Joe Stevens: Landscape and Industry
indEst v3.indd 1
7/6/11 09:29:34
indEst v3.indd 2
7/6/11 09:29:37
Landscape and Industry This exhibition of photographs at the Lighthouse, Poole’s Centre for the Arts, shows the traces of histories, the remains of old infrastructures and the development of new ones.
the individuality conferred on things by the marks of time and use. They focus on the signs that speak of the realities of contemporary life, of personal experience, of the flow of continuity and change.
The idea behind this collection of work came about while Joe was working on an oral history project “Our Working Lives’ (www.ourworkinglives.org). A collection of memories about people’s jobs, how they found work, and the career advice they received in the 1940s and 50s. Working with Poole Museum, Joe found a lack of photographs in their archive of people at work and workplaces. There are many of Mayors, official functions and scenic places, but not so much of the everyday landscape that we travel through; the trading estates; the shops and its commercial landscape.
Joe’s interest is in landscape photographs that examine the changes made by humankind to the landscape, not just work in progress of alterations and maintenance, but also the layers of history. One of the wonders of photography is its ability to record in such great detail, revealing far more information than could have been observed at the time of exposure. In this “long look” of the photographic gaze, although human figures are as much as possible excluded from photographs the human presence is conspicuous.
This work is about exploration of the real world, of people and places. It is concerned with looking, closely and attentively. The works describe our world in all its fascinating ordinariness, its detail and diversity. They look beyond the spontaneous and dwell on the specific, the vernacular, on
This work is interested in engaging the present world; of recording places that have been shaped substantially — though not completely — by the activity of people. The photos draw attention to things that often go unnoticed. The way we see the world is shaped by habits, which often
indEst v3.indd 3
7/6/11 09:29:37
get handed to us. Some of our most basic ideas about what’s worth noticing, like “scenery,” and “landscape,” are cultural inventions. They represent values that we inherit but rarely challenge.
Landscape and Industry
Europeans once thought mountains were hideous! They were examples of God’s wrath, and didn’t show up in pretty pictures. Just as empty lots aren’t scenery for most of us today. We’re in the habit of tuning them out on the assumption that they’re ugly or uninteresting. I want to show that they can be beautiful — if you stop and really look. I try to encourage this through all the formal tricks of picture making, but really the most basic role of a photographer is pointing. By putting a picture on the wall, you’re saying, ‘look at this’.
April to September 2011.
An exhibition at the Lighthouse, Poole’s Centre for the Arts, in association with digital:works.
All rights reserved © 2011 Joe Stevens www.51degreesnorth.net/joe
What aspects we emphasize or de-emphasize when photographing and editing. Am I going out of my way to avoid the power lines, or do I consider them essential to the experience of the place?
indEst v3.indd 4
7/6/11 09:29:39
indEst v3.indd 5
7/6/11 09:29:41
indEst v3.indd 6
7/6/11 09:29:46
indEst v3.indd 7
7/6/11 09:29:49
indEst v3.indd 8
7/6/11 09:29:52
indEst v3.indd 9
7/6/11 09:29:55
indEst v3.indd 10
7/6/11 09:29:59
indEst v3.indd 11
7/6/11 09:30:02
indEst v3.indd 12
7/6/11 09:30:06
indEst v3.indd 13
7/6/11 09:30:09
indEst v3.indd 14
7/6/11 09:30:12
indEst v3.indd 15
7/6/11 09:30:15
indEst v3.indd 16
7/6/11 09:30:18