J O N AT H A N H A L L ET
T: 206.940.8505 E: jonathanhallet@gmail.com
T A B L E O F C O NT E NT S 4
memory line: tsunami memorial
8
quenched: catch and release water device
12
temporary tattoo
16
interpretative design for habitat and biofiltration gardens
18
accumuball: live-action garden art
20
reservoir park
22
conrad square planting design
24
greenhouse explorations
26
treescapes
28
uproot garden installation
MEMORY LINE: TSUNAMI MEMORIAL sutro baths, san francisco second undergraduate studio | spring 2014
A continual ribbon of thought, first bridge, then concrete, brings the visitor through an altering lift into cypress canopy, and accompanies one through the descent into an open expanse.
ca n o py b r i d g e t hro u g h c y p r e s s fo re st
concrete memorial ribbon woven into ex isting wal l
0
0 concrete ribbon section
25
50
100
p a c i f i c o c ean
40
80
160
QUENCHED: CATCH AND RELEASE WATER DEVICE palm springs, california final graduate studio | spring 2015
This redesign of an existing outflow pipe that supplements Palm Springs with imported Colorado River water seeks to solve engineering issues while bringing visibility and a sense of glamor back to the public face of infrastructure. b
a
a’
b’ 128’
256’
TEMPORARY TATTOO palm springs, california final graduate studio | spring 2015
In a controlled year-long die-off from turf to desert, Temporary Tattoo invites visitors to explore feelings around clothed vs. naked landscape.
ONE MONTH
As the grass dies through manipulation of irrigation, it will impact visitor use and perception of the habitibility of the space.
SIX MONTHS
ONE YEAR
At six months, conversations and thoughts might be along the lines of: “What is happening here?” “It used to be so nice!” “Ah, this spot is still comfortable” “Why are they letting it die?” “Are they going to replant it?” It would be interesting to see changing patterns of human use, the experience of a one-time visitor at different times, and the experience of a repeat visitor over the life of the park.
acryl ic mod el of irrgat ion pattern over time
ACCUMUBALL: LIVE-ACTION GARDEN ART blake garden, kensington first undergraduate studio | fall 2013
‘Accumulate’ is the passive gathering that happens in the background. We don’t actively gather frequent flyer miles, we accumulate them. Crumbs accumulate behind the toaster. I brought this idea into Blake Garden as a monstrous leaf ball that takes on life of its own, rolling and growing recklessly through the garden.
1
RESERVOIR PARK russian hill, san francisco second undergraduate studio | spring 2014
The historic reservoir at Francisco park used to be fed by natural springs in the Presidio. This redesign seeks to bring in the neighborhood with a gently sloping lounging area that mimics the natural steep topography, exploring form based on the shapes that would be created if the reservoir were to overflow.
0
40
80
160
0
40
80
160
conrad square planting design san francisco, ca work at carducci associates | spring 2016
This planting redesign plan preserves existing trees and introduces a low-growing and varied plant palette designed to draw in and welcome visitors in all seasons, with new DG paths for a more intimate experience. An existing retaining wall and planter was painted orange to assist with place making and to reinforce the Fisherman’s Wharf identity.
0
2
4
8
0
2
4
8
SECTIONAL PERSPECTIVE
2
LEAVENWORTH STREET PLAN
2
8
8
GREENHOUSE EXPLORATIONs 2012 Exploring the play between living and built.
TREESCAPES bainbridge island gallery | 2013 Vertical tree panoramas on 6’ canvases for a solo exhibition of my work upon recieving The Amy Award. The work went on to be displayed at The Gallery on Bainbridge Island.
UPROOT garden installation san francisco flower & garden show, san mateo bronze medal | collaboration of 5 students | 2015
In our design, the intention is to render the hand of the designer self-evident from without, while synthesizing and exaggerating the form of nature from within to create a dual experience whereby the landscape must be entered to be understood.