2020 Portfolio_Jaeyoung Joo by Jaeyoung

JOURNEYS P R O B L E M &

A R C H I T E C T U R A L

D E S I G N T

S E E K I N G

S P A T I A L

S O L U T I O N S A

E X P L O R A T I O N

& C R E A T I V E

T H I N K I N G

[ARCHITECTURAL PORTFOLIO] 2 0 0 7 - 2 0 2 0

S E L E C T E D

P R O F E S S I O N A L

W O R K S

A C A D E M I C

JAEYOUNG JOO

KIRA, LEED AP BD+C

JAEYOUNG JOO KIRA, LEED AP BD+C 951 Greenside Dr 6226, Richardson, Texas 75080 jjy0816@gmail.com +1. 470. 985. 6264

EDUCATION

UNIVERSITY OF FLORIDA Gainesville, FL, USA Master of Architecture, GPA 3.88/4.0 GACHON UNIVERSITY Seongnam, South Korea Bachelor of Engineering in Architecture, GPA 3.33/4.5

CERTIFICATION

REGISTERED ARCHITECT (SOUTH KOREA) Korea Institute of Registered Architects

건축사, 국토교통부

LEED AP BD+C 미국친환경인증사, USGBC Green Building Certification Institute 건축기사 1급, 한국산업인력공단 ARCHITECTURAL ENGINEER Human Resources Development Service of Korea

MEMBERSHIP

PMI Project Management Institute, USA AIA The American Institute of Architects / Associate AIA / #38592394 USGBC U.S. Green Building Council / #E535EMEPGKIRBOC NCARB AXP 100%, ARE 5.0 EXAM 3/6 in progress

HONORS & AWARDS

The AIA Certificate of Merit // University of Florida Architecture Academic Achievement Award // University of Florida Architecture Design Honor Award // University of Florida BIM Design Awards (HEERIM) // Building SMART KOREA Student Architecture Design Competition // Korean Institute of Architects Docomomo Korea Design Competition // Docomomo Korea

SOFTWARE SKILLS

Autodesk Revit, Navisworks, Autocad 3D Tools Rhinoceros 3D, Sketchup 3D, Grasshopper Render Vray, Maxwell, Lumion, Enscape3D Project Management NewForma, Bluebeam Adobe Suite Photoshop, Illustrator, InDesign MS Office Suite MS Project, PowerPoint, Excel, Word

PROFESSIONAL EXPERIENCE 2020.01 - 2020.08

SAMSUNG SDS America Plano, TX, USA * Design & Construction Project Manager - Construction Management for Office Interior Renovation Project - Managing and tracking project schedule and budget with Change Order, RFI, Submittal preparation and review

2016.06 - 2019.12

TVSDESIGN Atlanta, GA, USA * Associate Architect - Participated in projects at Convention Center Studio and Hospitality Studio (Principals in charge: Kevin Gordon, Jeanie Lim, Aaron Gentry); - Assisted design principals throughout all phases of projects from Pre-design to Construction Documentation

2015.08 - 2016. 04

ENVISION HERITAGE, University of Florida Gainesville, FL, USA *Research Assistant - Involved in planning and implementing 3D laser scanning; - Created products from point clouds including presentation drawings.

2011.11 - 2012.02

PETERPRAN+H NYC, USA *Project Designer - Involved in design competition of church, hospital and hotel project; - Coordinated schedules and Managed workscope through collaboration with HEERIM Seoul office team.

2007.01 - 2013.01

HEERIM Architects & Planners Seoul, South Korea *BIM manager - Prepared for construction documents and Revit modeling; - Participated in quality control using BIM (visual check + crash check); - Trained the basics of Revit Architecture and Navisworks to employees; *Assistant manager - Assisted in the coordination of project plans and designs; - Involved in design-built (Turn-key) and competition projects; - Produced design documentations and presentation materials.

PROJECT LIST 2020

Bellevue Samsung TMO Workspace Renovation, Bellevue WA, USA

SAMSUNG SDSA

Plano Legacy Samsung Office Relocation, Plano TX, USA

SAMSUNG SDSA

- Owner representative, CM at risk - Budget and schedule tracking, submittal review, OAC meeting, RFI

- Bidding + Project budget estimation - Request For Proposal submission, IT technical drawing set proposal

2019

Las Vegas Convention Center Phase-II+III, Las Vegas, NV, USA

TVSDESIGN

Seoul Bio-Hub Global Collaboration Complex, Seoul, South Korea

INDIVIDUAL

Sutaek E district Redevelopment, Guri, South Korea

TVSDESIGN

Guri Landmark Tower, Guri, South Korea

TVSDESIGN

G-City Masterplan, Guri City, South Korea

TVSDESIGN

Robot Science Museum, Seoul, South Korea

INDIVISUAL

Jacob K. Javits Convention Center, New York City, USA

TVSDESIGN

GWCC Phase II Parking Deck, Atlanta, GA, USA

TVSDESIGN

Pragati Maidan Convention Center, New Dehli, India

TVSDESIGN

- 1.4 million sf, Schematic Design, Renovation + New Construction - RCP Design, MEP Coordination, and documentation

- 5,300 sm, design competition entry - concept, design, drawings, and all deliverable preparation

- Redesigning entire apartment facade + landscape design proposal - Korea code regulation checking and adaption + 3D design

2018

- 98,330 sm, concept design - Feasibility study and space program suggestion, building code review

- 806,649 sm(site), a new design city idea proposal - Master plan design, feasibility study, convention and towers design

- 6,353 sm, design competition entry - Design competition deliverable package production

2017

- 1.2 million sf, convention center expansion project, SD+DD - Zoning and code review, core system design, and documentation

- 51,686 sf, S-2 open parking garage project - SD, DD, CD Documentation and consultants coordination

2016

- 4,436,500 sf, invited design competition entry - convention center+hotel design, presentation documentation

2012

SK Eco-Hub, Seongnam, South Korea

HEERIM

- 502,000 sf, DD+CD, Headquater office+laboratory, completed - Revit modeling, BIM consultant, CD drawings, animation

Incheon Hotel, Incheon, South Korea

PETERPRAN+H

Petro Vietnam University, Vinh Yehn City, Vietnam

PETERPRAN+H

- 346,000 sf, hospitality design competition entry - Elevation study, rooftop pool and main entry design

- Phase 1 masterplan design proposal (302,000sm, 3,900 occupants) - Lecture hall and domitory building design

2011

Man Min Church, Seoul, south Korea

PETERPRAN+H

Me Lihn Hospital, Me Lihn, Vietnam - 725,000 sf, design proposal - Concept idea, Schemetic Design, optional elevation study

PETERPRAN+H

- 1,244,000 sf, design competition - Concept idea, Schemetic design, animation sequence scenario

Busan Port Passenger Terminal, Busan South Korea

HEERIM

Korea South-East Power Co. HQ, Kyungnam, South Korea - 255,825 sf, DD+CD - Revit modeling + documentations, BIM Design Awards

HEERIM

Korea Power Exchange HQ, Gwangju, South Korea - 218,000 sf, design competition, SD, DD, and CD - Revit modeling, documentations, rendering, BIM Design Awards

HEERIM

YTN Media Center, Seoul, South Korea

HEERIM

Rural Development Administration Masterplan, Jeonju, South Korea

HEERIM

Korea Coast Guard Academy, Yeosu, South Korea - 2,300,000 sm site, masterplan, Turn-Key project (Hyundai consortium) - Masterplan optional study, final presentation prep.

HEERIM

Paju Gyoha Complex Community Center, Paju, South Korea - 14,300 sm, Turn-Key project (Kumho consortium) - Design optional study through physical model and sketches

HEERIM

Song Do Science Village, Incheon, South Korea - Mixed-use and street mall Turn-Key (Hyundai consotium) - Design optional study (collaboration with DRDS)

HEERIM

BBS MACT, Seoul, South Korea

HEERIM

Sangam Mega CT, Seoul, South Korea

HEERIM

Pastel Tower, Seoul, South Korea - 18,900 sm, cooperation HQ and leasing office project - Design Competiton, 2D, 3D documentation, presentation prep.

HEERIM

The National Assembly Members Office Building, Seoul, South Korea

HEERIM

Song-do Masterplan, Incheon, South Korea

HEERIM

- 1,000,000 sf, Turn-Key project (Hyundai consortium) - Revit modeling, BIM consultant and deliverable.

2010

- 650,000 sf, Design Development + Constructon Documentation - Facade design, Vertical louver system design, Curtain wall study - 102,400 sm sized masterplan, Turn-Key project (Hyundai consortium) - Masterplan optional study, a museum building design

2009

2008

- 19,200 sm, Broadcasting studio + office proposal - Concept idea, public space design - 53,600 sm, Office+Assembly project proposal - Digital studio sectional planning

2007

- 37,300 sm, expansion+existing renovation, Turn-Key (Samsung consortium) - Optional design study, presentation materials preparation - 52 Acre, masterplan competition - Concept idea, Physical model study, presentation material preparation

TABLE OF CONTENTS PART-I, 2016-2020 01. LAS VEGAS CONVENTION CENTER 02. SEOUL ECO HUB 03. GURI LANDMARK TOWER 04. SUTAEK E-DISTRICT REDEVELOPMENT 05. G-CITY MASTER PLAN 06. ROBOT SCIENCE MUSEUM 07. JACOBS JAVITS CONVENTION CENTER 08. THE HOME DEPOT BACKYARD & PARKING DECK

PART-II, 2014-2016 ACADEMIC 09. MRP [Masters Research Project] 10. BLUE RESCUE 11. THE NEXUS BUILDING 12. APERTURE 13. VOUSSOIR CLOUD 14. UF BUS STOP SHELTER 15. STRUCTURAL ANALYSIS 16. MIAMI PAVILION 17 LASER SCANNING

PART-III, 2007-2013 18. SK ECO-HUB 19. INCHEON HOTEL 20. MILlITARY CENTRAL HOSPITAL 21. BUSAN PORT PASSENGER TERMINAL 22. KOREA SOUTH-EAST POWER CO. 23. KOREA POWER EXCHANGE 24. YTN MEDIA CENTER 25. PASTEL TOWER 26. SQUARE FORUM 27. SONGDO MASTERPLAN

TVSDESIGN + INDIVISUAL WORKS

PART I 2016-2020 01. LAS VEGAS CONVENTION CENTER 02. SEOUL ECO HUB 03. GURI LANDMARK TOWER 04. SUTAEK E-DISTRICT REDEVELOPMENT 05. G-CITY MASTER PLAN 06. ROBOT SCIENCE MUSEUM 07. JACOBS JAVITS CONVENTION CENTER 08. THE HOME DEPOT BACKYARD & PARKING DECK

01. LAS VEGAS CONVENTION CENTER PHASE-III Associate Architect, MEP Lead at TVSDESIGN LOCATION SIZE TYPE ROLE

LAS VEGAS, NV LV1: 2,177,380 sf, LV2: 309,026 sf, LV3: 835,803 sf CONVENTION CENTER RENOVATION 2D+3D DRAWINGS, MEP COORDINATION, RCP DESIGN

Phase 3 Renovation is the common name for the Third Phase in the Las Vegas Convention Center District Plan and includes the renovations of the existing LVCC Campus east of Paradise Road. The program goals for Phase 3 include overall renovation of spaces and amenities to create a more efficient operation and enhance customer experience. To the extent possible and within the budget, space standards established in the planning and design of the Phase 2 expansion are to be referenced as an analog for the prioritization of upgrades made during Phase. An overarching goal for Phase 3 is to strive for consistency of customer experience across the entire campus. This includes but is not limited to following : 1. Site Circulation and vehicular wayfinding strategies, including landscaping and the availability and relationship of outdoor exhibit to the building. 2. Finish and fell of customer facing spaces such as lobbies and concourses, meeting rooms, exhibit halls and supports spaces such as restrooms and business centers. 3. Amenitie and utilities available to the exhibitors within the leasable spaces.

PART-I

Re-Innovation In addition to upgrades to the existing spaces, the project scope also includes some strategic additions and enhancements as outlined below: 1. Addition of a new Grand Lobby, similar in area to the new Phase 2 lobby, by expanding the footprint of the existing grand lobby 2. A significant transformation of the grand concourse that runs along the north of Central hall, connecting the grand lobby to the Blue Lot entry. 3. The extension of the ribbon roof across Paradise, along the building facades facing the silver lot and southward to the south-west lobby. The roof form will be an icoic architectural expression that delivers a consistent visual identity to the entire campus. 4. Add alternate: The creation of an indoor connector concourse such that visitors can circulate between the grand lobby and the south lobby without going outside. 5. Enlargement of pre-functon spaces at the south-west lobby.

PART-I

GR-1

R PT-1

Existing South-West Lobby

P,8

INTERIOR RENDERING - SOUHTWEST LOBBY

1/16" = 1'-0" S2

E480-0

E510-0

E540-0

S5.4

E570-0

E573-0

E600-0

SN.2 N478-4

N474-4

N447-0

N417-0

N387-0

N357-0

ACT-2

15' - 2"

ACT-2

16' - 2"

ACT-2

30' - 0"

16' - 2"

12' - 6" PT-5

GYP 30' - 0"

30' - 0"

N387-0

30' - 0"

N417-0

30' - 0"

N447-0

30' - 0"

27' - 4"

N474-4

27' - 4"

30' - 0"

N327-0

30' - 0"

N327-0

30' - 0"

N297-0

30' - 0"

N297-0

F SF

SF.5

30' - 0"

SF.5

N267-0

30' - 0"

N267-0

E SE

30' - 0"

N237-0

30' - 0"

N237-0

16' - 2"

GYP

16' - 2"

ACT-2

16' - 2"

GYP

12' - 6" PT-5

30' - 0"

N207-0

C SC

N177-0

30' - 0"

N177-0

9' - 0"

F,1

ACT-03

____________________________________________________________

A6-601

N147-0

S NW2

REFLECTED CEILING PLAN - SOUTHWEST LOBBY LEVEL 3

A,1

A,8 1/16" = 1'-0"

1/16" = 1'-0"

GYP

30' - 0"

BIM 360://Las Vegas Convention Center Phase 3/A-11141-LVCC PH 3-MAIN.rvt

10/4/2019 7:20:16 PM

N207-0

MATERIAL LEGEND Keynote ACT-2 CPT-2 GFRG-1 GR-1 OH-1 PC-1 PT-1 PT-5 TL-1

INTERIOR COMPONENT DRAWING LEGEND Keynote Text

ACOUSTIC CEILING TILE, 2'X4' SCORED PATTERN, PUBLIC CONCOURSES AXMINSTER CARPET, PATTERN B, PUBLIC CONCOURSES GLASS FIBER REINFORCED GYPSUM, INTERIOR COLUMN COVER 1/2" LAMINATED TEMPERED GLASS OVERHEAD COILING DOOR DECORATIVE POLISHED CONCRETE FLOOR WITH CUSTOM PATTERNED ZINC STRIPS WHITE, INTERIOR WALLS ACCENT COLOR A (GRAY), EXHIBIT HALL PORTAL FLOOR TILE, RESTROOMS

NEW PARTITION

EXISTING ACT, 2' x 4'

EXISTING GYPSUM CEILING

EXISTING PARTITION TO REMAIN

EXISTING ACT, 2' x 2'

NEW GYPSUM CEILING

OVERHEAD

NEW ACT, 2' x 4'

NOT IN SCOPE

PC-1, POLISHED CONCRETE

NEW ACT, 2' x 4' SCORED PATTERN

OPEN TO STRUCTURE

TVS Nevada, Inc. 1230 Peachtree Street NE Suite 2700 Atlanta, Georgia 30309 404 888 6600 fax 404 888 6700

tvsdesign.com

Scales as stated hereon are valid on the orginal drawing, the dimensions of which are 36 x 48 inches. These scales noted hereon are hereby changed by the ratio of the overall sheet dimension of the print to the corresponding dimensions of the original drawing. This drawing is the property of TVS Nevada, Inc. and is not to be reproduced or copied in whole or in part. It is only to be used for the project and site specifically identified herein and is not to be used on any other project. It is to be returned on request.

SC-1, SEALED CONCRETE

NEW ACT, 2' x 2'

OPEN TO BELOW

GR-1, LAMINATED/TEMPERED GLASS GUARDRAIL

PT-5, ACCENT PAINT

PT-7, ACCENT PAINT

These documents represent a design progress issuance. As such, the information herein is preliminary and represents the state of coordination and systems as of the issuance date.

N417-0

N387-0

N357-0

30' - 0"

N327-0

30' - 0"

N297-0

30' - 0"

SF.5

N267-0

30' - 0"

15' - 0"

N237-0

30' - 0"

N207-0

15' - 0"

S5.4

E600-0

N177-0

E573-0

15' - 3 1/2"

30' - 0"

E570-0

KLAI JUBA WALD

E540-0

14' - 8 1/2"

E510-0

30' - 0"

PT-5 PT-5

GFRG-1

15'-0"

2'-6"

PT-1 GFRG-1

15'-0"

PT-1

GR-1

GFRG-1

133' - 10"

LEVEL 3 - SOUTH

architecture + interiors

101 Convention Center Drive, Suite 950 Las Vegas NV 89109 (702) 470-2311

DRAWINGS AND SPECIFICATIONS REMAIN THE PROPERTY OF THE DESIGN PROFESSIONAL. COPIES OF THE DRAWINGS AND SPECIFICATIONS RETAINED BY THE CLIENT MAY BE UTILIZED ONLY FOR HIS USE AND FOR OCCUPYING THE PROJECT FOR WHICH THEY WERE PREPARED, AND NOT FOR THE CONSTRUCTION OF ANY OTHER PROJECTS.

2'-6"

PT-5 ACT-2 PT-5

17'-6"

PT-1

GFRG-1

PT-1

103' - 10"

LEVEL 1 - SOUTH LOBBY

NOTE: Information contained in the drawings and documents are preliminary and provided for design intent only. Drawings and specifications are not issued for construction but are design documents provided to convey the services required by the contract. Design shall be limited by the aesthetic, program and functional requirements directed and approved by the owner.

SOUTH - SOUTHWEST LOBBY - TOWARDS EAST

SOUTH - SOUTHWEST LOBBY - TOWARDS SOUTH

P,18

30' - 0"

E510-0

30' - 0"

Life safety, building code and zoning assumptions conveyed in these drawings and documents shall be reviewed by the local Architect of Record. The Architect of Record shall develop and be responsible for all final documents meeting life safety, building code and zoning requirements.

E540-0

E570-0

30' - 0"

NW2

E480-0

E510-0

This set of Drawings and others documents (such as written narratives, specifications and proposed Construction Contract Conditions) are complementary and collectively convey and mark the progress of design at the indicated milestone of the Schematic Design phase.

1/16" = 1'-0" S2

E480-0

These design progress documents do not indicate or describe all the work requirements for the full performance and completion of the Project. As such, these design progress documents are not issued for construction, are preliminary, and are incomplete/uncoordinated for construction purposes unless otherwise designated.

E540-0

E570-0

E600-0

PRELIMINARY

N474-4

NOT FOR CONSTRUCTION 27' - 4"

15.00°

30' - 0"

N447-0

N417-0

LAS VEGAS CONVENTION CENTER 30' - 0"

KJWA JOB NUMBER

18071

TVS JOB NUMBER

11141.000

CONTRACT NUMBER

19-4561

SHEET ISSUE DATE

10/4/2019

GR-1 SK

N387-0

P,8

30' - 0"

P,8

___________________________________________________________

A6-200

PHASE THREE

PC-1

___________________________________________________________

REV

A6-200

DESCRIPTION SCHEMATIC DESIGN

DATE Oct. 04 2019

CPT-2

PC-1

N357-0

PT-5 P,18

P,18

___________________________________________________________

30' - 0"

___________________________________________________________

A6-200

A6-200 OH-1

SOUTHWEST LOBBY

GFRG-1

30' - 0"

N327-0

PT-5

N297-0

F TELE

ELEC

SECURITY

LVCC PHASE 2

TELECOM.

NORTH HALL

W BROWN DR

ELEVATOR MACHINE ROOM

ELECTICAL

GR-1

TL-1

JAN.

FIRST AID

N237-0

E DESERT INN

CENTRAL HALL

E JO

MEN

WOMENS SE

PARADISE RD

SF.5

PT-5 30' - 0"

SOUTH HALL

CAMPUS PLAN

CPT-2 GFRG-1 SD

N207-0

30' - 0"

FOOD HALL

C SC

N177-0

30' - 0"

ZONE PLAN

INTERIOR COMPONENT SOUTHWEST LOBBY

TL-1

N147-0

10' - 2 5/16"

NW2

E480-0

FLOOR PLAN - SOUTHWEST LOBBY LEVEL 3

A,15

FLOOR PLAN - SOUTHWEST LOBBY LEVEL 1

A6-200

1/16" = 1'-0"

PART-I

02. RATIONAL INNOVATION SEOUL ECO HUB GLOBAL COMPLEX LOCATION SEOUL, KOREA | SIZE 13,913.50 sm |

TYPE OFFICE + LABORATORY

The site area offers excellent conditions as a hub for the biomedical industry as leading research centers, universities and hospitals are concentrated in it, but spaces to accommodate biomedical startups moving into the area are markedly in short supply. Even in the second half of 2019 when the construction of three buildings will be completed, there will not be sufficient space to meet all the demand. Therefore, we need to expand space to accommodate companies that want to move into the area in order to attract businesses and induce new startups. The Seoul Biohub initially aimed to support early-stage startups and allowed moving-in companies to stay only up to four years. Now it needs to switch its focus from supporting startups with a history of less than five years to supporting promising companies to commercialize their technologies and enter the global market successfully. To this end, it needs to create specialized facilities in the area. The SMG should provide support to keep companies at the commercialization stage from moving out to other areas, so that the networks will continue to be maintained, with the cluster strengthening and expanding continuously.

INDIVIDUAL DESIGN COMPETITION ENTRY

PART-I

PROBLEM SEEKING 01 “HOW TO MAKE A CREATIVE WORK SPACE FOR IDEAL USER COLLABORATION?”

PROBLEM SEEKING 02 “HOW TO INCORPORATE AND CREATE THE NEW BUILDING TO BE IN HARMONY WITH EXISTING CAMPUS?”

PROBLEM SEEKING 03 “HOW TO CREATE A SUSTAINABLE AND SMART BUILDING?

PART-I

03. GURI LANDMARK TOWER

Associate Architect at TVSDESIGN LOCATION GURI CITY, KOREA SIZE 36,200 SM (B6F-49F) TYPE PROGRAMING, CONCEPT DESIGN ROLE DESIGN, 2D+3D DRAWINGS, PRESENTATION Located immediately to the east of Seoul, Guri city is now one of the hottest areas in Korea, readily to be transformed into a new design hub in the Southeast Asian region.

SUMMER PREVAILING WIND FROM SOUTHEAST

WINTER PREVAILING WIND FROM NORTHWERST

A. WINTER SOLSTICE

B. SPRING/FALL EQUINOX

C. SUMMER SOLSTICE

Landmark towers, in the heart of Guri city, will set a new standard for a sustainable urban lifestyle promoting health and well-being of the local citizens. The inherent walking nature of the cityâ&#x20AC;&#x2122;s people has been engrained into the project via its indoor & outdoor pedestrian walkways and jogging trails on two levels of the rooftop parks. Pedestrian walkways are intertwined through multiple levels of the podium providing infinite ways to explore the place depending on which direction to take on. Its central atrium with a large skylight is a wayfinding element that visually conects five levels of the podium spaces as well as the essential element of bringing daylight to basement levels. As it stands as a visual landmark of Guri city, the programs of the project also become a cultural landmark. The state of art sports center, smaller scale retail shops, F & B outlets, and the rooftop park form a truely unique combination of programs. Landmark towers will be a special place in Guri city where people live, shop, learn, entertain and excercise all in one place.

OUTER SKIN COMPONENT

PERFORATED METAL PANEL

SKIN CONCEPT ACHA MOUNTAIN PINE TREE Pine trees are great treasure of Acha mountain. They complete the beautiful landscape of the mountain, and provide filtered air and cool temperature. Pine trees in Acha mountain are very famous for their beautiful curvature in form, and they compose spectacular perspectives along the hiking trail. Pine tree holds greater meaning to Acha mountain and Guri city because they have lived through the history of the city and Korea. KOREAN PINE CONE Korean pine cones are petit and attractive. Their ability to close and open depending on the humidity of the mountain is applied to the skin design that can filter the hot sun light and cool down the space. The various sizes of opening also control views and privacy of interior spaces. Apart from its practicalities, the gradient of tower skin opening gives a dramatic texture which makes the tower a memorable landmark of the city.

DOUBLE SKIN FACADE Not many residential buildings utilize double skin facade system but people increasingly realize that the upfront cost of double skin quickly pays off by the 4 following advantages. 1. REDUCED ENERGY CONSUMPTION The cavity between the two layers can act as insulation during the colder months. This reduces the need to heat the inside of the building, eliminating reliance on HVAC systems and the cost of operating them. 2. NATURAL VENTILATION In warmer months, the air in the cavity between the two facade layers effectively monitors itself. Excess heat is drained out by air density difference between skin layers. This makes the inner skin cooler and less heat is coming through outer layer of skin. 3. ACOUSTIC INSULATION Sound insulation effectiveness can be greatly increased by incorporating perforated metals. Even if the internal

windows are open, it provides similar acoustic insulation as a single skin facade. 4. OCCUPANT COMFORT A perforated metal outer facade provides shading from direct sunlight while still allowing the passage of natural light. Windows can be open, which promotes natural ventilation while keeping acoustic insulation. REPEATING UNIT FOR 70% OPENING TYPE Three dimensional opening dramatically cuts down solar heat gain, yet preserves maximum view at eye level.

PART-I

THE SPORTS CENTER is one of the most exciting features of the development. It has two basement levels of facilities including a fitness center, a rock-climbing center, and an aquatic center. On the roof, 450 meter long jogging & walking trails connect two levels of rooftop parks. It is expected to be the most famous feature of the project for its uniqueness and convenience of location. The rock-climbing center located at the south main entry of the sports center has 20m high vertical continuous climbing surfaces visually open via glass walls at street and terrace level . Its size can easily host international level rock-climbing competitions drawing players and visitors beyond Guri city and metro Seoul.

B A

THE BASIS OF UNIT LAYOUT follows current trends of residential towers in Korea for compatibility of construction industry, and for the trend sensitive Korean real estate markets. However, with unique exterior skin designs, larger window openings, and unconventional interior millwork design, living experiences will be elevated to a higher level. Each tower has its own club house and private outdoor garden on the podium rooftop park level providing easy access to rooftop sports facilities and jogging trails. Yet, landscape design cleverly secludes them from public views. Creating attractive communal spaces for residents will promote healthy and safe communities as individualism has become a serious social issue among younger generations. Landmark towers envision future trends of residential design.

PART-I

184M

172 M

49 48

43 42 41 40

42 41

40 39

28 27 26 25

27 26

5 4

5 3

5 5

7 8 9

8 9

1. RESIDENTIAL UNIT 2. REFUGE FLOOR 3. ROCK CLIMBING CENTER 4. SPORTS CENTER 5. RETAIL 6. FOOD COURT 7. SERVICE 8. PUBLIC PARKING 9. RESIDENTIAL PARKING

04. SUTAEK E-DISTRICT REDEVELOPMENT LOCATION GURI CITY, KOREA TYPE

MASTER PLAN CONCEPT DESIGN

ROLE

MASTERPLAN PHYSICAL STUDY, PRESENTATION

Associate Architect at TVSDESIGN

What was kept: fire lanes, car free complex, building prgram and layout What is proposed: building skins, roof top program, unified landscape experience The design theme of the Sutaek Dong project derives aesthetic inspiration from its name- “Water Pond Neighborhood”. The Building facades, landscapes and entrance gates reflect the fluid movement, colors and interplay of light of water. from every vantage point of the project, the theme stands as a delightful symbol of unity for the Sutaek Dong residents. Taking advantage of the originar car-free planning and underground parking, a continuous 1.4 kilometer loop of pedestrian path, jogging trails, and bicycle paths that interact with six activity lawns and nine ponds. Paths and trails bridge over the public streets to further unite the four larger parcels of the project into a single neighborhood extend outward to the Gumbae mountain park and Wang Suk stream.

PART-I

The design language of the majority of the Sutaek Dong tower is a visual allusion to the interplay of sunlight on trees in a forest. Verticl wood projecting fins not only emphasize the verticality of the towers but provide solar shading to the individual apartments while serving as a symbol of the park-like setting of the master plan. Subtle color differences in the wood tones will provide an identity to the smaller districts around the six activity lawns within the Sutaek Dong project.

PART-I

The front door entry experience at every tower has been enhanced to complement the overall site experience of water and beautiful, seasonal landscaping. At the ground lavel, residents and guests are welcomed by playful, sunlit water fountains, densely patterned seasonal plantings of flowers, shrubs and indigenous trees and overhead protective canopies with flowering vines. Exterior paving patterns and materials are extended into the lobby spaces to provide a continuity of the inside/outside experience.

Taking advantage of the originar car-free planning and underground parking, a continuous 1.4 kilometer loop of pedestrian path, jogging trails, and bicycle paths that interact with six activity lawns and nine ponds. Paths and trails bridge over the public streets to further unite the four larger parcels of the project into a single neighborhood extend outward to the Gumbae mountain park and Wang Suk stream.

The six monumental gates that mark the principal entries to the Sutaek Dong neighborhood are envisioned as frozen waves that continue the sinuous winding design of the landscape trails and water features. Although clearly a family of elements, each gate is a subtly different shape designed to interact with the movement of sunlight while offering shade and shelter to Sutaek Dong residnets. The gate are further individualized at night by LED uplights that recall the dappling movement of sunlight on waves.

PART-I

05. GURI MASTER PLAN LOCATION GURI CITY, KOREA TYPE

MASTER PLAN CONCEPT DESIGN

ROLE

MASTERPLAN PHYSICAL STUDY, PRESENTATION

Associate Architect at TVSDESIGN

The ID9 in Guri City, South Korea is the most coveted city scale development near metro Seoul with astonishing views overlooking the Han Riv design symbolic of the 9 historic villages informing the city name, â&#x20AC;&#x2DC;GURIâ&#x20AC;?. The 9 design innovation keywords are, Exhibition, Business, Life style, Cu Entertainment. ID9 is focused on a sustainable MICE (Meeting, Incentives, Conventions, and Exhibitions) industry development. Its design criteria premium international standards for venue and facility services, activities and events based on cultural identity of the city, businesses that sh world-class standards for the quality of life and well-being of all residents, and creating a sustainable MICE prototype for the next generation in hensive network of dedicated pedestrian circulation linking the entire districts of ID9, present tangible evidence of the commitment of the ID9 sta sustainable live/work/play environment unlike any other in the world.

ver. The project goal is to realize 9 innovations in ultural, Sustainable, Music, Technology, Smart and a include low carbon transport to city and venues, howcase social and environmental responsibility, n Korea. The elevated â&#x20AC;&#x153;Green Fingersâ&#x20AC;?, a compreakeholders towards an innovative, rewarding and

PART-I

PHASE-II

PHASE-I

SITE PLAN PHASE-I

1. SIGNATURE 3 TOWERS 2. CONVENTION CENTER 3. TRANSIT CENTER 4. VENTURE STUDIO OFFICE 5. COMMERCIAL 6. MIXED-USE 7. RESIDENTIAL (APARTMENT) 8. RIVER FRONT RESIDENTIAL 9. TOWN HOUSE

PHASE-II

1. SIGNATURE HOTEL (180M) + CONCERT HALL 2. LAKE-FRONT RESIDENTIAL 3. RESIDENTIAL (APARTMENT) 4. K-POP RELATED FACILITY 5. K-INSTRUMENTS RELATED FACILITY 6. COMMERCIAL 7. CHILDRENâ&#x20AC;&#x2122;S MUSEUM + AMPHITHEATER 8. BICYCLE CENTER 9. ELEMENTARY SCHOOL

PHASE-III

1. SIGNATURE TOWER (180M) + COMMERCIAL 2. RESIDENTIAL (APARTMENT) 3. TECHNOLOGY-THEMED FACILITY 4. HOSPITAL 5. ELEMENTARY SCHOOL

MASTER PLAN IDEAS 1. ELEVATED WALKWAY “ GREEN FINGER ” AS A CONNECTING ELEMENT

PHASE-III

2. LANDMARK TOWERS + DESIGN CENTER “ CURVATURE OF KOREAN DRESSES ” AS A SYMBOLIC FORM OF ICONIC TOWER

3. WATER + RETAIL PROMENADE “ CANAL STREET ” AS AN ORGANIZING ELEMENT

PART-I

SIGNATURE THREE-TOWER Respecting the stature of Acha Mountain, the office, hotel and residential towers reach sweeping heights, with the tallest standing at 220m. Vertically clear from flight zone restriction, these landmark towers offer premium views of the Han River. The lower body of each tower rises as one, then separates at the upper body to give the appearance of two buildings blossoming out of one, totaling six. Inspired by Hanbokâ&#x20AC;&#x2122;s curvature and layers, each tower gives different looks from different perspectives. The lower level and underground are connected by retail space and the new transit center proving convenient and enjoyable access to the convention center.

LANDSCAPE IDEAS THE LINEAR PARL / GREEN STREET

1. Along all streets, a lush landscape edge provides a buffer from vehicular travel, while providing a stormwater and habitat function 2. Each of the linear parks should mimic the form and texture of the green finger that is adjacent (i.e. mountains, agrarian, river and city) 3. Utilize space under the green finger for a multiuse path and mixture of activity space and artful elements 4. Provide areas for seating and outdoor dining where commercial or retail space is the ground floor use 5. Large residential parks will create a green necklace through the center of site, providing ample space for large activities and respite from the city

1 3

4 5

1 2

THE WATER LOOP EDGE

3 4

THE BOULEVARDS 2

1. At the intersection of the canal/street/green finger, utilize areas to terrace down and allow seating and dining for ground floor retail 2. Linear and sinuous planting along the street edge blur the line between nature and urban 3. Wetland plants provide a filtering layer to stormwater from the development 4. Multi-use path along the canal edge weaves in and out of the green finger above

1. Allee of trees provide shade and seasonal interest, along with places for seating and dining along retail frontage 2. Create terraced gardens that provide vertical circulation 3. Along the upper edge of canal, design areas for raised planters and vegetation that cascade to the lower level, creating a seamless â&#x20AC;&#x2DC;greenâ&#x20AC;&#x2122; wall between levels

PART-I

06. ROBOT SCIENCE MUSEUM LOCATION SEOUL, KOREA SIZE 6,353.96 SM TYPE CULTURAL, MUSEUM ROLE INDIVIDUAL DESIGN COMPETITION ENTRY (+ACOMES)

PART-I

In the four nertheastrn districts, there are insufficient neighborhood amenities and poor cultural facilities, so the satisfaction of residents with their living environment is low. It is necessary to improve the living environment and resolve the local education gap. The Museum will expand science educationl infrastructures to equalize educational opportunities and to promote balanced development of public education infrastructure. In the 4th industrial era, a special science museum will be built with robot theme that will contnue to develop as a growth engine. This will lead to an image of a new economy in the Chang-dong area. Therefore, by adopting a design that reflects an efficient spatial composition and introducing each facility through the competition, the Robot Science Museum will be built in the northeastern area, which lacks culture and exhibition areas, and will contribute to the opportunity for local people to enjoy scientific culture and will bring economic activity to the northeastern region.

PART-I

07. JACOBS JAVITS CONVENTION CENTER Design Professional at TVSDESIGN

Parti - “Often referred to as the big idea, it is the chief organizing thought or decision behind an Architect’s design presented in the form of a basic diagram...” - Wikipedia An Evaluated’Parti’ - An expanded Javits with internally/efficiently managed service truck traffic, increased rentable function space, respect for adjacent Architecture, and leveraged urban location are the basic part of our team’s ‘Parti’. The basic organizational diagram of the Indicative Design successfully dealt with the parameters of both site and program, locating the major pieces of function appropriately with respect to necessary adjacencies. This sample layout of the Program remains intact within this proposal - but not without rigorous analysis. Using the Alternate Technical Concepts (ATC’s) and Owner RFI’s, we took a detailed look at the ‘bones’ of the program and the functional organization of the parts in an effort to seek out engineering efficiencies, verify operational fit, confirm appropriate material selections, and identify additional urban design opportunities. The Design Excellence imbedded in this proposal begins with this tested ‘parti’, evaluated for cost and value against these base tenets. The ‘Bones’ of the Program - With many convention centers considering expansion, the primary goal is to maintain a customer base while reaching new markets in a changing and competitive environment. To accomplish this, the Javits expansion program addresses two goals - first, to incorporate an efficiently organized internal truck marshalling facility, and second, to expand the size and type of flexible meeting, banquet, and exhibition spaces. The program looks to the principals of good convention center design.

AXONOMETRIC DIAGRAM 52

LV 03

LV 04

LV 01

LV 02 PART-I

DESIGN DECISION PROGRESS AT CONCOURSE WALL

DOCUMENTATIONS 54

PART-I

08. THE HOME DEPOT BACKYARD & ORANGE PARKING DECK Design Professional at TVSDESIGN The Home Depot Backyard, provides areas for family activities, entertainment and community events and on stadium event days can serve as a fan tailgating zone. The overarching idea behind the park’s creation was to create a living community park that could host a variety of events instead of a parking lot that could sometimes be used as a park. The project is a 13 acre green space next to the Mercedes-Benz Stadium in the former space occupied by the Georgia Dome. The park is divided into districts, with two side fields and a center field that accommodate soccer fields, festivals, movie showings, concerts and tailgating. Special attention was given to creating active edges to surround the park with viewing platforms, picnic areas and sculpted pathways that connect the event lawn with the adjacent streets and plazas. From this amphitheater setting, visitors will have ‘Instagram-worthy’ views of the surrounding park and city. A critical component of the design challenge was to provide the missing pedestrian linkage from the Westside to downtown. Along the southern edge of the park, tvsdesign joined together a series of tree lined plazas, park overlooks and civic art installations to create a cultural pathway leading to Centennial Olympic Park.

PART-I

PART II 2014-2016 (ACADEMIC) 09. MRP [Masters Research Project] 10. BLUE RESCUE 11. THE NEXUS BUILDING 12. APERTURE 13. VOUSSOIR CLOUD 14. UF BUS STOP SHELTER 15. STRUCTURAL ANALYSIS 16. MIAMI PAVILION 17 LASER SCANNING

09. MEMORY & SPACE [MASTERS RESEARCH PROJECT] CHAIR: PROFESSOR CHARLIE HAILEY

Abstract The purpose of my thesis is to explore the design methodology stemming from personal experiences or emotions, which is very subjective and sensitive. It begins with very fundamental questions: “How can architectural spaces hold memory? And how can I measure the relationships between space and memory?” When it comes to the design methodology, particularly in the architectural design field, we usually tend to think that it should be rational and objective coming from thorough analysis. But I think that the result of design process can be diverse depending on its purpose, type, and reason. So, it is very important to determine which design process we should choose. From my unique background, which is the fact that I moved to Gainesville, Florida from Seoul, Korea, I would like to look at how personal memories and emotions can affect to architecture design. Displacement, meaning that I had moved to an unfamiliar place brought a special feeling to me. It is a sense of nostalgia, and it is neither positive nor negative. It was more about a chance to question what my identity is, and what the meaning of boundary is for me.

Fig. 01 Memory, Mnemonics, Field 48"x36" hard board, gesso, plaster, and drawing

Memory of Space, Space of Memory. I would like to look at more relationships between memory and space. I divide my thesis into two parts. In case of Memory of Space I will observe, within my daily life, types of relationships between places I am occupying the most, living patterns, and behaviors. To succeed in this research journey, I will also look at several case studies closely related to Memory and Home. I will not limit the boundary of case studies to only architecture. They can not only be existing buildings, but also installation artworks or conceptual drawings. I then will broaden the boundary to neighborhood/town scale. With a bountiful of historic resources like sanborn map or historic photos and drawings, I will look at how Gainesville city has been evolving, and what kind of memories this city has been holding. As a result, from memories in the past I would like to suggest aspects of future Gainesville city's vision, which are able to hold memories.

Introduction

7,500 miles displacement

Seoul, South Korea, is where I was born and raised before I moved to Gainesville in order to pursue my Master’s degree. And I do not know yet where my next settlement place will be after studying. Living abroad on my own for the past 2 years has presented to me a new concept of home. The word “Home”, when I was still in Seoul, used to refer only to where I physically lived with my family or where I ate, slept or took a rest. “Home” was naturally linked to a sense of familiarity: the people, the language, and the environment that I encountered on a daily basis. Since I moved to Gainesville, Florida, I no longer speak the same language as other people I interact with everyday on campus. The fact that I am currently 7,500 miles away from home and family in Korea enabled me to gain a new perspective of distance and re-think memory, displacement and identity. Throughout this research, I am eager to explore how to cope with nostalgia and how home has meaning with both past and present memories. Additionally, I am interested in diverse phenomena, personally or socially, that always surrounds us, and how I can measure intangible, invisible memories.

Research Methods

Fig. 03 Onto the variants of Wunderkammer, "the room" 18"x24"x18" physical model, MDF+Basswood

I am going to observe the potential of how architectural spaces hold memory and how I can measure the relationship between space and memory, focusing more on the process of dwelling. I selected four case studies. The first case study is the theory of Martin Heidegger. Aside from the book, “Heidegger’s Hut”, written by Adam Scharr, I will look into Heidegger’s writing “Building Dwelling Thinking.” Because of the possibility that this research could become too heavy or too subjective, perhaps, I will need to find appropriate theories from famed philosophers similar to Martin Heidegger. And with this not easy but very essential concept, in terms of relationship between human and space or living and existence, I hope to gain sufficient information for the next experiment of measuring memory. The second case study is the work of a Korean installation artist, Doho Suh’s “Home series.” In a generation of globalization, Doho Suh explored his relationship with his homeland, Korea. After relocating to the United States, he created an installation “Home within Home”, a full scale fabric replica of a traditional Korean style house. His fascination with recreating an experience that depicts the cultural, physical, psychological, architectural sensation of Korea has been a major influence for my project as a Korean. “Home within Home” comprises multi-layered translucent fabrics that hang from the ceiling, creating a temporal and insubstantial impression. He said, "through these layers, I am able to cultivate an intangible, metaphorical and psychological experience of place and time." The third case study is the Marjorie Kinnan Rawlings House, a house gallery, which is located in Historic State Park of Cross Creek, Florida. With analysis of this house, I would like to look at how a well-preserved historic house could become a theater/stage which is able to describe the user’s personal story, and how a Florida vernacular house has relationships between a story and local characteristics. Lastly, to practice more effectively, I will observe a very particular space, my apartment. Because the experience of our surrounding has a profound effect on the formation of our identities, “home” is one of the greatest places to measure. I will measure and draw each component of space, furniture, and even small details such as floor lighting, pictures on the wall, and so on. Furthermore, I will borrow methods from the aformentioned case studies such as Doho Suh’s translucent fabric work, or propose something new. With a wide range of methods which allow to explore the relationships between memory and space, I would like to investigate the local histories of Gainesville in order to apply these theories and mothods in an actual context. Consequently, to develop to an architectural space this thesis will accompany design processes synthesizing abstract and practical ways. I hope that the final result could be both visualization and imagination holding valuable memories which is able to connect from the past to the future.

PART-II 63

Boundary To go beyond to the actual site in which I am occupying and doing activities in real life, figuring out the relationship between space and memory should be done as the first step. For realizing these relationships, we should set up the perfect size of boundary. The first boundary is spaces only for an individual. It could be a single house, a private room, or even a cubed space purposing on the certain use. This boundary size would be demonstrated as "MEMORY OF SPACE," which is for seeking relationships between me and space, space and time, and time and me. On the other hands, the second boundary is for more than one single person. This is intended for unspecified individuals. Broadening the boundary, it reaches to the neighborhood or urban scale. Spaces for the second boundary, the public space such as street, urban plaza, and alley. And investigating traces of urban fabrics in terms of urban history and development could be one of the greatest methods for figuring out the relationship between space and memory. I would set this relationship as "SPACE OF MEMORY" and will observe transions from the past to the present, from the space to the place, and from sequences to memories.

Dwelling Dwelling is the reason for architecture and the object of pursuit. The argument of dwelling is initiated in ages on the skeptical view of dwelling, especially the age of modernism. Though the argument of dwelling is usually regarded as the revival dwelling, in point of fact, dwelling is the state of existence of human being, therefore it is impossible to deliberate on its possibility. This is explained by Martin Heidegger, the famous German philosopher as the world composed by human s based on the position of 'fourfold'. Fourfold is the measure for the rethinking of dwelling beside human with human itself. Fourfold is composed by four factors--earth, sky, divinity, mortal. Finally, dwelling is not just the human beings at the center of it, but includes nature and god who made the human world. In the frame of the fourfold, traditional dwelling explains the earth as grounding the human-mortal, and the sky floats above human. The human, who works, rests, and performs various activities in many forms, experiences divinitiy as the concept which accepts human dwelling. Fourfold is, accordingly, an instrument to overcome the opposing viewpoints in modernism, so in that composition the border between human body and exterior, physical object and metaphysical concept disappears and all these elements become the condition of the human dwelling. "Building Dwelling Thinking", an article Heiddeger had written in 1971, explains more about dwelling. "What is it to dwell?", "How does building belong to dwelling?"

Fig. 07 The study from the bedroom door. mage courtesy of Adam Sharr, Heidegger's Hut (Copyright Digne Meller Marcovicz.)

Fig. 06 Model of the hut. Image courtesy of Adam Sharr, Heidegger's Hut

Fig. 05 Heidegger's hut, Image courtesy of Adam Sharr, Heidegger's Hut

2. SKY

With these two very fundamental questions, he shows the origin of the meaning of dwelling and building. 1. Not every building is a dwelling such as bridges, hangars, stadium and power stations. Dwelling extends over buildings and yet is not limited to the dwelling place. Heidegger argues that, in our modern age, human dwelling is reduced and, therefore, so is building. Because we manipulate and demand from our world rather than meet it with an attitude of conservation and preservation. 2. What does Bauen, building mean? It means to dwell, and it signifies to remain and to stay in a place. Building is really dwelling. Dwelling is the manner in which mortals are on the earth. And Building as dwelling unfold into the building that cultivates growing things and the building that erects buildings. The fundamental character of dwelling is the conservation and preservation by a primal oneness the fourearth and sky, divinities and mortals- belong together in one. 3. What is the relation between location and space? Space is locations that allow a site for the fourfold. The location admits the fourfold and it installs the fourfold. The two making room in the sense of admitting and in the sense of installingbeling together. They are so called because they are made by a process of building construction.

3. MORTALS

4. DIVINITY

1. EARTH

The fourfold diagram

inside

outside

levity

warmth

coldness

gravity

Dwelling reflecting the dialectic relationship

Fig. 08 The fourfold diagram + Dwelling reflecting the dialectic relationship

Practice #1 Two Huts for homo faber and homo ludens A story of a guy who is studying Architecture in Gainesville. FL, focusing on how architecture houses become a theater holding individual memories...

Fig. 09 Practice: Two huts for homo faber and homo ludens

PART-II 65

Home

Fig. 12 348 West 22nd Street, New York, NY, Doho Suh, Image courtesy of Museum of Contemporary Art, Kanazawa, Japan http://www.yellowtrace.com.au/do-ho-suh-polyester-sculptures/

Fig. 13 Seoul Home / L.A. Home, Doho Suh, Image courtesy of Museum of Contemporary Art, Kanazawa, Japan http://www.yellowtrace.com.au/do-ho-suh-polyester-sculptures/

Fig. 11 Home within Home, Doho Suh, Image courtesy of museum of modern and contemporary art, korea http://www.designboom.com/art/do-ho-suh-constructs-ahome-within-a-home-at-mmca-11-19-2013/

People often keep diaries or take pictures in order to cherish their memories or commemorate special events. Also, people want to keep recollections about places, time, and the feelings that they felt at that time. To recollect the memories of their childhood or their past experiences is similar to read the stories about themselves as in an autobiography. In addition, people gain time for self-reflection to look into their current selves with new eyes through their past. Many artists also create their distinctive style of art by using their experiences and feelings. Particularly, Doho Suh, a contemporary Korean installation artist, creates his artworks with his experience and his childhood memories. Doho Suh was born in Seoul, Korea, in 1962. After earning his BFA and MFA in Oriental Painting from Seoul National University and fulfilling his term of mandatory service in the South Korean military, he relocated to the United States to continue his studies at the Rhode Island School of Design and Yale University. Today, he lives and works in New York and Seoul, and his artwork is represented in museums in various countries. His artwork started from the personal event of moving from his own country to America. In most of his artworks, he shows his feelings as a Korean artist in America, where many different kinds of people live together. Immigration is the most important theme in his work and it has strong influences on his artwork. Based on his personal experience, he shows his cultural identity, the relationship between an individual with social groups, and the connections between people and the effect they have on every individual’s life. In other words, first, he has questioned the boundaries of identity through his site specific installations that a space, which replaces his identity, displaces a completely different space. In addition, he expresses himself as one who comes and goes somewhere, which becomes a part of his daily life through his site-specific installations made of translucent fabrics. Second, he shows the relationship and the power structure between individual and society groups though his personal memories. The individuality in his artwork represents the idea that even though each person has their own identity, their existence in the society is anonymous and ambiguous. Finally, he visualizes the unseen connection between people through his artwork. Doho Suh has constructed the replicas of the home or apartment where he has lived by using fabric in works such as Soule Home/ LA Home (1999) and The Perfect Home (2003). It is because he is concerned about what it means when he displaces a space that is symbolic of his identity to totally a different place through his artwork, the series of Home. He thinks that this home is his identity including his personal experience and memories rather than just a dwelling space. Also, through translucent fabrics that he uses for the series of Home as materials, he expresses the identity of modern people who have a character of nomadism and globalization as well as expresses his life. When he moved from Korea to U.S.A, he experienced disorientation that he describes as “transcultural displacement”, a feeling of being neither here nor there. For example, Seoul Home/LA Home, one of the series of "Home," is his artwork where he reproduced the home that he has lived in with his family in Seoul, Korea. He said, “My Korean house project was about transporting space from one place to the other, a way of dealing with cultural displacement. I don’t really get homesick that much, but I’ve noticed that I have this longing for a particular space and just want to recreate it or bring it wherever I go. So the choice of material was fabric. I had to make something light and transportable, something that you can fold and put in a suitcase and bring with me all the time. That’s actually what happened when I made ‘Seoul Home/LA Home.” When he lived in New York, he couldn’t sleep well because his house was close to the fire station. He missed the time when he had a good sleep in his Seoul home in Korea, so he wanted to bring Seoul home to New York. He started to think about how to make the work and what material to use. He reproduced a life size of the traditional Korean house, HanOk, where he lived in his childhood, by using transparent and jade silk. He expressed all architectural interior details, such as window treatments and the delicate patterns of doors by using the sewing lines of fabric. In addition, Seoul Home/LA Home creates a dreamlike atmosphere because of transparent jade green color and the positioning of artwork and color. He said, “The color of “Seoul Home/LA Home” is a kind of light jade color, or celadon color. I just picked the color from the ceiling wallpaper in the traditional Korean house. In the traditional house you hang white papers on the wall. And on the ceiling you have this sky blue or jade colored wallpaper. It symbolizes the sky or universe.” Also, people can see inside of his installation because of the transparent fabric, but they cannot touch it because he hung his artwork from the ceiling. Doho Suh shows that people are able to go to the space of memories in their childhood, but they cannot touch their memories. Therefore, Doho Suh’s home has the character of emptiness like the illusion in a dream.

Rubbing Space

Date of Work: 11/17/2015 Location: 2901 13th St Apt, Gainesville, FL

Fig. 15 Rubbing Space, Restroom

Fig. 14 Rubbing Space, pin-up on the wall

Unlike drawings or photographs, rubbings are exact indexs of the object being represented, strange but pure two-dimensional records. Doho Suh states, "Rubbing is a different interpretation of space. It's quite sensuous...you have to very carefully caress the surface and try to understand what's there."(Wall Street Journal, Nov. 6, 2013) Megan Lykins Reich, a deputy director of Program, Planning, and Engagement, said that from a practical standpoint, rubbings also provide precise information that is very useful to someone creating, say, a life-sized sculpture of a particular environment. I attached vellum paper to a part of surface in my apartment and carefully rubbed the space using blue colored pencil. I then removed the textured rubbings and pinned on the wall. The works read like peculiar blueprints. It's like the monumental sculpture. It's simultaneously literal and enigmatic. Although it was like a performance, producing nothing from something, while I was rubbing my spaces, I gained a great opportunity to interact with time, space, and memory.

PART-II 67

Fig. 18 2D Drawing on domestic space

wake up!

eat lunch alone

clean up

9:00 AM

11:00 AM

cook

watch TV

3:00 PM

5:00 PM

take a shower

11:00 PM

Fig. 20 Time frame of behaviors

nice dinner with a friend

7:00 PM

go to bed

computer work

9:00 PM

1:00 PM

1:00 AM

Drawing on Domestic Space

Our identities seem to be reflected by our location, at least in part, by our place in the world, as we identify ourselves through the place we call home. The architectural dwelling should not only play a role as a spatial container in which to reside, but it must also provide a space for the dweller to inhabit. In this page, I'd like to look at how a person's identity is reinforced by their surroundings, in particular with their engagements. By observing our rooms, we might begin to reveal ideas about how we inhabit. In this way, Inhabitation demonstrates a good deal about who we are.

Fig. 21 Abstract domestic relation diagram

PART-II 69

Gainesville, Florida

Fig. 22 The University Avenue, Gainesville. Google Earth Image How do people think of the city in which they are currenly living? Individually, Gainesville is the perfect place for keeping multiple memories due to the fact that I have been studying and living alone since being detached from my family. Some people say that the first city settled down after leaving hometown is going to be the second hometown. Above all, there are several positive key factors that Gainesville is University campus town which consists of diverse people with different backgrounds, one of the greatest city in terms of historical preservation, and beautiful natural elements and weather. Gainesville is the county seat and largest city in Alachua County, Florida, and the principal city of the Gainesville, Florida Metropolitan Statistical Area. The population of Gainesville in the 2013 US Census estimates was 127,488, a 2.4% growth from 2010. Gainesville is the largest city in the region of North Central Florida. Gainesville is home to the University of Florida, the nation's ninth largest university campus by enrollment, as well as to Santa Fe College. The Gainesville MSA was ranked as the #1 place to live in North America in the 2007 edition of Cities Ranked and Rated. Also in 2007, Gainesville was ranked as one of the "best places to live and plan" in the United States by National Geographic Adventure. Gainesville was ranked as the "5th meanest city" in the United States by the National Coalition for the Homeless twice, first in 2004 for its criminalization of homelessness and then in 2009 for its ordinance restricting soup kitchens to 130 meals a day. (https://en.wikipedia.org/wiki/Gainesville,_Florida)

What City Rememebers Nothing lasts forever. Every physical object, including human existence, is subject to dacay. Yet through the facility of memory, a trace remains of things that have gone before, both as tangible reminders as well as personal interpretations. Within the built environment, architecture has been said to perform as a mnemonic device. As the architect and theorist Bernard Tshumi said, buildings stand in mute witnesses to human events. While architecture may represent an externalization of human actions and identity, buildings can be demolished someday. If we accept that even the built environment is diminished, what remains then of human actions in this world? How might architecture be re-engaged to eternalize memory? These questions drive the exploration of a Memory Archive where individuals can store their spatial memories/ moments so that they can be accessed, reconstructed, and experienced by other people in the future.

Fig. 25 Gainesville 1936 map, Image courtesy of Alachua County Library District, https://www.aclib.us/local-history

Fig. 26 The University of Florida campus in 1916, looking southwest. Image courtesy of UF Digital Collections

Sanborn Map Sanborn map is an American publisher of historical and current maps of US cities and towns. The maps were initially created to estimate fire insurance risks. The company's maps are frequently used for historical research, and for preservation and restoration efforts. Fire insurance maps are distinctive because of the sophisticated set of symbols that allows complex information to be conveyed clearly. In working with insurance maps, it is important to remember that they were made for a very specific use, and that although they are now valuable for a variety of purposes, the insurance industry dictated the selection of information to be mapped and the way that information was portrayed. Knowledge of the keys and colors is essential to proper interpretation of the information found in fire insurance maps.1 Most editions of fire insurance maps cotained prefactory material that is useful or necessary for interpreting the maps and which now has historic value in its own right. In particular, the map indexes and the descriptions of a city's fire protection services of a city provide insights into various aspects of the development of urban America. The amount and nature of such introductory material varies widely from city to city and over time, reflecting changes in mapping policies of the Sanborn Map Company, the size of the city, and the rate of change within the city.2

Fig. 30 Reference & Key of Sanborn maps, Image coutesy of Library of Congress

Fig. 27 1897 Gainesville Sanborn map. Image courtesy of UF Digital Collections

Fig. 28 1922 Gainesville Sanborn map. Image courtesy of UF Digital Collections

Fig. 29 1950 Gainesville Sanborn map. Image courtesy of Matheson Museum

PART-II 71

Fig. 31 Transitions in Gainesville

Transitions in Gainesville Throughout sanbon maps and image resources we are able to find out how Gainesville city has been evolving. As a sample if we look at an area of University Avenue and 6th Street, significant changes of urban environment has changed. For example, there was a high school and it had had an expansion of size. But in 1950s, it has gone, and now a parmacy building is located in. In terms of urban infrastructure, the early of 1920s Amtrack train rail was on the 6th street and this was pretty important public transportation system which was to connect to nearby cities. And the rail was removed in 1950s, and its urban fabric was changed to the bike rail and the pedestrian way. As time goes by, many things has changed. However, I am curious that what kind of factors we have to filter to catch better memories.

Fig. 32 Transition Diagram

Urban Analysis 1. Gainesville is a city of the medium density: 2,044/sq mi 2. The university avenue is the flourishing street in Gainesville city. 3. Along side the university avenue retail stores are arranged, and beyond commercials , residential buildings are layered. 4. Offices and Public service facilities are located in nearby Main Street. 5. There are 5 Historic Districts in Gainesville: -University Heights Historic Distric-North -University Heights Historic Distric-South -Pleasant Street Historic Distric -NE Residential Historic Distric -SE Residential Historic Distric 6. Relatively older buildings (more than 60 years) are spreaded along side the University Ave.

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Urban Context The University Avenue is located between residential and retail land uses and therefore has a varied streetscape context. From the edge of the UF campus to the Downtown of Gainesville, the University Ave is two-way with four lanes road. Under the influence of University of Florida, diverse retails are mainly located on the street and residential buildings and student domitories are spreaded with different sizes and heights. The most building story is 2 but for several office buildings and condo apartment buildings are 6 to 7 stories. Except The Seagle Building, which was originally "Hotel Kelly," most of building's height are not reaching to street trees. Built form highly diverse in terms of land use, typology, scale, siting, design and materiality. The precinct exhibits a highly urban character with historical buildings, dwellings, grid-based streets. Main cultural public facilities, such as a library, a theater, plazas, and historical museums are gathered around the Downtown of Gainesville. In this context, the University Avenue is one of the most active street, which is able to connect from the UF campus to the downtown. And as the center of the urban fabric backbone structure, its role is very important in terms of local cultural and economical value.

Fig. 34 Gainesville context images

Fig. 35 The University Avenue facade collage

Sketches

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Design Target Based on the urban analysis, I could set up the criteria for potential sites decision. it could be described as below. 1. buildings older than 60 years, 2. should be on the University Ave, 3. should not be in historical district areas, 4. connection to spots that people is occupying frequently such as bus stops or landmarks. I classified the design target according to boundary, scale and property. The first design target type is street design for the purpose of encouragement of urban amuzement. This includes street furnitures, public open spaces, and renewing building design along the street. The second strategy is block design. In large-sized block, between the 6th and the 7th street, it should be outputs combining both the current context and the past memories and traces. As needed the use of a building could be transformed. The ultimate goal of this strategy is the investigation of the building transformation for not only increasing its function but also evoking positive memories that each site is holding. Lastly in the case of single parcel design strategy, I would like to explore architectural elements such as materials, structural system, building composition, an so on.

Fig. 37 Site map for design target

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Case Study (a) Castelvecchio

(b) City of Culture of Galicia

Peter Eisenman 2003, Verona, Italy

Peter Eisenman 2014, Santiago de Compostela, Spain

Outdoor Installation | Articulation the form of the ground

Overlaid street plan on the topographic map | Distorted geometry

Respecting the siteâ&#x20AC;&#x2122;s history and preserving its essence

(d) Harvard Art Museum Renzo Piano 2014, Cambridge, MA

Renovation and expansion | Old and new in harmony

(e) Serpentine Gallery Pavilion

(f) Historical Park of Medieval Bosnia

Herzog & De Meuron 2012, London, UK

Filter Architecture 2011, Bosnia

Foundation-traces | Building footprints | Outdoor gallery space

Emotional communication with the user | space and time as the content

Successful precedents always provide great lessons to us. Through several related completed cases, I was able to learn what kind of factors could affect on making spaces holding memories. In case of Peter Eisenman projects, which are (a)Castelvecchio and (b)City of Culture of Galicia, the architect tried to emphasize on energies of the ground itself. Particularly at the City of Culture of Galicia project, Eisenman made a new geomety system bringing harmony between original topographic lines and newly overlaid geometric lines. Even though its scale and size is too huge to realize the architect's intention from the human eye level, it means a lot in the way that design for the building shape was based on the site geometry and ended up creating new topography levels putting together both the ground and the architecture. Precedent (c) and (d) are closely related with the program and building components. Both projects' program is gallery space. In precedent (c), Peter Zumthor's Kolumba museum, new designed parts of the building are thoroughly respectful to the trace of the old building components such as old facades of bricks, inside remains from World War 2, and remaining doors and windows components. With coming together with new building components, these old things are having natural, elegant and aesthetic beauty.

The harvard museum, designed by Renzo Piano, also promoted a balance for the harmony. From the material distinguishing technique, which consists of glasses and sand stones, it demonstrates a new type of contemporary constructing skill. Precedent (e) and (f) are pavilion architecture and outdoor gallery spaces. In case of the Serpentine Gallery Pavilion project, designed by Herzog & De Meuron, I wanted to point out the old building foundation traces. From just invisible lines, they were evolved to components of the building and they act as a vital role of chairs, stairs and lamps. In case of the Historical Park of Medieval Bosnia, I want to mention of mirror reflecting materials and circulation sequences. Through the mirror material of the building evelope, the pavilion reacts surrouding environment like trees and sky. And mirros of inside building are helping spaces with emotional communication with the user. Consequently, we looked at several different ways how each architects used to make the connection with historical or geometrical clues. From these precedents I would like to apply adequate design methods in Gainesville with real scale. They will become practices for materiality, programs, tectonics, local historical researches, landscape design, and so on.

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Scenario

"Architecture is bound to situation. And I feel like the site is a metaphysical link, a poetic link, to what a building can be." Steven Holl (1947-) Diverse elements on the street such as bus stops and street furnitures could provide good impressions to pedestrians. Pleasure from dailiness cannot appear on a certain moment. It might be piled up with the long time memories. As an entry of the University avenue, and intersection with 13th street, it should provide people with possibilities of diverse fun activities.

Fig. 39 Street Design Idea Sketch

"You cannot simply put something new into a place. You have to absorb what you see around you, what exists on the land, and then use that knowledge along with contemporary thinking to interpret what you see." Tadao Ando (1941-) Most of public spaces are made by local policies and designated by local land use plan. Or some of empty spaces are being used on the duration between constructions. I would like to suggest a careful design which is able to be occupied by random people doing for the urban excitement. With a variety of amenity facilities such as food&beverage or a retail, these newly well-designed open spaces will provide prosperities to the neighborhood.

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"I always consider a building as part of the whole, a piece which creates a collective performance, which is the city." Christian de Portzamparc (1944-) Based on sanborn maps we could track traces of old memories. In the scene 03, I imagined overlapped images. In this site currently phamacy building is located in since 1960s, but right before this building the site was Gainesville high school which had pretty big size. So very carefully I would say that this site is having memories related with education. As a design practice, what if we make the site combined with old programs, so we could make people think of the past? This contingent idea could bring about not just only reminiscense but also kind of new development direction for the identity of town itself. Newly combined building does not have to be the high school. Depending on the local condition, it could contain similar programs such as private academic rooms, lecture halls for the public, or even different type of commercials.

"The destiniy of human beings, as I see it, is to experience the world they ingabilt-the universe inhabited by the immense scope of the human mind-and to construct that experience, that reality, in works of uncompromised energy, unrestrained by fear." Lebbeus Woods (1940-2012) "Something as common as house paint can be exciting when polished to a mirror finish." Tod Williams (1943 - ) Nothing lasts forever. Every physical object is subject to decay. But in my thesis I have been maintaining that traces of Architecture remain of things that have goin before, both as tangible reminders as well as personal interpretations. And I would like to have a respectful attitute for old things even something already disappeared. It came to my memory suddenly that why do I have to bring/remind of old memories into the current point? Am I an archaeologist? And with these sources, what can I suggest for the future as an architect in this town? Sould I do that?

BLOCK-B

"Old-style architects did as much as they thought they could control. their own hand was always involved in their work; responsibility wasn't delegated to anyone else. Once work is delegated and not followed through by the original hand, it's not architecture anymore. It's something else." John Hejduk (1929-2000) Scene #4 is a design practice for an adaptive-use. Location is on the University avenue and 6th street. As you can see on the 56 page, we can look at many changes in this site. There was train rails and a platform and the current building is less active than before. Above all, outdoor space is filled with all of paved parking lots. The idea for this building and the site is to renovate including structure system and programs, and additionally make outdoor parking lots changed to a great landscaped open space. The newly suggested programs are gallery space, rental offices, and retails. With adding/ subtractting volumes and respecting to original structure and materials at the same time, this practice would be the one of the greatest solutions in terms of the way of redesigning buildings.

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Cities are existing as themselves, and each of them are having unique, organic urban fabrics. This phenomenon represents as the local context. If a new architecture appears in town, it will become one part of the neighborhood;unless its design is super unique like the Guggenheim Museum Bilbao in Spain designed by Frank Gehry. Local characteristics including weather condition, materiality, density, and even local code are critical factors consisting urban context. In this context, the purpose of this large-scaled physical model is for showing what Gainesville city is identifying. In this physical model, I intented to make hamonies between old one and new one. With a difference of material, which are wood and blue form, the entire model shows how new designed building are injected into the origin urban fabric. And with overlapping base images printed aerial photo map and new designed lines will show that how current urban patterns can match with different ideas holding memories.

Fig. 57 Entire physical model (B/W)

Conclusion To conclude this thesis I asked the begnining questions again to myself. "How can architectural spaces hold memory? and How can I measure the relationships between space and memory?" Since I am recognizing that compared to many other disciplinary and professional fields, architectural research includes a relatively wider diversity of substantive foci and methodological choices, I tried to broaden to as many possibilities as possible. I needed to get a perfect balance between subjective and objective methodology, and wanted to create powerful process that everyone could accepts. The initial idea that personal emotions or experiences could become a part of design process was reached to diverse visualization outputs such as a home perspective image, a photo collage, a rubbing work, and even urban fabric design. The aim of these all kinds of practices was to bring the most engaging and fruitful principles from the robust interdisciplinary discourse on methods to the architectural and design context. With making a variation of scale and boundary, I could understand that the relationship between memory and space could have a wide range of spectrum depending on demands of space users; that is why I categorized the relation into two parts. And also abstract terminologies such as memory or space are not solely existing but always simultaneous and complex. This is not easily difined to a clear definition so that its measuring tools also should be diverse and multiple. In case of part-1 space of memory, I could understand that individual memories, particularly related with a space, are accompanied by time and events simultaneously, and it is the same principle with selective retention or recall effect. Which means that only spaces holding owners' affection and reminiscent can have particular meanings. This characteristic is representative in "Rubbling Space" and "Drawing On Domestic Space." Because these works were sort of interactive processes between a user and particular space. In other words, that is putting the pieces of a puzzle together assembling time, space, human, and memory. In the same vein, part-2 memory of space was also focused on the relationship between space and users. In this case, through investigation of the local histories of Gainesville, I tried to test possibilities of applying these mothods in an actual context. Consequently, I ended up understanding how memory and space come together in architectural practice. With multiple design methods, which are sketches, physical modeling, 3d modeling and rendering, I could suggest the way how Gainesville city has to be developed, and how existing urban fabric has to react to historical memories. Absolutely, I am still doubtful that this kind of designing could be directly related with whenever memories and should be follow historical traces in the past. However, I strongly believe that the novelty from something new is always coming from naturality from something old. Above all, this MRP project means to me a lot, in the way that I approached architecture design methods not traditional ways but the way I had never done before.

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10. BLUE RESCUE

M.Arch Design Studio at Univ. of Florida

“HOW CAN THE MASSIVE LEVELS OF FUNDING ALLOCATED FOR INFRASTRUCTURE BE SPENT TO ADAPT TO SEA LEVEL RISE AND CREATE PUBLIC SPACE FOR COMMUNITIES?”

MIAMI’S SEA LEVLE WILL RISE UP TO 3 FEET BY 2010 Currently many of experts are expecting that sea level rise will reach 3 feets higher from current condition by 2100. And, in Miami, there are many types of water infrastructure such as rivers, streams, reservoirs, wells, and canal system, and more than 70% of potable water supply is relying on the arquifer, which is fresh water coming from underground, using water pumping facilities. In this context, when sea level rise happens, we concluded that not only in coast areas but also inner land areas are highly risky. So, taking advantages of existing water-related infrastructure, how architects can provide solutions for creating public cultural space at the same time was our biggest concerning.

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A NEW TYPOLOGY OF WATER INFRASTRUCTURE The city of Miami faces challenges of urban sprawl, heavy rain, and flooding of its environment. The change in the flow of water through the Floridian and Biscayne Aquifer has exacerbated the issue of

water in the region. It is projected that up to 70% of the drainage capacity of the 28 coastal flood/ salinity control structures protecting southeast Florida from flooding and saltwater intrusion could be lost with sea level rise at less than 1 foot. Adaption solutions may require the addition of high-capacity pumping stations costing millions of dollars each. The Blue Rescue focuses on the need

for new pumping stations and providing a series of new urban spaces. The project focuses on the need for the new pumping stations and fresh water by creating pumping station parks located in the most vulnerable areas in Miami that would hold water during flooding and provide recreation areas by incorporating social infrastructure unique to the neighborhood it occupies.

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11. THE NEXUS BUILDING

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12. APARTURE

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13. VOUSSOIR CLOUD by IwamotoScott

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14. BUS STOP SHELTER

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16. MIAMI PAVILION

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Outdoor shelter

Indoor

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17. LASER SCANNING: Marjorie Kinnan Rawlings House

In order to further explore space holding memories, I selected a house gallery located in Florida State Park of Cross Creek as one of my case studies. A simple reason. it is a house gallery. This house and surrounding park is designated as a National Historic Landmark, so that the house allows visitors to imagine the past building userâ&#x20AC;&#x2122;s life. Marjorie Kinnan Rawlings Historic State Park is the homestead where people can experience the farm life and Florida landscape that inspired Rawlings to write Cross Creek and the Pulitzer-prize winning book, The Yealing. Well-preserved building components such as wall tile, ceiling, lighting, floor, and so on, furniture and even landscape are enough for visitors to meet and feel Marjorie Kinnan Rawlings; although it is limited to imagination. Here is a brief statement describing the owner of the house, Marjorie Kinnan Rawlings. â&#x20AC;&#x153;Marjorie Kinnan Rawlings was an American author who lived in rural Florida and wrote novels with rural themes and settings. She was born in 1896 in Washington, D.C., the daughter of Ida May and Arthur Frank Kinnan, an attorney for the US Patent Office. Her best known work, The Yearling, about a boy who adopts an orphaned fawn, won a Pulitzer Prize for fiction in 1939 and was later made into a movie of the same name. The book was written long before the concept of young-adult fiction, but is now commonly included in teen-reading lists.â&#x20AC;?

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Fortunately, I had a great opporturnity to experience how to record parts of the house, a porch. Using a 3D Laser Scanner, my professor and I could get point cloud files. A point cloud is a set of data points in some coordinate system. In a threedimensional coordinate system, these points are usually defined by X, Y, and Z coordinates, and often are intended to represent the external surface of an object. Although it seems like one of the modern technologies, it is very useful in the way that it could be one of the most effective ways to freeze and keep inherent spatial sequences in the certain time frame. Since the invention of the camera, we are now able to commemorate our significant moments without difficulty. Taking into account its history and environmental circumstance which is surrounded with bountiful nature resources, Marjorie Kinnan Rawlings house is very similar to Florida vernacular architecture. This kind of influence on the house could be another element that makes us imagine stories. Also, based on the background of the author, it is possible to anticipate why she had wanted to live the farming life and what brought her into this place.

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17. LASER SCANNING: Dime Saving Bank

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PART III 2007-2013 18. SK ECO-HUB 19. INCHEON HOTEL 20. MILlITARY CENTRAL HOSPITAL 21. BUSAN PORT PASSENGER TERMINAL 22. KOREA SOUTH-EAST POWER CO. 23. KOREA POWER EXCHANGE 24. YTN MEDIA CENTER 25. PASTEL TOWER 26. SQUARE FORUM 27. SONGDO MASTERPLAN

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18. SK ECO-HUB LOCATION: Pangyo, Korea G.F.A.: 46,636 m2 STATUS: Completed USE: Office + R&D Facility Architectural roles: BIM manager, Revit modeling, Construction Documents Drawing

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19. INCHEON HOTEL LOCATION: Incheon, Korea G.F.A.: 32,100 m2 Design Competition Entry USE: Business hotel Architectural roles: Concept idea, roof+entrance canopy design

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20. MILLITARY CENTRAL HOSPITAL LOCATION: Hanoi, VIETNAM G.F.A.: 131,000 m2 STATUS: Under Construction International competition Architectural roles: Concept idea, Facade & Clading design / Documentation

ZONING & CIRCULATION The wide panoramic view is available from the upper levels of the building and outpatient inspection room, education and research lab are linked vertically to provide easy linkage functionally on 11th floor as the middle story. Central supply department is designed to provide flexibility, and central core design is planned to provide easy and fast access to each ward and each department. The circulations of materials, staffs and emergency are designed separately to avoid traffic congestion for the entrance area of the 1st floor.

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21. Busan Port Passenger Terminal LOCATION: Busan, KOREA G.F.A.: 93,190m2 (B1-5F) Design Built Project Selected STATUS: Completed Architectural Roles: Revit Modeling / BIM Report / Quality Control

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22. KOREA SOUTH-EAST POWER Co. HQ LOCATION: Kyungnam, KOREA G.F.A.: 23,767m2 (B1-17F) BIM + Construction Document STATUS: Completed Architectural Roles Revit Modeling / BIM Report / BIM Quality Control / Rendering

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23. KOREA POWER EXCHANGE HQ LOCATION: Gwangju, KOREA G.F.A.: 20,178m2 (B1-9F) STATUS: Completed Architectural Roles Revit Modeling / BIM Quality Control / CD Drawing

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24. YTN MEDIA CENTER LOCATION Seoul, KOREA G.F.A. 60,821m2 (B6-18F) STATUS Completed USE: Office + Broadcasting Schemetic Design + Drawing Development Phase Architectural Roles Elevation, Curtainwall+Louver study

Facade study

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25. PASTEL TOWER LOCATION: Seoul, KOREA G.F.A.: 60,821m2 (B6-18F) Competition Architectural Roles Physical model study, Presentation panel work

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편심코어형/가로평면

편심코어형/세로평면

중앙코어형/가로평면

중앙코어형/세로평면

기준층

다양한 임대 수용성

건물의 인지성 부족

건물정면성이 다소부족

오피스 평면구성이 비합리적

주차장층

경제적인 주차방식에 가장 적절한 코어형식

스킵플로어 경사로 주차

경제적 주차방식 승강 자주식 주차

평면구성이 비효율적

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비효율적인 공간구성

가로방향의 융통성이 다소부족

곡선+직선 경사로 주차

평면구성이 비효율적 주차타워 주차

집중 시간대 혼잡 우려

비합리적 코어구성

원형 경사로 주차

평면구성이 비효율적 스킵경사로+기계식

비합리적 주차방식

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26. SQUARE FORUM The National Assembly Members Office Building Construction & Remodeling LOCATION Seoul, KOREA G.F.A. 70,873m2 (B1-10F) Design-built project Architectural Roles Concept design, Physical model making, Documentation works

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27. SONG-DO SCIENCE VILLAGE LOCATION Incheon, KOREA Masterplan Idea competition Architectural Roles Concept design, Physical model making, Documentation works

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JAEYOUNG JOO KIRA, LEED AP BD+C 951 Greenside Dr, Richardson, Texas 75080 jjy0816@gmail.com +1. 470. 985. 6264

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