The George G. Matthews Collection of Western Art

Page 120

MORTON KÜNSTLER 1931 - 0000 Though widely known for his Civil War paintings today, Morton Künstler’s career as a painter has been long and varied. Mort demonstrated a talent for art very early on, attending art classes on Coney Island. With the encouragement of his parents he managed to become a skilled artist by the time he was just 12 years old. After high school he pursued a formal art education, attending Brooklyn College, University of California, Los Angeles, and Pratt Institute, Brooklyn, New York.

producing meticulously researched historical paintings of the Civil War, Künstler became the most respected Civil War artist. Pulitzer Prize-winning historian James McPherson said, "Of all the artists working in the Civil War field," he observes, "none captures the human element, the aura of leadership, the sense of being there and sharing in the drama, quite like Mort Künstler. He has that enviable talent of being able to re-create history on canvas and to translate events into art.” In 1992 Künstler was commissioned to produce a painting of the Buffalo Soldiers for the U.S. Postal Service, which was issued in 1994.

In the 1950s Künstler worked as an illustrator in New York City, producing illustrations and covers for Male, Stag, For Men Only, and True Adventures magazines. By the 1960s he was producing illustrations for more mainstream publications, like the The Saturday Evening Post, Field & Stream, Newsweek, Good Housekeeping, Argosy, and National Geographic. In fact, he was so prolific that he sometimes illustrated under other names such as Martin Kay and Emmett Kaye, so that a magazine appeared to be using more than one illustrator. During this time he also illustrated movie posters, including posters for The Poseidon Adventure and The Taking of Pelham One Two Three.

In 2011, Künstler was commissioned to paint Washington crossing the Delaware. Washington's Crossing was unveiled at the New York Historical Society on December 26, 2011 to great critical acclaim, which eventually led Künstler to begin a major body of work on the American Revolution in 2013. Other subjects featured in Künstler’s paintings have included: World War II, the Korean War, the Vietnam War, the Oklahoma Land Rush, immigrants on Ellis Island, and the Space Shuttle Columbia.

By the early 1970s Künstler’s work began to attract the attention of collectors. And, by the late 1970s his primarily Western paintings were featured in a one-man exhibition at the Hammer Gallery in New York City. More than a dozen more one-man exhibitions at the Gallery followed over the years. In 1982 Künstler was commissioned by CBS to do a painting for the television mini-series The Blue and the Gray. The painting, titled High Water Mark, was unveiled at the Gettysburg National Military Park in commemoration of the 125th anniversary of the battle. Focusing on

Künstler’s paintings are in the permanent collections of more than 50 museums. His paintings have been exhibited in more than 60 one-man shows in museums nationwide and have been featured in more than 20 books, which have sold over 500,000 copies. But, claims Künstler, who still lives and paints in Oyster Bay, New York, “I never worked a day in my life.”

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Hubert Wackermann

2min
pages 254-259

Richard D. Thomas

2min
pages 248-253

John Paul Strain

2min
pages 242-243

Karl Thomas

2min
pages 246-247

Lyle Tayson

2min
pages 244-245

Ron Stewart

1min
pages 238-241

Oleg Stavrowsky

2min
pages 234-237

Don Spaulding

1min
pages 226-227

Gene Speck

2min
pages 228-233

Irvin Shope

2min
pages 224-225

William Steve Seltzer

1min
pages 222-223

David Sanders

2min
pages 214-217

Alfredo Rodriguez

3min
pages 204-211

William Rushing

1min
pages 212-213

Conrad Schwiering

1min
pages 218-219

Gary Lynn Roberts

3min
pages 198-203

Olaf Carl Seltzer

2min
pages 220-221

Mack Ritchie

1min
pages 196-197

Douglas Ricks

2min
pages 194-195

Robert Pummill

3min
pages 182-187

Leonard H. Reedy

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pages 188-189

Chuck Ren

2min
pages 190-193

John Phelps

2min
pages 178-179

Tom Phillips

2min
pages 180-181

Don Oelze

3min
pages 176-177

Jim C. Norton

3min
pages 168-175

John Moyers

2min
pages 166-167

Gerald McCann

2min
pages 142-143

Mitchell Mansanarez

1min
pages 138-141

David Mann

3min
pages 134-137

Frank McCarthy

2min
pages 144-147

Wendell Macy

1min
pages 132-133

Gerry Metz

1min
pages 148-153

Lanford Monroe

2min
pages 164-165

Kim Mackey

3min
pages 130-131

Dustin Lyon

1min
pages 128-129

Ted Long

2min
pages 124-127

Hayden Lambson

1min
pages 122-123

Morton Künstler

2min
pages 120-121

Harvey Johnson

2min
pages 116-117

Thomas Kinkade

3min
pages 118-119

John Jarvis

1min
pages 114-115

Heinie Hartwig

3min
pages 112-113

Robert Farrington Elwell

2min
pages 94-95

Raul Gutierrez

1min
pages 102-103

Carl Hantman

2min
pages 108-111

David Halbach

1min
pages 104-107

Martin Grelle

1min
pages 100-101

Joe Ferrara

1min
pages 98-99

John Fawcett

2min
pages 96-97

Charlie Dye

2min
pages 92-93

Robert Duncan

2min
pages 84-91

Austin Deuel

2min
pages 78-81

Gene Dodge

2min
pages 82-83

John DeMott

2min
pages 74-77

Stan Davis

1min
pages 70-73

Don Crowley

2min
pages 68-69

Sheila Cottrell

1min
pages 66-67

Jim Carson

3min
pages 44-55

Michael Coleman

1min
pages 56-61

Guy Corriero

2min
pages 64-65

Nicholas Coleman

2min
pages 62-63

Paul Calle

3min
pages 40-43

Don Brackett

2min
pages 34-35

Dan Bodelson

2min
pages 30-33

Reynold Brown

2min
pages 36-39

Paul Abram, Jr

1min
pages 16-19

Roy Andersen

2min
pages 26-29

William Ahrendt

2min
pages 22-25

INTRODUCTION

3min
page 15

Cassilly Adams

2min
pages 20-21
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