The George G. Matthews Collection of Western Art

Page 62

NICHOLAS COLEMAN 1978 - 0000 Born in Provo, Utah, Nicholas Coleman has been drawing and painting for as long as he can remember. His father, Michael Coleman, encouraged him to paint and draw as a child and has had a substantial influence on Nicholas’ work. Nicholas recalls his father’s advice to him when he was thinking about becoming an artist, “He asked, ‘What do you think about before you go to bed at night?’ I said, ‘What I'm going to paint the next day.’ He's like, ‘Well, that's good. That's the answer I wanted to hear, because if there was anything else, I was going to say, do that.’” By the time he was 21 years-old he says, “I knew I wanted to be an artist like my dad. And, I never thought it was easy, it's just one of those funny things that you enjoy, that you love and appreciate. And then you hope someone else is out there that has that same love and appreciation and is willing to pay you money to do it. But I count myself quite fortunate, and my father as well, to be doing this.”

continue to improve. Nicholas works in both gouache and oil. He describes his style as realistic with an impressionistic feel. “I think when it comes to my paintings, [they’re] just a reminder that it's out there still. I do like to make things timeless [so that you] just look at it and you go, ‘Yeah, that could be now or that could be 100 years ago.’ And, I want to keep that. There is something about hunting that feels old-fashioned even though we're living in modern times, and I think some people think, ‘Oh, we're too civilized.’ The world is not civilized.” When asked how he’d like to be remembered, Nicholas says, “I think any honors of men are transitory. I think I'd like to be remembered, hopefully, as just someone who shares their passion and enthusiasm and the love of the outdoors. And, it happened to be with artwork. I think that might be the way to be remembered, … I'm not sure how much future we have left going forward, but I doubt I'll make it in any of our history books or even a footnote. And, I don't think that's the goal. But it sure would be nice to be in a book of some kind.”

Nicholas remembers his father saying, "You're only as good as your last painting,” advice which he has taken to heart and remembers in order to help motivate him to

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Hubert Wackermann

2min
pages 254-259

Richard D. Thomas

2min
pages 248-253

John Paul Strain

2min
pages 242-243

Karl Thomas

2min
pages 246-247

Lyle Tayson

2min
pages 244-245

Ron Stewart

1min
pages 238-241

Oleg Stavrowsky

2min
pages 234-237

Don Spaulding

1min
pages 226-227

Gene Speck

2min
pages 228-233

Irvin Shope

2min
pages 224-225

William Steve Seltzer

1min
pages 222-223

David Sanders

2min
pages 214-217

Alfredo Rodriguez

3min
pages 204-211

William Rushing

1min
pages 212-213

Conrad Schwiering

1min
pages 218-219

Gary Lynn Roberts

3min
pages 198-203

Olaf Carl Seltzer

2min
pages 220-221

Mack Ritchie

1min
pages 196-197

Douglas Ricks

2min
pages 194-195

Robert Pummill

3min
pages 182-187

Leonard H. Reedy

0
pages 188-189

Chuck Ren

2min
pages 190-193

John Phelps

2min
pages 178-179

Tom Phillips

2min
pages 180-181

Don Oelze

3min
pages 176-177

Jim C. Norton

3min
pages 168-175

John Moyers

2min
pages 166-167

Gerald McCann

2min
pages 142-143

Mitchell Mansanarez

1min
pages 138-141

David Mann

3min
pages 134-137

Frank McCarthy

2min
pages 144-147

Wendell Macy

1min
pages 132-133

Gerry Metz

1min
pages 148-153

Lanford Monroe

2min
pages 164-165

Kim Mackey

3min
pages 130-131

Dustin Lyon

1min
pages 128-129

Ted Long

2min
pages 124-127

Hayden Lambson

1min
pages 122-123

Morton Künstler

2min
pages 120-121

Harvey Johnson

2min
pages 116-117

Thomas Kinkade

3min
pages 118-119

John Jarvis

1min
pages 114-115

Heinie Hartwig

3min
pages 112-113

Robert Farrington Elwell

2min
pages 94-95

Raul Gutierrez

1min
pages 102-103

Carl Hantman

2min
pages 108-111

David Halbach

1min
pages 104-107

Martin Grelle

1min
pages 100-101

Joe Ferrara

1min
pages 98-99

John Fawcett

2min
pages 96-97

Charlie Dye

2min
pages 92-93

Robert Duncan

2min
pages 84-91

Austin Deuel

2min
pages 78-81

Gene Dodge

2min
pages 82-83

John DeMott

2min
pages 74-77

Stan Davis

1min
pages 70-73

Don Crowley

2min
pages 68-69

Sheila Cottrell

1min
pages 66-67

Jim Carson

3min
pages 44-55

Michael Coleman

1min
pages 56-61

Guy Corriero

2min
pages 64-65

Nicholas Coleman

2min
pages 62-63

Paul Calle

3min
pages 40-43

Don Brackett

2min
pages 34-35

Dan Bodelson

2min
pages 30-33

Reynold Brown

2min
pages 36-39

Paul Abram, Jr

1min
pages 16-19

Roy Andersen

2min
pages 26-29

William Ahrendt

2min
pages 22-25

INTRODUCTION

3min
page 15

Cassilly Adams

2min
pages 20-21
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