FINAL PORTFOLIO
HOW TO TRANSCRIBE PHYSICAL WORLD
HOW TO REINTERPRET ABSTRACT SPACE
HOW TO MATERIALIZE TRANSCRIPTION
HOW TO MAKE A BODY TECHNOLOGICAL
HOW TO PHYSICALLY COMPOSE FEELING
HOW TO RECONSTRUCT THE REALITY
ABSTRACT VISUAL ANALYSIS POINTS, LINES, PLANES, AND VOLUMES
DEPICT DIFFERENT LAYERS OF INFORMATION
WHEN REFER TO DIFFERENT KINDS OF REALITY SPECIFICALLY HERE, A SPCAE OR A BODY
AS SOME KIND OF STILLNESS AS SOME KIND OF MOVEMENT WITH SOME KIND OF LINEARITY WITH SOME KIND OF DISTORTION
TOWARDS SOME KIND OF CLOSURE
TOWARDS SOME KIND OF OPENNESS
ICONOGRAPHY
JUXTAPOSE THE ORIGINAL TWENTY LAYERS
FROM ABSTRACT VISUAL ANALYSIS
AND TRANSCRIBING ARCHITECTONIC SAPCE
WITH MUTIPLE MODIFIERS FROM OTHER DISCIPLINARIES
DANCE, ANATOMY, NATURE, ARCHITYPE, MUSIC
Index With Modifiers, Abstract Visual Analysis
Index With Modifiers, Abstract Visual Analysis
VISUALLY LITERATE TABLE IMAGINE, MERGE, COMBINE, CONNECT, THEN TRANSLATE, INTEPRET THE CONSEQUENT MIXTURE
PRESENT IT AS A VISUALLY RECOGNIZABLE REALITY WITH SIMILAR, ANALOGOUS, COMPARABLE INTER-REALTIONS A GAME, A COMPLEX, A SYSTEM
COLORS, TEXTURES, SCALE, OTHER 2D MODIFICATIONS ARE ADDED ON THROUGH DIGITAL METHODS THE SYSTEMATIC DIVISION, COMPOSITION, ORIENTATION ARE THEN DECIDED ACCORDING TO THE GEOMETRICAL IDENTITIES, SIMILARATIES, CONFLICTS WITHIN THESE TWENTY MODIFIED LAYERS
DIMENSIONS ARE EXTENDED WHEN THE WHOLE SYSTEM IS PRINTED ON CARDBOARD, WHERE ON ONE HAND THE PREVIOUS MODIFICATIONS CHANGE UNEXPECTEDLY ON THE OTHER, MORE PHYSICAL LAYERS OF TWISTING, FOLDING, INTERSECTING, FORWARD, BACKWARD
BECOME POSSIBLE, TO FULLY PRESENT THE TABLE
TWELVE MODIFIED LAYERS ARE COMBINED, MERGED INTO A LARGER COMPLEX THAT POTENTIALLY PROVIDES
MULTIPLE POINTS, LINES, PLANES, VOLUMES, INTERFACES
MEANWHILE STRUCTURALLY INDEPENDENT, EXTENDABLE
ENABLING FURTHER VARIATIONS WHEN HIT BY THE DARTS
EIGHT TYPES OF DRATS ARE IN THE FORMS THAT ALLOW THROWING, GLIDING, AND HITTING WHILE EACH KEEPING ITS OWN INTRINSIC IDENTIY WHEN A SPECIFIC PART OF EACH DART HIT THE ONES OF THE BOARD
WHICH LITERALLY MEANS COMBINATION
A NEW COMPOSITION OF MOVEMENT IS CREATED
ABSTRACT BODY MOVEMENT
USING THE BODY AS A TECHNOLOGICAL OBJECT
THE ABSTRACT ANALYSIS, THE DIGITAL TRANSCIPTIONS
ARE RE-TRANSCIBED TO IRREGULAR BODY MOVEMENTS
WITH THOSE MODIFIERS FROM OTHER WORLDS MANIFESTED ALSO THROUGH EXPRESSIONS, CLOTHINGS, SURROUNDINGS
cone con tumus imus nihi, que inum iam verum que iae nondam habula poervig ituus,
Re-Transcription I, A Monotonous World
cone con tumus imus nihi, que inum iam verum que iae nondam habula poervig ituus,
ABSTRACT VOCAL PRODUCTION
AS SOME KIND OF STILLNESS
AS SOME KIND OF MOVEMENT
WITH SOME KIND OF LINEARITY
WITH SOME KIND OF DISTORTION
TOWARDS SOME KIND OF CLOSURE
TOWARDS SOME KIND OF OPENNESS
VISUALIZING AND FRAGMENTING THE SOMATIC TOOL
THE TRANSCRIPTIONS THROUGH BODY RECORDED IN CLIPS ARE NOW UNDER FRAGMENTATION AND RECONSTRUCTION SEPERATION, COMBINATION, DISCONNECTION, CONNECTION GRIDDING, JUXTAPOSITON, OVERLAPPING, TRANSFORMATION ALL TOGETHER MAKING UP THE MUTUAL DIALOGUE BETWEEN THE TWO WORLDS THAT WERE INITIALLY ISOLATED SOUND, ORIGINATING FROM LITERAL DESCRIPTION OF SPACE BRINGS ADDITIONAL RHYTHM, TEMPO TO THE NARRATIVE
