Undergraduate Interior Architecture Portfolio by Jessica Andjani

JESSICA ANDJANI

PORTFO L I O SELECTIVE WORKS 2015 - 2017

TABLE OF CONTENTS

CURRICULUM VITAE

PROJECTS

Hype : Embassy of Indonesia Design Studio: Transit ll SPG 2016

Virtual (Reality) Drug Rehabilitation Centre

5 15

Design Studio: Experimentation ll AUT 2016

Block House 31

Modular Units 41

Skygaze 51

INFINITE RE 57

Context: Housing ll SPG 2015

Design Studio: Diaspora ll SPG 2015

Design Studio: Inhabiting the Unconcious ll AUT 2015

Personal Freelance Project ll 2017

OTHERS

DRAFTING LAYOUT

MODEL MAKING

CONTACT DETAILS email

: jessicaandjani@gmail.com

phone

: +6281377155580

nationality : Indonesian D.O.B

: 19 July 1995

location

: Medan, Indonesia

EDUCATION

Jun May

In ro In c Prov Liai Gen

CURRICULUM VITAE

UTS: University of Technology Sydney Bachelor of Design in Interior and Spatial Design 2014 - 2017

Jessica Andjani Undergraduate Interior and Spatial Designer (Interior Architecture)

â&#x20AC;˘ HYPE : Embassy of Indonesia Project Australia Design Award Nominee Spring 2016 Student Project Exhibition â&#x20AC;˘ Drug Rehabilitation Centre Autumn 2016 Student Project Exhibition

I am a recent Interior and Spatial Design graduate from UTS: University of Technology Sydney. My passion in interior and architecture is driven from my personal interest upon the intricate relationship of space and body. The understanding of how inhabitant is bodily engaged within space has become a necessity in each of my design processes. I believe that there are more potentials of architecture in providing a better living for mankind aside from just its unique skin. I believe by learning from the experts and gaining more experiences in the industry will not only help me expand my knowledge but potentially great progress of my skills in practice. As an individual, I am a social person. I respect teamwork a lot and I like to learn from others. In terms of work ethic, I highly value responsibilities and duties to be delivered on time. I believe an open mindset is essential for, therefore, I appreciate changes and critics very much.

Dra Mar

In r con Prod (LEP Assi Invo dwe Soli Hav

UTS: INSEARCH Diploma of Design in Visual Communication 2013 - 2014

High School WR.SUPRATMAN I, Medan, North Sumatra 2007 - 2013

LA En

Ind

Primary WR.SUPRATMAN I, Medan, North Sumatra 2000 - 2006

ROFESSIONAL EXPERIENCE

TECHNICAL PROFICIENCY Google SketchUp

V. STTC

nior Graphic Designer y 2018 - November 2018

ArchiCAD

ole for producing catalogue layouts, covers, merchandising and posters. charge of concept and preliminary designs. vide assistance to lead designer. ise with print media and press. neral office ad hoc as such: emailing, copy, filing.

Rhinoceros 5

AI DESIGNS

aftperson/Junior Designer rch 2017 - September 2017

role for documentation, drafting, revising and preparing building plans and nstructions drawings. ducing site analysis and reports with regards to NSW Council Build Regulations P and DCP). isting principal with concept designs, spatial composition and configuration. olved in multiple residential projects: double story, duplexes, granny flats, elling houses. id documentation skill (ArchiCAD). ve the sound of BCA and Australian Standard.

V-Ray AutoCAD Adobe Photoshop Adobe Illustrator Adobe InDesign Microsoft Word Microsoft Power Point Microsoft Excel

ANGUAGES glish

Lumion

Model Making fluent

donesia

fluent

hinese

advanced

PROJECTS

HYPE : EMBASSY OF INDONESIA 3rd Year Final Project [ video: https://youtu.be/fVh73xOKP-M ] Design Studio: Transit State Spring 2016

PREFACE

The studio imagines a foreign consulate sited on the Manly Ferry, endlessly transversing Sydney Harbour from Circular Quay to Manly. The manly Ferry is one of Sydney’s most famous cultural institutions. By placing, a fully functioning consulate within the ferry, the studio explores the potential for the consulate to engage a broader public and allow for incidental engagement. The ferry is a vessel free from the limitations of a single position in space. This mobility allows for alternate dynamics in the way the consulate engages both its interior and exterior condition. HYPE is a new embassy proposal project which centers on the very characteristics of Indonesia as a people’s country. Composed as individualized cellular units then arranged within such hectic spatial composition, the architecture represents the country’s populated condition, which is simultaneously individualized through its wide variety of races and nationalities. Existing both above and below, the roof and the hull collectively gather these units, acting as an envelope and a perceptual boundary. That, from afar, the architecture is seen a whole. Internally, each cellular unit is designed within variety as the point of distinction from one another, therefore the experience is expected to be varied, dynamic and seemingly a voyage within a floating city.

CONCEPT INFOGRAPHY

cir c

ula

tio

Transit State ll HYPE: Embassy of Indonesia ll 08

ut e

manly wharf

circular quay wharf 3

SITE MAP Circular Quay - Manly Circulation Route Having no fixed site, the ferry is free from limitations, which mobility provides continuous changes of environmental context. This dynamic aesthetic of contextual changes is considered as a great aspect to take account of both within the design process and output, as well as strategies in working with the interior-exterior relationship.

Transit State ll HYPE: Embassy of Indonesia ll 10

Transit State ll HYPE: Embassy of Indonesia ll 12

Transit State ll HYPE: Embassy of Indonesia ll 14

VIRTUAL (REALITY)

DRUG REHABILITATION CENTER 3rd Year Design Studio: Experimentation Autumn 2016

PREFACE

Drug aside from its addictive quality contains an alternate space within it. With that being said, the drug in spatial term is considered as a heterotopia. This embedded space is usually dark, alienated, and confined from the outside realm. VIRTUAL REALITY is a drug rehabilitation center project that proposes the concept of intervention between the reality realm (environmental context) against the virtual realm (original buildings). Losing its solidity, the once enclosed space begins to open up as environmental context mediates through it. Deconstructed and segregated, leaving its fragments of memento behind. Therefore, the spatial experience will always be in between, a fantasy that weâ&#x20AC;&#x2122;re up to yet the reality that keeps pulling us back.

DESIGN INFOGRAPHY CONCEPT IDEOLOGY

virtual

reality

Experimentation ll Drug Rehabilitation Center ll 18

CALLAN PARK SITE MAP ll Three Chosen Original Buildings

SITE MAP Proposed Drug Rehabilitation Centre Form against Context Relativity The abstract form of the newly built center proposes the aesthetic of demonstration upon the liberty of existence against both public and environmental context. Dynamic, scathing, and asymmetrical, perfectly pictured the conditional state of the addicts. Thus, emphasized and centrally situated within the habituated zone, relayed a direct open message to its surrounding that these people, who were known as outcasts, insist a recognition of existence as being a part of the society.

Experimentation ll Drug Rehabilitation Center ll 20

Experimentation ll Drug Rehabilitation Center ll 22

Experimentation ll Drug Rehabilitation Center ll 24

LONGITUDINAL SECTION Vertical distinction plays an essential strategy in providing progressive spatial experience. Moreover, encourage possibilities of spatial inhabitations. Layering levels accentuates the aesthetic of nature intervention within the design, resulting to cinematics experience as we walk through the architecture.

Experimentation ll Drug Rehabilitation Center ll 26

Experimentation ll Drug Rehabilitation Center ll 28

Experimentation ll Drug Rehabilitation Center ll 30

BLOCK HOUSE 2nd Year Context: Housing Spring 2015

PREFACE

BLOCK HOUSE is a compact residential project that revolves around the concept of volume division and experimentations. The two-story house proposes a home for a family of four. The design is formed through an assembly of various single units volume which then further explored to configure an interrelation from one unit to another. Such strategies as extraction, subtraction, insertion, and intersection are used significantly in the design process. Internally, height plays an essential aspect in complying with the limitation of build area by encouraging the possibility of expanding the perceptual boundary of the space. Thus, leaving most of the area as one whole open space, eliminates the sense of confinement yet triggers inhabitants interpretation of spaces and places.

EXTRACTED SKINS EXPLODED AXONOMETRY Block House Interior Composition The internal composition of the house is assembled in an open plan composition to counteract the area constraint of the build area through the expansion of inhabitantsâ&#x20AC;&#x2122; perceptual boundary. Standardization of fixated boundary will always be in question as the spatial experience that is always in between the seemingly one whole area against various inhabitations that exist within it.

Housing ll Block House ll 34

CROSS SECTION

LONGITUDINAL SECTION Housing ll Block House ll 36

Housing ll Block House ll 38

Housing ll Block House ll 40

MODULAR UNITS 2nd Year Design Studio: Diaspora Spring 2015

PREFACE

MODULAR UNITS is a refugee residential project which concept follows around the very ideology of modularity. The main intention of this project is to construct and design a single standardized unit or module that can be multiplied and flexibly constructed in order to form a certain quantity of residential living. In this instance, a refugee community. The project severely explores the intricate relationship of volume intersection and linkage through the design, opening up to possibilities of multiple thresholds within one cell to another. Similar strategy is also extrinsically applied on the surrounding site context, which is shown through multiple entryways from various directions. Similar yet distinct, a whole yet divided. The project itself implies a declaration of the birth of a new community in diversity.

Diaspora ll Modular Units ll 44

DESIGN INFOGRAPHY

The design process of constructing the single unit pretty much follows the simplicity of REPETITION strategy. Given the base form of a trapezium, the single volume then multiplied to a larger quantity of various sizes and directions. These single cells then later combined to one another forming a whole living module, which in the process, interrelated to one another through various intersections formed from the collision. From there, each cell will then undergo further experimentations (subtracting, extracting, etc.) before reaching its final design. The outcoming module will then be the standardize piece that would be repetitively used to form the architecture. In this community instance, the module is repeated once, which then linked through a connecting bridge.

Diaspora ll Modular Units ll 46

North Elevation

South Elevation

East Elevation

West Elevation

Diaspora ll Modular Units ll 48

EAST PERSPECTIVE l MODULAR COMPOSITION shown image of community inhabitation and module composition with a connecting bridge as the units link. A central gathering space and multiple entryways from various sides.

Diaspora ll Modular Units ll 50

SKYGAZE

THERAPEUTIC PAVILLION 2nd Year Design Studio: Inhabiting the Unconcious Autumn 2015

PREFACE

You’re not shy; rather, you appreciate the joys of quiet. You’re not antisocial; instead, you enjoy recharging through time alone. You’re not unfriendly, but you do find more meaning in one-on-one connections than large gatherings. Outcasted, alienated, vaguely exist, unfriendly, lonely. Wordy yet descriptive, these adjectives have always been associated intrinsically with introverts ever since. Being concerned with the ascending percentage of people with psychology depression, the studio challenges the possibility of an open public therapeutic pavilion. SKYGAZE is a therapeutic pavilion project that emphasizes the act of “looking up at the sky” as therapy. Sky, through my personal perspective, contain healing properties within it. Vast, solemn, and high, seemingly cast the idea of hope and light upon its spectator. With introverts as the main subject, the spatial composition of the pavilion is carefully composed and assembled through consideration of multiple aspects that concern with introverts’ behavioral traits. On the other hand, the form and structure of the pavilion will be based on multiple postures from “leaning” and “lying down” body gestures. Being intimately bodily engaged, the pavilion became a living body of space, still yet ephemeric.

CONCEPT INFOGRAPHY

Internally, allocation of the patient and the psychiatrist is set diagonally without facing one another. This is to eliminate the psychiatrist status quo as part of the space occupant but instead given a third person role as a space observer. Therefore, implications upon the patient as the main space occupant is very much emphasized. With very minimal space and composed flow of penetration, the space hierarchy of seemingly individual space of the patients is vividly emphasized. ROOF PLAN Eyes field of vision is expected to be approximate to 270 degrees. Therefore, in order to support this hypothesis, the pavilion roof is designed to provide an ascending wide frame facing towards similar direction as the patient. Thus, slanted positioning of the frame sums up an additional perimeter of vision of the inhabitant.

SUNLIGHT PENETRATION

WIND PENETRATION

Inhabiting the Unconcious ll Skygaze Pavillion ll 54

SCENARIO (INTERIOR PLAN)

Inhabiting the Unconcious ll Skygaze Pavillion ll 56

SECTION CUT - Invertion concept the space occupant, introverts as specified, will be acting as the main character with regards to the surrounding environment which contradicts the usual daily condition of an introvert. This is to build and emphasized the existence of the user. However, the extent of freedom is still controlled through the structural aspect of the pavilion due to privacy reason. The seemingly open spatial configuration of this pavilion reflects such hesitated trait of an introvert to the society. Moving on the back side of the pavilion is where the psychiatrist will be allocated. This is to reduce intimidation from having direct visual contact with the patient. The inhabitant is challenged to look up, frame the sky, as to initiate the ideology of freedom, heads up, and a brighter, wider point of view about life. An additional aspect to support the ephemeral quality of this concept will no other be nature as such daylight, wind, and landscape.

INFINITE RE

REAL ESTATE OFFICE Freelance Project Office Renovation Proposal 2017

PREFACE

INFINITE RE is an office interior project that proposes the concept of home. As per requested by the client, the office is composed and assembled in a more casual nuance, contrasting with the common formal aesthetic of an office space. This is to turn down formality, simultaneously create such a welcoming and cozy vibe within the space. With regards to composition, the design came up with one open plan arrangement and one private space due to limited build area. Inhabitations will play a key role in terms of space division yet emphasized a great distinction between the two divided space. Material wise, use of white tone accompanied with pine wood texture give a lighter nuance of the space, resulting in an expanded perceptual boundary. Initially taken from the companyâ&#x20AC;&#x2122;s navy logo, multiple uses of blue in the design give birth to a character of the space.

4750

150

1843

150 350 1.507

1977

1210

804

3.695

3750

137

1430

1210

150

397

4095

785

150

608

150

816

150

1652

315

150

2798

350

150

6950

879

210 150

210

397

345

150

60 60

345

879

6950

2.798

1404

1745

2345

1. BEVERAGE STATION

2345

1.645

2500

2345

2.840

3.301

150

A.01 GROUND FLOOR PLAN 1. BEVERAGE CONCEPT 1 STATION 1:50 2. RECEPTION

3. OFFICE 4. MEETING ROOM

A.01 GROUND FLOOR PLAN CONCEPT 1 1:50

GSPublisherVersion 0.16.100.100

243 1133 1. BEVERAGE STATION 150 1790

2. RECEPTION 3. OFFICE A.01 GROUND FLOOR PLAN 4. MEETING ROOM CONCEPT 1 1:50

GSPublisherVersion 0.16.100.100

2096 60

978 2600

4750

150 150

150

4. MEETING ROOM 150

150 350

3. OFFICE

600

2. RECEPTION

Personal Work ll Infinite RE ll 60

Personal Work ll Infinite RE ll 62

OTHERS

ground floor

DRAFTING LAYOUT Sydney Ferry Original Drawings Context

first floor

section Drafting Layout ll Sydney Ferry ll 68

900

8,0 00

NORTH ELEVATION

1,608

ENSUITE

2,150 3,015

3,600

5,145

3,544

3,644

LOUNGE ROOM

2,170

2,472

KITCHEN

4,253

3,500

3,129

2,389

1,600

WALK IN PANTRY

WIR

1,500

2,925

5,5 00

PORCH

1,000

5,514 BEDROOM 2

800

2,150 2,927 1

STORAGE

3,499

1,449

2,301 1,307 1

STORAGE UNDER

4,140

BEDROOM 2

4,023 4,604

6 5 4

2 1

908

VOID

2,150

3,2

5,401 1,000 3,450

2,311

0 5,50

3,893

6 7 8 9

1,500

3,118

3,300 1,306

3,000

BEDROOM 1

2,592 ENSUITE

2,699

4,186

STORAGE UNDER

WEST ELEVATION

3,231

3,644

8,133

WEST ELEVATION

4 15

WALK IN PANTRY

8 7

LOUNGE ROOM

3,600

2,170

PORCH KITCHEN

2,300

3,346 1,465

1,310

STORAGE

840

VOID

3,000 4,140

3,000

5,550

GARAGE

6 5

ALFRESCO

8 7

DINING

3,000

4,023 VOID

3,834

2,927

GARAGE

3,000

DINING

BEDROOM 1

5,550

4,710

ALFRESCO

BEDROO

2,150

WIR

2,072

1,828 6,000

SOUTH ELEVATION

900

SOUTH ELEVATION

ISSUE

AMMEDMENTS

DATE

CONCEPT DESIGN

19/12/2018

DUAL OCCUPANCY

PTY LTD.

Contractors must verify all dimensions on site prior to the commencement of any work or the preparation of any drawings.

Figured dimensions to be used in preference to scaled

PROJECT

acn 610 759 576 www.maidesigns.com.au

MAI DESIGNS 27B 15A BELMORE STREET BURWOOD 2134

P T Y L T D.

m: 0403 327 329 e: agie@maidesigns.com.au

9 BUIN PLACE GLENFIELD, 2167

dimensions.

GSPublisherVersion 0.0.100.68

GSPublisherVersion 0.

NORTH ELEVATION

4,050

1,500

2,623

2,637

EDROOM 3

DIRECTION OF ROOF PITCH

2,585

273

EAST ELEVATION

1,347

WEST ELEVATION

3,451

1,449

VOID

DIRECTION OF ROOF PITCH

OM 3

1,500

SOUTH ELEVATION

TITLE

ISSUE

AMMEDMENTS

DATE

CONCEPT DESIGN

19/12/2018

FLOOR PLANS

not be undertaken without written permission MAI DESIGNS

1:100

N. STACK

.0.100.68

commencement of any work or the preparation of any drawings. DRAWN CHECKED DATE

D.W.

D.M.

19/12/2018

Figured dimensions to be used in preference to scaled dimensions.

ROO

DUAL OCCUPANCY

PTY LTD.

SCALE

Contractors must verify all dimensions on site prior to the

TITLE

PROJECT

CD-01 DRAWING NO.

acn 610 759 576 www.maidesigns.com.au

MAI DESIGNS 27B 15A BELMORE STREET BURWOOD 2134

SCALE P T Y L T D.

m: 0403 327 329 e: agie@maidesigns.com.au

9 BUIN PLACE GLENFIELD, 2167

N. STACK

DRAWN D.W.

NORTH ELEVATION

SOUTH ELEVATION

ISSUE

AMMEDMENTS

DATE

CONCEPT DESIGN

19/12/2018

DUAL OCCUPANCY

PTY LTD.

Contractors must verify all dimensions on site prior to the commencement of any work or the preparation of any drawings.

Figured dimensions to be used in preference to scaled dimensions.

GSPublisherVersion 0.0.100.68

PROJECT

acn 610 759 576 www.maidesigns.com.au

MAI DESIGNS 27B 15A BELMORE STREET BURWOOD 2134

P T Y L T D.

m: 0403 327 329 e: agie@maidesigns.com.au

9 BUIN PLACE GLENFIELD, 2167

EAST ELEVATION

TITLE

WEST ELEVATION

ELEVATIONS SCALE

N. STACK

1:100

DRAWN

CHECKED

DATE

CD-03

D.W.

D.M.

19/12/2018

DRAWING NO. ISSUE

AMMEDMENTS

DATE

CONCEPT DESIGN

19/12/2018

DUAL OCCUPANCY

PTY LTD.

Contractors must verify all dimensions on site prior to the commencement of any work or the preparation of any drawings.

PROJECT

MAI DESIGNS

P T Y L T D.

9 BUIN PLACE

CONCRETE RENDER EXTERIOR WALLS DULUX WEATHERSHIELD LOW SHEEN

CONCRETE RENDER EXTERIOR WALLS

COLORBOND - STEEL COLOURS

PGH BRICKS

DULUX WEATHERSHIELD LOW SHEEN

ISSUE

AMMEDMENTS

CONCEPT DESIGN

Contractors must verify all dimensions on site prior to the commencement of any work or the preparation of any drawings.

Figured dimensions to be used in preference to scaled dimensions.

GSPublisherVersion 0.0.100.68

acn 610 759 576 www.maidesigns.com.au

MAI DESIGNS 27B 15A BELMORE STREET BURWOOD 2134

P T Y L T D.

m: 0403 327 329 e: agie@maidesigns.com.au

COLORBOND - STEEL COLOURS

PGH BRICKS

CUMARU TIMBER POST PORTA TIMBERS

DATE

TITLE

PROJECT

19/12/2018

MATERIAL SCHEDULE

DUAL OCCUPANCY

SCALE

9 BUIN PLACE GLENFIELD, 2167

N. STACK

1:100

DRAWN

CHECKED

DATE

CD-05

D.W.

D.M.

19/12/2018

DRAWING NO.

MODEL MAKING Mix Projects Hand Models 1st - 3rd Year

contact information: email : jessicaandjani@gmail.com phone : (+62)81377155580 whatsapp : (+61)416488885