Jeremy Babel | Portfolio

Page 1

PROFESSIONAL WORK

HUDSON WOODS ETSY GLOBAL WORKPLACES BROOKLYN BOTANIC GARDEN VISITOR CENTER RETHINK ATHENS PERF PAVILION

ACADEMIC WORK

CASA AMURALLADA NYU CENTER FOR ACADEMIC AND SPIRITUAL LIFE WETLANDS BRIDGE | BIRDING BLIND


HUDSON WOODS

Hudson Woods is a unique collection of 26 refined and energy efficient homes on a 131-acre site in the Hudson Valley. Developed, designed and built by Lang Architecture, a small team has carefully controlled the entire process, from site concept through construction and furnishings. Humble and private upon approach, the simple vernacular house form fits sensitively into the topography of each site. Once inside, expansive views to the surrounding landscape are framed through custom mahogany windows. The interior is modern and warm, with an abundance of local white oak surfaces and details. Throughout the home, craft is on display from solid wood doors with sand cast bronze hardware to handmade furniture designed and built by local craftsmen. In addition to selecting and sourcing all of the lighting and furnishings, Lang Architecture collaborated with Hudson Valley craftsmen to design and produce two custom furniture pieces. A large kitchen island, made of a blackened steel base, with black walnut drawers and a soapstone counter top, was built by Sawkille Co. A freestanding pantry cupboard, made of solid black walnut with soapstone, brass and leather details, was built by Samuel Moyer Furniture.

KERHONKSON, ny Lang Architecture Project Manager / Designer 2012 - 2015 Winner of an Architizer A+ Award



Site Plan




Sections


Entry Level Plan


Lower Level Plan





PLAN 1'-5"

7'-0"

4'-11"

FRONT ELEVATION - INSIDE

DRAWER CONFIGURATIONS

D4

CROSS SECTION

D5

D3

8'-0"

D1

D2

2'-6"

D5

D1

D1 D3

D2

D2

3'-0"

D4

FRONT ELEVATION

FRONT ELEVATION

SIDE ELEVATION

Pantry Cupboard + Kitchen Island

CROSS SECTION

HUDSON W KITCHEN IS


etsy HQ

As Senior Design Project Manager, I was responsible for translating Etsy’s mission into physical form through the interiors of the company’s global workplaces. Etsy’s values permeated all aspects of the business including the unique approach to office fit outs. I joined the small team at Etsy midway through the design of the HQ with the primary task of refining and executing a multimillion dollar furniture package. Over 50% of the package was custom furnishings designed in collaboration with local makers and fabricators, which required detailed shop drawings, samples and AV/IT coordination. The Etsy HQ achieved Living Building Challenge (LBC) Petal Certification, which required rigorous vetting and documentation of all aspects of the project, including furniture, to prove the adoption of sustainable practices throughout the supply chain and removal of worst-in-class chemicals. Additionally, I took the lead in developing Etsy’s Art Program, eventually working with a junior colleague to curate and commission large scale installation works through out the office. During the construction phase this required coordination between the artists, architects and contractors to navigate building services and integrate schedules to ensure the installations could be completed prior to move-in.

BROOKLYN, NY Etsy in collaboration with Gensler Senior Design Project Manager 2015 - 2016 Achieved Living Building Challenge Petal Certification



GOAL: SOURCE GOODS AND MATERIALS LOCALLY

Manufacturing distance from site (by % of FFE spend)

GOAL: EMPOWER LOCAL MICROBUSINESSES*

Vendor Type (by % of FFE Spend

GOAL: BUILD HEALTHY WORKPLACES

*Microbusinesses are defined as having fewer than 10 employees.

Vetted for LBC Criteria** (by % of FFE Spend)

**LBC requires meeting strict material standards including elimination of “Red List” chemicals, proving all wood is FSCcertified or reclaimed, and meeting local sourcing quotas, among other criteria.





etsy BERLIN

BERLIN, GERMANY Etsy in collaboration with KINZO Senior Design Project Manager 2015 - 2016

Etsy’s Berlin office is located in a converted warehouse in the central Kreuzberg. The international design and PR teams had moved into the informally planned space a few years before and were in need of upgraded resources to support a growing team. Managing the full project scope from start to finish, I worked in tandem with a local architect to develop the design which included custom workstations and lighting, as well as a welcoming kitchen and reception space for hosting PR events.


LIGHTING

indirect light

acoustic lamp direct light

acoustic absorber

storage storage

lanisor / L Workspace Section


new blind

D8

FOCUS 1

en scre

locker

KITCHEN

EATING/MEET

ex'g chairs & table top from ex'g tables

WORKSHOP empties

fridge

ex'g screen

storage chairs

electr .

seating

FOCUS 2 waterfilter

CONFERENCE 2

whiteboard

screen

screen

whiteboard / acoustic paneling

2 ex'g chairs & 4 benches partly painted

kitchen block upper shelves

CONFERENCE 1

wardrobe upper shelves with locks

upper shelves

waste & recycling

fridge dishw.

coffee

dishw.

small cupboard for toaster?

stove ofen

ex'g tables cut to the same width

D8

etsy art

new blind

pinboard

DISPLAY

movable elements

PHONE

movable elements

-0 ,075

ex'g chair

segments , movable

ex'g feet / new top

h 0,42m

ex'g chair

ex'g lamps

ALL HANDS/MEET

PHONE

WORK ex'g sofa ex'g radio sideboard

BRAND DESIGN

copy

shelf

IT

photo

ex'g lamps

roll-rack backgrounds D2

new blind

new blind

new blind

new blind

new blind

new blind

new blind

ex'g

shel ves

new blind

ex'g lamp

ex'g

boxe

s

com

plet

ew all

lam

dism antle

d

p

1 sh elf

ex'g

Kommentare

Projekt / Adresse

G

ZU B A R VO

ALLE MAßE SIND EIGENVERANTWORTLICH ZU PRÜFEN. UNSTIMMIGKEITEN SOWIE VORBEHALTE SIND VOR ARBEITSBEGINN MIT DER BAULEITUNG ZU KLÄREN! AUSFÜHRUNGSPLÄNE SIND NUR -GÜLTIG IN ZUSAMMENHANG MIT DER AUSFÜHRUNGSPLANUNG DER FACHINGENIEURE.

Plan

277 ETSY Office

Änderungen

gez.

1

xx.xx.2015

xxx

NR

-

-

-

-

-

-

-

-

Index

Ritterstraße 12-14 / Berlin Deutschland

Datum



etsy LONDON

LONDON, UK Etsy in collaboration with SMOK Senior Design Project Manager 2016 - 2017

The challenge of Etsy London was to build out a converted industrial space to match the charm and quirky character of their beloved former workspace. To do so, I worked closely with the local team to define the design as a clean and functional canvas for the handmade furnishings, bold artwork and lush greenery that would fill the space. Custom designed furnishings included workstations with integral task lighting and conference furniture with seamless AV/IT integration.


Clerkenwell Workstation build

task lighting shades task lighting supports

reclaimed timber worktops

rib supports structural spine / cable tray

timber inserts

central support leg

laser cut and folded steel steel legs

Š copyright 2016 jam furniture

Custom workstations designed in collaboration with JAM Furniture


Custom conference furniture designed in collaboration with Sebastian Cox



brooklyn botanic garden visitor center

Sited along Washington Avenue within the berm that hides the Brooklyn Museum parking lot, the Brooklyn Botanic Garden Visitor Center provides clear orientation and access to major garden precincts, such as the Cherry Esplanade. The Visitor Center includes an exhibition gallery, information lobby, orientation room, gift shop, cafĂŠ, and an event space. I joined the design team during construction administration just after the structural steel frame had been competed. Through weekly site observation and preparation of field reports, I gained first-hand experience of the construction process of a formally and technically complex project. Additionally, I participated in the submittal process, managing the various logs and transmittals and assisting in the review of samples and shop drawings for design conformance.

brooklyn, ny Weiss / Manfredi Architectural Intern 2011



GREEN ROOF

STRUCTURE

PROGRAM

ROUTES

GEOTHERMAL

Building Diagram


Concept Diagram


Ceiling Mock-Up


RECYCLED STEEL ROOF STRuCTuRE ARChITECTuRAL CONCRETE WALL ExISTING JAPANESE FENCE

STORMWATER CATChMENT POND

STEEL MONuMENTAL STAIR hIGh PERFORMANCE LOW-E/ SOLAR GLASS GROuND GRANuLATED BLAST-FuRNACE SLAG CONCRETE RETAINING WALL RAIN GARDEN STORMWATER INFILTRATION BASIN ARChITECTuRAL CONCRETE SEAT BENCh

Building Diagram


rethink athens

At the peak of the economic crisis in Greece, the Onassis Foundation solicited proposals to reinvigorate a dilapidated section of downtown Athens and spur social and economic change throughout the city. The resulting design transforms three neglected squares into public outdoor “rooms” to serve as venues for the city’s many emerging grass roots organizations. A major avenue connecting the outdoor “rooms” becomes a linear park that links a number of cultural, commercial and civic landmarks in the downtown core. Divided into three sections, the park provides public space and infrastructure for citizens to take an active role in the life of the city through education, commerce and recreation.

athens, greece Office of Urban Terrains Designer 2012 Awarded Honorable Mention



Phasing Diagram + Site Plan


Plan of ‘Culture’ Square


Program Diagrams


Plans of Linear Park


PERF PAVILION

Inspired by Chicago’s great legacy of modernist architecture, Perf Pavilion tips its hat to the Miesian glass box. In this reinterpretation, the iconic steel frame and glass infill is shrouded in a perforated operable screen, which both solidifies the kiosk as a sculptural object, and unfolds to extend the functional space of the kiosk into the park. From within, the screen and glass wall enclosure filter light and views allowing for varying levels of openness. Built-in and moveable casework can be configured either for retail or food and beverage concessions.

CHICAGO, IL Chicago Architectural Biennial Lakefront Kiosk Competition Designer 2013



Plan


Section


casa amurallada

Posed as a speculative artist’s community in the Chilean central valley, each member of the studio was assigned one of sixteen adjacent square kilometer plots. For each plot, a proposal was developed for a live/work retreat that interpreted Hans van der Laan’s conception of three distinct zones of space: cell, court and domain. An exercise in radical simplicity, Casa Amurallada explores the possibility that a thickened wall could provide both ample shelter and a framework for understanding one’s place in the landscape. A 2.5 meter narrow rectangular residence encloses a large courtyard. Private and service functions are fixed within the outer one meter of the wall and connected by a stepped ambulatory. Eight voids in the wall allow flexible positioning of public functions and extend the living space into the courtyard. Through strategic spatial organization and careful material selection, the project aims to organize mythological landscape characteristics in order to heighten the artist’s relationship to their rural setting. The cave-like private spaces of the interior provide for moments of individual retreat. As the constrained interior opens and extends public life into the courtyard, outdoor living is organized around fundamental elements: shade, fire and water. From within the idealized, representative landscape of the court, the wall frames the Chilean countryside as a backdrop to daily communal life.

biobÍo region, Chile University of Texas at Austin Advanced Studio Spring 2011 Critics: Mauricio Pezo + Sofia Von Ellrichshausen Published in ISSUE: 008



Site Plan + Axonometric



Plan + Sections


exterior walls: dark stained board-form concrete interior walls and celiling: dark stained and polished concrete

entry threshold: white tumbled limestone gravel exterior paving: cordova shell limestone pavers

window frames and sills: natural finish mahogany cabinetry: natural finish birch boards interior floors: polished cordova cream limestone tile

Partial Plans


Detailed Axonometric



nyu center for academic and spiritual life

With a prominent site on Washington Square Park, at the end of 5th Avenue, New York University desired a Center for Academic and Spiritual Life that could provide both an iconic emblem for the campus and a welcoming and comfortable community center for its student body. While security and privacy were of great concern, the interior yearned for ‘publicness’ that could engender campus fellowship and complement the civic space of the park. Additionally, the integration of secular and religious functions further emphasized the need for attention to public interaction. In order to organize the diverse interests of its constituents, the project takes the city as its model. Envisioned as a microcosm of its urban context, the program is organized around a long circulation spine that serves as an interior extension of Fifth Avenue and the major boulevard for the building’s users. Rooms of various sizes, designed to flexibly accommodate multiple functions, are loosely stacked against this circulation boulevard. The spaces reveled between the stacked rooms provide intimate secondary public spaces akin to the city’s pocket parks and side streets. These spaces, scattered through the building, provide venue for informal small group meetings or simply a quiet place to read. Additionally, they provide access to the numerous outdoor terraces generated by the protruding volumes of the facade.

new yorK, ny University of Texas at Austin Advanced Studio Spring 2012 Critic: Gary Wang



Site Plan


Concept Models


CLAS S R OOM CLASSROOM

C L AS S R OOM

M E E TI N G HA LL

CLASSROOM

CLAS S R OOM CLASSROOM

CL A S S M U S I C ROOM ROOM CL A S S R O O M

ME E TING RO O M

C L AS S R OOM

CLAS S R OOM

M E E TI N G RO O M

CLAS S R OOM

C L AS S R OOM

CLASSROOM

CL A S S R O O M CLASSROOM CLA SS M U SI C RO O M RO O M

SE C ON D F L O O R

CL A S S R O O M

THI R D FLOOR

CLAS S R OOM

C L AS S R OOM

F OURTH F LOOR

CL ASS MUSIC RO O M RO O M

CLAS S R OOM MEET I NG R OOM

CLAS S R OOM

COCL N FARSES NRCO EO M HALL CL ASSRO O M

CLAS S R OOM

CL A S S R O O M

CLAS S R OOM NCE FI F T H F LOORC O NFRE H AL L

SI XTH FL O O R

SI X T H F L OOR F IF TH FL OOR

SE VE N TH FL SI XTH O O RFL O O R

CLASSROOM

MEET I NG HALL

CL A S S R O O M CL ASSRO O M

CLAS S R OOM

CL A S S R O O M

MEETING HALL

MEET I NG HALL

CL ASSRO O M MEET I NG R OOM

CL A S S R O O M

CL ASSRO O M CL A S S R O O M CLAS S R OOM CLAS S MU S I C R OOM R OOM

MEETING ROOM

SECOND F LOOR

THI RD FL O O R CLAS S R OOM

CL ASSRO O M

G RO U N D F L O O R CL ASSRO O M CL A S S M U S I C ROOM ROOM

T HIR D F LOOR S E C OND FL OOR

Selected Plans

MEET I NG R OOM

FLOOR PLANS CLAS S R OOM

CLAS S MUS I C R OOM R OOM

FO URTH FL THI OO RD R FL O O R



wetlands bridge | birding blind

The Hornsby Bend Bird Observatory is an informal network of roads and paths surrounding the treatment ponds at the Hornsby Bend Biosolids Management Plant. The ponds also provide one of the premier locations for birding in Travis Country because of the diversity of habitats found within this small area. The 1200 acre facility incorporates deep ponds, wetlands, mudflats, open fields, woods, and a three-mile stretch of the Colorado River. On a given day, a knowledgeable birder can spot more than 50 local and migratory bird species on the property. The project called for the design of a wetlands bridge and birding blind to provide access to Pond 3, a large area that includes woods, wetlands and a large deep pond. Design parameters specified standard “2x” wood frame construction as such projects are usually funded by birding communities and built with inexpensive unskilled labor. The project was pursued almost entirely in model, focusing on the proliferation of a “genetic” detail based on a structural logic. This intervention exploits the necessity of diagonal bracing to create a light and rhythmic substructure for the bridge surface. Above this, the walkway is defined by a system of horizontal and vertical splintering that navigates situational conditions of the landscape and provides integral moments of rest and viewing. The shifting louvered skin of the birding blind accommodates birders of varying eye heights and allows for viewing in both sitting and standing positions.

austin, tx University of Texas at Austin Vertical Studio Summer 2009 Critic: David Heymann Houston Center for Architecture Student Biennial Exhibition [Honorable Mention]



Structural Diagram + Physical Model


Physical Models




For all inquiries contact Jeremy Babel at: m: 925.548.7592 e: jtbabel@gmail.com w: www.jeremybabel.com


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