The George G. Matthews Collection of Western Art

Page 96

JOHN FAWCETT 1952 - 0000 John Fawcett was born and raised in Cedar Rapids, Iowa. John grew up with a passion for horses, his family owned a few, and John’s first horse was a mare he named Copper. John’s other passion was drawing. “I started drawing at an early age,” says Fawcett. “I would just lose myself in drawing and learning about any kind of art.” But says Fawcett, “I was always really interested in art and my parents were very supportive, but I didn’t have any formal art training. All through high school, college and vet school, I did artwork for student newspapers and yearbooks, but I never considered art for a career.”

practice during the day and painting at night and on weekends.” Then, “One day I was talking to my stepfather, who was a physician, and he asked, ‘When you do art, do you think about veterinary medicine?’ I said no. Then he asked, ‘When you do surgery, do you think about art?’ I said, ‘Yes, all the time.’” Fawcett sold his veterinarian practice and devoted himself full-time to painting, first in watercolor and then later venturing into oil painting. The choice to focus his work on the Western genre was an obvious one for Fawcett. The training and experience as an equine veterinarian that has given him special insight into horse anatomy and his love of Western landscapes and vistas are both clearly evident in his paintings. “You paint what you know best and have a passion for,” he says, “and I was passionate about Western art.” “I like to make the viewer smell the horse, hear the hoof beats, and have all their senses taken in by the painting.”

Pursuing instead his interest in horses and animals in general, Fawcett attended the University of New Hampshire majoring in pre-veterinary medicine and earned his doctorate from Iowa State University in 1978. Following graduation, Fawcett received a job offer in Pennsylvania, where he interned and decided to stay. For the next eighteen months he worked both as an equine and small animal veterinarian. However, he says, “After a year and a half of working for someone else, I opened my own practice,” which over the next 20 years grew to include five veterinarians.

Fawcett is unusual among Western artists with regard to the artists he says have influenced his style. “I like Sargent, Winslow Homer, and Anders Zorn and the narratives they evoke,” he says.

In 1991 Fawcett traveled to Tucson to see the Mountain Oyster Club’s annual Western art show, which changed his life. “I was enthralled by Western art,” says Fawcett. That experience caused him to seriously consider pursuing art as a career. “I had a burning desire to pursue art, but I was really having a hard time making a decision,” says Fawcett. For the next five years Fawcett says, “I was running my

Today Fawcett and his wife divide their time between their horse farm in Pennsylvania and their ranch in Clark, Colorado. “In Colorado, the studio is in my home,” he says. “In Pennsylvania, my 1,800-square-foot studio is separate from the house in an Amish-built, timber-frame barn.”

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Hubert Wackermann

2min
pages 254-259

Richard D. Thomas

2min
pages 248-253

John Paul Strain

2min
pages 242-243

Karl Thomas

2min
pages 246-247

Lyle Tayson

2min
pages 244-245

Ron Stewart

1min
pages 238-241

Oleg Stavrowsky

2min
pages 234-237

Don Spaulding

1min
pages 226-227

Gene Speck

2min
pages 228-233

Irvin Shope

2min
pages 224-225

William Steve Seltzer

1min
pages 222-223

David Sanders

2min
pages 214-217

Alfredo Rodriguez

3min
pages 204-211

William Rushing

1min
pages 212-213

Conrad Schwiering

1min
pages 218-219

Gary Lynn Roberts

3min
pages 198-203

Olaf Carl Seltzer

2min
pages 220-221

Mack Ritchie

1min
pages 196-197

Douglas Ricks

2min
pages 194-195

Robert Pummill

3min
pages 182-187

Leonard H. Reedy

0
pages 188-189

Chuck Ren

2min
pages 190-193

John Phelps

2min
pages 178-179

Tom Phillips

2min
pages 180-181

Don Oelze

3min
pages 176-177

Jim C. Norton

3min
pages 168-175

John Moyers

2min
pages 166-167

Gerald McCann

2min
pages 142-143

Mitchell Mansanarez

1min
pages 138-141

David Mann

3min
pages 134-137

Frank McCarthy

2min
pages 144-147

Wendell Macy

1min
pages 132-133

Gerry Metz

1min
pages 148-153

Lanford Monroe

2min
pages 164-165

Kim Mackey

3min
pages 130-131

Dustin Lyon

1min
pages 128-129

Ted Long

2min
pages 124-127

Hayden Lambson

1min
pages 122-123

Morton Künstler

2min
pages 120-121

Harvey Johnson

2min
pages 116-117

Thomas Kinkade

3min
pages 118-119

John Jarvis

1min
pages 114-115

Heinie Hartwig

3min
pages 112-113

Robert Farrington Elwell

2min
pages 94-95

Raul Gutierrez

1min
pages 102-103

Carl Hantman

2min
pages 108-111

David Halbach

1min
pages 104-107

Martin Grelle

1min
pages 100-101

Joe Ferrara

1min
pages 98-99

John Fawcett

2min
pages 96-97

Charlie Dye

2min
pages 92-93

Robert Duncan

2min
pages 84-91

Austin Deuel

2min
pages 78-81

Gene Dodge

2min
pages 82-83

John DeMott

2min
pages 74-77

Stan Davis

1min
pages 70-73

Don Crowley

2min
pages 68-69

Sheila Cottrell

1min
pages 66-67

Jim Carson

3min
pages 44-55

Michael Coleman

1min
pages 56-61

Guy Corriero

2min
pages 64-65

Nicholas Coleman

2min
pages 62-63

Paul Calle

3min
pages 40-43

Don Brackett

2min
pages 34-35

Dan Bodelson

2min
pages 30-33

Reynold Brown

2min
pages 36-39

Paul Abram, Jr

1min
pages 16-19

Roy Andersen

2min
pages 26-29

William Ahrendt

2min
pages 22-25

INTRODUCTION

3min
page 15

Cassilly Adams

2min
pages 20-21
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