Portfolio for UCL - MArch Architectural Design by jialin jiang

Portfolio JIANG JIALIN 2017-2022

PROLOGUE “Architecture is a form of social art”

-----Ieoh Ming Pei

What I desire to explore is the relationship between architecture and society. Generally speaking, architecture is the product and an instrumental means of social relations. In other words, social relations determine the development of architecture. Correspondingly, architecture also has a counterproductive effect on social relations. New social relations will be generated or restricted due to the form, scale, and cultural characteristics of the building. The intricate social network has a looming correspondence with the spatial structure. In this portfolio, I aim to use delicate design to sew the wounds that are constantly emerging in the process of rapid urbanization, creating spaces to trigger interpersonal interaction.

CONTENTS 01 REVITALIZE, REBIRTH

02 HYBRID LINK

03 HIDE ON BUSH

04 BACK TO THE NATURE

Re-enabling function to give new vitality Academic Project | Bologna, Italy

Establish a dialogue between architecture and highways Academic Project | ShangHai, China

Explore the possibility from actual architectural part Personal Research | San Simeon, US

Spatial generator for social activities Pavilion Design and Construction | ShangHai, China

05 ABOVE THE CITY

06 OTHER WORK

Imagination of future housing for post-Covid 19 Personal Research | WuHan, China

Establish a dialogue between architecture and cities Academic Project | HongKong, China

01 Revitalize, Rebirth Re-enabling function to give new vitality

Catagory: Academic Project Group work Instructor: Wenzhao Hsu Type: Architectural Design Contribution: Design(60%)/Digital Modeling(65%)/Drawings(55%) Location: Bologna, Italy Year: 2019 Design Description The site 'Centergross' is a trade center for fashion clothes industries. However, it is gradually losing its vitality due to the emerging online shopping mode. There is a need for industrial and spatial transformation, however, the original premises are separated from each other with unreasonable program organization. With two prototypes of blocks, we redesign the premises into polygonal lineshaped blocks with flowing spaces. Diverse activities such as clothes exhibitions and fashion shows can take place in these flowing spaces appropriately, attracting visitors and revitalizing Centergross.

"Architecture is really never experienced as we see it in photographs but it's always experienced in motion and in context" -----Marion Weiss

Centergross: The Trade City with convenient transportation Our target is to transform it to a worldwide side fashion center and face the challenge of onlineshopping mode. By recreating the site, we give centergross a new birth.

SITE ANALYSIS | CURRENT INDUSTRIES AND BUILDING DISTRIBUTION try dus

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k par r, he othe t n h ck i ac l blo with e al b l n a o cti tion ixed fun unc re m d f e h a x c s Mi f ea ion ip o functis low h s s tion iou ncy relaic, varefficie e the Th haot use nd nt. ds a , si c the l k e parsufficible fie e and h e a t in t c k in sly ege spa en parseriouand v e l l r a g sm is ass r of ne e rate tly gr o Poo y c l a os s onen sp are m i e r e Therall grhe site oveund t fic traf d Aro n te a rou n a i str ede p f o n on rba rati a p n uside e a s o r e se t d in Poo clo e roa e and t thes is s i h wid , bu cles e T t i . s d g hi Thenk roais verydrivinnd ve r a u k o r r t pa nt f ple the venieof peored. conation y igno parremel rby ext nea s l oo sch n e Sev s ock

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Cur the rent pot fashi Cente andentialon sal rgross Cen the t is inses. Ho`s sal ter our uffic we es m gro ism ien ver od ss. ind t. T , th el i ust he e ap s do ry b loca par min ring l re el b ate new side uyin d by pos nts d g sibi ema litie nd s to s ries

Adv ise f irm s L ogis itics Tec hnic al g ood s Re Fas hio stau n Tex ran tile t Acc e Adv ssorie ise s firm s

Per son al se rvic Log e isit

Tec ics h Per nical son goo Res al ser ds tau v ran ice t

A: M B: Main r a oa the in en ds of 'C tra th C: D enter nce o e city D: S istric gross f E:S urrout Park ' ubu nd rba ing n fi gre eld en s spa ce

DEMAND RELATIONSHIP RESEARCH Design

Clothes fitting Brand culture lecture Fashion exhibition Handmake experience

Drawing design

Customers

Plate-making Pattern making Sample making

Buyers

Taking art lessons Personal image design

Students

Enhancing aesthetic

Tourists

Beautiful scenery Cafe&Restaurant Taking photos Centergross`s history

Produce Spinning

Visitors

Weaving Printing & dyeing

Taking exercise Jogging

Sewing

Locals

Parking cars

Sale Designing activities

Employees

Fashion show

Photography Physical stores

Having meetings

Designers Group discussing Changing uniforms Storing products

Workers

Online stores

Delivering

JOUNREY MAP

People with different needs can take different express routes to get where they want to go

Entrance

Exhibition Area

Indoor exhibition hall

Customers

Outdoor fashion show

Experience Area

Clothes making selfexeperience

Interaction Area

Off

Aesthetic training studio

Customer ser Brand culture lecture hall

Personal image design

Art studio

Catering and Entertrainment

Visitors

Employees

Evacuation Square

Staff parking lot

Stroll in the Park

Lecture theatre

Enjoy the view from outdoor corridor

Work place

Tourist s cen Outdoor recreation and leisure

Meeting room

Design st

fice

rvice center

service nter

tudio

CONCEPT & FORM GENERATION By extracting the most common raw material in the original site - wool, we combined with our concept, weaving the functions of each part together, and commemorating the original garment factory.

Exhibition Area Prototype of Knitting

Prototype of Building Blocks

Prototype A Combined with Functional Zoning

Experience Area

Interaction Area

Prototype A Reformed & Put Back to the Site

Office Area Prototype B Reformed & Put into the Site Other Area

Physical stores

Corridor Knitting the Building Blocks Enjoy the view at the platform

Storehouse

A 2

1. Brand culture lecture hall 2. Fashion show catwalk 3. Model dressing room 4. Reception Room 5. Handmade clothes exhibition

3 2

1. Cafe&restaurant 2. Clothes exhibition hall 3. Model exhibition hall 4. Meeting Room 5. Brand poster exhibition hall

3 1

1. Lecture theatre 2. Masterpiece exhibition hall 3. Model exhibition hall 4. Roof garden 5. Tailoring self`experience studi

hall

6. Staff office Ground Floor Plan 7. Ground garden 8. Art lesson studio 9. Personal image design studio 10. Clothes making self-experience studio

Entrance Plaza

First Floor Plan 6. Staff office 7. Art lesson studio 8. Aesthetic appreciation training studio 9. Masterpiece exhibition hall 10. Viewing platform Central Courtyard

6. Cafe&meeting room 7. Art gallery 8. Art lesson studio 9. Staff office 10. Viewing platform

Second Floor Plan

Cultural Center 9

SECTION A-A

100mm Concreat 30X100mm Beam 10mm Window 100X100mm Concreat Column Double Layer Glass Fence

10mm Black Granite 100mm Concrete 30X100mm Beam 0.2mm Aluminum Film 20mm Polystyteo Board 120mm Reinforced Concrete Structure Board 11

EXTERIOR CORRIDORS WITH FAST ACCESS Exterior corridors allow for quick access to different destinations efficiently without passing through the interior of the building. This will also effectively increase the availability of space inside the building.

INTERIOR FLOWING SPACES WITH DIVERSE ACTIVITIES Column network load-bearing structure frees the wall so that diverse interior f lowing linear spaces can be designed for different types of galleries. 12

EXTERIOR PLATFORMS WITH WONDERFUL PHOTO SPOTS The exterior corridors leads to many platforms more than just rest areas but also ideal places to take pictures of the wonderful scenery. When a person is photographing, he is also the model of other people's photographs.

THE EXTERIOR SPACES BELOW THE BLOCKS The rhythmic column network not only bears the load but also divides the grey space below the blocks deftly so that diverse activities can take place. 13

02 Hybrid Link

Re-enabling function to give new vitality

Catagory: Academic Project Group work Role: Group Leader Instructor: Lichun Wang Type: High-rise Design Contribution: Design(70%)/Digital Modeling(70%)/Drawings(70%) Location: Shanghai, China Year: 2021 Design Description For modern cities, viaducts, overpasses, and cross-river and cross-sea bridges in the city are the keys to resolving urban traffic congestion. These viaducts and overpasses have obviously alleviated the problem of urban traffic congestion and improved the efficiency of urban operations. However, in the cheers of urban bridges, some urban residents found that for Beijing, Shanghai, and other megacities, overpasses, and excessive congestion when passing through entrances and exits have become an inevitable daily routine. This design is based on Le Corbusier's theory of the Radiant City. Through the investigation of the traffic, commercial and residential areas around the Nanpu Bridge in Shanghai, to try a new type of complex combined with urban viaducts and the city's buildings.

"Modern life demands, and is waiting for, a new kind of plan, both for the house and the city" -----Le Corbusier

OVERPASSES IN SHANGHAI

a aw

ang

daw

dawang road

ad dawang ro

roa

xiao

road ang

roa

xiao

road

g road dawan

ang

daw

dawang ro

ang

daw

road

daw

wang

ang

road

SITE d

roa

dawang road a

daw

oa ng r

0 Viaduct

Greening

Residential

HuangPu River

0.3

0.75

1.5km

Road

For modern cities, viaducts, overpasses, and river- and sea-crossing bridges in the city are the keys to resolving urban traffic congestion. These viaducts and overpasses have significantly alleviated the problem of urban traffic congestion and improved the efficiency of urban operation. However, amid the cheers for the city's bridges, some urban residents found that for Beijing, Shanghai, and other megacities, traffic congestion at the entrance and exit has become an unavoidable normal in life. We investigated the traffic and commercial and residential areas around Nanpu Bridge in Shanghai to explore the possibility of combining a new type of viaduct with buildings in the city, in order to deal with the drawbacks that this viaduct gradually shows in urban traffic. Viaduct Exit

Viaduct Exit

Commerce

Huangpu River

Viaduct Exit Public Park

Housing

Complex Huangpu River

Viaduct Entrance Residential Area

Public Park Huangpu River

CURRENT INSUFFICIENCY Insufficient Transposition

Insufficient Entrance

Insufficient Pavement

Looking at the Nanpu viaduct from various locations in the city, we can find that the viaduct can affect many areas of the city, but there are few corresponding entrances and exits.

ACTIVITY DEMAND ANALYSIS

1. Want to go to a certain building

2. Leave from the side road

3. Enter the target building after getting off the bridge

4. Want to go to a certain building

5. Enter the upper viaduct directly from the auxiliary road

6. Arrive at the building integrated with the viaduct

2. The block scale of modern cities is small and fragmented, and there are many roads

3. Transplant the block scale in the glorious city into the modern city.

STRATEGY

1. The blocks in the radiant city are large in scale and integrated, with few roads

FORM-STRUCTURE STUDY

By Studying the Traditional Structure, an Optimized Structure is Proposed

Current Used Structure System: Core tube in the center

The core tube is in the middle, and the column network is evenly distributed around it

Then build the wall according to the column net to divide the space

Since the columns are distributed in the space, the space is divided into many small parts

This is our most common beamslab-column structure

Optimized Structure System: Core tube in the corner

Arrange the core tube in the corner of the building, and at the same time replace the pillars to play a supporting role

Divide the space according to the core tube in the four corners

Because there is no column network, the space can be freely divided into whole spaces

This is our newly proposed new structure with the core being all around and supporting it.

Twisted and deformed

Based on the layout of the core tube around the surroundings, the building is distorted to obtain different architectural appearances

STRUCTURE STUDY Determine The Structure Through Grasshopper

XResolution: 25 Optimization Iterations: 4 Smooth: 0.2 Target Density: 0.2 Loads: 2 Anchor Point: 2 ISO Contour Value: 0.066

AXON-SYNTHETIC DIAGRAM Divide the Basic Functions

Office

OFFICE

Office

GARDE APRON

Outdoor Garden + Observatory Parking Apron Office + Council Chamber

CHAMBE

Entertainment

Elevator

OFFICE

Office Theater + Swimming Pool

POOL

Outdoor Garden

OFFICE

Employee Workspace

SHOPPING

OFFICE

Entertainment + Shopping Outdoor Garden + Sports Area

SPO

RTS

Parking + Retail

PARKING

XResolution: 25 Optimization Iterations: 4 Smooth: 0.2 Target Density: 0.2 Loads: 2 Anchor Point: 2 ISO Contour Value: 0.066

MASTER PLAN

PARKING-RETAIL FLOOR PLAN

GARDEN FLOOR PLA

150

300m

Traffic congestion at the entrance and exit has become an unavoidable normal in life. We investigate residential areas around Nanpu Bridge in Shanghai to explore the possibility of combining a new typ city, in order to deal with the drawbacks that this viaduct gradually shows in ur 20

OFFICE FLOOR PLAN

+460m

PLAYGROUND FLOOR PLAN

+320m

COMMERCIAL FLOOR PLAN 0

100

200m

ed the traffic and commercial and pe of viaduct with buildings in the rban traffic.

+180m

THEATER FLOOR PLAN

150

+100m

300m

40m

SECTION A-A

Office

Outdoor Garden + Observatory Parking Apron

Office + Council Chamber

Employee Workspace

Swimming Pool

Theater

Entertainment

Outdoor Garden

VIEW OF THE COMPLEX FROM NANPU BRIDGE

Column network load-bearing structure frees the wall so that diverse interior f lowing linear spaces can be designed for different types of galleries.

VIEW OF THE COMPLEX FROM THE HUANGPU RIVER

Column network load-bearing structure frees the wall so that diverse interior f lowing linear spaces can be designed for different types of galleries.

03 Hide on Bush

Re-enabling function to give new vitality

Catagory: Academic Project Individual Work Type: Architectural Design Location: San Simeon, US Year: 2021 Design Description As the most basic architectural prototype, the house points to almost all functions of human behavior, even office and production. Hearst Castle is located on the mountain next to Highway One, the most scenic in the United States, while enjoying the Pacific Ocean and San Simeon mountain views. However, all the buildings are subject to the same style, which is contrary to the great feasibility of the architectural field provided by the vast area of the base itself. This project attempts to revert to a more basic research, splitting all the functions of the house into independent houses, starting from very practical architectural parts and very ideal behaviors (shell, plastic and performance), to explore the possibility of new specific building types .

"Architecture is the art of how to waste space" -----Philip Johnson

ORIGINAL SITE FUNCTION RESEARCH

In the 1940s, Philip Johnson carried out a series of experiments: splitting all the functions of the residence into separate houses and building them on his own estate. This was a very anti-intensive architectural experiment at the time, but now, it still does not break away from the traditional way of determining the design approach based on existing functions.

Original Buildings

Site Entrance

Original Functions

0 Selected Function

Unselected Function

Site Boundary

Road Slope:

0-3° 3-6°

25 6-9°

50m 9-12°

12-15°

Selected Site

HISTORY OF PLASTIC, SHELL AND PERFORMANCE Ancient Era (2600 BCE-500 CE)

Performance

The vast majority of Paleolithic instruments have been found in Europe and date to the Upper Paleolithic. It is certainly possible that singing emerged far before this time, though this is essentially impossible to confirm.

Shell Structure + Plastic

Plastic 26

Modern scholars generally define 'Medieval music' as the music of Western Europe during the Middle Ages, from approximately the 6th to 15th centuries.

Music was certainly prominent in the Early Middle Ages, as attested by artistic depictions of instruments, writings about music, and other records.

Performance + Shell Structure

Shell Structure

Medieval Era (500–1400)

Pantheon Rome, Italy 126 AD

Florence Cathedral Florence, Italy 1294-1436

Renaissance Era (1400–1600) The beginning of the Renaissance in music is not as clearly marked as the beginning of the Renaissance in the other arts, and unlike in the other arts, it did not begin in Italy, but in northern Europe. The first known occurrence of concerts where people are charged admission took place, Concerts Spirituels, the first public concerts , and arguably the world

Sultan Qaytbay Cairo, Egypt 15th century

Neoclassicis (1600–1

PROTOTYPE

Beijing National Aquatics Center China, 2007

Paper Church Japan, 1995

Bamboo theatre China, 2015

Yuhara Wooden Bridge Museum Japan, 2011

Space Frame Structure

Framework Structure

Braided Structure

Dougong Structure

Paper

Bamboo

Wood

Plastic

L'Oceanogràfic Spain, 2003

MaoSi Ecological Primary School China, 2003

Shell Structure

Shear Wall Structure

Concrete

Rammed Earth

? Plastic

sm Period 1820) violinist John Banister's home, Whitefriars, London, 1672 The first known occurrence of concerts where people are charged admission took place Paris, Vienna, London, 1725 Concerts Spirituels, the first public concerts , and arguably the world Taj Mahal Agra (India), 17th century

Revivalism Period (1820–1922) In the late 18th century, music from the likes of Haydn and Mozart was brought and performed in English concerts.

Shell

Modern Period (1922–1960) George Enescu and Alfred Cortot in 1930

The Postmodern Period (1960–Now) A classical music concert in the Rod Laver Arena, Melbourne, Australia, 2005

Red Hot Chili Peppers in 2006, showing a quartet lineup for a rock band

Royal Albert Hall London, UK 1871

Red Rocks Amphitheatre, 1941 construction began in 1936, and was opened to the public in June 1941.

The Sydney Opera House is a multi-venue performing arts centre in Sydney. Located on the banks of the Sydney Harbour, it is often regarded as one of the world's most famous and distinctive buildings and a masterpiece of 20th century architecture.

Gridshells were pioneered in the 1896 by Russian engineer Vladimir Shukhov

The Lotus Temple (Delhi, India), 1986

State Farm Center opened as Assembly Hall on March 2, 1963, and continues to attract attention for its design and construction.

The dome was made up of tefloncoated fiberglass, which was held up by the air pressure inside the building.

Beijing National Aquatics Center, Beijing China, 2007 Comprising a steel space frame, it is the largest ETFEclad structure in the world with over 100,000 m² of ETFE pillows that are only 0.2 mm (1/125 of an inch) in total thickness. The ETFE cladding, supplied and installed by the firm Vector Foiltec, allows more light and heat penetration than traditional glass, resulting in a 30% decrease in energy costs.

Parkesine, invented by Alexander Parkes in 1855 and patented the following year,[54] is considered the first man-made plastic.

In around 1600 BC, Mesoamericans used natural rubber for balls, bands, and figurines

Performance

The development of plastics accelerated with Charles Goodyear's 1839 discovery of vulcanization to harden natural rubber.

The world's first fully synthetic plastic was Bakelite, invented in New York in 1907 by Leo Baekeland, who coined the term plastics.

The structure was originally built as a component of EXPO 67, which officially opened on 27 April 1967.

in 1954 expanded polystyrene (used for building insulation, packaging, and cups) was invented by Dow Chemical

TRADITIONAL CONCERT HALL SPACE STUDY

Shape: Rectangle Capacity: Direct Sound Level: 3 Early Reflections Level: 5 Late Reflections Level: 0

Shape: Circle Capacity: Direct Sound Level: 4 Early Reflections Level: 3 Late Reflections Level: 3

Shape: Sector Capacity: Direct Sound Level: 5 Early Reflections Level: 1 Late Reflections Level: 0

REFLECTION PANEL MATERIAL STUDY

Material Characteristics: Thin High-frequency Sound Passability: 5 Low-frequency Sound Passability: 2

Material Characteristics: Thick High-frequency Sound Passability: 5 Low-frequency Sound Passability: 5

Material Characteristics: Smooth High-frequency Sound Passability: 0 Low-frequency Sound Passability: 0

Shape: Horseshoe-shaped Capacity: Direct Sound Level: 4 Early Reflections Level: 5 Late Reflections Level: 2

Material Characteristics: Rough High-frequency Sound Passability: 3 Low-frequency Sound Passability: 3

Shape: Polygon Capacity: Direct Sound Level: 3 Early Reflections Level: 4 Late Reflections Level: 1

Shape: Semicircle Capacity: Direct Sound Level: 5 Early Reflections Level: 2 Late Reflections Level: 2

Material Characteristics: Porous High-frequency Sound Passability: 1 Low-frequency Sound Passability: 1

Material Characteristics: Flat High-frequency Sound Passability: 5 Low-frequency Sound Passability: 5

Octobass Double Bass Cello Viola Violin Piano Contrabassoon Bassoon Heckelphone Coranglais Oboe Octocontrabass Clarinet Contrabass Clarinet Bass Clarinet Alto Clarinet Soprano Clarinet Subcontrabass Saxophone Bass Saxophone Tenor Saxophone Alto Saxophone Sopranino Saxophone Harmonium Hyperbass Flute Contrabass Flute Bass Flute Alto Flute Piccolo Contrabass Recorder Great Bass Recorder Tenor Recorder Alto Recorder Sopranino Recorder Garklein Recorder Contrabass Tuba Bass Tuba Euphonium Bass Trombone Tenor Trombone Alto Trombone Soprano Trombone Piccolo Trombone Cimbasso French Horn Baritone Horn Flugel Horn Bass Trumpet Trumpet Piccolo Trumpet Timpani Xylophones Marimba Crotales Gong Vessels Glockenspiel

3 ct io An n 4 da n Se te ct io Se n 1 ct io Se n 2 ct io Se n 3 ct io Sc n 4 he rz Se o ct io Se n 1 ct io Se n 2 ct io Se n 3 ct io Pr n 4 es to Se ct io Se n 1 ct io Se n 2 ct io Se n 3 ct io n 4

n io

Loudness of Instruments in The Symphony No. 5 in C Minor, Op. 67

INSTRUMENTS FREQUENCY STUDY & FORM TRANSLATION Radius: Usage Time Colour: Loudness

Instrument Sound Frequency

FORM STUDY

Determine The Shape Through Grasshopper

Bottom Shape: Triangle Anchors Num: 5 Vector Z: 0, 0, 14.285 Openness: False Percentage of Openness: 0%

Bottom Shape: Triangle Anchors Num: 4 Vector Z: 0, 0, 14.285 Openness: False Percentage of Openness: 0%

Bottom Shape: Quadrilateral Anchors Num: 8 Vector Z: 0, 0, 14.285 Openness: False Percentage of Openness: 0%

Bottom Shape: Quadrilateral Anchors Num: 7 Vector Z: 0, 0, 14.285 Openness: False Percentage of Openness: 0%

Bottom shape: Pentagon Anchors Num: 7 Vector Z: 0, 0, 14.285 Openness: Ture Percentage of Openness: 9%

Bottom shape: Pentagon Anchors Num: 8 Vector Z: 0, 0, 14.285 Openness: False Percentage of Openness: 0%

Bottom shape: Pentagon Anchors Num: 7 Vector Z: 0, 0, 14.285 Openness: False Percentage of Openness: 0%

Bottom shape: Hexagon Anchors Num: 6 Vector Z: 0, 0, 14.285 Openness: Ture Percentage of Openness: 12%

Bottom shape: Hexagon Anchors Num: 8 Vector Z: 0, 0, 14.285 Openness: Ture Percentage of Openness: 12%

Bottom shape: Hexagon Anchors Num: 8 Vector Z: 0, 0, 14.285 Openness: False Percentage of Openness: 0%

Bottom shape: Hexagon Anchors Num: 7 Vector Z: 0, 0, 14.285 Openness: False Percentage of Openness: 0%

Bottom shape: Irregular Nonagon Anchors Num: 9 Vector Z: 0, 0, 14.285 Openness: False Percentage of Openness: 0%

Bottom shape: Heptagon Anchors Num: 7 Vector Z: 0, 0, 14.285 Openness: Ture Percentage of Openness: 14%

Bottom shape: Heptagon Anchors Num: 9 Vector Z: 0, 0, 14.285 Openness: Ture Percentage of Openness: 14%

Bottom shape: Heptagon Anchors Num: 9 Vector Z: 0, 0, 14.285 Openness: False Percentage of Openness: 0%

Bottom shape: Heptagon Anchors Num: 8 Vector Z: 0, 0, 14.285 Openness: False Percentage of Openness: 0%

Bottom shape: Octagon Anchors Num: 8 Vector Z: 0, 0, 14.285 Openness: False Percentage of Openness: 0%

Bottom shape: Irregular Decagon Anchors Num: 10 Vector Z: 0, 0, 14.285 Openness: False Percentage of Openness: 0%

Bottom shape: Octagon Anchors Num: 8 Vector Z: 0, 0, 14.285 Openness: Ture Percentage of Openness: 15%

Bottom shape: Octagon Anchors Num: 10 Vector Z: 0, 0, 14.285 Openness: Ture Percentage of Openness: 15%

Bottom shape: Octagon Anchors Num: 10 Vector Z: 0, 0, 14.285 Openness: False Percentage of Openness: 0%

Bottom shape: Octagon Anchors Num: 9 Vector Z: 0, 0, 14.285 Openness: False Percentage of Openness: 0%

Bottom shape: Sector Anchors Num: 6 Vector Z: 0, 0, 14.285 Openness: False Percentage of Openness: 0%

Bottom shape: Sector Anchors Num: 5 Vector Z: 0, 0, 8.328 Openness: False Percentage of Openness: 0%

Bottom shape: Trapezoid Anchors Num: 7 Vector Z: 0, 0, 5.328 Openness: False Percentage of Openness: 0%

Bottom shape: Trapezoid Anchors Num: 5 Vector Z: 0, 0, 3.332 Openness: False Percentage of Openness: 0%

Bottom shape: Sector Anchors Num: 5 Vector Z: 0, 0, 8.643 Openness: False Percentage of Openness: 0%

Bottom shape: Rectangle Anchors Num: 12 Vector Z: 0, 0, 9.865 Openness: False Percentage of Openness: 0%

Bottom shape: Irregular Ellipse Anchors Num: 8 Vector Z: 0, 0, 16.768 Openness: Ture Percentage of Openness: 12%

Bottom shape: Sector Anchors Num: 8 Vector Z: 0, 0, 5.568 Openness: False Percentage of Openness: 0%

Bottom shape: Irregular Shape Anchors Num: 9 Vector Z: 0, 0, 11.866 Openness: False Percentage of Openness: 0%

Bottom shape: Irregular Shape Anchors Num: 11 Vector Z: 0, 0, 16.640 Openness: False Percentage of Openness: 0%

Bottom shape: Rectangle Anchors Num: 9 Vector Z: 0, 0, 8.326 Openness: False Percentage of Openness: 0%

Bottom shape: Irregular Ellipse Anchors Num: 5 Vector Z: 0, 0, 4.834 Openness: False Percentage of Openness: 0%

Bottom shape: Irregular Ellipse Anchors Num: 5 Vector Z: 0, 0, 8.008 Openness: False Percentage of Openness: 0%

Bottom shape: Irregular Shape Anchors Num: 8 Vector Z: 0, 0, 3.657 Openness: False Percentage of Openness: 0%

Bottom shape: Ribbon Anchors Num: 20 Vector Z: 0, 0, 27.586 Openness: False Percentage of Openness: 0%

Bottom shape: Rectangle Anchors Num: 13 Vector Z: 0, 0, 9.482 Openness: False Percentage of Openness: 0%

Bottom shape: Sector Anchors Num: 6 Vector Z: 0, 0, 12.199 Openness: False Percentage of Openness: 0%

Bottom shape: Heart-shaped Anchors Num: 4 Vector Z: 0, 0, 13.821 Openness: False Percentage of Openness: 0%

Bottom shape: Irregular Ellipse Anchors Num: 8 Vector Z: 0, 0, 12.778 Openness: Ture Percentage of Openness: 9%

Bottom shape: Irregular Ellipse Anchors Num: 9 Vector Z: 0, 0, 12.778 Openness: Ture Percentage of Openness: 6%

Bottom shape: Irregular Shape Anchors Num: 8 Vector Z: 0, 0, 12.861 Openness: False Percentage of Openness: 0%

Bottom shape: Irregular Shape Anchors Num: 12 Vector Z: 0, 0, 28.596 Openness: False Percentage of Openness: 0%

Bottom shape: Irregular Shape Anchors Num: 9 Vector Z: 0, 0, 8.842 Openness: False Percentage of Openness: 0%

Bottom Shape: Triangle Anchors Num: 3 Vector Z: 0, 0, 14.285 Openness: Ture Percentage of Openness: 15%

Bottom Shape: Triangle Anchors Num: 3 Vector Z: 0, 0, 14.285 Openness: False Percentage of Openness: 0%

Bottom Shape: Irregular Pentagon Anchors Num: 5 Vector Z: 0, 0, 14.285 Openness: False Percentage of Openness: 0%

Bottom Shape: Quadrilateral Anchors Num: 4 Vector Z: 0, 0, 14.285 Openness: False Percentage of Openness: 0%

Bottom Shape: Irregular Hexagon Anchors Num: 6 Vector Z: 0, 0, 14.285 Openness: False Percentage of Openness: 0%

Bottom shape: Pentagon Anchors Num: 5 Vector Z: 0, 0, 14.285 Openness: False Percentage of Openness: 0%

Bottom shape: Irregular Heptagon Anchors Num: 7 Vector Z: 0, 0, 14.285 Openness: False Percentage of Openness: 0%

Bottom shape: Pentagon Anchors Num: 5 Vector Z: 0, 0, 14.285 Openness: Ture Percentage of Openness: 9%

Bottom shape: Hexagon Anchors Num: 6 Vector Z: 0, 0, 14.285 Openness: False Percentage of Openness: 0%

Bottom shape: Irregular Octagon Anchors Num: 8 Vector Z: 0, 0, 14.285 Openness: False Percentage of Openness: 0%

Bottom shape: Heptagon Anchors Num: 7 Vector Z: 0, 0, 14.285 Openness: False Percentage of Openness: 0%

Bottom Shape: Quadrilateral Anchors Num: 4 Vector Z: 0, 0, 14.285 Openness: Ture Percentage of Openness: 6%

Bottom shape: Trapezoid Anchors Num: 7 Vector Z: 0, 0, 3.332 Openness: False Percentage of Openness: 0%

Bottom Shape: Triangle Anchors Num: 5 Vector Z: 0, 0, 14.285 Openness: Ture Percentage of Openness: 15%

Bottom Shape: Quadrilateral Anchors Num: 6 Vector Z: 0, 0, 14.285 Openness: Ture Percentage of Openness: 6%

MASSING INTEGRATION

According to the original site, we determined the scope of land use. After the basic functions are determined, the basic shape generation is completed by using the parametrically generated form; after optimization, the architectural form is obtained.

AXON-SYNTHETIC DIAGRAM

According to the requirements of the plan, the building is d massing integration is based on the above functions

nce

ra Ent le

1. Select Area

e Caf

2. Integrate Volume

age kst c a B

Lob

all

oH Sol

4. Integrate Initial Shape

5. Adjust Surrounding Relationship

6. Integrate Final Form

SECTION A-A

Section A-A 0

10m

rt H nce

nce

ra Ent all

3. Divide Function

ais

GROUND FLOOR PLAN

Since the building is semi-underground, we adopted the method of continuous section, and we can also clearly see the relationship between the building and the surrounding site in the section diagram below.

20m

1 +6.000

+10.000

-4.000

+0.000

6 6 7

-4.000

-3.500

9 -8.000

+9.500

1. Main Entrance 2. Lobby 3. Garden Entrance 4. Musician Entrance 5. Backstage 6. Storage 7. Dressing Room 8. Restroom 9. Solo Hall 10. Concert Hall

divided into seven areas, and the

SECTION B-B

GARDEN ENTRANCE WITH SPIRAL STAIRCASE Column network load-bearing structure frees the wall so that diverse interior f lowing linear spaces can be designed for different types of galleries. 32

Section B-B 0

10m

STRUCTURE DETAILS

Exterior Plastic Panel Bolt Connection Steel Keel Water Proofing

Double Layer Glass

Rain Gutter Steel Beam Steel Connection Light Steel Hanging Joint

Handrail Double Layer Glass Fence Rain Gutter Plastic Floor Concrete Board Water Pipe

Exterior Plastic Panel Steel Keel Steel Beam Steel Connection Bolt Water Proofing Bolt Connection Interior Plastic Panel

Pool Basin Water Pipe Water Proofing

Base

Steel Hanging Joint Plastic Floor Concrete Concrete Board Light

GARDEN ENTRANCE CONNECTED BY BRIDGE Column network load-bearing structure frees the wall so that diverse interior f lowing linear spaces can be designed for different types of galleries.

CONCERT HALL DRILLED OUT OF THE MOUNTAIN Column network load-bearing structure frees the wall so that diverse interior f lowing linear spaces can be designed for different types of galleries. 35

04 Back to the Nature Spatial generator for social activities

Catagory: Pavilion Design&Construction Group work Role: Collaborative Work as a Group Leader of 5 Members Instructor: LiFeng Lin Type: Pavilion Design&Construction Client: Hanamaki Farm Location: Shanghai, China Year: 2020 Design Description Chongming, a beautiful island with an excellent natural environment and ecological resources, has unique advantages to provide conditions for the development of local tourism and agriculture. How space can activate behaviors and become a social generator is the main focus of this spatial experiment. This design makes a breakthrough among the extensibility of a horizontal plan without obvious aggregation in space, whose spatial enclosure is highlighted vertically as well.

Man is the measure of all things -----Vitruvius

ERGONOMIC ANALYSIS

By connecting crowd activities to the facade according to different activities orientation types and ergonomics, the facade become an interface to host diverse activities. 0

105 850 0 100 350

1 900

125

600

110

550

105

120

700 0 130

0 170

135

900 750 Enc

ircl

300

Asp Par a

ect ant

Act

llel

ivit

ies

Sep

Ori

ara ted

ent atio

nT ype

SITE PLAN

3.5m Top Plan

2.0m Section Plan

10 1.2m Section Plan

Structure line Core region Accessible region

Children crossing route Adults crossing route Core region

BAMBOO STRUCTURE ANALYSIS

Weaving Strips (2x2000mm)

Weaving Skeleton (2x2000mm)

Connecting Bamboo (1200mm,R=25mm)

Bearing Bamboo (4000mm,R=25mm)

Light Strip (6000mm,R=20mm)

Forming Bamboo (4000mm,R=25mm)

CONSTRUCTING PROCESS

Bamboo is transported to the construction site after carbonization and anti-corrosion treatment. At the site, after positioning, laying out, frame structure, main structure and secondary structure, the frame of the overall design is basically formed, and then bamboo strips are woven to complete the skin production.

Positioning

Main Structure

Sub-structure

Form Determining

Weaving 40

Aerial View of the Installation

Constructing Process

Day and Night View

Photography by Liu Songkai

CONTINUOUS SECTIONS D—D E—E

B—B

A—A

C—C

A—A

B—B

Photography by Liu Songkai

C—C

D—D

E—E

05 Above the City Imagination of future housing for post-Covid 19

Catagory: Academic Project Individual Work Instructor: Wenzhao Hsu Type: Architectural Design Location: Wuhan, China Year: 2020 Design Description The Covid-19, which has swept the world, has given us a new perspective on the design of houses. From a residential environment to condominium design, people's requirements for housing are becoming increasingly complex. As the basic cell of the city, housing, together with other buildings, combines public resources to form an organic urbanity. Concerned about the spread rate of Covid-19 and the distribution of public services, this project designs separately from the central public facilities and the individual living unit to meet the requirements of residential functions in face of pandemic issues.

FUTURE HOUSING

“The mobile metropolitan network has brought a lot to people, but now it is more important that the city should act as a safe place, a home, and a place with continuity. ” -----Wouter Vanstiphout

DISTRIBUTION OF COVID-19 CASES IN THE FIRST WEEK IN WUHAN

60 km

55 km

50 km

45km

40 km

35 km

30 km

25 km

20 km

15 km

10 km

Number of case Railroad Metro Road Residential Watercourse Landscape

Incidence

Traffic

Residential

School Public Transfers CBD

Epidemic

0 km

Public Facility Green Space

197 132 83 74 39 14 The above data is the number of cases in different regions since January 1

Housing

5 km

Railroad Metro Road

Residential Landscape

Railroad Metro Road

Landscape Residential Incidence

SIGNIFICANT SOCIAL EVENTS DURING COVID-19

STRATEGY

The upper part is the current situation of decentralized public facilities and dense residential areas. The following strategy is to centralize the functions: The central core including industry, commerce, and public facilities can improve the efficiency of urban operations; Separated living units and shared public spaces can improve the safety and convenience of isolation

Current Social-spacial Organization +I S

L O RG A N

Individual Living unit

Public Facility

Commercial

Industry

SP NG A

IA NT

R ES

S RE PA

ON ATI

U B LI C SE

Dense Settlement

IO AT

P AN

COVID-19 IC

Y Decentralize Facility

+EF

C EN

Accelerated spread of infectious diseases

FI C

Low efficiency of medical resources

Shared Public Space

MASSING GENERATION

Based on the epidemic map, we have determined the initial gathering place of the epidemic. With these areas as the center, we build future residential areas that can grow

1. Locate core area

2. Locate residential area

3. Build central community

4. Deform communication area

5. Expand outward

6. Generate affiliate communities

AXON-SYNTHETIC DIAGRAM Core Type 1 Theater Stadium Restaurant Landscape Medical treatment Housing unit manufacturing Power generation Energy processing

Core Type 2 Stadium Restaurant Landscape Water treatment Power generation Energy processing

Residential Area 1 Residencial Shopping Landscape

Residential Area 2 Residencial Landscape

Residential Area 3 Residencial

Core Type 3 Water treatment Food handling Medical treatment Housing unit manufacturing Power generation Energy processing

EXPLODED AXONOMETRIC DIAGRAM

People can meet basic residential and social needs in the residential area, and the core area is responsible for energy supply, food manufacturing, water treatment, medical care, sports, and other activities

Transportation Transportation of daily necessities, packages and rapid traffic

Assembly Transport, place, and assemble room modules

Residential Area Residents’ residential areas, including outdoor courtyards and balconies

Public Space Including libraries, theaters, restaurants and parks,etc.

Structual Frame Transportation of daily necessities, packages and rapid traffic

PLAN|RESIDENTIAL SECTOR

Rooms in the residential sector can grow downwards, and the house type can be changed according to the needs of residents.

Residencial-unit | 1 Floor

Residencial-unit | 2 Floors

Residencial-unit | 3 Floors

PLAN|LOGISTICS MACHINISM SECTOR

The mechanical sector can provide residents with logistics distribution, light rail transit, and house assembly.

Package

Traffic

Housing Resettlement

SECTION

The residential unit can grow downwards, and the spatial organization can be changed according to the needs of residents. The central the residential and other industrial areas' daily energy demands.

power plant in the core carries

CORE & LIVING AREA

The residential unit can be changed according to the needs of residents, and the central power plant in the core carries the residential and other industrial areas' daily energy demands.

The sustainable energy engine provides energy to the house printing equipment to ensure that the automatic printing process can progress successfully to meet housing needs for various residents.

06 Other Work Establish a dialogue between architectures Catagory: Academic Project Role: Group Leader Instructor: Shiyuan Chen Type: Garden Reuse Contribution: Design(70%)/Digital Modeling(70%)/Drawings(70%) Location: Hong Kong, China Year: 2018

DESIGN DESCRIPTION Hong Kong has been defined as an “IntenCity”, a word that expresses a combination of different urban qualities. However, in this complex urban structure, most of the public spaces, especially those in old urban areas, are poorly managed and designed. In this project, we try to establish a dialogue between architecture and cities on an urban scale and explore the possibility of urban development based on a full understanding of the process of urban formation.

Public rest Tai Chi on the roof

Casual chess

Public rest

Exercise on the roof

Walk on the roof

MASTER PLAN

Food location for working meals Commodity car

Public rest

FORM GENERATION

SITE1| Kau-U Fong Children's Playground

Site boundary Update part Green Corridor Green roof Buildings

Inefficient public space

Pulling up

Inserting bounding boxes

Reorganizing programs

SITE2| Wa-On Lane Sitting-out Area

Inefficient public space

Demolishing ubderused spaces

Establishing connection

Inserting functional spaces

Establishing connection

Implanting programs

Demolishing ubderused spaces

Inserting functional spaces

Implanting programs

SITE3| Cochrane Street Sitting-out Area

Inefficient public space

Reorganizing programs

SITE4| Lok Hing Lane Garden

100

250m

Inefficient public space

We noticed only a few children using the swing or slide , whereas senior citizens would spend time chatting and playing chess

The site is located in a mixedu s e area surrounded b y commercial and residential buildings in Sheung Wan.

LOOK OUTSIDE THE CAFE Contrary to the collision and staggering between the functions below, the cafe space on the third floor is like an island, so people can maintain relative privacy

The Street and the escalator is the main juncture between the Mid-Levels residential area and the Central commercial area."

Surrounded by the back façades of different mixed-use high rise buildings, the park is the connection between the Pottinger Street and the Wo On lane.

ENTRANCE PARK THROUGH THE NEIGHBORHOOD The garden is a combination of multiple functions. You can reach the bookshop on the second floor from the outdoor stairs, and then upwards into the restaurant, cafe, and theater.

AXONOMETRIC PLAN AND PROGRAM ANALYSIS OF SITE 4 BUILDING Book cafe

Outdoor cafe & Restaurant

Bookshop

Overhead terrace

Restaurant

Small theater & Cafe

Restaurant

Theater

Cafe

SECTION

Acknowledgement I would like to express my deep gratitude to all the people who have helped me during my school time, including supervisors, friends, team members, especially Ms. Hsu and my parents. It would be a challenging time for me without your sincere support. It is not perfect work, however, I want to share that pride and honor with all the people who have been instrumental in the pursuit of my goal.

Tel: +86 17853245889 E-mail: Jialinjiang98@gmail.com