STAGE ONE PLACE
MAGAZINE BY JIYANG YIN A1677175
CONTENTS
PLAN
4
ELEVATION
5
ACCESS & MOVEMENT
7
3D VIEW & SHADOW FORM
8
AMBIENT LIGHT
10
SOCIAL & CULTURAL
11
LIGHT STUDY 1 LUNIMOSITY
12
PLAN 1:1000 1. BSL BUILDING
3
2. THE BRAGGS
2
3. MOLECULAR LIFE SCIENCE
7
4. SANTOS BUILDING 4 5
7
5. ENGINEERING AND MATHS, SCIENCE 6. INGKARNI WARDLI
1 6
4
7. MATH LAWNS
ELEVATION 1. BSL BUILDING 2. SANTOS AND ENGINEERING AND MATHS, SCIENCE BUILDINGS 3. INGKARNI WARDLI 4. THE BRAGGS 5. MOLECULAR LIFE SCIENCE 1
2
3
5
4
5
6
ACCESS & MOVEMENT GATE 6A
7
3D VIEW AND SHADOW FORM
SUMMER 12 NOON
SUMMER 9AM
8
SUMMER 3PM
WINTER 12 NOON
WINTER 9AM
WINTER 3PM
9
AMBIENT LIGHT
10
SOCIAL & CULTURAL
The Barr Smith Library owes its name to the Barr Smith family, a pioneer family in South Australia and benefactors to the University of Adelaide over many decades. In 1899 the University Council resolved that its library should bear the name "The Barr Smith Library".
Providing world-class and purpose-built teaching, learning and research facilities, the $100m nine-level Ingkarni Wardli building is home to the Faculty of Engineering, Computer and Mathematical Sciences. The Kaurna name, meaning 'place of learning or enquiry' recognises the special relationship the University of Adelaide shares with the Kaurna people, the original custodians of the land on which the University is situated.
The Australian Federal Government, South Australian State Government, DSTO, Defence SA and The University of Adelaide invested over $40M to construct a headquarters for IPAS, which now houses a unique suite of transdisciplinary laboratories. These facilities include glass development and processing, optical fibre fabrication, laser and device development, luminescence dating, environmental genomics, photonic sensor development, and synthetic, surface and bio-chemistry and offices to co-locate IPAS researchers and students from a broad range of scientific disciplines.
Two lawns in between The Braggs, Molecular Life Sciences, Ingkarni Wardli and the Engineering and Maths Sciences building. If you're looking for a bench to sit on, these lawns are lined by picnic tables. A water bubbler stands in front of The Braggs entrance.
11
Light study 1 luminosity
12
Linguistic definitions:
Philosophical meanings:
Luminosity is the quality of something that gives off light or shines with reflected light. You might describe a bright lively oil painting in terms of its luminosity, or marvel at the luminosity of a brilliant sunset. Astronomers use the word luminosity to talk about a specific property of physics, the energy given of by an astronomical object in a certain amount of time. The Latin root is lumen, meaning "light."
The theory of divine illumination is generally conceived of as distinctively Christian, distinctively medieval, and distinctively Augustinian. There is some justification for this, because, Christian medieval philosophers gave the theory s e r i o u s a n d s u sta i n e d d i s c u s s i o n , and Augustine gave illumination a very prominent role in his theory of knowledge. He said that “the mind needs to be enlightened by light from outside itself, so that it can participate in truth, because it is not itself the nature of truth. You will light my lamp, Lord and you hear nothing true from me which you have not first told me.� According to Augustine, God does not give us certain information, but rather gives us insight into the truth of the information we received for ourselves. In the 12th century, Shahab al-Din Suhrawardi founded a school of Islamic p h i l o s o p hy c a l l e d i l l u m i n a t i o n i s t p h i l o s o p h y. I n h i s P h i l o s o p h y o f Illumination, Suhrawardi argued that light operates at all levels and hierarchies of reality. Light produces immaterial and substantial lights, including immaterial intellects (angels), human and animal souls, and even 'dusky substances', such as bodies.
Light study 1 luminosity Meaning in architecture through case study: Z a h a H a d i d s h o w e d m a ny g re a t examples in using lights through her design, and her design theory of light also changed and developed in the last 30 years. In 1993, Zaha’s early design project Vitra fire station, she used linear lights to respond with building, light lines in the ceiling, between ground and wall, between roof and wall reinforce the linear architecture with sharp edges. In the interior, the light gaps between ceiling and wall have also showed the traditional architecture construction.
Over the 20 years of her practice, the way her using lights has developed. For external of opera house, the wall of the platform edge and grass lawn edge to form a water wave of light. Those long and meandering smooth light band through the entrance to internal space. As the main body of the building, “two rocks”, from the root to lightly and homogeneous illuminate, it kindly likes two rocks reflected by the water reflection on the surface. For internal of the audience hall, it is a complicated and important space of the whole building. Except the floor, other parts are rolling curved surface. The lights are hidden in the depressions of the surface, and the seats are likes a fold on the surface, Even the special designed sun blinds integrate with the opera house. coherence the linear pattern with lights as well. The precise lights using gives us a deep impression. Although the interior lights echo the sharp concrete lines, the soft, diffuse inside and outside illumination in a way counteracts the energy of the building’s forms. In Zaha’s early work, she just used limited linear lights and not a series of gorgeous lights, and used lights to work with the shape of architecture and surrounding to form a sense of harmony and great effects with architecture. In 2010, the Guang Zhou opera house built up.
The small and dense hole is used to form the lighting. It is random bur evenly distributed in the top of the surface, the light comes out through the holes. The dense holes formed dense lights are well represented by the ups and downs of the surface. This thousands of light pixels in the ceiling remind the audience of a dream like starry sky. Light patterns on the cascaded balconies evoke the impression of reflections in waterfalls. Through these two projects, zaha has improved her skills in using like from linear small group of light to a large scale of light, and the light does do a great work in corresponding with architecture. Light brings more meanings for architecture and get a positive enhancement of the whole effects of building.
13