EGD Portfolio by Jacqueline Tang

JACQUELINE TANG Portfolio of Work

TABLE OF CONTENTS Signage, Wayfinding + Environmental Graphics

Exhibition Design

Event Design 32 Retail Design

Graphic Design + Brand Identity 38

2”

ENVIRONMENTAL GRAPHIC DESIGN

2” THK BRUSHED ALUMINUM DIMENSIONAL LETTERS

J. Wayne Reitz Union Student Center ELEVATION, TYPICAL University of Florida

RY BUILDING ID

SIDE VIEW

1/2” = 1’

GAINSVILLE, FLORIDA JULY 2013

Built in 1936, the JW Reitz Union Student Center supports many diverse programs that benefit all University of Florida students and the Gainsville community as a whole. Cannon Design was engaged to redesign the Center which included a brand new signage and wayfinding program as well as exhibits scattered throughout the complex connecting students with the rich history of the University of Florida.

2”

6” 2” THK BRUSHED ALUMINUM DIMENSIONAL LETTERS

20” 10” RENDERING

RY BUILDING ID

TING ELEVATION, TYPICAL 1/8”= 1’

SIDE VIEW

FRONT ELEVATION, TYPICAL 6”Scale: 1/2” = 1’ 2” THK BRUSHED ALUMINUM DIMENSIONAL LETTERS

20” 10”

PRIMARY BUILDING ID FRONT ELEVATION, TYPICAL Scale: 1/2” = 1’

PRIMARY BUILDING ID PRIMARY BUILDING ID

2”

PRIMARY BUILDING ID

MOUNTING ELEVATION, TYPICAL Scale: 1/8”= 1’

SIDE VIEW

Pellentesque habitant morbi tristique senectus et netus et malesuada fames ac turpis egestas. Sed nisi nisi, ultricies in adipiscing a, gravida vel massa.

1948 1974

Suspendisse ultrices tristique auctor. Quisque quam libero, facilisis id dictum quis, tempor eu velit.

Awards and Recognition

Maecenas euismod magna dui, a feugiat eros ullamcorper ut. Nulla non tempus nibh. Vivamus accumsan fermentum urna a mollis. Morbi ut ante placerat, varius velit eu, pulvinar augue. Nullam vel aliquet metus. Nullam aliquam sed felis id ornare. Integer eget metus lorem. In sit amet feugiat lacus, scelerisque rhoncus elit. Fusce sit amet purus risus. Curabitur mollis, enim in scelerisque ornare, lorem nibh dapibus nulla, sit amet consequat mi turpis eget libero. Phasellus suscipit eu lectus sit amet bibendum. Mauris tincidunt enim vel massa blandit placerat nullan aliquam.

Nulla et porttitor mauris, sit amet venenatis ligula. Suspendisse mauris lorem, cursus quis urna ut,

Center For Leadership And Service

aliquam commodo orci. Etiam eleifend mi in tellus tristique, sed fringilla augue dignissim. Quisque quam

Student Administration

libero, facilisis id dictum quis, tempor eu velit.

Student Government Multicultural Diversity Affairs Awards and Recognition

Conference Room

As a pioneer, educator and a scholar, Dr. Reitz received various his accolades for his achievements as president of UF during his year of service.or his achievements as president of UF during his year of service. For his achievements as president of UF during his year of service.

ELEVATOR LOBBY FRONT ELEVATION, TYPICAL Scale: 1/8”= 1’-0”

SILKSCREENED ACRYLIC

Pellentesque habitant morbi tristique senectus et netus et malesuada fames ac turpis egestas. Sed nisi nisi, ultricies in adipiscing a, gravida vel massa.

1948 1974

Suspendisse ultrices tristique auctor. Quisque quam libero, facilisis id dictum quis, tempor eu velit.

Awards and Recognition

Nulla et porttitor mauris, sit amet venenatis ligula. Suspendisse mauris lorem, cursus quis urna ut,

Center For Leadership And Service

aliquam commodo orci. Etiam eleifend mi in tellus tristique, sed fringilla augue dignissim. Quisque quam

Student Administration

libero, facilisis id dictum quis, tempor eu velit.

Student Government

VITRINES W. ARTIFACTS. CONTENT TO BE DETERMINED

Multicultural Diversity Affairs Awards and Recognition

Conference Room

1/2” THK ACRYLIC W. VINYL APPLIED TO SECOND SURFACE

SCOTCH PRINT GRAPHIC

DETAILED VIEW OF ELEVATOR LOBBY EXHIBITS

ELEVATOR LOBBY FRONT ELEVATION, TYPICAL Scale: 1/2”= 1’-0”

Pellentesque habitant morbi tristique senectus et netus et malesuada fames ac turpis egestas. Sed nisi nisi, ultricies in adipiscing a, gravida vel massa.

1948 1974

Suspendisse ultrices tristique auctor. Quisque quam libero, facilisis id dictum quis, tempor eu velit.

Awards and Recognition

Nulla et porttitor mauris, sit amet venenatis ligula. Suspendisse mauris lorem, cursus quis urna ut,

Center For Leadership And Service

aliquam commodo orci. Etiam eleifend mi in tellus tristique, sed fringilla augue dignissim. Quisque quam

Student Administration

libero, facilisis id dictum quis, tempor eu velit.

Student Government Multicultural Diversity Affairs Awards and Recognition As a pioneer, educator and a scholar, Dr. Reitz received various his accolades for his achievements as president of UF during his year of service.or his achievements as president of UF during his year of service. For his achievements as president of UF during his year of service.

ELEVATOR LOBBY EXHIBITS

ELEVATOR LOBBY

Conference Room

Reitz Union Student Center SCHEMATIC DESIGN DRAWINGS

G G LEVEL

LEVEL

ELEVATOR LOBBY

PARTIAL ELEVATION Scale: 1/4”= 1’-0”

DETAILED VIEW OF ELEVATOR LOBBY

49’-7”

ELEVATOR LOBBY PARTIAL ELEVATION Scale: 1/4”= 1’-0”

G LEVEL

3’-11”

49’-7” ELEVATOR LOBBY

1 3’-11”

ELEVATOR LOBBY FRONT ELEVATION, TYPICAL Scale: 1/8”= 1’-0”

LEVEL

12”

RION BALLROOM

B27

SILKSCREENED TEXT

27 PAINTED ACRYLIC HOUSING

RION BALLROOM

B27 27

Rion Ballroom

16”

PROJECTING DIRECTIONAL LAYOUTS, TYPICAL Scale: 1/8”= 1”

IPAD

ACRYLIC PANEL 8’-0” typ. to center verify mounting location on site

PROJECTING PROJECTING DIRECTIONAL DIRECTIONAL

2 2

CONFERENCE ROOM IDENTIFICATION

ELECTRONIC CONFERENCE DIRECTORY FRONT ELEVATION, TYPICAL Scale: 1/4”= 1”

24”

LAYOUTS, LAYOUTS, TYPICAL TYPICAL PROJECTING SIGNS Scale:Scale: 1/8”=1/8”= 1” 1”

SIDE VIEW

24”

2 PROJECTING DIRECTIONAL

ELECTRONIC CONFERENCE DIRECTORY FRONT ELEVATION, TYPICAL Scale: 1/2”= 1’-0”

MOUNTING DETAIL, TYPICAL Scale: 1/4”= 1’-0”

4”

8’-0” 8’-0” typ. totyp. center to center verifyverify mounting mounting location location on site on site

BRUSHED ALUMINUM W. FRISKET PAINTED LOGO

3/4” THK GLASS PANEL W. VINYL APPLIED TO SECOND SURFACE

PROJECTING PROJECTING DIRECTIONAL DIRECTIONAL

1 1MOUNTING MOUNTING DETAIL, DETAIL, TYPICAL TYPICAL Scale:Scale: 1/4”=1/4”= 1’-0” 1’-0”

30”

42”

Student Government Rion Ballroom Student Financial Affairs

Multicultural & Diversity Affairs Center for Leadership Service Ballroom

JWRU Administration Career Resource Center Gaterwell

Main Lobby

Student Government Rion Ballroom Student Financial Affairs

Game Room

Multicultural & Diversity Affairs Center for Leadership Service Ballroom

Arts & Crafts Dance Studios Access to Parking

JWRU Administration Career Resource Center Gaterwell

The Chamber Union Hotel Orange and Brew

Main Lobby The Chamber Union Hotel Orange and Brew Game Room

Arts & Crafts Dance Studios Access to Parking

42”

BRUSHED ALUMINUM KICK

FREESTANDING DIRECTORY

FREESTANDING DIRECTORY FRONT ELEVATION, TYPICAL Scale: 1/2”= 1’-0”

BRUSHED ALUMINUM KICK

FREESTANDING DIRECTORY (SIDE OPTION VIEW) 1

FREESTANDING DIRECTORY SIDE ELEVATION Scale: 1/2”= 1’-0”

OPTION 1

FREESTANDING DIRECTORY SIDE ELEVATION Scale: 1/2”= 1’-0”

OPTIO

SIGNAGE + WAYFINDING US Air Force Academy United States Air Force COLORADO JUNE 2013

The US Air Force Academy’s new Center for Character and Leadership Development will be the first and only organization of its kind in the nation—the unique focal point for the total integration of character and leadership development into all aspects of the Academy experience, marshalling the institution’s considerable academic, programmatic and personnel resources from all three mission elements under a single comprehensive structure.

9'-5"

4" 9'-5"

1/2” THK SATIN STAINLESS STEEL (MT-6) DIMENSIONAL LETTERS W. MATTE RETURN

Generously provided by 9"

PAUL AND JULIE KAMINSKI

P A UCLL A ASNSD OJFU L1 I9E6 4 KAMINSKI

SATIN STAINLESS STEEL (MT-6) PLAQUE W. ETCHED AND INFILLED TEXT W. PT-4

CLASS OF 1964

4'-0"

CEREMONIAL ENTRANCE - EXTERIOR ELEVATION

CEREMONIAL ENTRANCE FRONT ELEVATION, TYPICAL

- EXTERIOR ELEVATION

1/16”= 1” 2 Scale:FRONT ELEVATION, TYPICAL

Scale: 1/16”= 1”

Working with SOM, Cannon Design developed an extensive donor signage program that is representative of each donor amount, updatable and complimentary to the established aesthetic and materials palette.

CEREMONIAL ENTRANCE - EXTERIOR ELEVATION

FRONT ELEVATION, TYPICAL Scale: 1/4”= 1’-0”

CEREMONIAL ENTRANCE - EXTERIOR ELEVATION FRONT ELEVATION, TYPICAL Scale: 1/4”= 1’-0”

BUILDING ID 1

1/2” THK SATIN STAINLESS STEEL (MT-6) DIMENSIONAL LETTERS W. MATTE RETURN

Generously provided by

CEREMONIAL ENTRANCE - EXTERIOR ELEVATION FRONT ELEVATION, TYPICAL Scale: 1/4”= 1’-0”

SATIN STAINLESS STEEL (MT-6) PLAQUE W. ETCHED AND INFILLED TEXT W. PT-4

1/4” THK SATIN STAINLESS STEEL (MT-6) ON FRONT & BACK FACES 1/8” THK SATIN STAINLESS STEEL (MT-6) ON RETURN FACE

PLAN VIEW

2'-0" 1” THK 3FORM CHROMA (AC-1)

1'-11"

LASER CUT LETTERS INTO SATIN STAINLESS STEEL (MT-6)

7 1/2" ETCHED TEXT AND CREST THE SPIRIT OF 1976

5'-0"

THE SPIRIT OF 1976

SATIN STAINLESS STEEL (MT-6) FOOTING

EXTERIOR AIR TERRACE SIGNAGE

COMMONS - EXTERIOR ELEVATION

FRONT ELEVATION, TYPICAL Scale: 1/4”= 1’-0”

GOLD

$5,000,000+

S ILV E R

$2,500,000 - 4,999,999

B RO N ZE

$ 1 ,5 0 0 ,0 0 0 - 2 ,4 9 9 ,9 9 9

P RES TI GE

AAR Corp

Raytheon

The Anna Keesling Ackerman Trust

Anonymous ’79

Corporation

Mr Brion B. Applegate

Capt (Ret) Lawrence R. Robinson III ’64

The El Pomar Foundation

The Boeing Company

Dr and Mrs Harvey W. Schiller

Mr Irwin I. Belk

Lt Col (Ret) and Mrs David L. Blisk ’78

Brig Gen (Ret) and Mrs David H.

The Friends of the Library

A LUM NI

$ 5 0 0 ,0 0 0 - 9 9 9 ,9 9 9

Dr and Mrs Robert P. Barnes ’67 Brig Gen (Ret) Mark G. Beesley ’75

The Anschutz Foundation

Dr and Mrs Paul G.

Mr and Mrs Daniel J. Schnepf ’83

$300, 000 - 499, 999

I n grac e fu l re c ogn i ti on of ou r fam i l y of s u pporte rs

FRONT ELEVATION Scale: 3/4”= 1’-0”

A LUM NI

$100, 000 - 299, 999

$75, 000 - 249, 000

A LUM NI

A LUM N I

$50, 000 - 74, 999

$10, 000 - 49, 9 9 9

Mr and Mrs John M. Fox ’63

AAR Corp

Col (Ret) and Mrs Randy J.

AAR Corp

Martinez ’77

AAR Corp

Mr A. Bart Holaday ’65

Mr Brion B. Applegate

Martinez ’77

Mr Brion B. Applegate

Mr and Mrs Ronald M. McCollum ’63

Mr Brion B. Applegate

The Dorothy D. and

Lt Col (Ret) and Mrs David L. Blisk ’78

Mr and Mrs Ronald M. McCollum ’63

Lt Col (Ret) and Mrs David L. Blisk ’78

The Earle Nutter Irrevocable Trust

Lt Col (Ret) and Mrs David L. Blisk ’78

Bank of America

Roshi and Mrs George W. Burch ’59

Mr Frank L. Brienzo ’73

Roe ’62

Mr and Mrs Max F. James ’64

Kaminski ’64

Lt Gen (Ret) Brent Scowcroft

Joseph A. Moller Foundation

Mr Frank L. Brienzo ’73

The Earle Nutter Irrevocable Trust

Mr Frank L. Brienzo ’73

Mr and Mrs Terrence O’Donnell ’66

Mr Frank L. Brienzo ’73

Mr and Mrs Robert F. Kay, Sr

Gen (Ret) and Mrs George L. Butler ’61

Mr and Mrs Howard H. Burkart II

Rolls Royce

Jostens Inc.

Mr and Mrs Edward E.

Ambassador and Mrs Craig Stapleton

Mr and Mrs Nathan T. Calhoun ’89

Mr and Mrs Howard H. Burkart II

Mr and Mrs Terrence O’Donnell ’66

Mr and Mrs Howard H. Burkart II

Mr and Mrs David J. Phillips ’59

Mr and Mrs Howard H. Burkart II

Maj Gen (Ret) and Mrs William Lyon

Mr and Mrs Michael A. Chipman ’69

Mr and Mrs Nathan T. Calhoun ’89

Dr and Mrs Alfred O. Steldt

Mr and Mrs Jack N. Kucera ’78

Legasey ’67

Ms Holly Emrick Svetz ’80

Mr and Mrs Benjamin S. Catlin IV ’73

Mr and Mrs Nathan T. Calhoun ’89

Mr and Mrs David J. Phillips ’59

Mr and Mrs Nathan T. Calhoun ’89

Pratt & Whitney

Mr and Mrs Nathan T. Calhoun ’89

The McDonnell Douglas Foundation

Delta Air Lines

Mr and Mrs Benjamin S. Catlin IV ’73

Sun Microsystems Foundation

Lockheed Martin

Mr and Mrs John W.

Col (Ret) and Mrs Gary W. West ’63

The Mary K. Chapman Foundation

Mr and Mrs Benjamin S. Catlin IV ’73

Pratt & Whitney

Mr and Mrs Benjamin S. Catlin IV ’73

Dr and Mrs Jeffery A. Quirk ’70

Mr and Mrs Benjamin S. Catlin IV ’73

Martin, Jr ’69

Zoltan and Addilee Tober Trust

Mr and Mrs Charles E. Phillips, Jr ’81 Mr and Mrs Gregg C. Popovich ’70

The Mary K. Chapman Foundation

Dr and Mrs Jeffery A. Quirk ’70

Col (Ret) John F. Disosway ’70

The Detroit Athletic Club Foundation

United Services Automobile Association

Mr and Mrs John H. Martinson ’70

The James S. McDonnell

Mr and Mrs William P. Dickey ’64

The Detroit Athletic Club Foundation

Raytheon

The Detroit Athletic Club Foundation

Capt (Ret) Lawrence R. Robinson III ’64

The Detroit Athletic Club Foundation

Mr and Mrs Terrance M. Drabant ’65

Col (Ret) and Mrs Leslie G. Denend ’63

Mr and Mrs William P. Dickey ’64

(USAA)

Mr and Mrs Richard D. McConn ’66

Family Foundation

Mr Edward Erath

Mr and Mrs William P. Dickey ’64

Capt (Ret) Lawrence R. Robinson III ’64

Mr and Mrs William P. Dickey ’64

Brig Gen (Ret) and Mrs David H.

The Mary K. Chapman Foundation

The Detroit Athletic Club Foundation

The Mary K. Chapman Foundation

Raytheon

Mr and Mrs William P. Dickey ’64

The Mary K. Chapman Foundation

Mr Edward Erath

The USAA Foundation

Mr and Mrs Sanford N. McDonnell

The George and

Col (Ret) & Mrs Warren D. Everett ’68

Mr Edward Erath

Brig Gen (Ret) and Mrs David H.

Mr Edward Erath

Roe ’62

Mr Edward Erath

Col (Ret) & Mrs Warren D. Everett ’68

Dr John B. Wheelock ’74 and

Mr and Mrs Richard T.

Carol Olmsted Foundation

Col April S. Fitzgerald ’87 and

Col (Ret) & Mrs Warren D. Everett ’68

Roe ’62

Col (Ret) & Mrs Warren D. Everett ’68

Rolls Royce

Col (Ret) & Mrs Warren D. Everett ’68

Col April S. Fitzgerald ’87 and

Dr Margee Brennan

Schlosberg III ’65

The Perot Foundation

Col Mark R. Fitzgerald ’87

Col April S. Fitzgerald ’87 and

Rolls Royce

Col April S. Fitzgerald ’87 and

Dr and Mrs Alfred O. Steldt

Col April S. Fitzgerald ’87 and

Maj Gen (Ret) and Mrs Edward R.

Col Mark R. Fitzgerald ’87

The Honorable and

Mr and Mrs William H. Simpson ’63

Dr and Mrs Robert P. Barnes ’67

Mr and Mrs Michael D. Freeborn ’68

Col Mark R. Fitzgerald ’87

Dr and Mrs Alfred O. Steldt

Col Mark R. Fitzgerald ’87

Sun Microsystems Foundation

Col Mark R. Fitzgerald ’87

Jayne II ’66

Mr and Mrs Michael D. Freeborn ’68

Mrs Michael W. Wynne

Mr and Mrs William E. Wecker ’63

Brig Gen (Ret) Mark G. Beesley ’75

Cw4 (Ret) and Mrs Frederick G. Funk

Mr and Mrs Michael D. Freeborn ’68

Sun Microsystems Foundation

Mr and Mrs Michael D. Freeborn ’68

Mr Goodwin H. Taylor, Jr

Mr and Mrs Michael D. Freeborn ’68

Cw4 (Ret) and Mrs Frederick G. Funk

Gen (Ret) and Mrs Ronald W. Yates ’60

Cw4 (Ret) and Mrs Frederick G. Funk

United Services Automobile Association

Cw4 (Ret) and Mrs Frederick G. Funk

Ms Nancy Kudla ’80 and Mr Frank Kudla

General Motors

Mr and Mrs R. David Yost ’69

Roshi and Mrs George W. Burch ’59

Dr and Mrs Harold D. Gilbert

General Motors

United Services Automobile Association

General Motors

(USAA)

General Motors

Dr and Mrs H. Michael Lambert ’70

Dr and Mrs Harold D. Gilbert

The Estate of Richard A. Yudkin

Gen (Ret) and Mrs George L. Butler ’61

Mr and Mrs James T. Hackett

Dr and Mrs Harold D. Gilbert

(USAA)

Dr and Mrs Harold D. Gilbert

The USAA Foundation

Mr and Mrs F. Keith Withycombe ’66

Mr Irwin I. Belk

General Motors

Cw4 (Ret) and Mrs Frederick G. Funk

Mr Goodwin H. Taylor, Jr

Cw4 (Ret) and Mrs Frederick G. Funk

Dr and Mrs P. Michael Leahy ’71

Mr and Mrs James T. Hackett

Col Mark R. Fitzgerald ’87

Mr and Mrs Michael A. Chipman ’69

Mr and Mrs James T. Hackett

The USAA Foundation

Mr and Mrs James T. Hackett

Dr John B. Wheelock ’74 and

Gen (Ret) and Mrs John Michael

Dr and Mrs Kenneth C. Hancock ’74

Mr and Mrs Michael D. Freeborn ’68

Delta Air Lines

Dr and Mrs Kenneth C. Hancock ’74

Dr John B. Wheelock ’74 and

Dr and Mrs Kenneth C. Hancock ’74

Dr Margee Brennan

Loh ’60

Mr and Mrs william M. Harris II ’73

Cw4 (Ret) and Mrs Frederick G. Funk

Col (Ret) and Mrs Leslie G. Denend ’63

Mr Jerrold T. Lundquist ’71

Mr and Mrs Roderick E. Hennek ’75

General Motors

Col (Ret) John F. Disosway ’70

Mr and Mrs Paul S. Madera ’78

International Business Machines

Dr and Mrs Harold D. Gilbert

Mr and Mrs Terrance M. Drabant ’65

The McGraw-Hill Companies

Corporation (IBM)

Mr and Mrs James T. Hackett

Electronic Data Systems (EDS)

Mr and Mrs Gilbert D. Mook ’67

Lt Col (Ret) David L. Jannetta ’75

Dr and Mrs Kenneth C. Hancock ’74

The Falcon Foundation

Mr and Mrs John R. Muse ’73

The Helen K. and Arthur E.

Mr and Mrs william M. Harris II ’73

Mr and Mrs Michael A. Gismondi ’98

Northrop Grumman

Johnson Foundation

Mr and Mrs Roderick E. Hennek ’75

Mr Joe O’Gorman and Mrs Gail

Lt Col (Ret) Arthur H. Johnson, Jr ’63

Seidel-O’Gorman

RADM (Ret) John E. Kirkpatrick

Maj Gen (Ret) and Mrs Edward R. Jayne II ’66 Mr J. Scott Kirby ’89

T h e A i r F o rce A cad emy M i s s i o n i s

t o ed u cat e, t rain a n d in s p ire m e n a n d w om e n t o be c om e off i c e rs of c h a ra c t e r, m ot ivat ed t o lead t h e U n i t e d S t a t e s Ai r Forc e in s ervice t o ou r n at ion .

Mr and Mrs william M. Harris II ’73

Dr Margee Brennan

Mr and Mrs william M. Harris II ’73

The Honorable and

Mr and Mrs Roderick E. Hennek ’75

Mrs Michael W. Wynne

International Business Machines

Gen (Ret) and Mrs Ronald W. Yates ’60

Corporation (IBM)

Gen (Ret) and Mrs Ronald W. Yates ’60

Corporation (IBM)

Lt Col (Ret) David L. Jannetta ’75

Mr and Mrs Benjamin S. Catlin IV ’73

Lt Col (Ret) David L. Jannetta ’75

The Helen K. and Arthur E.

The Mary K. Chapman Foundation

The Helen K. and Arthur E.

Johnson Foundation

The Detroit Athletic Club Foundation

Johnson Foundation

Lt Col (Ret) Arthur H. Johnson, Jr ’63

Mr and Mrs William P. Dickey ’64

Lt Col (Ret) Arthur H. Johnson, Jr ’63

RADM (Ret) John E. Kirkpatrick

Dr and Mrs Michael G. Parkinson ’68

Mr LeRoy Landhuis

Ms Nancy Kudla ’80 and Mr Frank Kudla

Mr LeRoy Landhuis

Maj Gen (Ret) and Mrs Eugene A.

Dr and Mrs H. Michael Lambert ’70

Maj Gen (Ret) and Mrs Eugene A.

Lupia ’67

Dr and Mrs P. Michael Leahy ’71

Lupia ’67

Dr and Mrs Harvey W. Schiller

Lt Col (Ret) Stephen S. MacLeod ‘91

Gen (Ret) and Mrs John Michael

Lt Col (Ret) Stephen S. MacLeod ‘91

Mr and Mrs Daniel J. Schnepf ’83

Mr and Mrs Richard MacLeod

Loh ’60

Mr and Mrs Richard MacLeod

Lt Gen (Ret) Brent Scowcroft

Lt Col (Ret) and Mrs Ricky A.

Mr Jerrold T. Lundquist ’71

Lt Col (Ret) and Mrs Ricky A.

Ambassador and Mrs Craig Stapleton

Mantei ’76

Mr and Mrs Paul S. Madera ’78

Mantei ’76

Ms Holly Emrick Svetz ’80

Col (Ret) and Mrs Randy J.

The McGraw-Hill Companies

Col (Ret) and Mrs Gary W. West ’63

Martinez ’77

Mr and Mrs Gilbert D. Mook ’67

Zoltan and Addilee Tober Trust

Mr and Mrs Ronald M. McCollum ’63

Mr and Mrs John R. Muse ’73

The Earle Nutter Irrevocable Trust

Northrop Grumman

Mr and Mrs Terrence O’Donnell ’66

Mr Joe O’Gorman and Mrs Gail

Mr and Mrs David J. Phillips ’59

DONOR RECOGNITION WALL

Seidel-O’Gorman

Pratt & Whitney

Dr and Mrs Michael G. Parkinson ’68

Dr and Mrs Jeffery A. Quirk ’70

Science Applications International

The Honorable and

Mr and Mrs Roderick E. Hennek ’75 International Business Machines

Science Applications International Corporation

FRONT ELEVATION, TYPICAL Scale: 1/2”= 1’-0”

M International Inc.

Electronic Data Systems (EDS)

Mr J. Scott Kirby ’89

DONOR WALL

Mr Goodwin H. Taylor, Jr

The Falcon Foundation Mr and Mrs Michael A. Gismondi ’98

P L ATI N U M

$ 1 ,0 0 0 ,0 0 0 - 1 ,4 9 9 ,9 9 9

Lt Gen (Ret) and Mrs Marcus A. Anderson ’61

COMMONS

Col (Ret) and Mrs Randy J.

SIGNAGE + WAYFINDING Monsanto Parking Garage Monsanto ST. LOUIS, MISSOURI JUNE 2013

Monsanto is one of the world’s largest sustainable agricultural companies. The St. Louis headquarters required an additional parking complex to meet the needs of its expanding team. Cannon Design was engaged to develop ad design a signage and wayfinding system. Graphic opportunities included the elevator lobbies and exteriorfacing stair lobbies.

4 Liquid

3 Gas

2 Solid

Synthetic

STAIR LOBBY STAIR TOWER GRAPHIC

FRONT ELEVATION, TYPICAL Scale: 1/8”= 1’

2 61

3 4

Promethium

Berylium

Any beryllium synthesized in stars is short-lived, thus it

The discoverers proposed the name "prometheum",

4 36

Krypton

Mercury

Mercury is used in thermometers, barometers,

Krypton, like the other noble gases, can be used in

derived from Prometheus, the Titan in Greek mythology

is a relatively rare element in both the universe and in

lighting and photography. Krypton light has a large

manometers, sphygmomanometers, float valves,

who stole fire from Mount Olympus.

the crust of the Earth.

number of spectral lines.

mercury switches, mercury relays, fluorescent lamps.

2 1

AREA IDENTIFICATION, LAYOUTS FRONT ELEVATION, TYPICAL Scale: 1/4”= 1’

Berylium

Any beryllium synthesized in stars is short-lived, thus it is a relatively rare element in both the universe and in the crust of the Earth.

1 4

Be Berylium

2 61

Be Pm Promethium Berylium

3 4

Be Berylium

4 36

Krypton

Mercury

Any beryllium synthesized in stars is short-lived, thus it

The discoverers proposed the name "prometheum",

Any beryllium synthesized in stars is short-lived, thus it

Krypton, like the other noble gases, can be used in

Mercury is used in thermometers, barometers,

is a relatively rare element in both the universe and in

derived from Prometheus, the Titan in Greek mythology

is a relatively rare element in both the universe and in

lighting and photography. Krypton light has a large

manometers, sphygmomanometers, float valves,

the crust of the Earth.

who stole fire from Mount Olympus.

the crust of the Earth.

number of spectral lines.

mercury switches, mercury relays, fluorescent lamps.

2 Solid

COLUMN WRAP WAYFINDING

AREA IDENTIFICATION, COLUMN ELEVATOR LOBBY, LEVEL 2, STAIR TOWER 1 1 PLANELEVATION, FRONT TYPICAL VIEW 1/8”=1’ 1’ Scale:Scale: 1/4”=

2 Solid

SIDE VIEWAREA IDENTIFICATION, LAYOUTS ELEVATOR LOBBY, LEVEL 2, STAIR TOWER 1 1 FRONT ELEVATION, TYPICAL 3 SIDE VIEW Scale: 1/4”= 1’ Scale: 1/4”= 1’

Be Berylium

is a relatively rare element in both the universe and in the crust of the Earth.

ELEVATOR LOBBY, LEVEL 2, STAIR TOWER 1 Scale: 1/4”= 1’

FRONT ELEVATION, DETA Scale: 1/2”= 1’

2 Any beryllium synthesized in stars is short-lived, thus it

2 FRONT ELEVATION, ELEVATOR LOBBY TYPICAL

AREA IDENTIFICATION, C

Be Berylium

JACQUELINE TANG

PORTFOLIO OF WORK

GRAPHIC + EXHIBITION DESIGN Heritage Room Bank of Montreal Institute for Learning TORONTO, CANADA NOVEMBER 2011

The BMO Institute for Learning (IFL) is a unique institution in both its design and purpose. Designed by Moriyama & Teshima Architects and opened in 1994, the IFL is a tangible example of BMO’s commitment to learning, for both its employees and for the wider public. The rich heritage of BMO has been integrated into the IFL design, with artefacts from the Bank of Montreal, Harris Bank and Nesbitt Burns on display throughout the Institute. With Moriyama & Teshima’s redesign of the Coffee Break space located to the west of the “Bow”, the opportunity has arisen to consolidate the heritage experience into a “Heritage Room”. It is envisioned that the Heritage Room will serve as a vibrant place where visitors to the IFL can gather, recharge and connect—with each other, and with the rich history of the Bank of Montreal.

LOOK + FEEL

Showcasing BMO’s rich heritage, its lasting legacy of commitment to customers, employees, the environment and communities, and its innovation in banking technologies, the overall look and feel was one that was light, sleek and modern. The supporting material finishes thus included a palette of brushed aluminium, reflective surfaces and illuminated graphics created a light, sleek and refreshing environment.

Title Text: FF Dax Bold Title Text: FF Dax Bold

Colour Palette Colour Palette

Body Text: FF Dax Regular Body Text: FF Dax Regular

PANTONE 300 C PANTONE 300 C

Institute for Learning Heritage Room Institute for Learning Heritage Room ABCDEFGHIJKLMNOPQRSTUVWXYZ ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz abcdefghijklmnopqrstuvwxyz 0123456789 0123456789 Institute for Learning Heritage Room Institute for Learning Heritage Room ABCDEFGHIJKLMNOPQRSTUVWXYZ ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz abcdefghijklmnopqrstuvwxyz 0123456789 0123456789

White White

PANTONE 8402 C PANTONE 8402 C

JACQUELINE TANG

PORTFOLIO OF WORK

Bank of Montreal CONCEPT SKETCHES

Doubling as a coffee break room, this high-traffic public space required a design that was accessible, visible yet non-instrusive. As a result, we developed a system of suspended exhibitry containing multimedia touchscreens, floating display cases and graphic panels that were anchored into back-lit acrylic panels each dressed with larger-than-life historical photos.

Backlit Aluminum Signage

“Exploring Our Origins” Artifacts

1817

Interactive Multimedia Timeline

nine founding fathers

250,000

1847

1822

The Montreal Bank officially became the Bank of Montreal in 1822

1 4.5

ELEVATION Scale 1:50

227

1923

The Bank of Montreal employs over 36,000 people worldwide.

367 billion

The first Canadian housing loan was granted by Bank of Montreal to Mr. and Mrs. Bob Logan in 1954

BMO operates a network of almost 2,000 ABMs in Canada, and over 600 in the U.S.

$5,000

By 1923, the Bank of Montreal had opened branches in every province and territory in Canada

1954

From an initial capital base of £250,000, BMO now manages assets oexceeding $367 billion

The Montreal Bank opened its doors for the first time at 10:00 a.m. on Monday, November 3, 1817

“Origins” Fun Facts Graphic

1973

314

1994

36,000 In 2017 BMO will celebrate its 200t

In 1973, BMO brought MasterCard, then called Master Charge, into Canada

2010

5 4

KEY PLAN

Backlit Aluminum Signage

Backlit Glass Graphic Panel 32” Flat Panel LCD Screen Artefact Display Case

3 5.5 5 4.5

PLAN Scale 1:50

SECTION/ELEVATION Scale 1:50

4 4.5

ELEVATION Scale 1:50

Display Case below

JACQUELINE TANG

PORTFOLIO OF WORK

40" Touch Screen TV Samsung 400TS-2 series

Bank of Montreal

Metal Connecters, DETAILED attached securelyDESIGN to wall DRAWINGS

1750 EQUAL

973

Integrated LED lighting

EQUAL

19mm (3/4") MDF EQUAL

Integrated Artefact Display Case below 12mm (1/2”) reveal for access AC-1

1000 584

AC-2 LM-2

GP-1

AC-1

Power and Data 19mm (3/4") MDF hinged door

LED Lighting Integrated LED lighting

LM-1 EQUAL

Lock AC-1

250

GP-1

Continuous Hinge

Lockable door

200

M-2

Integrated LED lighting 12mm (1/2”) reveal for access

12mm (1/2”) reveal for access Front extension VESA mount, Samsung model WMN-427OSD or similar fully contracted

Power and Data 1130

Blocking as required to make screen ﬂush to Plexi LED Lighting

12mm (1/2”) reveal for access

181 R50

Lock

350

Lockable door

AC-2

Integrated artefact display case Curved Laminate

R100

Continuous Hinge 19mm (3/4”) MDF 415 560

200

Metal Connecters, attached securely to wall

LM-1

200

19mm (3/4") MDF

360

AC-1

GP-1

Integrated Artefact Display Case below

LM-2

LM-1

40" Touch Screen TV Samsung 400TS-2 series Integrated LED lighting 75

1750 EQUAL

973

EQUAL

M-2 AC-2 LM-2

1000 584

200

AC-1

19mm (3/4") MDF hinged door 12mm (1/2â&#x20AC;?) reveal for access Power and Data

LM-1

Integrated LED lighting

GP-1 LED Lighting

1130

Continuous Hinge 181

EQUAL 17

Lock 250

AC-1

GP-1

Lockable door

350

R50

AC-2

JACQUELINE TANG

PORTFOLIO OF WORK

Bank of Montreal OPENING DAY

The finished product was a designed environment that honours to BMOâ&#x20AC;&#x2122;s past while simultaneously celebrating its future in an innovative yet timeless way.

JACQUELINE TANG

PORTFOLIO OF WORK

GRAPHIC + EXHIBITION DESIGN Wasaga Beach Welcome Centre WASAGA BEACH, CANADA MAY 2012

The Welcome Centre at Wasaga Beach serves a variety of purposes. It spotlights the significant historical site of Nancy Island; it acts as a gateway to the cultural and natural heritage resources of Wasaga Beach Provincial Park; it also serves as an orientation to the tourism opportunities in Wasaga Beach, as well as provide basic visitor facilities important in a tourist location, such as public washrooms and a gift shop.

The colour paleƩe is inviƟng, fresh and fun. Inspired by archival photographs and postcards, these colours are also representaƟve of summer, spring and fall - the seasons that the Centre is open to the public.

The colour paleƩe also serves as an organizaƟonal tool. Each themaƟc area has its own designated colour as idenƟed below.

ARCHITECTURAL MATERIAL PALETTE

“WASAGA AND THE WAR OF 1812”

PMS 405 C

This paleƩe is designed to take advantage of the light-lled double-height space as well as compliment the disƟncƟve ooring nishes of the exhibit area and adjacent tourist informaƟon area and shop.

The combination of colourful graphics, naturally-inspired materials and contemporary design elements creates an inviting backdrop for the exhibits With a palette inspired by historical photographs as well as the natural and built landscape of that area, together these elements will create a light and PHASEof 1 REPORT | WASAGA fresh aesthetic that is reflective the vision for the new Welcome Centre as a gateway to the Wasaga Beach Provincial Park.

“THE OTHER WASAGA BEACH”

Proposed nishes include frosted glass and acrylic, glossy and textured laminates, and brushed aluminum. The colour paleƩe will be limited to neutral colours, in a range of nishes and textures, in order to allow the brighter colours of the exhibit graphics to “pop” out from the background.

PMS 3252 C

The material paleƩe of the exhibit space will reect the overall look and feel of the design concept: light, natural and inviƟng.

“SHARING MEMORIES”

Material PaleƩe

“EXPLORING WASAGA”

4.2

PMS 1205 C

Welcome Centre SchemaƟc Design

PMS 1797 C - 85%

16 | MYSTUS EXHIBITS AND LORD CULTURAL RESOURCES

LOOK + FEEL

“WATER” FLOORING

“SAND” FLOORING

“WO

EXHIBITION MATERIAL PALETTE FROSTED GLASS/ACRYLIC

GLOSSY LAMINATES

TEXTURED LAMINATES

BRUSHED ALUMINUM

MYSTUS EXHIBIT

JACQUELINE TANG

PORTFOLIO OF WORK

Wasaga Beach Welcome Centre CONCEPT SKETCHES

This is the first view that visitors have of the exhibit space. It is anchored by the core message â&#x20AC;&#x153;Wasaga...more than just a beach!â&#x20AC;? The striking ceiling treatment which consists of words related to the park cut from multi-coloured acrylic, will serve as an important focal point, animating the space as it interacts with light streaming through the clerestory windows above.

ENTR E

This elevation is further enhanced by a window treatment which showcases the HMS Nancy in the distance, reminding people of the historic artefact that shaped Nancy Island.

TH RES CO TH SU WI RES OR TH

CO AP AU

ALL MO CA BY

On the other side of the exhibit space, the sights and sounds of Playland Park will be recreated in an immersive “niche” where visitors can pose for a photo in front of the large mural of the amusement park.

TH RE CO TH SU WI RE OR TH

CO AP AU

ENTR E

AL MO CA BY

JACQUELINE TANG

PORTFOLIO OF WORK

Wasaga Beach Welcome Centre DETAILED DESIGN DRAWINGS

100

75 20

LASE R CU T CIRCLE 5 mm DIA METE R

LA SER CUT CI RCLE 5mm DIAMETER

LASE R CU T LET TERS HI GHWAY GOTHIC WI DE (240pt)

LA SER CUT LET TERS HIG HWAY GOTHIC WIDE (180pt ) MAX. 850

6 mm (1 /4”) CL EAR P LEXIG LA S W/ TR ANSLU CENT COLOURED VINY L AP PLIED TO SECOND SU RFACE

MAX. 1000

6mm (1/4”) CLEAR PLEX IGLAS W/ TRANSLUCENT COLOURED VINYL APPLIED TO SECOND SURFACE

GR-1 AC-2

L I G H T ME TAL RO D A L I G NE D W / C E I L I NG J O I STS MO NO F I L A M E NT

GR-1 AC-2

6mm (1/4”) PLEXIGLAS WO R D S ( S E E D E TA I L )

MIN. 20

GR-1 AC-2

PL E X I G L A S WO R D S TO B E H UN G W I T H I N DA S H E D A R EA

MIN. 20

DETAIL

2.3

Scale 1:5

1800

1000

600 1200

1800

1 2.3

ELEVATION Scale 1:50

2400 21

A NC H O R E D TO WA L L MD F W / PA I NT E D WD-1 PT-1 F I NI S H O N A L L VI S I B L E S U R FAC ES

900

MOT I O N- AC T I VAT E D AU D I O EQ U I PME NT TO B E CO NC EA L E D I N R EC ES S E D S H E L F O N TO P O F U NIT

1200

PH OTO O P S I G N ( 1 5 0 m m x 1 0 0 m m ) , D I R EC T PR I NT 6 m m ( 1 / 4 ” ) S I NT R A A D H E R E D TO WA L L

1 2.8

GR-5

PLAN Scale 1:25 2563 1175

150

MOT I O N- AC T I VAT E D AU D I O EQ U I PME NT G R A PH I C, D I R EC T PR I NT 3 m m ( 1 / 8 ” ) S I NT R A

GR-4

600 1200

250

400

300

G O L D PA I NT E D ST E E L PO ST, A NCH O R E D TO F LO O R & CE I L I NG

GR-5 500

915 700

2 2.8

S ECO NDA RY GR A P HI C PA NEL , DI R EC T P R I NT 6 m m ( 1 /4 ” ) S I NTR A , S E T O F F F RO M WA LL 2 5 m m

FRONT ELEVATION Scale 1:25

R E PRO D U C T I O N PL AY L A ND S I G N S U S PE ND E D F RO M C E I L I NG R E PRO D U C T I O N C A RO U S E L H O RS E

700

JACQUELINE TANG

PORTFOLIO OF WORK

Wasaga Beach Welcome Centre OPENING DAY

Coinciding with the War of 1812 Bicentennial, the Welcome Centre opened its doors on May 24, 2012. Since then, the new Wasaga Beach Welcome Centre at the Nancy Island Historic Site in Wasaga Beach Provincial Park has been an attraction for tourists and residents alike.

JACQUELINE TANG

PORTFOLIO OF WORK

GRAPHIC DESIGN Wasaga Beach Welcome Centre WASAGA BEACH, CANADA MAY 2012

GRAPHIC DESIGN Ralph Klein Legacy Park

Water Conservation Praesent aliquam massa in massa pulvinar sed congue nibh dapibus. Duis sed purus non nibh dapibus ullacorper eu eget diam...

CALGARY, CANADA AUGUST 2012

33 %

57 %

89 %

Ralph Klein Park is Calgaryâ&#x20AC;&#x2122;s newest major park featuring a man-made wetland that uses natural vegetation to treat stormwater before it is discharged into the Bow River.

40 %

Nulla porttitor, ante tincidunt luctus malesuada, justo turpis faucibus diam, sit amet lobortis quam tortor eget ipsum. Maecenas ante lectus, condimentum sit amet rutrum imperdiet, volutpat quis tellus. Ut vestibulum viverra adipiscing. Cras non lectus id ipsum adipiscing pretium ut at urna. Mauris quis nulla neque. Morbi elementum, ligula vel consectetur venenatis, diam nulla euismod velit, aliquet consectetur neque lorem eu ligula. Donec tempor velit orci. Morbi sit amet velit ac dolor luctus consectetur. Nulla tristique feugiat sem.

Nulla consecteur maruis morbi elementum

Mauris quis nulla neque. Morbi elementum, ligula vel consectetur venenatis, diam nulla euismod velit, aliquet consectetur neque lorem eu ligula. Donec tempor velit orci. Morbi sit amet velit ac dolor luctus consectetur. Nulla tristique feugiat sem.

Lorem Ipsum Irateirate

Vestibulum viverra cras non

Adipiscing faucibus diam sit amet 7

GALLONS

0 0 9 6 87 0 6

Working with Weatherston Bruer Associates, who developed the concept design of the exhibition, we created a graphic language that was cohesive with the established design language yet also injected a sense of playfulness that made the content universally accessible.

JACQUELINE TANG

PORTFOLIO OF WORK

GRAPHIC + EXHIBITION DESIGN Osgoode History and Archives Project, Osgoode Hall Law School, York University TORONTO, CANADA JANUARY 2012

In 2009, Osgoode Hall Law School at York University an internationally renowned educational institution and leading centre for legal scholarship - broke ground on a transformative $50 million renovation of its 42-year old facility. In conjunction with the building renovation, the school launched the Osgoode History and Archives Project (OHAP). Envisioned as a “living history”, this project aims to preserve Osgoode’s past and advance research into the school’s legacy of leadership and nationbuilding through the display of artifacts, archival material and interactive exhibits. The exhibition combines bold signage and graphics, artifact displays, interactive/ multimedia elements and modular seating to create an engaging space that captures the attention of passing students and encourages them to engage with the rich history of the school.

JACQUELINE TANG

PORTFOLIO OF WORK

GRAPHIC + EXHIBITION DESIGN Africville, Seaview Baptist Church HALIFAX, CANADA FEB 2012

Africville was originally settled by African-Nova Scotians in the 19th century. However in the 1960s, families were forced from their homes and relocated to public housing. Although considered a slum by most, Africville was a vibrant community to the many people who lived in the area. For them, the removal of residents, levelling of homes and destruction of the Seaview African United Baptist Church was a horrific event and yet, the community spirit that animated Africville still lives on in the former residents. Set in the recreated Seaview Baptist Church, this exhibition celebrates and commemorates the life and citizens of Africville. The concept of the exhibition derived from the idea of laundry lines as a symbol of the community and fellowship. Visitors experience the exhibition in a linear fashion, weaving their way through the aisles delineated by the â&#x20AC;&#x153;clothesâ&#x20AC;? line and concluding at the door leading to Bedford Basin, the site of baptisms every Sunday.

JACQUELINE TANG

PORTFOLIO OF WORK

EVENT DESIGN G8/G20 Summits Media Centre, Experience Canada TORONTO, CANADA JUNE 2010

Global leaders, their delegates and approximately 2500 members of the international media descended on Huntsville, Ontario and Toronto, Ontario between June 25-27, 2010 for the G8 and G20 Summits. This was an opportunity to showcase all that Canada has to offer from a social, cultural and economic standpoint. This space, titled “Experience Canada”, was designed to be evocative of the Canadian experience. Experience Canada was divided into three areas “Northern Ontario” that imparted a sense of the natural bounty which so many associate with Canada, “The Bridge” which was a 24-hour information bar that offered an extensive food and beverage program presented by Canada’s top culinary masters, and the “Cityscape” that incorporated displays of leading edge interactive technologies from key investment sectors.

JACQUELINE TANG

PORTFOLIO OF WORK

EVENT DESIGN Ontario Pavilion, 2010 Winter Olympics & Paralympics VANCOUVER, CANADA DEC 2009 - FEB 2010

The 2010 Vancouver Winter Olympics was Ontario’s time to shine and celebrate. A breathtaking Pavilion of shimmering movement and light beckoned visitors from around the world to experience the Province in an innovative and welcoming environment. The diversity of programming from state-of-theart interactive experiences and live rocking performances mirrored the energy of the Province and Ontario’s readiness for the future. Cutting edge and immersive technological installations included state-of-the art mind control activities that allow the control of technology from Vancouver to Ontario, a 4D theatre, and a 3D Blackberry game highlighting the talents of animators for Sheridan College. AWARDED GOLD FOR INTERIOR DESIGN IN TEMPORARY/ PORTABLE CATEGORY BY THE DESIGN EXCHANGE, 2011 DESIGN EXCELLENCE BY THE ONTARIO ASSOCIATION OF ARCHITECTS (OAA), AND 2011 AZURE PEOPLE’S CHOICE AWARD FOR ARCHITECTURE - TEMPORARY DEMONSTRATION BY AZURE MAGAZINE.

JACQUELINE TANG

PORTFOLIO OF WORK

RETAIL DESIGN eko jewellery TORONTO, CANADA JANUARY 2007

Eko, a treasure chest on Toronto’s fashionable Queen Street West area, intrigues customers by drawing them in with its sculptural wall motif only to reveal its “hidden” gems made by international jewellers behind a corridor of white columns. AWARDED BEST RETAIL PROJECT IN CANADIAN INTERIORS’ 10TH ANNUAL BEST OF CANADA DESIGN COMPETITION.

JACQUELINE TANG

PORTFOLIO OF WORK

GRAPHIC DESIGN Multiple clients VARIOUS LOCATIONS

YOU’VE BEEN INVITED TO

a Summer

Various electronic and printed cards were designed for clients for different occasions including weddings, personal parties, baby showers, just to name a few.

BBQ!

YOU’VE BEEN INVITED TO

a Summer

BBQ!

YOU’VE BEEN INVITED TO

a Summer

BBQ!

YOU’VE BEEN INVITED TO

a Summer

BBQ!

WHERE 182 Robinson Street (look for the red door!) WHEN Sunday, July 28 WHY To celebrate summer with delicious treats!

Schelpstraat 42, Oranjestad, Aruba t: 2

Museo Arqueologico Nacional Aruba

National Archaeological Museum Aruba Arminda Franken-Ruiz Director Schelpstraat 42, Oranjestad, Aruba t: 297 582 8979

Arminda Franken-Ruiz Director Museo Arqueologico Nacional Aruba

National Archaeological Museum Aruba

Museo Arqueologico Nacional Aruba

National Archaeological Museum Aruba

BRAND IDENTITY A National Archaeological Museum Aruba

Museo Arqueologico Nacio

National Archaeological Mus

NANational Archaeological Museum Aruba

Schelpstraat 42, Oranjestad, Aruba t: 297 582 8979

Museo Arqueologico Nacional Aruba

PORTFOLIO OF WORK

JACQUELINE TANG

Schelpstraat 42, Oranjestad, Aruba t: 297 582 8979

ORANJESTAND, ARUBA JULY 2009

As an archaeological museum celebrating over 1000 years of history, the identity of the National Archaeological Museum Aruba stemmed from ancient artifacts such as pottery shards and ceramic paintings which were predominant in archaeological excavations of this region.

Museo Arqueologico Nacional Aruba

National Archaeological Museum Aruba

Schelpstraat 42, Oranjestad, Arub

Museo Arqueologico Nacional Aruba

National Archaeological Museum Aruba

Schelpstraat 42, Oranjestad, Aruba t: 297 582 8979 Schelpstraat 42, Oranjestad, Aruba t: 297 582 8979

Schelpstraat 42, Oranjestad, Aruba t: 297 582 8979 42

Arminda Franken-Ruiz Director

Armind

BRAND IDENTITY The Knot HONG KONG, SAR JANUARY 2013

Knot the

The Knot is one of the first sew and craft by the hour studios in Hong Kong that also offers its clients an enormous selection of fabrics from international designers. The typeface and the icon of the knot both clearly communicate the intent of the store and also tie the front and back of the business card designs together.

the the Knot Knot

378 HENNESSEY 378 HENNESSEY ROAD ROAD QUEENSWAY, QUEENSWAY, HONG KONGHONG KONG TEL: +(852) 2637 TEL: +(852) 7783 2637 7783

THEKNOT.COM.HK THEKNOT.COM.HK YA R N S , FA BR I CYA S & R NS M O, R FAB E R ICS & M O R E