Jessica Ivins

Page 1

JESSica talbot Interior design portfolio Seeking Interior Design Position


1

About / Introduction

Jessica Talbot was born and raised in Highland, Utah - a town neighboring Salt Lake City. Jessica will be graduating in May 2018, with a bachelor’s degree from the Interior Design Program at Utah State University. This summer she completed her internship in the Golden City of San Francisco. Since she has attended USU, Jessica has been a yearly recipient of several design and honor scholarships. Awards she has received include receiving High Gold at the National FCCLA Interior Design Competition, later she won Utah State’s Design Star Competition and most recently she was selected to be a Ambassador for the Caine College of the Arts.

With that said, Lets begin.


THIS PORTFOLIO SHOWCASES THE DEVELOPMENT A N D E D U C AT I O N O F A N A S P I R I N G I N T E R I O R D E S I G N E R , W I T H S T R O N G U S A G E O F I L L U S T R AT I O N AND GRAPHIC DESIGN. Everything I do is driven by my dream of designing functional and beautiful spaces for a specific individual or a large group. I’m eager to design for all - the aging grandparent, dedicated athlete, excited newlyweds, or starving artist. I design with my clients in mind. I may be a historical chair enthusiast and have a constant hankering for cinnamon, but my true love for architecture and design overshadows them all. Thank you for reviewing my portfolio. Enjoy!


EDUCATION

jessica talbot Wants to be your next designer

Bachelor’s of Interior Design

Utah State University Graduation: May 2018 CIDA Accredited 3.75 GPA

Skills Auto CAD Revit Adobe-Illustrator InDesign Photoshop Microsoft Office

Experience Interior Design Intern / m a y 2 0 1 7 - a u g 2 0 1 7 ODADA / San Francisco Design Installs and Photoshoots Coordinated with Vendors and Shipping CAD and Revit Work Office Administration

PR & Marketing Manager / A u g 2 0 1 5 - p r e s e n t Utah State University Information Technology Computer Labs Design digital displays to relay information & Activities on campus Manage 15+ employees

Architecture Internship / m a y 2 0 1 6 - J u l y 2 0 1 6 Steve Mansfield Client Meetings Field Measuring Construction Documents

Undergraduate Teaching Fellow / J a n 2 0 1 5 - m a y 2 0 1 8 Utah State University Professor JoAnn Wilson & Steve Mansfield Interacted with students to help them improve Drafting & sketching skills Created & taught lesson plans

Contact information (801)-367-7666 jtalbotinteriors@gmail.com

Achievements 18 month humanitarian service in Portland Oregon Laverna Faylor Hulme Scholarship in Interior Design 2012 National FFCLA Interior Design Competition. High Gold. USU Caine College of the Arts University Ambassador


Introduction / Contents

Table of Contents 1

Terra / R e s i d e n t i a l

2

One57 / R e s i d e n t i a l

3 4 5 6 7

Pages 5-12

Pages 13-16

La Caullio / c o m m e r c i a l Pages 17-24

Hotel W. / c o m m e r c i a l Pages 25-28

The Bread Block / B r a n d i n g Pages 29-32

Drafting / s k i l l s Pages 33-36

Details / s k i l l s Pages 37-42

4


5

Terra / Residential

All images belong to third party


Terra / Residential

terra 1,000 sq ft modern residence

6

Terra was designed with the landscape that surrounds it in mind, reflecting the subtle beauty and color that is showcased by the Southern Utah desert. The orgin of the residence came from the organic yet structural characteristic of a plateau. Its fourstory interior and the horizontal exterior space gives the illusion of levels that grow to a cascading point. This majestic home will stand with these landforms in the beautiful city of Ivins, Utah.

Section 1



Terra / Residential “We owe it to the fields that our houses will not be the inferiors of the virgin land they have replaced. We owe it to the worms and the trees that the building we cover them with will stand as promises of the highest and most intelligent kinds of happiness.�

Alain De Botton

8


9

Terra / Residential

Hand rendering Terra’s Formal Living Room & Master Bedroom

Layers of textures and neutral colors inspired by the beautiful landscape outside help make the inviting living room the ideal spot for relaxing and entertaining. The master bedroom incorporates a custom vinyl wall crisp white and natural accents its global influence creates a captivating master bedroom with beautiful views and designated spaces for rest and relaxation.


Terra / Residential

Plateau: An area of relatively level high ground. The inspiration for this project came from the definition of a plateau. The consistent level of the and stable rising of this landforms is repeated throughout the development of the design

10


11

Terra / Residential

3d Modeling

Computer Programs Used: Auto CAD, Photoshop and Revit This feeling of comfort continues in the kitchen, where the concept of selective reveals is also furthered. The home’s open kitchen is a focal point, designed with ample space for prep work and cooking as well as for guests to gather and converse.



13

One57 / Residential

All images belong to third party


One57 / Residential

ONE57 Luxury Living in New York

14

Walls of glass provide unobdtructed views of central park and midtown manhattan and the opportunity to experience the magnitude of New York from a truly breathtaking vantage point. Designed by Pritzker Prize-Winning architect Christian De Portzamparc, One57 graces the center of the famed Manhattan skyline.

Section 2


15

One57 / Residential

dinner for two, o r t w e n t y. Inspired by the beautiful contrast that Manhattan has to offer, this kitchen was created for a dual purpose. It caters to the use of an in-house chef and the every-day use of the resident. With state of the art appliances and a layered lighting approach, the ambiance of this kitchen makes creating the meal just as tasteful as partaking of it.

Line Drawing

urban indoor herb garden The focal piece of the room is a built in herb trough. This planter would have a direct specialized watering system with UV lights above for access to fresh picked herbs and spices for every meal.




One57 / Residential 18

Master bedroom This tranquil bedroom serves as your ultimate getaway. The custom bed is upholstered in a deep maroon mohair and covered in Frette bedding with matching maroon trim. Furthering the feel and design theme of contrast I placed two art pieces by Steven MacIver Named sentinel 1&2 above the bed. All up against a coffered wall in a gravel grey paint by Benjamine Moore. This bedroom is sure to bring comfort and peace after a long day in the busy city.

Jean Armchair, B&B Italia Upholstered in Kelly Werstler Fabric

AJ Wall Lamp Arne Jacobsen for Louis Poulson -760.00

Frette Bedding With Matching Maroon Trim

Sentenial 1 & 2 By: Steven MacIver


17

La Caullio / Commercial

All images belong to third party


La Caullio / Commercial

18

CAULLIO Medical Spa Renovation

On the coastal edge of Nice, France the idea of high and low tide is almost non- existent. The narrow entrance of the Atlantic ocean to the Mediterranean causes calming waters and pebbled beaches. La Caillow spas tranquil design implements the calming peace, and natural beauty.

Section 3


19

La Caullio / Commercial

ANDANZA

By: Laundry Studio Sold By: Hygee & West

Q U I LT

By: Heath Ceramics Sold By: Hygee & West

La Caullio Medical Spa is a physician-directed medical day spa, created by a dynamic multidisciplinary team of healthcare experts. The design incorporates many beautiful wall-coverings by Hygee & West . These soothing designs bring a sense of youth and life to the space. Displayed throughout the spa are professional photos of La Caullio Face Care products.

la caullio French Translation: The Pebble



3-5/8" MTL. STUD

La Caullio / Commercial 5 8" GYP. BD.

13'-65 8"

15'-17 8"

10'-2"

11'-21 2"

B3/A104

B1/A103

B3/A104

1

LASER ROOM 110

LASER ROOM 111

10'-01 4"

2"

11'-61 4"

1

111 110

1

2'-71

1'-67 8"

1'-113 4" 2'-11 8"

1

3

C1

HALLWAY 2 117

A101

1

10'-4"

1

9'-115 8"

ESTHETIC ROOM 107

1

1

3'-61 4"

108

1'-91 2"

WOMEN'S RESTROOM 108

5'-31 4"

1

1

1

HALLWAY 1 116

MEN'S RESTROOM 106

1

ESTHETIC ROOM 113 9'-83 8"

1

2'-71 8"

10'-111 4"

1

1 6"

6'-105 8"

114

1

BREAK ROOM 114

102

2'-33 8"

1

103

1'-115 8"

1

1

104

2'-1"

7'-01 4"

1

6'-111 2" LAUNDRY ROOM & JANITORS CLOSET 104 A1/A103

2'-37 8"

1

1

113

2'-65 8"

106 105

3

112

1

1

1'-115 8"

1

CONSULTATION ROOM 103

3

1

1

6'-65 8"

1 MANAGERS OFFICE 105

ESTHETIC ROOM 112

HALLWAY 3 118

2'-63 8"

1

107

115 B

2"

STORAGE CLOSET FILE ROOM 115

R.E.F.

18'-45 8" RECEPTION DESK 116

2'-81 4"

6'-111

2'-43 8"

101

1

2

CONSULTATION ROOM 102

1

CONSULTATION ROOM 101

1

1

7'-81 8"

5'-53 4"

1

6'-107 8"

1

115 A

2

8'-103 4"

2'-0"

2'-6"

2 PRODUCT DISPLAY 6'-11 2"

14'-10"

17'-41 8"

The owners wanted small consultant rooms near the front. A central location for the bathroom and a easy to navigate hallway.

109

1

floor plan

11'-21 2"

1

B3/A104 ERBIUM ROOM 109

10'-2"

WALL TYPE 3 - 2 HR RATED WALL

12'-7"

21

3 3

LOBBY 100

10'-105 8"

14'-41 4"

PRODUCT DISPLAY

N


JESS IVINS INTERIOR 1500 EAST HARRISON SALT LAKE CITY, UT

SSS

JESS IVINS INTERIORS

La Caullio / Commercial

SSS

S SS

S SS

SS

SSS

S SS

S S

S

SSS

REVISIONS:

SSS

S

SSS S

Lighting plan

S

S

S S

S

LA CAULLIO SPA

S

JOB NUMBER: 2015-06

S SS S SS

This layered lighting approach softens the mood of space while still giving the employees enough light to work.

N

22


La Caullio / Commercial

23 Group 1

103, 104, 105, 107, 109, 110, 111, 112, 15B

s

105

MPB79 4 1/2 x 4 1/2 10G05 LL WS02 S1M

26D 26D 32D

MC SA MC MC FLOOR: FT-2 BASE: B-1

Group 2 MPB79 4 1/2 x 4 1/2 10U65 LL WS02 MCKS88

26D 26D 32D

MC SA MC MC

ERBIUM ROOM

FLOOR: FT-2 BASE: B-1

LASER ROOM 111

LASER ROOM 110

FLOOR: FT-2 BASE: B-1

FLOOR: FT-2 BASE: B-1

HALLWAY 2 117 ESTHETIC ROOM 107

FLOOR: T-1 BASE: B-1

WC-1 TWC-2

TWC-2 WC-1 WC-1 TWC-2

WOMEN'S RESTROOM 108

HALLWAY 3 118

ESTHETIC ROOM 112

TWC-2 WC-1 FLOOR: FT-1 BASE: B-1

MANAGERS OFFICE 105

FLOOR: T-1 BASE: B-1 FLOOR: C-1 BASE: B-1

FLOOR: FT-2 BASE: B-1

WC-3

WC-1 TWC-2

TWC-2 WC-1 WC-1 TWC-2

REVISION

TWC-2 WC-1 MEN'S RESTROOM 106

FLOOR: FT-2 BASE: B-1 ESTHETIC ROOM 113

LAUNDRY ROOM & JANITORS CLOSET 104 FLOOR: C-1 BASE: B-1 FLOOR: FT-2 BASE: NA

JOB NUM

WC-3 CONSULTATION ROOM 103

WC-2

FLOOR: C-1 BASE: B-1

LIAMS - SW 7049 - NUANCE LIAMS - SW 7064 - PASSIVE LIAMS - SW 7005 - PURE WHITE LIAMS - SW 6042 - HUSH WHITE

FLOOR: C-1 BASE: B-1

CONSULTATION ROOM 101 WC-3

FLOOR: T-1 BASE: B-1

CONSULTATION ROOM 102

FLOOR: C-1 BASE: B-1 STORAGE CLOSET FILE ROOM 115

WC-3

Finishing Schedule

TWC-1

G - RIFEL PAPER- QUEEN ANNE G - HUGGE & WEST: LAUNDRY STUDIO ANDANZA G- HUGGE & WEST: HEATH CERAMICS QUILT

Information specifying types of finishes to be applied to floors, walls, and ceilings for each location. Key not shown.

BREAK ROOM 114

RECEPTION DESK 116

G - PEBBLED TILE (NOT YET DETERMINED) VERING: WHITE SUBWAY TILE

ARPET-COMPLEX 947

OORS - CARNIVALLE PLUS VCT-POLAR WHITE: 51941

ST 4.5″ BASE

FLOOR: FT-1 BASE: B-1

WC-2 FLOOR: FT-1 BASE: B-1

LOBBY 100

ST DOOR CASING 3"

N


2'-65 8"

7'-113 8"

E.Q.

Reflective ceiling plan DESCRIPTION

E.Q.

2 x 2 FLOURESCENT

E.Q.

E.Q.

E.Q.

SYMBOL

This plan shows the items that are located on the ceiling of a room or space. Including duct work, lighting, and ventilation

4'-0"

2 x 4 FLOURESCENT

FAN

E.Q.

E.Q.

E.Q.

E.Q.

E.Q.

2'-65 8"

7'-113 8" E.Q.

E.Q.

E.Q.

E.Q.

2 x 2 FLOURESCENT

E.Q.

2'-10"

4'-0"

E.Q.

E.Q.

E.Q.

E.Q.

E.Q.

2'-10" E.Q.

4'-0"

2'x2' SUSPENDED ACOUSTICAL CEILING GRID SEE ?/?? FOR TYPICAL DETAILS

RETURN OR RELIEF AIR GRILL E.Q.

E.Q.

SUSPENDED GYP. BOARD CEILING SYSTEM

SUPPLY OR FRESH AIR GRILL

17'-13 8" E.Q.

4'-0"

4'-0"

4'-0"

E.Q. E.Q.

7'-9"

E.Q.

SUPPLY OR FRESH AIR GRILL CIRCOLO 60W CHANDELIER KK2943NI

WALL SCONCE - PROGRESSIVE LIGHTING 26W

E.Q.

E.Q.

E.Q.

E.Q. E.Q.

1'-0"

E.Q.

E.Q.

AND NOT MORE THAN 4'-0" ON CENTER ELSEWHERE

E.Q.

E.Q.

4'-0"

E.Q.

TYPICAL WIRE HANGER

E.Q.

2'-10"

E.Q.

4'-0"

E.Q.

E.Q.

4'-0"

E.Q. 1'-0"

E.Q.

3'-0"

PROGRESS LIGHT MODULAR FLUSHROUND PP725009EBWB

E.Q. E.Q.

7'-9"

E.Q.

E.Q.

2 ADJACENT SIDES

3" MAX.

E.Q.

E.Q.

1'-0"

E.Q.

1'-0"

17'-13 8"

E.Q.

2'x2' SUSPENDED ACOUSTICAL CEILING GRID WALL MOUNTED EXIT SIGN SEE ?/?? FOR TYPICAL DETAILS

4'-0"

CROSS RUNNER POP RIVET 2 ADJACENT

SUSPENDED GYP. BOARD CEILING SYSTEM

SIDES WALL TRACK- ANCHOR TO WALL STRUCTURAL ELEMENTS

E.Q.

E.Q.

CROSS RUNNER W/ 3/4" GAP - UN-ATTACHED TO WALL TRACK

B2

A2

A2

TYPICAL HANGER WIRE 8" MAX. FROM WALLS AND 4'-0" ON CENTER MAX. SPLAYED WIRE-LATERAL BRACING 6'-0" FROM WALL MAX. 12'-0" O.C. MAX.

A1 A2

'-0"

12 MA X.

. AX "M

6'-0

" O Y

AX.

6'-0" M

12'-0"

MAX.

CROSS RUNNER SECURED TO

B1 A3

E.Q.

B2

E.Q.

ENDED CEILING DETAIL

STABILIZER CENT WALLS

REVISIONS:

FLOUR. RECESSED MR 16

RETURN OR RELIEF AIR GRILL

E.Q.

E.Q.

E.Q.

E.Q. OR SIM. DEVICE

8" FROM PERIMETER WALL

WALL SCONCE - PROGRESSIVE LIGHTING 26W E.Q.

E.Q.

E.Q.

E.Q.

E.Q.

E.Q.

E.Q.

E.Q.

STRUT STABILIZER

SPACE NOT MORE THAN

FLOURESCENT STRIP - MOUNTED VERTICAL

E.Q.

E.Q.

8" MAX.

FLOURESCENT STRIP CIRCOLO 60W CHANDELIER KK2943NI

E.Q.

2'-10"

E.Q.

E.Q.

PROGRESS LIGHT MODULAR FLUSHROUND PP725009EBWB

E.Q. E.Q.

E.Q.

E.Q.

FLOUR. RECESSED MR 16

RECESSED DOWN LIGHT

E.Q.

1'-0"

E.Q.

E.Q.

3'-0"

E.Q.

E.Q.

E.Q.

1'-0"

E.Q.

2 x 4 FLOURESCENT

E.Q.

E.Q.

E.Q.

FLOURESCENT STRIP - MOUNTED VERTICAL

FAN

E.Q.

E.Q.

E.Q.

E.Q.

E.Q.

E.Q.

E.Q.

E.Q.

E.Q.

E.Q.

DESCRIPTION

E.Q.

E.Q.

E.Q.

E.Q.

FLOURESCENT STRIP SYMBOL

E.Q.

E.Q.

4'-0"

E.Q.

RECESSED DOWN LIGHT

E.Q. 4'-07 8"

8'-01 8"

E.Q.

E.Q.

3'-17 8"

E.Q.

E.Q.

JESS IVINS INTERIORS.

E.Q.

E.Q.

24

JESS IVINS

E.Q.

4'-07 8"

4'-0"

E.Q.

E.Q.

8'-01 8" E.Q.

E.Q.

3'-17 8"

E.Q.

La Caullio / Commercial

N N

WALL MOUNTED EXIT SIGN

JOB NUMBER


25

Hotel W / Commercial

All images belong to third party


Hotel W / Commercial

Hotel w

Daltile Hotel Remodel Competition

26

This interior concept came from the idea that there is a perspective that comes when you are able to witness the vast views of nature. People vacation for a chance to escape from their day-to-day lives and refocus to what matters to them most. This biophilic design will envokes the similar emotional experience humans have in nature.

Section 4


27

Hotel W / Commercial

Hotel w. Daltile products

zen garden

Veranda Tones.

turkish skyline Marble Attache

crema europa 22 Lime Stone Collection

Ironwood

Terrace

Before Photo



29

The Bread Block / Branding

All images belong to third party


The Bread Block / Branding

branding The Bread Block Cafe

30

All the necessities for the perfect picnic in one place. Established in the heart of wine country in Northern California, this cafe acts as an extension site to the Tribbiani’s vast vinyard.

Section 5


31

The Bread Block / Branding

The Bread Block A fresh baguette & glass of wine are what we specilize in.

OUr Story Joseph “Joey” and Maria Tribbiani moved to California in 1980 to pursue their dream of running their own vineyard and eatery. Nestled in the Wine Country of Northern California, the couple built The Bread Block in 1984 and today is one of the most beloved eateries/wineries in Northern California. The winery’s success can be attributed to strict winemaking protocols and three exceptional vineyards. To guarantee the best possible fruit from our sites, the Tribbiani winemaking teams have developed a unique micro-farming program. This complex process involves the mapping of soils and topography down to the smallest increment using soil pits and aerial photography. The Tribbiani’s winemaking team specializes in Chardonnay and Pinot Noir. In addition to the Tribbiani’s legendary winery, the couple’s Bread Block was established to connect their community with their wine through baked goods, cheese and speciality pastries.


The Bread Block / Branding

Branding Wanting their product to be focus, the owners wanted a traditional look with a crisp modern take. Sticking to a classic black and white gingham allowed for the product to stand out against the contrast.

32


33

Drafting / Skills

All images belong to third party


Drafting / Skills

Drafting

Deaf Residence and Zions Bank Elevation

34

Verbal description uses non visual language to convey the visual world. It can navigate a visitor through a museum, orient a listener to a work of art, or provide access to the visual aspects of a performance.

Section 6


35

Drafting / Deaf Client

ALL ROOM ENTRANCES CAN BE SEEN FROM SOCIALIZING AREAS. IMPROVES COMMUNICATIONS.

1

FULL BATH NEAR MASTER BEDROOM WITH ACCESS TO PUBLIC SPACE

2

3

EXTRA ACCESS TO LIGHT SWITCHES TO IMPROVE VISUAL NOTIFICATION

38'-9 5/16" 13'-5 3/8"

21'-3 15/16"

OPEN FLOOR PLAN FOR VISUAL ACCESS TO ALL SPACES

4'-11 13/32"

KITCHEN 124.5 SQ. FT.

70

30

3070

A

3 1/2" 1'-4"

4'-4"

3070

LIVING ROOM 130 SQ.FT.

8'-8 7/8"

4'-11 1/8"

COLUMNS 16" SQUARE, TYP

3'-9 7/8"

28'-0"

OFFICE / BEDROOM 2 120 SQ. FT.

DINING ROOM 120 SQ. FT.

9"

9'-

FLOOR TO CEILING CURTAIN WALL

13'-0"

1'-4" 8"

8"

MULTIPLE AREA RUGS TO ABSORB SOUND VIBRATIONS.

0"

MASTER BEDROOM 237 SQ. FT.

4'-

22

'-9

"

B

BLACK OUT CURTAINS FOR LIGHT SENSITIVITY.

11'-8"

5'-5 15/16"

30

70

13'-0"

HARD WOOD FLOORS TO IMPROVE ACOUSTICS. IN ADDITION, EASIER TO STOMP AND NOTIFY PEOPLE NEAR BY.

REF.

BATHROOM 95 SQ. FT.

11'-7 1/4"

CLOSET 65 SQ. FT.

9'-10"

9'-10"

3070

D.W.

5040

0"

°

.00

4'-

0"

135

40

3070

FLOOR TO CEILING CURTAIN WALL

50

5'-2"

4'BALCONY

OPEN FLOOR PLAN FOR VISUAL ACCESS TO ALL SPACES

SEATING LAYOUT TO PROMOTE ASL CONVERSATION. 8'-2"

15'-8" 23'-10"

Deaf client Residence The mission was to provide our deaf client with an apartment that focuses on three distinct daily living characteristics.

1 / Visibility, which includes light, color, and clear communication which encourages conversation.

2

/ Acoustics, which focuses on reverberations, security, and location or self-orientation.

3 / Making sure that our client can be easily alerted and notified.

1'-

0"

1'-4"


Drafting / Zions Bank

Zions bank elevation This elevation was accomplished by figuring out the size of the brick and then counting them to determine the measurements of the building. This Zions Bank resides in Logan Utah in the historical district.

36


37

Details / Skills

All images belong to third party


Details / Skills

38

Details Historical Sketches and Hand Renderings

Throughout history humans have interacted with their surroundings to create emotional experiences. Some of these items are still here for us to not only admire, but to inspire us to further the creative design world.

Section 7


39

Details / History

History of Interiors Sketchings of iconic pieces of furnishings and architecture.

Morris chair

Created in 1850 by William Morris

kubus armchair Created in 1910 by Josef Hoffmann

Rococo chair Created in France between 1730 - 1770

bleu bench Created in 1989 by Zaha Hadid

Victor Horta Side Chair Created in 1902 by Victor Horta

Kessler chair Created in 1898 by Henry Van De Velde


Details / History

red house, london This significant Arts and Crafts building was Co-designed in 1859 by the architect Philip Webb and the designer William Morris. It was created to serve as a family home, with construction being completed in 1860.

40


41

Details / Hand Rendering

Stylized & Realistic These renderings are examples of different rendering techniques to help in the development of creating a specific aesthetic style.


Details / Hand Rendering

42

Materials 1 / Prismacolor Markers 2 / Colored Pencils 3 / Fine Tip Sharpie 4 / Tempera White Paint


thank you Contact Information: Phone: 801. 367. 7666 Email: jtalbotinteriors@gmail.com


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