Jeremy Caldwell Leonard
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new haven, ct 06511 jeremy.leonard@yale.edu (919)376-5088
education
Yale University, Master of Architecture II 2015 - 2017 William Edward Parsons Memorial Medal, Spring 2017 H.I. Feldman Prize Nomination, Kyoto Studio, Spring 2017 H.I. Feldman Prize Nomination, Beijing Studio, Fall 2016 North Carolina State University, Bachelor of Architecture 2008 - 2013, 4.0 Cumulative GPA, Valedictorian University Honors Program Prague Urban Design Studio, Fall 2011, Czech Republic AIA Henry Adams Medal, 2013 Architecture Faculty Award for Design Achievement, 2013 Shawcroft Drawing Prize, First Place, 2012
professional experience
CUBE Design + Research Intern Architect / Project Designer, Boston, MA, June 2016 – August 2016 Led the design and client presentations for an eleven story mixed-use building in Boston. Developed schemes and design representations for two ground-up residential projects and one residential renovation project. Proposed and led the summer social media campaign. in situ studio Intern Architect / Project Designer, Raleigh, NC, May 2012 – August 2015 Integral to the design of many projects in the office, including two church renovations, a ten-unit townhouse, a park masterplan, office and retail upfits, and a black box theater. Oversaw the design and construction of three houses from the first client meetings through construction administration. AIA NC Merit Awards, Medlin Residence; Church on Morgan; Person Street Townhomes, all 2016 AIA NC Honor Awards, Farmhouse; a house named Fred, all 2014 Honorable Mention, Building Trust International HOME Competition, 2012 Tonic Design + Tonic Construction Designer and Construction Manager, Raleigh, NC, February 2011 - September 2011 Programmed and developed schemes for the Rank Residence through models and drawings. Diagrammed and graphically represented projects for client meetings and award submissions. Managed the construction and reconfiguration of an existing rental house, including the coordination of subcontractors and city inspections, and framing, welding, and finish carpentry. AIA Triangle Merit Award, Rank Residence, 2013 George Matsumoto Prize, First Prize, Rank Residence, 2013
teaching experience
activities
Teaching Fellow, Senior Architecture Studio, Yale University, Spring 2017 Teaching Fellow, Introduction to Architecture, Yale University, Fall 2016 Teaching Fellow, Sophomore Architecture Studio, NCSU, Fall 2014 Guest Critic, NCSU College of Design, 2012-2014 Architecture Instructor, NCSU Design Camp, Summer 2014 Assistant Camp Coordinator, NCSU Design Camp, Summer 2013 Counselor, NCSU Design Camp, June 2010, June 2011, July 2012 Disc Jockey, 88.1 WKNC, NCSU Student Radio, Weekly, 2008 - 2015 Assistant Daytime Music Director, Appointed, 88.1 WKNC, NCSU Student Radio, 2009 - 2010 Wedding Disc Jockey, Summer 2013 and Summer 2014 First Place, Activate 14 Live/Work Housing Competition, with Mary Englund, 2014 3
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Water Machine 10
Rome: Continuity and Change 50
Edgeworks 98
Jenkins Craft Center 108
Ghost Towns 142
Medlin Residence 150
Wudaokou Dialectic 60
The Commons 88
Computation and Fabrication 122
Paper Formworks 132
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12 Hour Charrette A sake bar between the river and the city
Tasked with designing a sake bar in 12 hours, I developed a scheme that proposed a series of “vessels within a vessel,” creating a “magic box” containing a variety of environments for drinking sake, framing different relationships with the river and the city. Kyoto, Japan Spring 2017 Critic: Andy Bow, Patrick Bellew, and Timothy Newton
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Water Machine: Sake Brewery and Museum A water machine for brewing and experiencing sake
The sake brewing process uses water in varying states. Carefully-timed spigots soak and wash the milled rice, steam prepares the rice for koji spores, and ice helps regulate the temperature of the fermenting mixture, which is 80% water. As an active brewery and museum, Water Machine engages museum visitors with a series of discrete rooms that pair a gallery with an environment. Visitors move through a cool and dim rice storage room, a room for washing and soaking rice, a room filled with steam, a dim and humid koji room, and a cold and dark subterranean chamber for fermentation and bottling. Situated as a relief from the density of Pontocho Alley, a series of pools step down through the open ground floor to tie the project into the adjacent Kamo River. Like an aqueous theater set, water rises and falls to temper the various environments contained within. Kyoto, Japan Spring 2017 Critic: Andy Bow, Patrick Bellew, and Timothy Newton Nominated for the H.I. Feldman Prize
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1. Exterior gallery 2. Fermentation Tanks 3. Shubo Starter Tanks 4. Bar 5. Central pool 6. Office 7. Museum Lab 8. Mechanical
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Rome: Continuity and Change The exploration of urban form through hand drawing
During this intensive five-week summer workshop, I explored sites in Rome as sequences of layered accumulations: mediated by designed interventions at key intervals, but ever in flux between the preserved and the ruined. In a final drawing exercise, I explored the Palazzo Massimo as a fragment of city: a sequence of urban “rooms,� or courtyards, in microcosm. Rome, Italy Summer 2016 Critics: Bimal Mendis, Miroslava Brooks, Brennan Buck, Joyce Hsiang, George Knight
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Wudaokou Dialectic A thesis on modern patterns of urbanism in China
Official and unofficial culture coexist and cycle in the built environment of the Wudaokou district of Beijing. The Wudaokou of 2016 was a district rich with hidden life. Secret businesses like bars and hair salons were tucked into residential towers. Migrant workers created temporary markets in the residual urban space. The U-Center’s generic exterior concealed a vibrant retail interior of shops and Korean restaurants. Universities were walled off from the street, and Tsinghua University Science park stood as a fortress of innovation along Chengfu Road. In Wudaokou, two different worlds coexisted. In one world, the previously hidden public realm became increasingly visible, activated by vital bottom-up efforts which were then adopted by supportive government policies. And in the other world, a series of restrictive policies and economic development resulted in the subsequent retreat into and intensification of interior worlds. One of these worlds may be more dominant than the other at a particular time. If one were to turn the volume up on one of these perspectives, they could better understand the tension between the official and unofficial cultures, and the cycles that push the cultures back and forth. Wudaokou, Beijing, China Fall 2016 Critics: Alan Plattus and Andrei Harwell Partners: Gordon Schissler and Madison Sembler Nominated for the H.I. Feldman Prize
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PRIDE SUPPLIES
UNDERGROUND SKYLIGHT
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HALLWAY BENCH
HALLWAY PORCH FACADE EXTENSION ENJOY TEA WITH NEIGHBORS!
WATCH THE WORLD GO BY!
ENJOY TEA WITH YOUR NEIGHBOR
WATCH THE WORLD GO BY
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HALLWAY HALLWAY BENCH PORCH
UMBRELLA LIGHT
ENJOY TEA WITH NEIGHBORS!
ENJOY TEA WITH YOUR NEIGHBOR
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Jeremy Leonard, with Gordon Schissler and Maddy Sembler
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“DEMOCRACY FOR TSINGHUA” LEAFLET Confuscated: May 18, 2018 Property of: Wudaokou Historical Society Dimensions: 165mm x 241mm Depicting a surgical mask placed over an unidentified face, the “Democracy for Tsinghua” leaflet represented the students’ demands for greater freedom of speech and looser censorship of dissenting opinions. The small leaflets could be plastered on walls or quickly crumpled up and thrown away to avoid detection, although some students were known to plant the leaflets in the unsuspecting parade crowds.
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o bypass government big yellow rubber persed the rubber duck became tudents, but it was as a costume for
“BEWARE”” LEAFLET Confuscated: May 21, 2018 Property of: Wudaokou Historical Society Dimensions: 165mm x 241mm One Chinese artist was able to bypass government censors by placing images of big yellow rubber ducks over the tanks that dispersed the Tiananmen Event. The yellow rubber duck became a symbol of protest for the students, but it was also co-opted by the mil tary as a costume for their real tanks.
Jeremy Leonard, with Gordon Schissler and Maddy Sembler
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The Commons An “island” of community within the suburbs
Robert Venturi’s unbuilt town center in North Canton, Ohio would have been a drop in the ocean. The town lost its identity to the sprawl of its neighboring cities, Akron and Canton, and Venturi’s City Hall program has been largely replaced by interactions on the internet. A new commons for the even-covered field is an aggregation and intensification of programs in an “Island,” which is reached by via a network of roads and train lines. The Stark County Food Hub consolidates the farming and food distribution activities that occur in the county. Before the Hub, food traveled an average of 1500 miles from where it was grown, and more exotic foods travelled up to 2500 miles, a problem exacerbated by the need to process the food prior to consumption. The Hub is a big roof, which covers a conglomeration of food production environments: year-round greenhouses, food processing facilities, markets, restaurants, and food banks for regional distribution. The big roof is sized according to the land requirements that support the average American diet. Much like thin facade of Venturi’s City Hall, the thin roof is an image of the commons. Stark County, Ohio Spring 2016 Critics: Kersten Geers, Caitlin Gucker Kanter Taylor
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Edgeworks An urban plan for consolidating a downtown district
Haverhill’s mill buildings provide a strong physical presence and sense of place to its downtown core. However, Haverhill lacks clearly defined public spaces. Additionally, Merrimack Street is currently too long to support an active retail district. The Merrimack River is not used as an amenity by the downtown, as the river is separated from the city by a 12’ flood wall. We sought to shape public spaces with strong forms that take formal cues in scale, massing, and materiality from the mill buildings. The new architecture becomes the backdrop and the frame for public experiences. Haverhill, Massachusetts Fall 2015 Critics: Ed Mitchell and Aniket Shahane Partner: Ali Naghdali
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Jenkins Craft Center A series of barns for craft making
Often built into sloping sites, the Pennsylvania bank barn is a typology in which a hay loft and stall floor are both accessible on grade. At the Jenkins Craft Center, a series of studio barns, arranged to create working gardens that encourage interaction and skill sharing among craftsmen, march down a meadow. In each studio barn, galleries above look down upon studios below. “Lanterns� give vertical presence to the galleries and offer space to display significant works. Mill Run, Pennsylvania Fall 2012 Critic: Vincent Petrarca NCSU Architecture Faculty Award for Design Achievement
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pennsylvania bank barn
PENNSYLVANIA BANK BARN
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TYPICAL BANK BARN
studio barn transformation
STUDIO BARN TRANSFORMATION
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Computation & Fabrication Experiments with repetition and light
The following projects demonstrate an investigation in the use of digital design tools to facilitate the interaction between hand and machine. The first two projects use repetition to create highly textured surfaces to filter light. The third project is an intervention for the school’s “6 on 7,” in which a series of apparatus require group input to obtain drinks, facilitating conversation and group interaction. Fall 2015 Critic: John Eberhart, Amir Shahrokhi Project 1 Team: Jeremy Leonard Project 2 Team: Jeremy Leonard, Shreya Shah
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Paper Formworks Experiments with paper and casting
My interest in folded paper, which yields stiffness through form, led me to develop a series of concrete casts from mylar. The paper supports the weight of the concrete as it cures, and the precision of the folds allows for high levels of detail and deep undercuts. Fall 2016 Critic: Kevin Rotheroe
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Ghost Towns Marking the city with signs
The Oak Street Connector was approved because of the city’s provocative labeling of the existing neighborhood as a “slum.” This project revives the ghosted landscapes by labeling sites with quotes, facts, and histories of the existing neighborhood’s inhabitants, the mid-century Redevelopment Agency, and the present-day Planning Initiative. The signs are laid out as a walking tour to provoke discussion about urban renewal policy as well as to question present-day attempts to “revitalize” the district, which rely on polemical language and real estate developers in a manner eerily similar to mid-century redevelopment. Spring 2016 Critic: Elihu Rubin Team: Jeremy Leonard, Matthew Zuckerman, Maddy Sembler, Jason Kurzweil, Hannah Novack
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OAK STREET “FELT LIKE IT BELONGED TO US – BUT THE REDEVELOPMENT OF LEGION AVENUE CREATED A VERY SPARSE GRASSLAND WHICH CHANGED OUR LIVES.” –BARRY VINE, REFLECTING ON HIS CHILDHOOD HOME ON OAK STREET
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Source: Rob Gurwitt, “Death of a Neighborhood”, Mother Jones, September 2000
#OakStreetHistoricalSociety
ACCORDING TO CITY OFFICIALS, THE PRESENT-DAY REDEVELOPMENT OF THE OAK STREET CONNECTOR IS IN THE HANDS OF DEVELOPERS.
NEARBY ONCE STOOD A GROCERY STORE OWNED BY ART MOONEY, KNOWN FOR TRADING COMIC BOOKS WITH CHILDREN WHO COULDN’T AFFORD THEM.
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“WHY, THE SMELL OF THIS BUILDING. IT WAS JUST AWFUL AND I GOT SICK.”
Source: Rob Gurwitt, “Death of a Neighborhood”, Mother Jones, September 2000
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“YOU HAVE LIFTED NEW HAVEN FROM… SLUMS AND STAGNATION AND SET HER ON THE HIGH ROAD TO A BRIGHT AND PROSPEROUS FUTURE.”
–MAYOR RICHARD LEE CAMPAIGNING IN PRE-RENEWAL OAK STREET,1951
–YALE UNIVERSITY AWARDS MAYOR RICHARD LEE AN HONORARY DEGREE, 1961
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Source: Powledge, Fred. Model City: a Test of American Liberalism: One Town's Efforts to Rebuild Itself. New York: Simon and Schuster, 1971.
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AS A RESULT OF URBAN RENEWAL, ONE-FIFTH OF NEW HAVEN RESIDENTS WERE DISPLACED BETWEEN 1956 AND 1974.
Source: Fainstein, Susan S., and Norman A. Fainstein. Restructuring the City: The Political Economy of Urban Redevelopment. New York: Longman, 1986.
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“IT WAS A SACRED SPOT. A WORLD. A UNIVERSE.”
Source: Powledge, Fred. Model City: a Test of American Liberalism: One Town's Efforts to Rebuild Itself. New York: Simon and Schuster, 1971.
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Source: Jackson, Mandi Isaacs. Model City Blues: Urban Space and Organized Resistance in New Haven. Philadelphia: Temple University Press, 2008.
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–NEW HAVEN CHIEF OF POLICE FRANCIS MCMANUS, 1971 Source: Powledge, Fred. Model City: a Test of American Liberalism: One Town's Efforts to Rebuild Itself. New York: Simon and Schuster, 1971.
Source: Powledge, Fred. Model City: a Test of American Liberalism: One Town's Efforts to Rebuild Itself. New York: Simon and Schuster, 1971.
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Source: Powledge, Fred. Model City: a Test of American Liberalism: One Town's Efforts to Rebuild Itself. New York: Simon and Schuster, 1971.
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881 HOUSEHOLDS WERE DISPLACED AND 350 BUSINESSES WERE CLEARED TO BUILD THIS HIGHWAY.
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BETWEEN 1957 AND 1963, THE BULK OF THIS NEIGHBORHOOD WAS CLEARED TO BUILD A TANGLE OF PARKING GARAGES AND HIGHWAY RAMPS.
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Source: Rob Gurwitt, “Death of a Neighborhood”, Mother Jones, September 2000
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Source: Powledge, Fred. Model City: a Test of American Liberalism: One Town's Efforts to Rebuild Itself. New York: Simon and Schuster, 1971.
Source: New Haven Redevelopment Agency, “The Redevelopment Project, Oak Street Area”, 1955.
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BEFORE THE BULLDOZER, OAK STREET WAS NEW HAVEN’S DENSEST AND MOST DIVERSE NEIGHBORHOOD, FULL OF TENEMENTS, FACTORIES, BUSINESSES, GARAGES, AND CHURCHES.
–NEW HAVEN REDEVELOPMENT AGENCY, 1955 #OakStreetHistoricalSociety
–SID BRUSKIN, ON THE RENAMING OF THE CONNECTOR TO RICHARD C. LEE HIGHWAY
THE 1954 SUPREME COURT CASE BERMAN V. PARKER ALLOWED THE CITY OF NEW HAVEN TO SEIZE 42 ACRES OF PRIVATE LAND TO CONSTRUCT THE OAK STREET CONNECTOR.
“HERE WAS THE PLACE WHICH ATTRACTED THE WORST ELEMENTS OF NEW HAVEN. THE BAD EGGS – THE DOPE PUSHERS, THE VICE RINGS, THE NUMBERS RACKET OPERATORS, THE PROSTITUTES – ALL GRAVITATED TO OAK STREET.”
–SECRETARY OF LABOR WILLARD WRITZ, 1964
Source: Rob Gurwitt, “Death of a Neighborhood”, Mother Jones, September 2000.
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“NOT EVERY STRUCTURE IN THIS AREA IS SUB-STANDARD, BUT LIKE CUTTING A ROTTEN SPOT FROM AN APPLE, SOME OF THE GOOD HAS TO BE CUT AWAY TOO TO SAVE THE WHOLE.”
NEW HAVEN IS “THE GREATEST SUCCESS STORY IN THE HISTORY OF THE WORLD.”
–SID BRUSKIN, REFLECTING ON HIS CHILDHOOD HOME ON OAK STREET
Source: “Hill to Downtown: Planning Initiative”, www.cityofnewhaven.com
“IT WAS THE ONLY THING WITH ‘OAK STREET’ STILL ON IT.”
Source: Downtown Crossing / Route 34 East Project http://downtowncrossingnewhaven.com/
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BETWEEN HERE AND ELLA T. GRASSO BOULEVARD LIES ONE MILLION SQUARE FEET OF SURFACE PARKING.
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Source: 1950 Sanborn Map Co, Google Earth
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Jeremy Leonard, with Matthew Zuckerman, Maddy Sembler, Jason Kurzweil, Hannah Novack
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Medlin Residence A courtyard house on a sloping site
I was integral to the design and execution of this house from the initial client interview to the post move-in champagne toast. I co-led the design process throughout, produced and coordinated the construction details and documents set, and managed client and construction administration meetings. Raleigh, North Carolina Professional: 2013-2015 Project manager and designer, in situ studio AIA NC Merit Award, 2016
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