner

demolished in the 1980s to make way for the

city area of Liverpool, Merseyside. The chosen

allotments that exist today. This brownfield site

area of study for this thesis is the site of the

offers lots of potential for development.

existing Park Hill Allotments. The urban nature of the site means This urban block is on the edge of the group

that it is important that an architectural

masterplan and surrounded by residential

proposal responds and is sensitive to the

dwellings. All existing buildings on the site have

surrounding context. These physical and

been retained and integrated into the proposed

social characteristics offer a challenging yet

development, including Wilson’s Tavern and the

interesting site to develop on and calls for an

Bleak House Pub.

innovative design solution.

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North-West England

Merseyside

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Site Plan showing proposed thesis project stitched into Urban Site Photos 6

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Design Masterplan

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THESIS PROGRAM

For this thesis project, a flow diagram has been

The site layout was informed by a number of

proposed as a program for the development

factors including the surrounding urban grain

Given that the site is currently used as

to adopt. A number of processes happen

and the physical constraints of the site. The

allotments for the locals, a centre for the

on site that explore the various aspects of

two street side elevations run parrallel with

community with integrated landscaped

the slow food movement. Firstly, there are a

the roads so as to define the street edge and

gardens was a well suited program proposal

number of cultivation areas including kitchen

create a feeling of enclosure in the landscaped

for this project. The philosophies of the slow

gardens, greenhouses and an orangery that

gardens. By breaking the linear elevations

food movement have informed the proposed

provide different conditions allowing a wide

down into smaller gabled units, the visual

program of uses whilst respecting the previous

variety of produce to be grown on site. There

impact of the massing is reduced. The proposed

use of the site.

are two main dining areas (the plant to plate

massing has also been oriented to utilise the

restaurant and bistro), that allow visitors to

sun path and ensures that maximum sunlight

Promoting the consumption of local

taste the produce; the production kitchens

reaches the grwoing spaces. The central axis

ingredients is a fundamentally sustainable

such as the honey preparation room and cidery

provides a main route through the landscaped

approach that should be encouraged in order

demonstrate how this fresh produce can be

gardens whilst identifying the main entrance

to reduce the negative impacts monoculture

used; the cookery school includes classrooms,

to the development. This axis also separates

has on the environment. The proposed gardens

cooking studios and a demonstration

the cleaner kitchens from the greenhouses and

and kitchens aim to provide a new community

auditorium that show how fresh ingredients

internal growing areas.

centre that will educate visitors on the benefits

can be utilised at home to provide a healthy

of this lifestyle and how these principles can be

diet; and the new artisan retail units provide

implemented to achieve a more healthy way of

the opportunity for visitors to purchase the raw

living.

ingredients and preserved goods made on site.

01. CULTIVATION

Growing a variety of produce on site in the gardens and greenhouses.

02. DINING

Tasting the produce that has been prepared by chefs in the restaurant and bistro.

03. PRODUCTION Preparing the produce and transforming it into chutneys and cider in the kitchens.

05. RETAIL

Selling the fresh produce and the preserves in the artisan shops.

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04. EDUCATION

Learning about maintaining a healthy lifestyle in the cookery studios and classrooms.

1. SITE

3. CENTRAL AXIS

5. CIRCULATION

2. DIVIDE

4. PUSH / PULL

6. LINEAR ROUTES

Program Flow Diagram & Adjacency Key (left) Plan Resolution (right)

7. LABYRINTHINE ROUTES

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CONTEXT PLAN Given that the site is brownfield, the entire urban block has been included in the proposed development to form a ‘mini masterplan’. The site has been divided into sections with different uses and the gardens and kitchens have been fully developed in the thesis project. 1. SITE

2. FOOTPRINTS

There is an existing playground on the south-west side of the urban block, this will be retained and redesigned as part of the development to provide a safe environment for the local children to enjoy. The two pubs that sit on the site will become gastropubs and utilise some of the fresh

3. EXTRUDE

4. ROOF PITCHES

produce grown in the Park Hill Gardens & Kitchens. A row of yoga studios has been proposed that connects to the Bleak House Pub and completes the built form on Park Hill Road. Tennis courts have been proposed outside the yoga studios and this section of the masterplan aims to encourage a healthy lifestyle through physical exercise.

5. CIRCULATION

6. TERRACE GARDENS

7. DEFINE GARDENS

8. RESOLVED MASSING

The masterplan has been completed by a row of new houses. These affordable dwellings will give the masterplan twenty four hour activity and provide natural surveillance for the site. The existing row of residential properties face away from the site so this new strip of housing means that the frontages will face in on the proposed development.

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AD RO LL HI K PA R

LO E

Massing Resolution (left) Context Roof Plan (right)

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Garden Side Axonometric (left) Approach Visuals (right)

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Central Axis

Oriental Garden

Picnic Garden

APPROACH VISUALS Aside from the main public entrance, there are three ways to approach the landscaped gardens: via steps located in the gap in the brick wall that leads to the central axis; the pergola covered deck leading to the oriental garden; and the ramp along the brick wall that leads down to the picnic garden. Each of these approaches has been considered to provide exciting routes into gardens, the brick wall that encloses these spaces also provides separation between the stepped gardens and the rest of the masterplan. 2021 Portfolio Jennifer Cox

BELOE STREET STORE

CLASSROOM

STORE CLASSROOM

STORE

STORE CLASSROOM

CLASSROOM ARTISAN SHOPS

RESTAURANT STORE STORE

STORE STORE

STORE

KITCHEN

ENTRANCE FOYER

ORANGERY HEADHOUSE

OFFICE COOKERY STUDIO

COOKERY STUDIO GREENHOUSE

STORE STORE STORE

TASTING BAR KITCHEN

BOTTLING ROOM

PARK HILL ROAD

CIDERY

BISTRO

STORE FRUIT PRESSING ROOM

STORE

JAM & CHUTNEY KITCHEN

STORE

BAKERY

STORE

HONEY PREP ROOM

CHILDREN’S LEARNING CENTRE

BIN STORE

DELIVERY & COLLECTION

Ground Floor Plan

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BELOE STREET STORE

STORE CLASSROOM

CLASSROOM

STORE

CLASSROOM

STORE

PRIVATE DINING BREAK OUT ATRIUM DEMO AUDITORIUM

PLANT ROOM

STAFF ROOM

STORE COOKING STUDIO

STORE

SEATING STORE

PARK HILL ROAD

STORE

STAFF ROOM

CHILDREN’S ROOF TERRACE

First Floor Plan

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North- East Sectional Elevation

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ORANGERY

BISTRO

CIDERY

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STREET SIDE AXONOMETRIC This axonometric view shows how the proposed massing relates to the surrounding contextual buildings. With a maximum of two stroeys, the development sits sensitively on the site whilst responding to the surrounding houses that generally have two storeys. The rows of bread streets slope away from the site down to a 20m cliff, this means that there will be views across the River Mersey from the first floor. This image also shows how the proposed strip of affordable houses relates to the thesis proposal and the new access routes. The proposed buildings have a contrasting materiality to those that surround it, this helps to identify the site as a landmark. The timber cladding highlights the verticality of the buildings whilst relating to the trees on site; and the zinc roof reflects the agricultural use of the buildings. MICROSTUDIES The microstudies to the left show three key internal spaces: the orangery, cidery and the bistro. These studies demonstrate the exposed portal frame structure that has been used across the site to create cohesion between the spaces inspite of their differing uses. Including furniture in these images demonstrates the function of the spaces and the material finishes have been determined. The sectional axonometric format illustrates the ceiling, floor and wall depths whilst showing how the curtain walled gables have been divided up. Microstudies (left) Street Side Axonometric (right) 2021 Portfolio Jennifer Cox

PARK HILL

COOKERY SCHOOL

EQUIPMENT

FRUIT JUICE

PLANTS

JAM & CHUTNEY

FLORIST

BAKERY

CIDER

FRUIT & VEG

Internally, the glulam portal frame has been

artisan shops means that it can be seen from

left exposed to allow visitors to experience the

Beloe Street. The exposed structure achors the

structure no matter which part of the building

spaces and frames the glazed gables to allow

they are in.

visitors to focus on the landscaped gardens beyond.

The smaller timber bays feature a lattice detail that reflects the form of a garden trellis, this

The stepped glazed gables aim to create a

relates back to the theme of gardening and

dialogue between the built forms and the

represents the nature of the building’s function.

gardens, they also remind the visitor of the

This detail is mostly evident when inside the

fresh produce that is grown and harvested on

building, however the recessed entrances of the

site.

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PLANT TO PLATE RESTAURANT

South-West Elevation on Beloe Street

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Atrium Sectional Perspective 2021 Portfolio Jennifer Cox

ENTRANCE FOYER

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BREAKOUT ATRIUM

DEMO AUDITORIUM

Key Spaces Internal Visualisations

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Restaurant Sec

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ctional Perspective

RESTAURANT INTERIOR STUDY The Plant to Plate restaurant was the key internal space that was developed as part of the interior study. The material finishes, light fittings, and furniture layout have all been designed to create an inviting space for visitors to enjoy. The materiality of the space has repeated throughout the building to add cohesion and continuity between the spaces. The ground floor finish is yorkshire flagstones, these have been suggested to anchor the ground floor and give it solidarity. The ceilings and first floor finish are an engineered maple which contrasts with stone and reflects the theme of nature and the environment.

RESTAURANT

A helical staircase allows access to the first floor washrooms and private dining space. This sculptural element features one of the few curves on the site, this was a deliberate decision to highlight its elegance and form. The open kitchen delivers visual entertainment for the visitors whilst reflecting the ‘Plant to Plate’ ethos of the project and highlighting how the fresh produce can be used. The two external walls feature curtain walling that has been used across the site to entice passersby into the restaurant whist reflecting

PRIVATE DINING

the form of the greenhouses on site. Planters Restaurant Internal Visualisations

with integrated banquette seating help to define the different sections of the restaurant, and the planting adds a natural touch to an otherwise architectural space. 2021 Portfolio Jennifer Cox

DETAIL A

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DETAIL B

DETAIL C DETAIL E

DETAIL D

DETAIL F

Facade Study (left), Construction Section (right) 2021 Portfolio Jennifer Cox

DETAIL A

DETAIL B

1 7 8 9

10 3

11 12 13

14 15 16

5 6

DETAIL D

27 28 29

DETAIL E

37 38 39

30 31 32 33 34 35 36

40 41 42 43 44 45 46 47 48 49 50 51 52 53 54

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DETAIL C

19 20

21 22 23 24 25

DETAIL F

55 56 57 58 59

61 62 63

Construction Details, Specificiation on the next page 2021 Portfolio Jennifer Cox

SPECIFICATION DETAIL A 1. Insulating glass unit 2. Insulated horizontal mullion with flexible gaskets 3. Vertical larch cladding 4. 100mm Mineral wool insulation 5. Steel fixing plate 6. 150mm x 650mm Glulam beam DETAIL B 7. Folded galvanised steel profile 8. Rheinzink perforated sheet 9. Rheinzink standing seam cladding 10. Separating membrane 11. 150mm Mineral wool insulation 12. Vapour barrier 13. Chipboard decking 14. 400mm x 125mm Glulam purlin 15. Timber rafter 16. Internal plasterboard 17. Timber portal frame DETAIL C 18. Roof light unit 19. Rheinzink standing seam cladding 20. Velux timber frame 21. Aluminium valley box gutter 22. Gypsem board liner 23. Trimmer timber batten 24. Rigid insulation 25. Valley rafter 26. Internal insulating glass unit DETAIL D 27. Timber floorboards 28. Timber joist 29. Casoline MF suspended ceiling fixed to timber joists 30. Gypframe MF8 strap hanger

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31. 32. 33. 34. 35. 36.

Service void 150 x 650mm Glulam beams 100mm Acoustic mineral wool insulation Resilient bars at 400mm centres Two layers of plasterboard Acoustic membrane

DETAIL E 37. Timber eaves bearer 38. Gutter bracket 39. Zinc eaves flashing 40. Aluminium box gutter 41. Horizontal batten 42. Two layers plasterboard and skim 43. Vapour control layer 44. 140mm x 500mm Glulam purlin 45. 140mm insulation sits within timber frame 46. 9mm OSB sheathing with breather membrane 47. 100mm mineral wool insulation 48. Drained and ventilated cavity 49. Vertical batten 50. Vertical larch cladding 51. Timber lintel 52. Lead flashing 53. Timber window frame 54. Timber sill DETAIL F 55. York stone flags 56. Plywood decking 57. Service void 58. Timber batten 59. 100mm Zinc channel 60. Concrete slab foundation 61. Damp proof membrane 62. 80mm Rigid Insulation 63. Hardcore

Portal Frame Glulam Beams Engineered Timber Beams Timber Joists

Facade & Roof Structural Build Up

Floor Structural Build Up

STRUCTURAL STRATEGY

and pitched ceilings appear to float above the structure. The portal frames are anchored to the

The timber structure is an integral part of

ground floor by mild steel shoes, these add an

the thesis proposal, this natural material was

elegance to the exposed structure as it appears

chosen to reflect the themes of sustainability

weightless above them.

and the environment. A glulam portal frame has been suggested to create large open spaces

The first floor has an increased depth in order

without the need for timber roof trusses that

to provide acoutic separation and to allow all

would impede on the views and the user’s

servicing ducts to be hidden within the floor

experience of the spaces. In most instances,

depth.

the timber frames run on a different plane to the external walls, this means that the walls 2021 Portfolio Jennifer Cox

EXTERNAL WALL

Mechanical Ventilation Heat Recovery System

FILTER

RETURN AIR

FILTER

FRESH AIR

EXHAUST AIR

SUPPLY AIR HEATING COIL

HEAT EXCHANGER EXHAUST FAN

SUPPLY FAN

GROUND SOURCE HEAT PUMP

GROUND HORIZONTAL COLLECTOR

Hot Water System

Water Rill System

SOLAR HOT WATER PANELS

PHOTOVOLTAIC PANELS

PUMP

WATER STORAGE TANK

STEPPED WATER RILLS

HOT WATER AUXILLARY ELECTRIC

LOW LEVEL POND

INPUT

COOL WATER SUBMERSIBLE PUMP

Rainwater Harvesting System RAINWATER

GUTTER IRRIGATION SYSTEM

FILTER RAINWATER TANK

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SOLAR HOT WATER PANELS ON SOUTH FACING ROOF PITCHES

TRENCH HEATERS RUN ALONG CURTAIN WALLING

COOKER HOOD EXTRACTION WITH INTEGRATED FILTERS

MECHANICALLY VENTED ROOF LIGHT

DUCTS RUN ALONG CORRIDOR IN THE FLOOR SERVICE VOID

FRESH AIR NOZZLE INPUT

FRESH AIR CIRCULATES THROUGH THE ROOM

ROOF EXTRACTION VENT

SINGLE ASPECT PURGE VENTILATION

2. 6. 5.

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MECHANICAL VENTILATION, HEAT RECOVERY SYSTEM

HOT WATER SYSTEM

The building will be ventilated by a large

There are a number of south facing pitched

mechanical ventilation and heat recovery

roofs that will be ideal for the collection of solar

system that supplies and extracts air from

energy, solar hot water panels and photovoltaic

every room in order to achieve a comfortable

panels have therefore been included. The

environment for all users. The heat recovery

solar hot water panels will be located on the

system allows the heat from the exhaust air

roofs above the spaces where the hot water

(assuming that the CO2 level is not too high)

will be used and the water storage tanks will

to be recovered and recirculated through

be located in the store rooms connecting

the building, thus reducing energy costs. A

to the cookery studios. There will also be an

horizontal ground source heat pump located

auxillary electric heat source that can be used

under the landscaped gardens will be used to

as necessary.

heat the supply air in the air handling unit. WATER RILL SYSTEM

Ventilation ducts have been located above the ground floor corridor within the floor depth

One of the ways that the photovoltaic panels

in order to service both the ground and first

will be used is to power the water rills that run

floor rooms, this does however mean that a

down the stepped gardens and lead to the low-

slightly different system is required for each

level pond. A submersible pump will pump the

storey. Air will be supplied into and extracted

water back up to the top of the site creating a

from occupied spaces on the ground floor via

closed loop. Permeable paving will also be used

high-level nozzles and grills. The first floor has

throughout the landscaped gardens to deal

low level input nozzles and the air is extracted

with surface water run off.

via a vent in the roof. Input nozzles and extract grills will be located at either end of the rooms

RAINWATER HARVESTING

in order to encourage air flow within the space. The cookery studios and bakery may need a

There will also be a rainwater harvesting

separate more heavy duty ventilation system

system on site that provides water for irrigation

due to the increased grease in the exhaust air.

purposes. Rainwater runs through a filter and is collected in an underground water tank. This is

The MVHR system will be the primary way that

then connected to sprinklers located across the

the spaces are heated, however, the spaces with

landscaped gardens allowing the plants to be

large sections of curtain walling will also have

watered on a regular basis.

trench heaters that provide extra heat for the winter months. 36

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Ground Floor Plan

First Floor Plan

Plant Rooms Rooms needing separate Ventilation Circuit Supply Air Exhaust Air

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Waterfront Promenade Pedestrian & Cycle Routes Pedestrian Park Route Train Route Boat Route Vehicular Route

URBAN DESIGN PROJECT 2 Unlocking the Waterways: Regenerating Toxteth

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INTRODUCTION

town but the development will appeal to the existing residents, making it a more inviting place for them to

The principle aims of the urban design approach

spend their time. This will also encourage people to

for Toxteth were to introduce pocket interventions

move into the area to create a mixed and balanced

to the existing urban grain where we as a group

community.

felt necessary. This meant the disruption to the existing residents would be minimised. The proposed

The proposed interventions were designed to be

interventions involved: redesigning the waterfront

implemented in phases over the next 20 years. The

area to feel more inviting for new visitors; increasing

development would start at the waterfront, focusing

the connectivity between the top of the cliff and the

on reinstating the ferry terminal and flooding

waterfront; adapting the existing green spaces to

the docks to create an attraction to the area and

allow self surveillance; and introducing a heirachy

encourage new visitors. Opening up the Dingle Tunnel

of interventions to the streets by pedestrianising

and reinstating the historic bridges would happen

certain routes and promoting more sustainable

in the next 10 years to improve the connectivity and

transportation options.

promote sustainable transport. Then over the next 20 years, the full urban design strategy would be in place.

In order to establish a sense of place, the scheme aims

The surrounding green spaces would be rejuvenated

to turn Toxteth into a suburban enclave that considers

and areas of new housing would be introduced

the resident’s well-being and creates community

to meet the demand for accommodation for the

cohesion. Commuters will inevitably pass through the

increased residents in the area.

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LOCATION & CONTEXT

the town. As such, there is a disconnect between the top and the bottom of the cliff that would

The site is located south of Liverpool City

need to be addressed in any proposed urban

Centre, in the Ward of Riverside which includes

design scheme.

Toxteth and the Dingle. The north edge of the site is borderd by The Baltic Triangle and to the

Toxteth has suffered from neglect over the

south is Otterspool and St Michaels Hamlet.

years and as a result of this, the community

The west edge of the site is the River Mersey.

has become inward looking and some areas

Toxteth is a predominantly residential area

have been left derelict. There is however, lots

with a commercial and uninviting waterfront.

of potential to rejuvenate the area and create a

The key geographical feature of Toxteth is the

more inviting suburb of Liverpool.

topography, there is a 20m cliff that runs across

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MANIFESTO

COVID-proof the masterplan

Introduce a new ferry terminal

Establish a sense of place

Toxteth is a suburban area

A new ferry terminal will

The scheme aims to turn

Toxteth is currently

that would benefit from some

be created where the

Toxteth into a suburban

overproviding car parking,

regeneration, given that more

previous Herculaneum

enclave that considers the

the scheme aims to permeate

people are working from

Dock entrance was located.

resident’s well-being and

the site and create a series

home since the outbreak of

This will encourage people

creates community cohesion.

of pedestrianised zones,

the pandemic, residents are

to use a more sustainable

Commuters will inevitably

designed to the human scale

commuting to the big cities

form of public transport and

pass through the town but

ensuring that everywhere

less and spending more

increase the connectivity with

the development will appeal

can be accessed by foot and

time in their local areas. It

the Wirral across the water

to the existing residents,

bicycle. The scheme will

is therefore important that

and up and down the River

making it a more inviting

also introduce more access

these areas are developed

Mersey.

place for them to spend their

routes from the top of the cliff

and their infrastructure

time. This will also encourage

down to the waters edge to

and amenities support this

people to move into the

increase connectivity.

change in lifestyle.

area to create a mixed and balanced community.

Prioritise the pedestrian

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Develop the waters edge

Rejuvenate existing green spaces

Develop live/work facilities

Create a performance area

There is currently a

Communal green spaces

The scheme aims to

The proposed masterplan

promenade along the

and parks are becoming

rejuvenate select areas of

will have a new external

waterfront that is difficult to

increasingly important

housing that are considered

performance area by the

get to with little opportunity

in urban designs, the

to be low quality, and

waterfront. This space will

to sit down and enjoy the

restrictions due to COVID

replaced with new residential

be COVID compliant, whilst

views of the River Mersey.

mean that people are

development. Hot desking

giving the community

This will be rejuvenated

socialising outdoors more

facilities with specialist

opportunities to enjoy

and extended to encourage

and it is therefore vital that

equipment will also be put

creative performances

people to use it to travel

the masterplan regenerates

in place to give residents

without needing to travel

into Liverpool city centre

the existing green spaces

somewhere to work outside

into Liverpool. A yearly music

and along the waters edge

in Toxteth and encourages

of their homes with facilities

festival could run in this area

to Otterspool on foot and

residents (particularly those

they may not have access to

to attract people to visit the

by bicycle. Benches will be

without a private garden) to

at home. These facilities will

new Toxteth development.

introduced and the existing

visit them.

be designed to follow COVID

metal railing will be removed

guidlines whilst being open

to make the promenade more

to the community.

welcoming.

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GAS STORES STUDIOS

PUBLIC OPEN SPACE

NEW RESIDENTIAL

WORKSHOPS

ENTRANCE NEW BRIDGES

PRIVATE SHARED

RESIDENTIAL

CLIFF FACE HOT DESKING

LIVE / WORK

GREEN SPACES

COMMERICAL

STREET SHARED PARKING INTERVENTIONS

ACTIVATE TUNNEL

COURTYARDS

NO VEHICLES

GARDEN STREETS

PRIORITISE PEDESTRIANS

CONNECTIVITY RIVER WALK

SHARED STREETS

EXISTING GREEN SPACES

URBAN LIFT

PONTOONS

EVENTS

PROMENADE

CONCERT HALL

CYCLE LANE

SUSTAINABLE TRANSPORT

RESTAURANTS WATER SPORTS

LEISURE BARS

PERFORMANCE COMMUNITY HUB AMPITHEATRE

FOREST SCHOOL

WAREHOUSES

EXTEND MARINAS

ALLOTMENTS

FERRY TERMINAL

PONTOONS

SOCIAL INTERACTION

STUDIOS

EXISTING WAREHOUSES ENTERTAINMENT

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EXTEND EXISTING NETWORK

Public Green Spaces Semi Private Green Spaces

Green Spaces Proposed Buildings

Built Forms Waterfront Promenade Pedestrian & Cycle Routes Pedestrian Park Route Train Route Boat Route Vehicular Route

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STREET INTERVENTIONS

Residential Shared Streets •

Neighbourhood Streets •

•

• •

Allows vehicles to travel along them, whilst

reinforce the pedestrian-priority. •

Shared spaces for pedestrians and cyclists

creating safer raised pedestrian crossings to

that function foremost as a public space for

control the traffic speeds.

recreation, socialising, and leisure.

Increase the number of crossing points

•

Many of the properties in Toxeth don’t have

for pedestrians to decrease the exposure

a front garden, these units will be given an

time for vulnerable users and discourage

area of defensible space with low walls to

informal crossings along desire lines.

encourage community interaction.

The crossings will have tactile pavements to

•

Roads wide enough for one-way vehicular

increase the safety for the visually impaired.

travel, although on-street parking is

Curb extensions increase visibility of

discouraged.

pedestrians by aligning them with the

•

parking lane, they also reduce crossing distances for pedestrians. •

Pavements that are flush with the curb

feel greener. •

Increase signage and road markings to make all users more alert.

Trees provide shade and make the space Bins replaced with centralised waste disposal.

•

Many of the narrower shared streets could be made 1-way for motorists, whilst still

Commercial Shared Streets •

•

allowing 2-way bicycle traffic.

Mostly pedestrianised realm, wide enough to allow movement of emergency and

Garden Streets

delivery vehicles.

•

Many of the pedestrian routes across

Commercial units in the repurposed

Toxteth have been left neglected and

warehouses have areas at the front

unappealing to residents, these routes will

dedicated to seating and dining.

be regenerated into ‘garden streets’.

Street furniture provide definition to

•

Sustainable materials, permeable

the shared space, subtly delineating the

pavements, and effective drainage are used

travelled way from the pedestrian-exclusive

to create an inviting public space for people

areas.

to walk and interact.

Pedestrianised areas may be constructed

•

Effective lighting improves public safety

using low-impact pavement materials, such

and helps to make these spaces feel safer

as permeable or modular paving.

at night.

The extended marina gives these spaces

•

In many cases, these streets will run

defined edges and allows people to interact

parrallel with the residential street network,

with the water.

providing a low-speed, low-volume alternative route for cyclists.

Jennifer Cox 2021 Portfolio

Hierarchy of Street Interven

ntions

Neighbourhood Streets

Commercial Shared Streets

Residential Shared Streets

Garden Streets

Hierarchy of Street Interventions

2021 Portfolio Jennifer Cox

hool

ce e Spa manc r o f r e 01 P rm Platfo ating o l F 02 ating ed Se Stepp e 03 & Stag Work Live/ ards t 04 Cour y ridge ted B insta e R 05

oon a Pont y r r e F l 06 Termina ark ved P mpro I 7 0 ntial eside 08 R ial & merc Com ntial 09 Reside ark vel P lit Le p S 10

Sc orest 11 F ent tainm r e t n 12 E ntial eside R & ffices ing 13 O View ift & L l e Tunn 14 Platform ark ved P o r p Im 15

rkin ity Pa mun

Com

s ment ub & nity H u m Com Exit l 18 Tunne 17

Allot

Stud

ios &R ehe Com arsa mer l Sp cial ace &L Offi s e ces i s u re &R esid Com enti al mer c i al & Live Res /Wo iden rk tial Res iden tial

02 03

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15 13

10 11

Axonometric 2021 Portfolio Jennifer Cox

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35

Jennifer Cox 2021 Portfolio

Performance Space Leisure Marina with Steps Floating Performance Platform Existing Warehouse reused as Studio Spaces Covered Stage Stepped Seating with Lock System Station Square Live / Work Courtyards Proposed Leisure Warehouse Existing Warehouse reused for Commercial Boat Harbour & Water Sports Childrens Playground Ferry Pontoon Ferry Terminal & Information Centre Locks to control Water Level Boat Hire Facility Commerical with Residential above Entertainment Tunnel Square Viewing Platform & Urban Lift Reinstated Tunnel Entrance Improved Park with Residential Infill Residential Improved Park with Sports Area Garden Street Offices & Residential Reinstated Bridge to connect Ramp & Stairs Improved Residential Split Level Park with Underpass Forest School Improved Park with Residential Private Shared Garden Shared Community Parking Community Allotments Community Hub & Tunnel Exit

1 8

2 8

31 23

32 25

23 8

26 25 27

7 6

9 29 8

30 8

11 8

19 10

25 18

25 25

Masterplan 2021 Portfolio Jennifer Cox

Tunnel Square

Tunnel Bridge

Market Place

Tunnel Square Microstudy

Jennifer Cox 2021 Portfolio

Station Square

Stepped Seating

Ampitheatre Microstudy

2021 Portfolio Jennifer Cox

LIVE PROJECT Sefton Homeless Provision: Management Practice & Law

Jennifer Cox 2021 Portfolio

CONTENTS

01. THE PROJECT

PROJECT SUMMARY

THE CLIENT & THEIR MOTIVATIONS

PROCUREMENT

PROGRAMME

RISK ASSESSMENT

02. ORGANISATION & MANAGEMENT SYSTEMS CLIENT TEAM STRUCTURE

LJMU DESIGN TEAM STRUCTURE

PROJECT COSTS

FEE CALCULATIONS

03. REFLECTIVE SUMMARY & CRITICAL REVIEW FEE VIABILITY

CONTINUED CLIENT RELATIONSHIPS

REFLECTION

04. APPENDICES 18

LIST OF ILLUSTRATIONS

CLIENT REPORT

BIBLIOGRAPHY MEETING MINUTES

19 20 onwards

Extract from Live Report 2021 Portfolio Jennifer Cox

PROJECT SUMMARY Sefton Council have a number of existing buildings across the borough that have sit-up accommodation for the homeless. Previously, these facilities were able to provide short-term homeless support for multiple people in the same room, but the pandemic has meant that this is no longer possible. Social distancing rules have reduced the effective capacity of these facilities at a time when the economic and social impact of COVID has meant more people are finding themselves homeless. The aim for the LJMU team was to design an immediate solution to these issues, providing upgraded facilities with increased capacity over the old ones, whilst still meeting the requirements set by the Government. The initial solution proposed was to erect basic stud partitions, however the council were interested in a more innovative and intelligent solution developing a modular, reusable, adaptable system. The existing facilities were only intended for use overnight, with the residents not permitted in the buildings during the day. However, the Government lockdown has meant residents are often now required to stay in these facilities through the day. Therefore, the proposed modules have to consider the comfort of the residents for a longer period of time, and that the spaces provided have to be more generous to allow this. The proposed sites outlined by the client are Bosco House on Merton Road, Bootle and Hatherlow House on Leyland Road, Southport. The project focusses on these two existing buildings with the idea that if the proposals are accepted, a similar modular solution can be replicated at other facilities across the Borough, or even further afield. Various options were explored for the modules’ sleeping areas. Having looked at various precedents provided by the client, the initial solution proposed bunk bed arrangements that increased the occupation density. However, the client suggested that this may not allow individual residents enough space to change in comfort and also compromised social distancing requirements during the pandemic. As the project progressed, it became clear that each self-contained pod would need its own en-suite bathroom facilities to ensure that residents are kept separate, so reducing the risk of COVID transmission. Additionally, the solution had to be compliant with all building regulations, which directly affected the design. Given the limited spaces in the existing structures, it was important that the proposed modules used the spaces efficiently, allowing maximum capacity for the rooms but still meeting the minimum spatial requirements of the current regulations.

5 56

Jennifer Cox 2021 Portfolio

THE CLIENT & THEIR MOTIVATIONS

4 MOTIVES MODULAR DESIGN Units should be easy to assemble and reproducible across different locations.

COVID COMPLIANT Proposals must meet the Covid-19 guidelines outlined by the government.

INCREASE CAPACITY Main goal is to fit more sit-up residents into the existing facilities.

SELF-CONTAINED UNITS Each unit should have associated sleeping areas and wet rooms.

The client for this community based non-profit project is Sefton Metropolitan Borough Council. The key contact throughout the project was Allan Glennon from the local authority. Graham Parry (homeless commissioner), Sheila Howard (provision provider), Neil Baynes (provision provider) were also present at the client meetings. Since the outbreak of the pandemic and the resulting health and safety guidelines, Allan and the other clients have been unable to fill the homeless provisions to their full capacities. They are therefore looking for an adaptable, modular solution that allows them to reopen the facilities and provide homeless support to more residents. Allan stressed that the project budget is limited, and that they require a practical solution that allows flexibility rather than an innovative solution that will not be functional. He emphasised that the proposed facilities need to be comfortable for the residents, but that they should be made from basic materials to keep the costs down. The four main motives outlined by the clients were referenced throughout the design process to assure that the client would be happy with the final proposals.

Extract from Live Report

6 2021 Portfolio Jennifer Cox

PROCUREMENT The choice of the most appropriate procurement route for a project is generally determined by the client and the design team. The following criteria are considered and balanced, and an appropriate procurement route is established: • Time (economy and certainty) • Cost (economy and certainty) • Control (appointment of risk) • Quality (in design and construction) • Size/Value (small/medium/large) • Complexity (complex/simple) (Chappell and Willis, 2010) The live project is currently at the feasibility stage and it is unclear if the clients will receive funding from the Ministry of Housing, Community and Local Government (MHCLG). So, the best procurement route has yet to be decided. Once funding has been secured, the responsibility for purchasing certain goods and services can be established and the project completed. Traditional procurement contracts tend to offer more control over quality and more design control and flexibility (Designingbuildings, 2020). Given the nature of the live project and how the clients appear to work, I believe the most appropriate procurement route for the Sefton Homeless Provision will be the traditional method. The technical aspects and cost plans of the proposed design would need to be checked by a quantity surveyor who would then oversee the construction stage to ensure the project costs do not exceed the allocated budget. Surveyors may also be needed to conduct asbestos surveys, since we are suggesting alterations to the existing ceilings, prior to the undertaking of work. Contracts would likely be negotiated by the designers and consultants. Fig. 1 Frequently Used Procurement Routes, (Own Illustration, 2021) TRADITIONAL

86%

ONE STAGE DESIGN & BUILD

41%

TWO STAGE DESIGN & BUILD

39%

MANAGEMENT CONTRACT PRIVATE FINANCE INITIATIVE (PFI)

18%

10%

7 58

Jennifer Cox 2021 Portfolio

CLIENT TEAM STRUCTURE

SEFTON METROPOLITAN BOROUGH COUNCIL

The main project clients: •

Allan Glennon

•

Graham Parry COMISSION PROVIDERS

Owners of the buildings: •

Sheila Howard (Bosco)

•

Neil Baynes (Hatherlow)

PROJECT CO-ORDINATORS

•

Jamie Scott (Agent)

•

Daniel Robinson (Mentor) LJMU DESIGN TEAM

Fig. 4 - Client Team Structure, (Own Ilustration, 2021)

•

Tom Chuter

•

Jenny Cox

•

Danielle Varnam

•

Amin Zakaria

Extract from Live Report

11 2021 Portfolio Jennifer Cox

LJMU DESIGN TEAM STRUCTURE There were four students in the LJMU design team and the roles of each were established early in the live project to ensure that no work was duplicated and that everyone was clear on their responsibilities. I worked on the design of the modules. I went through several design iterations until I reached one that met the client’s requirements. Tom Chuter was the team leader who collated all the group work into the presentations for the client meetings and the final client report. Amin Zakaria explored the existing site conditions and looked at precedents for modular sit-up facilities. It was agreed that Danielle Varnam would take the minutes in the internal and client meetings. The minutes took note of design comments and direction and were distributed to the clients soon after. This worked well within the project but could have been improved by agreeing a full agenda in advance for each meeting. Once my design was approved by the clients, we were able to move onto the detailing and technical aspects. It was decided that each group member would focus on a technical strategy for Bosco House and Hatherlow House. I worked on the drainage, Danielle took the ventilation, Tom worked on electrical and Amin considered the fire safety aspects. We then each tackled the admin jobs and managed to divide the remaining chapters fairly so that no team member was doing significantly more research than the others. The tasks resulting from each client meeting were clearly allocated to ensure all team members were clear on what was required of them.

PROJECT COSTS A detailed cost plan for the Bosco and Hatherlow proposals can be found in the client report in the appendix. The limited budget for the project was discussed in the initial client meeting. However, as the project progressed it became clear that there was some flexibility, and in order to ensure the proposals were accepted by the council, it became more important that the modular sit-up facilities met the COVID guidelines. As a group we developed innovative solutions to keep the costs of the project as low as possible. A key example of this is the suggestion of the use of repurposed wooden pallets for the raised floors. These are relatively cheap to purchase yet strong and durable. They are also hollow, so that servicing pipes and wiring can run through them. The client appreciated these money saving suggestions because they meant that more budget can be used on achieving a higher specification for the en-suite wet rooms, for instance. At the initial client meeting Allan Glennon suggested our basic approach should be to keep project costs down by using basic materials. However, to keep such materials to the required cleanliness, it soon became clear that maintenance costs would increase. Therefore, we advised that higher quality products be used for the sit-up facilities because, in spite of their increased upfront costs, these materials would require less maintenance and therefore reduce costs in the long run. 12 60

Jennifer Cox 2021 Portfolio

REFLECTION During the live project we encountered a number of difficulties that led to delays in the design process. The project brief and requirements were unclear prior to the initial meeting with client, and this meant that the sketch proposals we prepared for this first meeting were not what the client was looking for. As a result, the initial designs had to be adapted and changed, which wasted time and, for a real practice, money. This highlights the importance of communicating with the client in the early stages of a project to ensure the design team is clear on what they have in mind. We were unable to visit the sites at the start of project, so it was difficult to understand the existing building layouts and servicing. I believe that if we could have taken photos of the existing conditions and surveyed the rooms there would have been fewer errors. Instead, sketches were sent through from the client of the existing floor plans, and the dimensions for Bosco House were actually incorrect. This led to some of my time being wasted on potential pod layouts that would not fit into the existing rooms with the required dimensions for the circulation spaces. Luckily this error was noticed when there was still time to amend and rectify the floor plans. With Amin returning to Malaysia for the Christmas break, there were complications regarding time zones. This had to be considered when arranging meetings to suit the clients without being too late in the evening for Amin to join. This meant that on a couple of occasions Amin was unable to join internal meetings. However, for the most part he was present. We also had to consider which tasks were assigned to Amin to ensure that he could complete them with relative ease. For instance, he did not do the research regarding UK building regulations because he may not have been granted access to the UK Government website. Many of the difficulties we faced as a group stemmed from not being able to meet in person due to the ongoing COVID restrictions. It was difficult to collaborate on the design remotely. Tom and I began looking at short- and long-term solutions together, but it became too difficult so in the end I just focused on the final designs and layouts. In the early stages of the project there wasn’t enough work to fully occupy the design team because until the floor plans were finalised, we were unable to progress. This meant that a lot of the drawings discussed in the first two client meetings were done either by Tom Chuter or me. Overall, it was a shame not to meet the clients in person to help build our relationship. However, if circumstances do improve in the first quarter of 2021, it may be possible for the LJMU design team to visit the sites and check up on the progress of the projects.

Extract from Live Report

16 2021 Portfolio Jennifer Cox

Snoozebox Limited, Abbey House, Wellington Way, Weybridge, Surrey KT13 0TT 0845 092 01740 www.Snoozebox.com

STATUS

AS BUILT

15/01/2012

G Moore

Revised from Stride Treglown Drg 20852_P005 Rev G

date

rev

name

chk

note

PROJECT

12/08/2013 18/01/2013

4 Person Room

DRAWING TITLE

Container & Room Layouts SCALE @ A1

1:20

DATE

15/01/13

DRAWN

GCM

CHK

DRAWING NUMBER

20852_P005

Snoozebox Limited, Abbey House, Wellington Way, Weybridge, Surrey KT13 0TT

REV.

0845 092 01740 www.Snoozebox.com

J I

G Moore G Moore

SK SK

Updated to As Built dimensions Bathroom width increased from 720mm & bulkhead removed

15/01/2012

G Moore

Revised from Stride Treglown Drg 20852_P005 Rev G

date

rev

name

chk

note

PROJECT

4 Person Room

fr sl m

X-Box

DRAWING TITLE

Safe

Container & Room Layouts

Drawer

STATUS

AS BUILT

ting Site Plan

SCALE @ A1

1:20

DATE

15/01/13

DRAWN

GCM

CHK

DRAWING NUMBER

20852_P005

REV.

Bosco House Proposed Site Plan

Bosco House

such ed

The room at Bosco house is of suitable proportions for denser accommodation. As such the units proposed here feature a separated bunk bed design where self-contained pods overlap to save space. Future expansion is possible, with the adjacent meeting room offering the possibility of two more units.

Bosco House Floor Plan & Axonometric

Jennifer Cox 2021 Portfolio

**D are circ risk

Hatherlow The more limited proportions of the space in the Hatherlow site result in the need for more versatile unit sizes, with this design being a smaller pod. The store room to the top of the plan also raises the possibility for an accessible unit.

Hatherlow House Floor Plan & Axonometric

Hatherlow

2021 Portfolio Jennifer Cox

HOUSING PROJECT Site Responsive Housing: A Duplex Apartment and Contemporary Townhouse Arrangement

Jennifer Cox 2021 Portfolio

INTRODUCTION

for young families; these are arranged in a horseshoe courtyard format to increase

The development site for this project is located

the sense of community. Each townhouse

in Vauxhall, Liverpool. Excellent transport links

has defined defensible spaces to provide

to Liverpool City Centre make it an ideal site for

privacy whilst optimising the sun path. The

a residential scheme.

single-storey corner apartments are more affordable and have been designed with

It is important that the proposal is sensitive to

open-plan layouts that maximise the views. In

the existing surroundings and the historical

the larger duplex apartments, the split level

context of the site. The development highlights

accommodation has living spaces and private

the visual connection with the Tobacco

balconies to take advantage of the sun path.

Warehouse and responds to other industrial

The roof of the apartment block provides

landmarks such as the Leeds Liverpool Canal.

recreational amenities for residents including

As demonstrated in the proposal, the site plan

a garden, restaurant and gym. Public gardens

prioritises the environmental conditions; the

have been provided to create a connection

sun path and views are particularly significant.

between the surrounding green spaces and

The massing of the development consists of

there is a cafe with seating beside the canal for

a three-storey courtyard of townhouses and

people to enjoy.

corner apartments, with a six-storey duplex apartment block to the north.

The duplex apartment block has been developed further to include the environmental

The scheme appeals to a range of prospective

strategy and the structural systems that

residents, providing quality living in mixed

would be required if the proposal were to be

density accommodation. For example, the

constructed.

contemporary townhouses could be suitable

2021 Portfolio Jennifer Cox

Site

Divide

Access Voids

Stagger

Extrude

Identity & Character

Courtyard

Finalised Form

Sun Path Access Points Sloped Bank Views Potential Noise Prevailing Wind Existing Foliage

Development Diagrams & Site Analysis (leftt) Site Plan (right) 2020 Portfolio Jennifer Cox

Streetscene 68

Jennifer Cox 2021 Portfolio

2021 Portfolio Jennifer Cox

Section A-A

Section B-B 70

Jennifer Cox 2021 Portfolio

2021 Portfolio Jennifer Cox

Jennifer Cox 2021 Portfolio

External Visualisations

2021 Portfolio Jennifer Cox

Ground Floor Plan

First Floor Plan

Second Floor Plan Townhouse Typology

Elevation A

Elevation B 74

Jennifer Cox 2021 Portfolio

Duplex Apartment Typology

Ground & Third Floor Plan

First & Fourth Floor Plan

Second & Fifth Floor Plan

Circulation Floor Plan 2021 Portfolio Jennifer Cox

Duplex Exploded Floor Plans

Jennifer Cox 2021 Portfolio

South Elevation

North Elevation

West Elevation

East Elevation 2021 Portfolio Jennifer Cox

Location Plan

Sun Path

Summer Solstice 59o

Louvres adjusted to reduce solar gain on sunny days.

Child Play Area This field gives younger residents a place to interact away from the public gardens.

Sustainable Concrete The concrete structures could be made using lower carbon ingredients than those in conventional concrete. For instance, pulvarised fuel ash is a more sustainable aggregate. 78

Jennifer Cox 2021 Portfolio

Prevailing Wind

Autumn Equinox 36o

Louvres adjusted to act as light shelves.

Reclaimed Roof Tiles Townhouses will have reclaimed, instead of new slate roof tiles.

Smart Meters All typologies are fitted with smart meters to allow residents to monitor their energy usage.

Winter Solstice 13o

Louvres adjusted to allow light in on overcast days.

Photovoltaics Townhouses have solar panels on their pitched roofs to provide renewable energy and reduce the carbon footprint of the development.

Defensible Space Townhouses each have clearly defined defensible spaces that provide some privacy.

Deciduous Trees Planting deciduous trees across the site will provide shading in the warmer months whilst allowing sunlight into the buildings in the winter.

Public Gardens Provides a space for the social interaction of the community, that connects Liverpool’s existing green spaces whilst mitigating surface run-off.

Rainwater Harvesting The rainwater will be used for irrigation purposes and distributed to each dwelling for greywater uses.

Winter Solstice 13o

Summer Solstice 59o

External Louvres Motorised Louvres on south facing double height windows can be rotated to optimise the sun path.

Stack Ventilation High level windows can be opened remotely to allow hot air to escape.

Mechanical Ventilation Circulation corridors will be mechanically ventilated with fans to encourage air flow.

Roof Garden This communal area encourages residents to interact whilst increasing biodiversity.

Roof Area = 2927m2 x 900 (annual rainfall mm) x 0.75 (run-off coefficient) x 0.9 (filter coefficient) = 1,778,153 1,778,153 x 0.05 Rainwater Tank Size = 88,908 litres

Trickle Vent Detail

Tunnel Formed Concrete Requires minimal finishing reducing construction time and cost, it is also inherently fireresistant. The process allows floor slabs and walls to be constructed simultaneously. The thermal mass and the addition of insulation minimises heating costs for the apartments.

Permeable Paving Surface treatment allows rainwater to be filtered and collected for re-use.

Triple Glazing Reduces heat loss, noise and improves energy efficiency whilst insulating the buildings.

Raised Doors Internal doors will have a 25mm gap underneath to allow air flow across the building when the doors are closed.

Cross Ventilation Dual Aspect Apartments allow cross ventilation and reduce energy consumption. Trickle vents allow ventilation even when windows are closed.

Alternative Transport Limited parking is provided for residents, however they are encouraged to use more sustainable transportation.

Environmental Section 2021 Portfolio Jennifer Cox

Jennifer Cox 2021 Portfolio

Western Red Cedar Louvres, Ballustrades & Window Frames

Concrete Tunnel Form Structure

Triple Glazed Safety Glass

Exploded Axonometric

Ibstock Ivanhoe Cream Brick

Tunnel Form Process 4

Stage One: Wall reinforcements placed prior to casting the kickers (used to position wall formwork).

Stage Two: Two and a half tunnel is craned into place, bolted together and ties are added.

Stage Three: The wall concrete is poured.

1 Stage Four: The slab reinforcements are fixed.

Stage 5: The slab concrete is poured. Butane heaters are used to maintain a sufficiently high temperature for the concrete to reach its maximum strength overnight.

Stage 6: The tunnel-forms are removed next day.

Stage 7: The process is repeated for the next two bays. 2021 Portfolio Jennifer Cox

Detail A

Specification

24 25

26 27

Detail B

30 31 32 33

Jennifer Cox 2021 Portfolio

19 18

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32

33 34

25mm Tarmac Damp Proof Membrane 150mm Insulation Vapour Control Layer Screed laid to falls Sheet Metal Parapet Flashing Ibstock Ivanhoe Cream Brick 20mm Air Cavity Roof Gutter 250mm Tunnel Formed Concrete 300mm Motorised Airfoil Louvretec Sun Louvres Fixed Triple Glazing Western Red Cedar Louvre Fixing Bracket Triple Glazed Bifold Doors Western Red Cedar Ballustrates 1150mm tall Western Red Cedar Window Frames 50mm Concrete Screed with Underfloor Heating 50mm Insulation Ventilation Grill Trickle Vent 20mm Red Cedar Flooring Raising Pieces Ballustrate Steel Fixing Bracket 15mm Air Cavity Balcony Gutter 150mm Steel Reinforcement 70 mm Rock-Wool Insulation Triple Glazed Openable Windows 370mm Concrete Slab Concrete Pile Foundation Damp Proof Membrane 50mm Insulation

Hardcore Concrete Footing

Section Detail 6 7 8

54321

Elevation

9 10 11

Detail A

Detail B

2021 Portfolio Jennifer Cox

Duplex Apartment Ground Floor Plan

The units analysed in this study are the duplex apartments split across the first and second floors and the fourth and fifth floors.

Section A-A

5 9 o Summer Solstice

36o

Autumn Eq

It focuses on the double height living spaces and mezzanine master bedrooms that are south facing. These units have been designed to respond to the sun path so as to maximise the daylight entering the apartments. Each unit has a private balcony with motorised external louvres that can be adjusted to control the amount of light entering the duplex. The interior finishes have also been selected to reflect the light and make the relatively narrow apartments feel more spacious.

Jennifer Cox 2021 Portfolio

June @ 9.30am

June @ 11am

June @ 1.30pm

December @ 9.30am

December @ 11am

December @ 1.30pm

quinox

Material Specification

Flooring Tongue and groove western red cedar flooring is used throughout with white marble tiles in the kitchen and bathrooms.

1 3 o Winter Solstice

Section B-B

Parti Walls Tunnel formed concrete with polished concrete finish, soft furnishings provide acoustic comfort. Internal walls Stud walls to have skim and white paint finish. Ceilings Exposed Tunnel Formed concrete on both levels. Staircase Open risers with treads made from steel plates that are fixed onto the concrete wall and wrapped in red cedar laminate. 20mm vertical timber columns that fix onto the concrete slab and the second floor ceiling. Doors and Windows Western Red Cedar Frames with triple glazed windows and white painted doors. Kitchen Fixtures and Fittings Sage green high-gloss doors and drawers with steel grey granite worktops.

June @ 3.30pm

December @ 3.30pm

2021 Portfolio Jennifer Cox

Jennifer Cox 2021 Portfolio

Duplex Visualisations

2021 Portfolio Jennifer Cox

SPECIALIST STUDY Ready, Set, Go: An exploration of Adolphe Appia’s architectural elements in relation to Theatre, Stage and Set Design

Jennifer Cox 2021 Portfolio

ABSTRACT The purpose of this study is to investigate the

two at The Lyric in The Lowry and two at The Exchange,

architectural aspects of ‘stage space’. The historical

has shown that it is possible to discuss the issues of

background of stage design is discussed with a

architecture through the medium of performance.

particular focus on the 20th Century and revolutionary

Through critical analysis of the productions, the

theorist of the period, Adolphe Appia. The hierarchy

architectural elements that were most prominent

of theatre, stage and set is explored in relation to two

were identified and their success was evaluated in

theatres with differing stage configurations because,

Act 3 of the study. Wuthering Heights proved to be

ultimately, the potential for set design is dependent

the most dynamic performance because it used all of

on the physical constraints of the stage space and

Appia’s architectural elements of stage space to create

the theatre building itself. After analysis, it became

a unified mise-en-scene.

clear that there are advantages and disadvantages to both stage formats, namely that: proscenium arches can cause audience alienation, however, they are simpler to design sets for, whereas whilst theatres in-the-round can create the feeling of immersion, set designing is more complex. Applying Appia’s theory and philosophies of set design to four productions,

Extract from Specialist Study

2021 Portfolio Jennifer Cox

ACT 1 SCENE 1: Introduction The following dissertation relates to stage design; more

advantages and disadvantages of stage-style will be

specifically, it considers the architectural space created

discussed in relation to each space and coupled with

by two theatres and how the physical constraints of a

my experiences of two plays/performances in both.

stage can be utilised and challenged by effective set

At The Lyric ‘Hamlet’ (directed by Laura Harris) and

design. It aims to investigate the relationship between

the National Theatre’s ‘An Inspector Calls’ (directed

stage space and theatrical space that is achieved in

by Stephen Daldry) are discussed. Performances

each.

attended at The Exchange were ‘Gypsy’ (directed by Jo Davies) and ‘Wuthering Heights’ (directed by Bryony

The study begins with a brief overview of the history

Shanahan). Each production is analysed in relation to

of stage design, where the key developments through

Adolphe Appia’s key architectural elements of stage

the centuries are discussed. This is followed by a more

space, as outlined in Appia’s essays that were translated

in depth exploration of how the discipline has evolved

and edited into ‘Texts on Theatre’ by Richard Beacham

during the 20th and into the 21st Century particularly

(1993). Conclusions are then drawn from this as to

as it relates to two different theatres in Manchester. The

whether each performance was successful and how

Lyric Theatre in The Lowry (hereafter referred to as The

the architectural elements influenced this.

Lyric) was selected because, although built in 2000, the stage here has a conventional proscenium arch. This ‘traditional model’ will be considered in relation to The Royal Exchange Theatre, (hereafter The Exchange, 1976) which is an example of theatre-in-the-round. Both are contemporary although one, The Exchange, is housed in an older building that has been repurposed. The ‘theatre space’ (McAuley, 1999) which is the theatre building itself and ‘space of performance’ (McAuley, 1999) which is the stage space, will be considered. The 90

Jennifer Cox 2021 Portfolio

ACT 2 SCENE 3: The Four Plays Edited by Richard Beacham, the book titled ‘Adolphe

there is for a conventional proscenium stage. The

Appia: Texts on Theatre’ contains a collection of key

14m by 16.2m stage was adapted for each production

essays (in translation) about his approach to stage

and the outcomes were very different. Produced by

design. He discusses the architectural elements of

‘The Boaty Theatre Company’, the version of Hamlet

stage space: painted scenery; spatial arrangement

that I experienced had a simple set-design that was

(width and depth); the actor and the light. Appia

contemporary in feel. This was because there was no

argues that the integration of each of these elements

two dimensional back-drop to this production. Black

is what creates a unified mise-en-scene, therefore

curtains lined the sides and rear of the stage giving

these elements will be discussed in relation to two

the illusion that it was much smaller and thus more

productions at The Lyric Theatre and two productions

intimate. As for three dimensional painted scenery, a

at The Exchange and their success will be evaluated.

steel framed cube as shown in Figure 12 (Cox, 2020)

The two productions that will be compared and

was rotated and moved around the stage to represent

contrasted for The Lyric are a contemporary adaptation

changes of location. Use of this cube meant that

of the Shakespearean tragedy, ‘Hamlet’ and a more

there were very few scene changes and the actors

traditional production of J.B Priestley’s ‘An Inspector

themselves were responsible for moving the scenery

Calls’. The two productions that will be compared and

at critical points of the dialogue. Also, central to the

contrasted for The Exchange are the musical theatre

success of this set-design was the careful consideration

show ‘Gypsy’ and a contemporary dramatisation of

of surfaces. Transparent and reflective surfaces were

Emily Brontë’s ‘Wuthering Heights’.

used throughout the performance to achieve different effects. For example, one side of the moveable cube

Hamlet and An Inspector Calls in a traditional,

was covered with a transparent material that had been

proscenium arch theatre

written on with coloured pens, this tied in with the plot but also acted as a screen to hide and reveal the scene.

After having seen two productions at The Lyric Theatre in The Lowry, it became clear just how much scope

Appia did not believe in using stage sets to create Extract from pictorial realism, rather he wanted to create a sense of Specialist Study 2021 Portfolio Jennifer Cox

mood to allow the audience to interpret the

left and right of the stage space were given equal value

performance in their own way. This production of

and importance.

Hamlet achieved this sense of anti-realism. The simple steel structure did not demonstrate reality, instead it

The three dimensional movements of actors during the

was used as a theatrical device to both define the stage

performance, how they occupy the stage and interact

space and worked as a metaphor to give the audience

with each other the set is another of Appia’s key points.

the impression of a change of scenery without an

According to him, stage space is a dynamic area that

entire change of set.

attracts both actor and spectator and brings about their interaction; as such the performers themselves could

Using depth and the horizontal dynamics of the

be considered to be the elements of scenery, for they

performance space was also central to Adolphe Appia’s

also ‘construct a relation with the dimensions of the

philosophy; he believed that the success of a set is

stage’, (Temizer, 2003). When the set was designed and

dependent on the spatial arrangement. The way that

Hamlet was produced, the movement and interaction

The Lyric performance space can be adapted for two

of the actors was clearly considered and carefully

contrasting performances, such as Hamlet and An

choreographed. The title character remained on stage

Inspector Calls, only emphasises Appia’s argument.

for much of the play, highlighting her significance,

Both productions successfully worked within the same

thus her interaction with the set and the other actors

physical constraints of the stage and this highlights

became the main focus of the performance along with

just how important the horizontal dynamics of a stage-

the spatial arrangement. The limited, painted scenery

set are in defining a performance.

was cast in a supporting role so as to enhance rather than distract from the story line.

As previously mentioned, the set of Hamlet consisted

Jennifer Cox 2021 Portfolio

of a steel framed cube and this piece alone was

According to Appia, the role that lighting plays in a

responsible for the spatial arrangement of the set. As

production cannot be underestimated, for him it is the

its position was altered, other temporary objects and

‘principal element of expression in a setting’, (Beacham,

the actors themselves were forced to work around this

1994). Besides its basic function of enhancing visibility,

structure. There was no use of perspective or illusion

carefully considered lighting unifies the actors and the

in this production of Hamlet, the front and back and

setting into an ‘artistic whole’. (Izenour, 2019).

Gypsy and Wuthering Heights in-the-round

themselves or dropped down from above the stage space as indicated on Figure 22 (Cox, 2020). These

Having seen a musical (Gypsy) and a dramatisation of

mechanisms allowed for quick changes in scene, whilst

a novel (Wuthering Heights) on The Exchange stage, it

also defining the stage space and setting each scene.

was remarkable to experience how a relatively small stage could be adapted and used for two different styles

Adolphe Appia’s idea of depth and horizontal dynamics

of performance. Gypsy is a longstanding Broadway

cannot be applied so easily to a theatre in-the-round

musical that is typically done on a proscenium stage,

performance space. This is because in contrast to a

however this version was adapted to suit a theatre in-

conventional proscenium stage (which has an inherent

the-round. This production demonstrated novel ways

front and back) the way the horizontal dynamics

of changing the scene. With the audience all around

are perceived depends on where the spectator is

the actors and the set, there was nowhere to hide and

positioned. The spatial arrangement of actors and set is

no way of using a traditional backdrop. Instead, the

therefore all the more important for productions at The

scene was set using temporary objects and elements

Exchange to ensure the performance can be enjoyed

of painted scenery that could be moved around to

by each member of the audience no matter where they

different positions. For instance, a large lighting gantry

are sat. In Gypsy, there were minimal pieces of set in

shown in Figure 20 (Cox, 2020), acted as a movable

each scene that were spread across the stage space

framing device, almost like a proscenium arch. This

to avoid obscuring the audience’s sightlines. At The

could be clamped into position and pushed around a

Exchange there are discounted banquette seats that are

circular track that ran around the perimeter of the stage

only available on the day of performance, these seats

space, the movement of which is indicated in Figure 21

are at the same level as the stage so it may have been

(Cox, 2020). Whenever this structure was rotated to a

difficult to ensure the view from these low seatswas

new position, it indicated a change in location and / or

not obscured. The entire stage at The Exchange can

time to the audience. This piece of scenery was crucial

rotate as shown in Figure 23 (Cox, 2020), this rotation

to the climax of the play, where the title character rides

allows the set to be observed through 360 degrees. The

it like a fairground carousel. Other pieces of painted

initial arrangement of the set therefore becomes less

scenery, such as furniture and windows, were either on

important, because its position is constantly changing

wheels and pushed on and off the stage by the actors

while the stage rotates.

Extract from Specialist Study 2021 Portfolio Jennifer Cox

ACT 3 SCENE 1: The Conclusions

Jennifer Cox 2021 Portfolio

To conclude, through the exploration of two theatres

In order to appreciate how these developments affect

and the careful analysis of four plays using Appia’s four-

set design today, it was important to choose two

point approach, it became clear that the building and

theatres with different stage configurations, which

what it contains - a stage constrained by size and shape

uncovered more variations such as scale and audience

coupled with set designs that change for different

capacity. Firstly, I considered their exteriors in order to

productions and within each show - are inherently

establish an understanding of the architectural styles

architectural art forms that combine to create an

of the buildings, to compare their dimensions and to

ephemeral experience for the audience. Investigating

analyse how these combine to shape experience for the

the history of the discipline made it possible to

public. Contrast occurs in both theatres; the traditional

understand the developments of theatre in relation

space of performance at The Lyric contrasts with the

to its origins. Advancements and enhancements to

contemporary theatre space of The Lowry itself. At

the basic principles that began in Ancient Greece and

The Exchange, the juxtaposition occurs between the

later - such as the introduction of sliding sets during

container and the contained; the classical architecture

the 17th Century and the development of spaces

inside and out contrasts with the contemporary steel

that allowed for an immersive theatre in-the-round

module of stage space within. Secondly, the interior

experience in the previous century - have made stage

accommodation of the two theatres was compared

design what we know today. Exploring the influence of

and contrasted and, as expected, it became clear that

Edward Gordon Craig and Adolphe Appia has shown

while what happens ‘backstage’ is conventional at the

how the approach to stage design changed in the

Lyric, at The Exchange, the all-inclusive layout means

20th Century. For these significant designer-directors,

there is no such clear distinction. The study then

spatial expression became central to their philosophies.

discussed the different spaces of performance and the

The shift from realism to anti-realism has allowed set

relationship between the stage and the space occupied

designers more freedom to be creative as audiences no

by the audience. An investigation of the dimensions of

longer necessarily expect a literal representation when

the stages is crucial to help disseminate the physical

they go to the theatre.

constraints set designers have to work with so as to

adapt the space for the different needs of productions

and, with minimal perpendicular painted scenery, this

with contrasting styles, be it a musical or tragic

production focussed on the horizontal dynamics and

drama. Investigating the process of set designing

arrangement of stage space. The steel cube was the key

has deepened my appreciation for the complexities

piece of scenery - however it was not clear why it was

an artistic designer faces so as to ensure that what is

there. It did not have an exact symbolic role, because its

created meets the needs of those behind and on the

movement did not coincide with any particular event

stage, while also creating the best possible spectacle

on stage. Hence it might have been more successful if

for the audience. Exploring the facilities and back

Hamlet had gone into the cube each time she recited

stage areas of each theatre has given me insights as

a monologue, for instance. This performance was

to what goes on behind the scenes of shows at The

produced by a smaller theatre company with financial

Exchange and The Lyric. Also, this helped me analyse

limitations, which might explain the simple set design.

each production with a more critical eye. Ensuring that

However, the lack of complexity with regards to the

I sat in different seats for each of the four performances

set design did mean that it was simple to imagine

made it possible to evaluate audience sightlines from

this production being effective on many different

various positions and gave me an opportunity to think

stages. Despite the unavoidable distance between the

about if and how location impacted my experiences.

audience and stage created by the proscenium arch, Hamlet’s use of Appia’s anti-representational approach

Having analysed four plays in relation to Adolphe Appia’s

helped to break through the ‘fourth wall’ and resulted

architectural elements of stage space - perpendicular

in a more emotional involvement for the audience,

painted scenery, depth and the horizontal dynamics of

making it more comparable to the in-the-round

the performance space, the actor and the lighting - it

productions at The Exchange.

became clear that the productions all demonstrated these elements. The same stage space was then adapted to accommodate the National Theatre’s production to varying levels of success. It was important to see a Shakespearean play such as Hamlet because they are so well known and notoriously complicated to convey effectively. The version at The Lyric was contemporary,

Extract from Specialist Study 2021 Portfolio Jennifer Cox

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01 01

SEED SEED FUNDING FUNDING

Western WesternEurope, Europe,Belgium Belgium

Ghent, Ghent,Ghent Ghentcity citycentre centre

LIVE/WORK LIVE/WORK START-UP START-UP OPPURTUNITIES OPPURTUNITIES

04 04 R40 R40- -Main MainRoad Road

Congestion CongestionZone Zone

Secondary SecondaryRoads Roads

Main MainCycle CycleLinks Links Secondary SecondaryCycle Cyclelinks links

Residential Residential

Educational Educational

Park Parkand and Recreation Recreation

Industrial Industrial

65 620 4.1% 8.7% 4.7% 0.6% 1/3

This Thisisisaacompetition competitionentry entryfor forthe theregeneration regenerationofofDetroit; Detroit;ititisisaasuccessful successfulexample exampleofof aamodular modularsystem systemthat thathas hasbeen beenused usedtotocreate createaastart-up start-upfacility facilityfor fornew newbusinesses. businesses. The Thesteel steelframework frameworkisisan anexisting existingstructure structureand andthe thesteel steel‘modules’ ‘modules’can canbe beslotted slotted into intothis thisusing usingthe thecranes craneson onthe theroof. roof.The Thefacades facadeswill willcontinuously continuouslybe beevolving evolvingasas more moreand andmore moremodules modulespopulate populatethem. them.

UNIVERSITY UNIVERSITY

INEXPENSIVE INEXPENSIVE WORKPLACE WORKPLACE

05 05

Retail Retail

MENTORING MENTORING

02 02

INCREASE INCREASEIN INTHE THECREATION CREATIONOF OF START START- -UP UPCOMPANIES COMPANIES. .

OF OFTHE THEGENERAL GENERALPOPULATION POPULATION HAVE HAVETHEIR THEIROWN OWNBUSINESS BUSINESS

CO-WORKING CO-WORKING

DEMOLITION DEMOLITIONAND ANDRETENTION RETENTION

03 03

We Wepropose proposetotoretain retainthe themajority majorityofofthe thebuildings buildingson onthe thesite, site, only onlygetting gettingrid ridofofaacouple coupleatatthe thenorth northtotoallow allowaanew newpoint pointofof access accessand andone onetotothe theeast eastand andsouth. south.

The Theproposal proposalpromotes promotesthe theidea ideaofofaalive/work live/workenvironment environmentand andallows allowspeople peopletoto express expresstheir theircreativity creativitywhilst whilstliving livingon onthe thesame samesite. site.At At15 15stories, stories,this thisisisatataamuch much larger largerscale scalethan thanour oururban urbandesign designininGhent, Ghent,however howeverthe theconcept conceptbehind behinditithas hasbeen been referred referredtotothroughout throughoutour ourdesign designprocess. process.

EXISTING EXISTINGSTUDENTS STUDENTSAS AS REGISTERED REGISTEREDENTREPRENEURS ENTREPRENEURS

TECHNICAL TECHNICAL ASSIATANCE ASSIATANCE

OF OFGRADUTES GRADUTESARE ARESELFSELFEMPLOYED EMPLOYEDOR ORFREELANCE FREELANCE

Belgium, Belgium,Ghent Ghent

Ghent, Ghent,The TheSite Site

AVAILABLE AVAILABLETO TOSTUDENTS STUDENTSWHO WHOPRODUCE PRODUCEAAVIABLE VIABLE INVESTMENT INVESTMENTIDEA IDEATHROUGH THROUGHGHENTREPRENEUR GHENTREPRENEUR SCHEME SCHEME

€500 €500 €15-20K €15-20K

INTRO INTROAND ANDSITE SITEBACKGROUND BACKGROUND

Ghent, Ghent,located locatedininthe thenorth northofofBelgium Belgiumisisone oneofofthe theoldest oldestcities citiesininthe thecountry. country.Although Althoughbeing beingold, old,the the city citycentre centrestill stillremains remainsaasmall smallenough enoughtotobe becosy, cosy,but butbig bigenough enoughtotobe beaavibrant, vibrant,relevant relevantcentre centrefor fortrade trade and andculture. culture. The Thecity cityisiscompiled compiledofofaacombination combinationofofClassical Classicaland andMedieval MedievalArchitecture. Architecture.This Thisisisthen thencontrasted contrastedwith with large largepost-industrial post-industrialareas areasthat thatare arecurrently currentlyundergoing undergoingurban urbanre-newel. re-newel. Although Althoughbeing beingan anold oldand andbeautiful beautifulcity city, ,Ghent Ghentisn’t isn’taatourist touristhotspot hotspotwithin withinBelgium, Belgium,especially especiallywhen when compared comparedtotocities citiessuch suchasasBruges Brugesand andBrussels. Brussels.Instead, Instead,the thecity citythrives thriveson onaalarge largepopulation populationofofyouth youthand and students studentsofofthe thelocal localColleges Collegesand andUniversities. Universities. Ghent Ghentisisan anold oldport portcity, city,still stillininuse usetoday, today,itithas hasaastrong strongcanal canalsystem systemrunning runningthrough throughthe thecities citiesroutes. routes. The Theport portisisthe thethird thirdlargest largestport portininBelgium Belgiumthat thatisisstill stillactive activetoday. today.This Thisport porthouses housessome somelarge largecompanies companies such suchasasVolvo Volvocars, cars,Volvo Volvotrucks, trucks,Volvo Volvoparts, parts,Honda Hondaand andother otherlarge largeglobal globalcompanies. companies. Ghent Ghentisiswell wellknown knownfor foritsitslarge largepublic publicsquares squaresand andmarketplaces, marketplaces,one oneofofthe themain mainones onesofofthese theseisis Vrijdagmarkt, Vrijdagmarkt,which whichtranslates translatestoto‘Friday ‘FridayMarket’ Market’ , ,this thiswas wasthe thecentre centrefor forlife lifeand andculture cultureduring duringmedieval medieval times. times.

ROUTES ROUTES

Routes

Tram TramLines Lines

Congestion CongestionZone Zone

Demolished DemolishedBuildings Buildings

Major MajorTram TramStops Stops

City CityMap Map

Retained RetainedBuildings Buildings

ZONES ZONES

Zones

€500K €500K

PUBLIC PUBLICREALM REALM

Public Realm

OUTLINES OUTLINES

FUNDING FUNDINGAVAILABLE AVAILABLEFOR FOR11YEAR YEARFOR FORAA NEW NEWSTAR-UP STAR-UPCOMPANY COMPANYTHROUGH THROUGH ISTART.LIGHT ISTART.LIGHT

INVESTED INVESTEDBY BYTHE THEFLEMISH FLEMISHGOVERNMENT GOVERNMENT ONTO ONTODEVELOPING DEVELOPINGNEW NEWECOSYSTEMS ECOSYSTEMSFOR FOR NEW NEWSTART-UP START-UPDEVELOPMENTS DEVELOPMENTS

Outlines

OF OFGRADUTES GRADUTESHAVE HAVETHEIR THEIR OWN OWNBUSINESS BUSINESS

SURVIVAL SURVIVALAND ANDSUCCESS SUCCESSRATE RATE OF OFNEW NEWLIVE LIVEBUSINESS’ BUSINESS’

LANDSCAPE LANDSCAPEPRECEDENT PRECEDENT

Light Lightof ofthe theCity, City,Anhui AnhuiProvince Province Aspect AspectStudios Studios Located Locatedininthe thecity cityofofHefei, Hefei,this thisisisaalandscape landscapedesign designfor foraaretail retaildestination destinationand andoffice office development. development.The Thedesign designofofthe theopen openspace spacehas hasbeen beencarefully carefullyconsidered consideredtotoensure ensure ititisisenjoyed enjoyedby bythe thepeople peoplevisting. visting.AAseries seriesofofpathways pathwaysmeandering meanderingthrough throughareas areasofof planting plantingcreate createvarious variousroutes routesofofapproach approachand andpoints pointsofofaccess accesstotothe thedevelopment. development.Our Our urban urbandesign designisisinspired inspiredby bythis thisnetwork networkofofpathways, pathways,ititby byprovides providescycle cycleand andpedestrian pedestrian routes routesthat thatconnect connectitittotothe theneighbouring neighbouringdevelopments developmentsand andsurrounding surroundingcontext. context.The The key keyentrance entrancepoints pointstotoour oursite sitewill willalso alsobe belandscaped landscapedwith withhard hardand andsoft softlandscaping landscapingtoto draw drawpeople peopleinto intothe thedevelopment. development.

BUILDING BUILDINGUSE USE

MASSING MASSING

Massing

Building Use

High HighDensity Density

Residential Residential

Medium MediumDensity Density Low LowDensity Density

Office Office Business Business/ /Retail Retail

The Structural Complex Thesteel Structural The complex Complex is a flexible

MASTERPLAN 1:500

environment, the aim is to meet the diverse requirements of The steeland complex is ain flthe exible environment, business residential city of Ghent. The the aim isslot to into meetthe thesteel diverse requirements of modules structure to provide business residential the city of wanting Ghent. The low cost and workspaces foringraduates to modules slot up intocompany. the steelThe structure to can provide create a start modules also low costasworkspaces for graduates wanting to be used residential units allowing graduates create start up company. also occupya multiple modules, The this modules creates acan flexible be used residential units graduates to ‘Live andasWork’ setting. Asallowing the requirements of occupy multiple flmodules, this creates a fladded exible these companies uctuate, modules can be ‘Live and Work’ setting. As the requirements of and removed from the structure. The structure these companies fluctuate, modules canofbethe added defines itself from the existing grain site and removed from the structure. structurea because it forms its own grid whichThe establishes defi nesboulevard itself fromdividing the existing grain of the site strong the site. because it forms its own grid which establishes a strong boulevard dividing the site.

A A A A

The Factory ‘Gentse Metaalwerken’ The Factory ‘Gentse Metaalwerken’ Gentse Metaalwerken is the existing

steel factory on the site. Our scheme proposes Gentse is thetoexisting that it is Metaalwerken retained as a factory producesteel and factory on the Our systems. scheme However, proposes manufacture thesite. modular that it isisretained as athrough factory tothe produce a void extruded centreand of manufacture modular systems. However, the building the to allow cranes to move the aconstructed void is extruded the centre of modulesthrough onto designated ‘drop the building allowboulevard. cranes toThe move the zones’ on the to central Gantry constructed modules onto designated ‘drop cranes then move the modules and slot them zones’ on the central boulevard. The Gantry into position. cranes then move the modules and slot them into position.

URBAN DESIGN PROJECT 1 Nothing for Everyone Something for Everybody, Ghent Belgium

The Routes Thesite Routes The has been

divided by key routes linking the North to The by Southsite andhas the been East todivided West. The key routesalso linking theviews North to pathways reveal over South andMoreover the East to West. The the canal. a waterfront pathways also over promenade hasreveal beenviews proposed the canal. Moreover to create a journeya waterfront along the promenade has been proposed edge of the site. to create a journey along the edge of the site.

SECTION A-A SECTION A-A 1:200

The Green Spaces The Greenpark Spaces - site The existing within the

1:200

boundary has been retained for The existing park within site the school children in thethe area. A boundary been retained for large area ofhas public realm has been the school children inedge the area. A introduced along the of the large area ofThere publicare realm has been waterfront. permanent introduced the edge of this the modules arealong arranged along waterfront. permanent edge whichThere will beare used as small modules arranged along this exhibitionare spaces for local artists edge which willwork. be used as small to display their exhibition spaces for local artists to display their work.

B B

SECTION B-B SECTION B-B 1:200 1:200 52

Jennifer Cox 2020 Portfolio

Jennifer Cox 2021 Portfolio

2020 Portfolio Jennifer Cox

INTRODUCTION

their function for the production of the modules.

The aim of the masterplan is to:

- Create primary pedestrian and cycle routes to

- Provide opportunities for graduating students

encourage sustainable transport.

to create new and innovative start up

- Introduce a waterfront promenade creating a

companies.

visual and physical connection to the canal.

- Introduce an opportunity to live and work in

- Reuse and recycle materials in the

the city of Ghent therefore reducing long

construction process of the modules.

distance commutes into the city centre.

- Integrate the existing community into the

- Address the transport issues on and around

scheme by providing facilities for leisure

the site while connecting to the established

activities.

sustainable city network.

-Provide new areas of public realm to promote

- Retain the industrial buildings and reinstate

social activity and natural wildlife.

2021 Portfolio Jennifer Cox

ERPLAN

98 52

Jennifer Cox 2021 Portfolio

Jennifer Cox 2020 Portfolio

A A A A

SECTION A-A SECTION A-A 1:200 1:200

NOTHING NOTHING FOR FOR EVERYONE EVERYONE SOMETHING SOMETHING FOR FOR EVERYBODY EVERYBODY

THE THE POWER POWER OF OF THE THE START-UPS START-UPS

TOM TOMSMITH, SMITH,JENNY JENNYCOX, COX,DANIEL DANIELHUDSPITH HUDSPITH

EXISTING EXISTINGBUILDINGS BUILDINGSON ONTHE THESITE SITE

SITE SITEANALYSIS ANALYSIS

INEXPENSIVE INEXPENSIVE WORKPLACE WORKPLACE

05 05

01 01

SEED SEED FUNDING FUNDING

Western WesternEurope, Europe,Belgium Belgium

Ghent, Ghent,Ghent Ghentcity citycentre centre

04 04 R40 R40- -Main MainRoad Road

Congestion CongestionZone Zone

Secondary SecondaryRoads Roads

THE THE POWER POWER OF OF THE THE START-UPS START-UPS Belgium, Belgium,Ghent Ghent

65 620 4.1% 8.7% 4.7% 0.6% 1/3 Ghent, Ghent,The TheSite Site

INTRO INTROAND ANDSITE SITEBACKGROUND BACKGROUND

1:200 04 04

LIVE/WORK LIVE/WORK START-UP START-UP OPPURTUNITIES OPPURTUNITIES

02 02

Routes

OF OFTHE THEGENERAL GENERALPOPULATION POPULATION HAVE HAVETHEIR THEIROWN OWNBUSINESS BUSINESS

03 03

TECHNICAL TECHNICAL ASSIATANCE ASSIATANCE

Residential Residential

Educational Educational

Park Parkand and Recreation Recreation

Industrial Industrial

Retail Retail

MENTORING MENTORING

02 02

03 03

MODULAR MODULARSTART-UP START-UPPRECEDENT PRECEDENT

TECHNICAL TECHNICAL ASSIATANCE ASSIATANCE

Redesigning RedesigningDetroit, Detroit,Michigan Michigan HHArchitects Architects

Demolished DemolishedBuildings Buildings

City CityMap Map

Retained RetainedBuildings Buildings

ZONES ZONES

Zones

B B

MODULAR MODULAR

Redesigning Redesigning HHArchitects Architects

This Thisisisaacompetiti competi aamodular modularsystem system The Thesteel steelframew framew into intothis thisusing usingthth more moreand andmore moremm

The Theproposal proposalpro pr express expresstheir theircrea cre larger largerscale scalethan thano referred referredtotothroug throu

EXISTING EXISTINGSTUDENTS STUDENTSAS AS REGISTERED REGISTEREDENTREPRENEURS ENTREPRENEURS

INCREASE INCREASEIN INTHE THECREATION CREATIONOF OF START START- -UP UPCOMPANIES COMPANIES. .

OF OFGRADUTES GRADUTESARE ARESELFSELFEMPLOYED EMPLOYEDOR ORFREELANCE FREELANCE

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THOUSAND THOUSAND STUDENTS STUDENTS AT ATGHENT GHENT UNIVERSITY UNIVERSITY

OF OFTHE THEGENERAL GENERALPOPULATION POPULATION HAVE HAVETHEIR THEIROWN OWNBUSINESS BUSINESS

CO-WORKING CO-WORKING

DEMOLITION DEMOLITIONAND ANDRETENTION RETENTION

THOUSAND THOUSAND STUDENTS STUDENTS AT ATGHENT GHENT UNIVERSITY UNIVERSITY

INCREASE INCREASEIN INTHE THECREATION CREATIONOF OF START START- -UP UPCOMPANIES COMPANIES. .

ROUTES ROUTES CO-WORKING CO-WORKING

Main MainCycle CycleLinks Links Secondary SecondaryCycle Cyclelinks links

Ghent, Ghent,located locatedininthe thenorth northofofBelgium Belgiumisisone oneofofthe theoldest oldestcities citiesininthe thecountry. country.Although Althoughbeing beingold, old,the the INEXPENSIVE city citycentre centrestill stillremains remainsaasmall smallINEXPENSIVE enough enoughtotobe becosy, cosy,but butbig bigenough enoughtotobe beaavibrant, vibrant,relevant relevantcentre centrefor fortrade trade WORKPLACE WORKPLACE and andculture. culture. The Thecity cityisiscompiled compiledofofaacombination combinationofofClassical Classicaland andMedieval MedievalArchitecture. Architecture.This Thisisisthen thencontrasted contrastedwith with large largepost-industrial post-industrialareas areasthat thatare arecurrently currentlyundergoing undergoingurban urbanre-newel. re-newel. EXISTING EXISTING STUDENTS STUDENTSAS AS Although Althoughbeing beingan anold oldand andbeautiful beautifulcity city, ,Ghent Ghentisn’t isn’taatourist touristhotspot hotspotwithin withinBelgium, Belgium,especially especiallywhen when REGISTERED REGISTERED ENTREPRENEURS compared comparedtotocities citiessuch suchasasBruges Brugesand andBrussels. Brussels.Instead, Instead,the thecity citythrives thriveson onaalarge largepopulation population ofofyouth youthand and ENTREPRENEURS students studentsofofthe thelocal localColleges Collegesand andUniversities. Universities. SEED SEED Ghent Ghentisisan anold oldport portcity, city,still stillininuse usetoday, today,itithas hasaastrong strongcanal canalsystem systemrunning runningthrough throughthe thecities citiesroutes. routes. FUNDING FUNDING The Theport portisisthe thethird thirdlargest largestport portininBelgium Belgiumthat thatisisstill stillactive activetoday. today.This Thisport porthouses housessome somelarge largecompanies companies such suchasasVolvo Volvocars, cars,Volvo Volvotrucks, trucks,Volvo Volvoparts, parts,Honda Hondaand andother otherlarge largeglobal globalcompanies. companies. Tram TramLines Lines Ghent Ghentisiswell wellknown knownfor foritsitslarge largepublic publicsquares squaresand andmarketplaces, marketplaces,one oneofofthe themain mainones onesofofthese theseisis Vrijdagmarkt, Vrijdagmarkt,which whichtranslates translatestoto‘Friday ‘FridayMarket’ Market’ , ,this thiswas wasthe thecentre centrefor forlife lifeand andculture cultureduring duringmedieval medieval MENTORING MENTORING Major MajorTram TramStops Stops times. times.

05 05 01 SECTION B-B 01 SECTION B-B 1:200

LIVE/WORK LIVE/WORK START-UP START-UP OPPURTUNITIES OPPURTUNITIES

65 620 4.1% 8.7% 4.7% 0.6% 1/3

AVAILABLE AVAILABLETO TOSTUDENTS STUDENTSWHO WHOPRODUCE PRODUCEAAVIABLE VIABLE INVESTMENT INVESTMENTIDEA IDEATHROUGH THROUGHGHENTREPRENEUR GHENTREPRENEUR SCHEME SCHEME

€500 €500 €15-20K €15-20K €500K €500K

PUBLIC PUBLICREALM REALM

Public Realm

OUTLINES OUTLINES

FUNDING FUNDINGAVAILABLE AVAILABLEFOR FOR11YEAR YEARFOR FORAA NEW NEWSTAR-UP STAR-UPCOMPANY COMPANYTHROUGH THROUGH ISTART.LIGHT ISTART.LIGHT

INVESTED INVESTEDBY BYTHE THEFLEMISH FLEMISHGOVERNMENT GOVERNMENT ONTO ONTODEVELOPING DEVELOPINGNEW NEWECOSYSTEMS ECOSYSTEMSFOR FOR NEW NEWSTART-UP START-UPDEVELOPMENTS DEVELOPMENTS

Outlines

OF OFGRADUTES GRADUTESHAVE HAVETHEIR THEIR OWN OWNBUSINESS BUSINESS

SURVIVAL SURVIVALAND ANDSUCCESS SUCCESSRATE RATE OF OFNEW NEWLIVE LIVEBUSINESS’ BUSINESS’

LANDSCAPE LANDSCAPEPRECEDENT PRECEDENT

Masterplan (left)

MASSING MASSING

Massing

Site Sections & Development Diagarams (right)

OF OFGRADUTES GRADUTESARE ARESELFSELFEMPLOYED EMPLOYEDOR ORFREELANCE FREELANCE

AVAILABLE AVAILABLETO TOSTUDENTS STUDENTSWHO WHOPRODUCE PRODUCEAAVIABLE VIABLE INVESTMENT INVESTMENTIDEA IDEATHROUGH THROUGHGHENTREPRENEUR GHENTREPRENEUR SCHEME SCHEME

€500 €500 €15-20K €15-20K €500K €500K

OUTLINES OUTLINES

FUNDING FUNDINGAVAILABLE AVAILABLEFOR FOR11YEAR YEARFOR FORAA NEW NEWSTAR-UP STAR-UPCOMPANY COMPANYTHROUGH THROUGH ISTART.LIGHT ISTART.LIGHT

INVESTED INVESTEDBY BYTHE THEFLEMISH FLEMISHGOVERNMENT GOVERNMENT ONTO ONTODEVELOPING DEVELOPINGNEW NEWECOSYSTEMS ECOSYSTEMSFOR FOR NEW NEWSTART-UP START-UPDEVELOPMENTS DEVELOPMENTS

Outlines

OF OFGRADUTES GRADUTESHAVE HAVETHEIR THEIR OWN OWNBUSINESS BUSINESS

SURVIVAL SURVIVALAND ANDSUCCESS SUCCESSRATE RATE OF OFNEW NEWLIVE LIVEBUSINESS’ BUSINESS’

LANDSCAPE LANDSCAPEPRECEDENT PRECEDENT

Light Lightof ofthe theCity, City,Anhui AnhuiProvince Province Aspect AspectStudios Studios Located Locatedininthe thecity cityofofHefei, Hefei,this thisisisaalandscape landscapedesign designfor foraaretail retaildestination destinationand andoffice office High HighDensity Density development. development. The Thedesign designofofthe theopen openspace spacehas hasbeen beencarefully carefullyconsidered consideredtotoensure ensure Medium Medium Density Density ititisisenjoyed enjoyed by bythe the people peoplevisting. visting.AAseries seriesofofpathways pathwaysmeandering meanderingthrough throughareas areasofof planting plantingLow create create various variousroutes routesofofapproach approachand andpoints pointsofofaccess accesstotothe thedevelopment. development.Our Our Low Density Density urban urbandesign designisisinspired inspiredby bythis thisnetwork networkofofpathways, pathways,ititby byprovides providescycle cycleand andpedestrian pedestrian routes routesthat thatconnect connectitittotothe theneighbouring neighbouringdevelopments developmentsand andsurrounding surroundingcontext. context.The The key keyentrance entrancepoints pointstotoour oursite sitewill willalso alsobe belandscaped landscapedwith withhard hardand andsoft softlandscaping landscapingtoto draw drawpeople peopleinto intothe thedevelopment. development.

MASSING MASSING

Massing

BUILDING BUILDINGUSE USE

Building Use

Residential Residential

A A

Office Office Business Business/ /Retail Retail

2021 Portfolio Jennifer Cox

Individual Masterplan (left) Individual Site Plan (right)

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Jennifer Cox 2021 Portfolio

2021 Portfolio Jennifer Cox

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Jennifer Cox 2021 Portfolio

Individual Visualisations

2021 Portfolio Jennifer Cox

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CURRICULUM VITAE PERSONAL INFORMATION

HIGHER EDUCATION

ARCHITECTURAL WORK EXPERIENCE

Name: Jennifer Cox

Liverpool John Moore’s University

Calderpeel Architects (Altrincham)

Date of Birth: 20/01/1997

MArch (Hons) Master of Architecture: 2019-2020

Part 1 Architectural Assistant

Email: cox.m.jenny@gmail.com

(Awaiting final grade)

September 2018-September 2019

University of Huddersfield

During my time at Calderpeel I gained

BA (hons) Architecture: 2015-2018 (First Class)

invaluable experience in the architectural

Mobile: 07863942052 PERSONAL STATEMENT

industry. It developed my confidence in design Thank you for taking the time to look at my

SECONDARY EDUCATION

portfolio. My name is Jenny, I am 24 years

but also my communication skills. I was given responsibility for liasing with a range of different

old and come from South Manchester; I

Sale Grammar School Sixth Form: 2013-2015

people including clients and planning officers.

am currently living in Altrincham and have

Product Design A-Level (A)

As a result of this experience, I now have a

previously lived in Huddersfield.

Mathematics A-Level (B)

clearer understanding of the team work that is

Physics A-Level (B)

required to run a successful business and will

Chemistry AS-Level (B)

utilise this in future roles.

now actively pursuing a career in the profession

Sale Grammar School: 2008-2013

I was selected to work alongside the managing

that I love.

10 GCSEs (A*-A)

director on a number of residential and luxury

I am a hardworking person with a wide skill set

SUMMARY

Having recently completed the Masters in Architecture at Liverpool John Moore’s, I am

private projects. This developed my confidence who is able to adapt to different situations. My

in preparing drawings for planning applications and also communicating with private clients in

creativity and passion for design have shone

Whilst at university I have developed many

meetings. I was fortunate enough to be given

through the range of projects I’ve worked on,

skills that will be invaluable when working

the responsibilty to oversee the submission of

and I enjoy taking a project from the initial

in a professional practice. Particularly during

a planning application for one of the private

concept stage through to the technical design

the MArch course, my passion for architecture

clients, this application was approved in the final

both as part of a team and individually.

has increased. I love exploring the physical

weeks of my placement, and construction has

constraints and opportunities of a site and

since began on site.

OTHER ACHIEVEMENTS

designing proposals that respond to the surrounding context. Learning about the work

There is a team of architects at Calderpeel that

Grade 8 Violin

of famous architects, design theories and design

focus on the healthcare sector and providing

Grade 8 Vocals

movements has underpinned the projects

assisted living developments across the country.

Grade 6 Bassoon

completed in the design modules. My CAD skills, I was able to work alongside the project

Member of Halle Youth Orchestra 2011-2016

presentation techniques and team working skills architects to prepare the drawing packages for have all developed throughout the masters.

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Jennifer Cox 2021 Portfolio

planning, I enjoyed working for this team as it

gave me the chance to learn more about the

OTHER EXPERIENCE

requirements of assisted living. House Restaurant and Wine Bar (Altrincham) As a practice, Calderpeel have entered many

Bar Supervisor

design competitions and during my time with

2016-2018

them I was given the opportunity to present the proposed drawings in a clear and convincing

I began working for House as a bar tender but

way. As a result of working on these design bids,

was soon promoted to bar supervisor which

my team working skills were improved.

involved increasing my working hours and taking on more responsibility. Extra duties

IBI Taylor-Young Architects (Handforth)

included stock counts, stock ordering as well as

Work Experience

organisation and coordination of events.

November 2014 I learnt some important skills when I was Whilst studying for my A Levels, I completed a

working as a bar supervisor, these included

month of work experience at IBI-Taylor Young

friendly and hosptitable customer service and

Architects. This was my first taste of working in

how to ensure people feel welcome in the bar.

an architectural practice and I really enjoyed the

Punctuality and communication within the team

experience. I was given the opportunity to work

were also important in the role.

with several different teams including landscape architects, urban planners and architectural

PROFESSIONAL SKILL SET

technicians allowing me to learn from each of them. Working alongside the architects, I was

•

Proficient use of AutoCAD

given a range of tasks to complete including

•

Proficient use of Adobe Creative Suite

replying to emails, drawing up my family

•

Proficient use of SketchUp

home in SketchUp and taking minutes during

•

Some use of Revit

meetings.

•

Rendering softwares - Lumion & Enscape

•

Technical Drawing

•

Graphic Design

•

Physical Model Making

PERSONAL SKILL SET •

Good communicator

•

Effective time management

•

Personable and social character

•

Confident to work in a team and indiviually

•

Good at problem solving 2021 Portfolio Jennifer Cox

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Jennifer Cox 2020 Portfolio

Master of Architecture Liverpool School of Art and Design

2021 PORTFOLIO

JENNIFER COX

MASTER OF ARCHITECTURE LIVERPOOL SCHOOL OF ART AND DESIGN

Jennifer Cox - Part 2 Architectural Assistant Portfolio

Articles inside

Urban Design Project 1

Specialist Study

Housing Project

Live Project

Urban Design Project 2

Thesis Project

CURRICULUM VITAE