JIAJIE WANG'S ARCHITECTURE PORTFOLIO by Jessica Wang

JIAJIE

2015-2020

PAPER MONUMENTS

New Babylon II Frogtown Social Housing Academic, UCLA, Sept - Dec, 2018

The Last Wall Welcome Center for Immigrants and Refugees Academic, UCLA, Jan - Mar, 2019

The Scar Memorial to Victims of Gun Violence Academic, UCLA, Sept - Dec, 2019

In Between Envelope Renewal of a Student Dormitory Academic, UCLA, Mar - Jun, 2017

The Gardener Urban Renewal of an Abandoned Factory Region Academic, Tongji University, Mar - Aug, 2015

Silky Concrete Vulcan Pavilion, The Largest 3D Printing Structure Academic, LCD, Aug 2015

La Defense Towers Office Tower in Paris Professional, Bjake Ingels Group, Oct - Dec, 2017

Kaktus Towers Student Dormitory in Copenhagen Professional, Bjake Ingels Group, Dec 2017 - May, 2018

HOUSING AS INTERVENTION IN RESPONSE TO SOCIAL INEQUALITY !

VOL.CLXII...No. 1

The work won the 2020 Plugin Housing Challenge Competition.

LOS ANGELES, THURSD

DAY, SEPTEMBER 27, 2018

AUD 413 - Landscape Studio Academic Project Architecture Design Social Housing September - December, 2018 Individual work Professor: Mohamed Sharif

$ 0.00

NEW BABYLON II New Babylon II aims to develop a highly graphic circuitr y urban network of a miniature and autonomous city. The urban network consists of the street, vehicle parking and the towers. It prioritizes vehicular movement at the ground level but also allows for pedestrian movement up to the air. Towers are multi-functional elements which are doing two performances. There's the phenomenal perceptual performance with one intimate monumentality, while it is also doing the tectonic performance such as water supply, drainage, ventilation, mechanics, trash treatment, solar power system and circulation. The repetitive framed elements contain a lifestyle of a phenomenal transparency where you can imagine being in one unit on the eighth floor looking through many other kinds of living situations as well as the movement. One paradox is that it produces a kind of informality up to the air which reminds people of new Babylon. You might get lost upstairs and it is a pleasure. But what it springs from is a mechanical, systems orientated circuit which is regular. Towers are placed frequently at regular intervals. Another paradox is that we're working with very thin elegant elements. As they combine, they produce something deep in our perception from almost nothing. However, for a scaled down version of tower at the size of a city or a planet, normal force of monumentality is lost. This process shows the spectrum or gradient of monumentality. Le Corbusier said "a house is a machine for living in". I am saying Frogtown can have a new kind of collective machine for living in together above the ground so that we can enjoy the panorama of the city up to the air as well as the low speed city on the ground. It talks about technological utopia of how human beings, ecology and technology can come together based on this slash matrix, to reject millennia of hierarchy oppression. Here is the story.

Introduction In the article “Junk Space”, Koolhaas believed that consumerism-driven space has exhausted people's spatial perceptions through utilitarian components such as elevators, air conditioners, trash treatment, acoustic devices, etc.Though Koolhaas designated these utilitarian components of a building as “junk space” and relegated them to closed spaces, New Babylon II aims to challenge this notion by placing them on display, elevating their status from that of a practical concern to that of an aesthetic consideration. The main units serve as the generative system for not only the stairs and elevator, but the tectonic performance such as water supply, drainage, ventilation, mechanics, trash treatment and solar power system.

Site Area: 40,000 sf FAR: 2.0 Maximum height: 175’-0”

The archit lection,” w

The Capitalism Era: New Babylon II’s Democratization It was the morning of January 1, 1519 EC. Hernan Cortes, a devoted Babylon priest, awoke in a space capsule. Contrary to his typical daily routine which consisted of charity work for the poor, this morning began much different. This morning, Hernan set foot on an entirely new planet. Upon his arrival, he pronounced the planet “New Babylon II.” Not shortly thereafter, a voice echoed in his head. “Go child,” the voice declared, “Vanquish the Aztec Empire in New Babylon II, and you will be the savior of human civilization.” “Amen!” He replied. And so on he went, in search of the Aztec pyramids that did not speak for the vast majority of the people, but instead stood as pillars of monarchy and social inequality. With his belief, Hernan destroyed the pyramids, which would come to denote the official founding of New Babylon II. The rise of democratization was likely to be an inevitable trend. For over 200 Babylon years, the planet’s democratic values were enshrined in a set of laws. 25 amendments in New Babylon II were passed and implemented. The first 10 were referred to as the New Babylon II Bill of Rights, which guaranteed citizens basic rights. The most famous one, the “First Amendment,” aimed to protect New Babylonians’ right to speech, publishing, assembly, and religious freedom. The “16th amendment” which was passed in 1913 EC allowed the government of New Babylon II to begin the process of income redistribution and move toward a path of greater economic equality.

This collec landed on

tects of New Babylon II reconfigured their machine around the principle of â&#x20AC;&#x153;self-sewhich produced a new sort of informality to the built environment.

ctive machine sprang from a repetitive, mechanical, systems-orientated circuit and the matrix with three elements working together: streets, boardings and towers.

New Babylon II now have a collective machine for living in together above the ground so that every citizen can enjoy the panorama of the city up to the air.

Although Koolhaas designated the utilitarian components of a building as â&#x20AC;&#x153;junk space,â&#x20AC;? the architects of New Babylon II still aim to challenge this notion by elevating their status to that of an aesthetic consideration.

The Communism Era: New Babylon II’s Equalization The architects of New Babylon II saw the effects of these political mandates and set out to establish a similar code for the planet’s architecture. Ultimately, they constructed a balance machine to equally distribute space and dismember monopoly. This collective machine sprang from a repetitive, mechanical, systems-orientated circuit. The three-dimensional matrix landed on this circuit with three elements working together: points(towers), lines(circulation) and surfaces(areas). These typologies were frequently deployed at regular intervals. The main towers not only served as a generative system for stairs and elevators, but also acted as tectonic connections for plumbing, electrical, ventilation, waste, and power generation. Everyone was welcomed and had the same status. It was a horizontal architecture for a horizontal society. Even amidst all of this success, there was still a concern. Noted New Babylon II economist David Young worried about the possible drawbacks of “over-equilibrium.” He posited that this would lead to mediocrity of the entire society, letting people prefer “the equality of slavery” over “the inequality of freedom.” Specifically, an evil devil grew in the poor and uneducated New Babylonians’ minds, encouraging them to pull the elites down to the same position as them, since they had the human right of achieving absolute equality. With time, Young’s concern was validated. The society that once represented equality began to operate more like a weight against progress. The powers that be were so afraid of exceptionalism that anyone with talents began to be the targets of institutional persecution. In 2066 EC, New Babylon II outlawed the assembly of intellectual groups, and further suppressed any sort of multiculturalism. Judge: “Let’s return to what our ancestor Hernan Cortes did to Aztec Empire. He destroyed another civilization! But there is no priority to our civilization. Each civilization should be equal.” Hernan, the founding father, as well as thousands of social elites were then convicted of crimes against humanity, while the prescient economist Young was tried for his dissent. And so, homogeny reigned.The stone statue of Hernan was destroyed by people who once admired him, symbolizing the end of capitalism. The belief of Communist Equalization reached its peak in New Babylon II. Every tower looked the same, from people’s living area to the interior design.

The tower ply, draina

The Edenic Era: New Babylon II’s Freedomism In 2100 EC, in reaction to the authoritarian atmosphere that loomed over New Babylon II’s communism era, nearly half of the planet’s citizens sought refuge in a far-removed universe. Though this mass exodus was devastating to the economy, it had the unintended positive consequence of engendering a new sort of consciousness in the New Babylonians that remained. This reflection took many forms, but eventually New Babylonians reached a groundbreaking consensus—a majority with absolute power was as problematic as an individual with absolute power. New Babylonians realized that they ignored an important factor of benign equalization: freedom. After all, democracy without freedom would eventually turn into a totalitarianism of populism. Yet the encouragement of pluralism would dissolve a fixed majority group into smaller diverse groups. “Equality cannot not exist without freedom” became a new belief in people’s mind. New Babylonians began the difficult path of reclaiming their civil liberties: A free press was reestablished, and groups with diverging ideas would again be allowed to meet and organize. Once again taking a cue from the political climate, the architects of New Babylon II reconfigured their machine around the principle of “self-selection,” which produced a new sort of informality to the built environment. This process was grounded in an overall planning agenda for infrastructure, road systems, population density distribution and public space, but also allowed the residents to choose the living area and position of their houses based on this predetermined urban framework. Residents were rewriting the urban space of this community and its structure while choosing their own private properties. It created hundreds of ways for people to derive from event to event, so that New Babylonians feel pleasure to get lost upstairs.

The tower tality, begin

rs are doing two performances. One is the tectonic performance such as water supage, ventilation, mechanics, trash treatment, solar power system and circulation.

rs are also doing phenomenal perceptual performance with one intimate monumennning with thin elegant elements but producing something deep in our perception.

The Edenic Era: New Babylon II’s Freedomism New Babylon II embraced a new era: the Edenic Era. Meanwhile, in a galaxy far away, the New Babylon II refugees resided on a free-floating spacecraft living modest lives. Though they were thankful to escape censorship and persecution, they also longed to return to their home planet. After one century in the diaspora, a decision was made: They would return home! The spacecraft began its return voyage. The planet detector was set to New Babylon II, and after 134 days of travel, a small grayish planet came into view, with series of data that were quite familiar to them: equatorial radius 378.1 km, mass 5.97237×1020 kg, mean density 93.324 g/cm3, surface gravity 2.789 m/s2. The planet was slowly and quietly rotating. On the surface of the entire planet, the most amazing sights confronted them—a novel architecture, a country, a civilization! New Babylon II was flourishing.

“Dad! This is where grandpa came from?” a child cried out.

“Yes, dear. We are finally home,” her father replied with a mixture of solemnity and agitation.

Tears blurred everyone’s eyes. The crew stopped speeding up the spacecraft in order to send a radio transmission, repeatedly requesting New Babylon II to re-accept them. The more they waited for the reply, the more they felt panic. The obsession with their home planet contained more than a faint echo of what Scarlett’s father told her in Gone with the Wind, “Land is the only thing in the world that amounts to anything. ’Tis the only thing worth working for, worth fighting for—worth dying for.” The radio crackled.

“Welcome home. The whole world is awaiting your return.”

WHAT KIND OF NEW MONUMENTALITY CAN WE ACHIEVE?

VOL.CLXII...No. 2

LOS ANGELES, WEDNESD

The work won the 2019 Built2Last International Concrete Design Competition and was exhibited at the ACSA 108th Annual Meeting in San Diego

DAY, JANUARY 2, 2019

AUD 415 - Comprehensive Design Studio Academic Project Architecture Design Welcome Center for Immigrants and Refugees January - March, 2019 Individual work Professor: Wonne Ickx

$ 0.00

THE LAST WALL Charles Moore considers monumental architecture as part of the urban scene. He argues that “the process of achieving monumentality is the same as that of achieving an urban focus.” This leads to a question of what kind of new monumentality we can achieve. Today for this project, my wall is going to serve as one intimate monumentality, incorporating the urban context, structure and infrastructure of my building. To start with a paradox: my wall exists as a screen structure of visual monument that seems to separate people. To set up numerous passage ways on the wall instead of creating the traditional sense of monumental entrance, it aims to connect different zones of public space and signal a kind of continuity. Although the passageways are totally rationalized and organized, it compliments random circulation of the space for navigation. Entire space seems over-activated by all the possibilities of moving through it. Wall, which can be seen as new monumentality, plan out as a space of publicness. Wall is now not necessarily for dividing. Perceptual monuments elicit other types of sensory experience, where you can imagine getting off the bus station and going into the elevator, being invited to go inside the wall and leave the wall to go inside the buidling. Wall contains an idea of negotiation. I want to mention about the wall that is being brought up by the Trump administration. Wall should not be taken as a means of separation, limitation, or exclusion. Wall should serve as a mechanism that invites people to negotiate between different parties, as I set up in my floor plans. Through that negotiation, people should arrive at a solution. Potential monuments exist for the dual meaning of my wall and create a symbol for people’s ideals, which can be re-established depending on the interpretation. Further, my wall serves as primary structure component of the building illustrating the idea of balance and houses all the mechanical necessities.

FLOODING The elevated habitation area reduces the risk of damage from storm-driven water.

WAR High-density concrete resists all possible types of radiation between walls.

HURRICANE Roofs and floors tie down to the ground to withstand strong winds.

WILDFIRE Concrete as a noncombustible material has its built-in resistance to fire.

HEAT Hollow mega-wall structure creates stack-effect system that drives natural ventilation.

EARTHQUAKE Base isolation guarantees only the base shakes during an earthquake while the superstructure remains intact.

Resilience & Structure A new structure typology is developed that provides evidence of wall enhancing architectural ideas and spatial qualities. 4â&#x20AC;&#x2122; height girders sit on top of the 75â&#x20AC;&#x2122; concrete wall and are pulled down by post tension rods to stabilize the whole system. Slabs lie between these compression and tension members. The VAV Packaged system is on the roof of the wall, where all the ducts, pipes, electrical circuitry come from. My wall concentrates load bearing, mechanical and ancillary necessities, to create an entirely open space in office areas, maximizing planning flexibility.

Without Post-Tensioned Cable

With Post-Tensioned Cable

Without Post-Tensioned Cable

With Post-Tensioned Cable

Plan Strategy Wall contains an idea of negotiation. wall that is being brought up by the Trump administration should not be taken as separation, limitation, or exclusion, but served as a mechanism that invites people to negotiate between different parties, as I set up in my floor plans.

Through that negotiation, people should arrive at a solution. In this case, potential monuments exist for the dual meaning of my wall and create as a symbol for peopleâ&#x20AC;&#x2122;s ideals, which can be re-established depending on the interpretation.

1st Floor Plan 1 RECEPTION AREA 2 EVENT SPACE 3 CHILDERN RECREATION AREA 4 TEEN RECREATION AREA 5 MULPTI-PURPOSE ROOM 6 OPEN KITCHEN 7-1 HANDICAP RESTROOM 7-2 FEMALE RESTROOM 7-3 MALE RESTROOM 7-4 MECHANICAL ROOM 8 BUILDING CUSTODIAN ROOM

2nd Floor Plan 1 LEGAL ADVICE CENTER 2 HOT DESK WORK AREA 3 DEPARTMENT RECEPTION AREA 4 EDUCATION AND EMPLOYMENT 5 HEALTH CARE AND HOUSING ADVICE 6 COMPUTER RESOURCE LIBRARY 7-1 HANDICAP RESTROOM 7-2 FEMALE RESTROOM 7-3 MALE RESTROOM 7-4 MECHANICAL ROOM 8 BUILDING CUSTODIAN ROOM

3rd Floor Plan 1 ADMINISTRATIVE OFFICE 2 PHOTOCOPY ROOM 3 GENERAL RECEPTION AREA 4 KITCHENETTE 5 CONFERENCE ROOM 6 OPEN PLAN OFFICE 7-1 HANDICAP RESTROOM 7-2 FEMALE RESTROOM 7-3 MALE RESTROOM 7-4 MECHANICAL ROOM 8 BUILDING CUSTODIAN ROOM

Structure Strategy A new structure typology is developed that provides evidence of wall enhancing architectural ideas and spatial qualities. 4â&#x20AC;&#x2122; height girders sit on top of 75â&#x20AC;&#x2122; concrete wall and are pull down by post tension rods to stabilize the whole system. Slabs lie between these compression and tension members. VAV Packaged system put on the roof of the wall, where all the ducts, pipes, electrical are coming from. My wall concentrates load bearing, mechanical and ancillary necessities, to create an entirely open space in office area, maximizing planning flexibility.

Infrastructure Strategy PA

75’

PA AIR FLOW

Heating Season

PA = ATMOSPHERIC PRESSURE P1 > P2

75’

PA AIR FLOW P2

PA = ATMOSPHERIC PRESSURE P1 > P2

Cooling Season

The hollow mega-wall structure creates a stackeffect system that makes mechanical use of the form. Stack effect is the movement of air and is driven by a specific force that occurs due to a difference in indoor-to-outdoor air density resulting from temperature and moisture differences. The uncomfortably warm days in central los Angeles can be simply cooled with a passive air strategy. Adopting these structures for the building is not because of an intention for “high-tech” structural expression, but because it can actually assist people in the real world, such as driving positive and negative ventilation and infiltration to save money from extra mechanics.

BUILD UP A SENSUOUS CONNECTION TO LIFE !

VOL.CLXII...No. 3

The work was featured in the 2019 AUD CURRENTS Exhibition.

LOS ANGELES, THURSD

401 - Advanced Topics Studio Academic Project Architecture Design Memorial to Victims of Gun Violence September - December, 2019 Individual work Professor: Ben Refuerzo

DAY, SEPTEMBER 24, 2019

$ 0.00

THE SCAR The spirituality and transcendence of the gun violence memorial is a result of the tension between the natural and the artificial, between the reflection and the abstraction. Natural elements such as sky, rock, water, light and time compose the project and stimulate the sensory experience. In contrast, walls create an intervention. They are visible from every point but blend with surroundings, making evident the contrasts and balance between nature and a man-made structure. The first interpretation of “The Scar” is a gunshot wound inflicted on the site waiting to be healed. The crack is developed as a vessel for a continuous and suggestive route, inverting the role of the crack from the separation of north-south into a connector between east and west. This leads to the second interpretation of “The Scar”, that modernist ideals might destroy the nature of the architectural design. For instance, modernism sets up a clear circulation for us, but the more efficiency we get for the single route, the less freedom remains for dérive. I want to challenge this notion by adding some north-south paths and entrances as interventions to fracture “The Scar”. “The Scar” leads to a sequence of extreme experiences. The inner spaces of “The Scar” are well articulated through the scale, light, height and view changes, which include moments of exposure and enclosure of “The Scar”. Through a phenomenological trip, the project questions the ver y nature of architectural design and disillusions the modernist ideals that had dominated design thinking since the early 1920s. “The Scar” builds up a sensuous connection to life with the universal language of light, water and time that goes far beyond function, form and construction. The functionality, or even the space of the building is fragile in the course of history, but the symbol of the building traces the existence of human civilization for thousand years.

Light “The scar” leads to a sequence of extreme experiences. The inner space of the scar is well articulated through the scale, light, height and view changes, which include moments of exposure and enclosure of “the scar”. You first enter a deep cave with long, dark and wet passage. You walk, discover the movement of the shadow from the above scenery projecting on the stone around, evoking a place of reflection. You can see the shadow, but cannot touch the real scenery, symbolizing the separation between life and death.

Through a phenomenological trip full of emotion as well as the well-balanced juxtapositions of cut landscape and fabricated interventions, the project questions the very nature of architectural design and disillusions the modernist ideals that had dominated design thinking since the early 1920s. The functionality, or even the space of the building, is fragile in the course of history, but the symbol of the building traces the existence of human civilization for thousand years.

Time The influnece of time can be observed on the stone and the wall because of its capacity to produce unpredictable changes. This confronts the rationality of the wall with the organic roughness conferred by wind erosion and other nature power.

Like, the elevated habitation area provides informal shelter.

This duality between nature and artifice creates an ever changing but timeless relationship between humans and nature.

Every time you visit the memorial space, it will be slightly different .

Water The continuous flowing water introduces you to a hidden interior, where the wall and the stone meet one another. The intervention of the man-made space is minimal with the aim of giving visitors an intimate and silent place where they can reflect in solitude, surrounded by nature of the water. Natural light flows from the water into the interior space elegantly, which evokes the instinctively tranquil emotions in any person staying inside. It is a silent pause in life that makes time for memorial.

Carving into the rock to an inhabitable and sculptural activity space

Giving a gesture of respect to conservation of nature

o and

You continue, and find light again, this time reflected in water. You decide to get wet while walking on the steps, or take paths on the stone that is made too steep to climb.

Framing the surrounding scenery, making it the content of the project

Introducing a radical shift from modernismâ&#x20AC;&#x2122;s idea of architecture as a perverse instrument of use to an object of contemplation.

PUSHING PERFORMANCE BY INTRODUCING A NEW SURFACE AND OPERATION !

VOL.CLXII...No. 4

The work was selected as representative for 2017 AUD RUMBLE.

LOS ANGELES, MO

ONDAY, JUNE 12, 2017

AUD 401 - Advanced Topics Studio Academic Project Architecture Design Envelope Renewal March - June, 2017 Group work with Eric Lin and Kenny Wang Professor: Kevin Daly

$ 0.00

OUTSIDE THE CIRCLE, BETWEEN TWO OAKS The Tietgen Dormitory in Copenhagen, Denmark was completed in 2006 by Lundgaard & Tranberg Architects. In the building the Danish architects pursued a rigorously rationalized organization in plan. Our project investigates a different dimension of the building and explores its latent potential in section, pushing its performance further by introducing a new surface and operation of sectional sequencing. The architecture of housing has a unique history in Denmark. Due to the housing shortage after WWII, the Danish government called for the use of prefabricated elements and modular construction. The “Danish block” typology continues to characterize housing in Denmark. The Tietgen Dormitory is located in the newly developed Ørestad neighborhood of Copenhagen, where new experiments on the Danish Block have been carried out. Tietgen Dormitory continues this housing tradition yet puts forward the concept for the “dormitory of the future” by expressing “equality, unity, and community” through its radical circular form. A result of the circular plan is that only two non-oriented elevations exist on the building, an interior elevation and an exterior elevation. The search for depth in elevation became the site of our analysis and intervention. The new screen takes a cue from the building’s hidden structure and draws tension cables up and down the elevation. They are stretched across the outer edges of the floor slabs and around the new shared porches. Oak wood panels are then clamped together with tee nuts, sandwiching around the cables to complete the exterior surface.By redesigning the Tietgen Dormitory’s envelope, the result is a building with a new program and spaces that rest in the envelope—somewhere outside its circular form, in between the interior and the exterior, and in between the individual and the collective.

Plan Strategy The buildingâ&#x20AC;&#x2122;s design uses the plan as its main form-generating device. In organization, the dormitory program is divided clearly between its commons and housing units. These are united by a continuous ring of hallway circulation. Shared kitchens, living rooms, and storage space face inwards at a central courtyard, while each dorm faces outward. The buildingâ&#x20AC;&#x2122;s form is generated by stacking segments of dormitory unit plans. Thirteen rooms are pulled together to form a fan-shaped segment. Ten unique segments are configured for the building. These segments are paired, stacked, and matched with a set of common spaces across the circular hallway. Three vertical pairs are stacked to create the six-story building, and the composition of 5 segments, for a total of 360 units, competes the circular form.

Shared kitchens, living rooms, and storage space face a central courtyard.

A0 Community Space 26 SQ.M Outdoor 0 DKK/Mo.

A1 French WIndow 0 SQ.M Outdoor 3096.84 DKK/Mo.

Each dorm faces outward across the surrounding area.

A2 Small Balcony 3 SQ.M Outdoor 3216.79 DKK/Mo.

A3 Large WIndow 7 SQ.M Outdoor 3336.73 DKK/Mo.

Sectional Strategy By reading the building through a series of radial sections, we discover opportunities to introduce additional depth to the exterior facade and to complicate its tidy organizational program. Our new design uses the building’s section as its main form-generating device. From the existing sections, we define the building’s envelope from the profiles of its concrete walls. Yet by breaking the correspondence between units and the building’s exterior, we can move the unit’s enclosure independently of the building’s edge conditions. We set each unit’s enclosing wall back from the perimeter to create uniform rooms and modified the profiles of each concrete wall within the envelope depth of 3 meters. By connecting the wall profiles into a continuous line, the discontinuous offsets in the original envelope now form a continuous section of varying depth.

The building’s envelope is a consequence of its section sequence. Between each cut, precast floor slabs connect the sections to provide room depth.

The mismatch from one section to the next is used in some areas to link units together and create shared porches.

The outer edge of the section is then wrapped by a new wood and steel cable screen to define the space and create a new envelope.

Screen Design The new screen takes a cue from the building’s hidden structure and draws tension cables up and down the elevation. They are stretched across the outer edges of the floor slabs and around the new shared porches. Oak wood panels are then clamped together with tee nuts, sandwiching around the cables to complete the exterior surface. The cable and wood panel screen performs in multiple ways as part of the building’s e n v e l o p e . V i s u a l l y, t h e n e w s c r e e n helps to unify the building’s appearance, trading the raw, pulsating, expression of individual units and their massing for a continuous, undulating surface that wraps around the community in warm oak wood.

Inset

Flush

Inset

Overhanging

WARNING ！ POPULATION BOOM & DEFORESTATION !

SHANGHAI, SUNDA

The trees come up to my window like the There the rustle of leaves They have their whisper o er

isp

per

whisper

whi

isp

whis

VOL.CLXII...No. 5

Architecture and Park Design Renewal of Abandoned Factory Area March - August, 2015 Team Work, Individually Redone Role: Chief Designer Partners: Fan Kun, Li Chengliang, Peng Jiayue All drawings here were produced by Jiajie

AY, MARCH 15, 2015

ey earning voice of the dumb earth. are little thoughts ; of joy in my mind.

whisper whi

spe

r per

whis

wh per is

$ 0.00

per

whis

Ivy II Panels

Climbing Roses Banisters

Ivy I Oxygen-bar

Jasmine Flower Beds

Grass Ground

Planting Strategy People can clean the mud on their shoes by rubbing against lawn before they enter their home. When they feel tired after work, they can aerobic, practice Kung Fu Katak Puru and meditate in the Oxygen-bar where the walls around are stuck by ivy.

Wood, Roof and Privacy The density of the woods and the size of construction roof will affect the residentsâ&#x20AC;&#x2122; personal privacy. People work in the woods and live in the building. Different work places and buildings are available to meet different privacy requirements. Trees in the wood can block out the sunlight and noise. This environment is good for the eye health of people at work and enables them to enjoy more contact with nature. Moreover, people do not have to sit for a long time by working at standing desks.

BLUR THE BOUNDARIES BETWEEN STRUCTURE & ART !

VOL.CLXII...No. 6

BEIJING, SUNDAY,

The work was awarded the Guinness World Record for Largest 3D Printed Structure and exhibited in Beijing design week. (Photo by Zhuoneng W

Beijing International Design Week Workshop Structure Design August 2015 Collaborative Studio Partners: Qian Qinyang, Sun Xiya, Tao Bofan, Wang Hongming, Wang Meng, Wang Jiajie, Wang Zhuoneng, Yang Liu, Yang Yi, Zhao Liwen Contribution: Assisted in designing and manufacturing Professor: Yu Lei, Xu Feng

AUGUST, 23, 2015

Wang)

$ 0.00

VULCAN PAVILION, A PERFECT BLEND OF STRUCTURES AND ART "VULCAN Pavilion" is a pavilion built by the group of Laboratory for Creative Design and exhibited in Beijing design week. During nine-day course, we learnt about parametric design and gcode, learnt to use 3D printer and assisted in designing and manufacturing "VULCAN Pavilion". Having learned gcode, we no longer use the standard 3D slicing software, which can constrain creativity, but choose to input our design concepts into machine codes. The structure of "VULCAN Pavilion" was inspired by silkworm. To shun silkworm chrysalis from various threats in nature, silkworm makes its chrysalis evolve a series of excellent structures and properties. For light-weight, high strength and porosity of silkworm chrysalis, we want to study its structure via project and use it in construction. Reference: Archdaily: LCD's VULCAN Awarded Guinness World Record for Largest 3D Printed Structure The structure is based on LCD's research into the spatial form of cocoons, resulting in the delicate filaments criss-crossing many the of the panels. The design was also eminently practical, able to be split into three smaller parts enabling a range of different programs to take place inside. “VULCAN represents a new reality - that modern architects are able to achieve their ideal design quality from concept to construction using digital design and fabrication methodologies," explained LCD Architect Yu Lei. “This development will increasingly blur the boundaries between structure and art.” https://www.archdaily.com/776169/lcds-vulcanawarded-guinness-world-record-for-largest-3dprinted-structure

Mechanics Research

Exploration of Pattern Parameter

Magnitude of Force

Large

Medium

Small

Polygon 3

166

1.000 0.000 0.000 8.336

0.747 4.956 1.000 2.061

0.783 8.936 0.152 8.288

0.783 8.936 0.000 8.208

0.700 9.000 0.000 8.336

0.000 0.500 0.500 1.000

0.039 0.611 0.505 1.000

0.390 0.613 0.000 1.000

0.333 0.583 0.764 1.000

0.744 3.366 0.365 2.936

0.000 1.000 0.422 1.768

0.424 3.350 0.690 2.856

0.616 4.390 0.426 2.936

0.032 4.390 0.690 2.856

Layer Eccentricity

Axial

Small Eccentric

Large Eccentric

Magnitude

Eccentricity

Material Form

Silk

Concrete Silk

Concrete

Process for Making Model

Printing

Drilling

Joining Patte

erns

Pattern Detail

Different patterns and material of skin were chosen, depending on magnitude of force and eccentricity. These factors determined the density and form of silk and other parameters. To some degree, mechanical p r o p e r t i e s d e t e rmined the buildingsâ&#x20AC;&#x2122; configurations, which affected the sizes, lighting and ventilation of divisions.

Force Couple

H: 187.76kN H: 187.76kN

R: 41.35kN

R: 212.5kN

R: 94.01kN

R: 212.5kN

Medium H: 0.24kN H: 187.76kN

R: 212.5kN

Temporary Timbering

Large

Assembling Modules

Small Small Eccentric Large Eccentric

Done!

MOVE BEYOND THE CONSTRAINTS OF ENGINEERING !

VOL.CLXII...No. 7 PARIS SKYLINE & ROOFTOP GREENHOUSE

PARIS, FRIDA

Bjake Ingels Group Professional Porject Architecture Design October - December, 2017 Team Work Role: Designer for Plans, Sections, Elevations, Renderings, Coding, etc. Manager: Gerhard Pfeiler

AY, OCTOBER 27, 2017

$ 0.00

LA DEFENSE La Défense has become an urban laboratory for modern, postmodern and meta-modern experiments in architecture and city planning. The Oasis la Défense will be a unique and recognizable building within the context of la Défense and Paris. It will also address much of what is lacking today in la Défense by becoming a focal point, full of the life of the city - where residents of Puteaux, individuals that reside in la Défense daily, and visitors to Paris can all congregate to shop, dine, collaborate and work, and to celebrate urban life. CONNECTIONS AND FLEXIBILITY At its most basic, a tower is a generic extrusion of identical floor plans - that can for example be linked to a neighboring tower - much like the original feasibility study for this project illustrates. In our proposal for the Oasis la Défense, half of the floorplates reach out over the public green space to connect between the two towers. This creates endless possibilities for new ways of working and organizing the towers. Of course, the towers’ floorplates can be divided in two equal parts, but our experience in working with new organizations like Google tells us that modern workplaces demand large horizontal floorplates and variation in the layouts. In Oasis la Défense this is combined with an extremely flexible building module that can host layouts suitable to any type and size of organization. TWO TOWERS WITH A TWIST The building begins on the ground with the premise of two towers. As they rise higher, they begin to reach toward one another in embrace. Upon reaching their final height, they are fully locked together - unified in form - and relying on each other for stability. It must provide a clear visual connection between the upper and lower levels of the site along a pedestrian path.

TOUR OASIS

ESPLANADE ESPLANADE

ESPLANADE

ESPLANADE ESPLANADE

ESPLANADE

COURS COURS MICHELET MICHELET

HELET

COURS MICHELET COURS MICHELET

COURS COURS MICHELET MICHELET PUTEAUX PUTEAUX

EXISTING EXISTINGSITUATION SITUATION DISCONNECTED DISCONNECTED PUBLIC SPACES SPACES PUTEAUX ExistingPUBLIC Situation:

PUTEAUX

DisconnectedI Public Spaces OASIS LA DEFENSE EXISTING SITUATION URBAN LINK DISCONNECTED PUBLIC NEW SPACES

TION IC SPACES

1.1 CONCEPT

COURS MICHELET PUTEAUX

PUTEAUX PUTEAUX

OASIS OASISLA LADEFENSE DEFENSE

GENERATIONS GENERATIONSOF OFTOWERS TOWERS

PUTEAUX NEW NEW URBAN LINK LINK ACTIVEBASE BASE&&TOP TOPTower Oasis: Oasis LaURBAN Defense: Generations ofACTIVE Towers: New Urban Connection Active BaseGENERATIONS & Top Loop of OASIS Activities GENERATIONS OF TOWERS TOUR OASIS LA DEFENSE OF TOWERS

NEW URBAN LINK ACTIVE BASE & TOP

ACTIVE BASE &LOOP TOP OF ACTIVITIES

AANEW NEWCENTER CENTER/ /AANEW NEWLINK LINK

PRE-MODERN, PRE-MODERN,MODERN, MODERN,POST-MODERN, POST-MODERN,META-MODERN META-MODERN

The Theexisting existingobsolete obsoleteMichelet-Galilee Michelet-Galileebuilding buildingon onthe thesite siteofofthe theOasis Oasisisistotobeberemoved, removed,totopave pavethe theway way

Since Sinceits itsconception conceptionmore morethan thanone onehundred hundredyears yearsago, ago,the theurban urbanform formo

FLOW DIAGRAM public publicspacespace-the theOasis. Oasis.The Thepublic publicspace spacewill willserve servetotobind bindtogether togetherthe thesubstantial substantialheight heightdifference differenceofof

setbacks, setbacks,clad cladininvarious varioushistorical historicalstyles, styles,and andstretched stretchedtotoaapyramid pyramidfig fi

MODERN, POST-MODERN, for for aastate stateof the the art arthighrise highriseoffice officetowertower-with withaafull fullcomplement complementofofPRE-MODERN, employee employeeamenities amenities and andaagenerous generous aMETA-MODERN aPRE-MODERN, series seriesofoftransformations. transformations. Thepre-modern pre-modernManhattan Manhattan skyscraper skyscraperisisese A NEW CENTER /ofA NEW LINK MODERN,The POST-MODERN, META-MODERN

the the ground plane from fromthe Esplanade dedelala Défense Défense totothe the Cours Michelet. Michelet. Where aaclosed closed and fortress-like fortress-like arrow-shaped arrow-shaped building building top. top. Later Later during the the1950´s 1950´s and and ‘60´s ‘60´s this this was wasrefr -Galilee building theground site ofplane the Oasis isthe toEsplanade be removed, to pave way Since its conception more than one hundred yearsits ago, the urban form of during the has gone through The on existing obsolete Michelet-Galilee building on thethe site ofCours the Oasis is to Where be removed, toand pave the way Since conception more than oneskyscraper hundred years ago, the urban building building today creates aawall, wall,aalight-filled light-filled tower tower will frame frameaalushly lushly landscaped urban urban space space ofofconnection. style style skyscraper skyscraper ofofmonolithic monolithic silhouettes silhouettes steel steel and and glass glass shaped shaped bybyfu LA complement DÉFENSE ffice towerwith full of employee amenities and awill generous a series ofamenities transformations. The pre-modern skyscraper is essentially ainin vertical tower with for aastate of today the artcreates highrise office towerwith a full complement oflandscaped employee and aconnection. generous a Manhattan series of transformations. The pre-modern Manhattan skyscrape requirements requirements of ofthe plan. plan.As As aaresponse response totothis, this, ininstretched the the1980’s, 1980’s, the the post-m post blic space willpublic servespaceto bindthe together the substantial difference cladheight in various historical stretched to pyramid figure leading to the pinnaclethe Oasis. The public spaceheight will serve to bindof together thesetbacks, substantial difference of styles, and setbacks, clad inathe various historical styles, and to a pyram AN AN ICON ICON the the skylines skylines the theworld’s world’s cities cities with with aamixture mixture ofof historical historical stylistic stylistic quo qu anade de la Défense the Cours Michelet. Where a closed and fortress-like arrow-shaped building Later experiments during the 1950´s this Oasis was by the modern international Lato Défense has become an urban laboratory for Cours modern, postmodern meta-modern in andofof‘60´s The la Défense will be unique and recog the ground plane from the Esplanade de la Défense to the Michelet. Where aand closed andtop. fortress-like arrow-shaped building top.replaced Later during the 1950´s and ‘60´s this w compromise compromise internal functionality functionality ininfavor favorofofoutward outward appearance. appearance. This Thisw light-filled tower will framecreates a lushly landscaped urbanAspace of connection. style skyscraper of monolithic silhouettes inday steel and internal glass shaped by functionality, clarity and effective architecture and city planning. collection of icons of architecture from the 1960’s to the present stand building today a wall, a light-filled tower will frame a lushly landscaped urban space of connection. style skyscraper of monolithic silhouettes in steel and glass shape It will become a model for highrise office dev We Wepropose proposetotocancel cancelthe thetraditional traditionalduality dualityofofthe thetower towerand andits itsbase base - -skyline skylineand andpublic public space space - As -bybya response toinin modern modern architecture, architecture, where where one onetower tower design designtries tries totooutdo outdoits itsneighb neigh requirements of the plan. this, in the 1980’s, the post-modern skyscraper has dotted requirements of the plan. Asof a response to this, in the 1980’s, the side by side with French and international architecture of recentbusiness years. Surrounded by the circularits boulevard, strengths la Défenseincluding its density integrating integrating allallthe thespecial special programs programs ofofthe thetower tower- -entrance entrancehall, hall,reception, reception, business center, center,restaurants, restaurants, its function functionnor norits itscontext. context. skylines of thefrom world’s with a areas. mixture of historical stylistic quotes effects AN ICON theBut skylines of the world’s cities withdecorative a mixture of historical stylist the district La Défense has for a longand time remained an the islandisolated its cities near urban row of one of and the most storied andthat historical fitness fitness center, center,of media media center centeretc. etc. inincontinuitycontinuityandlooping looping two twotowers towers together together through through the thebase base and andup up compromise functionality of outward This wave isin to some still present compromise internal functionality favor of outward appearance. this changing recent proportioned built and proposed projects. Laextruded Défense is internal maturing with ambitions match toto the theis top. top. Efficient Efficientwith and andperfectly perfectly proportioned office officefloor floor plans plansare are extruded upward upward around around tower towercores coresin favorthat We We propose proposeaappearance. ameta-modern meta-modern approach approach for for the theOasis Oasis lalaDéfense Défense, Défense, that that com co of what is lacking today inextent la by beco ional dualityWe of the tower its base - skyline and space - by andefficiency, inskyline modern architecture, where one tower design tries to outdo its neighbor without profound relation to itslonl propose to cancel the traditional duality of themaximized tower base -flexibility, public space -outward by in this modern architecture, where one toweradesign tries to outdo toto form form aand amodern, modern, elegant elegant office building building with with maximized efficiency, flexibility, natural natural light light and and outward and the the sculptural sculptural strength strength ofofthe theindividuals post-modern post-modern icon. icon.reside But But our our proposal proposal the original utopias onoffice which itpublic was modeled. It is its a privilege to beand invited to propose an addition and to of Puteaux, that in la Défen ams of the tower - views. entrance hall, reception, business restaurants, itsthe function nor its context. integrating all the special programs of thecenter, tower - entrance reception, business center, restaurants, its function nor itswords, context. views. ToToimprove improve connectivity connectivity between between contiguous contiguous floors floorshall, and andbetween between the two twocores, cores, we we lean lean the thetowers towers differently. differently. InInother other words, perfectly perfectly proportioned slender towers, towers, embra embr unique urban history. collaborate andproportioned work, andslender to celebrate urban c. in continuityand looping twoothertowers through the base andinup fitness center, media center etc. in continuityand looping two towers together through the base and up towards towards each each othersosotogether very verylarge large floor floorplansplansunknown unknown inprevious previous tower tower typologiestypologieswill will bebecreated. created. Each Each opportunities, opportunities,knitted knittedtogether togetherthrough throughaavertical verticalstring stringofofgardens. gardens.We We tly proportioned office floor plansand are extruded upward around tower We propose atransition meta-modern approach la Défense, that combines the best ofRather modern rigor efficient efficient floorplan floorplan isisperfectly different differentfrom fromthe theone oneabove above and andcores below below because because ofofthe thegentle gentle transition ofthe the volume volume for the both both functional functional andfun fun - -effective effective and and aesthetic. aesthetic. Rather than privileging privilegin to the top. Efficient proportioned office floor plans are extruded upward around of tower cores WeOasis propose aand meta-modern approach for the Oasis lathan Défense, tha e building with maximized efficiency, flexibility, natural light and outward and the sculptural strength of the post-modern icon.sculptural But ourthe proposal looks differentbecause itappears performs up upathrough through the the towers. towers. Smaller Smaller gardens gardens interconnect interconnect the the floors floorswith with double-height double-height spaces spaces and and open the the sculptural sculptural over over the rational, rational, we we propose propose aadesign design that that appears origi to form modern, elegant office building with maximized efficiency, flexibility, natural light andopen outward and the strength of the post-modern icon. But ourorigin propo between contiguous andgreen between theculminate two cores, lean the towers differently. In other words, perfectly towers, embracing other to create endless stairs. These These greenspaces spaces culminate ininawe agigantic gigantic oasis oasis on onthe the rooftop, rooftop, where where the employees employees ofof the the tower tower proportioned inin aanew newslender way. way.In The The qualities qualities ofofspaces spaceseach their their connectivity connectivity are arein infact fact the thevev views.stairs. Tofloors improve connectivity between contiguous floors and between the twothe cores, we lean the towers differently. other words, perfectly proportioned slender towers, benefit benefit from breathtaking breathtaking views views ofofthe the Parisian Parisian skyline skyline as aswell wellasastower the the many many functions functions placed placed there. there.AAEach large large its unique unique presence presence ininthe the Parisian Parisian skyline. skyline. As abonus, bonus,string the the design design isisbas ba ge floor plansunknown previous towerlarge typologieswill be created. opportunities, knitted together through a its vertical string ofknitted gardens. We propose anAs architecture that towards eachinfrom otherso very floor plansunknown inEach previous typologieswill be created. opportunities, together through a avertical ofisgarden courtyard isissunken sunken ininof the the center center ofofthe theroof roofgarden garden and and brings brings daylight daylight into into the theheart heart of ofthe the upper upper floors. floors. structural structural system, system, the the reduction reduction of ofthe the exterior exterior envelope envelope and andmaximizin maximizi rom the one efficient abovecourtyard and below because the gentle transition of volume both functional and fun - effective and aesthetic. Rather than privileging the interior over theRather exterior or priv floorplan is different from the one above andthe below because of the gentle transition of the volume both functional and fun - effective and aesthetic. than The Thecourtyard courtyard has has the the same samegardens proportions proportions asasaaand Hausmanian Hausmanian street street section section inParis Parisand and will willbe be game game changing changing tower. tower. And Andthe theproject project delivers delivers more more green green space, through the the two twooasis oasi gardens interconnect the with double-height spaces open theinsculptural over the rational, we propose a design that appears original because itspace, behaves andthat functions up through thefloors towers. Smaller interconnect the floors with double-height spaces and open the sculptural over the rational, we propose a through design appears in the theconception conception ofofmodern modern towers. towers. Generous office plans with with green green qualities, qualities, that that traditionally traditionally are are known knowntheirthe the than the the size size ofofthe the thevery building building site site itself. itself. minate in a gigantic on the rooftop, where theinemployees of theplans tower inwhere a newthe way. The qualities of spaces connectivity are in fact elements that give the design stairs.inoasis These green spaces culminate aGenerous giganticoffice oasis on the rooftop, employees of the tower in roofaroofnewthan way. The qualities of spaces their connectivity are in fact t ininlow lowrise rise buildings, buildings, will now now bebefound foundin inthe thesky sky over overA Paris. Paris. Theupper upper oasis dedicated dedicated totothe the employees employees s of the Parisian skyline as well as thewill many functions placed there. large itsoasis unique presence in the Parisian skyline. As bonus,presence the design is based on askyline. rationalAsand cost-efficient benefit from breathtaking views of the Parisian skyline as wellThe as the many functions placed there. A large its aunique in the Parisian a bonus, the design has has aacounterpart counterpart ininthe theinto base base ofofthe thetower, tower, where where another another oasis oasisisisplaced placed ininconnection connection with with theEsplanade Esplanade er of the roofcourtyard garden and brings daylight the heart ofgarden the upper floors. structural system, thethe reduction of the exterior envelope and maximizing theofvaluable areasenvelope in the top ofmaxi a is sunken in the center of the roof and brings daylight into the heart of the upper floors. structural system, the reduction the exterior and de de la la Défense Défense and and between between the the two two towers. towers. A A lush lush garden garden connects connects the the Esplanade Esplanade to to the the Cours Cours Michelet. Michelet. A A oportions as aThe Hausmanian street section in Paris andas will be game changing tower. Andand thewill project delivers more green space, twodelivers oasis’- one ongreen ground levelthrough and onethe on two courtyard has thein same proportions awell Hausmanian street section inthe Paris be game changing tower. through And the the project more space, new newdestination destination inthe thecity cityisiscreated, created,asas well asasaaprominent prominent gateway gateway toto thecity cityofofPuteaux. Puteaux. wers. Generous office plans with green qualities, traditionally are known the roof- than the size of the in the conception of modern towers. that Generous office plans with green qualities, that traditionally arebuilding known site itself. the roof- than the size of the building site itself. e found in the Paris. The will upper oasis dedicated tosky theover employees in sky lowover rise buildings, now be found in the Paris. The upper oasis dedicated to the employees f the tower, where another oasis placed with the Esplanade has a counterpart in is the base in of connection the tower, where another oasis is placed in connection with the Esplanade two towers.de A lush gardenand connects thethe Esplanade to the Michelet. A la Défense between two towers. A Cours lush garden connects the Esplanade to the Cours Michelet. A eated, as well as destination a prominentingateway the city of new the cityto is created, asPuteaux. well as a prominent gateway to the city of Puteaux. OASIS LA DÉFENSE

OASIS LA DÉFENSE

2.1 MASSING

SITE BOUNDARY

Site Boundary

MAXIMUM ENVELOPE

Maximum Envelope

TWO TOWERS

Two Towers

LEANING TOWERS

Leaning Towers

The task - to create two office towers and to provide connections between them for amenities - while at the same time maintaining a unified architectural expression - is given a twist. The building begins on the ground with the premise of two towers. Upon reaching their final height, they are fully locked together - unified in form - and relying on each other for stability.

TRANSFORMING FOR BETTER VIEWS

ADJUSTING TO THE SITE &FLOWS

DIVERSITY IN FLOORS

COMMON SPACES/OASIS ELEVATOR HIGH BATTERY

OASIS LA DÉFENSE

STAIRS

ELEVATOR LOW BATTERY

OFFICE ESCALATOR

PUBLIC ELEVATORS PUBLIC ESCALATOR

Our vision for the oasis creates a holistic vertical landscape based around nature, wellness and work.

The elevator lobbies on each given access to natural light proximity to the glass façade.

PAUSE FOR THOUGHT The vision for the public realm creates a diverse and human-scale oasis that acts as a welcome retreat from the formal, large-scale boulevards of L’Esplanade. Half park, half plaza, the design maximises on both lushness and pedestrian flow through the site.

Shape Up & Biophillic Design The qualities of spaces and their connectivity are in fact the very elements that give the design its unique presence in the Parisian skyline. The design is based on a rational and cost-efficient structural system, the reduction of the exterior envelope and maximizing the valuable areas in the top of a tower. By beginning with two towers of the same height and shaping them to lock in embrace, floor area is gained in the sky. It maximizes the higher rent areas at the top of the building.

The extracted air from the surrounding offices is passively draw the atrium through a natural pressure gradient between offic greenhouse, significantly reducing mechanical ventilation e requirements. The green lung system creates an environm sustainable symbiosis between living and mechanical building f utilising principals of passive exchange, reducing energy cos creating a naturally responsive vertical park.

SITE BOUNDARY

MAXIMUM ENVELOPE

TWO TOWERS

LEANING TOWERS

TRANSFORMING FOR BETTER VIEWS

ADJUSTING TO THE SITE &FLOWS

DIVERSITY IN FLOORS

COMMON SPACES/OASIS

Transforming for Better Views

Adjusting to the Site & Flows

Common Spaces/Oasis

OASIS LA DÉFENSE

2.2 FUNCTIONING CIRCULATION DIAGRAM

STAIRS ESCALATOR ELEVATOR LOW BATTERY ELEVATOR HIGH BATTERY PUBLIC ELEVATOR

floor are t by their

wn into ce and energy entally fabrics, sts and

Diversity in Floors

OASIS LA DÉFENSE

Plan Strategy The two towers are based on a rational and ideally suited center-core office floor typology, while the embrace they share lends an elegance in form that is unique when experienced from the Esplanade, the Cours Michelet and on the Parisian skyline. At the heart of the form are floorplates that can easily host a variety of office layouts from an entirely open office to entirely closed offices - and everything in between - all based on a module of 1.35 meters. An iconic building form is achieved without sacrificing flexibility and leasibility.

3.3 KEY SECTIONS 1/800

1:800 0

10m

OASIS LA DĂ&#x2030;FENSE

20m

40m

80m

OFFICE SPACE & SUPPORT (SDP)

CLOSED AREA (SDP)

OFFICE SPACE & SUPPORT (SDP)

2.2 FUNCTIONING

2.2 FUN

PROGRAM DIAGRAM

PROGRAM

CLOSED AREA (SDP)

130.000 m²

115.000 m²

3.2 F10 - 10TH FLOOR

1/500 N

COMMON SPACE (SDP)

15.000 m²

COMMON SPACE (SDP)

LANDSCAPE

OPEN AREA

PARKING

2500 - 3000 m²

LANDSCAPE

OPEN AREA

PARKING

2500 - 3000 m²

LOBBY RETAIL BUSINESS CENTER TECHNICAL/LOGISTICS RESTAURANT

COWORKING OFFICE SKYLOBBY LANDSCAPE GREENHOUSE

LOBBY RETAIL BUSINESS CENTER TECHNICAL/LOGISTICS RESTAURANT

COWORKING OFFICE SKYLOBBY LANDSCAPE GREENHOUSE

OFFICE CORE

OASIS LA DÉFENSE

937

810

3495

810

127

1090

11325 4335 810

809

810

817

127

810

938

WINTER GARDEN

OPEN TO BELOW

A10

A11

A12

E1 E1'

810

128

3495

810

WINTER GARDEN

810

W1'

810

A11

263

A10 A8

810

COMMON AREA

3630

A15

810

MEP

COMMON AREA

MEETING ROOM

C. R.

A16

A15

MEP

3.2 F32 -32ND FLOOR

WINTER GARDEN

127

W5'

937

810

127

817

810

810 4335 11325

3495 A

1/500

810

INTERFLOOR LINK

263

810

E4 A1

MEETING ROOM

C. R. MEP

MEP

810

809

1090

127

810

E5'

938

3495

OFFICE CORE

10 B

937

810

127

1090

11325 4335 810

809

810

817

127

810

128

3495

810

WINTER GARDEN

810

938

WINTER GARDEN

E1 E1'

810

1:500

810

W1'

810

OPEN TO BELOW

A11

3495

263

A12

20m

MEE TING

810 3630

ROOM

3.2 F37 -37TH FLOOR

810

WINTER GARDEN

127

W5'

937

810

127

817

810

810 4335 11325

3495 A

1/500

810

INTERFLOOR LINK WINTER GARDEN

263

40m

OASIS LA DÉFENS

810

810 3630 810

ROOM

MEP

A12

10m

MEP

A10

MEE TING RO

C. R.

COMMON AREA

A11

MEE TING RO

MEE TING

A16

MEP

COMMON AREA

MEP

A16

A15

ROOM

A10

MEE TING

MEETING ROOM

MEP

ROOM

A15

MEE TING

MEP

MEP C. R.

809

1090

127

810

E5'

938

3495 E3

OFFICE CORE

32 B

937

3495

810

127

1090

809

11325 4335 810

810

817

127

810

3495

810

938

WINTER GARDEN

810 MEETING MEETING ROOM ROOM

A10

A11

A12

810

810 3630

810

C. R. MEP

MEP

3630 810

A16

MEP

810

WINTER GARDEN

127

263

COMMON AREA

FREEWORKING SPACES

MEETING ROOM A16

MEP

A15

COMMON AREA

A10

SUBTROPICAL GARDEN

C. R. MEP

A15

A12

MEETING ROOM

MEP

A11

MEETING ROOM MEP

W5'

E1'

MEP

1:500

810

W1'

810

WINTER GARDEN

128

810

263

937

810

127

817

810

810 4335 11325

3495 A

809

1090

127

810

938

3495 E3

E5 E5'

10m

20m

40m

OASIS LA DÉFENS

5.1 FACADE SYSTEM TYPICAL OFFICE FACADE MODULATION SCALE 1/50

SECTION

ELEVATION

5.1 FACADE SYSTEM SCALE 1/20

PLAN OASIS LA DÉFENSE

DOUBLE GLAZED INTERIOR OPERABLE WINDOW AND FRAME SPACE FOR CLOSED OFFICE DIVIDING WALLS, 1.35M MODULE

CARRIER FRAME, WITH VENT OPENINGS FIRE BARRIER, WITH INTERIOR WALL FINISH

INTERMEDIATE MULLION

RAISED FLOOR SYSTEM, WITH INTERIOR FLOOR FINISH

STRUCTURAL COLUMN UNITIZED FACADE PANEL JOINT

FACADE MAINTENANCE RESTRAINTS

DOUBLE GLAZED INTERIOR OPERABLE WINDOW AND FRAME

VENTILATION GAP FACADE BRACKETS

INTERIOR

STRUCTURAL SLAB INSULATED SPANDREL PANEL, CLAD WITH FINISH MATERIAL FACING OUTWARD FIRE BARRIER FINISHED CEILING

EXTERIOR

SOLAR SHADING BLINDS/SHADES SINGLE GLAZED EXTERIOR GLASS

SOLAR SHADING BLINDS/SHADES SINGLE GLAZED EXTERIOR GLASS EXTERIOR

INTERIOR

CARRIER FRAME, WITH VENT OPENINGS VENTILATION GAP

Facade System OASIS LA DÉFENSE

The enclosure system proposed for the Oasis la Defense is a fully glazed doubleskin, naturally ventilating facade. The sculptural form of the building is heightened by rendering the tower as crystalline and transparent through the use of a glass facade.The geometry of the tower is a balance between vertical and rectilinear facades with the sculptural twisting facades.

MOVE BEYOND THE CONSTRAINTS OF ENGINEERING !

VOL.CLXII...No. 8

COPENHAGEN, F

FRIDAY, MAY 1, 2018

Bjake Ingels Group Professional Porject Architecture Design December 2017 - May 2018 Team Work Role: Designer for Plans, Sections, Elevations, Modeling, Renderings, Facade Design, etc. on the phases of DD Manager: Jesper Bo Jensen

$ 0.00

KAKTUS TOWERS The cactus towers are a new 80 meter high rise dormitory in Copenhagen. The towers will embody the tradition of solitary towers typical of Copenhagen and the entrance to Copenhagen. The area's central location and urban large scale are suitable for youth housing, and students will also contribute to a lively and safe environment at all times of the day. Housing at Kalvebod Brygge will imply a better continuity in the use of urban spaces, as well as a greater variety and diversity in the area. For buildings over 45 meters, the entire building must be integrated to meet various challenges. In each Cactus Tower we have two independent stairs. All hallways and homes have sprinklers and ensure that fire contamination from floor to floor cannot happen. This is important as the basic principle of the fire rescue is â&#x20AC;&#x153;stay in placeâ&#x20AC;? until the residents are told that they must evacuate by the emergency response. Each dwelling unit is equipped with a communication system so that they can continuously make emergency calls or obtain information about the emergency response. The location of the roads must be clarified in collaboration with the capital's emergency preparedness. The balconies on the Cactus towers help give the building its shape and character. The balconies are made of galvanized steel with visible profiles and are made in 8 different variations that are repeated throughout the building. Functionally, both communal kitchens open to outdoor private terraces. This offers a great opportunity for interaction between the outside and the inside, as well as the possibility for all the residents to use the terraces on the green area and get to know each other informally. The hallway connects all the apartments with the contrast between concrete and wood. Also, there is a fantastic view of both the harbor and Vesterbro from the communal kitchens.

DTU DTU

RUC RUC

UNIVERSITETET UNIVERSITETETI ILUND LUND

CITY CITY

HOVEDBANEGÅRDEN HOVEDBANEGÅRDEN

KØDBYEN KØDBYEN VESTERBRO VESTERBRO TIVOLIHOTEL HOTEL TIVOLI CARLSBERGCAMPUS CAMPUS CARLSBERG

KAKTUS KAKTUS

KAKTUS TÅRNENE HOVEDPROJEKT 16

FISKETORVET FISKETORVET

KAKTUS KAKTUS

KERNE

KAKTUS TÅRN HOVEDPRO

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STABLET KAKTUS TÅRNENE HOVEDPROJEKT 108

STABLET

1 TERASSE ROTERER 1 TERASSE ROTERER

Stacking

1 Terrace Rotating

VISUALISERING, MATERIALER KERNE, TRAPPE, ELEVATOR

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VÆG

BØRSTET STÅL

LOFT SPEJL

VÆG #2

HUSKMITNAVN

ALLE TERASSER ALLE ROTERER TERASSER ROTERER

All Terrace Rotating

KAKTUS TÅRNENE KAKTUS TÅRNENE

Cactus Towers

KAKTUS KONCEP

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EE AADD S SGG ELVEV L RRS S GEGE ININ

GEGE YGYG BRBR D D OO EBEB LVLV KKAA

, 344, USS 3 BBU

DDE E GAGA RRS S H H UU EBEB NNI I ETNEN T RRS S CACA

OG , -TOG E AA, , T NIIE x, CC, SS- LIN LI B, BBx, B,

ROO BR LSSB BØØL YBBB DDY KAKTUS KAKTUS

AA S S1 1 BUBU

SS BUBU

KAKKAK-

SS BUBU

Kalvebod Brygge runs next to the site where you can enter or INFRASTRUKTUR INFRASTRUKTUR OMKRING OMKRING GRUNDEN GRUNDEN #1 #1

The site is close to both the s-train station Dybbølsbro Stop for INFRASTRUKTUR INFRASTRUKTUR OMKRING OMKRING GRUNDEN GRUNDEN #2 #2

Grunden Grundener ertrafikalt trafikaltvelforsynet velforsynetda daKalvebod KalvebodBrygge Brygge(ring (ring02) 02) løber løberlige ligeved vedsiden sidenaf afgrunden. grunden.Derfra Derfrakommer kommerman manhurtigt hurtigtind ind og ogud udaf afkøbenhavn. københavn.

Grunden Grundenligger liggertæt tætpå påbåde bådes-togs s-togsstationen stationenDybbølsbro Dybbølsbromed med Stop Stopfor forlinie linieA, A,B, B,Bx, Bx,C, C,EEog ogH, H,samt samtbuslinierne buslinierne34, 34,66 66og og1A. 1A.

leave Copenhagen quickly.

Construction The construction principles are regular wall and deck slab with additional reinforcement of spacecast circular core.

Core The stairs in the core are designed as independent pressurized stairways, which twist around each other like two spirals. The elevators are stainless steel with rubber floors and mirror finishes in the ceiling. All hallways and homes have sprinklers and ensure that fire contamination from floor to floor cannot happen.

lines A, B, Bx, C, E and H, as well as bus lines 34, 66 and 1A.

KAKTUS TÅRNENE HOVEDPROJEKT 43

PLAN NIVEAU + 9.50 KAKTUS TÅRNENE HOVEDPROJEKT 43 1

PLAN

SIGNATURFORKLARING:

8850

12000

Hovedindgang

NIVEAU + 9.50

Sekundær indgang/udgang 9.90

K01_H5_N18

Sekundær indgang/udgang

Eng

K01_H5_N18

R12

A16

TEGNINGSHENVISNING:

SNIT I TERRÆN

67 m2

44 m2

6 m2

A11

Kulturareal Tårn Foyer 44 m2

Bemandet Foyer 16 m2

INDGANG KULTURAREAL TÅRN

16 m2

INDGANG KULTURAREAL TÅRN

A10

INDGANG TÅRN A

B16

R12

A10

+60,80 +57,80 +54,80 +51,80 +48,80 +45,80 +42,80 +39,80 +36,80 +33,80 +30,80 +27,80 +24,80 +21,80 +18,80 +15,30 +12,40 +9,50

INDGANG BUTIK

B4 41 m2

Butik 167 m2

INDGANG TÅRN B Butik

Foyer

Bemandet Foyer

INDGANG TÅRN B

Kaktustårnene

22 m2

Butik 171 m2

B5 Brandcentral 6 m2

22 m2

B6 Teknik Vaskeri

Flugtvej

102 m2

Fællesvaskeri 33 Vaskemaskiner 66 m2 17 Tørretumblere

20 m2 21 m2

Teknik butik 22 m2

Tavlerum

8850

N ER FRA PROJEKTFORSLAGET. RES EFTER FÆRDIGGJORT HOVEDPROJEKT.

FRA PROJEKTFORSLAGET. EFTER FÆRDIGGJORT HOVEDPROJEKT.

12000

B10

Indtrængningsvej

A2 Godkendt af:

JBJ

ARK - BJARKE INGELS GROUP - Kløverbladsgade 56, 2500 Valby - Tlf.: +45 7221 7227 ING - MOE A/S - Buddingevej 272 - 2860 Søborg - Tlf.: +45 4457 6000

xxx -

K01_H1_N104_E3-

Projekt ID:

Format:

09.03.2018

(BIG) 17010

Tegnet af:

Kontrol af:

Godkendt af:

MMP

JBJ

Plantegninger Niveau 9,5 (Dybbølsbro)

#Notes

12000

#Notes

0 1

DENNE PLAN ER FRA PROJEKTFORSLAGET. DEN OPDATERES EFTER FÆRDIGGJORT HOVEDPROJEKT. 0 1

0,0

B10 B9

Noter:

KALVEBOD BRYGGE

B11

K01_H1_N104_E3-

1:200

12300

12000

B8 8000

Layout. nr. - Rev.:

Skala:

B10

E D

Tegn.:

Noter:

KALVEBOD BRYGGE

8850

LAND - BJARKE INGELS GROUP - Kløverbladsgade 56, 2500 Valby - Tlf.: +45 B12 7221 7227

Dato:

Layout. nr. - Rev.:

1:200

12300

B11

12000

B8 8000

(BIG) 17010 Kontrol af:

MMP

Skala:

3 m2

09.03.2018 Tegnet af:

Plantegninger Niveau 9,5 (Dybbølsbro)

102 m2

21 m2

Teknik Vaskeri

Format:

Tegn.:

Byttecentral

Fællesvaskeri 33 Vaskemaskiner 66 m2 B7 17 Tørretumblere

20 m2

Projekt ID:

Teknik

København Danmark

Dato:

3 m2

B11

Kongens Nytorv 26, 1. København K 1050 Denmark B13 B

xxx -

20 m2 Tavlerum

B12

+9,50 +4,95 +1,50

Kaktustårnene

ING - MOE A/S - Buddingevej 272 - 2860 Søborg - Tlf.: +45 4457 6000 LAND - BJARKE INGELS GROUP - Kløverbladsgade 56, 2500 Valby - Tlf.: +45 7221 7227

Byttecentral

B4 +24800

+16,90 +13,20

Catella Investment Management A/S

København Danmark ARK - BJARKE INGELS GROUP - Kløverbladsgade 56, 2500 Valby - Tlf.: +45 7221 7227

22 m2

Plaza

15 m2

Teknik butik

Bemandet Foyer

B14

+4,95 +1,50 -2,00

Teknik butik

Plaza

26 m2

15 m2

+75,30 +72,30 +69,30 +66,30 +63,30 +60,30 +57,30 +54,30 +51,30 +48,30 +45,30 +42,30 +39,30 +36,30 +33,30 +30,30 +27,30 +24,30 +20,60

6 m2

20 m2

8.35

+9,50 +4,95 +1,50

Kongens Nytorv 26, 1. København K 1050 Denmark

B5 Brandcentral

Dobbelthøjt rum

Flugtvej

Indtrængningsvej

+13,20

Catella Investment Management A/S

171 m2

B13

R12

B15

+60,80 +57,80 +54,80 +51,80 +48,80 +45,80 +42,80 +39,80 +36,80 +33,80 +30,80 +27,80 +24,80 +21,80 +18,80 +15,30 +12,40 +9,50

+16,90

+4,95 +1,50 -2,00

+9500

B13

Foyer 26 m2

8.35

+75,30 +72,30 +69,30 +66,30 +63,30 +60,30 +57,30 +54,30 +51,30 +48,30 +45,30 +42,30 +39,30 +36,30 +33,30 +30,30 +27,30 +24,30 +20,60

Butik

Dobbelthøjt rum

DATO

B16

+9500 OTV Teknikrum

INIT

Projektforslag

FORTOV

12000

41 m2

BESKRIVELSE

167 m2

130 m2

Klub

C INDGANG BUTIK

130 m2

REV

DATO

Projektforslag

INDGANG BUTIK

B14 Klub

INIT

INDGANG BUTIK

OTV Teknikrum

BESKRIVELSE

Plaza

Trappe til Den Grønne Kile

Plaza

R12

B15

REV

B1 Trappe til Den Grønne Kile

INDGANG TÅRN A

F C

28 m2

Cykelparkering 581 Alm. cykler 90 Ladcykler

12000

Kulturareal Tårn Foyer

28 m2

Brandcentral Foyer

+24300

6 m2

FORTOV

12000

A12

Brandcentral

D2 D1 D

12000

20 m2

12000

Layout. no. - Rev.:

K01_H1_N104_E3A5

Flugtvej

+9500

Bemandet Foyer

A10

K01_H1_N104_E3-

INDGANG KULTURAREAL BASE

20 m2

41 m2

A11

Teknik

Layout. no. - Rev.:

Flugtvej

INDGANG KULTURAREAL BASE

OTV teknik

A11

B12

A14

Cykelparkering 581 Alm. cykler 90 Ladcykler

K01_H3_N100 - N105

Bygningsudsnit K01_H4_N100 - N103

36 m2

Snit

A12

12000

DE FIRE STYRELSER

K01_H5_N16

Kulturareal Base Foyer

Kulturareal Depot

9.43

B14

K01_H3_N100 - N105

+9500

A12

B15

K01_H5_N16

67 m2

Foyer

K01_H2_N100 - N103

Snit

+9500 Kulturareal Base Foyer

A13

9.43

B16

K01_H1_N100_EKL - K01_H1_N131_ET

Facader

A13

22 m2

Planer

36 m2

+9500

Trappe9.27

K01_H1_N100_EKL - K01_H1_N131_ET F K01_H2_N100 - N103

Bygningsudsnit K01_H4_N100 - N103

A3 Vicevært

Kulturareal Depot

41 m2

12000

DE FIRE STYRELSER

22 m2

22 m2 44 m2

OTV teknik

Trappe9.27

Vicevært

Teknik Kulturareal Teknikrum

SNIT I TERRÆN

12000

8.35 8.35

A15

Facader

12000

12000 12000

22 m2 44 m2

A13

Teknik Kulturareal Teknikrum

A14

ENGEN

8.62

Betonvæg iht. Ingeniørprojekt

A14

R12

ENGEN

10.38

Planer

12000

10.38

10.22

Evt. fremtidig skellinie

Let væg int. Arkitektprojekt

A15

8.62

TEGNINGSHENVISNING:

Eng

Let væg int. Arkitektprojekt

Skellinie

12000

10.22

Betonvæg iht. Ingeniørprojekt

Hovedindgang

A15

Evt. fremtidig skellinie

SIGNATURFORKLARING:

A16 9.90

12000

Skellinie

KAKTUS TÅRNENE HOVEDPROJEKT 53

PLAN NIVEAU +24.80 (Tårn B) og +24.30 (Tårn A) KAKTUS TÅRNENE HOVEDPROJEKT 53

PLAN

20300

SIGNATURFORKLARING: Hovedindgang

NIVEAU +24.80 (Tårn B) og +24.30 (Tårn A)

Sekundær indgang/udgang Skellinie 9

Evt. fremtidig skellinie

SIGNATURFORKLARING:

Betonvæg iht. Ingeniørprojekt

Hovedindgang

A16

Sekundær indgang/udgang

A2 F

R12

Let væg int. Arkitektprojekt

Skellinie

TEGNINGSHENVISNING:

Evt. fremtidig skellinie

Planer

K01_H1_N100_EKL - K01_H1_N131_ET

Facader

K01_H2_N100 - N103

Snit

K01_H3_N100 - N105

Betonvæg iht. Ingeniørprojekt

A1 Let væg int. Arkitektprojekt

TEGNINGSHENVISNING: A2

Planer

K01_H1_N100_EKL - K01_H1_N131_ET

Facader

K01_H2_N100 - N103

Snit

K01_H3_N100 - N105

Bygningsudsnit K01_H4_N100 - N103

A3 G

+24300 28

0,0

A4 E

+24300 28

Layout. no. - Rev.:

K01_H1_N109_E8-

0,0

A4 E

Layout. no. - Rev.:

K01_H1_N109_E8-

A5 A5

A6 A6

REV

A8 A9

BESKRIVELSE

REV DATO ID

INIT

BESKRIVELSE

INIT

DATO

Projektforslag

C +75,30 +72,30 +69,30 +66,30 +63,30 +60,30 +57,30 +54,30 +51,30 +48,30 +45,30 +42,30 +39,30 +36,30 +33,30 +30,30 +27,30 +24,30 +20,60

C +60,80 +57,80 +54,80 +51,80 +48,80 +45,80 +42,80 +39,80 +36,80 +33,80 +30,80 +27,80 +24,80 +21,80 +18,80 +15,30 +12,40 +9,50

+9,50

+4,95 +1,50 -2,00

+4,95 +1,50

Catella Investment Management A/S B

Kaktustårnene B

Kongens Nytorv 26, 1. København K 1050 Denmark

ARK - BJARKE INGELS GROUP - Kløverbladsgade 56, 2500 Valby - Tlf.: +45 7221 7227 ING - MOE A/S - Buddingevej 272 - 2860 Søborg - Tlf.: +45 4457 6000 LAND - BJARKE INGELS GROUP - Kløverbladsgade 56, 2500 Valby - Tlf.: +45 7221 7227

Kaktustårnene København Danmark

xxx Dato:

Projekt ID:

Format:

09.03.2018

(BIG) 17010

Tegnet af:

Kontrol af:

Godkendt af:

MMP

JBJ

Tegn.:

xxx Plantegninger Niveau 24,3 og 24,8 Første boligetage TårnDato: A

Projekt ID:

Format:

09.03.2018

(BIG) 17010

Kontrol af:

Godkendt af:

JBJ

MMP K01_H1_N109_E8Tegn.:

1:200

Plantegninger Niveau 24,3 og 24,8 Første boligetage Tårn A

Noter:

Tegnet af:

Layout. nr. - Rev.:

Skala:

#Notes

Layout. nr. - Rev.:

Skala:

+9,50 +4,95 +1,50

Catella Investment Management A/S

København Danmark

+16,90 +13,20

+4,95 +1,50 -2,00

Kongens Nytorv 26, 1. København K 1050 Denmark

+75,30 +72,30 +69,30 +66,30 +63,30 +60,30 +57,30 +54,30 +51,30 +48,30 +45,30 +42,30 +39,30 +36,30 +33,30 +30,30 +27,30 +24,30 +20,60

+60,80 +57,80 +54,80 +51,80 +48,80 +45,80 +42,80 +39,80 +36,80 +33,80 +30,80 +27,80 +24,80 +21,80 +18,80 +15,30 +12,40 +9,50

+16,90 +13,20

K01_H1_N109_E8-

1:200

Noter:

#Notes

0 1

FACADE VISUALISERING, MATERIALER ALTANER

TÅRNENE OJEKT

DE SNIT OG OPSTALT

UNDER DET LANDSKABELIGE STRØG Ude Grønne Strøg

KAKTUS TÅRNENE HOVEDPROJEKT 70

FACADE SNIT OG OPSTALT Ude Cykelparkering

BASE TÅRNE OVER DET LANDSKABELIGE STRØG

B13

4.682

B +18.800

+9.500

+18.620

+9.500

+8.600

U-glas facade 40% åbningsgrad

U-glas facade

+15.300

Alu facade

Kulturarealer Mezzanine

+15.200

Etageadskillelse

Beton iht. ING

Gulvopbygning

Værn mod det Grønne Strøg

Terræn +12.400

+4.950

+12.300

+4.950 +4.850 Layout. no. - Rev.:

K01_H4_N001-

VINDUERAMMER

DØRE

ALU/ALU

VINDUER

TRÆ NATUR LAMELLER/ALU

ryk tt 8 big 201 elø 0 6 For 2 2 -

GLAS 200

300

800

+2.100

VAR.

Kulturarealer

+2.000

REV

706

TERRÆN VAR.

BESKRIVELSE

INIT

DATO

Hovedprojekt

VAR.

+1.500

+9.500

+1.500 +1.440

+9.400

N Opstalt A

+75,30 +72,30 +69,30 +66,30 +63,30 +60,30 +57,30 +54,30 +51,30 +48,30 +45,30 +42,30 +39,30 +36,30 +33,30 +30,30 +27,30 +24,30 +20,60

+60,80 +57,80 +54,80 +51,80 +48,80 +45,80 +42,80 +39,80 +36,80 +33,80 +30,80 +27,80 +24,80 +21,80 +18,80 +15,30 +12,40 +9,50

+16,90 +13,20 +9,50

+4,95 +1,50 -2,00

Skel -linje

Facade -linje

Kongens Nytorv 26, 1. København K 1050 Denmark

Kaktustårnene

B13

København Danmark

Snit B-B

800

FACADE BOLIG

+4,95 +1,50

Kaktus 1 PropCo ApS G

800

Kulturarealer B

Dato:

Projekt ID:

xx.xx.2018

(BIG) 17010

Tegnet af:

Kontrol af:

MMP

JBJ

R12

Format:

A0 Godkendt af:

Tegn.:

Facade -linje 5

Carsten Neighbours Gade 7

01 Facadeudsnit Facadeudsnit, base Skala:

1:20

Layout. nr. - Rev.:

K01_H4_N001-

Noter:

#Notes

Facades Facing Carsten Niebuhr The facade pattern appears similar on all sides of the base, like a large carpet that folds around the base and provides tranquility and continuity.

Base over th

The closed facades work with wood façade against the galvanized balcon same time, they help hide the grate fro

KAKTUS TÅRNENE HOVEDPROJEKT 133

DESIGN ELEMENT AKUSTISKE LOFTER B12

B11

R12

Facadelinje

4.682 VAR.

+18.800

+18.620

Lamel beklædning

Aptering, fineret

Altandæk

Facadeelement glasfacade

1866

3.500

Etageadskillelse

Beton iht. ING

-2,00 +1,50 +4,95

Gulvopbygning

+9,50 +12,40 +15,30 +18,80 +21,80 +24,80 +27,80 +30,80 +33,80 +36,80 +39,80 +42,80 +45,80 +48,80 +51,80 +54,80 +57,80 +60,80

Værn mod det Grønne Strøg

Terræn

+15.300 +15.200

Iht. leverandør

Ude

egulstfoL

Inde

2.900

+12.400

05 65

2.900

TEORETISK TERRÆN LINJE

OK. BETON

Layout. no. - Rev.:

K01_H4_N002-

TERRÆN OPBYGNING

2087

+9.500 +9.400

ryk tt big 2018 elø 06For 2 2 REV

1978

BESKRIVELSE

INIT

DATO

Hovedprojekt

1239

Ude

+16,90 +13,20 +9,50

+4,95 +1,50 -2,00

Inde

+4,95 +1,50

Hatch rotation axis

52.415

B11

- Xxxxxx - Xxxxxx - Xxxxxx - Xxxxxx - Xxxxxx Tag: Ceiling level xxx

054

+75,30 +72,30 +69,30 +66,30 +63,30 +60,30 +57,30 +54,30 +51,30 +48,30 +45,30 +42,30 +39,30 +36,30 +33,30 +30,30 +27,30 +24,30 +20,60

+60,80 +57,80 +54,80 +51,80 +48,80 +45,80 +42,80 +39,80 +36,80 +33,80 +30,80 +27,80 +24,80 +21,80 +18,80 +15,30 +12,40 +9,50

52.46

60 20 10 20

B12

471

261

Snit B-B

Kaktus 1 PropCo ApS Kongens Nytorv 26, 1. København K 1050 Denmark

Kaktustårnene København Danmark Faca linjede-

xx.xx.2018

Projekt ID:

Format:

(BIG) 17010

Tegnet af:

Kontrol af:

MMP

JBJ

A0 Godkendt af:

Tegn.:

01 Facadeudsnit Facadeudsnit, fællesarealer DGS Skala:

1:20

Layout. nr. - Rev.:

K01_H4_N002-

Noter:

#Notes

Landscape

den slats that provide warmth to the nies and raw aluminum profiles. At the om the ventilation system.

Ceiling of teh Balcony The slat walls create a nice connection with the plaster ceiling, on which there are moldings that radiate from the core.

+1,50 +4,95 +9,50 +13,20 +16,90 +20,60 +24,30 +27,30 +30,30 +33,30 +36,30 +39,30 +42,30 +45,30 +48,30 +51,30 +54,30 +57,30 +60,30 +63,30 +66,30 +69,30 +72,30 +75,30

SIGNATURFORKLARING:

Hovedindgang

12000

20300

CARS TEN NIE BUHR S GADE

Sekundær indgang/udgang

Skellinie

Evt. fremtidig skellinie

Betonelementvæg iht. Ingeniørprojekt

In-situ betonvæg int. Ingeniørprojekt

Betonsøjle iht. Ingeniørprojekt

Gipsvæg iht. K01_H5_N001

Projekteret væg (Bygherreleverance)

Dørsignatur for skydedør i væg

D X.XX

C K01_H3_N102

A15

Dørnummer Eks.

A K01_H3_N100

A15

Dørnummer Eks.

A K01_H3_N100

±0,00

Koteangivelse i milimeter

(±0,00)

A3 (FG: +20600)

Dobbelthøjt rum

Gang

S-56 Snit

S-55 Snit

35 m2 06A03 Gulv: 239.001

S-55 Snit

35 m2 06A03 Gulv: 239.001

FG: +20600

D A6.02

E 30-C

150

1390

75 150

1790

475 2 m2 06A05

D A6.04

E 30-C ABDL

57 S- it Sn

475

WC EI² 60

TEGNINGSHENVISNING:

57 S- it Sn

Kulturareal Tårn

A: 264 m2 06A04 Se note³

TEGNINGSHENVISNING:

S-58 Snit

Planer

Se tegn. nr.

K01_H1_N100_E0 - K01_H1_N110_ET

Planer

Se tegn. nr.

K01_H1_N100_E0 - K01_H1_N110_ET

Facader

Se tegn. nr.

K01_H2_N100 - N103

Facader

Se tegn. nr.

K01_H2_N100 - N103

Snit

Se tegn. nr.

K01_H3_N100 - N105

Snit

Se tegn. nr.

K01_H3_N100 - N105

Bygningsudsnit

Se tegn. nr.

K01_H4_N100 - N103

Bygningsudsnit

Se tegn. nr.

K01_H4_N100 - N103

SEKUNDÆR INDGANG

A6 D

200

B K01_H3_N101

200

VAR 920

920 1000

2600

700

Spot/belysning

2600

1000

700

700 1000 2600

1000

Spot/belysning

800

Spot/belysning

DATO

Spot/belysning

2100 180

2600 INIT

Hovedprojekt

B K01_H3_N101

420

1000 420 VAR 690

1000 180

BESKRIVELSE

700

REV

Spot/belysning

2600 800

DATO

2600

INIT

Hovedprojekt B

Beboelse

690 180 VAR 690

VAR 690

Type I: TLypical Room

820700

BESKRIVELSE

2600

700

2600

700

REV

Spot/belysning

2100

150

500

800700

545

2600

16 m2 06B16.1 Gulv: 332.001

1010 500

1200

D B6.16 4 m2 EI² 30 06B02 Elevator Gulv: 239.001 B-EL-02 150 1790 Elevator 150 r:3280 220 B-EL-01 r:193 S-43 150 boelse Skakt 0 1390 Snit D B6.17 B-TR-04 150 16 m2 EI² 30 75 Skakt 6B17.1 01 B-TR-0375 : 332.001 S-42 Snit S-43it D B6.18 Sn 1650

2600

Beboelse

Forrum DEI²B6.02 30-C

800700

285

150

Skakt B-TR-02

2100 1000

1010

EI² 30

k try igPt 018 løb06-2 e r Fo 15-

180

420

VAR

Layout. no. - Rev.:

K01_H1_N106_E6-

ryk KigPt t018 løb06-2E e r Fo 15-

D B6.15

boelse

16 m2 75 Skakt 6B16.1 B-TR-01 : 332.001

690 180 VAR 690

K01_H1_N106_E6-

1000 520

500

Bad

VAR

VAR920

VAR

2 m2 06B15.2 2 m2 06B16.2

Layout. no. - Rev.:

Bad

16 m2 06B15.1 Gulv: 332.001

1000

EI² 30

1000 180

Beboelse

1010 D B6.14

Se tegn. nr.

EI² 30

FG: +18800

1010

Bad D B6.13 EI² 30 2 Gang m2 06B15.2 35 m2 06B03 Bad Gulv: 239.001 2 m2 06B16.2

D B6.12

1010 500

16 m2 06B14.1 Gulv: 332.001

FG: +18800

B6.03

100 mm gulvopbygning iht. bygherre.

Planer

1000 520

Beboelse

-C ABDL

60 mm gulvopbygning iht. bygherre.

Se tegn. nr.

920

Bad 2 m2 06B14.2

2600

2 m2 06B13.2

920

Bad

500

100 mm gulvopbygning iht. bygherre.

700 920

VAR920

Køkken - ungdomsbolig Alm. lejlighed TÅRN A: Etage E6 TÅRN B: Etage E7 TYPE 01

2600

700 920

Køkken - ungdomsbolig Alm. lejlighed TÅRN A: Etage E6 TÅRN B: Etage E7 TYPE 01

R12

Beboelse

A9 A8

60 mm gulvopbygning iht. bygherre.

TERIØR OPSTALTER

16 m2 06B13.1 Gulv: 332.001

VAR

Planer

420

³ A7

eboelse

NOTE:

A10

VAR

A10

VAR

NOTE:

1-RUMS BOLIG

700 1000

(FG: +20600)

Kulturareal Tårn A11

D A6.05

425

57 S- it Sn

820700

2100

EI² 60

S-40 Snit

D A6.05

1 S-4 t Sni

Skakt A-TR-03

1 FG: +20600 S-4 nit S

425 (FG: +20600)

A11

150

75 75

2 m2 06A05

A-EL-02

E 30-C

D A6.05

475

460

r:65

475

Skakt A-TR-04

Elevator

E A K01_H3_N100

S-55 Snit

D A6.05

1200

Forrum

S-55 Snit

1 FG: +20600 S-4 nit S

E A K01_H3_N100

1300

A-EL-01

S-58 Snit

E 30-C

3 m2

00 06A02 1650Gulv: 239.001 615 150

Elevator

12 3 m2 00 06A01 Gulv: 239.001 D A6.01

WC 2 m2 D A6.04 06A06 0 57 r:651D A6.06 S- it Sn 460

E 30-C ABDL

Forrum

r:1930

1300

1 S-4 t Sni

Skakt A-TR-03

r:65

75 75

150

1790

150

A-EL-02

1200

Skakt A-TR-04

Elevator

Forrum

Skakt A-TR-02

Skakt A-TR-01

1200

425

1300

A-EL-01

12 3 m2 00 06A01 Gulv: 239.001 D A6.01

150

D A6.03

E 30-C ABDL

Elevator

r:1930

1300

WC 2 m2 06A06 0 r:651D A6.06 460

A12

3 m2

00 06A02 1650Gulv: 239.001 615 150

1390

Skakt A-TR-02

Skakt A-TR-01

1200

E 30-C

215

150

D A6.03

E 30-C ABDL

A12

Forrum

S-40 Snit

215

2600

FG: +20600

2100

A13

A3 G

Dobbelthøjt rum

S-56 Snit

S-40 Snit

A13

16 m2 06B12.1 lv: 332.001

Projekteret koteangivelse i milimeter

A14

S-56 Snit

GNINGER

Koteangivelse i milimeter

(±0,00)

ProjekteretA2koteangivelse i milimeter

D A3.15: D A3.15 Dør D A3.15 Tårn A el. B D A3.15 Etage 3 D A3.15 Unikt dørnummer

Reference til Snit Eks. Snit A Teging K01_H3_N100

R12

(FG: +20600)

TUS TÅRNENE EDPROJEKT

Dørsignatur for dobbeltfløjet dør med dørnummer

D A3.15: D A3.15 Dør D A3.15 Tårn A el. B D A3.15 Etage 3 D A3.15 Unikt dørnummer

A14

D X.XX

Reference til Snit Eks. Snit A Teging K01_H3_N100

±0,00 A2

R12

Dørsignatur for enkeltfløjet dør med dørnummer

D X.XX

Dørsignatur for dobbeltfløjet dør med dørnummer

A16 C K01_H3_N102

A16

Dørsignatur for skydedør i væg

Dørsignatur for enkeltfløjet dør med dørnummer

D X.XX

420

CARS TEN NIE BUHR S GADE

Hovedindgang

9 Sekundær indgang/udgang

2100

12000

420

12000

D K01_H3_N103

Projekt ID:

Format:

(BIG) 17010

4875

Tegnet af:

JEBO

DCZ

MMP

Projekt ID:

Godkendt af:

JEBO

12000

12300

DCZ

820 80

Noter:

#Notes

Sidebeklædning

K01_H1_N106_E6-

1:100, 1:200

Let afmonterbar

Noter:

Layout. nr. - Rev.:

Skala:

K01_H1_N106_E69

1:100, 1:200

Let afmonterbar

Layout. nr. - Rev.:

Skala:

12300

Plantegning Etage 6 Første boligetage, Tårn B

#Notes

VAR

C K01_H3_N102

Sidebeklædning

SIGNAT

Toilet - ungd TÅRN A: Etag B: EtagK rå TÅRN aluminiu Type 01

1000 1000

800

1000 1000 1000

80 1000 700

2600

30 50 1735

424

580

1000

2049

580

603

806

403

600 600

925

405

600 590 335

335

2010

805

1206

2% 2%

210

Knage Skinne for bruse forhæng

765

1750

600

830

600

80 1000

335

806

603

600

Opstalt 1:20

Vindue

403 30 50

820 700 82080

603 603

1100

424

2010

1206

900

1000 700

2600 2600

2600 30 2100 700 50

30 80 820 50 1206 1206

424

1735

830

603 1206

30 80 820 50 1206 1206

1735 1735 420 830 830 800 20 80 1000

420

1000

420

1000

2600

700

2100 2600 2100 820 700 82080

480

1100

403

603

403

603

2100 2200

1000

480

1735

403

830

900

806

1735 1735

420

420 690 VAR

2100 180 2100 1000 80 806 520806

1000

403

820

1100

806

885

420 830 830

VAR VAR 690 690180

50 50

1000 180

520 1000 520 80 403 403

480

180 50

1000

2200

480

VAR 690

80 806 520806

VAR

920 80

520 80

2600

700 820

1100

700

603 603

1206 1206

900 1206 900 1206 800 80

1000 180 520 1000

80 920

600

1100 1100 690180 VAR 690

1100 1100

VAR 920 700

2600

80080 603 603 80

480

VAR 373 VAR 920 920

480

2600

700

20 800 700 20

700 20

2600

900Opstalt 900 C 800 80

80 2200

480

VAR 920

700 80080

20 800 700 20

480

1000 1000 920 VAR 920 480 480

480

2600

403

2600 806

403

806

Opstalt C

373

VAR 373

2200 2200

1000 1000 480 480

403 806

403

806

1000

424

1735

480

900 830

1000

Opstalt B

2200

805

925 1099

Opstalt B 1:20

480 480

2049

Vindue

Knage

1000

600

620

424

Knage

600

BESK

Spejl

424

2200 2200

1099 6539

REV

480

600 20 49

Opstalt D Spot/belysning 1:20

1000

210

600600

2049

480

6539

2010

335

424

1000

600600

500 2049

900

480

620

600

Loft plan 1:2020

900

480

210

620

900

Let afmonterbar

2010

800 500

2% 600

Spot/belysning

Spejl

335

200

600 590

2200

4875 Loft plan4875 1:20

500 800 2049

1100

800 1175 500

Opstalt A 1:20 L

335

E OPV L

bruse forhæng

Spejl

L 424

1735 1735 900 900 830 830

800 1175

1750

Spejl

405 Skinne for

Vindue

4875

405 2%

2% 600 600

Opstalt D

2200

200

4875

Opstalt A 1:20 L

335 500

Spot/belysning

600

Spot/belysning Spot/belysning 1:20Skinne for bruse forhæng

Spejl

335

800L335

Opstalt C

Skinne for 1:20 bruse forhæng

2010 805 405 Skinne for 765 bruse forhæng 2010 805 405 765 1750

1750

500

1535 600

Opstalt A

590

1750

600

480

10 1175 10 600590 1175

Sidebeklædning

1535

800 1175 335

765 35

Spot/belysning

620

600 590 600

4875

335 35 200

SpejlSpejl

4875

590

2010

805

2200

L 200

765

2200

10600 600 600 590 10

805

600 600

Knage

1100

600 600 600

Spejl

200

1175 10

Opstalt C 1:20

2010

Vindue

Knage

1000 1000 480 480

600

500

2200 2200

600 590

4875

Sidebeklædning

Opstalt A

L 200

2200 2200

200

2049

600 600

Opstalt B 1:20

1100

600600 20 2% 49

Opstalt B

Knage

1000 1000 480 480

900

2% 2%

Opstalt B

Let afmonterbar

480

Opstalt B 1:20

200 2010

600 G 900

Plan 1:202049

4875

P 2%

Opstalt A

800 500

480

2010

4875

500 800

620

600

800 1175 500

2200

2049

590 800 1175

Opstalt A

620

4875

1175 10 600590 1175 10

1100

G 900

600

4875

Opstalt D

Opstalt A

900

600 600 590

2200 2200

Opstalt A 1:20

2010

10600 600 590 10 600

480

2% 2%

2010

600 600 600

480

2% 2%

Opstalt D

Plan 1:20

600600

620

Opstalt A 1:20

620

600 Køkken - ungdomsbolig Alm. lejlighed TÅRN A: Etage E7-20 TÅRN B: Etage E8-24 2% TYPE 02 2%

Opstalt A

2200 2200

Køkken - ungdomsbolig Alm. lejlighed TÅRN A: Etage E7-20 TÅRN B: Etage E8-24 TYPE 02

600

Alle installationer er samlet i 600 skakt bag600 toilet, og600 over 10 nedhængt loft 210 210 600 600 590 600i badeværelset. 1175 10210 590 SpejlSpejl210 800 1175 500 800 500 Spejl Vindue Spejl Knage Radiatoren er indbygget i den boks der fungerer som russervindue. hvor der ikke er behov russervindue, sidder radiatoren op ad facadepartiet. 4875 I de lejligheder4875 2%

600

424

424 920

600

Vindue

700

2600

700

834

Spejl

2600

920

834

600

834

600 600

600

600 373

SpejlSpejl

1100 1100

Spejl

1100 1100

834

600

373

Opstalt B I rummet står en træboks fremOpstalt somBsit eget element, indeholdene køkken og bad. På gulvet i værelset har vi et linoleumsgulv, rå betonvægge og vinduesrammer i I nogle lejligheder er facden så støjbelastet at vi skal have en russerkasse, vi har designet denne kasse så den kan bruges som bænk i vinduet. 210 210 K K Plan Plan E 1:20 1:20 På badeværelset arbejder vi med et alu vindue, spejl og fliser. Da badet er meget lille, er der behov for fliser i hele badeværelset.

600

D K01_H3_N103

Plantegning Etage 6 Første boligetage, Tårn B

Opstalt B

12000

4875

Kontrol af:

badeværelset. e lejligheder hvor Der derer 495 ikke er behov russervindue, sidder radiatoren op ad facadepartiet. lejligheder i vores bebyggelse, heraf 462, 1 rums boliger. 8000 12000

Format:

(BIG) 17010

4875

Tegn.:

1735

Tegn.:

xx.xx.2018

Godkendt af:

1000 830

MMP

Dato:

Kontrol af:

885

Tegnet af:

VAR

xx.xx.2018

820 80

820

820 80 80

520

ING - MOE A/S - Buddingevej 272 - 2860 Søborg - Tlf.: +45 4457 6000

LAND - BJARKE INGELS GROUP - Kløverbladsgade 56, 2500 Valby - Tlf.: +45 7221 7227

Dato:

00 000

Opstalt 1:20

ARK - BJARKE INGELS GROUP - Kløverbladsgade 56, 2500 Valby - Tlf.: +45 7221 7227

ING - MOE A/S - Buddingevej 272 - 2860 Søborg - Tlf.: +45 4457 6000

LAND - BJARKE INGELS GROUP - Kløverbladsgade 56, 2500 Valby - Tlf.: +45 7221 7227

UNGDOMSBOLIGERNE 1-RUMS LEJLIGHEDERNE ARKITEKTONISKE FORUDSÆTNINGER

600 600

København Danmark

ARK - BJARKE INGELS GROUP - Kløverbladsgade 56, 2500 Valby - Tlf.: +45 7221 7227

Kaktus 1 PropCo ApS

Kongens Nytorv 26, 1. København K 1050 Denmark

Kaktus 1 PropCo ApS

København Danmark

+9,50 +4,95 +1,50

Kongens Nytorv 26, 1. København K 1050 Denmark

800

Beboelse

11 m2 06B04.2 Gulv: 332.001

Beboelse

20 m2 06B04.1 Gulv: 332.001

eboelse

16 m2 06B05.1 lv: 332.001

+16,90 +13,20

+4,95 +1,50 -2,00

+9,50 +4,95 +1,50

80 +16,90 +13,20

+4,95 +1,50 -2,00

520

+75,30 +72,30 +69,30 +66,30 +63,30 +60,30 +57,30 +54,30 +51,30 +48,30 +45,30 +42,30 +39,30 +36,30 +33,30 +30,30 +27,30 +24,30 +20,60

+60,80 +57,80 +54,80 +51,80 +48,80 +45,80 +42,80 +39,80 +36,80 +33,80 +30,80 +27,80 +24,80 +21,80 +18,80 +15,30 +12,40 +9,50

520

+75,30 +72,30 +69,30 +66,30 +63,30 +60,30 +57,30 +54,30 +51,30 +48,30 +45,30 +42,30 +39,30 +36,30 +33,30 +30,30 +27,30 +24,30 +20,60

+60,80 +57,80 +54,80 +51,80 +48,80 +45,80 +42,80 +39,80 +36,80 +33,80 +30,80 +27,80 +24,80 +21,80 +18,80 +15,30 +12,40 +9,50

Bad

5 m2 06B04.3

520

2 m2 06B18.2

16 m2 06B18.1 Gulv: 332.001

800

Bad

Beboelse

Skakt B-FR-01

800 80 20

1010

Bad

2 m2 06B17.2

E 30-C ABDL

D B6.19

2 m2 06B17.2

Bad

D B6.04 D B6.052 m2 EI² 30 EI² 3006B18.2 500 500 1010

1010

800

215

Bad

800 80 20

1010

EI² 30

There are 495 apartments in the building, which 462 kken og bad. På gulvet i værelset har vi et linoleumsgulv, rå betonvægge og vinduesrammer i råof aluminium. L are single L L L residence rooms. In the room, a wooden box 60050 600 50 sse, vi har designet denne kasse så600den kan bruges som bænk 200stands 200 its own 200i vinduet. 200 out as element, containing the kitchen and 373 600 600 600 10 600 590 600 1175 10 590 800 1175 500 800 500 373 have a Opstalt linoleum floor, raw Opstalt B Opstaltwe A A 4875 bath. On the 4875 floor of the room 1:20 1:20 1:20 Kaktustårnene concreteKaktustårnene walls and window frames in raw aluminum. some 50 50 50 50 t er meget lille, er der behov for fliser i hele badeværelset. apartments, a Russian window is installed to block theInnoise. 590 590 800 1175 800 1175 600 600600 600 600 600 10600 600 600 590 10 600 600 1175 10 600590 1175 10 500 500 800 800 500 500 373 373 373 373 16 m2 06B17.1 Gulv: 332.001

1750

4875

765

600Konge L

Toilet - ungd ARK - BJARKE 2% TÅRN A: Etag ING - MOE A/S LAND Etag - BJARK TÅRN B: 2049 xxx Type Dato: 02 06.07.2018 09.03.2018

Tegnet af:

SIGNATURFORKLARING: Hovedindgang

12000

20300

Sekundær indgang/udgang

Skellinie Evt. fremtidig skellinie Betonelementvæg iht. Ingeniørprojekt In-situ betonvæg int. Ingeniørprojekt

HC-LEJLIGHED

Betonsøjle iht. Ingeniørprojekt Gipsvæg iht. K01_H5_N001

Projekteret væg (Bygherreleverance)

Dørsignatur for enkeltfløjet dør med dørnummer

D X.XX

Dørsignatur for dobbeltfløjet dør med dørnummer

420

C K01_H3_N102

A16

690

Dørnummer Eks.

A K01_H3_N100

A15

±0,00

Reference til Snit Eks. Snit A Teging K01_H3_N100 Koteangivelse i milimeter

(±0,00)

D A3.15: D A3.15 Dør D A3.15 Tårn A el. B D A3.15 Etage 3 D A3.15 Unikt dørnummer

1000

VAR

Dørsignatur for skydedør i væg D X.XX

Projekteret koteangivelse i milimeter

180

R12

K A14

er findes en 2 rums lejlighed på hver etage. g rå betonvægge, samt vinduesrammer i rå aluminium. S-56 Snit

2100

1000

Dobbelthøjt rum

Gang

A13

700

2600

Spot/belysning

(FG: +20600)

S-56 Snit

35 m2 06A03 Gulv: 239.001

S-55 Snit

L badeværelset. der behov for fliser i hele FG: +20600

Type II: Handicap Room

D A6.02 E 30-C

1790

r:1930

1300

Elevator

1300 A K01_H3_N100

1200 Skakt A-TR-04

eværelset, samt skakt ved køkken. A-EL-02

1 S-4 t Sni

150

425

Skakt A-TR-03

Forrum

12 3 m2 00 06A01 Gulv: 239.001 D A6.01

820

150

520

1200

150

Skakt A-TR-01

1390

Skakt A-TR-02

200

Forrum

1200 3 m2 06A02 1650Gulv: 239.001 615 Elevator A-EL-01 150

150

S-40 Snit

215

D A6.03

E 30-C ABDL

1 FG: +20600 S-4 nit S

460

590

D A6.05

r:65

E 30-C

475

S-40 Snit

57 S- it Sn

1175

800

475

2 m2 06A05

D A6.04

E 30-C ABDL

S-55 Snit

600

S-58 Snit

600

33 rooms are handicap-friendly rooms. The material is the 50 same as the typical rooms. All installations are assembled in igheder hvor der ikke4875 er behov russervindue, sidder radiatoren op ad facadepartiet. a shaft behind the bathroom, over a suspended ceiling in the bathroom as well as a shaft in the kitchen. In the apartments tB where no Russian windows are needed, the radiator sits up against the facade section. T WC

2 m2 06A06 0 r:651D A6.06 460

A12

D A6.05 EI² 60

425

424

TEGNINGSHENVISNING:

57 S- it Sn

(FG: +20600)

Kulturareal Tårn A: 264 m2 06A04 Se note³

A11

500

S-58 Snit

Planer

Se tegn. nr.

K01_H1_N100_E0 - K01_H1_N110_ET

Facader

Se tegn. nr.

K01_H2_N100 - N103

Snit

Se tegn. nr.

K01_H3_N100 - N105

Bygningsudsnit

Se tegn. nr.

K01_H4_N100 - N103

SEKUNDÆR INDGANG

NOTE:

60 mm gulvopbygning iht. bygherre.

100 mm gulvopbygning iht. bygherre.

Planer

Se tegn. nr.

1000

920

420

E OPV L

4875 Radiatoren

Emhætte

820

Dato:

Projekt ID:

12300

Let afmonterbar 9

2100

180

(BIG) 17010

Kontrol af:

Godkendt af:

MMP

JEBO

DCZ

Skala:

Ventilation lem (udføres af VVS) Layout. nr. - Rev.:

K01_H1_N106_E6-

1:100, 1:200

VAR

Toilet - ungdomsbolig TÅRN A: Etage E6 TÅRN B: Etage E7 Køleskab Type 01

600

424

600

Knage

Spot/belysning

600

Vindue

1000 1000

800

420

E Vindue

700

2600 1000 2%

1000

Opstalt A

500

420 830 830

800 500 420

4875

800

VAR

4875

1175

1735 1735

500

VAR VAR 690

1175

590 P

834

Layout. no. - Rev.:

690

800

500 K01_H4_N201-

Spejl

690180

VAR

VAR 920 20

480 480

1100 1100

1000 1000 480 480

Godkendt af:

10 600590 10

210 1175

1000 1000 480 480

Kontrol af:

210

Spejl

4875

480

Tegnet af:

600600

590

480

Toilet- -ungdomsbolig ungdomsbolig Køkken ARK - BJARKE INGELS GROUP - Kløverbladsgade 56, 2500 Valby - Tlf.: +45 7221 7227 A: Etage E7-20 Alm.TÅRN lejlighed ING - MOE A/S - Buddingevej 272 - 2860 Søborg - Tlf.: +45 4457 6000 LAND Etage - BJARKE INGELS GROUP - Kløverbladsgade 56, 2500 Valby - Tlf.: +45 7221 7227 TÅRN B: E8-24 TÅRN A: Etage E7-20 xxx Type 02 TÅRN B: Dato: Etage E8-24 2% ID: Projekt Format: A31 09.03.2018 (BIG) 17010 TYPE 02 06.07.2018

600600

G L

620

600

10 T G

Kaktustårnene København Danmark

600

620

500

920

834

600

373

6002%

Spejl

1735 1735 900 900 830 830

VAR 373

600

Spejl

2200 2200

30 50

SIGNATURFORKLARING

Plan 1:20

2200 2200

+9,50 +4,95 +1,50

Kongens Nytorv 1. København 1050Danmark Denmark Kongens Nytorv 26, 1.26,København K K1050 1175 800

4875

1206

+13,20

210

Skinne for bruse forhæng

+16,90

Catella Investment A/S Kaktus 1 PropCoManagement ApS

900 830

603

Knage

1100 1100

+4,95 +1,50 -2,00

600

1000

885

1735

590

+75,30 +72,30 +69,30 +66,30 +63,30 +60,30 +57,30 +54,30 +51,30 +48,30 +45,30 +42,30 +39,30 +36,30 +33,30 +30,30 +27,30 +24,30 +20,60

900 830

480

2% faldretning

80 1000

1735

1000

335

Belysning

VAR

Noter:

885

2200

800

4875

Plantegning Etage 6 Første boligetage, Tårn B

+60,80 +57,80 +54,80 +51,80 +48,80 +45,80 +42,80 +39,80 +36,80 +33,80 +30,80 +27,80 +24,80 +21,80 +18,80 +15,30 +12,40 +9,50

210

405

700

Format:

xx.xx.2018

Tegnet af:

Sidebeklædning

Opstalt B

Skinne for bruse forhæng

50 373

Knage

820

820 80

373

#Notes

Vindue

4875

500

590

Opstalt B 1:20

520

800 500

690

800

600

E OPV L 200

210

180

12000

1175

600

Porttelefon

Projektforslag Hovedprojekt

12000

1175

LAND - BJARKE INGELS GROUP - Kløverbladsgade 56, 2500 Valby - Tlf.: +45 7221 7227

DATO

Opstalt A 1:20

600

50 373

Låge for skakt 10 590 Kombi-ovn

1000

INIT

500

København Danmark

ING - MOE A/S - Buddingevej 272 - 2860 Søborg - Tlf.: +45 4457 6000

800

4875

Emhætte Opvaskmaskine

520

C K01_H3_N102

BESKRIVELSE

+9,50 +4,95 +1,50

ARK - BJARKE INGELS GROUP - Kløverbladsgade 56, 2500 Valby - Tlf.: +45 7221 7227

590 10 600590 10 Gulvafløb G 4875

600600

Tegn.:

50 4875424 Kaktustårnene Termostat

+13,20

Kongens Nytorv 26, 1. København K 1050 Denmark

600600

200 1175 +16,90

+4,95 +1,50 -2,00

Kaktus 1 PropCo ApS

T G

600

200

590Loft

+75,30 +72,30 +69,30 +66,30 +63,30 +60,30 +57,30 +54,30 +51,30 +48,30 +45,30 +42,30 +39,30 +36,30 +33,30 +30,30 +27,30 +24,30 +20,60

+60,80 +57,80 +54,80 +51,80 +48,80 +45,80 +42,80 +39,80 +36,80 +33,80 +30,80 +27,80 +24,80 +21,80 +18,80 +15,30 +12,40 +9,50

520

800

600

500

800

600

200

800 80 20 80

1175

600

Spot/belysning

200

Spot/belysning

SIGNATURFORKLARING L L

400 K01_H4_N201-

520

200

REV

1000 520

Hovedprojekt B B K01_H3_N101

Layout. no. - Rev.:

I de lejligheder hvor der ikke er behov russervindue, sidder radiatoren op ad facadepartiet.

DATO

2600

INIT

820700

BESKRIVELSE

2600

2100

REV

2100

er indbygget i den boks der

t P igPt 018 løb - 2 ore15-06 F fungerer som russervindue. 1000

180 1000

500

2600

700

2600

800700

Opvaskmaskine

800

700

1175

590

1000

Kombi-ovn

4875

2600

1000

700 1000

2600

420

690

Spot/belysning

700

VAR

690 180 VAR 690

1000

420

920

590

Spot/belysning

2600

700 920

VAR

Layout. no. - Rev.:

K01_H1_N106_E6-

Låge for skaktAlle installationer er samlet i skakt bag toilet, ogrykover nedhængt loft i badeværelset, samt skakt ved køkken.

600

1735 1735 900 900 830 830

E spejl og fliser. Da badet er relativt lille, er der behov for fliser i hele badeværelset. På badeværelset arbejder vi med

600

210

180

600

690

885 920 VAR

VAR

G L 33 handicapvenlige to rums boliger. Der findes en 2 rums lejlighed på hver etage. Af de 495 lejligheder i tårnene er de SIGNATURFORKLARING Materialiteten er samme i 1 rums boligen med linoleumsgulv, træ køkken og rå betonvægge, samt vinduesrammer i rå aluminium. L

Toilet - ungdomsbolig Køkken - ungdomsbolig TÅRN A: Etage E6 Alm. lejlighed TÅRN B: Etage E7 Køleskab TÅRN A: Etage E6 Type 01 TÅRN B: Etage E7 TYPE 01 Porttelefon P

VAR

UNGDOMSBOLIGERNE HC-LEJLIGHEDERNE T G ARKITEKTONISKE FORUDSÆTNINGER

A10

K01_H4