A collection of work by
Jeffrey M. Stewart Syracuse University School of Architecture Master of Architecture, Class of 2013 JMStewart56@gmail.com 585.613.8216
RESUME DEN[CITY] TRIBUTE CENTER CULINARY INSTITUTE
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JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
EDUCATION
SYRACUSE UNIVERSITY, SCHOOL OF ARCHITECTURE Master of Architecture Magna Cum Laude International Study: Florence, Italy Thesis: Reconnecting the Rust Belt City UNIVERSITY AT BUFFALO, SCHOOL OF ARCHITECTURE AND PLANNING Bachelor of Science in Architecture Cum Laude Dean’s List
Expected, 05/13 09/11-12/11
05/10
EXPERIENCE INTERN DANNY FORSTER DESIGN STUDIO, NEW YORK, NEW YORK Collaborated on the schematic design for a hotel in downtown Manhattan. - Developed schemes for facade design using Rhino and 3ds Max Script. Responsible for construction administration for an apartment renovation in Chelsea. Created pricing set for a sustainable house in Indiana using AutoCAD Architecture. DESIGN STUDIO TEACHING ASSISTANT, SYRACUSE UNIVERSITY SCHOOL OF ARCHITECTURE, SYRACUSE, NEW YORK Worked directly with faculty to teach first year undergraduate design studio. Trained students to develop technical drawing and modeling skills. Conducted weekly desk crits and design reviews of student work. INTERN, SMITH AND ASSOCIATES ARCHITECTS, ROCHESTER, NEW YORK Produced construction documents and assisted in design of major housing project. Assisted in design proposal for medical facility. - Collaborated with project manager to bring project from RFP into DD phase. - Created all AutoCAD files and presentation boards. - Conducted code research. 4
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05/12-08/12
08/12-05/13
06/11-08/11
SKILLS
JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
COMPUTER: AutoCAD Architecture Adobe CS6 including Premier Rhinoceros including V-Ray and Grasshopper 3ds Max Design including Max Script SketchUp Revit MODELING: Laser cutter CNC milling 3d printing Casting: hydrocal, resin, rubber
HONORS / AWARDS EXCELLENCE IN THESIS AWARD Selected by faculty to participate in Super Jury Competition which grant students the opportunity to present to a panel of faculty and visiting professionals to determine best thesis.
05/13
ROBERT W. CUTLER STUDY ABROAD SCHOLARSHIP Awarded to students studying abroad who maintain high academic standing.
09/11
HUB DESIGN COMPETITION - AFH CHARLESTON Awarded Honorable Mention.
10/10
SIGMA ALPHA PI NATIONAL SOCIETY OF LEADERSHIP AND SUCCESS Networking team of self-governing student established to support academic discipline and goal setting.
04/09
PHI ETA SIGMA NATIONAL HONOR SOCIETY Awarded to first year students who earned high academic achievement.
05/07
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JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
DEN[CITY]
A city grid often forces the architecture built within it to conform to the grid. The proposal for this project is to design a building that both conforms and strays from the monotony of the grid. The structure of the building follows the city grid which allows the building to function technically. The skin of the building strays from the grid. A site analysis determined unimpeded views which is used as a reference when shifting the skin. The result is a building envelope that enhances the experience of the space by providing the best views. The building consists of a community center on the first three floors, which houses mixed use community rooms, an entertainment space, and a fitness center. Four floors of private residences are atop the public floors. 6
Dela ware
The goal of this project is to design a scheme that includes living accommodations together with a public program. The relationship between the dwelling and the public was an important design consideration. How the design scheme influences or impacts the surrounding community is another consideration. The focus of this project is to explore a position about urban living and apply it to a multifamily mixed use building both schematically and technically.
Ave
Professor: Hiroaki Hata Team: Independent School: University at Buffalo Project: Mixed use housing Site: Buffalo, New York - Delaware Ave & Chippewa St. - Current occupant: Starbucks Coffee
Chip
pewa
Stree
NIAGARA SQUARE
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JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
The skin strays from the grid according to desirable views. This enhances the dwelling units by orienting visual apertures to the best views of the city.
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JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
Parking
Second Floor First Floor
South Elevation 8
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JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
Third Floor
Forth Floor
Fifth Floor
West Elevation JMSTEWART56@GMAIL.COM | SYRACUSE UNIVERSITY SCHOOL OF ARCHITECTURE
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NIGHTIME VIEW LOOKING AT CORNER ENTRY
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JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
MEANS OF EGRESS
ENVIRONMENTAL CONTROLS
Horizontal Egress Primary Vertical Egress Secondary Vertical Egress Emergency Exits
Escape stair pressurized fan ducts Plumbing walls Plumbing delivery walls Plant / Meter room Elevator equipment room Parking garage ventilation Air conditioning
UNIT CONTROLS Natural air ventilation
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JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
STRUCTURE
RIGID CORE
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SHEAR WALLS
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UNIT ASSEMBLY
JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
FACADE DETAILS
1. Roof Assembly Drain Concrete curb on rubber spacer Gravel ballast drain hub Vegetation Growing medium Root barrier / sediment filter Drainage, aeration medium Separation fabric Rigid insulation Single ply roof membrane Vapor barrier
3
1
2
2. Floor Assembly 4” Site cast concrete slab 3” Metal decking 12 “ Open web joist @ 4’ o.c. 8” Open web joist @ 4’ o.c. 8” Steel beam @ 4’ o.c. Rigid insulation 3. Parapet Assembly Formed metal coping Continuous cleat Waterproof membrane Rigid insulation Acid etched translucent glass
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4. Balcony Assembly Stone tile 1” Morter Prefinished metal flashing Roofing membrane 2” Concrete topping 4” Concrete slab 8” Steel I beam
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5
5. Celing Assembly 12” open web joist Hanger wires 1- ¼ “ Cold rolled channels @ 4’ o.c. 1” Metal furring channels @ 16” o.c. ¾” Gypsum board 6. Residential Floor Assembly Hardwood strip flooring or Hydronic trench heater Polyethylene film 2x4 treated wood sleepers in mastic @ 16” o.c. 2” Concrete topping 4” Concrete slab 3” Metal decking 12” open web joist
facade detail slice model
7. Public Floor Assembly Hardwood strip floring Polyethylene film 2x4 treated wood sleepers in mastic @ 16” o.c. 2” Concrete topping 4” Concrete slab 3” Metal decking 2” C-Channel @ 16” o.c. 8” I-Beam Rigid insulation 8. Mesh Solar Shading Stainless steel mesh Eclipse stainless steel attachment
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JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
SUSTAINABILITY & URBAN STRATEGY DENSITY
LOCAL TRANSPORTATION & ACCOMMODATIONS
project site
Theater Station
Single Family Residence FAR = 0.25 Dwelling Units / Acre = 1.0
one acre
Multi Family Residence / Acre Resident FAR = .80 Total Building FAR = 1.32 Dwelling Units / Acre = 24.0
1/8 Mile
MAIN ST
PEARL ST
FRANKLIN ST
DELEWARE AVE
ELMWOOD AVE
CHIPPEWA ST
Fountain Plaza Station HURAN ST
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Multi Family Residence / Site Footprint Resident FAR = 2.85 Total Building FAR = 4.75 Dwelling Units / Acre = 96.0
JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
WEST FACADE DAYTIME VIEW
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JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
TRIBUTE CENTER Professor: Danny Forster (Principal of Danny Forster Design Studio) Team: Independent School: Syracuse SOA Project: Museum redesign Site: Manhattan, New York - Greenwich St. & Thames St. - Across the street from 9/11 memorial pools queuing space
http://tributewtc.org
The Tribute Center in downtown Manhattan is a museum based around the people who lost their lives on 9/11. It is currently located adjacent to ground zero and the memorial pools. This small museum was started by a few people who had family members perish on 9/11. The power of this museum is the docents, who give tours and are willing to talk about there experiences and their family members or friends. Currently the museum has five galleries, starting with the history of the world trade center in gallery one, moving through the events and recovery efforts in galleries two and three. A photo of almost every victim of this event fill the walls in gallery four, and gallery five is a reflection space. There is a separate space in a different building for administrative duties. This center is running out of room and would like to expand. This project seeks to redesign the tribute center and incorporate the center with the administrative offices. What is unique about this museum is that it does not only show galleries of artifacts from the event, but it is more importantly a museum about the victims. While analyzing the center it was clear that gallery four was the most important gallery because it is a space dedicated to the victims, and provides a space for people to give their respects and reflect. What was also compelling about the center is the emotional intensity due to the lack of space in the center. This creates a certain flow between the galleries which enhances the experience. This design utilized gallery four as a way to connect the galleries together while expanding the galleries and incorporating the required offices and amenities. An important design driver was to make sure that gallery four remain the most important gallery, dedicated to the victims. Gallery four became a core of the building which controlled circulation and made it clear that while visitors are within each gallery, there is a constant connection back to gallery four and the victims. 16
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JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
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JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
TRIBUTE ANALYSIS After visiting the Tribute Center and analyzing the different galleries, it was clear that gallery four was the most important because it displayed images of the victims and became a place for reflection. It was also clear that the circulation through the galleries was a main factor to the emotional intensity that visitors feel as they move through the different galleries. The first four galleries are on the same floor, which means that a visitor does not have to climb stairs or take an elevator between galleries. This creates a build up of emotions from gallery one to gallery four. There is a strength to this emotional build up that is important to maintain throughout the design process even if multiple floors are required. CIRCULATION THROUGH GALLERIES
SPATIAL CONTINUITY
Circulation
GALLERY 1
GALLERY 3 GALLERY 4
GALLERY 2 GALLERY 5
Spatial narrowing triggers emotional intensity
SPATIAL DIVISION = EMOTIONAL DISCONNECTION
SPATIAL TENSION
MOVEMENT THROUGH GALLERIES GALLERY 1 GALLERY 3
GALLERY 2
GALLERY SEPARATION
gallery 5
gallery 4
gallery 3 gallery 2
gallery 1
heal
reflect
sadness
inform
GALLERY 4
SPATIAL NARROWING GALLERY 5
EMOTIONAL RESPONSE 18
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JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
EXPERIENCE THE GALLERIES
GALLERY 1
GALLERY 2
GALLERY 3
GALLERY 4
GALLERY 5
PROGRAM ORGANIZATION
LOBBY
PREPARE
REMEMBER
HAPPINESS QUEUING
HAPPINESS INFORM VISITORS OF PROCEDURES
DESCEND
ASCEND INTO GALLERY SPACES
GALLERY 1
TEACH
RECOVER
SADNESS
GALLERY 2 GALLERY 3
THE HISTORY OF THE TWIN TELLING THE TOWERS & THE PEOPLE WHO STORY IF 9/11 WORKED THERE
SHOW THE RECOVERY EFFORTS
DOCENT: FIREMAN, NYPD, SALVATION ARMY, ETC.
REFLECT
HEAL
ENTER GALLERIES
CELEBRATE
HAPPINESS
GALLERY 4
SADNESS
LEAVE LOBBY, TAKE TOUR OF POOLS; RETURN TO LOBBY, CONTINUE TO GALLERY 5
POOL TOUR
GALLERY 5
HAPPINESS
HEAR STORIES, LEARN ABOUT THE VICTIMS AND CELEBRATE THEIR LIVES
TAKE A TOUR OF THE POOL, SEE TELL YOUR STORY, DISCUSS THE SITE IN PERSON, UNDERTHE FUTURE, BEGIN TO STAND THE SCALE HEAL
DOCENT: VICTIM POOL TOURS
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DOCENT: MEET FAMILY MEMBERS
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JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
CIRCULATION ANALYSIS AND DESIGN BROKEN CIRCULATION
CIRCULATION BETWEEN GALLERIES WITH TYPICAL STAIR CONDITION ENTRY
GALLERY 1 STAIR
GALLERY 3
GALLERY 2 STAIR
STAIR
GALLERY 4 STAIR
OFFICES
GALLERY 5 STAIR
STAIR
CIRCULATION BETWEEN GALLERIES WITH CIRCULATION CORE GALLERY 1
CORE
GALLERY 2
CORE
OFFICE
OFFICE
OFFICE
GALLERY 5
COMM
GALLERY 5
GALLERY 3
GALLERY 4
GALLERY 3
GALLERY 1
GALLERY 2
GALLERY 1
SEPARATED SLABS
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CORE
GALLERY 3
CIRCULATION CORE
ENTRY
GALLERY 5
OFFICES
OFFICE COMM GALLERY 4 GALLERY 2
CIRCULATION CORE CONNECTS SLABS
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JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
= OFFICE GALLERY 2 GALLERY 1 ENTRY
GALLERY 4
CIRCULATION CORE
CONTINUOUS CIRCULATION
OFFICE
OFFICE GALLERY 3
TILT CORE
GALLERY 2
GALLERY 4 BECOMES CORE
RY E L L
GA
GALLERY 1 GALLERY 5
OFFICE
ENTRY
4 GALLERY 1 GALLERY 5
GALLERY 4 BECOMES GRAND STAIR
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JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
GALLERY 4 AS VERTICAL CIRCULATION A straight run stair allows visitors to choose which floor they would like to visit. This does not provide the ability to control movement.
STRAIGHT RUN STAIR DOES NOT ALLOW FOR CONTROLLED MOVEMENT
ST RA
IG
HT
RU
N
ST
AI R
SITE PLAN
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JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
An alternating stair controls the movement of visitors and does not allow one to skip a gallery.
AI R
ALTERNATING STAIRS WITH PARTITIONS CONTROLS VERTICAL MOVEMENT
AL TE RN
AT IN
G
ST
SITE PLAN
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JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
GALLERY ORGANIZATION
One of the powerful features of the existing Tribute Center is the emotional intensity one feels while moving through the galleries. This is caused in part by the spatial narrowing that occurs due to a lack of space. This strategy is used once again in the design of the new galleries. A spatial narrowing occurs right before entering the gallery 4 circulation core to give the visitors a sense of tension before moving to the next gallery. Gallery 5
Gallery 4
Gallery 3
Gallery 2
Sadness Reflect
Gallery 1
Inform
Heal
MINOR GALLERY
GALLERY ORGANIZATION
Stair Core
WALKWAY 24
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MAJOR GALLERY
JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
ALTERNATING STAIR IS KINKED TO SUPPORT GALLERY ARRANGEMENT LINEAR GALLERY
MINOR GALLERY
GALLERY 3 Stair Well
Stair Well
GALLERY 3
MINOR GALLERY
LINEAR GALLERY
LINEAR GALLERY
MINOR GALLERY
Stair Well
GALLERY 2
MINOR GALLERY
Stair Well
GALLERY 1
MINOR GALLERY
HALLWAY
Stair Well
GALLERY 1
HALLWAY
Overlaying galleries on site requires the stair to shift, due to site restrictions
The stairway is kinked in order to fit the program onto the site. Office floors are located opposite gallery floors.
Final plan configuration
CIRCULATION CORE
GALLERY 3 GALLERY 2 OFFICE OFFICE OFFICE GALLERY 1
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JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
DISPLAYING THE PHOTOS OF GALLERY 4 Gallery four contains photos of the victims of 9/11. This makes it the most important gallery because it is the main space where visitors and family members can reflect while seeing an image of their friend or family member. Now that gallery four is the circulation core of the building in the new design, it is important to display the photos of the victims so that everyone can see them, and no victim is given hierarchy over another. A paneling system was developed to display the nearly 3,000 photos of the victims without placing a photo in an undesirable location. This panel system also allows gallery four to be a place for individual reflection, as well as a collective memorial to all the victims. Existing conditions of gallery four
UNFOLDED ELEVATION OF GALLERY FOUR SHOWING ACCEPTABLE PHOTO LOCATION Acceptable area for photos Undesirable area for photos
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JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
ATRIUM PANEL SYSTEM Individual panel strip
Opposite of the Pantheon’s coffering, the photo panels scale up as they are stacked to counter the foreshortening Individual photo panel Metal structural frame holds panels on atrium side, and artifacts in the galleries. Acoustical panel, colored blue to recall the clear blue skies on 9/11
Tapered backing is relative to panel extrusion to provide consistent viewing angle. Bent frame to allow for maximum view of photo.
2’-0”
0’-2” to 2’-0”
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JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
ATRIUM AS MEMORIAL
COLLECTIVE MEMORIAL
The blue wall in gallery 2 represents the clear blue sky on the morning of 9/11
PERSONAL REFLECTION As gallery 2 ends the blue wall has transformed into a white wall of missing person posters
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JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
VIEW LOOKING UP AT MEMORIAL WALL INSIDE GALLERY 4 ATRIUM
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STREET
1.1
GREEN
2 3
B
C
1 2
A
GREEN
WICH
1 A
WICH
STREET
JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
3
4
B
4
5
QUEUING FOR GALLERIES
5 6
6
C
CC
D
MODEL OF DOWNTOWN MANHATTEN
D
COMMUNITY SPACE
GALLERY 5
ENTRY
GALLERY 1
RETAIL
QUEUING FOR POOLS
OFFICE
GROUND FLOOR
GROUND FLOOR 0
4'
8'
16'
0
SCALE: 1/8" = 1'-0"
THA
MES
30
ET
4'
8'
16'
SCALE: 1/8" = 1'-0"
THA
STRE
SECOND SECOND FLOOR FLOOR
MES
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STRE
ET
JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
INTERIOR VIEWS: Left: View from second floor looking up circulation core atrium. Middle: View looking up at the photos displayed in gallery 4
STREET
STREET
Right: View from inside Gallery 1 on the Second Floor.
1
WICH
GREEN
2
A
3
3
4
B
2
GREEN
WICH
1 A
4
B
5
5 6
C
6
C
D
D
GALLERY 2
GALLERY 3
OFFICE
OFFICE
THIRD FLOOR
FOURTH FLOOR
THIRD FLOOR 0
4'
8'
FOURTH FLOOR
16'
0
SCALE: 1/8" = 1'-0"
THA
MES
STRE
ET
4'
8'
16'
SCALE: 1/8" = 1'-0"
THA
MES
STRE
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ET
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JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
FACADE PANEL SYSTEM The facade panel system uses the same tectonics as the atrium panel system. The thickness of the facade changes relative to program. The circulation and program can therefore be read on the facade. Facade panel strip OFFICE
Window opening gradually increases to allow more light into the office space, while keeping light from entering the galleries
2X
OFFICE
X
GALLERY 0’-2” to 2’-0”
Facade panels are thicker on the gallery facade to prevent direct light from entering the galleries. They become thinner at the office floors to maximize light exposure
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ENTRY
JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
VIEW FROM 9/11 MEMORIAL POOLS QUEUING AREA
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JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
NORTH SITE SECTION
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JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
SITE AXON CUT-AWAY
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JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
EAST SECTION PERSPECTIVE
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JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
Site model
Site model
Collaborative studio site context model JMSTEWART56@GMAIL.COM | SYRACUSE UNIVERSITY SCHOOL OF ARCHITECTURE
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JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
CULINARY INSTITUTE [OF SYRACUSE] Professor: Arthur McDonald Team: Collaboration with Justin Halsey School: Syracuse SOA Project: Mixed use housing Site: Syracuse, New York - Parking lot in Armory Square District - W. Fayette St. & S. Clinton St.
The site for this project is located in the Armory Square district of downtown Syracuse. While studying the surroundings of the site a few interesting points were noticed. First, the facades of the buildings that exist in this district have a unique characteristic. The early 20th century factory buildings have heavy facades with small windows. From street level, it is difficult to understand what goes on above the first floor. Another interesting discovery lies beyond the street front, and in the alley's between the buildings. There is a popular courtyard condition that happens between many of the buildings in the district. Thee courtyards are tucked away from the noise of the main streets and allow for a space used by both restaurants and bars for social interaction. Much of the program in this are is related to food. There are many different types of restaurants and bars in this district, which was a major inspiration for this project. Combining the ideas of the existing courtyard culture, with a permanent venue for food was the initial parti. Considering there is such a popularity for food, it is fitting that there be a center for culinary arts in Syracuse. The program selected for this project is a culinary institute which will serve as a permanent venue for showcasing this food culture. The parti includes a courtyard scheme, which cradles a kitchen hovering above a courtyard. The kitchen becomes the showcase and the “jewel� in which the people visiting the site have immediate contact with it either visually or physically. Included in the final scheme are both market rate housing for professionals working at the school and in the district, as well as student housing for visiting chefs and people trying to learn culinary arts. 38
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JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
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JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
SITE ANALYSIS Walking around Armory Square in downtown Syracuse there is a mystery to what goes on inside the old manufacturing buildings. The ground floor is pretty typical storefronts with a mix of restaurants and bars, but above these it is hard to tell whether the rest of the building is apartments, offices or vacant. After studying the site, it was interesting to discover the variety of office spaces and apartments which occupy the space above the storefront. The office buildings have great interiors and the apartments have a nice industrial feel. This was the beginning of our exploration, looking into a scheme which exploits the program above the storefront, a culinary institute and restaurant. DIVERSITY
clinton st
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second floor
walton st
w. fayette st
first floor
walton st franklin st
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franklin st
w. fayette st
clinton st
JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
KEY abandoned
our site
residential
greenscape
public space
office / studio space
HOMOGENEITY
franklin st
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walton st
fourth floor
third floor
walton st
w. fayette st
clinton st
franklin st
w. fayette st
clinton st
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JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
MIXED USE CULINARY ARTS CENTER DAY
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JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
NIGHT
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JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
MULTI-USE The typical typology that separates retail & business (first floor) from office and residential (upper floors) can begin to blur if an entire mixed-use building is programmed thoughtfully
This unifying programmatic focus allows us to pull this mixed use environment up through the project in section. Key elements of public open space help to blur strict programmatic distinctions
By examining the interaction of the food service industry and residential life, we begin to image a live-work community centered around a culinary arts school 44
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JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
EXISTING SITE CONDITIONS
centralized circulation, provides no visual access to program
heavy exterior walls prevent strong visual connections to program from the outside
courtyards and breezeways isolated from program in section and in plan
NEW DESIRED CONDITION
a new form of centralized circulation
street side facades exposed to advertise program
courtyard / breezeway becomes critical activity zone
MASSING STUDIES
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JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
FACADE STUDY There was a deep intrest in the facade of the apartments and the restaurant. On the southern (courtyard) side of the building we wanted to maximize window space, without losing thermal mass. The ETFE built into a double skin framing system resolved that problem. On the north side facing the street we wanted to maximize the importance of the restaurant. Using computer scripting an advanced terracotta rain screen was developed for the apartment facade, which include pop out windows to allow for air circulation.
Double skin framing system 46
Facade precedent
Facade precedent
Terracotta rainscreen system
JMSTEWART56@GMAIL.COM | SYRACUSE UNIVERSITY SCHOOL OF ARCHITECTURE
JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
FACADE DETAIL
SOUTHERN EXPOSURE WALL ASSEMBLY
3/4” GYPSUM BOARD 4” LIGHT GAUGE METAL FRAMING 3” RIGID INSULATION VAPOR BARRIER DORALCO METAL-FACED COMPOSITE PANEL SYSTEM 6” AIR GAP COLD ROLLED METAL FRAMING ATTACHED TO SLAB ETFE HELD BY FLOOR TO FLOOR FASTENERS I. Q. GLASS: RADIANT HEAT GLASS CUSTOM OPERABLE VENT SYSTEM
RESIDENTIAL SLAB ASSEMBLY 9” CONCRETE SLAB 3/4” REBAR 10” O.C. RADIANT FLOOR HEATING 2.5” CONCRETE TOP 2”x 4” x 1” HARDWOOD FLOOR
CORRIDOR WALL ASSEMBLY 3/4” GYPSUM BOARD 4” LIGHT GAUGE METAL FRAMING BATT INSULATION GYPSUM BOARD 1” METAL FRAMING 24” x 48” HUNTER DOUGLAS TILE LED COVE LIGHTING
EXTERIOR TERRACOTTA WALL ASSEMBLY 3/4” GYPSUM BOARD 4” LIGHT GAUGE METAL FRAMING 4” RIGID INSULATION PROTECTIVE FILM WIND BARRIER EUROFOX FRAMING SYSTEM: XLT-v-100 1-4” x 24-48” TERRACOTTA TILE
RESTAURANT EXTERIOR WALL ASSEMBLY
3/4” GYPSUM BOARD 4’ LIGHT GAUGE METAL FRAMING 4” RIGID INSULATION PROTECTIVE FILM DORALCO METAL-FACED COMPOSITE PANEL SYSTEM
LOUNGE DROP CEILING ASSEMBLY CEILING TIES 24”-48” CLOTH ACOUSTICAL PANEL
RESTAURANT WINDOW ASSEMBLY
4” LIGHT GAUGE METAL FRAMING HOPE’S WINDOWS: JAMESTOWN 175 SERIES
JMSTEWART56@GMAIL.COM | SYRACUSE UNIVERSITY SCHOOL OF ARCHITECTURE
47
JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
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Ground Floor
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1. Main restaurant lobby 2. Market housing lobby 3. Economy housing lobby 4. Cafe / eatery 5. Cafe 6. Culinary supply store 7. School merchandise store 8. Retail store 9. Loading dock
P-1 +6’ plan
scale 1/8” = 1’
16’
8’
4’
Floor 02
N 0’
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1. Restaurant waiting area 2. Restaurant 3. Main kitchen 4. Cold storage 5. Teaching kitchen 6. Dry storage 7. Classroom 8. Loading dock 9. School lobby
P-2 +20’ plan
scale 1/8” = 1’
16’
8’
4’
Floor 03
N 0’
SOUTH SECTION 48
JMSTEWART56@GMAIL.COM | SYRACUSE UNIVERSITY SCHOOL OF ARCHITECTURE
JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
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1. Lounge / bar 2. Teaching theater 3. Classroom 4. Meeting room / class room 5. Theater lobby
P-3 +32’ plan
scale 1/8” = 1’
16’
8’
4’
N 0’
Floor 04, 06
Floor 05, 07 P-4 +44’ plan
scale 1/8” = 1’
16’
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WEST SECTION JMSTEWART56@GMAIL.COM | SYRACUSE UNIVERSITY SCHOOL OF ARCHITECTURE
49
JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
SMART FACADE DESIGN
South Facade -ETFE + radient glass double skin 50
North Facade - undulating terracotta rainscreen with parallel pop-out windows
JMSTEWART56@GMAIL.COM | SYRACUSE UNIVERSITY SCHOOL OF ARCHITECTURE
JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
VIEW OF NORTH FACADE AND SITE ENTRANCE
JMSTEWART56@GMAIL.COM | SYRACUSE UNIVERSITY SCHOOL OF ARCHITECTURE
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