ARCHITECTURE P O R T F O L I O
SELECTED WORK BY
JINHYUCK
LIM
Jinhyuck Lim A P ro s p e c t i v e A rc h i t e c t u re D e s i g n e r , M S c f ro m T U D e l f t
PERSONAL INFO
EDUCATION
E mail
jinsclub3@gmail.com
Visa Expiration (in NL)
Phone
+31) 6 2528 8942
Available Working Day
Full time
Living
Delft, Netherlands
Available Contact Time
Anytime
Nationality
South Korea
Date of Birth
21 Sep 1987
Language
Korean, English
Certificate
TOEFL 100 (27/24/23/26)
Design Skills
3D
Rhino, Sketchup, V-ray for Rhino/3D MAX
2D
Auto CAD, Vectorworks
Adobe
Adobe - Photoshop, Illustrator, Indesign
Extra
Model Making, Excellent Hand drawing
Msc, TU Delft, Faculty of Architecture and the Built Environment
06 Jul 2019
2016 - 2018
: Delft, the Netherlands, Graduated
Master of Architecture Design, Chung-Ang University : Seoul, South Korea, Graduated
2014 - 2016
Bachelor of Architecture Design, Chung-Ang University : Seoul, South Korea, Graduated
EXPERIENCE
2007 - 2014
Work Experience KCAP Architects&Planners, Designer
2018. 07-
- Master Plan of Incheon Inner Harbor Redeverlopment, Ongoing project, Designer - International Urban Design Competition for the Regeneration of Tongyeong Dockyard, , Competition, Designer
Manifesto Architecture, Intern
2015. 06 - 10
- Administration of ‘Han river Imagination’ in 2015 Seoul Architecture Festival, Designer and researcher
A.A.L., Chung-Ang University, Junior Researcher and Designer
2014 - 2016
- International Competition for Re-structuring Seun Citywalk, Researcher and Designer - International Competition for the Bamiyan Cultural Centre, Researcher and Designer - Several Administration and Research works written below
Junglim Architecture, Intern
2014. 01 - 02
Administraion Experience Administration of ‘Han river Imagination’ in 2015 Seoul Architecture Festival - researcher, work with Seoul Metropolitan Goverment
2015
Ever since the landing in TU Delft, I have dreamed of working in the environment where I can broaden my perspective with passionative colleagues. My education periods in academic institutes were the process to outline Jinhyuck Lim as an architect. The experience with you would be the meaningful step for the next phase. Thank you.
Chapter 1. Professional
1-1. BLUE GROUND Urban Regeneration, KCAP // Tongyeong, South Korea
1-2. REMEMBERING HEAVEN Cultural Center, A.A.L. // Bamiyan, Afghanistan
1-3. EPIPHYTE SEOUL Complex, A.A.L. // Seoul, South Korea
Competition professional experience KCAP(2018.07-09) Urban regeneration Tongyeong, South Korea
BLUE GROUND ; Regeneration of Tongyeong Dockyard
Small towns, industrial shipyard, natural hills, seas, and islands; All of these artificial and natural environments have been blended with each other, created a unique identity of Tongyeong. Within this city, the Shina Shipyard had taken an important role in the local economy. However, the shipyard closed in 2015, and the economy of the whole surrounding area also has been declined. On this abandoned shipyard area, Blue Ground was planned to make urban regeneration while keeping the existing natural/urban context of the city. Therefore, Blue Ground aimed to accomplish two seemingly contradictory goals at the same time; restoring the original natural condition while keeping the industrial identity of the old shipyard area. To accomplish these goals, at first, we suggested to restore the existing coastline and to make the site as the one of an archipelago. Moreover, we reused not only the existing buildings but also the urban fabric and building typologies of the site.
Blue Ground Tongyeong
We Waters
Urban Fablic & Following Pre-context
Permeable Public Space Structure
The project will restore the original natural coast line and opening up the water space to the public
The new master plan will be based on the existing context of industrial shipyard.
All public space will be interlinked by network, become an open framework for the future development
Cluster & Districts
Program
The place where local and new residents meet through various events and the chance for communication
Landuse
PHASING PLAN Chronological Urban Regeneration
In urban regeneration, considerate plan of phasings and timeline is essential, to accommodate diverse opinions while allowing locals to be actively involved in the project. The project suggests the dynamic regeneration process, which will interlink our project with the existing local community. It will make this project create sustainable urban revitalization.
Pre-Phase Kick-off Condition Before launching a huge scale of the master plan, we can organize smaller spatial interventions through Kick-off programs. These programs will allow the project to make interrelation with the local community, which will be the asset for the sustainable revitalization of the area.
Phasing 1,2 On-going Process Concerning the master plan site, Knowledge Sharing Hub and Markethall will be built, which will take a role as the place for creative production. Moreover, the Kick-off programs in before stage will create the vitalized street, which will generate Catalyst Effect on the whole area.
Phasing 3,4 Possible Future The pre-shipyard site will become Blue Ground, the cultural archipelago that will provide the place to meet the ocean and produce creative culture. Moreover, this development will bring urban regeneration of the surroundings, which will extend to all region of Tongyeong city in the future.
Hotel on the Ocean (up) / Loft Garden on Knowledge Sharing Hub (down)
As an architect, I had participated in several roles such as building design, 3D modeling, producing drawings, and revising images. Concerning building design, my knowledge in adapted reuse design were used in designing Knowledge Sharing Hub cluster. I also actively involved in designing the Ocean Hotel and apartment buildings. Those building designs were made as 3D modelings. Based on this 3D modeling work, I also produced several drawings such as phase diagrams, while taking part in a role of revising the final images with the visualization team. Moreover, I deeply involved in the role of making interpreter between KCAP and Korean local offices, and writing the part of the text for the final report with English and Korean version at the same time.
Competition professional experience A.A.L. (2014.11-2015.01) Cultural Center Bamiyan, Afghanistan
R E M E M B E R I N G H E AV E N
; Reforming Bamiyan Cliff into Pavillion Plateau Remembering
Heaven
Reforming Bamiyan Cliff into Pavillion Plateau When the Alexander the Great has entered Persia and this area to expand his empire, he was inspired by the King’s welcoming prop, which is the tent painted the heaven underneath. Since then, this region became the place of welcoming and hospitality as a cross bridge between the East and the West. However, the marginalization from the modernization did not enable to prosper the cross fertilization of welcoming culture. In our design of this cultural center, the desire of reviving history is envisaged as the reformation of prototype elements such as arch, vault, cubic mass, water and landscape. Their autonomous shapes are architecturally modified following the contemporary use the orientation toward the Bamiyan Cliff. Cave Qala (Main Vault) “Cave Qala” is the main place where the view toward the Cliff is envisaged, the gathering among cultural spots and educational rooms happens, and informal activities can take shape. We named this vault as “Cave Qala” since this space has both spatial qualities like a cave and “qala” that means a place of gathering in this region. This new place will act as a public space that activates “a space of appearance,” and “a space for open society” that merges diversities as one society. Cultural Bazaar Continuing the concept of “Cave Gala”, Bazaar prototype is implemented in this site since this cultural center will operate as a place of social gathering. Cultural bazaar can be made inside the building complex since many rooms are not closed but can be open to shape a connection between spaces. As well, small pavilions will operate as a key element that triggers the shaping of cultural bazaar. Shallow Valleys (Hanging Garden) Since the site and its region do not contain enough water to prosper vegetation, the natural water collection is recommended physically and socially. The cultural center stands itself on a barren landscape but turns into a shallow water reservoir in the given area with the collection of waters in the site. At the same time, the water from the river will be jetted on the site in order to re-configure the mysteries and realities of the site as a hanging garden. In the view from the Bamiyan cliff, one can overview the jetting of water and accumulating water through observing the growth of vegetation. The site itself becomes a mysterious hill of shallow valleys.
The project was the international competition for Bamiyan Cultural Centre. Bamiyan region became the place of welcoming and hospitality as a cross-bridge between the East and the West. However, the marginalization from the modernization did not enable to prosper the cross-fertilization of welcoming culture. In our design of this cultural center, the desire of reviving history is envisaged as the reformation of prototype elements such as arch, vault, cubic mass, water, and landscape. Their autonomous shapes are architecturally modified following the contemporary use the orientation toward the Bamiyan Cliff. Human
Sky
Bamiyan
Mortal Immortal
Since the subject of the competition was deeply related with the research subject in that period, Alternative Architecture Lab(A.A.L.) decided to participate in this competition by themselves. As a member of A.A.L., I took part in the role of the architectural design and producing drawings. To be specific, I was involved in floor plan design, making 3D modeling, circulation diagram, and revising several drawings and images.
Concept Diagram
Site Plan
Cave Qala(Main Vault) is the main place where the view toward the Cliff is envisaged, the gathering among cultural spots and educational rooms happens, and informal activities can take shape. We named this vault as “Cave Qala” since this space has both spatial qualities like a cave and “qala” that means a place of gathering in this region. This new place will act as a public space that activates “a space of appearance,” and “a space for open society” that merges diversities as one society. Continuing the concept of “Cave Gala”, Bazaar prototype is implemented in this site since this cultural center will operate as a place of social gathering. Cultural bazaar can be made inside the building complex since many rooms are not closed but can be open to shape a connection between spaces. As well, small pavilions will operate as a key element that triggers the shaping of cultural bazaar.
Circulation & Program
View toward Northern Mountain
Ground Floor Plan
Interior(up) / Exterior(down) perspective view
1F Plan
Section Detail
Competition professional experience A.A.L.(2015.04-06) Urban Regeneration Seoul, South Korea
EPIPHYTE SEOUL ; Re-constructing Seunsangga Citywalk
The project was held for the international competition for Re-structuring Seunsangga CityWalk. Epiphyte Seoul means an air-city that is connected via elevated decks and bridges like Seunsangga. Seunsangga has been a mega-structure that sits on the existing city with minimal connection to the city fabric, and has disconnected the existing streets. It has remained as a foreign structure in the city. The idea of epiphyte is required in situating Seunsangga as a renewed device that can interconnect the underdeveloped surrounding area and eventually restructure the implanted Modern urbanism of Seoul. This plan proposes a connective nature and culture in revitalizing Seunsangga deck based on “epiphyte� concept to create a walkable city. Alternative Architecture Lab(A.A.L.) participated in the team, mainly dealt with the whole general concept and architectural design parts. I, as a junior researcher of A.A.L., aid my effort on the investigation of the site analysis, the idea of Epiphyte, and architectural strategies. Also, as part of the design team, I drew the several drawings and participated in diagram works.
5 strategies of Epiphyte Urbanism are proposed at Seun to reconnect separated urban fabrics and revitalize the underused mega-structure.
design strategy
Site Plan
Epiphyte Node: Entry Plaza
Epiphyte Culture: West Deck (grou
und floor)
EPIPHYTE ARCHITECTURE ‘Epiphyte Seoul’ with enlivened Seunsangga was the project that was a testing bed for a new form of culture, industry, and nature in the walkable city. After the competition, the idea of ‘Epiphyte’ had been improved with my individual research, and it the result was my master thesis, ‘Epiphyte architecture: a study on an alternative method as architectural regeneration,’ which also affected to Msc2 course project, ‘Epiphyte of Memory.’ In this regards, this project not only proofs my experience in the competition of professional field but also shows my ability in combining research and design works.
Epiphyte Culture: West Deck (above floor)
Collage Plaza, perspective image drawn by Jinhyuck Lim
Chapter 2. Academic
2-1. INTERACTION IN-BETWEEN Art Academy, TU Delft (graduation project 9.5/10) // Centraal Beheer Office, Apeldoorn, The Netherlands
2-2. SMALL NEIGHBORS Housing, TU Delft // Den Haag, The Netherlands
2-3. EPIPHYTE OF MEMORY Cultural Center, TU Delft (9.0/10) // Den Haag, The Netherlands
2-4. THE NEW LAYERED LIBRARY Library, CAU // Seoul, South Korea
2-5. Terra-School School, CAU // Seoul, South Korea
2-6. Tthe Entrance Art Residence, CAU // Seoul, South Korea
Academic, Individual Work TU Delft Graduation Project (9.5/10) prof. Lidy Meijers Art Academy Apeldoorn, Netherlands
INTERACTION INBETWEEN ;the reinterpretation of Centraal Beheer Office
How to recolor the new function and the context on Centraal Beheer Office, the icon of Dutch Structuralism Architecture?
The graduation studio is dealing with Centraal Beheer Office, designed by Herman Hertzberger, one of the most representative Structuralism Architects. What is notable in Structuralism architecture, including Centraal Beheer Office, is that they already inherit the possibility of modification in themselves with the response of changing future requirements. Related to this characteristics of Centraal Beheer Office, the project set the position on adapted reuse design as ‘keeping the rule while breaking the rule’; more precisely, modifying the existing situations while reusing the underlying architectural principle of Herman Hertzberger. Through this methodology, the project aimed to make a reinterpretion of Centraal Beheer Office. With the new program, Art Academy, the project aimed to 1. how to retrieve the publicness of Centraal Beheer Office, 2. how to accommodate the new program, and 3. how to improve the comfort of the building while keeping the existing value of the building. Based on these purposes, the design strategies of this project consists of three parts.
2F axonometric drawing
MASTER PLAN
connect with the urban context
apply spatial elements for interaction
extend the inner spatial logic
create greenery zone
The essential aspect of the master plan is to retrieve the publicness of the building. To accomplish this goal, one of the vital tasks is connecting the building with the urban context. Creating the new main entrance by demolising existing parts was taken into consideration. Through this process, it will be able not only to make the building more recognizable from the city but also to link the building and the city.
Entrance view from Northern park
Centraal Beheer Office before
Centraal Beheer Office before after
IN-BETWEEN : THE SPACE AND THE FUNCTION Spatial Reorganization
Though it was designed based on the idea of Individual Interpretation, the spatial organization of Centraal Beheer Office was more customized for office program. Therefore, to accommodate the new program, Art Academy, into the building, it was necessary to reorganize the spatial system of the building. To apply the concept of ‘interaction’ to the architectural design, the project suggested the spatial elements that could create interaction among the people. These elements were applied into in-between space, the gray zone where could create unexpected interaction.
keeping the existing grid, breaking the existing module system
the transition from public to private
applying spatial elements for interactions on the plan
Semi public area
Public zone
The public zone was planned as linear form to improve the way-finding of the building. It consists of several types of spaces, from large stairs to the greenery open space.
Gray zone
The gray zone is designed as semi-public and semi-private space, which are mostly planned as flexible spaces that could be differently used by the demand of users.
Private zone
The private zone is mostly planned as the studio space for each of department. They are located on the side to ensure the natural light and the privacy.
GROUND FLOOR PLAN
ELEVATION F
Since it is facing the main road and the city, the Office. Through Double facade scheme, the timeness; the past
FROM NORTH
e Northen facade is the ‘face’ of Centraal Beheer building will present the overlap of different t and the present.
1F PLAN
IN-BETWEEN; THE DESIGN AND COMFORT Double Facade Scheme To improve the sustainability of Centraal Beheer Office, this project applied a double facade scheme to the existing building. This scheme will create in-between space, which could function as an attractive and flexible space.
Through a double facade scheme and rooftop window, the natural light will lighten the building. To avoid overheating in summer situation, the project applied PV cell on the rooftop. At the same time, the solar heat collector system was also applied to reuse the summer heat during the winter period.
up : perspective section of double facade (left) / detail section (right) down : perspective section of whole building
Academic, Individual Work TU Delft Msc 1 (2016.09-2017.01) prof. Birgit Jurgenhake
SMALL NEIGHBORS revitalization of neighborhood
Collective Housing Mariahoeve, Den haag, NL
Too wide road, irresponsibly open spaces make, and the contrast between public and private; these are the reasons why Mariahoeve is losing its human scale. They caused the lack of the sense of community between neighbors. Therefore, it was necessary to form small units of neighbors. This ‘small neighborhood’ will work as a unit that decides the residential block. To develop the social intercourse in Mariahoeve, collective spaces were planned for those units, which will not be easily exposed to unspecified individuals. Throughout these, the collective space will provide the room for communication among neighbors. It would bring the concept of ‘neighborhood’ back, which has been absent for years in this desolate area.
How to create the neighborhood unit that could provide the sense of belonging to the town?
URBAN TRANSFORMATION PROCESS
create new open space
seperate car road and pedestrian street by extruding a block
make a block protected from outside
divide a block by small alleys
BLOCK DESIGN PROCESS
one collective block
set back upper floors for spatial quality of collective area
set back to make collective area more concentrated
detach each houses to make visual connection with outside
The site is Reigersbergenweg, the road that is planned too broadly compare to its actual usage. The project began how to rightsize this road and bring the sense of community on here. To begin with, the transformation process in the urban scale was planned, and as the following process, a housing block was designed on an architectural level.
before section - Reigersbergenweg
after section AA’
the perspective drawing of a collective space
B’
A’
A residential block has two neighbor units, which consist of 8 housings with 12 parking lot. Every neighbor unit possesses one collective space for communication among residents. Three different types of housings were planned based on the different types of location and user’s requirements.
Housing
A
B
Type 3
1F Plan
Housing
Housing
Type 1
Type 2
MATERIAL & CONSTRUCTION Housing Type 3 white aluminum cladding covers all the details behind(window frame, steel angle, sunblind, timber frame, etc.). Therefore, there are only three white horizontal line in the facade of the building
an anatomical drawing of Housing Type 3
B
B’
Detail Plan
Section BB’
the image of housing type 3 in four seasons
Academic, Individual Work TU Delft Msc 2 (2017.03-06) (9/10) prof. Lidy Meijers
EPIPHYTE OF MEMORY the new cultural center of Treebeek
Cultural Center Brunssum, Netherlands
After mining collapsed, the identity of Treebeek as the mining town have been diluted. These days, the past and the present of Treebeek are showing a discrepancy between each other. The current social problems of Treebeek such as loneliness and loss of identity are caused from this dissonance. For these reasons, this project suggested the way utilizing St Barbara’s church as the new cultural center of Treebeek as the mediator which correlate the remembrance of the past and the new memory of the present. This building could be the new basis for the memory of the future, which will be accumulated in the next generation of Treebeek.
St. Barbara’s church before
St. Barbara’s church after
“Let St Barbara’s church grows in the environment of Treebeek” Epiphyte Architecture Epiphyte architecture is a design methodology that ‘adding new architectural elements onto existing buildings and creating complementary and symbiotic effects through their organic relations.’ Through this methodology, it would be able to set the new relationship between St Barbara church and the new intervention as an equal relationship instead of hierarchical one.
added part
modified demolished
To link the past and the present of the town, the essential part was to balance between keeping the church’s characteristics and adding the new intervention with community center program.
spatial sequence of the cultural center
DESIGN METHODOLOGY
Design Range
Encounter of Old & New
The design range of the project is modifying the existing house and creating the new intervention of accommodating the new program. The old church will be preserved at it had been, and will be used as large flexible space.
Through the contrast between the walls of the old church and the new intervention, users could feel the timeness while walking along the existing wall
8
7 6 2
3
5 4
1
Transition between In/Out, Old/New
Spatial Sequence
By transition spaces, the new intervention could coexist not only with the existing church but with the greenery on the east and the cemetery on the North.
Related to the transition between Old and New, various types of spaces with different characters were arranged, which would provide ‘architectural promenade’ by spatial sequence
Eastern elevation
A’
13
11 12
10 4 9
1. lobby 2. administration office 3. auditorium
7
4. stage
8
5. individual lesson room 6. foyer
3
7. core
6
8. group lesson room 9. studio 10. preparing room
5
B
11. cafe / bar
B’
12. WC 13. kitchen 14. Archive
1 1
A
2
ground level plan
9
14
5
5
5
5
1
8 3
9 8
section AA’
11
Academic, Individual Work, Competition prized
NEW LAYERED LIBRARY
CAU Bsc 4 (2013.09-12) prof. Yoonkyeong Choi Library Seoul, South Korea
The project aimed to built a library into hongdae street, where is extremely active and commercial area. To design a library for this characteristic street, it was necessary to rethink of the library program from different angle. As the way to harmonize the library program and Hongdae street, the required activities of the library were rearranged. Based on this rearrangement, the spatial layers of the library were reorganized. Through this process, the project was designed as the new type of library, which could become the spatial prototype; the library for the places where the library program seems not suitable.
sectional perspective from birds eyes view
How to design the library on the site where the library program is not suitable? Hongdae street is one of most famous commercial street where culture and commerce were successively harmonized.
SITE ANALYSIS
Site faces main axis of Hongdae street, which is hottest commercial street in Korea.
The average height of Hongdae street’s building is 5-6F. without tall building.
Ground level in this districtis is functioning as commercial role, attracting people to come.
MASS DESIGN PROCESS
divide by program
water lounge
follow the grain of surroundings
draw the flow from the main axis
offset and rotate carrel masse
create courtyard in carrel masse
section from South
PUBLIC
SEMI PUBLIC
- private program is enclosing public program - attract people only who want library program
Common library as ‘WALNUT’
Private
PRIVATE
SEMI PUBLIC
- accept limited types of people’s need
Semi Public
Getting information Communicating Lecture Talking Sunbathing Watching people Tea time
PRIVATE
Public
PUBLIC
Take a coffee Book finding Searching Homework Take a rest Semina
OUTSIDE
Reading Thinking Studying Planning Getting information
OUTSIDE
Reading Thinking Talking Studying Communicating Lecture Semina Meeting Playing Take a coffee Book finding Searching Homework Take a rest Planning Tea time Watching people Take a walk Sunbathing Getting information
- public program is enclosing private program - attract people not only who want library program but also are not intersted in library - accept various types of people’s need
Take a walk Take a rest
New library as ‘PEACH’
program analysis
This library building is divided into 3 layer; public, transfer, and private layer. Public layer is facing outside world directly, functioning as auditorium, cafe and rest place. Tranfer layer is located between public and private layer, consisted of ramps which forms architectural promenade in this library. Private layer provides quite carrel space, protected from outside world. To indicate these spaces of different characteristics, various types of materials are used to express own character of each spaces. Especially for facade, curtain wall system was applied not only to show the inside space to the outside, but also to introduce natural sunlight into the building.
curtain wall detail: SSG (Structural Sealang Glazing)
up : view from auditorium / down : view from atrium
2
3
5
4
1
3
1. auditorium
2. cafe
4. bookstack
5. carrel
3. atrium
4F plan
physical model view from a bird-eyes view
Academic, Individual Work CAU Bsc 5 (2014.03-04)
TERRA-SCHOOL
prof. Hayub Song High School Seoul, South Korea
The subject of the studio was ‘eco-friendly school’. Therefore, the design was proceeded under the purpose of providing green community place for students and locals. In the forest of the apartment complex, school will provide a green hill for students and local people, and it would become the green landmark for the region
Inclined Land
Wind Path
Connection
bird eyes view
left : view from Atrium / right : view from pblic library
Not only with sustainable design, the project also aimed to rethink of the relation between school architecture and education program itself. Therefore, as the starting point of design, the design had been based on the research on relationship between architecture and education system.
public space
core & facilities
Before designing, the profound analysis of required programs was proceeded, based on the number of students/ faculties and the curriculum. And those required programs were planned on their appropriate place.
core & facilities
The ultimate goal of this project was to harmonize architectural design, sustainability, educational background; to realize the belief that ‘architecture space have to include social and cultural surroundings’.
y ult fac rea a library
communiti area facilities classroom area
program arrangement
12
10
13
6 8
9 4
1
2
5
3 7
1 7 7
14
7
6
7
7
Ground Floor Plan
2F Plan
1. atrium
4. cafeteria
7. family room
10. faculty lounge 13. school nurse
2. lounge
5. class room
8. study room
11. archive
14. auditorium
3. library
6. special class room 9. faculty office
12. office
15. gym
5 5 5 5 3
5 5 14
perspective section from Eastern side
5
5
5
5
Academic, Individual Work CAU Bsc 3 (2012.03-06) prof. Hayub Song Seoul, Korea
T he En tran c e t h e rev i t a l izat ion of J ong ro s t re et
This project was proceeded under the subject of ‘Adapted Reuse’. I aimed to reflect the urban context of Jongno in architectural design. By strategies for revitalization, I purposed not only mere adapted reuse of existing building but also to make my building to be a seed of ‘revitalization’ of this area. Also, by applying Korean traditional architectural language to design, this building would represent the historical context of this site.
3. Office 4. Terrace 8. Museum
3. Office 4. Terrace 7. Residence 8. Museum
6. Studio 7. Residence
4. Terrace 5. Lobby 6. Studio
1. Store 2. Cafe 3. Office
1. U-glass 2. U-glass frame 3. I-beam structure 4. colored glass
a. U-glass
5. wood louver
b. existing building structure
6. glass window
c. colored glass
7. window frame
d. glass window
8. timber column
e. wood exterior finishing
9. concrete core
f. stairs
10. core stairs
a portrait drawing by Jinhyuck Lim
Chapter 3. Extra Works
3-1. Wounded Valley Memorial, CAU(competition) // Panmunjom, Korea
3-2. Detonator of Memory Memorial, CAU(competition) // Panmunjom, Korea
3-3. The Culture Cubes Cultural Complex, CAU(competition) // Seoul, South Korea
3-4. Extra Experiences
Competition (Bronze Prize) Individual Work CAU Bsc 5 (2014.09-12) Memorial Park Panmunjeom, DMZ, South Korea
W O U N D E D VA L L E Y Korean War Memorial Museum
COUNTER MONUMENTALITY Korean war and separation are not to commemorate, but to be embarrassed. Therefore, instead of beautifiying, the memorial should allow us to experience how painful these memories were. The honest description of pain from Korean War will ironically present the value of peace. Therefore, it should not be beautified and wrapped in good. It should allow us to see how painful these memories were. Panmunjom is the symbolic place where could symbolize the ‘separation.’ The honest description of pain from Korean War on this place will ironically present the value of peace.
Circulation of Memorial the main circulation follows the scar line. divided exhibition space(red and blue) spatialize of the division of Korea
the plan of Korean War memorial park
D E T O N AT O R O F M E M O R Y
Competition Individual Work CAU Bsc 5 (2014.09-12) Memorial Park Panmunjeom, DMZ, South Korea
Korean War Memorial Park
how should Korean War be remembered after the unification of South and North Korea? The project is along with ‘Wounded Valley,’ dealing with the same subject on a different scale: Memorial Park. Through these different approaches, I aimed to make an architectural experiment on how the same analysis result could be realized as different design results. By marking the main battles points and drawing lines between Panmunjom and the points chronologically, the line becomes a memorial path, inscribing the history of Korean War on Panmunjom.
The Scar of Korean War the line of the scar presents the chronology of Korean War
the plan of Korean War memorial park
Competition (Awarded) group work CAU Bsc 5 (2014.09-12) Cultural Complex Seoul, South Korea
T H E C U LT U R E C U B E S ; the cultural village in Gangnam residence
The site is Gangnam area where is surrounded by big scale of apartment buildings. Therefore, it was important not only to follow the existing context but also to break the monotonous huge grain of the site. For this reason, the purpose of the project is to create village-like cultural center. Related to this goal, we planned to scatter small cultural facilities around the big one. Through harmonizing these different types and scales of facilities, it would be able to create synergy effect between them and to enlarge cultural influence to the surroundings.
enlarge the cultural influence by scattering small ‘cultural pieces’
Master Plan
EX TRA EXPERIENCES Besides the internship in architectural offices, I made various kinds of working experiences as a researcher of AAL(Alternative Architecture Lab) in Chungang University. Those experiences include not only architectural field, but other areas such as administration of architecture competition or exhibition. Most of those work were done under the collaboration with Seoul metropolitan goverment
Administration and participation in 2014 Seoul Architecture Festival : as a researcher of AAL, worked with Seoul Metropolitan Goverment
Administration of Han River Imagination in 2015 Seoul Architecture Festival : as a researcher of AAL, worked with Seoul Metropolitan Goverment
Internship : Model making
JINHYUCK +31) 2528 8942 jinsclub3@gmail.com
LIM