Jhoel Prevendido Architectural Portfolio

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JHOEL PREVENDIDO



TABLE OF CONTENTS PIEDMONT TRANSIT HUB PRAISE HOUSE LAS TERMAS DE PELLAIFA SCAD MEDIATHEQUE EL RENACIMIENTO THE GREEN TRIANGLE THE KEYSTONE DIGITAL REPRESENTATION DIGITAL FABRICATION IBA(S) STUDENT DESIGN COMPETITION



PIEDMONT TRANSIT HUB ATLANTA, GEORGIA

The concept of this building is to create a mixed-use transit hub that will provide

residences, retail, offices, and transportation to the Northern Piedmont Park Area. By using the Beltline as a datum, the design of the building begins to create a new skyline and becomes a main activation point to Amsterdam Walk and the surrounding neighborhood. The building will bring people towards the site and contribute to the proposed commercial and residential areas adjacent to Piedmont Park.


Lines, points, shapes, and volumes were used

to create this site construct. The lines that slowly grow out of the ground creates a path like the ones from the site analysis. Thresholds of the path include different heights that the path travels through and volumes such as the one that goes through the middle of the model. Solids represent datums and main buildings from the site analysis which can also be considered thresholds or even barriers because of the change in shape


A

B

SITE PLAN


Ground Floor

Second Floor

Beltline

Commercial Area

Train Station

Hotel

Bus Station

Office Space

Pedestrian

Residential

Office Floor Residential Floor


Transformation diagrams showing process of building configuration.

Theater Detail

Structure


Scale: 1/32”A Section = 1’


Section B


Floor Slab Dropped Ceiling Extruded Aluminium Transom

Double Glazed Unit

Smoke Seal Thermal Insulation



PRAISE HOUSE LIBERTY COUNTY, GEORGIA

The intent of the project was to create a Praise house for the Gulla

Geechee People of Liberty County. The Praise house would be used as a sacred space where people can worship, gather, and reflect on the lives of their ancestors. Sacred architecture is heavily used in this design such as orientation of the building, the concrete wall that creates a threshold from the profane to the spiritual worlds, use of natural light, and sacred geometries.



Avenue of Oaks

Gathering Space Pond Gallery Space Worship Space Outdoor Worship Space Narthex Forecourt Second Avenue of Oaks

Red Maple Leaf Trees

SITE PLAN

The concept of the trinity is used in the parti of the design. The approach to the Praise House is a journey. One travels through different thresholds such as the Avenue of Oaks and the narthex. The narthex uses a sliver of light from a window to help guide worshipers inside the Praise House. From there, through the large open gallery space and finally into the worshipping space that faces toward Sierra Leone, the ancestors of the Gullah Geechee people.

Parti

Egress

Geometry

Circulation


Floor Plan

8 7

6

5 9

1

Narthex

2

Gallery Space

3

Worship Space

4

Outdoor Worship Space

5

Sanctuary of Candles

6

Outdoor Gathering Space

7

Men’s Restroom

8

Women’s Restroom

9

Kitchen

2

1

3

A

4


West Elevation

South Elevation


Narthex

Section A



The use of sacred geometry creates unity where everything is

one and the perception of separateness in nature and each other can be forgotten. Sacred geometry can be found in everything created, it is the genesis of all forms. Geometry can be found everywhere from the sea in nautilus shells, in music, in architecture and even the human body, Humans are surrounded by geometry since birth until death. Using squares as the sacred geometry it creates a unity throughout the Praise House.



LAS TERMAS DE PELLAIFA LAGO PELLAIFA, CHILE

The intention for this project is to create a place where people can relax and enjoy

the nature that surrounds them by using architecture and experience southern Chile. The goals were to create a building where people can journey through a landscape and take in nature. I wanted to make visitors feel calm by creating thermal baths; surprised, by having great views from the building and out into the landscape; and also to create architecture that enhances the experience of the landscape and not destroy it.


Thermal Panoramic


SITE PLAN


3

4 1

1b 1a

5 2a 7

2b 6

A

1

Thermal Pellaifa

4

Sauna

2a

Thermal Colinas

5

Steam Room

2b

Thermal Colinas

6

Juice Bar

3

Thermal Villarica

7

Restrooms

Section A

1a

Thermal Panoramic

1b

Thermal Panoramic

Section B

B

Section C


2 1

3 5 2 3

4 5 1

Individual Meditation Spaces

4

Changing Rooms

2

Group Meditation Space

5

Lounge Area

3

Exterior Meditation Space

6

Thermal Reception

6

C

C

Elevation South

1

4

1

Welcoming Reception

4

Kitchen

2

Waiting Area

5

Dining Terrace

3

Cafe


Cafe


Thermal Colinas



SCAD MEDIATHEQUE SAVANNAH, GEORGIA

The SCAD Mediatheque was designed as an extension to the adjacent

SCAD Library. The main idea of this design was to create a building where structure would be visible in the interior and exterior of the building. The use of a truss system created aesthetics throughout the building and shows how the structure of the building worked, for example the laced steel columns can be seen continuously from the first floor to the second floor which supported the truss roof. Structure was also used to be integrated with mechanical systems such as HVAC and sprinklers



SITE PLAN


Top Chord Web

Bottom Chord

Structural System

Laced Steel Column

P

Concrete Waffle Floor Slab

Steel Cross Bracing

HVAC System

Concrete Column Concrete Wall

P

Low-E Glazing

Concrete Slab on Grade

Base Plate Sprinkler System

Concrete Footing


Floor 2

Floor 3

16 10

15 14

8

11 12

13 9

A

A

Floor 1

7

1

1

Reception

8

Media Space

13

Permanent Gallery

2

Office

9

Screen Room

14

Library

3

Cafe

10

Reading Area

15

Reading/ Study Area

4

Cafe Kitchen

11

Individual Media Rooms

16

Kids Corner

5

Mechanical Room

12

Magazine Racks

6

Lounge Area

7

Temporary Gallery

3

2 6

4 5

A



Section A

North Elevation

East Elevation

West Elevation



EL RENACIMIENTO ANTIGUA, GUATEMALA

The concept of this project was to create a new architecture to regenerate this area

of Antigua which is located next to one of Antigua’s many monuments, La Recoleccion. The Hotel/ Conference Center had many challenges in design due to Antigua’s strict building codes, regulations, and environmental factors such as, building heights, architectural forms, earthquakes, and materiality. However, for this project the idea for a new Hotel/ Conference center allowed for the use of new building technologies such as seismic design and interior lighting systems and use of modern materials to bring a new architecture to Antigua.


SITE PLAN



Entrance

221’

Hotel Restaurant Gallery Conference Rooms Courtyard Program 240’

119’ 143’

Second Floor

10’

Egress

First Floor

21’ 11’ 9’8”

West Section


Roof Detail Section METAL FLASHING ANCHOR BOLT BUTIMOUS ROOF STAINLESS STEEL FLASHING METAL DECKING GUSSET PLATE OPEN WEB STEEL JOIST STEEL BRIDGING DAMPING UNIT

CONCRETE BEARING WALL

Courtyard Detail Section METAL FLASHING GRAVEL CONCRETE CURB VEGETATION

GROWING MEDIA FILTER LAYER DRAINAGE LAYER PROTECTION FABRIC ROOT BARRIER VAPOUR BARRIER INSULATION

WATERPROOF MEMBRANE


White steel cross bracing

20’4”

Double paned Low-E glass Concrete Wall

36’ 41’

96’

13’

13’ 14’ 13’ 14’

Interior Detail

East Elevation

South Elevation

16’


Gallery Space`


SITE PLAN


THE GREEN TRIANGLE SEOUL, KOREA Jhoel Prevendido and Aldrian Chrisandy

This project looked at the Cheyonggycheon Restoration Project that was

completed in 2005. A 7 mile corridor that travels through the city of Seoul, it is a restoration of an ancient stream that was once covered with an elevated highway. The concept of this project is to connect the northern urban park with the southern Dongdaemun Design Plaza by using the Cheyonggycheon stream as a catalyst/ connector. We added urban design elements such as seating, designated pathways for pedestrians, foot bridges to connect the parks, and trees to add human scale.



THE KEYSTONE HAMILTON, BERMUDA

Bermuda has a large international community due to international business and migrant workers. This leads to cultural and cross-cultural relationships between local people and foreigners. Because of this, new families are being made that have different cultures, ethnicity, and backgrounds. Children are being born in these inter-cultural families and interacting with other children who may not have more than one background. While these children grow up, their differences can create a divided community. By creating a community youth center, the architecture can provide a space where children, parents, and the public of different backgrounds are able to learn about each other. With different cultures, there are different traditions and customs. By providing different spaces where cultural and social activities occur, it can help break the barriers that the community have so that in the future everyone can be seen as equals.


B

A

Site Plan


South Perspective View

Gymnasium

Fountain Courtyard


Building Form Diagrams

EMBRACE INVITING COMFORTABLE

WELCOMING

DISCOVERY JOURNEY

FUN

KNOWLEDGE

INVIGORATE

SAFE

Words describing what the outcome of the design of the

Two linear forms representing the

EMBRACED forms to create a shared courtyard,

Shift forms to create interlocking forms.

Community Youth Center. These words all relate to integration

separate cultures in Bermuda

it becomes WELCOMING and SAFE

Creates a JOURNEY and a new DISCOVERY

between different people, creation of new relationships, and

through the site

being able to learn about new things

Idea of bringing people from outside the site, in. Building

Building forms are pulled according to

One dominant space to represent the keystone

Top of forms are pushed down according to position

form differentiates itself from urban/architectural context

building program. Diagram represents the

that INVITES and holds the community together

of the sun during the day. It also creates a playful

idea of reaching out to the community

and the spaces on the site

aesthetic to support the idea of a place for FUN and interaction


Underground Level 18 19

Library Level 2

12

15 10 11 17

14 1 13

2 16 3

4

9

5

Ground Level

Library Level 2

1

Storage

15

Traditional Media Area

2

Classroom 1

16

Restrooms

3

Classroom 2

17

Atrium

4

Atrium

5

Computer Area

6

Restrooms

7

Mechanical

8

Gymnasium

9

Open Studio (Art)

10

Key Stone

11

Break Area

12

Theater

13

Waiting Area

14

Open Studio (Dance)

6 7

8

Underground Level 18

Changing Room

19

Theater Storage

20

Cafe

21

Pop Up Shop

22

Light Well Passage

Ground Level

22 20

21

Underground Level


North Elevation

West Elevation

Section A

Section B


White Wash Roof Panel Metal Flashing SIP Panel

Detailed Library Section

Plywood Ceiling Glulam Structure South Pine Glulam Beam

Low-E High Performance Hurricane Glass

Library Floor 2 Mullion

Library Floor 2 Hardwood Floor Serenity Mat Serenity Mat Adhesive Rigid Insulation Plywood

Library Floor 1

Aluminum Railing Gusset Plate Anchor Bolt

Glulam Beam

Cafe

Concrete Tributary Rigid Insulation

Cafe

Rough Concrete Panel

Reinforced Concrete Slab

Rubble Concrete Backfill Rough Concrete Panel Cement Render

Reinforced Concrete Slab

Drain Pipe

Keystone

Concrete Footing

Water Tank


DIGITAL REPRESENTATION This class focused on how architectural projects can be transformed into 3D environments by the use of rendering programs like 3DS Max Design. The class also showed how realistic materials are viewed through perspective, how to control interior lighting, and how to use and understand exterior daylighting


DIGITAL FABRICATION This class looked at the interdisciplinary similarities

of

different fields of design. All fields of design are related in some way such as automobile design, product design, fashion design, graphic design, furniture design, and architectural design. Works incorporated architectural elements, such as canopy, tower, landscape, and connectivity. By looking at intricacies, ornamentations, and forms in all aspects of types of designs, an Architectural product was made.

Group Members: Neil Henne, Jhoel Prevendido, Yuheng Sun Responsibilities: Design of wall Panel (Curves, placement of embossing), 3D representational drawings (elevations and sections), Renderings



IBA(S) STUDENT DESIGN COMPETITION ST. GEORGE’S, BERMUDA

Jhoel Prevendido and Chiara Lombardi

The task for this competition was to redevelop Phenno’s Wharf in St. George’s, Bermuda in a master planning approach. Phenno’s

Wharf was located at the entrance of the Town of St. George’s, a UNESCO World Heritage Site. We saw that the site had potential to be a catalyst in attracting people into St. George’s. From a site visit we noticed that St. George’s was lacking life. By including multiple public spaces, it allows people to interact with each other and the site. The site was designed so that people would be inclined to go towards the main square of St. George’s. My responsibilities in this project was master planning, architectural drawings, architectural facade designs, and design ideas.




GEOFF PARKER ARCHITECT Responsibilities:

Site surveys Interior Elevations

Exterior Elevations Construction Documents



1

A-27

TRANQUILLITY STUDIO LTD. JOHN H KAUFMANN ARCHITECTURE

1

A-27

1 A-28

SCALE: 1" = 1'-0"

PLANNING

MIBA

INTERIORS

2 A-27

SCALE: 1" = 1'-0"

Tranquility Studio Ltd 1

A-27

THIS DRAWING IS THE EXCLUSIVE PROPERTY OF THE ARCHITECT OF WHICH THE REPRODUCTION OF ANY PART IS PROHIBITED WITHOUT THE PRIOR WRITTEN PERMISSION OF THE ARCHITECT. NOTE: THIS DRAWING IS TO BE READ IN CONJUNCTION WITH THE ABOVE LISTED CONSULTANTS AND ANY OTHER CONSULTANTS DOCUMENTATIONS WHICH ARE APPLICABLE TO THE LISTED PROJECT. THE CONTRACTOR SHALL THOROUGHLY CHECK AND VERIFY ALL LEVELS - DATUMS - DIMENSIONS PRIOR TO COMMENCEMENT OF CONSTRUCTION. ANY DISCREPANCY AND/OR OMISSION SHALL BE REPORTED TO THE ARCHITECT PRIOR TO CONSTRUCTION. WRITTEN DOCUMENTATION / SPECIFICATIONS SHALL TAKE PRECEDENT OVER ARCHITECTURAL DRAWINGS.

MR. ROBERT LANDAU 2 GLEBE HILL TUCKERS TOWN

DINING ROOM FIREPLACE PLAN, SECTION, ELEVATIONS

4 1

SCALE: 1" = 1'-0"

A-27

3 A-27

A-27

SCALE: 1" = 1'-0"



COMMERCIAL INTERIORS GROUP


Responsibilities: Site surveys Interior Elevations Spacial Planning 3D Renderings Construction Documents






JP Jhoel Prevendido prevendido@gmail.com 912.272.6520


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