Joana Cravo
portfolio
name| Joana Filipa Guerreiro Cravo address| Rua real de cima, 441 Código postal| 4460-395 Matosinhos - Porto Portugal e.mail| joanacravoxs@gmail.com date of birth| 09.07.1989 education and work | Master’s Degree in Architecture by Lusíada University of Oporto
Languages knowledge | Certificate of Advanced language in English Basic notions of Spanish Domain of the Office sotware, Adobe ID, IL, PS, Autocad, Archicad, Sketchup, Artlantis and also had and intensive course of Revit. .
[
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Intership in “Psaa.arquitectura”
The certificate of my intership
index Human Figure Drawing
page 01
Sketches
page 03
Geometric drawing
page 05
Landscape drawing
page 07
Projects Project |
page 09
Project ||
page 14
Project |||
page 21
Project IV
page 28
Human figure drawing
Human drawing sketches with pencil and charcoal
01
Building drawing
Random buildings, chacoal experience
Tipical Oporto building sketches with pen
03
Geometric drawing
Perspective drawings in pencil
05
Landscape drawing
Landscapes sketches with china ink pen
07
PROJECTS
PROJECT i
Project I The lot located at the Currais Street in front of the Lusíada University
of
Porto,
is
an
abandoned lot with great potential for an urban park. Just having one access road and being surrounded by gables, the project developed started
with
the
creation
of
pathways that gave breadth and experience
to
the
site.
With
influences from the ‘Team 10’, including Charles Eames,
three
'transparent'
were
blocks
developed. These blocks are the new art and cultural space, such as residences for visitors and users.
09
Plan elevation 78
Plan elevation 81
10
Plan elevation 84
Faรงades
11
Sections
12
Models
13
PROJECT ii
PROJECT iii In the city center (Boavista), given the disorganization and disruption of the lot, I tried to reflect the best way to retrain and create an open space in city. The idea of continuity and closure of the block, comes with the need to drawn people to move in and create a higher POPULATIONAL DENSITY. building
For was
that
purpose,
designed
a
unfolding
several urban fronts, (October 5th Street and Mouzinho Albuquerque plaza) letting you choose from a wide but cozy place.
14
Plan elevation 80
Roof plan
15
Plan elevation 83
Plan elevation 86
16
Plan elevation 88.70
Plan elevation 91.40
17
Faรงades
Typological schemes
Models and renders
18
Faรงade and Section
Detailed Section
Render
Render
19
PROJECT iii
PROJECT iii Given the importance of Rio Douro, I studied the proposed lot for the intervention which we had to intervene. Following my research I drawn a green space, and an urban park that provided a lodge to referential Oporto and also Gaia. I also planned new social facilities by rehabilitating existing buildings and created new ones in order to revitalize the escarpment. Porto’s wine cellars were one of the references in both cases by their form and their roofs, because it is a main feature in the border city of Gaia. The city is organized, in a higher plan, with a more consolidated
mesh,
and
will
be
fragmented, as we approach the river. Since Pillar Sierra is a space with an enormous
collective
potential,
but
closed to the outside I proposed a broad space the gives people a privileged overview to the frequently unknown Rio Douro..
21
The initial idea was the restoration of the monastery itself , more precisely the third southerly most slightly distanced from the body adjacent to the church of Serra do Pilar. After a careful study of the church and monastery, I found that half of the building was built later than the church - (pointed out in a yellow rectangle on the right) . So, I approached the same language: two bodies fixed to the ground , lined with vertical openings recalling the old elevation . These two have bodies bearing an area of ​warehouses and loading and unloading areas. The longitudinal building made ​me work with metric rooms , workshops in a way to link them through interior galleries . The building entrance will appear through a ramp, that will appear softly on the ground. This details will guide people to a more welcoming space extended beyond the main volumetries to receive a reasonable number of users. After this first step we are led through a corridor to a larger reception area with a bright space that describes the entry a larger auditorium ( black box ) .
22
First Floor Plan
South Faรงade
23
Second Floor Plan
North Faรงade
24
Section AA’
Section BB’
Section CC’
Section DD’
Section EE’
Section AA’
Section BB’
Section CC’
Section DD’
Section EE’
25
Roof plan
First floor plan
Second floor plan
Detailed Secction
26
PROJECT iV
PROJECT iV The project developed in project IV was based on my master thesis. The thesis aims to show the importance of maintaining and protecting historical manifestations that are frequently lost in time. Our intervention takes place in Melgaço, a town located in the north of Portugal. Melgaço’s territory claims its own identity through its patrimony, history, culture and tradition, heritage. On daily basis we are surrounded by historical manifestations that proclaim and show us the need to be perpetuated as a reference. This recognition is frequently trigged by mankind that besides building it, it also has the power to destroy and forget it. Lar da Saudade, it’s a house that belongs to the Brazilian Modern Movement. The house and the belonging farm were requalified and then inserted in a cultural circle that already exists in Melgaço. We worked with a comparative method related to three reference cases: Araras Cultural Center, São Paulo, Brazil; SESC- Pompey fabric, São Paulo, Brazil; Serralves Foundation, Porto, Portugal and our practical case. As a result of the method used, we built a project that reaches all the demands and teachings established before and during the research. The main purpose of this research is to show and remind the architect’s ability and active awareness of its surrounding and also his active participation towards elements that enhance culture and preserve history.
28
Roof Plan
South Faรงade
29
Roof plan of the Farm “Quinta da Saudade”
West Façade of the farm and the house
30
East façade of the farm
Section AA’
Section BB’
Section CC’
31
Roof plan
Perspective drawing
32
First floor plan
1. main hall 2.living room 3.study area 4.reception 5.staff kitchen 6.private entrance 7.private entrance 8.bathroom 9.staff bathroom 10.office 11.balcony 12.restroom
33
Basement plan
1.load and unload area 2.restroom 3.pumps room 4.small archive 5.restroom 6.storage 7.private entrance 8.archive 9.selection and handling the material room
34
West façade
East façade
North façade
South façade South façade
Section North façade
35
North faรงade
Photos with some inside details
36
Roof plan
2. 3. 1.
6. 4.
5.
1. Kitchen 2. Cafeteria 3. Open space/gallery 4. outside place 5. restroom
First floor plan
Photos of the actual barn
37
Section A
8 .
Section B Second floor plan
7. Office and storage 8. Restroom
D A
B
C
Section C
Section D
38
Render
Render
Perspective Render Detaiiled section
39