2020 Architectural Portfolio by Jessica Prejean

S E L E C T E D

W O R K S

P O R T F O L I O

JESSICA PREJEAN

ARCHITECTURAL PROJECTS + DESIGN WORK

2 0 1 3 P R E S E N T

IN THE WORKPLACE

INDEX 01 WESTCREEK HIGH-RISE

02 BROOKRIDGE MIXED-USE

WDG ARCHITECTURE HOUSTON, TEXAS

WDG ARCHITECTURE O V E R L A N D PA R K , K A N S A S

(p.4)

(p.8)

03 RESIDENTIAL LAKEHOUSE

04 HOME RENO/INTERIORS

AUSTIN, TEXAS

DALLAS, TEXAS

(p.13)

(p.18)

05 MASTERâ&#x20AC;&#x2122;S PROJECT

06 URBAN DEVELOPMENT

A R C H 5 0 9 G R A D UAT E D O W N T O W N L A FAY E T T E , L A

A R C H 5 0 2 G R A D UAT E L A FAY E T T E , L A

(p.20)

(p.34)

07 CAMELLIA GRIDSHELL

08 URBAN AGRI-PUNCTURE

A R C H 5 0 1 G R A D UAT E L A FAY E T T E , L A

ARCH 402 UNDERGRAD NEW ORLEANS, LA

(p.40)

(p.42)

09 CONNECT THE CONTEXT

10 URBAN INFILL: LUX BUILDING

ARCH 402 UNDERGRAD TECHE-VERMILLION BASIN

ARCH 302 UNDERGRAD L A FAY E T T E , L A

(p.52)

(p.60)

11 PHOTOGRAPHY (p.64)

03 2019

02 2018

05 2017

2016

06 07 2015

09 2014

10 2013

ROLE OVERVIEW Drafter Code Compliance Life Safety Hardware MEP Coordination Structural Coordination

2019

2018

2017

2016

2015

2014

2013

WESTCREEK HIGH-RISE LO C AT I O N : H O U S T O N , T X ROLE: ARCHITECTURAL DRAFTER P R O J E C T S TAT U S : U N D E R C O N S T R U C T I O N UNIT COUNT: 400

LEVELS: 25

I was on this project as an architectural drafter working under the project manager and coordinator. While developing the construction documents, my role also included MEP and Structural coordination specifically with hardware and storefront systems.

The Westcreek project consists of two structures: The High-rise/parking garage built in the beginning phase of construction and the 5-level wood frame to follow. Coordination was an important factor as these two construction types were permitted as two projects which led to some unique conflicts to solve.

WESTCREEK HIGH-RISE

E L E VAT I O N V I E W EXTERIOR MATERIAL LEGEND Material: Key FC-01 FC-02 GL-01 GL-02 MAS-01 MAS-02 PNL-01 STU-01

ROOF 339' - 11 3/8" 12' - 8"

1 A5.02

PROPERTY LINE

2 A5.01

10' SETBACK

10' UTILITY EASEMENT

LEVEL 25 327' - 3 3/8"

Material: Description FIBER CEMENT - PANEL FIBER CEMENT - PLANK SIDING GLAZING - EXTERIOR GLAZING - CURTAIN WALL KING BRICK MVIS SYSTEM ALUMINUM COMPOSITE PANEL STUCCO SYSTEM - FINE

11' - 8"

10' SETBACK

PROPERTY LINE

LOWER WOOD FRAME + STEEL HIGH-RISE

10' - 8"

LEVEL 24 315' - 7 3/8"

10' - 8"

LEVEL 23 304' - 11 3/8"

10' - 8"

LEVEL 22 294' - 3 3/8"

LEVEL 21 283' - 7 3/8" 10' - 8"

EXTERIOR COLOR LEGEND Material: Key A B C E

10' - 8"

LEVEL 20 272' - 11 3/8"

Material: Color LIGHT DARK CEDAR CREAM

10' - 8"

LEVEL 19 262' - 3 3/8"

10' - 8"

LEVEL 18 251' - 7 3/8"

10' - 8"

LEVEL 17 240' - 11 3/8"

10' - 8"

LEVEL 16 230' - 3 3/8"

10' - 8"

LEVEL 15 219' - 7 3/8"

10' - 8" 10' - 8"

LEVEL 13 198' - 3 3/8"

279' - 11 3/8"

LEVEL 14 208' - 11 3/8"

10' - 8"

LEVEL 12 187' - 7 3/8"

12' - 8"

LEVEL 11 176' - 11 3/8"

14' - 0"

LEVEL 10 164' - 3 3/8"

10' - 8"

LEVEL 9 150' - 3 3/8"

10' - 8"

LEVEL 8 139' - 7 3/8"

10' - 8"

LEVEL 5 106' - 7 1/2"

11' - 7 7/8"

T.O. PLATE 116' - 8 3/8"

10' - 0 7/8"

LEVEL 6 118' - 3 3/8"

1' - 7"

LEVEL 7 128' - 11 3/8"

11' - 7 7/8"

LEVEL 4 94' - 11 5/8"

11' - 7 7/8"

LEVEL 3 83' - 3 3/4"

11' - 7 7/8"

LEVEL 2 71' - 7 7/8"

LEVEL 1 60' - 0"

OVERALL ELEVATION - SOUTH

KEY PLAN

SCALE: 3/32" = 1'-0"

Material selections were made to look appealing even 20 stories up in the air. While the language is unique to each building, thereâ&#x20AC;&#x2122;s a cohesive aesthetic that ties them together in the end.

3' - 0"

SCALE: 1/4" = 1'-0"

CLOSET

U09 U10 U11 U12 U13 U24

MECH CLOSET UTILITY UTILITY UTILITY PATIO DOOR

2' - 6"

8' - 0"

1 3/8"

6' - 8" 8' - 0" 6' - 8" 6' - 8" 8' - 0"

1 3/8" 1 3/8" 1 3/8" 1 3/8" 1 3/8"

14' - 4"

1' - 3"

WD WD WD WD WD WD WD WD WD WD WD WD WD AL

ST HM PT WD PT WD PT WD1' - 6" PT WD 10 7/8" PT FILLER WD PT WD PT WD 1/4" = WD 1'-0" PT SCALE: PT WD PT WD PT WD PT WD AL

2' - 0"

ALL MILLWORK, APPLIANCES & FIX REFER TO INTERIOR DRAWINGS FO INCLUDES, BUT IS NOT LIMITED TO, COUNTERTOPS. REFER TO ELECTRICAL & INTERIOR'S ALL PLAN DIMENSIONS ARE TO FAC 30" x 48" CLEARANCE WHERE IDENTIFIED BY CENTERLINE AIRSPACE OF UNIT SEPARATION W 6. ALL INTERIOR UNIT WALLS IN TYPE I PARTITION TYPES. 4" WOOD STUD WALL UNDER (6" BEHIND SINK & FOR 7. COUNTER SEE ENLARGED FLOOR PLANS DISHWASHER), NOT RATED DOOR TYPES - SHEETS A2 SERIES. 8. KITCHEN BASE CABINETS ARE 24” D 9. INSULATE WALLS FOR SOUND AT AL 10. REFER TO PLUMBING AND INTERIO INTERIOR BEARING WALL PER STRUCTRAL; 1 HR RATED AND SIZES.

UE403SPV U303 U303 U403 U403 U403 U403 U403 U203 U802 U802 U802 U802 U004

3. 4. 5.

UNIT PB6 - BATH 1 ELEVATION A

SCALE: 1/4" = 1'-0"

3' - 0"

2' - 9"

1 1/2" END PANEL

4' - 7 1/2"

2' - 6"

3' - 0"

8' - 0"

39 x 24

33 x 42

8' - 0"

3' - 0"

REF.

36 x 96

36 x 35

7' - 3"

15 x 96

36 x 34

3' - 3"

2' - 0"

2' - 11"

2' - 0"

RANGE

33 x 35

3' - 0"

26' - 0"

2' - 10 1/4" 8" 10' - 10"

8' - 0"

36 x 42

18 x 42

30 x 24 33 x 42

3' - 6"

12 x 42

MICRO.

8' - 3 3/4"

18 x 34

5' - 0"

SCALE: 1/4" = 1'-0"

1' - 6"

10' - 10"

6' - 0"

U10

5' - 4"

1' - 6"

UNIT PB6 - BATH 2 ELEVATION A

1' - 0 1/2"

3' - 0"

U08

24 x 35

36 x 35

3' - 0"

2' - 10"

5' - 0"

3' - 9" 2' - 6"

3' - 8"

1' - 0" 2' - 9" 1R/1S

2' - 4"

5' - 4 1/4"

8' - 7"

10' - 10" 8' - 7 1/4"

10' - 10" 7' - 2"

6' - 8"

3' - 3"

36 x 60

2R/2S 5S 2R/2S

3' - 7" 2' - 10 1/4"

15" MIN.

SCALE: 1/4" = 1'-0" 5

U05

U01

3' - 0" 15" MIN.

3" FILLER

5' - 9 3/4"

2' - 0"

1' - 6"

3' - 0"

1' - 6"

U03

4' - 0 5/8"

3' - 4 1/2"

6' - 0" 4" 2' - 10"

36 x 34

15 x 34

1' - 3"

5' - 0"

8' - 0"

15 x 96

3' - 0"

UNIT PB6 - BATH 2 ELEVATION B 4 A3.02 3

A3.02

3' - 8"

U09

5' - 0"

3' - 3 1/8"

1' - 6"

3' - 0"

2' - 9"

UNIT PLAN LEG

3 17/64" FILLER

3" FILLER

UNIT PB6 - KITCHEN ELEVATION C UNIT PB6 - KITCHEN700ELEVATION B SF UNIT A2 - FLOOR PLAN 5 SCALE: 1/4" = 1'-0" 4 SCALE: 1/4" = 1'-0" 1

SCALE: 1/4" = 1'-0"

UNIT PB6 - KITCHEN ELEVATION A

SCALE: 1/4" = 1'-0"

46' - 0 1/2" 10' - 10 1/2"

3' - 11 1/4"

13' - 8 1/2"

15' - 4 1/4"

PENTHOUSE UNIT LAYOUT

4' - 0 1/2"

4 3

A3.49

UNIT INTERIOR

3' - 4"

8' - 1 1/2"

KEY PLAN

15' - 10"

3' - 8"

HAND TOWEL RING - MOUNT ROBE HOOK - MOUNT AT 48"

COAT HOOK - MOUNT AT 48"

CURVED SHOWER CURTAIN R

SHOWER & TUB TRIM KIT. SEE P

SHOWER TRIM KIT. SEE PLUMB

SEMI-FRAMELESS SHOWER DO

TILE-IN WALL NICHE, SEE 13/A

OUTLET INSTALLED 12" MAX BE

SCHLUTER TRIM AT ALL EXPOS

1" END PANEL FINISHED ON A

MILLWORK AND REAR PANEL

U03

2' - 1 1/2" 2' - 9"

U05

U03

2R/2S

3' - 5 1/2"

1R/1S

2' - 3 1/2"

2R/2S

U04

1R/1S

U01

2R/2S

1R/1S

10 1R/1S

4' - 10"

A3.49

7' - 7 5/8"

2R/2S

U09

A3.49

2' - 4"

1' - 8"

A3.49

TOILET PAPER HOLDER - MOU

1' - 1 5/8" 3' - 11 3/4"

36 x 60

U04

24" TOWEL BAR - MOUNTED A

02 03

U09

A3.49

5' - 1 7/8"

2R/2S

43' - 7 1/2"

1' - 9"

U03

A3.49

3' - 6 3/4"

40 x 42

4' - 5 1/2"

3' - 8"

42 x 60

36 x 60

7 A3.49 6

6' - 5"

2' - 2 1/2"

3' - 10 1/2"

UNIT PB6 - FLOOR PLAN

SCALE: 1/4" = 1'-0"

5' - 0" 2 1/4"

1' - 2 1/2"

11' - 0"

6' - 4"

U03

43' - 7 1/2"

3' - 9 1/2"

3' - 8 1/2" 1' - 10 1/2" 2' - 3 1/2"

10' - 10"

U02 3' - 9 1/2"

2' - 3 3/8"

4' - 0 1/2"

U03 12' - 0"

3' - 8"

10' - 10"

9' - 3"

10' - 10" 4" 36 x 34

30' - 0"

4' - 0"

1' - 8" 5' - 0"

1' - 3"

4' - 0"

6' - 4"

ALE: 1/4" = 1'-0"

1R/1S

SCALE: 1/4" = 1'-0"

4' - 0"

36 x 58

11' - 10 1/2"

U02

9' - 1"

36 x 58

5' - 6 3/4"

UNIT PB6 - POWDER ROOM ELEVATION

8' - 7"

10' - 10"

ELEVATION B NIT A2 - RCP

4' - 6 3/4"

1R/1S 4' - 8 5/8"

3' - 0"

2' - 10"

5' - 0"

8' - 7"

8' - 0"

10' - 10"

U22

14' - 1 1/2"

3' - 3"

9' - 3"

2' - 6"

1. 2.

11. ALL UNITS TO COMPLY WITH FEDER FOR ALL FAIR HOUSING AND ANSI REQUIREMENTS, REMOVABLE CABI 12. WHERE FIXTURES ARE LOCATED ON PERMITTED. 13. OPERABLE PARTS SHALL BE LOCATE (MEASURE TO CENTERLINE OF TOP 14. CONTRACTOR TO VERIFY FRAMING AND ADJUST ACCORDINGLY. 15. FIBERGLASS REINFORCED TILE BAC CONTINUOUS FIRE RATED ASSEMBL DEMISING WALLS. 16. LEVER TYPE DOOR HARDWARE SHA 17. INTERIOR DOORS ARE 4” FROM STU 01 24" TOWEL BAR - MOUNTED AT 48" MAX A.F.F. OR 5'-0" A.F.F. OVER TOP OFU.N.O. TOILET.UNIT ENTRY DOOR SPACES, 18. WASHER AND DRYER CONNECTION HAND SIDE, DRYERS ON RIGHT HAN 02 TOILET PAPER HOLDER - MOUNT 20" MIN A.F.F. OPPOSITE HAND UNITS. INWALL WA A STACKABLE CONFIGURATION. W 19. ALL INTERIOR UNIT WALLS TO HAVE HAND TOWEL RING - MOUNT AT 48" MAX A.F.F. OR 26" ABOVE 03 20.COUNTER REFER TOTOP SHEET A0.03 FOR PROJEC 21. PROVIDE 1" MIN FINISH PANELS AT 03 AT ALL INSIDE CORNERS. ROBE HOOK - MOUNT AT 48" MAX A.F.F. ON BATHROOM SIDE22. OFPROVIDE DOOR BLOCKING TO ACCOMM 04 COUNTERTOP MICROWAVE IF REQ 23. INSTALL TRIM PIECE UNDER ALL 'OV COAT HOOK - MOUNT AT 48" A.F.F. 05 46 x 58 24. WHEN UNDER CABINET LIGHITNG I 25. ALL KITCHEN ISLAND COUNTERTOP EXTENDED SEATING SIDES, U.N.O. G CURVED SHOWER CURTAIN ROD. 06 26. GYP BOARD WALLS TO BE INSTALLE 27. ONE USB OUTLET TO BE LOCATED IN 28. INTERIOR UNIT WALL CASED OPENI SHOWER & TUB TRIM KIT. SEE PLUMBING. 1' - 6" 1' - 3" 07 ARE TO BE A MINIMUM 3" DEEP. 29. MINIMUM DIMENSIONS BETWEEN A WALLS WITHIN KITCHEN SHALL BE 4 SHOWER TRIM KIT. SEE PLUMBING. 08 30. ALL COAT CLOSETS TO BE 1'-11" INS 31. ALL BUILT-IN LINEN AND PANTRY SH CLOSETS, "1R/1S" DENOTES 1 ROD A 09 SEMI-FRAMELESS SHOWER DOOR. DENOTES 5 12" SHELVES, "B" DENOT DESK WITH SHELVES. 32. INSTALL SOUND ACOUSTICAL FLOO 10 1'-4" X 1'-8" TILE-IN WALL NICHE. SEE 10/A3.21 OR WOOD FLOORING. 33. DIM STRINGS WITH ARROWS INDIC 2' - 9" 1' - 0" 3 17/64" FILLER 34. ABBREVIATIONS: DW-DISHWASHER 11 OUTLET INSTALLED 12" MAX BELOW COUNTERTOP. MACHINE; D-CLOTHES DRYER; F.P.35. ALL INTERIOR UNIT DOORS TO BE 7 ROOM TO INSTALL LOUVER ABOVE 12 SCHLUTER TRIM AT ALL EXPOSED TILE EDGES. UNDERCUT DOORS MIN DISTANCE 36. LIGHTS OR CEILING FANS WITHOUT KITCHEN ISLANDS TO BE CENTERED 13 1" END PANEL FINISHED ON ALL SIDES. 37. BATHROOM SINKS SHALL BE CENTE 24" FROM WALL IT MUST BE PLACED CABINETS MUST BE INSTALLED TO P 14 MILLWORK AND REAR PANEL TO MATCH CABINET FINISH 38. FURNITURE SHOWN FOR DESIGN IN 39. PROVIDE SCHLUTER TRIM OR SIMIL 40. OPEN SHELVING ABOVE KITCHEN C 15 2 LAYERS OF DRYWALL TO ALIGN WITH EXTERIOR WALL 12 x 42

11' - 1 1/4"

4' - 2"

8' - 0"

36 x 42 36 x 35

21 x 35

4' - 6" 1' - 9"1' - 8 1/2" 3' - 0" 4"

3' - 2"

3' - 0"

SCALE: 1/4" = 1'-0"

2' - 6"

20M -

UNIT INTERIOR

COMMENTS

33 x 35

36 x 58

3' - 0"

UNIT PB6 - UTILITY ROOM ELEVATION

EQ 1' - 7"

SEE INTERIORS SEE INTERIORS SEE INTERIORS SEE INTERIORS SEE INTERIORS SEE INTERIORS SEE INTERIORS SEE INTERIORS SEE INTERIORS SEE INTERIORS SEE INTERIORS SEE INTERIORS SEE INTERIORS

HDW SET

8' TALL WALL

CENTERED ABOVE SINK

EQ EQ 1' - 8"

1' - 7"

R ELEVATION

ONE BEDROOM UNIT LAYOUT

2' - 0"

1' - 9"

FIRE RATING

UNIT INTERIOR KEY NOTES

21 x 42

3' - 6"

CENTERED

1 5/8" FILLER

5/A0.24

5/A0.24 5/A0.24 5/A0.24 5/A0.24 5/A0.24

SCALE: 1/4" = 1'-0"

6/A0.24

6/A0.24 6/A0.24 6/A0.24 6/A0.24 6/A0.24

UNIT PLAN LEGEND

SILL

3/A0.24 2/A0.24 6/A0.24 5/A0.24 6/A0.24 5/A0.24 6/A0.24 5/A0.24 6/A0.24 5/A0.24 3" END PANEL 6/A0.24 5/A0.24

UNIT PB6 - MUD ELEVATION

JAMB

11' - 8"

PT PT PT PT- 3" 3' PT PT PT PT PT PT PT PT PT -

HEAD

UNIT A2 - KITCHEN6/A0.24 ELEVATION 5/A0.24 A

5' - 6"

UNIT PLANS 10' - 0"

FRAME MATERIAL FINISHREF.

FINISH

18 x 96

8' - 0" 1 3/4" 8' - 0" 1 3/8" 8' - 0" 1 3/8" 8' - 0" 1 3/8" 8' - 0" 1 3/8" 8' - 0"9" FILLER1 3/8" 36 x 35

3' - 0" 2' - 10" 2' - 10"

MATERIAL

6' - 0"

18 x 42

24 x 42

10' - 0"

DOOR THICKNESS

HEIGHT

UNIT A2 - KITCHEN ELEVATION 6' - 8" 1 3/8" B

3" END PANEL

3' - 3"

39 x 24

30 x 24 18 x 42

18 x 42 18 x 35

A1 A2 A2

1' - A2 6" 2' - 0"2' - 10"3' - 0" A2 2' - 8" A2 2' - 6" SINGLE STILE DOOR A2 2' - 0" SINGLE STILE DOOR A2 2' - 10" SINGLE STILE DOOR SCALE: 1/4" = 1'-0" A2 2' - 8" DOUBLE STILE DOOR B2 3' - 0" DOUBLE STILE DOOR B2 5' - 0" DOUBLE STILE DOOR B2 4' - 0" DOUBLE STILE DOOR B2 5' - 0" SINGLE STOREFRONT DOOR A5 1' - 6"

1' - 6" 1' - 6"

DOOR SCHEDULE FOR UNITS HIGH RISE

WIDTH

TYPE RANGE

18 x 35

15 x 35

24 x 35

ENTRY DOOR SINGLE STILE DOOR BEDROOM SINGLE STILE DOOR BATHROOM SINGLE STILE DOOR 3'CLOSET - 0" SINGLE STILE DOOR CLOSET SINGLE STILE DOOR 1" END PANELSINGLE STILE DOOR CLOSET

4 7/8" FILLER

3" FILLER

1' - 6"

W01

DESCRIPTION

UNIT A2 - KITCHEN ELEVATION C U08 UTILITY

1' - 0"

EQ EQ EQ

U05 U06 U07

UNIT DOOR LOCATION

3' - 0"

2' - 6"

3' - 10 1/2"

1' - 6"

15 x 96

1' - 3"

15 x 96

10' - 10"

SCALE: 1/4" = 1'-0"

8' - 0"

UNIT A2 - BATH ELEVATION A

U01 U02 U03 2' -U04 0" 1' - 3"

1' - 5 7/8"

15" MIN.

MICRO.

1' - 6" 2' - 0"

3' - 0"

5' - 0"

MARK

4' - 0"

1' - 0"

3' - 2"

2' - 10"

36 x 34

3' - 0"

12 x 34

15 x 96

12 x 34

1' - 3"1' - 0"

2' - 6"

3' - 6" 8' - 0"

52 x 58

1' - 6"

5' - 0"

10' - 0"

8' - 7"

8' - 0"

1' - 6"

22. PROVIDE BLOCKING TO ACCOMMODATE 42” UPPER CABINETS AT KITCHEN. OWNER TO PURCHASE COUNTERTOP MICROWAVE IF REQUIRED BY DISABLED TENANT. 23. INSTALL TRIM PIECE UNDER ALL 'OVER-REFRIGERATOR' CABINETS, TYPICAL. 24. WHEN UNDER CABINET LIGHITNG IS INDICATED, PROVIDE UNDER CABINET LIGHT VALANCE. 25. ALL KITCHEN ISLAND COUNTERTOPS TO HAVE 1” OVERHANG AT FRONT AND SIDES, 12” MAX AT EXTENDED SEATING SIDES, U.N.O. GC TO PROVIDE SUPPORT AS REQUIRED. 26. GYP BOARD WALLS TO BE INSTALLED ON BACK OF CABINETS BENEATH KITCHEN ISLAND COUNTERTOPS. 27. ONE USB OUTLET TO BE LOCATED IN KITCHEN ISLAND AND IN EACH BEDROOM U.N.O. 28. INTERIOR UNIT WALL CASED OPENINGS ARE TO BE 8'-0" A.F.F. THE RETURNS AT THE CASED OPENINGS ARE TO BE A MINIMUM 3" DEEP. 29. MINIMUM DIMENSIONS BETWEEN ALL OPPOSING BASE CABINETS, COUNTERTOPS, APPLIANCES, OR WALLS WITHIN KITCHEN SHALL BE 42" MIN. 30. ALL COAT CLOSETS TO BE 1'-11" INSIDE CLEAR DEPTH MAXIMUM. 31. ALL BUILT-IN LINEN AND PANTRY SHELVES TO BE MDF. ALL CLOSETS TO INCLUDE MDF SHELVES. AT CLOSETS, "1R/1S" DENOTES 1 ROD AND 1 12" SHELF, "2R/2S" DENOTES 2 RODS AND 2 12" SHELVES, "5S" DENOTES 5 12" SHELVES, "B" DENOTES BUILT-IN SHELVING, "M" DENOTES MUD ROOM, AND "D" DENOTES DESK WITH SHELVES. 32. INSTALL SOUND ACOUSTICAL FLOOR UNDERLAYMENT UNDER ALL HARD SURFACE FLOORING, I.E. TILE OR WOOD FLOORING. AS SPECIFIED. 33. DIM STRINGS WITH ARROWS INDICATE CLEARANCE TO FINISH FACE. 34. ABBREVIATIONS: DW-DISHWASHER; TR-PULL OUT TRASH CABINET; L-LINEN; P-PANTRY, W-WASHING MACHINE; D-CLOTHES DRYER; F.P.-FILLER PANEL; EFOS-EXTERIOR FACE OF STUD 35. ALL INTERIOR UNIT DOORS TO BE 8'-0" HIGH. AT MECH CLOSETS USE 6'-8" HIGH DOORS TO ALLOW ROOM TO INSTALL LOUVER ABOVE DOOR FOR MAKE-UP AIR. AT ALL WASTER/DRYER CLOSETS UNDERCUT DOORS MIN DISTANCE TO PROVIDE VENTILATION PER MEP REQUIREMENTS. 36. LIGHTS OR CEILING FANS WITHOUT DIMENSIONS TO BE CENTERED IN SPACES U.N.O. LIGHTS OVER KITCHEN ISLANDS TO BE CENTERED OVER ISLAND.VANITY DOWNLIGHTS TO BE CENTERED OVER VANITY COUNTER TOP AT SINGLE SINKS AND OVER SINK AT DOUBLE SINK. 37. BATHROOM SINKS SHALL BE CENTERED 24" MIN FROM FINISH SIDE WALL. IF SINK IS PLACED LESS THAN 24" FROM WALL IT MUST BE PLACED 15" MIN FROM FINISH SIDE WALL. REMOVEABLE TYPE BASE CABINETS MUST BE INSTALLED TO PROVIDE A FORWARD APPROACH. 38. FURNITURE SHOWN FOR DESIGN INTENT ONLY. 39. PROVIDE SCHLUTER TRIM OR SIMILAR TO ALL EXPOSED TILE EDGES.

4' - 1"

11' - 8 1/2"

4 1/4" 1,735 SF

WESTCREEK HIGH-RISE

ROLE OVERVIEW Drafter Code Compliance Life Safety Hardware MEP Coordination Structural Coordination

2019

2018

2017

2016

2015

2014

2013

BROOKRIDGE M U LT I - U S E L O C AT I O N : O V E R L A N D PA R K , K A N S A S ROLE: ARCHITECTURAL DRAFTER P R O J E C T S TAT U S : I N D E V E LO P M E N T UNIT COUNT: 317

LEVELS: 6

I was on this project as an architectural drafter working under the project manager and coordinator. While developing the construction documents, my role also included all unit design as well as coordination items for finishes and hardware.

Brookridge is in development for an up-and-coming area in Kansas that proved unique when designing for a higher end client. With tenant space below and 5 levels of living above, it makes for an interactive space that will make the area more lively.

B R O O K R I D G E M U LT I - U S E

E L E VAT I O N V I E W S EXTERIOR MATERIAL LEGEND Material: Key FC-01 FC-02 FC-03 MAS-01 MAS-02 MAS-03 STU-01

Material: Description FIBER CEMENT BOARD & BATTON SIDING FIBER CEMENT PANEL FIBER CEMENT LAP SIDING THIN MASONRY THIN BRICK VENEER CASTSTONE STUCCO SYSTEM - SMOOTH FINISH

WDG Archite

2001 Bryan S Suite 3100 Dallas, TX 75

214.969.5

tel.

EXTERIOR COLOR LEGEND

LEVEL 1 0" AVG. GRADE A -2' - 0"

10' - 7 7/8" 10' - 7 7/8" 10' - 7 7/8"

Material: Color BUFF TAN RED WOOD LOOK WHITE DARK GREY GRAY DARK GRAY DARKER GRAY

510N MIXED-USE BUILDING

LEVEL 2 10' - 8"

12' - 8"

LEVEL 4 33' - 11 7/8" LEVEL 3 23' - 4"

10' - 8"

LEVEL 5 44' - 7 3/4"

2' - 0"

T.O.P 64' - 4" LEVEL 6 55' - 3 5/8"

9' - 0 3/8"

Material: Key A B C C D J J K L

OVERALL WEST ELEVATION - COLOR SCALE: 1/16" = 1'-0"

LEVEL 4 33' - 11 7/8" LEVEL 3 23' - 4" LEVEL 2 10' - 8"

10' - 7 7/8" 10' - 7 7/8" 10' - 7 7/8"

LEVEL 5 44' - 7 3/4"

12' - 8"

LEVEL 6 55' - 3 5/8"

"No regu app permit constr 2018

10' - 8"

T.O.P 64' - 4"

Desc

ISSUE - DD

9' - 0 3/8"

LEVEL 1 0"

OVERALL EAST ELEVATION - COLOR SCALE: 1/16" = 1'-0"

OVERALL - CO

A4.0

2' - 6"

1' - 0"

2' - 0"

A1 - KITCHEN C

30 x 42

15 x 42

24 x 42 1' - 6"

8' - 0"

33 x 35

MATERIAL WD 2' - 9" WD WD WD WD WD WD WD WD WD WD WD WD WD WD WD

FRAME MATERIAL FINISH HEAD HM 1' - 6" 3/A0.35 2' - 6" 2'PT- 0" WD PT 6/A0.35 3 1/2" WD PT FILLER 6/A0.35 WD PT 6/A0.35 WD PT 6/A0.35 WD PT 6/A0.35 WD PT 6/A0.35 WD PT 6/A0.35 WD PT 6/A0.35 WD PT 6/A0.35 WD PT 6/A0.35 WD PT 6/A0.35 WD PT 6/A0.35 WD PT 3/A0.36 6/A0.36 WD PT 3/A0.36 6/A0.36 WD PT 3/A0.36 6/A0.36

FINISH 1' - 3"PT PT PT PT PT PT PT PT PT PT PT PT PT PT PT PT

UNIT A1 - KITCHEN A

18 x 35

15 x 35

DOOR HEIGHT THICKNESS 8' - 0" 1' - 6" 1 3/4" 2' - 0" 7' - 0" 1 3/4" 7' - 0" 1 3/4" 7' - 0" 1 3/4" 7' - 0" 1 3/4" 7' - 0" 3/8" = 1'-0" 1 3/4" SCALE: 7' - 0" 1 3/4" 6' - 8" 1 3/4" 7' - 0" 1 3/4" 7' - 0" 1 3/4" 7' - 0" 1 3/8" 7' - 0" 1 3/4" 7' - 0" 1 3/4" 8' - 0" 1 3/4" 8' - 0" 1 3/4" 8' - 0" 1 3/4"

UNIT PLANS

USS1 USS2

RANGE TR DOOR SCHEDULE FOR UNITS

18 x 96

WIDTH 3' - 0" 2' - 10" 3' - 0" 2' - 10" 3' - 0" 2' - 10" 3' - 0" 2' - 8" 2' - 10" 2' - 0" 3' - 0" 5' - 0" 5' - 0" 3' - 0" 6' - 0" 9' - 0"

UNIT A1 - KITCHEN B

30 x 24

3' - 6"

2' - 0"

DESCRIPTION TYPE SINGLE3'FLUSH A1 - 3" DOOR SINGLE STILE DOOR A2 SINGLE STILE DOOR 1 1/4" FILLER A2 SINGLE STILE DOOR A2 SINGLE STILE DOOR A2 SINGLE STILE DOOR A2 SINGLE STILE DOOR A2 SINGLE STILE DOOR A2 SINGLE STILE DOOR A2 SINGLE STILE DOOR A2 DOUBLE STILE DOOR B2 DOUBLE STILE DOOR B2 DOUBLE STILE DOOR B2 SINGLE PATIO DOOR A6 DOUBLE PATIO DOOR B6 TRIPLE PATIO DOOR C6

MICRO.

UCT1 UCT5

36" MAX

MARK UNIT DOOR LOCATION U01 ENTRY DOOR 2' - 3" 3 1/4" FILLER U02 BEDROOM 1 1/4" FILLER U02A BEDROOM U03 BATHROOM U03A BATHROOM U04 3/8" = 1'-0" CLOSET SCALE: U04A CLOSET U05 MECH U06 LAUNDRY U07 CLOSET U10 CLOSET U11 LAUNDRY U12 LAUNDRY U31 PATIO DOOR U32 PATIO DOOR U33 PATIO DOOR

2' - 0"

3/8" = 1'-0"

27 x 35

3' - 0"

24 x 35

24 x 35 1' - 0"

REF.

36" MAX

USS1 USS2

ES TO ABINET FINISH

6' - 0"

SS1 SS2

1' - 6"

8' - 0"

UCT1 UCT5

5' - 0"

OPEN SHELVES

39 x 42

3' - 6"

39 x 24

3 1/2" FILLER

SILL 1/A0.35 4/A0.35 4/A0.35 4/A0.35 4/A0.35 4/A0.35 4/A0.35 4/A0.35 4/A0.35 4/A0.35 4/A0.35 4/A0.35 4/A0.35 1/A0.36 4/A0.36 1/A0.36 4/A0.36 1/A0.36 4/A0.36

3' - 0"

5' - 8"

2 1/2" FILLER

1' - 3"

5' - 0" 1' - 0" 7

07 08

2' - 3"

09 1" FILLER

3' - 6"

A3.03

12 x 34

15 x 96

MAX

U03

SCALE: 3/8" = 1'-0"

L 2' - 9"

3' - 3"

1' - 9"

1'10 - 9"

A3.03

2' - 6"

1' - 0"

30 x 24

1' - 6"

21 x 42

21 x 42 8 1/2"

6' - 0"

REF.

5' - 5" WINE FRIDGE 3' - 9 1/2"

21 x 35

15 x 35

3' - 9"

24' - 0" 1" FILLER

3' - 8" 3' - 3"

1R/1S

18 x 35

33 x 35

6' - 1 1/2"

A3.03 5

U05

U01

39 x 24

2' - 0"

WA6

METAL TRIM AT TILE EDGE; SCHLUTER OR SIM.

2R/2S

USS1 USS2

4' - 11"

36" MAX

3' - 9 1/2"

1' - 8"

30 x 34

5' - 2 1/4"

WA6 WA6

33 x 35

8' - 0" 5' - 0"

U01 3' - 10"

OPEN SHELVES

12 x 42

UCT1 UCT5

2R/2S

01 Sim 5

3' - 3"

48 X 72

4' - 3 1/2" 27 x 424' - 4 1/2"

3' - 6"

A3.03

U05

WA6

1' - 6"

Sim

3' - 8"

Sim

A3.03

HARDWARE SET COMMENTS UB991PT DOOR VIEWER AS SPECIFIED 1. ALL MILLWORK, APPLIANCES & FIXTURES TO BE UB303 2. REFER TO INTERIOR DRAWINGS FOR FINISH SELE UB303 ANSI A UNIT INCLUDES, BUT IS NOT LIMITED TO, ALL FLOORIN COUNTERTOPS. UB303 3. REFER TO ELECTRICAL & INTERIOR'S DRAWINGS UB303 ANSI A UNIT 4. ALL PLAN DIMENSIONS ARE TO FACE OF STUD U UB403 30" x 48" CLEARANCE 5. WHERE IDENTIFIED BY CENTERLINE SYMBOL, OV UB403 ANSI A UNIT AIRSPACE OF UNIT SEPARATION WALL, SEE PAR UB403 6. ALL INTERIOR UNIT WALLS IN TYPE VA TO BE TYP UB403 IA TO BE TYPE 'WA4F' WALLS U.N.O. REFER TO S 7. SEE FLOOR PLANS FOR INDIVIDUAL UB403 4" WOOD STUD WALL UNDER COUNTER (6" BEHIND SINKENLARGED & DOOR TYPES - SHEETS A2 SERIES. DISHWASHER), NOT RATED UB802 8. KITCHEN BASE CABINETS ARE 24” DEEP AND BA UB802 9. INSULATE WALLS FOR SOUND AT ALL PLUMBING UB802 10. REFER TO PLUMBING AND INTERIOR DESIGN DR UB405LT AND SIZES. CONCRETE COLUMN LOCATION WITH MB1 FURRING. UB405LT 11. ALL UNITS TO COMPLY WITH FEDERAL FAIR HOU LOCATED ON LEVEL 1-2 UNITS ONLY. DETAILS AND NOTES. UB405LT 12. REFERENCE A0.12 AND A0.13 FOR ALL FAIR HO CLEAR FLOOR SPACE REQUIREMENTS, REMOVA 13. WHERE FIXTURES ARE LOCATED ON BOTH SIDES PERMITTED. INTERIOR BEARING WALL PER STRUCTRAL; 1 HR RATED 14. OPERABLE PARTS SHALL BE LOCATED AT A MAX (MEASURE TO CENTERLINE OF TOP OUTLETS). CL 15. CONTRACTOR TO VERIFY FRAMING DIMENSIO AND ADJUST ACCORDINGLY. 16. FIBERGLASS REINFORCED TILE BACKER BOARD CONTINUOUS FIRE RATED ASSEMBLY REQUIRED DEMISING WALLS. 17. LEVER TYPE DOOR HARDWARE SHALL BE PROV 24" TOWEL BAR - MOUNTED AT 48" MAX A.F.F. OR 5'-0" A.F.F. OVER TOP OF TOILET.18. INTERIOR DOORS ARE 4” FROM STUD TO HINGE SPACES, U.N.O. UNIT ENTRY DOORS ARE 6” FRO 03 No Descri 19. WASHER AND DRYER CONNECTIONS TO BE OR HAND SIDE, DRYERS ON RIGHT HAND SIDE. CO TOILET PAPER HOLDER - MOUNT 20" MIN A.F.F. USS1 OPPOSITE HAND UNITS. INWALL WASHER D ISSUE AND - DD P USS2 A STACKABLE CONFIGURATION. WASHERS TO G CD PROGR 48 X 48 20. ALL INTERIOR UNIT WALLS TO HAVE PAINTED W HAND TOWEL RING - MOUNT AT 48" MAX A.F.F. OR 26" ABOVE COUNTER TOP PERMIT 21. REFER TO SHEET A0.11 FOR PROJECT UNIT SQ. F GMP I 22. INSTALL ONE (1) TOWEL HOOK ON THE BATHRO MOUNTING HEIGHT FOR TOWEL BARS INSIDE SH ROBE HOOK - MOUNT AT 48" MAX A.F.F. ON BATHROOM SIDE OF DOOR TOWEL BARS ARE 4’-0” A.F.F. MOUNTING HEIGH HEIGHT FOR TOWEL RINGS IS 5’-0” A.F.F. 23. PROVIDE 1" FINISH PANELS AT ALL EXPOSED EN COAT HOOK - MOUNT AT 48" A.F.F. ALL INSIDE CORNERS. 24. PROVIDE BLOCKING TO ACCOMMODATE 42” COUNTERTOP MICROWAVE IF REQUIRED BY DI SHOWER CURTAIN 2' - 6" 1' - 6" ROD. 1" FILLER 25. INSTALL TRIM PIECE UNDER ALL 'OVER-REFRIGE 26. ALL KITCHEN ISLAND COUNTERTOPS TO HAVE 1 SEATING SIDES, U.N.O. SHOWER & TUB TRIM KIT. SEE PLUMBING. 27. GYP BOARD WALLS TO BE INSTALLED ON BACK 28. ONE USB OUTLET TO BE LOCATED IN KITCHEN IS 29. INTERIOR UNIT WALL CASED OPENINGS ARE TO SHOWER TRIM KIT. SEE PLUMBING. 30. MINIMUM DIMENSIONS BETWEEN ALL OPPOSIN WALLS WITHIN KITCHEN SHALL BE 42" MIN. 31. ALL COAT CLOSETS TO BE 1'-11" INSIDE CLEAR D SEMI-FRAMELESS SHOWER DOOR. 32. ALL BUILT-IN LINEN AND PANTRY SHELVES TO BE CLOSETS, "1R/1S" DENOTES 1 ROD AND 1 12" SH DENOTES 5 12" SHELVES, "B" DENOTES BUILT-IN S WALL NICHE TILE-IN 2' - 6" 1' - 9" 1' - 9" 1' - 6" 1/4" DESK WITH SHELVES. 33. INSTALL SOUND ATTENUATION UNDERLAYMENT WOOD FLOORING. OUTLET INSTALLED 12" MAX BELOW COUNTERTOP. 201834. DIM STRINGS WITH ARROWS INDICATE CLEARA 35. ABBREVIATIONS: DW-DISHWASHER; TR-PULL OU MACHINE; D-CLOTHES DRYER; F.P.-FILLER PANE 36. ALL INTERIOR UNIT DOORS TO BE 7'-0" HIGH. AT ROOM TO INSTALL LOUVER ABOVE DOOR FOR UNDERCUT DOORS MIN DISTANCE TO PROVID 37. LIGHTS OR CEILING FANS WITHOUT DIMENSION UCT1 KITCHEN ISLANDS TO BE CENTERED OVER ISLAN MICRO. UCT5 VANITY AT SINGLE SINKS AND OVER SINK AT DO 38. BATHROOM SINKS SHALL BE CENTERED 24" MIN 24" FROM WALL IT MUST BE PLACED 15" MIN FR CABINETS MUST BE INSTALLED TO PROVIDE A FO 39. FURNITURE SHOWN FOR DESIGN INTENT ONLY. WDG Architect 40. PROVIDE SCHLUTER TRIM OR SIMILAR TO ALL E USS1 7' - 9"

8' - 0"

9' - 0" 7' - 0"

11' - 8 1/2" 4' - 3 3/4" 5' - 3 3/4"

3' - 6"

U03

WA6

5' - 0 1/4"

UNIT C1 - BATH 2 A

WA6

12 x 34

3' - 4"

30' - 0"

SCALE: 3/8" = 1'-0"

2' - 3"

2' - 10"

5' - 0"

1' - 3"

U02

UNIT C1 - BATH 2 B

15" MIN 18" MIN 1' - 3" 1' 06 - 0"

U04

30 x 34

4' - 0"

9' - 0" 7' - 0"

USS1 USS2

1' - 9 1/2"

4' - 6"

8' - 0"

1R/1S

U04

5' - 4 3/4"

30' - 0"

2' - 0"

7' - 4 1/4"

FINISH SCHEDULE.

U06

HORIZONTAL VANITY 10 A3.03 OUTLETS AND COVER PLATES TO BE BLACK IN SCHEME 2. SEE UNIT 11

UCT4

03 02

12' - 3"

2' - 3" 3' - 6"

4' - 6" U03

1" FILLER

SCALE: 3/8" = 1'-0"

UCT3 UCT7

7' - 3"

UNIT C1 - MUDROOM

U03

5' - 0"

12' - 1 1/2" 1' - 3" 2 1/2" FILLER

2R/2S

1' - 8"

U02

6' - 2 1/2"

2' - 6"

ONE BEDROOM UNIT LAYOUT

PANEL TO MATCH CABINET FINISH

1' - 6"

11' - 5 1/2"

1' - 0"

FIRE RATING 20M

UNIT INTERIOR LEGEND

UCT3 UCT7

UNIT INTERIOR NOT

UNIT PLAN LEGEND

JAMB 2/A0.35 5/A0.35 5/A0.35 5/A0.35 5/A0.35 5/A0.35 5/A0.35 5/A0.35 5/A0.35 5/A0.35 5/A0.35 5/A0.35 5/A0.35 2/A0.36 5/A0.36 2/A0.36 5/A0.36 2/A0.36 5/A0.36

3' - 0"

ADJUSTABLE OPEN SHELVING

4' - 11"

RANGE

USS2

3" FILLER

18" MIN 15" MIN

2' - 0"

2' - 9"LC

1' - 6"

2' - 9"

1' - 3"

3' - 3" LC

1' - 3"

1' - 9"

2' - 6"

1' - 9"

1' - 6"

UNI UNIT PLAN LEGEND

24' - 0"

2' - 6"

UNIT A1a - 709 SF / 3 UNITS vv SCALE: 1/4" = 1'-0" UNIT C1 - BATH 1 A 4 SCALE: 3/8" = 1'-0"

510N MIXED USE

1' - 3"

8' - 0"

2' - 9"

5' - 0"

2' - 0"

3' - 6"

1' - 6"

36" MAX

1 1/4" FILLER

3' - 3"

18 x 96

1 1/4" FILLER 3' - 3"

SCALE: 3/8" = 1'-0"

3' - 4"

3 1/4" FILLER

SCALE: 3/8" = 1'-0"

2' - 10"

SCALE: 3/8" = 1'-0"

25. INSTALL TRIM PIECE UNDER ALL 'OVER-REFRIGERATOR' CABINETS, TYPICAL. 26. ALL KITCHEN ISLAND COUNTERTOPS TO HAVE 1” OVERHANG AT FRONT AND SIDES, 10” AT EXTENDED SEATING SIDES, U.N.O. 27. GYP BOARD WALLS TO BE INSTALLED ON BACK OF CABINETS BENEATH KITCHEN ISLAND COUNTERTOPS. 28. ONE USB OUTLET TO BE LOCATED IN KITCHEN ISLAND AND IN EACH BEDROOM U.N.O. 29. INTERIOR UNIT WALL CASED OPENINGS ARE TO BE 7'-0" A.F.F. 30. MINIMUM DIMENSIONS BETWEEN ALL OPPOSING BASE CABINETS, COUNTERTOPS, APPLIANCES, OR WALLS WITHIN KITCHEN SHALL BE 42" MIN. 31. ALL COAT CLOSETS TO BE 1'-11" INSIDE CLEAR DEPTH MAXIMUM. 32. ALL BUILT-IN LINEN AND PANTRY SHELVES TO BE MDF. ALL CLOSETS TO INCLUDE MDF SHELVES. AT CLOSETS, "1R/1S" DENOTES 1 ROD AND 1 12" SHELF, "2R/2S" DENOTES 2 RODS AND 2 12" SHELVES, "5S" DENOTES 5 12" SHELVES, "B" DENOTES BUILT-IN SHELVING, "M" DENOTES MUD ROOM, AND "D" DENOTES DESK WITH SHELVES. 33. INSTALL SOUND ATTENUATION UNDERLAYMENT UNDER ALL HARD SURFACE FLOORING, I.E. TILE OR WOOD FLOORING. 34. DIM STRINGS WITH ARROWS INDICATE CLEARANCE TO FINISH FACE. 35. ABBREVIATIONS: DW-DISHWASHER; TR-PULL OUT TRASH CABINET; L-LINEN; P-PANTRY, W-WASHING MACHINE; D-CLOTHES DRYER; F.P.-FILLER PANEL; EFOS-EXTERIOR FACE OF STUD 36. ALL INTERIOR UNIT DOORS TO BE 7'-0" HIGH. AT MECH CLOSETS USE 6'-8" HIGH DOORS TO ALLOW ROOM TO INSTALL LOUVER ABOVE DOOR FOR MAKE-UP AIR. AT ALL WASTER/DRYER CLOSETS UNDERCUT DOORS MIN DISTANCE TO PROVIDE VENTILATION PER MEP REQUIREMENTS. 37. LIGHTS OR CEILING FANS WITHOUT DIMENSIONS TO BE CENTERED IN SPACES U.N.O. LIGHTS OVER KITCHEN ISLANDS TO BE CENTERED OVER ISLAND.VANITY DOWNLIGHTS TO BE CENTERED OVER SINK VANITY AT SINGLE SINKS AND OVER SINK AT DOUBLE SINK. 38. BATHROOM SINKS SHALL BE CENTERED 24" MIN FROM FINISH SIDE WALL. IF SINK IS PLACED LESS THAN 24" FROM WALL IT MUST BE PLACED 15" MIN FROM FINISH SIDE WALL. REMOVEABLE TYPE BASE CABINETS MUST BE INSTALLED TO PROVIDE A FORWARD APPROACH. 39. FURNITURE SHOWN FOR DESIGN INTENT ONLY. 40. PROVIDE SCHLUTER TRIM OR SIMILAR TO ALL EXPOSED TILE EDGES IN KITCHEN AND BATHROOMS.

UNIT A1 - BATH B

21 x 35

1/4"

1" FILLER

UNIT A1 - 720 SF / 15 UNITS 1 SCALE: 1/4" = 1'-0" UNIT C1 - KITCHEN B

UNIT C1 - KITCHEN A

SCALE: 3/8" = 1'-0"

LEVELS 3-6

SCALE: 3/8" = 1'-0"

A3.

LEVELS 1-2

30" x 48

4" WOO DISHWA

45' - 2" 11' - 8"

9' - 3"

9' - 7 1/2"

14' - 7 1/2"

6' - 0"

4' - 6"

11' - 4"

A3.16

1' - 5"

29' - 3"

3' - 7"

U02

1R/1S

24" TOWEL BAR - MOUNTED AT 48" MAX A

TOILET PAPER HOLDER - MOUNT 20" MIN A

HAND TOWEL RING - MOUNT AT 48" MAX

ROBE HOOK - MOUNT AT 48" MAX A.F.F. O

COAT HOOK - MOUNT AT 48" A.F.F.

SHOWER CURTAIN ROD.

SHOWER & TUB TRIM KIT. SEE PLUMBING.

SHOWER TRIM KIT. SEE PLUMBING.

SEMI-FRAMELESS SHOWER DOOR.

TILE-IN WALL NICHE

OUTLET INSTALLED 12" MAX BELOW COUN

13'13' - 4- 1/2" 5"

U01

CENTER ABOVE SINK

WA6

U03

U10

5' - 5 1/2"

A3.16 4

2R/2S

3' - 4" U05

5' - 4 1/2"

CENTERED

4' - 1 1/2"

1' - 8"

3' - 10 1/2"

2R/2S 5S

CL EQ

L 5

10' - 2 1/2"

WA6

2' - 0"

A3.16

U11

WA6

3' - 10"

3' - 11"

6' - 4"

6' - 2"

3' - 10"

3' - 8"

38' - 7"

4' - 0"

2R/2S 5' - 5 3/4"

EQ EQ

1' - 8"

A3.16

2' - 8 1/2"

U07 1' - 4"

CL 1' - 7"

U12

U03

1' - 0 1/2"

CL 2' - 0"

2' - 10"

4' - 0"

1' - 7"

2' - 3 1/2"

1R/1S

3' - 7"

1R/1S

CL 6' - 0"

6' - 0"

6' - 3 1/2"

U02

6' - 1"

6' - 0"

4' - 2"

6' - 0"

2R/2S

4' - 0" U10

1' - 6"

7' - 8"

CL 3' - 2"

UNIT INTERIOR LEGE

11' - 7 1/2"

2' - 6"

CL 2' - 6"

10"

INTERIO

4' - 7"

1' - 6"

2' - 6"

THREE BEDROOM UNIT LAYOUT

CENTERED

5' - 7"

2' - 6"

3' - 0"

CONCR LOCATE CL

11' - 7 1/2"

1' - 6"

21 x 42

3' - 3" 2" FILLER

21 x 42

2' - 6" 1" FILLER

UNIT A1 - MUDROOM

21 x 35

1" FILLER

21 x 35

1' - 0"

30 x 34

2' - 6"

18 x 34

18" MIN 15" MIN 1' - 0"

UNIT A1.a - BATH A

5' - 6"

7' - 2"

3' - 8"

6' - 2"

9' - 4 1/2"

13' - 3"

45' - 2"

UNIT C1 - 1,297 SF / 4 UNITS SCALE: 1/4" = 1'-0"

LEVELS 3-6

B R O O K R I D G E M U LT I - U S E

2019

2018

2017

2016

2015

2014

2013

RESIDENTIAL LAKEHOUSE LO C AT I O N : A U S T I N , T X H O M E R E N O VAT I O N

The Lakehouse project is a renovation of an existing lakehouse in Austin. The midcentury style house was situated with unique zoning restraints along the lakefront. The owners wanted to reconfigure the interior layout to be more accomodating as a full-time residence .

01/15/19

COVER

A1.00

LAKELAND

RESIDENTIAL LAKEHOUSE

The existing house profile remained the same throghout the design process. Many changes were made for the expanded kitchen and master suite per the owners request.

I N S P I R AT I O N S H O T S

A neutral palette was the goal for interior selections. As this was a lake house, the goal was for it to feel light and airey with the focus on the exterior lake views. Natural textures and landscaping added to the goal of bringing nature in.

RESIDENTIAL LAKEHOUSE

E X T E R I O R E L E VAT I O N S

The exterior was opened up to the outside by adding full height windows to showcase the lake. Ribbon windows in certain locations added some privacy and a mid-century flair to this already modern template.

ENTRY WALK

RESIDENTIAL LAKEHOUSE

2019

2018

2017

2016

2015

2014

2013

HOME RENO / INTERIORS LO C AT I O N : D A L L A S , T X H O M E R E N O VAT I O N

In my spare time, I renovated my house. With help from professionals, friends and a good bit of DIY, this house had really taken shape in its own way. After countless repairs with foundation, plumbing and more, I learned some skills along the way to completly transform the interior.

RESIDENTIAL LAKEHOUSE

2019

2018

2017

2016

2015

2014

2013

M A S T E R’S PROJECT THE HUMAN SENSES: DESIGNING BEYOND THE VISIBLE LO C AT I O N : D O W N T O W N L A FAY E T T E , L A The intent of this thesis is to design a multisensory experience, not driven by the visual, but by the creation of contrasting spaces and conditions that engage the user in their everyday settings. This can ultimately bring a better well being to individuals as it stimulates their creative minds as well as their awareness.

In todays built environment, the social norm is focused around the idea of “ocularcentrism”, or the idea of putting the sense of sight as the primary reception factor when designing the built environment. Pallasmaa discusses in his book, The Eyes of the Skin, that sensory deprivation and separation of experience is caused by this, making today’s architecture somewhat incapable of being wholesome. The intent of this thesis is to design architecture that is experienced through its sensory engagement and not through its visual aesthetics. This presents an opportunity to activate the other senses while neglecting the common importance of the visual.

OCULARCENTRISM Architecture is regarded as a visual phenomenon, so we largely generate, present, communicate and explore architecture through visual means. Essentially, the goal of this project is to reintroduce the non-visual senses, reversing the current emphasis on an ocularcentric culture so that occupants might be led into a more rewarding experience.

THE HUMAN SENSES

SENSORY ENGAGEMENT S I T E LO C AT I O N + E X P E R I E N C E This site was chosen for its dynamic yet static formal qualities created by the three roadways essential carving its form. It is surrounded by activity, yet it feels disconnected from its environment.

TOUCH

SMELL

The tactile sense plays a crucial role in the sensory experience

Smell is a way to orient the user to a place. The presence of a

of a space. It incorporates not only the typical experience of

particular smell, its density, and its intensity can also define

physically touching a surface, but it is also applicable in the

spatial boundaries. Smell is also beneficial when dealing with the

reading of spatial volumes and temperatures.

comfort of the individual. For instance, an office can be a stressful environment. A strategy would be to have a concentrated zone

"The architecture of the eye detaches and controls, whereas

of lavender which can be very calming to the user. Similarly,

haptic architecture engages and unites."

the aroma of coffee stimulates a user to be more creative and promote productivity.

A single texture is rarely uniformly applied to a building. A variety of materials demonstrates not only a textural variation, but variation in temperature, creating contrasting experiences.

SIGHT In architecture, sight cannot be completely ignored. What I take

SOUND The way a building sounds is the combination of the form and volume of the rooms as well as the material surfaces and their applications. The contrast of isolate zones of repressed sound against oversized, over amplified sound can enrich the user's awareness of transition from one space to another. I am also taking into account the sounds that a building would naturally produce as well as the sounds created from the user's interaction with that space.

from it is "what it does" rather than "what it looks like." Lighting can alter the experience within each space it is applied, creating a cool volume of space or a warm inviting threshold.

THE HUMAN SENSES

3 R D

S T R E E T

14 1

12 11 3 13

4 12

5 2

8 4 10

W G

L E V E L

M E C H A N I C A L

W O M E N ’ S

R R

M E N ’ S

R R

S T O R A G E

O F F I C E

L O B B Y

R O O M

O F F I C E

C O N F E R E N C E O P E N

B R E A K

R O O M

E X H I B I T

L O B B Y

E X H I B I T

S PA C E

1 0

C O F F E E H O U S E - Z O N E

1 1

G R O U P S - Z O N E

1 2

I N D I V I D U A L - Z O N E

1 3

K I T C H E N + P R E P

1 4

1 4 , 5 1 5

S Q F T

10 3

1 4 3 4

5 10

8 4

L E V E L

M E C H A N I C A L

W O M E N ’ S

R R

M E N ’ S

R R

S T O R A G E

L O B B Y

R O O M

O F F I C E

O F F I C E C O N F E R E N C E O P E N

R O O M

E X H I B I T

L O B B Y

E X H I B I T

S PA C E

1 0

B R E A K

G R O U P S - Z O N E 1 2 , 7 6 0

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THE HUMAN SENSES

O R G A N I Z AT I O N OF EXPERIENCE S E N S O R Y S T R AT E G I E S

THERMAL

A C C E S S T O N AT U R E

Thermal properties are specific to each programmed area of the

The access to nature, views, and daylight provide a endless

building. The coffeehouse gives a warm atmosphere while the

source of variation and sensory change.

courtyard has a cool breeze from the water feature.

VA R I AT I O N O F S PA C E S

AUDITORY CONTROL

The change of spaces throughout the sequence of walking

Three strategies are applied: the blocking of noise from the

creates a more dynamic and aware experience for the user. This

creation of a thick mass, the reflection of sound to exaggerate the

can be applied through wall placement, materiality, and lighting

auditory experience, and the absorption of sound for a calmer

(thermal).

and more focused atmosphere.

V O L U M E T R I C S PA C E S Another atmospheric feature that can physically alter the person is different enclosures of space. These â&#x20AC;&#x153;voidsâ&#x20AC;? in space create an atmosphere that are not focused on the visual, but on what different sized enclosures give off in terms of temperature, acoustics, and air circulation.

L AY E R E D S PA C E S

L AY E R 1 : M A S S E D E N T I T I E S The structure of the tunnel walls and thick central walls create a primary thermal mass that acts as the bones of the building. This thickness creates a language from the directional materiality and variation in temperature that essentially plays a role in the userâ&#x20AC;&#x2122;s initial interaction with the building.

L AY E R 2 : E X T E N D E D T R A N S I T I O N The secondary system of walls bridge off of the primary, muscular concrete walls. This creates a contrast in the thermal properties as well as the texture and atmospheric quality of each space. The contrasting result implies and contributes to the idea of varying spaces for the senses.

L AY E R 3 : T H E C E N T R A L V O I D With the idea of creating a centrally focused voided mass, the courtyard is the result of extending the carved boundaries of the tunnel. The outcome is a language of the walls creating the void of connection in the center of the building.

THE HUMAN SENSES

THE TUNNEL The tunnel acts as the entrance of the building that bridges the gap between the harsh outside to the protected courtyard at the center. The interaction and sequence of the transition between the courtyard and tunnel entrances are the first interaction between the user and the building. It acts as the most intense variation of change, becoming the beginning language of the sensory experience within the building.

S PAT I A L C O N D I T I O N S COMPRESSION The compressive function of the tunnel creates a pressurized experience for the user. This builds up the transition to the next space before the courtyard.

A M O M E N T O F PA U S E After passing through the compression, the user has a moment of pause, not being fully in the courtyard.

THE HUMAN SENSES

T H E C O U R T YA R D Once the user is past the compressive end of the tunnel, there is a shift in temperature as they pass through the barrier of the vegetated wall. The vast center of these two voids creates the courtyard, the auditory and scent experience are amplified, essentially creating a dynamic contrast to the tunnel.

THE HUMAN SENSES

T H E C O U R T YA R D

S PAT I A L C O N D I T I O N S

TR ANSITION TO THE CENTER The main experience is that of contrast, creating a dynamic sensory experience that will drastically alter the user as they walk through the spaces.

VOIDED MASS The two voids of the courtyard are both relative to the programs adjacent to them, allowing a peaceful oasis from the hustle of the everyday activities through sensory stimulation.

AUDITORY EXPERIENCE The water feature is supplied by collected rainwater to create a sensory experience when sitting in the courtyard or walking between the two screens. 32

THE HUMAN SENSES

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URBAN

DEVELOPMENT LO C AT I O N : L A FAY E T T E , L A P R O J E C T PA R T N E R :

ADAM DENAIS

A studio based on the collaborative development to create an urban master plan that incorporates the idea of reconnecting throughout the city of Lafayette.

Our team strategy was to layer different techniques of rainwater mitigation, connectivity, and buffering, shifting the facility from a barrier to a bridge way between the gap that has been disconnecting communities within the North Lafayette Area. This master plan concept also introduces a more grand entrance, or gateway, into the city.

B I K E PAT H I N T E G R AT I O N Our transportation center is designed to plug-into Lafayetteâ&#x20AC;&#x2122;s proposed 2030 bike path initiative.

B I K E R E N TA L S TAT I O N S In collaboration with the Eco-tourism development area, we are extending the implemented bike rental stations where people can rent bikes for pick up or drop off at any of the stations, including the trans-portation center. The stations are conveniently located at the entrances of neighborhoods.

NEIGHBORHOOD CONNECTIVITY Neighborhoods within the closest proximity have immediate access to restaurants and other essential services within our area. Further neighborhoods are connected through the implemented bike paths.

URBAN DEVELOPMENT

VISITOR CENTER LANDSC APING + CONNEC TIVIT Y

The schematic plan included an extension of the landscape, essentially creating a pull from the Visitor Center to the park underneath the upcoming highway. This created an opportunity to incorporate wetlands into the overall design, bridging together a modern yet cultural appeal to the area.

URBAN DEVELOPMENT

LEVEL II DN

10 11 12 13 14

Ext. Exhibit Space Meeting Room Break Area Office Open Office

LEVEL I UP

1 2 3 4 5 6 7 8 9

Lobby Area Exhibition Space Mechanical Men’s Restroom Women’s Restroom Storage Coffeehouse Rental Space Gift Store

4 3 5

OPEN TO AB

OVE

6 7

6 8

WILLOW ST

REET

URBAN DEVELOPMENT

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CAMELLIA GRIDSHELL LO C AT I O N : L A FAY E T T E , L A S T U D I O C O L L A B O R AT I O N

The Camellia Gridshell Pavilion was completed by the UL Lafayette Graduate students and the city of Lafayette. It began with the schematic design concepts developed in the 501 graduate studio and transitioned into construction documents for the final conception.

The Camellia Gridshell provides a space for shade and rest, for reflection of the art, and for promotion of education within the Camellia Art Park. Here, art and Architecture come together through the integration of physical and cultural concepts regarding place and structure.

CREDIT: MEGAN BERGERON

CAMELLIA GRIDSHELL

PEOPLE LIVING IN FOOD DESERTS 42

70,660 MID-CITY + ESPLANADE RIDGE FRENCH QUARTER CENTRAL CITY

35,860 GENTILLY 7TH, 8TH + UPPER 9TH WARDS

20,087 LOWER NINTH WARD

49,570 EASTERN NOLA

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URBAN

AGRI-PUNCTURE LO C AT I O N : N E W O R L E A N S , L A P R O J E C T PA R T N E R :

OLIVIA ALMEIDA

This studio is competition-based, letting the team of students drive their own project which allows for the individual thought process and the development of researching skills that are needed in the professional studio.

A lack of healthy food available in low-income neighborhoods has produced â&#x20AC;&#x153;food deserts,â&#x20AC;? areas overcome with fast food but miles from the nearest supermarket. We propose that part of the answer to our nations current health epidemic can be found in urban farming. By identifying current urban farming initiatives in combination with low-income and low-access areas, we can begin to create a network of food production and distribution within Gentilly, and eventually the city of New Orleans as a whole. We believe that food is the connection between people and land. Because of this, our project proposes ideas that seek to allow food to shape our urban environment, thereby shortening not only the physical distance between people and food, but also the conceptual distance. A food desert is considered a low-income area with a population of 500 or more that does not have a grocery store within one to ten miles.

URBAN AGRI-PUNCTURE

U R B A N FA R M PRIMARY SITES

PARIS AVENUE

EDUC ATION + PR ODUC TION + DISTRIBUTION

MIRABEAU AVENUE

S E AT I N G AREA

WELCOME CENTER

FRESH MARKET FOOD PROCESSING

PRIMARY SITE PLAN The primary site is the main source of production and distribution within the neighborhood.

Development

services

international initiates the funding and operations of the facility, with the eventual goal of being community driven. Not only does the urban farm provide the community with affordable access to fresh, healthy foods, it also incorporates programs that educate the consumer about the benefits of healthy eating habits and community involvement.

URBAN AGRI-PUNCTURE

HYDROPONICS IMPLEMENTATION WITHIN THE VERTICAL FARM

BENEFITS - Year-round crop production - Converts abandoned urban properties into food production centers. - Dramatically reduces fossil fuel use.

S TA N D I N G S E A M R O O F Prevents overheating of the collected rainwater, leaving the remaining panels translucent for sun exposure to the plants.

R A I N WAT E R C O L L E C T I O N Contains a gutter that feeds into the 190 gallon container for storage. Tubing allows for gravity-fed irrigation.

C - C H A N N E L T R AY S Used for planting with an adjustable depth and width to allow for a variety of plants.

C.M.U. Facing the North in orientation that allows for solar heat gain during the winter months.

THIN STEEL MEMBERS Allows for the maximum penetration of sunlight.

MESH FOR DRAINAGE Used as a method of filtration of the debris and as protection from insects.

CONCRETE IMPRESSIONS To collect the run-off water, the slab tilts slightly for drainage; this allows for a continued use as it irrigates the surrounding outside plants. 46

URBAN AGRI-PUNCTURE

C O M M U N I T Y PAV I L I O N S SECONDARY SITES PRODUC TION+DISTRIBUTION NET WORKS

PAINTERS STREET

1. 40 i

0.85 mi

1.31 mi

0.9

5 mi

.23

0.6 mi

0.19 mi

1.28 mi

1.53 mi

1.19 mi

1.7

Primary Sites Secondary Sites

SECONDARY SITE PLAN The secondary sites create a network of food production and distribution within Gentilly on a more accessible scale. These sites produce food, but obtain their main source for distribution from the primary sites. Secondary sites provide greater access to fresh food, but also encourage community involvement and education at key locations within each neighborhood. The goal is to pinpoint parts of the city that have been neglected and abandoned by viewing these city problems as opportunities for growth in every sense of the word.

URBAN AGRI-PUNCTURE

View of the back area of the community garden displaying the naturally planted vegetation patches that have to be maintained seasonally.

INTERIOR OF GARDEN

Community garden pavilion that acts as a distribution node as well as a food production center on a smaller scale. This allows for a broader range of implementation of these community gardens.

STREET VIEW

URBAN AGRI-PUNCTURE

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CONNECT THE

C O N T E X T LO C AT I O N : T E C H E - V E R M I L L I O N B A S I N Investigation of the Teche-Vermillion Basin bordered on the East by the West Atchafalaya Basin Protection Levee. Survey of an ordering system of the basin by critically studying systems that inform and have given form to this landscape territory. The outcome is to create a two-dimensional presentation and an analogous three-dimensional artifact which will deploy the regional tectonics.

S E D I M E N TAT I O N O F T H E C A N A L The resulting three-dimensional expression of the drawing is about the sedimentation of the canal. The ending idea is that of creating a gridded system displaying the language of the interaction or intersection of gravity (deposit of sediment) on the y axis and the velocity (speed of the water) on the x axis. From there, Iâ&#x20AC;&#x2122;ve simplified the expression to be that of the structure or man-made becoming the main form tied together by the organic system.

CONNECT THE CONTEXT

INITIAL RESEARCH THE BASIN CONFIGURATION

Studying the placement of sedimentation through its organic form along the basin. By looking at the structural (man-made) interference with nature I can compare and measure it against the organic canal formation of the basin.

Mapping out the zones of interaction or interplay displays the intense configuration of the basin. Through this exercise, Iâ&#x20AC;&#x2122;ve discovered and identified the beginnings of formation patterns that point to the larger organization of the basin as a whole.

CONNECT THE CONTEXT

B E G I N N I N G E X P LO R AT I O N S ORGANIC VS. MAN-MADE

Initially, the idea was about exploring the organic formation of the basin and the sedimentation or build up that occurs over time. This build up is the result of years of water depositing material on the outskirts of the basin. This drawing depicts the beginning of structuring the formation, essentially giving inspiration for the three-dimensional artifact.

This depicts the interaction of sedimentation pockets as a formation of structure (organic in nature). The idea that man-made is very structured in comparison to the organic nature of the basin.

CONNECT THE CONTEXT

Experiential drawing depicting the organic nature of sedimentation buildup on the basin and the dense zones this action eventually creates. When velocity slows - gravity removes the particle from the flow.

ORDERING SYSTEMS SEDIMENTATION + CANALS

The drawings now become about the language and interaction of the sedimentation and canals. The two defined forces at play here are gravity and velocity. Together these forces create layers of build up.

CONNECT THE CONTEXT

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URBAN INFILL

THE LUX BUILDING LO C AT I O N : D O W N T O W N L A FAY E T T E , L A This project was the introduction of infill architecture located within a downtown configuration. It laid the foundation for schematic planning, development of wall sections, and the merging of an idea with the end built result.

URBAN INFILL: THE LUX BUILDING

BUILDING WITHIN CONTEXT The main strategy for this project was to create a piece of architecture that fit into the existing conditions, acting as an enhancement rather than a new obstacle. It is a multi-use facility that acts as a hub within the crowded downtown area. The two masses of the building create a walkway in between, making a more welcoming walkway between its two parallel roads. The integration of complete streets, green ways, trees, and improved landscaping around the site allows for an overall more aesthetically pleasing experience for the user.

UR U BR A BN A NI NI NF FI LI LLL: : TTHHEE LLUUXX BBUUIILL D DI N G

PHOTOGRAPHY

COOPER UNION

New York

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CAMPBELL SPORTS CENTRE

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GHOST 12

Nova Scotia

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