John w ford images of student works 2015

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JOHN W. FORD

STUDENT WORKS (past ten years)


Following are selected student images from McMaster University I teach in a completely interdisciplinary program, so the images Are indicative of 1st year to 4th year undergraduate students


First year drawings, white pastel on black paper


Above: White pastel on black paper, 19 x 25�; Emerald Bruce; 2015


Above: White pastel on black paper, 19 x 25�; Christina Ugge; 2015


Above: White pastel on black paper, 30 x 44�; Tiffany Mulholland; 2015


First year subtractive monotypes, interpreting white on black drawing


Above: Black lithographic ink on Arches 88, 22 x 30�; Joshua Woods; 2014


Above: White on black drawing on left, Black lithographic ink on Arches 88 on right, 22 x 30�; Laura Brandreth; 2014


Above: White on black drawing on left, Black lithographic ink on Arches 88 on right two pieces, 22 x 30�; Tess Visser; 2014


First year full colour monotypes


Above: Colour monotype using stencils and after-images, 22 x 30�; Jasmyne Smith; 2014


Above: Colour monotype using stencils and after-images, collaborative project, 30 x 66�; 2014


Above: Colour monotype using stencils and after-images, printed on fabric and paper, dimensions variable; Natalie Mann; 2015


First year gel medium and inkjet transfers on paper


Above: Gel medium and inkjet transfers on paper, 22 x 30�; Gillian Bochenek; 2014


Above: Gel medium and inkjet transfers on paper, 30 x 22�; Kelly Woodward; 2014


Above: Gel medium and inkjet transfers on paper, 22 x 30�; Tess Visser; 2014


Second year and higher students


ABEDAR KAMGARI, Gel transfer on mylar; 24 x 18” (left), and LYDIA SANTIA, Gel transfer and inkjet transfer on paper; each 7 x 4”, 2013.


MARY DUNCAN, Gel transfer on sea shells; Life sized, 2013.


ALICIA GIANSANTE, Gel transfer on mylar; Life sized, 2012.


ISABEL KNEZ, inkjet transfers and transparencies, cut and formed to shape, Sharpie on mylar, additional materials; 11 x 17�, 2011.


LAURA PETERSON, inkjet transfers on paper, transparencies, mixed-media book form; each book is about 4 x 4�, 2011.


MAGGIE BEAL, inkjet transfer, mixed-media; Dimensions variable, generally palm-sized, 2011.


LISA PERLMAN, Installation of monotype images cut to shapes of houses; Dimensions variable, 2012.


JAVIER CAIDEDO-BONILLA, Photo images on mylar, collaged on paper; Each is 30 x 22�, 2011.


ABEDAR KAMGARI, Photoshop collage printed on Somerset; 12 x 24�, 2013.


LEANNE GROSSI, Photoshop collage printed on Somerset; 12 x 24�, 2013.


LEAH McKENSIE, Photoshop collage printed on Somerset; 12 x 24�, 2013.


MARY-CATHERINE McCARTHY, Mixed-media objects, maximum 8” tall, 2012.


ISABEL KNEZ, Mixed-media objects, maximum 6� tall, 2011.


RACHEL TIRONE, inkjet transparencies, cut and formed to shape, graphite on paper, 2011.


ISABEL KNEZ, inkjet transfers and transparencies, cut and formed to shape, additional materials, 2011.


ANNIE E. FRASER, inkjet transfers on paper, other mixed-media, 2012.


ANNIE E. FRASER, Mixed-media low-relief including transfer on paper, tin, canvas; 18 x 18”; Mixed-media with library furniture; 36 x 48”, 2012.


MARY-CATHRYN McCARTHY, Gel transfers and mixed-media on cloth, wood, and selected objects; Dimensions variable, 2012.


RYAN BREUER, Self-portrait on canvas; 60 x 48�, 2013.


DINAH HAMED, Self-portrait on canvas; 60 x 48�, 2013.


CHRISTOPHER McLEOD and SONIA STOUTH, Self-portraits on canvas; 60 x 48”, 2012.


LIVIA TSANG and IANITZA VASSILEVA, Self-portraits on canvas; 60 x 48”, 2012.


EMILY TEREJKO, Acrylic paint on canvas; 36 x 48” and 48 x 36”, 2013.


NIKKI TO, Acrylic on canvas; 35 x 72” and 34 x 30”, 2013.


LIVIA TSANG, Acrylic on canvas; each is 36 x 60”, 2012.


EMMERS AND COFFELL, Installation made from etched glass, parchment, monofilament; Dimensions variable, 2005


NATALIE JACHYRA, video, projection through glass onto wall resulting in multi-pane amplification of image, dimensions variable, 2013


NATALIE JACHYRA, video, projection onto objects, dimensions variable, 2013


DAVID YOON, small model door installed in various locations throughout city of Hamilton, dimensions variable, 2013


VANJA SKORIC, natural white pigment applied to grape vine in natural environment, dimensions variable, 2013


ABEDAR KAMGARI, site-specific installation made of toast, plastic bread sacks, and monofilament, dimensions variable, 2014


ABEDAR KAMGARI, site-specific installation made of toast, plastic bread sacks, and monofilament, dimensions variable, 2014


SHREYA YUGENDRANAG, site-specific installation made of foil applied to wall and fixtures, dimensions variable, 2013


Following are selected student images from 2006-2010, while teaching in my current position at UNC Charlotte. As I am the only full-time professor of Print Media, I am responsible for teaching Silkscreen, Lithography, Intaglio, Relief, and we also incorporate many aspects of Digital and Mixed-media/methods. I am constantly amazed by the variety of ways students employ Print Media methods to serve their work. This crosssection of work has been made by Print Media majors as well as non-print majors, and students from outside the art program.


SILKSCREEN / RELIEF


Left: Photo silkscreen and relief printing, 22 x 24�; Leah Daniel; 2007 Right: Photo silkscreen and relief printing, 24 x 22�; Leah Daniel; 2007


Left: Photo silkscreen, 22 x 30�; Angela Mirilovich; 2010 Right: Photo silkscreen, 22 x 17�; Angela Mirilovich; 2010


Left: Photo silkscreen and other stencil methods, 22 x 27�; Suje Garcia; 2010 Right: Photo silkscreen and other stencil methods, 20 x 30�; Suje Garcia; 2010


Above: Photo silkscreen, 22 x 30�; Tamara Brown; 2010


Left: CMYK silkscreen, 12 x 18”; Adam Anderson; 2010 Right: CMYK silkscreen, 9 x 12”; Celeste Cronrath; 2007


Left: Photo silkscreen, 22 x 30”; Mary Miller; 2010 Right: Photo silkscreen, 30 x 22”; Mary Miller; 2010


Above: Woodcut printed on cloth, with intaglio printing and hand-coloring, 24 x 42�; Jessica Alford; 2010


Left: Linoleum relief print with silkscreened text, 30 x 18”; Lacey Beam; 2009 Right: Linoleum relief print with silkscreened text, 30 x 18”; Lacey Beam; 2009


Left: Linocut, 24 x 18”; Nicholas Garris; 2010 Right: Linocut, 20 x 18”; Nicholas Garris; 2010


LITHOGRAPHY


Photocopy transfer and monoprint; 18 x 24�; Rodicci Simon; UNC at Charlotte, 2007


Above: Hand drawn lithograph on stone using crayons, rubbing stick, and ballpoint pen, 22 x 30�; Chad Hammond; 2009


Left: Hand drawn lithograph on stone, with deletions and re-working, 22 x 18�; Amber Watts; 2008 Right: Hand drawn lithograph on stone, with deletions and re-working, 22 x 30�; Kelly Bieliauskas; 2009


Above: Hand drawn lithograph on stone using crayons and scratching, 18 x 24�; Cherish Rosas; 2009


Left: Xerox transfer onto stone, 24 x 18�; Mykell Gates; 2010 Right: Xerox transfer onto stone, 24 x 18�; Donna Thomas; 2010


Left: CMYK litho using Kimoto Poly-plate, 11 x 8.5�; Amber Watts; 2008 Right: CMYK litho using Kimoto Poly-plate, 8.5 x 11�; Kristina Elshoff; 2009


Left: CMYK litho using Kimoto Poly-plate, 8.5 x 11�; Nick Garris; 2008 Right: CMYK litho using Kimoto Poly-plate, 11 x 8.5�; Chad Hammond; 2009


INTAGLIO


Left: Photo-intaglio, 12 x 18”; Nick Garris; 2009 Right: Photo-intaglio, 12 x 9”; Nick Garris; 2009


Left: Photo-intaglio, first project using photo-transparency, text, and hand-drawn imagery (also Chine-collé), 4 x 18”; Adam Anderson; 2010 Right: Photo-intaglio, first project using photo-transparency, text, and hand-drawn imagery, 4 x 24”; Natalie Childress; 2008


Left: Photo-intaglio, multi-plate printing, 9 x 24�; Erica Miller; 2010 Right: Photo-intaglio, multi-plate printing, 9 x 24�; Erica Miller; 2010


Left: Photo-intaglio, multi-plate printing, 30 x 22�; Broderick Hogue; 2010 Right: Photo-intaglio, multi-plate printing, 22 x 30�; Broderick Hogue; 2010


Left: Drypoint on plexiglass, 18 x 12�; David Banneminavong; 2007 Right: Drypoint on plexiglass, 12 x 9�; Britney Briles (assignment: emulate notable print artist, in this case Hayter); 2010


Left: Drypoint on copper, 6 x 9”; Laura Smith; 2007 Right: Drypoint on copper, 6 x 9”; Neal Clayton; 2007


Above: Drypoint on aluminum with Chine-collé, 22 x 30”; Jessica Alford; 2010


ALTERNATE PROCESSES / MIXED MEDIA


Left: Aluminum drypoint, photo-intaglio, collage, and sewing onto rag paper, 30 x 22�; Jessica Alford; 2010 Right: Aluminum drypoint printed onto fiber-based, silver-based, photographic paper, 17 x 12�; Jessica Alford; 2010


Above: Mixed media using printed elements, acrylic transfer, found objects, gold leaf, and paint on panel, 41 x 33�; Amber Watts; 2009


Above: Mixed media using printed elements, acrylic transfer on 4 layers of mylar, antique brackett, and paint, 41 x 33�; Amber Watts; 2010


Above: Mixed media using photo-screen printed elements, large-scale digital print-out, and paint on panel, 60 x 76�; Darren Goins; 2009


Above: Mixed media using photo-screen printed elements, large-scale digital print-out, and paint on panel, 60 x 65�; Darren Goins; 2009


Above: Mixed media using photo-screen printed elements, found objects, and paint on panel, 60 x 70�; Darren Goins; 2008


Left: Silkscreen on panel, printed and die-cut elements on magnetic sheet, stuck on magnetic gesso with acrylic paint, 30 x 22�; Nick Garris, 2010 Right: Silkscreen on panel, printed and die-cut elements on magnetic sheet, stuck on magnetic gesso with acrylic paint, 36 x 30�; Nick Garris, 2010


Above: Various finished and works in progress, screen print and acrylic on panels; Nick Garris, 2011


Above: Silkscreen on cloth, 24 x 30�; Tamara Brown, 2010


Left: Silkscreen on cloth then made into quilt, 30 x 18”; Tamara Brown, 2010 Right: Silkscreen on cloth then made into quilt, 28 x 34”; Tamara Brown, 2010


Above: Acrylic transfer and monoprint on fabric with sewing, 78 x 56�; Patricia Byrd, 2006


Above: Silkscreen and acrylic paint on canvas, 36 x 90�; Suje Garcia, 2010


Above: Digital print and hand lithograph on posterboard (“Tool for Spelling Four Letter Words), each view is 3 x 12�; David Sackett; 2008


Upper left-clockwise: Lithograph on stone, cut and sewn lithograph, photo-transfer on cardboard, cut, shaped, and photographed with special lighting effects; Dimensions variable; 3rd Year BA Architecture Student Cherish Rosas; 2009


Above: Silkscreen on poster board, scored and folded, dimensions variable�; Jason Chandler; 2010


Fourth Year BFA Sculpture Student; MDF, plywood, and hardware – an “edition” of FEMA trailers. (UNC Charlotte, 2008)


Fourth Year BFA Photography Student; Made of found objects, silver-based photography, and acrylic transfer methods. (UNC Charlotte, 2008)


Fourth Year BA Print Media Student; Made of altered found objects and silkscreen printing methods. (UNC Charlotte, 2009)


Fourth Year BA Print Media Student; Made of wood, hardware, and silkscreen printing methods on glass. (UNC Charlotte, 2009)


Above: BFA thesis exhibition, inkjet printing, paper with wax, string, test tubes, shadow box, wire, and human hair, dimensions variable; Jason Chandler; 2010


Above: BFA thesis exhibition, inkjet printing, paper with wax, string, test tubes, shadow box, wire, and human hair, dimensions variable; Jason Chandler; 2010


Above: BFA thesis Installation of screen-printed paper, folded; Dimensions variable, 26 feet wide; Liliya Kerusenko; 2006


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