Jennifer Anderson Interior Design Portfolio

Page 1

portfolio interior design

jennifer rae anderson

“it is the task of the architect to give life a gentler structure.� -alvar aalto


“architecture is art, but art vastly contaminated by many other things. contaminated in the best sense of the word - fed, fertilised by many things.�--renzo renzo piano 01


jennifer rae anderson interior design 1906 Brushy Creek Rd, Easley SC, 29642 864-293-2444 | jn.rae3@gmail.com www.jenniferraeanderson.wix.com/portfolio

education

experience

Anderson University Bachelor of Arts: Interior Design Graduation: May 2016 GPA: 3.27 Postcard From Paris: Intern Summer ‘14 & ‘15, Greenville, SC Postcard From Paris: Retail Associate July ‘15 - Present, Greenville, SC AU Ceramics Department: Workstudy February - May ‘16, Anderson, SC Pizza & Then Some: Assistant Manager December ‘12 - Present

affiliations

ASID Carolinas Chapter: ‘12-’16 ASID Anderson University Student Chapter: Fundraising Committee, Event Comittee, and The Gathering Committee ‘12-’16 Anderson University Ceramics Club: Administrative Assistant ‘16

skills

Technical: Sketching, Space Planning, Project Research, Location Analysis, Microsoft Office, AutoCad ‘15-’16, Google Sketchup ‘15-’16, Revit ’16, and Adobe Photoshop CS6 Hand: Hand rendering, hand drafting, model building, hand-building ceramics, wheel throwing ceramics, film photography, digital photography, sculpture, sketching, drawing, and painting.

recognition

volunteer

Selected for ASID Carolinas Otto Zenke Competition ‘14 - ’15 Selected for IDEC National Competion ‘15 - ’16 Event Worker: Worked various ASID Anderson University Chapter events, such as The Gathering and monthly meetings, helping with planning, setup and breakdown, event décor, and assisting professionals with transportation of booth or presentation materials. Student Mentor: Mentored underclassmen School of Interior Design majors by providing knowledge and advice, helping guide them through the program, as well as assisting in understanding of course material.

references

Ms. Anne Martin IDEC, IIDA Educator Assoc. – Dean of the School of Interior Design, Anderson University 864.231.2053 – amartin@andersonuniversity.edu Ms. Allison Detmer Interior Designer at Dillard Jones Builders 864.607.8889 – allison@dillardjones.com Mr. Jonathon Gosnell Owner of Pizza and Then Some 864.906.5757 – jonathangosnell@bellsouth.net

111111 www.pinterest.com/jnrae2 |

www.linkedin.com/in/jnrae |

www.instagram.com/jn.rae


biography

Since the time I was a child, I have always found a sense of joy

in creating things. From small houses made of cardboard and paper, to spending hours outside with a cheap point and shoot digital camera, I have always felt at home looking through the artistic lens. In high school I took an art class here and there, but I was homeschooled from preschool on, and there were little influences except for my own hands. After I graduated high school, I found an entirely different world in college. I learned to think critically and analyze my own work, how to present myself clearly and professionally, and how to work in an environment with my peers. I took classes on art, history, interior design, building codes, lighting, business, materials, and half a dozen computer programs, just to name a few. I was able to complete two summer internships for an interior design firm as well as a ceramics work-study in my time at college, and those experiences gave me new worldviews that I had previously been without. In my internship I learned how to communicate and conduct with design professionals as well as clients, which is one of the most valuable skills I have attained in my career. With the guidance of family, mentors, and professors I have been given all the tools to become a working professional that can truly make a positive contribution to society. I know that I will never stop learning, and that I have a hunger to keep acquiring new skills.

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philosophy

Good design is all about schematic design, dimensionality, and details. Schematic design is crucial to the outcome of every project. Iterations and reiterations, adjacencies, matrixes, bubbles diagrams, blocking plans, and endless research all come together to form this

arduous yet rewarding process. Schematic design is where good design is born, conceived out of the minds of professionals who strive to be the best designers with the best designs. Dimensionality is the attention paid to every plane in the design. From the floors to the walls to the ceilings above, whether a room is a simple janitor’s closet or a grand, sweeping ballroom, every plane must bear the touch of the designer’s pen. Whether that is the placement of fluorescent lighting or rubber wall base, or marble flooring and gold hardware, there must be thought put into every aspect of a room, otherwise it is not good design. Details are the last piece, the piece that holds the whole design together – the glue of it all. It is the details that come together so that people can effortlessly live and work within these spaces without attention given to careless discrepancies. Details are what make a space memorable and timeless, which is the integral part of all designs that are dissected and discussed for years to come. Timelessness in design is desired above all else, and it was the timeless architect Frank Gehry who once said, “Architecture should speak of its time and place, but yearn for timelessness.”

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CONTENTS: 07

history project international style

05

11

cove community arcadia, florida

23

otto zenke ‘15 design showroom charlotte, nc

IDEC ‘15 sharing spaces mexico city, mexico

25


15

codes and structure greenville, sc

PIET city club manhattan, NY

27

19

container home melbourne, australia

fine art ceramics and film

29 06


Cove Community A sustainable natural disaster-resistant low income housing community in Arcadia, Florida

Living Area Perspective Exterior Perspective

Project Description

DeSoto County, the most poverty-stricken county in the state of Florida, is in desperate need of affordable communities that incorporate resistance to natural disasters and sustainability. Hurricanes, flooding, and wildfires are all prevalent in DeSoto County, and yet many unsafe mobile home communities still exist. Residents of the county that are low income and/or elderly must have safe, accessible, and efficient homes in today’s environment and economy. With rent and mortgages rising and minimum wage staying in place, residents are unable to afford proper housing without working excessive amounts of hours per week. The proposed solution to these issues is an affordable prototype home that incorporates natural disaster resistant construction and sustainability, creating a safe and efficient community that will last through generations. Using LEED as the basis for the design, four prototype homes will be designed, the first three being two stories, the last being one story. The first will be a 1-2 person home, and will have an area of around 700 sq. ft. The second will be a 3-4 person home, and have an area of around 900 sq. ft. The third will be a 5-6 person home, and will have an area of around 1,200 sq. ft. The fourth home will fit 1-2 people and be around 600 sq. ft., but as previously mentioned will be one story. This last home is for the population that is low income and also elderly and/or disabled. These homes will be unique in the aspect that they will be raised off the ground as well as cylindrical, in order to better combat flooding of rivers and high winds from hurricanes. Each home will be on a plot of land that will approximately measure .15 acres, in order to have enough space for parking, an outdoor deck space, a garden, and green walls. Each home will also have a green roof with natural vegetation to help combat heat islands. Recycled steel construction will be the base for the homes, and sustainable insulation and cladding will be utilized. ReWall, made of 100% recycled content from milk and food cartons will be used as a drywall alternative. Energy-efficient windows and doors will also be placed strategically on the north and south parts of the building to avoid direct sunlight. The homes will have a central utility core that wiring, water pipes, and heating ducts can radiate from. The purpose of these homes is to provide protection from common natural disasters and provide a safe community for citizens of low incomes that will not have to solely rely on insurance and to use sustainability to help residents be self-sufficient and live in a way that will benefit them in every aspect of life. Spaces Include: A kitchen, a dining area, a living area, a sleeping area, and a bathroom. Skills Used: Revit 2016, Photoshop, InDesign, Sketching, Space Planning, Location Analysis, and Research.

Project Goals

To create a sustainable community that benefits the residents by protecting them from natural disasters and also aiding in the health and rebuilding of a poverty-stricken county.

07


Living Area Perspective Exterior Perspective

Schematic Living AreaDrawings Perspective

LivingPrototype Area Perspective 1: 700 sq ft.

Prototype 2: 900 sq ft.

Prototype 3: 1,200 sq ft.

Prototype 4: 600 sq ft.

08


Cove Community A sustainable natural disaster-resistant low income housing community in Arcadia, Florida

Living Perspective KitchenArea Elevation

Living Area Perspective Entry Elevation

Living Area Perspective Kitchen/Dining Perspective

09

Living Area Perspective Obliques of First and Second Floor

Material Material Selections


Living AreaPerspective Perspective Living Area

Living Area Perspective Office Perspective

www.autodesk.com/revit

Floor Finish Legend Wood Flooring

L2

M9

Under Cabinet Washer/Dryer

F7

F10 F8

F11

Copy 2

A3

Living

F9

Tile Flooring

Living Area Perspective Bathroom Perspective

Kitchen

F7

A8

F6

F3

F1

F7

F4

A6

Powder Room

A5

Dining F5

Entry

Bedroom 1

Jennifer Anderson F2

Bath COVE Community Office

FIRST FLOOR FURNITURE PLANS

A5

A6

A4

F3

F12

F5

Bedroom 2

F4

F6

Project Number Date Drawn By Checked By

Livinpective First Floor Plan

A2 - 1A

Livinpective Second Floor Plan Scale

1 3/10/16 JA EB

As indicated

3/7/2016 4:43:00 PM

Copy 3

10 SECOND FLOOR FURNITURE PLAN


Otto Zenke Competition “REAL Design� A design showroom in Charlotte, North Carolina

Living AreaPerspective Perspective Showroom

Project Description

Located in Charlotte, North Carolina, REAL (Recycled Materials, Efficient Systems, Adaptable Environments, & Local Sources) Design is a design showroom that offers sustainable finishes and furniture for local designers and homeowners. Five different sustainable companies were selected for the showroom, which were: Eureka Lighting, Coalesse Furnishings, Knoll Textiles, Benjamin Moore Paint, and Timberlake Cabinetry. Materials were chosen with recycled content to promote cleaner living. Systems of efficiency were researched to avoid wasted energy. The adaptability of environments is crucial in a rapidly adjusting society - sourcing materials and furniture locally cuts down on transportation costs, emissions, and saves fuel. Inspired by Scandinavian design, light and bright finishes for all spaces were picked, focusing on clean lines and fresh patterns. Spaces Include: Staff Stations, a Light Box, an Ideation Center, the showroom floor, a restroom, office space, a meeting room, a living room, a dining room, a kitchen, a master bedroom and bath, and a guest room and bath. Skills Used: Revit 2016, Autocad 2016, Photoshop, InDesign, Sketching, Space Planning, and Research.

Project Goals

To create a sustainable enviroment that would foster other sustainable environments. Adaptability, clean energy, efficiency, recyclability, and locally sourcing materials were main focuses in the design.

Space Planning Diagrams

11


Elevator

Mechanical

Restroom Tile Display Textile Display

Light Box Ideation Center

Furniture Display Paint Display

Staff Stations

Cabinet Display

Entry

First Floor: Design Showroom

Living Area Perspective Staff Stations Elevation

Living Area Perspective Ideation Center Elevation

12


Otto Zenke Competition “REAL Design� A design showroom in Charlotte, North Carolina

Elevator

Office

Guest Bath

Meeting Room

Guest Room

Master Bath Dining

Master Bedroom

Living

Second Floor: Apartment and Office

Living Area Perspective Material Selections

13

Kitchen


Living Area Perspective Kitchen Perspective

Living Perspective OfficeArea Perspective

Living Perspective KitchenArea Elevation

14


Manhattan City Club “PIET” A high-end city club in Manhattan, New York

Living AreaThe Perspective Inspiration: Bauhaus

Living Area Perspective Piet Mondrian’s Tableau I

Project Description

Located in Manhattan, New York City, New York, PIET City Club is located in 30 Hudson Yards, a new skyscraper complex to be completed in 2018. Inspired by the De Stijl movement and Piet Mondrian, who made his home in Manhattan, the club uses primary colors and geometric shapes that pull from this movement. Custom furniture and dramatic lighting are the features of this club, such as triangular table + bench combinations and a custom chandelier in the entry, deep booths and acoustic drop-down ceiling features in the lounge, and a ceiling in the president’s dining room that is a backlit reproduction of Mondrian’s Tableau II. All main spaces have views of the New York skyline, an essential feature in a high profile club such as PIET. Spaces Include: the entry, the lounge with a stage, a greenroom, a bar and a secondary bar, a president’s dining room, a wine room, private patron booths, offices, restrooms, a member suite and a member apartment, both with sleeping areas, a kitchen, a living area, a dining area, an office area, and a bathroom. Skills Used: Revit 2016, Autocad 2016, Photoshop, InDesign, Sketching, Space Planning, and Research.

Project Goals

To create a vibrant and exciting atmosphere that features history from the extensive art community in New York City that services the many companies in 30 Hudson Yards.

Living AreaYards Perspective 30 Hudson

15

Living Area Perspective Proposed Table Setting


Schematic Diagrams

Living Area Perspective Colorblocked Plan

Suite

Living Area Perspective Isometric Plan

Restrooms Elevator Bank

Apartment

Patron Booths Offices

Secondary Bar

President’s Dining Room

Wine Room

The Lounge

Entry Greenroom

The Bar

Floor Plan

16


Manhattan City Club “PIET” A high-end city club in Manhattan, New York

Living Area Perspective Club Section

Living Perspective LoungeArea Perspective

Living Area Perspective Material Selections

Living AreaPerspective Perspective Apartment

17

Living Area Elevation Perspective Apartment


Lighting Legend

Recessed Can

Chandelier

Stage Lighting

Living AreaDining Perspective President’s Room Perspective

Living Area Perspective Entry Perspective Pendant

Lighting Legend

Lighting Legend Pendant Cluster

Recessed Can

Chandelier

Suite

Custom Fixture

Stage Lighting

Restrooms

Uplighting

Pendant

Elevator Bank Apartment

Linear Lighting

Patron Booths Offices

Pendant Cluster

President’s Dining Room Custom Fixture

Secondary Bar

Wine Room

City Club

Uplighting

Patron Booths Restrooms

OfficeOffice Liquor Room

Dropped Ceiling 10' AFF Recessed Lighting

0' - 3" 0' - 9"

9' - 6 17/32"

Lounge

Ceiling Feature Beams W/ Red Laquer Finish

Uplighting

2' - 9"

Coat Closet Entry

0' - 6" 0' - 6"0' - 6"0' - 6" 1' - 2 3/16" 3' - 0" 3' - 0"3' - 0" 1' - 0"

6' - 0"0' 2' - 6" 0' - 0" - 6"6' - 0"

rtment

1 A105

President's Dining Room Storage The Lounge

Entry Greenroom

Reflected Ceiling Plan The Bar

Linear Lighting

Bar

Ceiling Feature Blocks of Varying Heights

Green Room

Project Number Date Drawn By

Dropped Ceiling 19' AFF

Checked By

Scale

1/16" = 1'-0"

First Floor Reflected Ceiling Plan 1/16" = 1'-0"

Restrooms

Reflected Ceiling Plan

City Club

Patron Booths OfficeOffice Liquor Room

President's "

1

A104

1 12/9/15 JA EB

12/6/2015 3:59:36 PM

ite

Reflected Ceiling Plan

18


Shipping Container Project “The Abbot Residence” A sustainable home in Melbourne, Australia

Living Area Perspective Exterior Perspective

Living AreaPerspective Perspective Living Area

Project Description

Located in Melbourne, Australia, this home is constructed out of four shipping containers and houses a family of five. Due to recent brush fires, this family’s home has been destroyed, bringing the need for quickly built temporary housing. Designed sustainably, this container home is easily built and partially powered with solar panels. A spiral staircase is the main feature, and rises from the ground floor up to the roof. Large windows are in all the spaces, in order to let in maximum amounts of sunlight. A family of five who has been through a tramautic experience needs a home where they can relax, recuperate, and reconnect as a family. Five people coming and going all day is a large amount of traffic, leading to the use of durable as well as sustainable textiles and flooring. Spaces Include: a patio, the entry, the mother’s room, the daughter’s room, the boy’s room, two bathrooms, the living area, the dining area, the kitchen, laundry, and a rooftop area with solar panels and outdoor dining. Skills Used: Sketchup, AutoCad, Photoshop, Hand Rendering, Space Planning, Research, and Location Analysis.

Project Goals

To create a sustainable living environment for a displaced family using an unconventional building structure like a shipping container for a new and innovative way of living.

Living Area Perspective Roof Perspective

19

Living Perspective KitchenArea Perspective


Solar Panels

Living Area Perspective Roof Plan

Outdoor Dining Area

Laundry

Bathroom Dining Area

Living Area

Kitchen

Mother’s Room

Living SecondArea FloorPerspective Plan

Boy’s Room

Patio

Entry

Daughter’s Room

Living AreaPlan Perspective First Floor

Bathroom

20


1 A6

Shipping Container Project

BOYS BE SCALE: 1.

1'-5"

4"

“The Abbot Residence� A sustainable home in Melbourne, Australia

Built-in storage takes up the full height of the wall.

2'-413 16"

1.

1" 1'-22

1" 7'-102

8'-10"

2. 3.

4.

2. Open shelving is used for display of family possessions.

3. Flat-screen television is recessed into built-ins.

1 A6

Rendered Building Section

21

Living Room Millwork Dimensioned Elevation

LIVING ROOM SCALE: 21" = 1'-0"

Living Area Perspective

Living Area Perspective

Living Room Millwork

Living Area Perspective

1'-11"

4. Custom cabinet doors conceal belongings for easily accessed extra storage.


20' 40' 39'-7"

Dimensioned Roof Plan

39'-7" 40' 40'

9'-5" 1" 3'-22 1" 3'-22

3'

2'-6"

3'

9'-5" 1'-9"

3'

2'-6"

3'

1'-9"

20' 5'-1"

5'

2'

5'-1"

5'

e

16'

2'-7" 2'-7"

16'

2'-6" 2'-6"

6'

4'

6'

4'-1"

5'-11"

4'

4'

6'

4'

6'

4'-1"

5'-11"

4'

20'

3'

1'-9"

3' PATIO PATIO

Bathroom

5'

2'-6"

2'

1'-9"

5'

4'

2'-6"

2'

BATHROOM BATHROOM

4'

7'-7" 7'-7"

MASTER MASTER BEDROOM BEDROOM

1. Mother’s Room

1" 9'-114 1" 9'-114

2'-6" 2'-6"

2.Entry

3'

3' 3' 8'

Daughter’s Room a 3'

20' 3' 20'

1" 7'-32 1" 7'-32

8'

2'-6"

Ø5' Ø5'

5'-7" 5'-7"

PATIO PATIO

2'-6" 2'-6"

2'-6"

MOTHER/ MOTHER/ DAUGHTER DAUGHTER BEDROOM BEDROOM " " Ø3 Ø3

3'

b

Living Area Perspective

20'

1"7'-91" 7'-92 2

1"7'-41" 7'-42 2

d

3.

LIVING LIVING

Ø5' Ø5'

DINING DINING

KITCHEN KITCHEN

2'

1"2'-41" 2'-42 2

4.

4'

c

1"7'-91" 7'-92 2

1"1'-81" 1'-82 2

2'-6" 2'-6" 5' 5'

9'-2" 9'-2"

13'-2"13'-2"

2'-6" 2'-6" 2'

BOYSBOYS ROOM ROOM

2'-6" 2'-6"

5.

20'

2'

BOYS/GUEST BOYS/GUEST BATHROOM BATHROOM

2'-73 4" 2'-73 4"

Living Area Perspective

40'

Dimensioned Second Floor Plan

6' 6'-5"

3'

Dimensioned First Floor Plan

Ø 5'

6'

6'-5"

16'

16'

7.

16'

3'

15'-7"15'-7"

6'

12'

Ø 5' Ø 5'

12'

6'-5" 6'-5"

6'

6'-5" 6'-5"

15'-7"

12'

6'

6'-5"

3'

6' 6'-5"

OUTDOOR DINING AREA

6.

Living Area Perspective

6'-5"

DIMENSION PL SCALE: 41" = 1'-0

9'-5" 39'-7" 40'

1.

Exterior walls are repurposed shipping containers.

2.

Entry walls are made up of cut-away pieces of the shipping container.

3.

Floor-to-ceiling windows allow maximum daylighting for the interior of the home.

1 A1

1 40'

4. Pocket doors were utilized to save space in the 800 sq. foot home.

5. Energy-efficient appliances were placed throughout the home to cut down on waste of resources.

6. A central spiral staircase goes to the roof, which makes livable use of the roof space.

7. Open space of the roof will be used as recreational space for the family as well as a place to insert solar panels.

a

20ft Container

b

Combined Space

c

20ft Container

d

40ft Container

e

40ft Container

22


Creative History Project

“International Style” An open living/dining space in the International Style

Living AreaVilla Perspective Inspiration: Savoye

Living Area Perspective Initial Sketches

Project Description

A historical research project based on the International Style, this room was created with the ideals of internationality in mind. Concrete, glass, and steel were most common in the style, along with the use of revealed skeleton-frame construction. Non-essential decoration was key, with architects using ribbon windows and corner windows, and flat roofs without ledges. Structures were boxy and devoid of stylistic features, referred to as “anonymous glass box[es]”. Inspiration was taken from Le Corbusier’s Villa Savoye, among other International structures. The expansivewindows, simple color palette, and use of nature and natural materials all were key components of International style. The space designed is a combination dining and living area, using classic furniture like Eames chairs and Barcelona living room furniture. Built-in storage along the east and west walls hides clutter and adds to the streamlined appearance. The rounded fireplace echoes the observatory on Villa Savoye, while plants bring in the aspect of nature so important to this style. Skills Used: Revit 2016, Photoshop, InDesign, Sketching, Space Planning, and Historical Research.

Project Goals

To create a space that fully embodies the spirit of the international style through the utilization of common materials, structure, and philosophy.

Living Area Perspective Perspective

23

Living Area Perspective Furniture Selections


1.

3. 2.

Living Area Perspective West Elevation

Living Area Perspective North Elevation

4.

5.

Living Area Perspective South Elevation 1. Custom storage for a sleek and uninterrupted facade.

Living Area Perspective East Elevation 2. Potted plants bring

in essential elements of nature.

3. A rounded brick

fireplace adds curved lines to the space.

4. Floor to ceiling

windows allow for passive design and daylighting.

5. Barcelona chairs

represent stylistic choices of the international era.

Living Area Perspective Floor Plan

24


IDEC Competition “Shared Spaces� A community in Mexico City

Living Area Perspective National Autonomous University of Mexico

Living AreaPerspective Perspective Reception

Project Description

Shared spaces is a downtown community outreach facility of the interior design community. It is a collaborative educational environment partnered with the National Autonomous University of Mexico where current and future designers can come together to create a vertical learning environment that reaches across the community for local challenges. Located in Mexico City, this location of shared spaces comes together to tackle the water crisis in Mexico City. Due to an aquifer that is drying up and a failing system of pipes under the city, with government officials that turn a blind eye, Mexico City desperately needs education on this crisis. The center uses a combination of modern and cultural elements to fit into a traditional yet modern society in the city. Local artisans were commisioned for tile work and local craftsmen for work such as flooring and millwork. Vibrant hues and a multitude of textures were utilized to give spaces a warm and welcoming feel, in order to make members of the community comfortable in all spaces. Spaces Include: a learning area, the reception, a waiting area, restrooms, a community meeting space, a kitchen, a studio area, office space, and a private meeting space. Skills Used: Revit 2016, Autocad 2016, Photoshop, InDesign, Sketching, Space Planning, and Research.

Project Goals

To create a community center that combines traditional and cultural features with modern technology in order to educate a community with a local crisis.

Living Area Perspective Studio/Offices Perspective

25

Living Area Perspective Stairwell Perspective


Schematic Diagrams

Private Meeting Area Restroom

Restroom

Stairwell

Office Area Studio Area

Kitchen

Second Floor

Learning Area Restroom

Restroom

Community Meeting Area Stairwell

Entry

Reception

Vestibule

First Floor

26


Reedy River Sculpture

“City of the River” A commemorative sculpture in Greenville, South Carolina

Living Area Perspective Outdoor Ampitheatre on the Reedy River

Living Area Perspective Sculpture Perspective

Project Requirements

Located in Greenvillle, South Carolina, the Reedy River is a center of activity for the city. After the Civil war, the war provided power for textile mills in the city. Today, in the middle of a charming and thriving downtown metropolis, it attracts people from all over the country. Next to the river in the center of downtown is the Peace Center for the performing arts, as well as an outdoor amphitheater. It is from this amphitheater that the sculpture is viewed. Ten lotus-shaped blades emerge from the river, much the way the city itself emerged from the river. The blades are hollow, and sheathed in a hammered copper. At night, solar-powered colored lights highlight up the sculpture, and can be set to mimick the lights during a show at the ampitheather. The sculpture is anchored to a large circular base made of poured cement, with rebar to strengthen the base. Each stalk has a square base anchored with 9” bolts. The stalk runs up through each blade, and is anchored to the bottom of the stalk with two welded arms, as well as a plate with four smaller bolts. There are three sizes of blades, that go from 10’ to 14’, and are arranged in a circular formation. The sculpture is a representation of both the river and the city in one. Skills Used: Sketchup, AutoCad, Photoshop, Hand Rendering, Space Planning, Research, and Location Analysis.

Project Goals

To create a sculpture that combines both the rich historic and modern aspects of a city on the rise - one with an arts community dedicated to culture and narrative.

Living Area Perspective Sculpture Location

27

Living Area Perspective Sculpture Plan


Living Area Perspective Exterior Material

Living Area Perspective Sculpture Foundation Section and Detail

28


Film Photography

“Darkroom Developing” Taken with a Minolta X-700

29


Ceramics

“Glaze and Form� Hand-Built Earthenware Ceramics

30


contact 1906 Brushy Creek Rd Easley, SC 29642 864.293.2444 jn.rae3@gmail.com

jennifer rae anderson| 2016


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