JessicaLeung_Portfolio by Jessica J Leung

Portfolio

JESSICA JIANJIA LEUNG M. Arch, Princeton University B. Arch, University of Southern California

SELECTED PROJECTS

0102 0304 05

ACADEMIC PROJECTS

TURNING THE LAST PAGE: KNOWLEDGE EXCHANGE AND POLITICAL CROSSINGS IN HONG KONG 2046

CITY WITHIN A CITY WITHIN A CITY CHARLOTTE: AN INTROVERTED ARCHIPELAGO

THE WHEEL SHROUD:IN FLEETING A HAPTIC EXPEREINCE - A TRAVELING VENDOR

THE PARALLEL WILSHIRE BOULEVARD HOUSING COMPLEX & LIGHT RAIL STATION

HOLE ‘N’ HOLE CHAIR AFFAIR COMPETITION WINNER CORRUGATED CARDBOARD CHAIR DESIGN

0607 0809

PROFESSIONAL PROJECTS

SPECTRAL LIGHT ARTEMIDE PHILIPPE RAHM ARCHITECTES

JADE ECO PARK 臺中市中央公園清翠園 PHILIPPE RAHM ARCHITECTES

SKP BEIJING 北京 SKP SYBARITE ARCHITECTS

LOUIS VUITTON MAISON LOUIS VUITTON MALLETIER

TURNING THE LAST PAGE: KNOWLEDGE EXCHANGE AND POLITICAL CROSSINGS IN HONG KONG 2046 Academic Project, Princeton University 2nd Year | M.Arch Diploma Thesis | May 2019 Advised by Professor Mario Gandelsonas The Story I am going to tell you a story. The year is 2046, and the protagonist is Hong Kong. Hong Kong is no longer an independent, special administrative city, but has been absorbed into the Greater Bay Area which includes Shenzhen, Guangzhou, Zhuhai, among several other cities. It has proudly produced the highest GDP for 8 years in a row among all bay areas worldwide. Mandarin has taken over Cantonese as the most spoken language, and traditional Chinese writing has been replaced by simplified Chinese in schools, the government, everyday life. English is no longer one of the two official languages. With increased collaboration, communication, integration and harmonization with mainland China in trade and finance, entertainment, education, and government administration. In a year, “One Country, Two Systems” will official expire, and Hong Kong will finally be unified with motherland, after 156 years of being under colonial rule, and another 50 years of no change, or transition. In anticipation, and as a celebratory gesture, the Hong Kong government is gifting the Hong Kong people with a brand new public library, at the prime central site of Central. On a side note, it is a very good idea to reappropriate the abandoned former Final Appeal Court, also former Legislative Council building (which was constructed by the British in a style which constantly reminded the city of a painful, colonial history that the everyone is desperate to forget), and building a library close to the Statue Square, a site that is often used as a gathering space prior to protests. As a public building, the library questions its values and identity amidst political crossings; and as an institution, the library explores its role and relevance in the future of knowledge production and exchange. Simply put, this is a thesis about the relationship of a book to a reader, to a city, and to society. Project 27 years from now. The Hong Kong government is building a brand new public library to gift to the people of Hong Kong as a celebratory gesture. With the end of 50 years of “One Country, Two Systems” in 2046, Hong Kong will be completely embracing all of Mainland China’s systems, including governmental system, legal, economic and financial affairs, international trade, currencies, education, social welfare, and language. The thesis is about public architecture in a transitional political setting. Basing on the historical and existing socio-political contexts, the project had already begun, and is set in a projected future, where we will see a political crossing of Hong Kong’s capitalism and China’s socialism, manifested in the form of a library. Aside from the embedded politics, the public library itself is a true “socio-cultural” project that demands a fundamental redefinition and the discussion of its role and relevance in the future. In the past, people did not have a lot of books at home as they were expensive, they went to the library to acquire knowledge. Printing made books cheaper, and more people were able to possess books. The Internet came about that made the sharing of information much easier, but it was not commonplace that people had access easily, they went to the library to acquire physical and virtual knowledge. Nowadays, everybody has Internet in their hands, at home, and eventually, everywhere. They could read, share information, acquire knowledge, without stepping foot in a library. So what is the relevance of a library in the future? I think that it will be about the physicality of the space. Just like how people would go to a concert to listen to music, despite having access to music at home, people would go to the library for the physical, collective experience. This site. The Court of Final Appeal is rich in its history with the law, a constant symbol and reminder of jurisdiction, and its architectural style is a colonial history that the rulers desperately want to forget. The Statue Square which used to contain Queen’s Victoria’s statue attracts a lot of people anytime during the day or week, and is often one of the starting points of gathering for protests and demonstrations, because of its proximity to the central government offices. These are next to the major roads for protests and demonstrations, such as the Umbrella Movement in 2014, and the Tiananmen support rally in 1989. There are also pro-establishment, pro-China demonstrations. This site is said to be the most representative of Hong Kong, with heights, economy, history, capitalistic values and cultural symbols. With the unique ground conditions of Hong Kong, there are a few urban and ground manipulations that I am proposing. First, the two open spaces are going to be pushed down, allowing for crossings to happen below ground level and avoiding the roads. This also connects the site to the existing underground subway station. There will be a new bridge to connect the library to about the 3rd level of an existing nearby mall. These will allow the library to join the network of skybridges and underground tunnel systems that are already in place in Hong Kong, sort of giving a seamless entry into the library as they are so used to doing for shopping malls.

as a government institution

LIBRARY

surveillance power silencing exposed manipulation monumental symbolic

“publicness”

PUBLIC

accessible open MTR connection mall connection free public space site relationships

PUBLIC LIBRARY

shopping for knowledge

as an institution

spaces of consumption Gruen effect/transfer mall design commercial marketing entertainment interactions rhythm “third space”

production of knowledge traditional program/functions storage of information preservation flow of knowledge self-education autonomous

analog

( traditional )

library

( future )

digital

permanent

ephemeral

obedient

subversive

collective

individual

large

small

existing

new

open

hidden

restricted

free

authoritative

democratic

rigid

flexible 2

1 Diagram: Public Library; What is Public? What is Library?

2 Diagram: Dichotomy Tradition vs. Future Analog vs. Digital

relax

3 Diagram: The Future of Library

2 Diagram: Time/People/Activity/Space

open area

play

adult

fixed furniture help desk/circulation

read

loose furniture

senior

adolescent

child with parent

reference

sleep

rooms (quiet)

socialize

learn

research/work

play area conference/auditorium rooms (loud)

toddler with parent

borrow computers

study book stacks

tur da

ida

W ed

Tu e

PROGRAMS AND DIAGRAMS

8 THE SITE

9 THE SECTION

5 Sectional Narrative

10 THE NARRATIVE

11 IN THE GALLERY

CITY WITHIN A CITY WITHIN A CITY CHARLOTTE: AN INTROVERTED ARCHIPELAGO Academic Project, Princeton University 1st Year | May 2018 Supervised by Professor Stan Allen

Description The first part of the studio is to produce a fast and precise “prototype urban island” with no specific site. With a list of programs to accommodate, a complex urban space is choreographed and then plugged into the site, and in this case, Charlotte, North Carolina. Concept This project emphasizes the “introvertedness” of the “introverted city”. For a city within a city, how does one create an entrance? Would there be connection? No connection? From the very beginning, a self-serving position is chosen. This is to be a city within a city that is enclosed within itself, while sharing the energy and dynamics of Charlotte as a city. The project frames Charlotte almost as a backdrop, as if the project could be plugged into just any other city. Like any other city center, Charlotte has many problems: the need to drive, the lack of amenities such as shopping malls, grocery stores, etc. The cultural programs are separated from the commercial ones, and these segregated spaces are allocated chunks within a giant three-dimensional box. It is a box that is boring and monotonous on the outside, and vibrant and exciting on the inside. Project A section cut through the project shows 8 floors underground, and 25 above ground. The programs include underground parking, a cultural center (250,000 sq ft), a commercial center (500,000 sq ft), a convention center (500,000), the existing transit center, residential (250,000 sq ft), offices (500,000 sq ft), and a hotel (300,000 sq ft). Each individual program takes up its own space in the box, overlapping and interlocking at where programs meet, which create dynamic mixed-use spaces such as lobbies, receptions, elevators, corridors, and other circulation elements. Taking up four blocks on the site, the project hollows out the interior and dig below ground. The existing cross traffic aspects are kept, one as an existing elevated road, and the other as a bridge. In an almost John Portman style, circulation elements connect different programs in a dynamic verticality.

14 THE SITE

scale: 1:1000

pedestrian / spectrum center connection

street / vehicular connection

15 PLANS AND PROGRAMS

3 plan 3

1 Site analysis 2 Programmatic analyses 3 Plans 4 Programmatic division

hotel

office plan 2

residential

convention center transit center (existing) plan 1 (street level)

commercial cultural center

convention center street level

commercial

underground 1

cultural center

underground 2

parking (underground)

pedes

street

context

16 RENDER

17 RENDER

18 MODEL

19 MODEL

THE WHEEL - SHROUD:IN FLEETING A HAPTIC EXPEREINCE - A TRAVELING VENDOR Academic Project, University of Southern California 5th Year | B.Arch Diploma Thesis | May 2013 Supervised by Professor Lee Olvera

Description As an extension to my degree thesis research essay about the “appropriated space”, the second part of my thesis project was to explore the relationship between the haptic system and its adjacent space. As J.J. Gibson as regarded the “haptic system” as “the sensibility of the individual to the world adjacent to his body by use of his body”. Concept This project is based on a narrative of a traveling vendor’s life, in which every aspect from travel to work to protection all happen within this wheel. Perhaps the vendor’s body proportions, size and job would have created this wheel, or perhaps the wheel would inspire the vendor on life. We are so used to traveling with a burden, be it possessions, thoughts or emotions. What if this burden turns into an aid instead? What if instead of having to carry it, it would carry the person? What if this is all that a person has, and this person would have to make do with this one object? What if a person has to eat, sleep and work with/within this object? And what if this work includes a lot of traveling? Project With a clear narrative in mind, the project began to take shape. While the concept was rather straight forward, the production of the object itself posed a bigger challenge. To allow for traveling, it was apparent that the object would have to be circular. A wheel, with its own thickness, would be the vehicle that transports the traveler. The sole purpose of the object was the traveler, who was to be the bases of all measurements. One inspiration for this project comes from a collapsible metal steamer that can be opened and closed with an easy flip of a single flap - which is made possible by the interconnectivity among every flap of the object, allowing them to react as a single entity. To incorporate this idea into the Wheel, an operation is designed so that the shroud can be opened up to perform work (vendor), and be closed again to permit traveling (traveling vendor). This operation involved fabric flaps that are connected to one another by a design of arms/structure, ensuring that they must open and close as a group. The structure of the Wheel is a simple weaving of cherry wood strips. To maintain maximum flexibility and leeway for movement during traveling, no adhesive was used. Instead, strips are connected by reed knotting. Verticle wooden rods are introduced to reinforce structural integrity, as well as acting as a boundary between the outside and the inside. Their austere spiky ends act as a warning to any intruder who tries to enter where he does not belong. The material chosen for the flaps is fabric composition that has vinyl on one side, and cloth on the other.The two sides are very different, working to the advantage of the intent of the shroud. It gives the interior a humble and comfortable lining when the flaps are closed within the inside of the Wheel; while displaying a flashy, attention-seeking demeanor when the flaps are opened and ready for business. The flashiness of the fabric immediately changes the look and feel of the shroud.

22 THE CONCEPT A Haptic Perception Greek: haptόs “palpable“, haptikόs, “suitable for touch“ haptic (adjective) hap·tic \’hap-tik\ 1: relating to or based on the sense of touch 2: characterized by a predilection for the sense of touch From concept ideas to materiall explorations, From detailing to coloring, From weaving to knotting, If the narrative of the giant wheel is a haptic experience, its creation was a haptic perception in itself.

1 Exploded 3D model 2 Process photos: Synthetic leather flaps 3 Process photos: Operable wooden arms

4 Process photos: Reed connection details 5 Process photos: Woven wooden strips

23 EXPLORATIONS AND PROCESSES

24 A PERCEPTION

6 Completion photo series: Los Angeles Union station

7 Demonstration photo series: USC 8 Completion photo

25 AN EXPERIENCE

â&#x20AC;&#x153;

It is a giant wheel, rolling. One must not stop until the wheel arrives at its destination. Then the wheel stops, flops on one side, and becomes still. One sees a wheel, then a person. One must not stay long, for he is a traveling vendor. He steps inside the circle, where everything is within his reach. Almost like a ritual, he twirls slowly, retrieving the petals hidden within. The first leads to the second to the third and so-forth; the wheel blossoms. As he sets his merchandise on the petal pedestals, his first customer approaches. One must go. Like a giant flower, the wheel that flourishes and dwells must recede and depart. It is a giant wheel, rolling.

26 THE WHEEL

27 AND I

THE PARALLEL MIXED-USE HOUSING & LIGHT RAIL STATION Academic Project, University of Southern California 4th Year | May 2012 Supervised by Professor Graeme Morland

Description As the Los Angeles County Metropolitan Transportation Authority bid for LACMA station on the Wilshire Line, the studio was asked to come up with design proposals for the underground station and the residential complex sitting above. The design proposal would take into account the historic significance of the Miracle Miles and Downtown Los Angeles, and their relationship with the LACMA. The station would be built on one side of the boulevard, while the apartments would span across both sides. Concept Located across from Los Angeles County Museum of Art (LACMA), The Parallel engages the bustling intersection of Wilshire Boulevard and Fairfax Ave. Acting as a welcoming gateway for the incoming traffic to and from the Miracle Mile District. The Parallel sits on two parcels of roughly 20,000 sq ft each on either side of Wilshire Boulevard, and proposes a mixed-use property that aims to serve the MTA proposed LACMA Station on the Wilshire Line. The buildings are comprised of leasable retail spaces, residential units, and a tower that connects directly to the underground subway station, serving independently as both the public reception space to the station, and, more specifically to the residents of The Parallel as a bar (5F), a gym (8F) and viewing decks (6F, 9F, 11F) on the upper levels. The curving perimeter of the tower is a response to the golden curvature on LACMA’s famous entrance at the intersection. The viewing decks provide the public and the residents a place to admire Johnie’s Coffee Shop, which boasts the Googie Style, as well as unrestricted views towards Downtown Los Angeles and LACMA’s newly acquired Elevated Mass. Project For the project itself, the two 12-storey buildings are comprised of a 30’ floor-to-ceiling retail spaces on the first floor, and nine floors of residential units from there. Vertical circulation divides the linear strips into segments, allowing for natural light and ventilation to penetrate Wilshire Boulevard. Behind the northern building and within the long corridors, horizontal circulation creates a community within the building. With the bridge being the predominant connecting element between the two buildings. The bridge, acting as the only element that spans across Wilshire Boulevard at 8F, elevates circulation and exhibits a bold helix truss design. It not only gives a sense of identity, but also creates a portal before one enters the Miracle Mile and Downtown. Both vertical and horizontal circulations are indicated by red as a celebration of movement. Due to the high land value of the site, The Parallel targets the more affluent groups of Los Angeles and aims to create an exclusive housing community. The units range from 1,000 to 2,000 sq ft and are all double-storey. The linear configuration is carefully designed to provide each unit with at least three large windows or balconies to achieve views towards both Wilshire and the south or north sides, depending on either building. The double-floor nature of the units allows for horizontal access every 3rd floor, namely 5F, 8F and 11F, where residents enter their units and go either up or down within. Basing off of an L-shape in both plan and section, the juxtaposition of the six different unit types produces a very interesting facade, with certain protruding elements occurring every now and then, as well as interesting lighting conditions throughout the project. These protrusions are further emphasized with the placements of grills, acting as a shading device. Within the southern building, the circulation core furthest from the tower repeats its curvature, and functions as the major residential entrance of the south building. The curvature is repeated at a smaller scale on 5F, 8F, and 11F, providing additional viewing decks. All in all, The Parallel is where the separation of streets, buildings, and the subway station blur into one another.

30 THE CONCEPT THE

EL LELL LEL PARRA LTHELPARRA THE PARRA PUBLIC ENTRANCE TO SUBWAY STATION

JOHNIE’S COFFEE SHOP

RESIDENTIAL MAIN ENTRANCE

TOWER

PUBLIC ENTRANCE TO SUBWAY STATION

LACMA

RESIDENTIAL MAIN ENTRANCE

JESSICA LEUNG.

TOWER

PUBLIC ENTRANCE TO SUBWAY STATION

RESIDENTIAL MAIN ENTRANCE

ARCHITECTURE OF LIGHT RAIL STATIONS. ARCHITECTURE OF LIGHT RAIL STATIONS. ARCH 402 BL, TOPIC STUDIO, SPR, 2012. ARCHITECTURE OF LIGHT RAIL STATIONS. PROF GRAEME M. MORLAND. ARCHARCHITECT. 402 BL, TOPIC STUDIO, SPR, 2012. PROF GRAEME M. MORLAND. ARCHITECT. ARCH 402 BL, TOPIC STUDIO, SPR, 2012. PROPOSED NEW STATION DEVELOPMENT AT WILSHIRE BLVD & PROF GRAEME M. MORLAND. ARCHITECT. PROPOSED NEW STATION DEVELOPMENT AT WILSHIRE BLVD & FAIRFAX BLVD. (JOHNIE'S CAFE) PROPOSED NEW STATION DEVELOPMENT AT WILSHIRE BLVD & FAIRFAX BLVD. (JOHNIE'S CAFE) WILSHIRE CORRIDOR @ LACMA. FAIRFAX BLVD. (JOHNIE'S CAFE) JESSICA LEUNG. WILSHIRE CORRIDOR @ LACMA. JESSICA LEUNG. WILSHIRE CORRIDOR @ LACMA.

LACMA

JOHNIE’S COFFEE SHOP

LACMA

RESIDENTIAL

JOHNIE’S COFFEE SHOP

RETAIL

CITY NATIONAL BANK

STATION

CITY NATIONAL BANK

NATURAL LIGHT VENTILATION DIAGRAM

5 5

UNIT TYPE C DOWN

1 Diagrams: Site / Sun / Circulation 2 Plans (Top to bottom, left to right): Unit Type C [x55], Unit Type A [x47] Unit Type D [x52], Unit Type B [x56] UNIT TYPE D DOWN UNIT TYPE D DOWN Unit Type F [x6], Unit Type E [x8] 3 Diagram: Extrusion / Planning / Ventilation 4 Axonometric organization of units

UNIT TYPE F DOWN

UNIT TYPE C DOWN

UNIT TYPE D DOWN

UNIT TYPE F DOWN

RETAIL

SUBWAY CONNECTION SUBWAY CONNECTION NATURAL LIGHT SUBWAY CONNECTION VERTICAL AND HORIZONTAL CIRCULATION VERTICAL AND HORIZONTAL CIRCULATION VENTILATION DIAGRAM VERTICAL AND HORIZONTAL CIRCULATION PROGRAM DIAGRAM PROGRAM DIAGRAM PROGRAM DIAGRAM

8 11

EXTRUSION DIAGRAM

RETAIL

RESIDENTIAL

STATION

CITY NATIONAL BANK

LACMA / JOHNIE’S COFFEE SHOP / TOWER / ENTRANCE LACMA / JOHNIE’S COFFEE SHOP / TOWER / ENTRANCE LACMA / JOHNIE’S COFFEE SHOP / TOWER / ENTRANCE RELATIONSHIP DIAGRAM RELATIONSHIP DIAGRAM RELATIONSHIP DIAGRAM

EXTRUSION DIAGRAM

STATION

RESIDENTIAL

5 5

RESIDENTIAL UNITS ORGANIZATION DIAGRAM RESIDENTIAL UNITS ORGANIZATION DIAGRAM RESIDENTIAL UNITS ORGANIZATION DIAGRAM EXTRUSION DIAGRAM

RESIDENTIAL CIRCULATION DIAGRAM RESIDENTIAL CIRCULATION DIAGRAM RESIDENTIAL CIRCULATION DIAGRAM

UNIT TYPE A UP

UNIT TYPE B UP

UNIT TYPE E UP

UNIT TYPE A UP

UNIT TYPE B UP

UNIT TYPE E UP

UNIT TYPE A UP

UNIT TYPE B UP

UNIT TYPE E UP

SECTION THROUGH RESIDENTIAL ENTRANCE CORE SECTION THROUGH RESIDENTIAL ENTRANCE CORE SECTION THROUGH RESIDENTIAL ENTRANCE CORE

TO SUBWAY STATION

ENTRANCE TO SUBWAY STATION

PUBLIC ENTRANCE TO SUBWAY STATION

TOWER

LACMA LACMA

LACMA

RESIDENTIAL MAIN ENTRANCE

RESIDENTIAL MAIN ENTRANCE JOHNIE’S COFFEE SHOP

RESIDENTIAL MAIN ENTRANCE

JOHNIE’S COFFEE SHOP

RESIDENTIAL RESIDENTIAL RESIDENTIAL

RETAIL

THE ORGANIZATION

RETAIL RETAIL STATION

CITY NATIONAL BANK

STATION

CITY NATIONAL BANK

STATION

CITY NATIONAL BANK

LACMA / JOHNIE’S COFFEE SHOP / TOWER / ENTRANCE LACMA / JOHNIE’S COFFEE SHOP / TOWER / ENTRANCE RELATIONSHIP DIAGRAM LACMA / JOHNIE’S COFFEE SHOP / TOWER / ENTRANCE RELATIONSHIP DIAGRAM RELATIONSHIP DIAGRAM

NATURAL LIGHT NATURAL LIGHT VENTILATION DIAGRAM NATURAL LIGHT VENTILATION DIAGRAM VENTILATION DIAGRAM

SUBWAY CONNECTION SUBWAY CONNECTION VERTICAL AND HORIZONTAL CIRCULATION SUBWAY CONNECTION VERTICAL AND HORIZONTAL CIRCULATION PROGRAM DIAGRAM VERTICAL AND HORIZONTAL CIRCULATION PROGRAM DIAGRAM PROGRAM DIAGRAM

11 11 11

8 8

11 11

8 8

5 8

5 5

RESIDENTIAL UNITS ORGANIZATION DIAGRAM EXTRUSION DIAGRAM RESIDENTIAL UNITS ORGANIZATION DIAGRAM EXTRUSION DIAGRAM RESIDENTIAL UNITS ORGANIZATION DIAGRAM EXTRUSION DIAGRAM

RESIDENTIAL CIRCULATION DIAGRAM RESIDENTIAL CIRCULATION DIAGRAM RESIDENTIAL CIRCULATION DIAGRAM

B A B

UNIT TYPE C DOWN

A A

UNIT TYPE C DOWN

C C A

A A

UNIT TYPE D DOWN

A A

D C

C C

A B

C A

C C

D C C

C C

A C

C B

UNIT TYPE E UP

7 C

TH FLOOR PLAN

D C

TH FLOOR PLAN

C A

B B

A D

A A

D C B

D C

C C A B

D C

C E

D F

C C

C C A

SECTION THROUGH RESIDENTIAL ENTRANCE CORE SECTION THROUGH RESIDENTIAL ENTRANCE CORE SECTION THROUGH RESIDENTIAL ENTRANCE CORE

3 2

C E

D D

D B

D C

A D C

RD FLOOR PLAN

ND FLOOR PLAN

ST FLOOR PLAN / SITE

TH FLOOR PLAN

D C

TH FLOOR PLAN

A C

B B

D C

A D

TH FLOOR PLAN

B A

UNIT TYPE B UP

TH FLOOR PLAN

UNIT TYPE B UP

B B

C A

10 D

B B

C A

D B

UNIT TYPE F DOWN

C C

C A

C C

D D

TH FLOOR PLAN

A B

UNIT TYPE A UP

B A B

C C

UNIT TYPE F DOWN

A A B

UNIT TYPE A UP

D C C

TH FLOOR PLAN

UNIT TYPE A UP

A A

B B

B A

UNIT TYPE D DOWN

A B

UNIT TYPE D DOWN

D C C

C C

D D

N VE XA FA

MTA PR

OPO

WIL SED

IR FA

SHIR

UND

ERG

ROU

E BO

ULE

VAR D

STA TIO

32 THE VISUALS

33 THE MODEL

5 Sectional render 6 Render. looking towards LACMA 7 Render: through the bridge 8 Model photos

05 HOLE ‘N’ HOLE CHAIR DESIGN

Competition Winner Chair Affair 2009 | International Corrugated Packaging Foundation & American Institute of Architecture Students Supervised by Professor Dave Fernandez

Description Chair Affair, organized by International Corrugated Packaging Foundation and American Institute of Architecture Students, challenged its participants to design functional furniture out of corrugated cardboard and glue. Concept A cardboard chair does not have to be rigid, geometric, and uncomfortable. For this winning design, one major aspect that set it apart from the others was the glueless approach - the ultimate sustainable solution. Without using a single drop of glue, the interconnectedness of the vertically and horizontally woven thin cardboard strips is all it takes. End strips are carefully tucked into the inside of the chair, hidden from prying eyes, eventually resulting in a seamless donut. The strength of corrugated cardboard strips is not to be underestimated. Layers and layers of seemingly weak strips interlock, creating an unfailing network of support. In this chair, thin cardboard strips are woven together to form a strong structure, that can not only withstand the weight of a human being, but can also produce a form that promotes great comfort. The million air sacs in this chair contribute to incredible cushioning, a natural shock absorber. The action of weaving introduces elasticity and flexibility to the design, allowing for the chair to easily return to its original form upon the relief of pressure. Showing off this chair is eagerly encouraged with the donut-design. The circular exterior allows a single person to conveniently roll the chair all the way to its destination, even if one is rather small. Another strategy would be to simply put one’s forearm through the center hole, letting the donut hang fashionably like a cool accessory, while holding the head up high as you walk! “Hole ‘N’ Hole” is simply a play of hole IN hole, hole ON hole, hole AND hole. Project With sustainability as one of the goals in mind, no corrugated cardboard was purchased anew during the production of Hole ‘N’ Hole. They were simply discarded or scrapped materials collected from nearby shops. The production of the chair includes four weeks of layering and weaving corrugated cardboard strips, testing, adjusting and refining the shape of the chair.

36 THE MATERIALS

YSIZE XSIZE

37 EXPLORATIONS AND PROCESSES 1 Parti and Process photos 2 Diagram: Travel made easy 3 Diagram: A glueless approach 4 Diagram: Together they stand

5 Diagram: The chair that breathes 6 Diagram: A hole that holds 7 Completion photos

YSIZE XSIZE

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Posted on: August 21, 2009

Legislators Fail to Save Paul Rudolph's Orange County Government Center

Chair Affair Contest Comes to D.C.

By John Scappini

How The Living Mixed High Tech and Sweat for MoMA's Björk Retrospective

Jessica Leung, a student at California's Cuesta College, won first place in the Chair Affair 2009 student design competition for her design "Hole on Hole." Her chair and other winning entries were showcased at the National Building Museum, in Washington, D.C., last week.

Aaron Betsky Heads to Taliesin West

The Chair Affair, cosponsored by the International Corrugated Packaging Foundation and the American Institute of Architecture Students, challenges students to use only corrugated board and glue to construct a comfortable, aesthetically pleasing chair.

AIA Feature: Architecture, Big A and Littlea

The competition was developed in part to introduce design students to a career in the corrugated packaging and display industry. Students from 49 colleges and universities entered this year. The top two prizes are $1,500 and $1,000, respectively. Second place (tie): "A Corrugated Chair or a Chair Made of Corrugated," by Sarah Clement and Michael Wallace "Profile and Silhouette," by Winston Mi and Jessica Brown Honorable Mentions: "Caterpillared," by Brad Smith "Adjustable," by Keith Holman, Benjamin Shullaw, Neal Birchum, and Sean McDow "Corrugated Board Chair," by Jonathan Coop

Jean Nouvel Wants to Be Legally Disassociated From the Philharmonie de Paris

Snøhetta's Ryerson University Student Learning Center in Toronto

Q+A: Sekou Cooke and the Era of HipHop Architecture

MEMBER LOGON SITE SEARCH: Merit Awards: "Monolith," by Darrick Del Moral "Banana Bench," by Patrick Fitzpatrick and Jude MillerChapin "Collabi," by Brad Singer and Alex Goldburg "Chaiaw," by Tucker Wilson, Justin Fox, and Jacob Wolfe "Parche Desca," by Keaton Smith and Jaques Dugal

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ICPF Chair Affair Draws Students from 49 Colleges and Universities

Top Student Green Chair Designs to Be Showcased by Vern Yip in Washington, D.C.

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Subject Events, Awards

Wednesday, 15 July 2009 07:54

Location WashingtonArlingtonAlexandria, DCVAMDWV

Back in May this year, the American Institute of Architecture Students and the International Watch Our Videos Packaging Foundation (ICPF) announced the top six winners of the fourth student Corrugated design competition. Sponsored by the ICPF and administered by the AIAS, the program challenged students, working individually or in teams, to explore a variety of issues related to the use of ARCHITECT's Network corrugated board (a nontraditional building material) in design and construction and production. The competition was developed in part to introduce architecture and structural design students to green, structural design careers in the corrugated packaging and display industry. This spring's competition attracted architecture and package design students from 49 colleges and universities throughout North America.

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Q+A: Sekou Cooke and The Smithsonian

U.S. Architect Wins

Institution and BIG... the Era of... Reality TV... Winning Chair: "Hole 'n Hole by Jessica Leung of Cuest College The International Corrugated Packaging Foundation (ICPF) and the American Institute of Architecture Students (AIAS) recently announced the winners of their fifth biannual architecture student competition. The final Comments selection was challenging with over 171 entries provided by 312 students from 49 colleges and universities in North America. Please read our Content Guidelines before posting. First Place went to Jessica Leung from Cuesta College for “Hole ‘n Hole”. Second Place was a tie that went to Post a new comment Sarah Clement and Michael Wallace from Louisiana State University for "A Corrugated Chair"; and to Winston Mi and Jessica Brown from the Rhode Island School of Design for "Profile and Silhouette”. Honorable

RSS About Us | Advertise | Contact Us | Subscription | Mentions included: Brad Smith from Cuesta College for "Caterpillared"; Keith Holman, Benjamin Shullaw, Neal Birchum and Sean McDow from the University of Oklahoma for "Adjustable"; and Jonathan Coop from California State University Long Beach for "Corrugated Board Chair".

Use of this website is subject to its Terms of Use | Privacy Policy The Chair Affair is sponsored and comanaged by ICPF, in partnership with the American Institute of

Architecture Students (AIAS) that administers the competition. The student competition for architecture students

On July 23, 2009, Honorary Chairman Vern Yip (of TLC's Trading Spaces, HGTV's Deserving Design, and Design Star fame), will showcase the winners of the national The Chair Affair™ student design competition at the National Building in Washington, D.C. In speaking of the student Museum Innovative Detail Series and the related media event, competition Honorary competition Check out these stories, which take a close look at Chairman Yip stated, “The corrugated industry is a multibillion innovative projects that are using wood in creative dollar industry, has extensive career opportunities and is ways. Proudly sponsored by reThink Wood. sustainable from the beginning to the end. The concept of utilizing corrugated board to build a functioning piece of furniture is exciting and promotes student development in structural design.” Chair entries are constructed only of corrugated board and glue, and are required to comfortably seat a person of an undetermined size for an extended period of time. Evaluation criteria includes clear and easily comprehendible design; originality; ergonomically comfortable; aesthetically pleasing; and cleverness of craft and details. Here are the winning entries, courtesy of the “American Institute of Architecture Students” and the respective student(s). Do you like those entries, have your own preference or comment? Post a comment at the end of the article.

First Place “Hole on Hole” Jessica Leung, Cuesta College

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39 DIMENSIONS

38”

42”

16” 8”

SPECTRAL LIGHT DESIGNED FOR ARTEMIDE Client: Artemide Professional Project | Architect & Project Manager | Philippe Rahm Architectes Milan Design Week 2015 | Milan, Italy October 2014 to May 2015 | Exhibited at Artemide’s Milan Corso Monforte Showroom Winner of Wallpaper Design Awards 2016 Description Invited by Artemide to design a light fixture to be exhibited at the Milan Design Week 2015, Philippe Rahm Architectes explores the composition of the electromagnetic spectrum and wavelengths emitted. Based on the three basic principles: physiology, energy preservation, and technicality of developing artificial light, Spectral Light for Artemide is designed as a system that could easily cater to any household’s demands and necessity. Concept The project takes the simple idea of analyzing the spectra of lights, and extracting specific wavelengths that are optimal for seeing, growing and carrying out photosynthesis of the various “inhabitants” of a home (human, dog, bird and plant). The project begins by identifying the “biologically useful” wavelengths that are necessary to the selected species, we then propose a spectrum of singular wavelengths in the form of LED rods of singular wavelengths, which the user would be able to pick and choose at his/her own discretion and create a unique composition of light. By using the same principle of composing white electroluminescent lighting (LED) by additive synthesis of electromagnetic rays, these selected spectrums are then assemble and being converged into white light for the user. Project As a prelude to the design, different types of artificial lights are analyzed and their strengths and limitations are recognized. The incandescent tungsten filament does poorly in the blue spectrum while excelling in the red and infrared spectrum. Fluorescent light is unable to produce a continuous electromagnetic spectrum, and can only result in fragmented spikes of wavelengths along the visible spectrum. Once we have decided to decompose light into individual elements and components, we turn to a technology that already exists - LED. By carefully extracting the exact wavelengths and developing a catalog of light spectra, it has become possible to generate the wavelengths our users desire. The exhibit at the Milan Design Week present individual, colored LED rods inserted into a glass bowl, converging into a glow of white light. The room also showcases a range of spectra desired by other inhabitants, such as the dichromatic blue and green for dogs, and blue-green and yellow-orange ideal for plants’ photosynthesis. The installation allows for the visitors to “see” what their pets and plants would perceive in their worlds.

Intensity

42 Daylight

100

Ultraviolet

VISIBLE SPECTRUM

Visible

Infrared

0 200

600

1000

1400

1800

2000

2600

3000

Wavelength (nm)

uman, Bird, and Dog Physiological Perception & Vegetal Solar Stimulation Inwavelength

+ + + +

350

400

450

500

550

600

450

500

550

600

Human Physiological Perception + + ++ + 350

400

Bird Physiological Perception ++ ++ 350

400

450

500

550

600

350

400

450

500

550

600

Dog Physiological Perception

Vegetal Globe Light Stimulation

43 EXPLORATIONS AND PROCESSES

Ultraviolet

Visible

Infrared

100

Ultraviolet

Visible

Infrared

Intensity

0 200

600

1000

1400

1800

2000

2600

600

1000

1400

1800

200

Visible

Infrared

100

Ultraviolet

Visible

Infrared

100

Intensity

0 1400

1800

2000

2600

3000

600

1000

Visible

Ultraviolet

1400

1800

2000

2600

3000

200

600

1000

4 Light spectrum: Fluorescent 5 Light spectrum: Red LED 6 Light spectrum: Green LED

7 Light spectrum: Blue LED 8 Physiological Perception: Human Bird Dog Plant

9 LED wavelengths: Human Bird Dog Plant *Switch_LED lights on by animal

_HUMAN

+ + + + 445

508 565

(nm)

OFF

MAX

OFF

MAX

OFF

MAX

+ + + +

430, 543

410

635

642, 662 (nm)

635, 642, 662 (nm)

410, 430, 453

+ + + 420

460 534

564

(nm)

+ +

位 (nm)

750

429

555

(nm)

OFF

MAX

*Switch_LED lights on by animal +

_BIRD

505

(nm)

OFF

MAX

OFF

MAX

OFF

MAX

+ + + + 370

445

508 565

(nm)

+ + + +

430, 543

410

635

642, 662 (nm)

635, 642, 662 (nm)

410, 430, 453

+ + + 420

700

位 (nm)

750

460 534

564

(nm)

OFF

MAX

OFF

MAX

+ +

650

429

555

(nm)

*Switch_LED lights on by animal +

_DOG

505

(nm)

508 565

(nm)

OFF

MAX

OFF

MAX

OFF

MAX

+ + + + 370

445

+ + + +

430, 543

410

635

642, 662 (nm)

635, 642, 662 (nm)

410, 430, 453

+ + + 420

700

位 (nm)

750

460 534

564

(nm)

OFF

MAX

OFF

MAX

+ +

650

429

555

(nm)

*Switch_LED lights on by animal +

_PLANTS

505

(nm)

508 565

(nm)

OFF

MAX

OFF

MAX

+ + + + 370

445

+ + + +

410

430, 543

635

642, 662 (nm)

+ + +

位 (nm)

750

564

(nm)

429

555

(nm)

OFF

MAX

+ +

700

460 534

OFF

635, 642, 662 (nm)

410, 430, 453

420

650

1400 Wavelength (nm)

370

700

2600

3000

Infrared

Wavelength (nm)

650

2000

0 200

Wavelength (nm)

1 Wavelengths: Ultraviolet - Visible - Infrared 2 Light spectrum: Incandescent 3 Light spectrum: Halogen

1800

1000

1400

Blue LED

600

1000

200

600

Wavelength (nm)

Green LED

Intensity

3000

2600

2000

Wavelength (nm)

Red LED

Ultraviolet

Infrared

0 200

3000

Wavelength (nm)

100

Visible

Ultraviolet

100

Intensity

100

Fluorescent

Halogen

Incandescent

410, 430, 453

505

(nm)

OFF

MAX

OFF

MAX

635, 642, 662 (nm)

1800

2000

2600

3000

635 nm-30%-1 light units

10 Completion photo: Spectral Light for Artemide

642 nm-25%-1 light units

642 nm-25%

662 nm-12%-1 light units

662 nm-12%

11 Diagrams 12 Completion photos: Spectral Light for Artemide

TAICHUNG JADE ECO PARK TAICHUNG CENTRAL PARK 臺中市中央公園清翠園 Park Design Competition Winner | Client: Taichung Government Professional Project | Architect & Project Manager | Philippe Rahm Architectes Collaborated with Mosbach Paysagistes and Ricky Liu & Associates 70-Hectare Park Area | Taichung, Taiwan October 2014 to May 2015 | Expected completion 2017 Description As the Central Park of Taichung, Jade Eco Park is to act as the lungs of the large municipality of over 2.7 million people. Situated in the center-western region of Taiwan, Taichung enjoys a warm humid subtropical climate, with hot and humid summers and moderate dry winters. The aim of the project is to recognize the existing climatic restrictions and to propose a design solution that creates exterior spaces with passive and active improvements to the existing conditions. Concept The ambition of the project is to create a micro-ecosystem that recognizes and minimizes the excessive climatic conditions - heat, humidity and pollution. Using a principle based on climatic variations mapped out by computational fluid dynamics simulation (CFD), we identified areas that are naturally warmer/cooler (along the route of northern winds), humid/dry (level of protection from the south-western winds which bring moisture from the sea), and more/less polluted (proximity to nearby roads). These 11 most comfortable zones are designated as microclimatic conditions “Climatic Lands” throughout the park - Coolias (coolest zones), Dryia (dryest zones), and Clearia (least polluted zones). Three gradation maps are created, with the first corresponding to variation in temperature, the second corresponding to variation in humidity, and the third corresponding to variation in the level of pollution. Overlaying climatic devices on these gradation maps, we are able to augment favorable conditions, creating a much more comfortable experience for the visitors of the park. As the three maps intersect at random points throughout the park, a diversity of microclimates and a variety of sensory experiences are enabled. Project The materialization of this project is through the invention of a catalog of “Climatic Devices” - “Cooling devices”, “Drying devices”, and “De-polluting devices”. They are places strategically along the gradation maps, where Coolia has the largest number of Cooling Devices, Dryia has the largest number of Drying Devices, and Clearia has the largest number of De-polluting Devices. These devices allow visitors to interact with them and create personal experiences. Cooling Devices in Coolia The natural cooling devices are essentially trees, selected carefully and specifically for their cooling qualities. They are usually trees with big leaves or large amount of leaves, ideal for reflecting warm sun rays and providing shades. The artificial cooling devices have the abilities to blow cool air or shoot out cool vapor. Cooling Devices are placed within the Coolia regions of the park. Leisure activities are encouraged in Coolia. Drying Devices in Dryia The drying devices follow the objectives of shielding visitors from rain, or reducing the leve of humidity in the air. Trees or artificial devices are placed throughout the park to provide shelter from the rain. Other artificial devices take on the active role of absorbing moisture in the air with the use of silicate gel exchangers. Drying Devices are placed within the Dryia regions of the park. Sports activities are encouraged in Dryia. De-polluting Devices in Clearia These devices are placed in the park to reduce pollution in the air, excessive noise, and the presence of mosquitoes. These devices are trees with capabilities to absorb oxides of nitrogen and other aerosols. They also function as noise barriers. Other artificial devices emit waves and frequencies that repel mosquitoes. De-polluting Devices are placed within the Clearia regions of the park. Family Activities are encouraged in Clearia.

50 THE MATERIALS

cool 涼爽 dry 乾爽 polluted 污染

溫暖warm 潮濕humid 清爽clean 涼爽cool 乾爽dry 污染polluted 涼爽 cool 潮濕 humid 清爽 clean

warm溫暖 humid潮濕 polluted污染溫暖 warm 乾爽 dry 污染 polluted warm 溫暖 humid 潮濕 polluted 污染涼爽 cool 潮濕 humid 清爽 clean

cool 涼爽 humid 潮濕 polluted 污染 cool 涼爽 humid 潮濕 polluted 污染

涼爽 cool 乾爽 dry 清爽 clean

溫暖 warm 乾爽 dry 清爽 clean

51 EXPLORATIONS AND PROCESSES

solar panel zone 太陽能板發電園區 WCs 公共廁所 control center 管理中心 convention center 泊嵐匯會展中心

cultural center 文化中心 northern clearia 北清爽地

（兒童遊戲設施）

公共廁所 WCs 來自 lic pub

northern dryia 北乾爽地

（家庭運動設施）住

宅區

的民 mi ng 眾 from resid ential are a

眾 rcial e 區的民來自商業 from comm i ng public com

northern coolia 北涼爽地

（上班族休憩設施）西涼爽地 western coolia （家庭休憩設施）

eastern clearia 東清爽地（上班族身心放鬆設施） 1

公共廁所 WCs

eastern dryia 東乾爽地（上班族運動設施）

中乾爽地 middle dryia （學生運動設施）中清爽地 middle clearia （遊客文化活動設施）

來自學校的民眾

WCs 公共廁所 midde coolia 中涼爽地

（遊客休憩設施）

來自臺灣塔的遊客

public coming from taiwan

南涼爽地 southern coolia （學生休憩設施）

taiwan tower 臺灣塔

遊客中心．氣候館

visitor center, climatorium

southern clearia 南清爽地

民眾區的 ial area 住宅 om resident 自 r f g 來 n i m

lic pub

（兒童遊戲設施） WCs 公共廁所

WCs 公共廁所

Park Map overlaid with Computational Fluid Dynamics Simulation (CFD) to identify 3 categories and 6 characteristics: Temperature - Cool / Warm (Magenta) Humidity - Dry / Humid (Cyan) Air quality - Clean / Polluted (Grey) 2 The natural characteristics of the different areas of the park are augmented by the placement of concentrations of Climatic Devices: Cooling Devices (Magenta) Drying Devices (Cyan) De-polluting Devices (Grey) 3

52 CLIMATIC LANDS

53 CLIMATIC DEVICES

4 Renders: Coolia / Cooling Devices Dryia / Drying Devices Clearia / De-polluting Devices 5 Climatic Devices Catalogue: 28 Active and Passive types

6 Climatic Devices Mock-Up: A_106 Stratus Cloud 7 Climatic Devices Mock-Up: A_101 Anticyclone 8 Climatic Devices Mock-Up: P_114 Cold Light

54 SITE PHOTO

55 SITE PHOTO

9 Climatic Devices Mock-Up: A_106 Stratus Cloud 10 Climatic Devices Mock-Up: A_101 Anticyclone 11 Climatic Devices Mock-Up: P_114 Cold Light

08 SKP BEIJING 北京 SKP

Client: Shin Kong Place (SKP) Professional Project | Architectural Assistant | Sybarite Architects 100,000m², 7 floors retail & food | Beijing, China Jun 2015 to May 2016 | Partially opened Feb 2015 Description Shin Kong Place, fondly known as SKP by the locals, is one of the largest shopping malls in Asia. Sybarite’s designs and visions were chosen in 2013 as a revolutionary re-design of both the retail experience and the brand identity. Once developed and gained considerable attention, the shopping mall brand aims to go beyond Beijing and into other Chinese cities, and eventually Asia and the rest of the world. The project was conceived in 2013, and is currently undergoing gradual transformation. Concept For SKP, Sybarite’s approach is to create an architectural language that would highlight the presence and identity of the department store, rather than allowing it to be the unimpressive backdrop of individual luxury brands. The first step undertaken is the reinterpretation of the SKP corporate brand identity and therefore its logo. The fluid curves of SKP are repeated throughout the space and even in the joinery designs. This gesture brings the entire department store together and acts as a constant gentle reminder of the brand to the visitor . Project With over 7 floors of retail spaces, the project is phased for a gradual opening to allow for continuous business and operations. B2F Parking B1F 8813.7m² Supermarket, RTW, F&B, SKP Select, Health, Salon 1F 9189.3m² Beauty, Jewellery, Watches, Luxury Labels, Service Desk, Event Space, Accessories, Cafe 2F 8723.5m² Menswear, Men’s Shoes, Men’s Basics, SKP Fashion Lab 3F 8576.3m² Women’s Shoes, VIP, Cafe, Spa, Lingerie 4F 8018.7m² Womenswear, Women’s Shoes, Bookstore, Restaurant 5F 8673.1m² Kids, Homeware, Bedding, Technology 6F 4757.8m² SKP Restaurant

1F, 2F

D1048 78.2m² LONG CHAMP

NO.1 库房 41.6m²

NO.3 库房 52.6m²

D1049 42.7m² MIKIMOTO

D1051 29.3m² Panerai

D1060 29.4m² 所神根

D1056 36.4m² 菜百

NO.2 库房 22.6m²

D1055 14m² 和合玉器

D1058 18.1m² 普柏琳

D1054 17.6m² I DO

D1001 274.3m² COSTA

D1005 34m² CHOPARD

D1003 34.5m² VERTU D1004 37.9m² GLASHUTTE

D1007 24.4m² Jaeger-LeCoultre

D1006 24.4m² HUBLOT

D1005-1 7.8m² CAMILLE FOURNET

D1002-1 25m² Jaquet Droz

D1002 31m² A.Lange&Sohne

D1052 29.3m² TAG Heuer

D1050 27.3m² 浪琴

D1053 29.3m² IWC D1057 19.2m² Breguet

D1061 33m² AP

D1057-1 22m² Roger Dubuis

D1008 29.8m² BLANCPAIN D1009 33.4m² VC

5㎡

POS

NO.4 库房 30.3m²

D1017 44m²

D1016 92.8m² TIFFANY

D1015 91.6m² VAN CLEEF

VO ID

D1120-5 17.1m² Pomellato

D1019 283.5m² CARTIER

D1018 92.5m² CAFE COMO

Qeelin

D1120-4 15.8m²

D1120-3 16.7m² MONETA

135.2m²

58.5m²

129.7m²

D1120-1 17.1m² FRED

Boucheron

D1120-2 17.6m²

D1014 90.9m² BVLGARI

D1087 37.7m² SK-II

D1012 33.8m² CHAUMET D1013 50.5m² DE BEERS

D1086 36m² GIVENCHY

ACQUA di Parma

D1081 23.6m²

D1011 60.4m² ROLEX

D1010 66.8m² OMEGA

D1076 18.4m² LA COLLINE

D1080 31.9m² CLINIQUE

D1085 31.9m² SISLEY

D1093 37.7m² TOM FORD

D1099 41.7m² EVENT

115.1m²

D1020 D1021 216m² 139m² FENDI BURBERRY

10.2m²

INFO & POS

M1024+M1025+M1026 451.6m² LV

M1009 599.8m² CHANEL

177.8m²

zone别 ZONE 礼宾服务台 CONCIERGE/ SERVICE DESK 咖啡—在店外溢出 CAFE - SPILL OUT ONTO TERRACE 钟表

MIUMIU

158.7m²

M1019

M1019-1 172.2m² DOLCE& GABBANA

M1017 444m² PRADA

珠宝—国内 JEWELLERY - DOMESTIC 珠宝—国际 JEWELLERY - INTERNATIONAL 国际名品区 LUXURY LABELS - INTERNATIONAL 饰品 ACCESSORIES 化妆品 BEAUTY 活动区 EVENT SPACE 暂定橱窗展示区 POTENTIAL WINDOW DISPLAY 1F 合计 1F TOTAL

M1020

150.9m² THE CAFE'

M1034

M1015 336.2m² Hermes

2016年3月18日

M1021 167.7m² CELINE

42.3m²

M1012 149.7m² SAINT LAVRENT

M1022+M1023 420.5m² Dior

区块 BLOCK

M1018 666.7m² GUCCI

561.7

25.2

面积（平米） Area（㎡）

795.1

643.8

806.3

4496.7

292.4

1361.1

9189.3

135

159

柜数 Number of Counters

2.6m²

D1066 45m² PIAGET

D1075 28.8m² IPSA

D1079 33.6m² BIOTHERM

D1084 37.1m² JO MALONE

D1092 28.6m² JURLIQUE

D1116 39.2m² MAC

D1117 35.7m² YSL

D1118 40.4m² DIOR

D1098 39.9m² LANCOME

D1115

A A

D1064 29.4m² LAN

D1065 31.9m² 周大福

D1073 21.4m² WHOO

POS

D1071 25m² D1070 SWAROVSKI 16.5m² LA FOUGUE

D1069 18.5m² FILON

D1078 33.6m² FANCL

D1091 31.9m² CLARINS

D1097 35.4m² FRESH

D1103 34.8m² GUERLAIN

D1108 26.3m² IOPE

D1059 13.2m²

D1063 ADK 16.6m²

D1062 19.5m² LARWINER

D1068 31.3m²

和玉缘

D1072 13.2m² FOREO

D1077 30.3m² EVENT

D1083 37.2m² BOBBI BROWN

D1072-1 12.7m² CLARISONIC

D1082 30.3m² SHU UEMURA

D1090 39m² KIEHL'S

D1102 36.6m² GIORGIO ARMANI

POS

7.8m²

3.9m²

D1046 75.8m² ALEXANDER MCQUEEN

D1047 75.4m² BALENCIAGA

D1045 77.6m² VALENTINO D1044 73.4m² GIVENCHY

15m²

D1089 39m² L'OCCITANE

D1101 36.6m² LA PRAIRIE

D1107 34.2m² MAKE UP FOR EVER

D1096 37.1m² ESTEE LAUDER

D1106 34.2m² BENEFIT

D1095 37.2m² LA MER

D1088 30.3m² ORIGINS

D1094 33.5m² SHISEIDO

D1100 33m² CPB

POS

D1105 24.6m² COSME DECORTE

9.6m²

2.3m²

5m²

4.7m²

2m²

5m²

2m²

2.3m²

4m²

2.8m²

D1043 78.5m² LOEWE

D1042 83.8m² LORO PIANA

PRADA

9.9㎡ HERMES

12 11 10 9 8 7 6

E E

3.6m²

3.7m²

D1041 63.7m² CHLOE

GUCCI

3.7㎡

D1040-5

D1040-4 3.4㎡ D1040-3 3.4㎡ D1040-2 3.4㎡

BVLGARI

BURBERRY D1113 17.2m² D1114 17.6m² ANNA SUI

D D

F F

H s.s s.s

J J

s.s

G G

NO.5 库房 19.4m²

NO.6 库房 23.9m²

D1112 36.6m² HR

6.8m²

Q Q

S S

P P

R R

POS

D1036 41.7m² Roseonly

3m²

4.8m²

D1111 36.6m² SULWHSOO

10.3m²

D1037 39.4m² ALAIA

POS

T U

4.7m²

3.7㎡

D1040-1

10.3m²

BEAUTY

D1038 39.4m² TOM FORD

D1110 16.9m² POLA D1109 16.1m² BORGHESE

10.4m²

D1039 79.4m² PUYI

5 4 3 2 1

CHLOE

4.8m²

10.8m²

3.8m²

7.8m²

INFO & POS

4 Render: 2F Men’s Basics 5 Plan: 2F 6 Render: 2F Men’s Shoes

1 Render: 1F Watches & Jewellery 2 Plan: 1F 3 Render: 1F Beauty

SUNGLASSES

3 K

5 Y4

2 Y2

4.9m²

N N

1 21 20 19 18 17 16 15 14 13 12 11 10 9 8 7 6 5 4 3 2 1

PDF created with pdfFactory Pro trial version www.pdffactory.com

59 3F, 5F

10 2

Y4 A/C

WC 03

DOLCE & GABBANA 63 m²

PILLOW 101 m²

ARMANI 62 m²

RALPH LAUREN 62 m²

MIKI HOUSE 63 m²

FOI BITZ KP RAGMART

ADIDAS NIKE REIMA

63 m²

64 m²

A/C A/C

STORAGE 73 m²

STORAGE MOIMOLN 45 m²

K.KINGDOM 49 m²

MCNEIL 16 m² EMPEROR 皇锦宽庭

MATTRESS 91 m²

VERSACE 49 m²

IL GUFO 49 m²

MOONYA 35 m²

BEBELUX 49 m²

KENZO 49 m²

GUNZE 35 m²

BABY DE MODE 35 m²

BLUETAIL 54 m²

JNBY 27 m²

BOOF 28 m²

NURSE 51 m²

BEEN 56 m²

HALLMARK 52 m²

84 m² UCHINO ෆ㔝 14 m²

ᱰ⏣

AYBSS 18 m²

24 m² HASBRO 24 m²

AIMER 35 m²

STORAGE

ிᙬ

FRAGRANCE AREA 59 m²

40 m²

DDHORSE PEDIPED MELISSA 25 m² 26 m² 24 m² NICHOLAS & BEARS 35 m²

MOON- NATURINO 26 m² STAR 25 m²

GEOX 26 m²

PIGEON 26 m²

LOLLIPOP 33 m²

COMBI 20 m²

富星 20 m²

SKINCARE 20 m²

NATURE PUREST 20 m²

BANDAI 37 m²

CAFE 64 m²

HABA 37 m²

亚梭 33 m²

罗卡芙 PLAY AREA 53 m² A/C VILLEROY & BOCH 27 m²

ARSMUNDI 34 m² CHLOE 46 m²

BOSS 46 m²

GUSELLA 26 m²

LOREDANA 26 m²

MONNALISA 26 m²

OIO 37 m²

FORU 34 m²

FIRST FLAG 34 m²

STOKKE 39 m²

SIMBA 25 m² KELEETO 42 m²

LEGO 32 m²

银辉 21 m² 岩铸

DIOR 60 m²

STORAGE

GUCCI 60 m²

BURBERRY 60 m²

BONPOINT 53 m²

MONCLER 50 m²

LORO PIANA 25 m²

朗读者 13 m²

JACADI 38 m²

BUGGIES & EQUIPMENT? 61 m²

古吴绣皇 40 m²

BACCARAT 43 m²

STORAGE 10 m²

SALON 61 m²

STORAGE 13 m²

A/C

STORE 11 m²

W STORAGE

LEICA 47 m²

FEEDING ROOM

MEISSEN 40 m²

WEDGWOOD 43 m²

B&O 61 m²

INFO

WC 01

V 法蓝瓷 26 m² ALIENWARE VR 44 m²

ELEC

LLADRO 21 m²

MAGIS 21 m²

VITRA 24 m²

BOSE 62 m²

EXHIBITION SPACE STORAGE

ELEC

A/C MOLESKIN 17 m² DRIVEPRO 82 m²

CAMERAS 62 m² CUNELFORM 17 m²

SPORTS EYEWEAR 13 m²

T PHONES 23 m²

LAMY 17 m²

A/C

DRIVEPRO 8 m²

凯兰帝 17 m²

PHONES 20 m²

DEMO KITCHEN 42.5 m²

ELEC

SPORT GADGETS 43 m²

SPORT POP-UP 126 m²

R 三叉

49.2 m²

福帕

WMF ZWILLING ཮❧ே

STORAGE 138 m²

ELEC

LIKUAI 利快 83.7 m²

JURA

品厨

NESPRESSO FISSLER 53.7 m²

A/C

LE CREUSSET DELONGHI 37.4 m² 54.2 m²

P ḢὪ馆

虎牌

WC 04 ⌋⌔⏕洁

象印

SMEG 41.1 m²

⍞ኈຊᗣ

WC 04 123.9 m²

N STORAGE MIELE 74.2 m²

凯驰 LAURASTAR SHARP 3M DYSON 61.9 m²

ELEC

LIEBHERR 72.0 m²

L OGAWA 31.1 m²

VORNADO HEALTH PRO BLUEAIR AUSTIN BONECO 瑞士风 90.7 m²

ELEC

OSIM 43.1 m²

✕ີ

K A/C

J TRAVEL 200 m²

TRAVEL 72 m²

G STORAGE

ELEC

F RESTAURANT 01 224.8 m²

RESTAURANT 04 138.7 m²

STORE 16 m²

A/C

C RESTAURANT 02 266.1 m²

9 7 Render: 3F Womenswear 2 Plan: 3F 3 Render: 3F VIP

5F GA PLAN SCALE 1:400 A1

RESTAURANT 03 218.7 m²

12 4 Render: 5F Kids Elevator 5 Plan: 5F 6 Render: 5F Kids

13 3F Evening Wear: Render of Evening Wear Details of Shelf Unit & Joinery Mock-Up of Shelf Unit & Joinery

14 3F Bridal Wear: Render of Bridal Wear Details of Shelf Unit & Ceiling Mock-Up of Shelf Unit & Ceiling

15 3F Lingerie: Render of Lingerie Details of Joinery & Rail Mock-Up of Joinery & Rail

LOUIS VUITTON MAISON CHINA WORLD 中國國際貿易中心

Client: Louis Vuitton Professional Project | Project & Architectural Assistant | Louis Vuitton Malletier 1600m² Selling Area | Beijing, China April to Oct 2014 | Opened Feb 2015 Description As the world’s leading luxury brand and fashion powerhouse, Louis Vuitton’s own in-house Architecture Department manages large numbers of stores worldwide, from small boutiques to enormous flagships. For the Louis Vuitton Maison, Louis Vuitton Malletier worked closely with Peter Marino Architects in realizing the design. Concept Residing in the prominent financial district of Beijing’s World Trade Center, Louis Vuitton Maison celebrates its uniquely symbolic significance of settling in China since its first store in the country 20 years ago. Boasting as the largest store in China, this flagship store emphasizes particularly on the idea of travel. The store aims to create experiences that are personalized and unique to each individual. The layout of the different categories of merchandize is carefully thought out so to enforce a coherence journey. The colors, patterns and geometries the brand is known for are extracted and applied to the architecture. It gives the visitors a familiarity that would follow them to any city or country. A visitor who has been to at least one Louis Vuitton store in his/her life would immediately be able to recognize certain elements that would bring back the memory, and remind them of where they are. Project B1F Small Leather Goods, Accessories, After-sale Office 1F Jewellery, Women’s Leather Goods, Women’s Shoes, Women’s RTW, Accessories, Women’s VIP 2F Luggage, Travel, Men’s Shoes, Men’s Leather Goods, Men’s RTW, Accessories, Men’s High End, Men’s VIP

66 PHOTOS

3 1 Completion photo: 2F 2 Completion photo: 1F

67 PLANS

3 Completion photo: B1F 4 Plan: 2F 5 Plan: 1F 6

69 EXPLORATIONS

7 10 Completion photo & drawing: Completion photo & drawing: 2F Entrance bridge Joinery 8 11 Completion photo & drawing: 160 Facade - Celebrating B1F After-sale monogram 9 Inspirations: Felic Varini Completion photo & drawing: Joinery

12 160 Facade - Celebrating monogram Study 13 160 Facade - Celebrating monogram Study

JESSICA JIANJIA LEUNG

jessicajleung@gmail.com 609.356.8822